#to his mom and everyone else

[moonlit-typewriter]

“Percy being traumatized for 7 minutes” compilations this and “Percy nearly dying for 5 minutes straight” videos that.

Nah, I can’t wait for “Percy having problems with authority for 10 whole minutes”

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[wanderingdreamer009]

Süleyman being This is what I deem appropriate. Bite.Me... to everyone 🤣

[puppetmaster13u]

Prompt 266

Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 

See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 

And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 

And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 

The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 

How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 

Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 

The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 

They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 

And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 

Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 

Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 

…

Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 

[egophiliac]

oh, uh, this...this isn't Silver's backstory after all.

[insane-in-the-membranee]

I can forgive my father for all his wrongs against me, if only he had treated my mother differently. It is an echo, of what my mother says, "He may not be a good husband, but he is a good father." How do I tell her that one cannot exist without the other? He will never be a good father. He is not good to my mother.

—Reva

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[benjingle]

Anyways that labru cannibalism kink thing is crazy because Kabru saw his mom get fucking eaten

Why would you do that to him 😞 free him

[yuwuta]

fwb with satoru that leads to unplanned pregnancy that leads to you keeping it but you and satoru agreeing to coparent because it’s healthier to have a coparenting situation than be forced into a relationship because of a kid except satoru only agreed to coparent because you brought up and he couldn’t stand the idea of losing you before you got pregnant, much less now that you’re carrying his kid and now he’d kinda look like an opportunistic dick if he tried to make a move on you just because you’re pregnant so he doesn’t and it’s torture but he loves you so he’ll do anything to stay beside you but it’s proving to be reaaaaaally hard to just stay beside you and smile when you’re holding your tiny son in your hands and all satoru can think about is how he wants to kiss you call you his wife but you’re not even his girlfriend

[kagekitsuneoflight]

It’s kinda funny that Jason is, in every sense of the word, the most normal Robin. Unironically, there wasn’t anything uniquely special about him before he was Robin. He was a street kid. His dad was a goon (which makes sense for Gotham. It’s a goon breeding ground) and his adoptive mom was a girl who fell in love with the bad boy, got disowned by her upper middle class parents and adopted her boyfriend’s infant son. Even his biological mother isn’t anything special! She was just a doctor who ended up becoming corrupt.

Jason Todd was no circus kid who could do an impossible signature trick. He wasn’t being scouted by some evil hidden organization.

He wasn’t the rich boy genius who lived next door.

He’s not the son of a supervillain (as lame as cluemaster is, he still *counts*).

He’s not the secret son of Bruce Wayne.

And he’s not a metahuman, nor did he led a whole organization of teens to fight when Batman couldn’t.

He’s the most regular boy to ever enter become a hero in Gotham. He wanted to do good things for the sake of doing good. He grew up poor with regular parents, where bad things happened to them. The kinds of things that could happen to *any* person living in Gotham.

There is nothing about him, pre-Robin and as Robin, that makes him Not Like Regular Kids.

His dad was a goon (who, depending on the run, was either killed by Two-Face OR. Just sent to prison and killed in prison! Which makes his backstory even PLAINER-) and his mother was a drug addict with cancer. Jason ends up homeless, and almost steals the bat mobile tires. The only thing that makes him stand out from any other tragedy befallen kid in Gotham is the fact he was bold enough to do that, get Batman’s attention, and continue to be bold enough to go against a crime lord (who was apparently his grandmother, the most interesting person in his family, but since she’s almost never brought up, she’s likely no more significant than a one-issue villain in the crime lord power hierarchy). Batman realized that Jason wasn’t going to really stop, and honestly he kinda grew on him, so he decided to adopt Jason, and eventually allow him to become Robin.

There just isn’t anything amazingly special about his backstory. The few moments where something could have been done to make it more interesting (like his biological mother) but ended up taking the most boring option. You can’t do much of anything now to enhance his past without upsetting much more well established canon, and not without making people wonder “well if his grandmother was such a big name in crime, why hasn’t she been brought up before?”

Jason Todd was a wonderful Robin (providing that he actually has a writer who likes him). He has a golden heart, he’s the voice of reason. He’s everything that a Robin needs to be for Batman. But compared to everyone else, he was nothing special. In a way, his lack of Not Like Regular Kids makes him stand out in a much more subtle way.

As if someone asked the question “Do I need to be someone special to be Robin?��� And the answer was “You don’t need to be someone special, you just need to be brave, like Jason Todd was.”

[cupid-tune]

Some Earth C kids featuring Kankri...

[desultory-novice]

Treasured Treats

@jojo-schmo

[delicate-sketch]

saw a post about how people want will solace to have a gun because they don’t recognize the value of his healing powers which can be true but also

the whole thing in pjo is that for demigods fighting = autonomy and independence (which is why percy screams at the begging IT SUCKS TO BE A DEMIGOD) the idea is that the camp makes demigods safe (by teaching them how to fight) and any other type of labour isn’t that much valuable because they > don’t teach them that it is < / > they don’t live enough to need them <

The Harpies are the ones cleaning instead of themselves, the Ambrosia will heal instead of actual doctors (which puts a hell of pressure on Will when the ambrosia is not enough because he needs to treat those who are severely injured AND the light injured who already took way too much Ambrosia)

And I don’t think this was on purpose RR was just like “oh shit someone and something needs to do this boring stuff”

I think the camp should have an equilibrium going on like teach those kids valuable life skills (what is safe to eat in a forest how do I cook make themselves clean the dishes how do I treat an injurie without ambrosia ((this one for wills sake too)) how do I guide myself without a gps) and also what kind of fighting suits you because yeah in a world where monsters want to kick your ass you need to know how to defend yourself not because this is what makes you valuable but because it what makes you SURVIVE

[read-write-thrive]

Hospitals had never been the favorite location of either of the Dead Boy Detectives, and they usually refrained from even approaching the premises when at all possible. In the early days of the agency, it was too risky— too many dying or newly dead individuals meant Death was nearly impossible to escape, after all. Even now, with an expanded agency under the influence of the Night Nurse, and as such without immediate risk of hell if they strayed too close to Death, they still tried to avoid hospitals out of habit and for the comfort of all involved—the boys never knew when someone might see them (and it never stopped stinging when someone suddenly did) and it wasn’t exactly easy for the girls to just walk into a hospital without rousing suspicion. It was easier in some ways, these years later, now that the girls were adults and less likely to be seen as truants, but that newfound freedom did not bring with it any sudden desire to see what they were missing behind hospital doors.

All this caution and hesitation was ignored when Charles tapped on the mirror to check on his parents and was met with an unexpected chaos. A heart attack, from what the paramedics were saying as they wheeled the old man out on a stretcher, Charles’s mother and their neighbor following behind in her car. Charles didn’t witness the incident itself, pure luck on the timing, but the aftermath was a flurry of commotion that left him reeling.

He wandered back to the main space of their headquarters (a bigger place than what it once was, courtesy of the girls’ tiring of the boys being unreachable during a crisis or two and deciding to go all in on a shared flat) in a daze. Charles didn’t hide his checking in on his parents anymore, but still preferred to do it alone. Thankfully, his friends were kind, wonderful people who were happy to leave him to it. Said wonderful friends, however, were also quick to notice something wrong.

“Charles?” Edwin, naturally, was the first to notice Charles’s return and immediately put his book aside.

The girls, engrossed in a new show on the other side of their living room, snapped up in their own ways.

“What’s wrong?”

“What happened?”

Charles swallowed down the mixture of emotions threatening to drown him, “It’s my dad, he’s had a heart attack.” He screwed his face up in an attempt to stop the tears that threatened to spill out. Why was he crying? The bastard made his life miserable—

“Good.” Crystal was the first to comment. Niko slapped at her arm. Crystal put her hands up, “What? He was awful!”

“It’s still his dad!” Niko protested, “You can’t just say that!”

Charles tuned out their bickering. Everything felt a little tuned out, actually. And then Edwin was in front of him, hands on his shoulders.

“-love? Charles?”

“Hmm?” Charles tried to silence his whirring emotions.

“Are you alright?”

The Charles of even several years ago would have been quick to brush it all off with a smile. But he’d grown since then.

“Honestly? Not sure. Is that bad? Crystal’s right, he was a dick.”

“And Niko makes a very good point as well. He’s still your father.”

The tears were back again. Edwin pulled him in for a hug before Charles could say another word.

The girls had also quieted, alternating between watching the exchange and speaking through meaningful glances.

Niko was the one to break it, “Did you want to see him?”

The very idea shocked Charles, going rigid in Edwin’s arms.

“He might not even be dying, and going to a hospital is recipe for trouble—“ Charles responded slowly, as if waiting for someone to agree with him and take the weight of the decision off of him.

“I mean, a heart attack is probably close enough to death even if it doesn’t get him.” Crystal contributed.

“And our avoidance of hospitals doesn’t matter if you’d like to go see him. The Night Nurse’s lone positive trait is her protection from Death’s clutches, after all.” Edwin said into Charles’s curls.

“I-“ Charles gave himself a breath, “I wouldn’t even know what to say.”

“We don’t have to.” Crystal said softly.

“Yeah, we can just have our movie night and distract you, or if you want to talk to us but not go see him…” Niko backed her girlfriend up, trailing off into the silence.

“We don’t have to do anything you don’t want to do,” Edwin echoed, sighing, “But I don’t want you to regret anything, either.”

“That’s true, it might be good for closure…” Niko chimes in once again, positive in the face of it all and determined to see Charles cheered up as well.

“Fuck that. You don’t owe him closure. If you don’t want to go, then don’t go.” Crystal’s anger was not what it once was, but she had her moments, particularly when abusers were the topic of discussion. Thankfully she seemed determined to keep her composure.

“Your call, Charles.” Edwin said, pulling away from the embrace but not letting Charles go just yet. He obviously had more to say, if the turn of his mouth was any indication, but he was all softness regardless.

“Could be my last chance, innit?” Charles said lowly, obviously not thrilled at the prospect, “If the bastard goes…”

Edwin’s face shifted, and Charles knew he’d guessed Edwin’s unspoken comment correctly. Still, Edwin’s tone and posture were the same, “No one expects it of you. And we’ll support you regardless of what you decide.”

Charles had a distant feeling of pride that Edwin had gotten better at this sort of thing. He’d tell him that another time. Once this was all over and the world made sense again.

After a moment of reflection, Charles sighed, “I think I’d like to go. Might help me heal or closure or whatever, yeah?”

The girls were up, pulling on their coats and shoes without a second thought. Charles felt monumentally lucky to have them.

Including the boy who held him still, voice low and meeting his eyes, “Do you want all of us with you? We can stay behind if you’d rather do this alone.”

Charles shook his head with his same sad smile, “I don’t want to think what might happen if I do all this alone, mate. Though you’ll have to forgive me if I lose my cool.”

Edwin clearly saw through the attempt at a joking diversion but smiled regardless, “Very well. Do you know which hospital we’re visiting?”

“I’m not sure, but it’s probably closest to their place, yeah?” Charles guessed, scrambling his thoughts trying to remember which hospital he’d been taken to when he’d broken his arm as a kid. It was so long ago, and so much had happened since…

Edwin once again shook him out of his thoughts, “Some investigation is in order, then. Niko? Crystal?”

“On it!” Niko chirped, already deep into her phone, Crystal close behind.

After some internet sleuthing, the girls had acquired the address of the nearest hospital to the Rowland family home and were taking the long way there while the boys readied themselves in front of the mirror.

“Are you ready?” Edwin double checked, hand outstretched.

Charles shook himself, “Not sure I’d ever be, love, but let’s get on with it.”

Edwin pulled him in for a quick kiss on the cheek, a sincere smile, and then through the mirror they went.

—-

They stepped out of a mirror in one of the many bathrooms in the hospital complex, disoriented by the amount of beings (alive and dead alike) as they tried to navigate the halls. The A&E department was the worst, with traumatic deaths creating a perpetual plethora of ghosts. Of course, this was also the first place they needed to check.

The boys held hands tightly as they went, both wound tight by the noise and the blood and the general atmosphere of the place. It was far from the most dangerous place they’d been in their decades together, but that brought little comfort in the face of it all.

Phasing through the various doors and curtains, it was ultimately clear that if Charles’s father was in this hospital, he’d been moved elsewhere. They split momentarily, with Edwin going to find a map of the hospital while Charles waited at the nurse’s station to see if he could get any leads on his family.

It soon became clear that there was simply too much going on for Charles to glean any real information, and he was ready to give up and find Edwin when the next phone call to the desk came from a familiar phone number and gave way to a familiar voice. Niko’s voice was clear on the other end, and just loud enough for Charles to overhear. The nurse gave the information with little questioning, informing all involved that Mr. Rowland had just been moved to a private room on a different floor. Charles didn’t stick around to listen to what exact department the man was in, or what the prognosis was—as soon as he knew the number he was off to find Edwin.

It was quieter in this department. Less urgent. Which meant something significant that Charles was pointedly not thinking about, less that send him into another tailspin. Thankfully Edwin’s presence was grounding beside him.

A nurse left the room as they found it, giving a glimpse through the doorway. Charles’s mother sat at his father’s bedside, accompanying neighbor at her side. They couldn’t see his father (or his father’s ghost for that matter) from their vantage point.

Edwin gave one last squeeze of Charles’s hand to get his attention, “I can give you a moment alone if you’d like.”

“Don’t you dare.” Charles tried to joke, but his voice didn’t seem to cooperate. Edwin’s eyes saddened, but he gave a firm nod and gestured for Charles to take the lead.

The man of the hour looked frail against the white sheets. He was awake, but by the look of his eyes he was definitely on his way out. There was a bulky mask over his nose and mouth, IV in his arm, heart monitor dragging along beside him. Charles's mother sat quietly, holding his hand between two frail ones of her own.

Charles didn't think his emotions could get any more complicated, and then his father's eyes found him. Then Edwin. Then back to him. He rasped behind the mask, Charles's mother shushing him gently.

"Hi dad." Charles sighed more than said, standing awkwardly at the foot of his bed and gripping Edwin's hand so hard he wouldn't be surprised if he managed to hurt him despite all the ghost technicalities.

Another rasp, this time accompanied by a frail hand gesturing towards the boys. Charles nearly slumped in relief when his mother glanced their way but returned to murmuring to her husband rather than reel back in shock. She had some time left, at least. His father, however, continued to try to speak.

Seeing his mother's distress, Charles felt himself snap into his protective mindset without thought, snarking, "Just give it up, mate. They can't see us—you're the only one dying here, so only you get the honour. Trust me, I'd rather talk to mum than you any day, but I cant say I'm too torn up about you going first. Maybe she'll get to have some happy years without you."

The man thankfully stopped his rasping, but his eyes emoted enough that Charles knew he heard him. It gave him the confidence to keep going, never quite sure what his next word was going to be but glad to say it anyway.

"Not that you asked, but I've been having a great time these last thirty, forty years. Yeah my death was awful, don't get me wrong. Kinda wish you got even a taste of that, for all the shit you put me through… Actually, do heart attacks hurt?" He turned his question towards Edwin, who had such a complicated expression that Charles immediately decided that the question wasn't that important, "Doesn't matter now, I guess. But yeah, my afterlife has honestly been better than my life ever was. Not only do I not have to deal with your bullshit, but I've also found people who actually care about me.

"Like this, right here, is Edwin," Charles swung their held hands upwards in an attempt at a wave, earning a slightly hysterical chuckle from Edwin, "He found me dying in that attic, showed me kindness as I died, and I've been by his side ever since. He's the best thing that ever happened to me—"

Charles took a breath as his voice cracked, Edwin's hand squeezing his in silent support. Charles didn't look over to try and keep it together a bit longer.

"He's the love of my—well, love of my afterlife. And I know you’d hate that, or at least hated all that when I was alive. I remember your rants about how all those people dying deserved it. Shouting at the telly like they personally offended you just by existing. Do you still think like that, all these years later? Hell, now here you are, dying on a hospital bed while your queer son laughs at you. What a twist!" Charles laughs, but it doesn't sound right even to himself. He, once again, pointedly doesn't look at Edwin. Looking at Edwin means dropping the brave face, and he's got a few more things to say first.

“You know, you’ll think this is weak or whatever, but I checked in on you and mum over the years. Neither of you could see me, and I never stuck around long, but I wanted—no, I needed to see. If I was the only one you beat, if you’d turn to mum now that I was gone. If you felt any remorse when I died. I’m not sure what I would’ve done if I’d seen you raise your hand to her. Probably taken up Edwin here’s offer to haunt the shit out of you.”

“I never—“

“Not in those words, love, I know, I know. But you meant it like that and you know it. Anyway, thankfully I never saw it. And she didn’t cower like I did, or hide any bruises, so I figured you were safe there. As for remorse, well, never really saw that either. I was bitter and angry those first few years over that. Thankfully Edwin here kept me busy. And now I can’t really be arsed, especially now that you’re dying and I can’t find much remorse either. Angry it took you so long, maybe.”

Charles once again looked at his mother, at the tears on her cheeks and her face turned in silent prayer.

“Even if you never beat her, I still wish you’d given her more time without you. Did you ever visit her family? You shot it down every time she even hinted at it when I was alive. And she’d smile and move on like it didn’t hurt her to hear that the man she married hated her family that much. You know, I used to promise her that I would take her to see them again. I’d tell her that once I was grown up we’d run away and live in India where you wouldn’t care enough to chase after us. She’d swat me for that. Disrespecting you. It always came back to you. Which is just how you wanted it, right? The whole world revolving around you? So fucking glad I got out of there. I shouldn’t have had to die for that, but whatever. It let me live free of you. And soon enough I won’t have to worry about you at all.”

Shoes squeaked obnoxiously right outside the door. Charles glanced up just in time to see Niko giving him a thumbs up as Crystal pulled her away from the glass. Turning back, he was glad to see his mother hadn’t turned away from her husband. No need to confuse her or get the girls in trouble.

Charles sighed and turned back to his father, “Not really sure what else to say here. Edwin? Any ideas?”

Edwin thankfully took the playful question as seriously as Charles meant it, “Hmm. You could tell him about hell if you’d like to be especially vindictive. Or take the moral high ground and forgive him for all he did to you. Crystal and I would also be happy to curse him for all he did if you’d like. Literally or figuratively.”

Charles genuinely laughed at how his father’s eyes widened, “While that sounds tempting, he’s already on his way out. All we’d do is freak out my mum.”

Edwin gave him a soft smile, “Of course. Just a suggestion.”

He returned the smile and squeezed his hand in thanks before turning back to his father, “Right. Well dad, I’m glad I caught you before Death did. I won’t speak to hell or anything, don’t want to jinx it, but I hope you get what you deserve. I’m not going to stick around to find out. And I won’t forgive you, either. You were a right bastard and I still struggle with getting you out of my head even after literally dying. So you don’t deserve my forgiveness, honestly. I’ll keep an eye on mum, but that’s for her and my sake, not for yours. Probably won’t go to your funeral or any of that, either. I’ll be a little mad if they bury you next to me, but those are just bones by now so I guess it doesn’t really matter. Yeah. I think that’s it. No forgiveness, no love, just hope you get what you deserve and that I never have to see you again. That about sums it up.”

Edwin squeezed his hand again, drawing his attention, and speaking softly, “Does that mean you’d like to go? We can wait if you want to be sure.”

Charles once again felt overwhelmed with it all, particularly with how lucky he was to have Edwin. He didn’t want to start crying here, so he just nodded and pulled Edwin with him out of the room.

“How’d it go?” Crystal asked from her seat in the hall chair, Niko nodding next to her.

“He’s dying alright. Gave him a piece of my mind. But I’m ready to never think about him again, honestly.” Charles tried to make light of it, but it was clear none of them bought it. He blinked up towards the ceiling to keep the tears away just a bit longer.

“Once we get back to the apartment, expect plenty of hugs from us.” Niko informed him, eyes glancing down the hall at the others down the way.

Charles smiled, “Noted. Sorry to make you come all the way out here, guys.”

“Nope, none of that—“ Crystal started, but was cut off by nurses suddenly rushing towards the room, obvious some alarm or something had been pulled. The girls stood in a rush to get out of the way.

“We’ll see you back at the apartment!” Niko called back to the boys as they took their leave.

Edwin held his arm out, the way he did when he wanted Charles to feel especially cherished, “Shall we?”

Charles turned very purposefully away from the door and took the offered arm with a thankful smile. He would need to have a proper cry and rant and rave about all of this later, he was sure. He’d come to learn that all those complicated emotions don’t just go away when you ignore them. But, for now, he was happy to hold onto his partner and get the bloody hell out of this hospital.

~

EDIT: now with part 2 !!

[bugwolfsstuff]

I will never like or forgive Luke mostly because he is the reason Castor is never gonna see their dad again

Like its assumed that Dionysus had a good relationship with his kids.

And yeah Castor will have Pollux in the future but they're never gonna see their dad again.

They're dead and Dionysus is deathless

They're dead and never gets to see the parent they loved because Luke hated his parent

[summonerj]

You know those posts about Danny owning John Constantine’s soul for one reason or another, why just Constantine, why not have several people in the Justice League somehow in debt because of something or someone in their past; like someone’s mom selling their first born; or a stupid dare they did in their childhood; maybe someone asking for protection for their children in their last breath; maybe they got caught up in a ritual; maybe an old generational curse; or an old enemy

somehow this happens to the vast majority of heroes, villains, vigilantes, anti-heroes and supernatural. The only person confirmed to not be indebted to the Ghost King by the Ghost King himself is Batman