#to play a piano

[thatmoththoth]

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Little au concept:

What if in one of the different universes, Kayne explained more about his abilities when he first met Arthur, just to see what would happen. In this universe, john was the one who suggested that if things don’t work out Arthur would die and they would work things out in the dark world, In this universe John was the one with the knife, and in this universe, Arthur disagreed with John’s backup plan. When John drove the knife into Arthur’s neck Arthur felt betrayed despite living, and Kayne, after having so many similar conversations, assumes Arthur would want John back, and is surprised when he stands corrected.

Arthur decides that he’s sick of the world, sick of being betrayed by John and sick of himself, so he asks Kayne to help him do the same think Kayne once did. Kayne, intrigued and curious on what would happen if a mortal did so, agrees so long as Arthur can stomach the worst of it, so he takes Arthur to a universe where Arthur is happy. Sure he still experienced loss, not Faroe is alive and his pride and joy, where Arthur’s absence would be felt and hurt the person to whom he holds most of his regrets.

[red-robin-yum08]

New favorite thing in the dc canon:

Jason can play the piano flawlessly, and then there’s Tim.

[secretdazedragon]

[halloween-sweets]

[socallmedaisy]

absolutely obsessed with the implications of the different versions of the ballad now we have the full picture. it really is a masterclass in songwriting.

we start with nicky's version. the road is a metaphor for death, but it's about acceptance ("tame your fears, a door appears, the time has come to go"). it resolves musically, we end on the note we began on. it's in a major key, it sounds happy. it's a fun little tune.

agatha takes this and twists it in the version that plays over the montage of her killing covens. some of the chords are the same (A and D in the chorus) but they're minor versions now. it sounds dark and sad. agatha is grieving. when the other witches join in the harmonies are sinister, adding notes from the minor key. this becomes canonised in the sacred chant version: for 260 years agatha has been stuck grieving nicky.

enter lorna wu. her version is in a different key (p sure it's E flat major at the start). there are still some minor chords but the overall effect isn't the same, it's a major key. partly this is a trick of the instruments and the rock/pop vibe but we know there's a still a mother's grief about not being able to save her child (and herself?) in there, but she's more positive about this than agatha was: she accepts her own death, and she will protect alice if she can, but ultimately the road is still a metaphor about death and everyone walks it, but this time lorna changes the lyrics (the door doesn't appear to death in this version, it appears "to love that never dies" the people we love stay with us after death). and then the bridge. now a bridge musically takes us somewhere new, quite often it signals a key change, a turning point in the lyrics, something shifting. here I think the function is to show us that lorna is not accepting of agatha's static version of the ballad that has stayed the same (unable to move past her grief). the key modulates to a minor one (I think it's A minor), it's sad as lorna tells alice that though lorna will die, she'll always be with her: "if I can't reach you... if I can't hold you, remember what I told you". I think it's significant the last chorus is "we" go down, down, down the road. everyone walks the road to death. it's part of life. agatha can't accept this, but lorna does. she'll see alice at the end.

[this-too-shall-bleed]

Uhuhhh this was going to be a painting but this sketch has gripped me so I don’t think I’m going to touch it

I’m in shambles

[tshortik]

Mild rant from me about Hans Zimmer's involvement in Dragon Age:

I just think it's such sellout behavior to hire expensive movie composers (Zimmer is also known to be a transphobic asshole lol) known for their blockbuster soundtracks for your game when you already had the most iconic soundtrack ever for the previous installment, except the composer was lesser known.

Most people hear the swell of violins and immediately think it must be the best soundtrack ever, but if I am really honest, the DATV soundtrack so far sounds like the most generic slopfest with the laziest leitmotif I had the misfortune to hear in a long while.

Hiring people for their name alone is something I find incredibly shameful. Like I cannot even put into words how nasty it is in my eyes, because it actively takes away from lesser known creatives in the industry who could have made a name for themselves. And it doesn't matter to me if Zimmer only did the Main Theme or whatever, because in that case, it shouldn't be his name that is plastered everywhere but Balfe's! But everyone is talking about Zimmer anyway for exactly the reasons I already mentioned.

Even just the thought of how expensive this endeavor must have been... That money could have gone to other, more important places, easily. It makes the layoffs also that much more bitter in my eyes. Idk. I adore Dragon Age and I am still a huge fan and I will play it, but stuff like that make me angry. I don't need some Zimmer who has been sitting his ass on his laurels from 10 years ago in my franchise. I'd rather have a no name person, or Trevor Morris, to get a chance again.

[thatsbelievable]

[sempegzrd]

shes playing ::)

[natureaestheticdreams]

@natureaestheticdreamsfor for more 🥜

[jztr-77]

cat family

[thatmoththoth]

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[wigglybunfish]

Been rereading Little Women recently... or technically, properly reading it for the first time. The last time I touched this book was when I was ten, and the book I touched was a shortened chinese edition (or was it just the first half? anyway) Here are the sisters in 21 century post covid and I think Beth would've loved the groundbreaking invention that is the Hoodie

[nouveaullo]

[huariqueje]

Glassworks II - Louise Janet , 2023.

French , b. 1999 -

Oil on canvas , 26 x 36 cm.

[littleyellowleaves]

For Emily and Lucia, who travel together.