#to highlight why i like this so much

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[luckyartdrawer]

In a very spooooooooooky mood this month.

Been feeling rusty with drawing after not doing so for a few weeks, so made this simple Moon. Spooky goober <3

vvvv Alts, Yapping, AND HUH??? UHH??? vvvv

Alts

I was messing around with the line art layer and saw a blue version and just ran with it. I like the blue, and the contrast with the red makes me happy so I decided to keep em. :3

Practiced using the golden ratio too! He's spooky and perfect! <3

Oh also.

WHEN I GO TO ADD MY ART THIS IS IN MY CLIPBOARD AND IM SO CONFUSED WHY IS HE LIKE THAT-

MOON???? MOON ARE YOU OKAY??? WHY ARE YOU IN THE CORNER???? AND I DIDN'T MAKE A BLACK BG???

AM I HAUNTED NOW??????????????

I guess its fitting for spooky month at least.

[lavender-rroses]

//JRWI RIPTIDE SPOILERS

talk to us

[aimethyst]

long ring long land zosan i will forever miss you

zoro was so whipped in pre-timeskip

i aint drawing that many ppl for a background

[joshuamj]

Linktober Day 8. Tunic

[hydrachea]

WHAT ARE WE.

[infinitelystrangemachinex]

Veilguard vaguing:

It's not automatically a good thing, actually, that the game de-emphasizes or even outright removes racism against elves, and bigotry against other groups, from the story

[xerith-42]

So I've been thinking about the Guard Oath

You know the one. The one that was put into effect the day after Laurance sacrificed himself. And then was promptly forgotten about?

Well uhhh...

It wasn't forgotten about

Laurance is uhhh... not going to forget about it

(shout out to @cinnamontoastcroonch for pushing me down the slide in the playground and making me write this)

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[presdestigatto]

charles posting random, shakily taken videos of leo is the realest thing ever (and i am completely befuddled that he gets hate for it)

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[starzzmissthesun]

Genuinely I am ALL here for the people ACTUALLY realizing Evan had a much younger brother. Like I NEED to see more Big age gaps between siblings (like not even in a big group of siblings, just two). Cause I have a sibling 8 years younger than me, and the dynamic is something I feel like I don't see very often. It's so special to me when people actually talk about it and give characters it.

[stardust-moth]

You accurately assessed that Mike is not best with words, that he does better with quiet reassurance and physical touch. So why didn't he do any of that when El was crying and begging for him to love her? Why couldn't he go over to her and put his arm around her to comfort her, hold her hand, kiss her? Why did he maintain such perfect distance even after it was clear she hadn't found someone else and she desperately wanted his love?

If it was just the words he struggled with, why couldn't he show he loved her in his own way to ease her worries? It's not like he's never kissed her before. They are in a relationship and it wouldn't be unexpected.

And you can't say El wouldn't want him to, because she was literally begging him to prove his love to her.

I assume you mean in that moment, after the "you're a superhero" "not anymore" lines...

First of all, there's a narrative that needs to be told. Can't really get around that. There needed to be that little bit of a barrier, a little bit of conflict for Eleven's part of the story to progress. Like I said before-- the point of that conversation was not about Mike's feelings for her. That conversation was about how El felt about herself, and how she believed everyone else to feel about her. Even if he did try to hold her and kiss her and do whatever else might "convince" her that he loves her, I don't think she was in a mental state to accept it. She already believed she was unlovable now, long before he even came to visit. In that moment especially, with emotions running so high, I fully believe she would have just shoved him away if he tried to push her, even if that was what she wanted most from him. (PTSD does crazy shit sometimes, trust me.)

I don't think Mike would have wanted to push that boundary, either. Both out of respect for her and out of fear of making it worse. He's too insecure already about his own worth, especially now that she is pulling away from him-- and has been pulling away from him for months, apparently-- and a good portion of what we see of Mike for the rest of the season is him battling with that helplessness he feels. He talks to Will about it several times how he wishes he could have the courage to love her openly. A more confident boy might have swooped in and made it all better right away, but he was scared. Someone more suave might have been able to charm away the tears with poetic words and kisses on the hand, but we all know Mike is no Casanova, and as nice as it would be to be able to do that so easily, it's not realistic, and he understands her enough to know it wouldn't work like that either.

It's almost exactly the same as how Lucas approaches Max, to be honest-- trying desperately hard to get her to understand that he supports her and cares about her, but not so insistent that he just kicks down those walls for her anyway. (Given how hard Mike was grilled by Max in S3 for being possessive/overprotective/not letting her be her own person and handle things on her own, regardless of how wrong Max was contextually, I'm pretty sure he learned his damn lesson.)

Also, as always, the plot gets in the way before they get a chance to properly communicate. If the police had not whisked El away immediately after that scene, and there had been more time for emotions to settle and for them both to find the right words, they could have worked it out. El could have calmed down enough to be receptive to the things Mike was trying to tell her, and probably accepted any hugs or kisses or cuddles he offered. In a perfect scenario, that could have happened. But for the purposes of the story, and the self-acceptance obstacles that both characters have to face, it just doesn't play out that way.

[itsclydebitches]

Let's tally things up, folks!

Ruby's entire depression arc is "resolved" by a one sentence exchange wherein she just... decides she's better now? 'Is this the message?' Ruby asks, on her knees in front of a not at all subtle broken piece of glass. 'That I'm just supposed to give up?' and then literally the next moment she sees Crescent Rose, the weapon she's been flinching from because it represents all the failures she hasn't actually grappled with this season, and decides that depression and suicidal ideation are for losers. Let's go fight a randomly evolved cat!

The group still doesn't care about Ruby's Volume-long struggle. What are you talking about, evil kitty? Ruby's never been confused, or weak, or feeling like she's broken. We're oblivious to all that. That's why we follow her, because we can easily ignore everything that's going on in her life and instead just focus on ourselves. Didn't she have a breakdown a couple of hours ago about having to lead all the time? Should we really be announcing the moment she steps out of the tree that we expect her to be in charge again? ... nah, it's fine!

I guess the overall message is that any and every horrific act is excusable because you're just being yourself? Sorry we doomed a Kingdom and have actively helped Salem in trying to take over the world. The horrors we've enacted are good things though because it means we're being ourselves.

Ruby is conveniently the only Ascended who retains all her memories. Can't have the protagonist undergoing any kind of actual change, after all.

Neo throws herself into the tree despite that going against every iota of her characterization. Will we ever see her again? Who knows.

Is the blacksmith lady Alyx? I still have no idea.

Jaune is made young again, because of course he is. Love that they act like this is some curse he's suffered from - "It's been so long..." - and not an actual life lived across several decades. If I got stuck somewhere for twenty-ish years and then someone tried to magic me back to my 18 year old self I'd be like wtf? No? I'm not a teenager??? Will the show ever acknowledge that Jaune is actually an old man in a de-aged body now? I doubt it, considering this plot-line had no impact on his personality, skill, or outlook.

Also love that the brothers' story is treated like this wonderful tale of growth and exploration. The blacksmith is going on about how amazing it is that you don't know what you'll get when you create something, tone all fond for the demi-gods that have left her world to toy with new ones, and I just wanted one of the characters to start screaming about all the horrors they've caused. They killed an entire population in one fell swoop and have cursed two individuals for funsies, with the entirety of Remanent permanently under threat of annihilation if they don't meet the Gods' ambiguous standards of unity. Oscar didn't fall into the void because if Ozpin had been there he would have gone feral and attacked the blacksmith with his bare hands.

We're heading back to Remnant and Ruby still doesn't know that Jaune killed Penny! Ruby didn't even get her sword back. Or consider her in the tree therapy session. Why was killing her off necessary again? Oh yeah, Jaune angst🙃

We got a "when you're needed" from the blacksmith, so expect that time-skip in Volume 10. Can't wait to see how much important stuff the story skips over...

Also, this is so minor in the grand scheme of everything else, but I YELLED when Summer admitted that she'd lied about the mission. For nine Volumes these characters have been dragging Ozpin for every problem under the sun including, in Volume 7, for the mysterious disappearance of Summer, only for it to turn out that she LIED about where she was going and on whose orders, setting him up to take the fall when she doesn't come back. Who's going to have Qrow apologize to Ozpin for blaming him for years? Who's going to have Ruby unpack that her whole family is made up of liars and she was foolish to think that anyone, including Ozpin, could survive this war with a completely clean record? Hell, who's going to have Ruby simply tell anyone - including her sister - what she now knows about her mother's death? Not the RT writers, I'd wager.

Especially when they gave us a scene of Summer leaving on what she recognizes may be a suicide mission and leaves a token of affection for one daughter but not the other. Summer is Yang's mom too! Yeeeeeaaah the story is really bad about actually writing that.

Overall this Volume just feels like a colossal waste to me. The story ignored most of what was set up in Volume 8, introduced a world it didn't have time to flesh out, threw in an unnecessarily shocking story line about the hero trying to kill herself, 100% dismissed the ramifications of that, reset everyone so that none of the characters have to actually grow or change, and has now implied that all the plot important stuff - the Atlesians' survival in the desert, trying to ally with Theodore, Salem's next attack on Remnant, the development of most of our B Team, etc. - has occurred off screen.

The only thing this Volume accomplished was getting the bees together, which was something we should have had years ago. That admission hasn't changed their dynamic in any way, or introduced new conflicts (remember, no one cares about Ruby's breakdown, including her correct accusation that Yang has cared more about her girlfriend than her struggling little sister). It's just... there, not queerbaiting anymore, thankfully, but that feels like a very low bar to meet.

2+ months later and all I'm feeling is

[daz4i]

HELLO. HI. WHAT IS THIS IMPLYING.

[riddlerosehearts]

listen, i appreciate that not every movie needs to be a romance and sometimes the story is better without one. but wish was supposed to be a tribute to classic disney, the very first disney feature film was a fairy tale with a romance, the disney renaissance period was (at least partly) built on fairytale romances and romance in general, and the last time WDAS wrote a romance that was a) actually important to the story and b) not a pre-established romance that would obviously remain in a sequel, was with kristoff and anna in frozen (2013). and i just wish disney would vary things a bit more in general! like we finally got a classic ruthless villain again, why can't we have a romance that's not just in the background again too? we went from the renaissance period where every movie had romance as a central part of the story, to now where for some reason none of them can, and idk why it has to be that way. also, just, the concept of a romance between asha, just a regular girl, not a princess and not even so much as the king's apprentice, and the literal star she wished on who came to her in the form of a human boy, sounds extremely interesting and sweet to me and would've worked as a sort of callback to peasant x royal stories like cinderella or beauty and the beast but with its own unique twist! i also personally think that whether he was actually intended to be a love interest or just a friend, star would've been a way cooler character as a shapeshifter in human form.