#to help him build a goddamn jungle gym

[razzle-zazzle]

If you have any more Beauty and the Beast Au lore, HC's or otherwise please share. 🤲

Gisu switching between pulling out all of the romance tropes she knows and disappearing into her lab for hours on end. She demands Dion join her for dinner the second night, but when she goes to her lab to work off the anger from the argument she ends up forgetting that eating is a Thing. Again. So Dion begrudgingly comes down to dinner only for Gisu to Not Be There.

Sam's army of squirrels cook that night! Gisu and the animals were the only ones in the mansion who actually need to eat though, so the meal they cook is,,, not to Dion's tastes. He ends up cooking for himself,,, but he's used to helping cook for his family and makes more than he needs. Lizzie and Adam cajole him into bringing some to Gisu. She snaps at Dion for entering the lab and chases him off, but he leaves the food behind.

Morris: Oh, yeah, real classy Gis. Demanding the guy comes down only to stand him up. You're a real cassanova.

Gisu, who genuinely forgot:

She does eventually eat the food though!

(Dion bringing her food when she misses dinner slowly becomes a habit. It takes a solid week before he attempts it again, and Gisu doesn't miss dinner every night, but it slowly becomes a routine they both become used to, for Dion to come into Gisu's lab with food and cajole her into taking a break to eat with him.)

[harrypotterbrainworms]

JJK TRAINING HEADCANONS

Summary: binged season 1 of jujustu kaisen, you know what that means.

Word Count: 1232

Characters: Itadori Yuuji, Fushiguro Megumi, Kugisaki Nobara, Inumaki Toge, Gojo Satoru, Nanami Kento, Yoshino Junpei, Ijichi Kiyotake x Gn!Reader

Itadori Yuuj:

Being naturally athletic and a powerhouse of energy, it’s very hard to keep up with him when he’s in training yuuji mode. He’s very supportive though, always encouraging you to push yourself to your limits in an annoyingly sweet way of his own. Always promising you’d get back to the dorms and pig out with his secret snack stash which you are yet to see for yourself. 

Fushiguro Megumi:

He’s never considered training with someone else before, it was always a solo event for him. Yet when you asked him oh so nicely, he couldn’t help, but blush. He was worried that you wouldn’t be able to keep up or he'd be too sweaty and gross and you’d immediately lose any interest you had in training with him in the first place. He starts slow with the sets he gives you and then builds it slowly, but surely. Making sure you’re doing alright every step of the way, trying his best to be more attentive to your needs in(and out) of training. 

Kugisaki Nobara:

She never really knew she needed to train before coming to jujutsu high, she barely thought she needed training either until almost every person beat her in laps and you were right there with her in training ability. So you took a double pinkie vow to train together and then you showed up only to go get coffee and shop a little more. You finally started training when she picked the perfect outfit to work out in (which was an amazing outfit.) and got to work, spotting each other and pushing each other (affectionately). You both got better and better at the training aspect of learning more cursed technique and you did it together, celebrating with a fun day planned at a festival nearby. 

Inumaki Toge:

His training with you consists of not training and feral running across the school grounds, going long after you gave up. When he’s “training” he basically sits on the grass while you stand above him, stretching your muscles for as long as you can before you completely fall apart while trying to keep up with him. You mostly engage in conversations which mostly consist of you nodding along to everything he rambles out, the other students are surprised at just how much he’ll go on and on and on, most of the rambles completely unintelligible even by the masters of Inumaki interpreters. You can tell he’s getting close to starting when his words start to become less and less frequent , seeing the little cogs in his brain turning as he stares at your usual course. You normally take a deep breath as he stands, giving his legs a small stretch before racing ahead, leaving you in the dust. You always meet at the vending machines after training, Inumaki always chooses to do a lap or two more than you. 

Yoshino Junpei:

He does couples yoga with you on Wednesdays with some old ladies in his neighbourhood. You’re not as flexible as he is, but good god is it nice to see him fold himself like a pretzel every week. Highlight of your week. He was shy about it at first hearing about Yuuji’s intense training at the gym, but once you joined him and made a fool of yourself trying to compete with him, he felt a lot better. He may not have the physical capability to pick you up, but he can climb you like a goddamn jungle gym. 

Gojo Satoru:

You’d like to think he’d train and you’d be right. At least that's what he thinks training is, which is walking barefoot in the wilderness to reconnect his life force with the earth, but he really just wants to be barefoot in the woods. He tells you (lies) and says that he likes to jog in the woods. So of course you bring your joggers and appropriate footwear and you arrive to find him sitting on a rock with already cold black coffee from Starbucks in his hand and eating a cake pop. He immediately proceeds to tell you that you should’ve told him you wanted coffee and cake pops then maybe he would’ve saved some for you (he wouldn’t). You’re almost 100% sure he took you out here to murder you, but when he takes his shoes off, wearing no socks underneath and proceeds to walk deep straight into the thick woods, you have completely lost your mind and he’s just about ready to regain his. 

Nanami Kento:

You mention that you are a bit rusty and need some training most likely within earshot of Nanami and suddenly you are woken up at 5 in the morning with him hovering over you. His training is an intense full body, muscle straining 3 hours of testing his and your limit and your muscles hurt by the end. Sure you’ve been known to train from time to time, but the sheer amount of exercise you have done has probably worn you out for the next 3 weeks. Yet at 5am you are woken up again. You don’t say no of course, how could you when training with you has probably been the most you’ve seen Nanami emote almost ever. Your muscles are throbbing by the time it’s 8am, but instead of nodding politely and continuing his daily routine. He sets a small bento box next to you with a thank you, nods and continues his routine, excusing himself to shower. You happily eat the small breakfast he made you. He absolutely woke up at 4am just to prepare a reward for you at the end of training and continues to do this for as long as you train. He slowly makes them bigger as you get better at his training routine, making sure to feed you well and lingering just a little longer to watch you wolf down his prepared meal, smiling softly as you look satisfied. 

Ijichi Kiyotake:

This man has never run a mile in his life and yet when you asked him to train with you he almost busted his pants. He came wearing what he thought would be appropriate gym wear, something akin to a school sports uniform, but found you in probably the sexiest thing he’d ever seen. You started training without him and you were already building a good sweat and now he was building quite a sweat as well. You don’t expect him to join, content with him watching you and keeping you company, but he insisted on joining in on one of your sets as soon as you paid enough attention to him. He tried. You basically held him up as you helped him take a seat, he was about to burst as he felt the heat from your sweaty sweaty body next to his. That’s the gist of what you could say. He really tried, but by the end he was so out of breath, you decided to stop your training early to take him out for breakfast to make up for the amount of squats he had done for you which drove him even crazy as you insisted to pay for the food and drinks and basically anything he needed to be back in a normal state. You both agreed to keep him off the gym mats forever and he opted to watch you for a bit before you ended so you could get breakfast together.

[worldsover]

Judgement to the Desiccated ft. Karina

length ✦ 5573

genres ✧ sm type future; asphyxiation; blackmail; virtual_servant!Karina;

✦✧✦✧✦✧

Air did a poor job of not being polluted so Lee Soo Man flooded the world instead. The man himself certainly must be long gone and could not have been in charge of that decision but the legacy of his company far exceeds the legacy of any other human collective in history. Once on this planet, gas was the fluid of choice for respiration and breathing was an unconscious reflex. Now there’s Aether by SM. How very on-brand of them to have the liquid air you breathe follow perfume naming conventions.

Open your eyes and exit the sleeping chamber. Aether has you work for each inhalation, it desaturates the color of the bedroom—maybe there’s a subtle but uncomfortable tinge of yellow—and it makes your nose itch. Your muscles wield much less force than they used to because of the lack of resistance the fluid provides. Moreover, it smells like hairspray as though the ozone layer is taking sardonic revenge.

Screens impersonating windows track your eyes to ensure realistic parallax, playing the scene of divine blue heavens that could not exist. An azure sky is a reward for those planets that have an atmosphere and a sun for light to scatter. Your walls are either chrome or drywall white and your whole bedroom is plainly decorated just like the day you moved in.

“Etymology of bedroom,” you think out loud, though it falls on no ears.

“Bedroom is a compound noun consisting of bed and room. Bed goes back to Old English bedd ‘sleeping place, plot of ground prepared for plants,’ which goes back to the Germanic-”

Plants and sleep are both strong words to use nowadays. The former doesn’t exist in nature and it seems you’re the only one who bothers with the latter. Faint buzzing distracts you from the AI’s response and signals you to the nano drones that swim throughout the liquid to process carbon dioxide from your lungs. This whole ordeal could’ve been much worse if you didn’t have brain interfaces doing the hard part of controlling your diaphragm. The most you need is a purposeful thought. Still, it gets tiring having to think the same thought every three seconds. In. Out.

Was the metaphorical Soo Man teaching a lesson in perseverance? You love K-pop and imagine it’s how trainees used to practice dancing, singing, being charismatic. Being an idol had to be as natural as breathing air. Inhale and exhale. Right now with any antiquated programming language you clung on to, you could write a single for loop that did the same job. For every three seconds: breathe in, breathe out.

“What’s for breakfast today?” Not loud enough. “What’s for breakfast?” you think it louder.

“Welcome, master. Ae-Karina is ready for service.” It’s quite a kindness for SM to blur the bland dystopia you live in by augmenting reality through your neural device. A bosomy woman in a gold-lined but otherwise modest maid outfit appears from the corner of your eye and she bows. Ae-Karina is bewitching and almost becoming of her basis as its graphics have gradually upgraded over the rotations but you wouldn’t misconstrue the avatar as human.

“I said, what’s for breakfast!” It feels impolite to scream in your head, there’s other residents there, but finally the fridge lights up.

“Of course master. May I remind you eating is unnecessary?”

In. Out. Every day, she does remind you, yes. How kind of the company to put all your nutritional requirements in the new air. Aether goes in then Aether goes out. You wish the thoughts of breathing could fade into the background but they’re just like your cravings for food. Always hungry but never starving, whole though not once satisfied. Your eyes pause at her gorgeous face and she tells you there’s bacon. Take it from your fridge. Bacon goes in. Well, the drones take care of the out.

Your assigned living space is the entire 207th floor of a tower. Two hundred and seven floors below the surface. The neighbor a few floors upstairs says that he thinks living deeper is a sign of status. What a luxury. That guy should check the status of his facial muscles, maybe improve his code that lets him tell lies while he’s at it. A couple hundred flights of stairs to swim up is a useless skeuomorphism of skyscrapers in the days of the sun. In fact they were more than useless, you would've preferred a single vertical hallway as it would have let you propel upwards unimpeded. Each floor is the exact same, a glass door that affords no privacy for its residence, a false tree on each side. At the upper levels, malls, convenience stores and other gaudy retail, but it’s the gyms that mock you that you mock in return. They’re always empty.

Finally reaching the top is no true break even if it is a change in scenery. Inhale. Aether tastes a little different up here. Exhale. Can’t say you like it.

Countless satellites form a parody of the star from which the planet flew away, the false image refracted by the upper boundary of Aether. They can’t take away your memories of this star. Looking up at the sky once blinded you with ultraviolet radiation, burning your cornea. It was beautiful. Now everyone’s decided that if they’re playing the part of corporate dystopia, they might as well fit the aesthetic. In a way, it’s self-fulfilling. They wouldn’t have chosen a neon pink sun to compliment the blue and metallic gloom of the cityscape if it weren’t so ingrained in popular media already.

Still, you would’ve expected Google or Walmart to become the megacorp responsible for the state of the world, not a Korean entertainment company. Must’ve been quite the red paperclip scenario. Instead of material design or utilitarian architecture, tacky artistic structures line the streets. The same advertisements for albums that they’ve been selling for the past however long. It's all so obvious, the city could've been designed from scratch to accommodate new forms of travel and goddamn liquid air but instead they went with futuristic Tokyo.

Dubstep permeates your inner ear implants. A notification informs your thoughts that it’s “Hip-hop EDM dance pop with a strong jungle house groove and urban influences.” It’s dubstep. Liquid carries barely any sound so SM affords the option for implants if you're nostalgic for one of the senses. Even though it’s a slower form of communication than direct neural transfer, the noise comforts you. Of course the company would choose dubstep as their background music, but maybe they make money off refunds somehow. It switches to Ice Cream Cake. Much better.

You walk the not so busy roads towards a short brick warehouse in the distance and heavy rain soaks your clothes. No such thing as weather without the sun and water but it’s all simulated anyway.

A warm Seulgi adlib and you know it’s Psycho that starts playing. No, none of your senses are real. The most you could trust is your vision but even that’s being lied to. You could be living in a vat and fed all these thoughts, but then why make it so mediocre? Not paradise, nor torture but a lukewarm in-between. Guess that's what happens when SM Entertainment manages the post-apocalypse. Good on them for trying. The alternative would be a frozen hellscape without solar radiation. Can’t deny their work with geothermal and nuclear energy to keep the Aether warm so that you didn’t have to live underground for the rest of human history. It’s quite great PR to save humanity.

“Hey now, we’ll be okay,” repeats a few more times than you remember.

The Idea Factory Alpha White Delta Green says the neon tubes lighting the front of the brick and mortar building. Your ID card bears a name but it’s not yours, not until they approve your name change. Those usually get processed faster with how often people liked changing their names.

Sit at a desk with a sterile white keyboard and slick new monitor. Type and empty words appear on the screen: “Think for the many, not for the one. We need to think ahead.” A thumbs up. The company appreciates the input. That’s probably enough work for one day. Some SNSD live stages help the time pass, SM certainly appreciated the streaming numbers and it would net you some social points.

It’s hard to say what comes to mind when they ask you to envision a world without the sun and air, especially since it’s what you’ve known for... Two hundred years? There’s no frame of reference, that much you can tell from when you counted seconds to see how often the satellites completed their orbit. SM really took time to have them propel at random speeds, they love withholding sensitive information like that from citizens. To be fair, time is sensitive. Guess the meaning of that phrase changes like all parts of language.

Look around. Dozens of employees at identical workspaces all try to answer the same questions. Naturally, there’s no need for manual labor anymore but there will never be a replacement for human ingenuity. Nice slogan but you know you’re only here for data. Can’t see a need for customer retention though—what’s the alternative, skip Earth? See you on another planet?

“Hey bro, you come up with anything new?” Dave says. Two desks away, you see the enthusiastic, surprisingly spry man play around with a Newton’s cradle. The balls at each end bounce back and forth, not slowing down their rhythm any time soon.

“I think I got something,” you say, “Earth is not the answer. It can’t be, long term.”

“Ooh, I like that. Actually, I really like that.”

“What are you gonna do, copy me?”

“Of course not. You know how much SM hates plagiarism.” Click. Clack.

“Ha. As if there’s a single original thought left in the world.” Click. Clack. The imaginary sounds of metal spheres bouncing play in your mind. They got the volume wrong, no way it’d sound that loud from that distance. “You’d think with all their resources, they’d have figured out space travel by now.”

“I don’t think they want to leave, bro. Wouldn’t be great for profits.”

Your mouth opens to laugh and causes laugh8942.mp3 to play in Dave’s head. “I love it. SM probably hates that sass too,” you say.

“Oh no, they’re gonna arrest me for thoughtcrimes. Nah, they love creativity, just when it suits them. Also, if they actually did bust you for wrongthink like rumors say, I wouldn’t have this on me.” Dave twirls a finger and points at you and you thank his absurd flair for the histrionic that keeps you amused with such drab work.

“NewDrug.mp6. Would you like to play it?” the dry system voice notifies you.

“Woah woah there tiger, hold on.” Dave must’ve noticed your intrigued eyes and holds his hands up. “You might wanna experience that at home. But if you’re interested in more, ask for chicken parm at the vegan place. You know the one.”

Dave leaves his desk. He doesn’t return. You finish your work. Inspire. Expire. You’d rather not.

In contrast to your commute to work, the roads fill with others on your way home. You have to know. Take solace in the comfort of a bench where a huge McDonald’s arch bathes the surroundings and its people with a yellow glow. Really shouldn’t watch it now, especially if Dave says it’s a home type of watch but you have to know. A family of five watches you pass out. They, along with every other passerby, ignore your still body draped over the chrome outdoor seating as you look like yet another junkie. The title is correct after a fashion, the simulation is some sort of new drug. The details of the exploits that happen in the immersive replay wash over you but you don’t need them to know that it’s the sort of lewd that SM would not allow—at least not publicly and not without the right exorbitant payment.

Suit pants and underwear go straight to the laundry. That must’ve been an embarrassing sight but no one bothered to stop you, so it doesn’t matter. Look up where this vegan place was that Dave so presumptuously assumed you knew about and you find that it’s about four Avengers’ stores down from work. He must’ve eaten there before.

“Yo Dave, just wanna make sure, what’s the name of the vegan place called?”

“What are you talking about, man? You telling me there’s some secret underground farms that SM wouldn’t know about?”

You can’t tell when you got to work, a lack of standardized timing would help as well the haze of living in a monotonous dark. “Nah, I mean, for the-”

“I have no idea,” Dave emphasizes each word, “what you’re talking about.”

“I see.”

Work flies by, unusually.

“Hey, can I get a chicken-”

“Uh, this is Maron’s Veggies Only, it clearly says on the sign.”

Clear your throat. “Parm.”

The shifty part-time worker looks around and rubs his fingers gesturing for money. “No digital.”

Over the counter, you pass him a gold coin stamped with a holographic 1 and he hands you a USB stick and a laptop in return. How old-fashioned.

“It’ll sync with whoever you have set as your avatar experience aspect,” the worker says.

“Thanks.”

Ever vigilant as the patrol is, the alleys are the last place you want to go to hide with the obvious criminal element within them all but you head to one anyway. Dump the anachronistic technology in your storage pocket dimensions. Looking at its contents, you’d have to clean that mess up later, but the more you look like an average slob the better. The biggest problem with the inventories is all the people squatting in them. Inspectors wouldn’t care about the archaic ruins you left in yours.

“Welcome, master. Ae-Karina is ready to service.”

“I’d like to go on a date. A special date.” You highlight the key word special and sit on your living room couch. No one’s going to look in your glass door and regardless, you wouldn’t be the pervert for glimpsing into someone’s home.

“Ah yes, master. Ae-Karina is ready to fully service,” she says with a provocative tint in her tone, her sclera disperses to black to match. A pole drops from the ceiling while parts of her maid outfit dissolve which reveals more of the silky skin of her thighs, her lissom arms and most importantly her overflowing breasts. Ae-Karina wraps her legs around the pole and spins around, teasing fingers trace curves on her body to harden you. Her dance is precise but sultry regardless. She pulls up her short skirt to flaunt more of her ass beneath white panties and then pulls down to flourish her cleavage, not trapped by a bra. “Are you enjoying your maid’s show?”

“Very much so, yes,” you say.

Half of a smile forms before a glitch occurs and she teleports next to you, fully nude. It doesn’t pull you out of the illusion however. You just stare and drink in the splendor of her created body.

“You’re not going to touch?” Ae-Karina says.

A feel of her tits and you find it softer than pillows you used to rest on. Soft isn’t much of a character that exists anymore when the whole world is engulfed in liquid. No one has beds, especially with the rarity of sleep. Therefore, her mounds are a consummate dedication to the texture as you squeeze and pinch at her cute nipples.

Her maid outfit rematerializes as she straddles you. It provides more friction to your pants as she begins her lap dance. The weight of her body dragging across your legs and clothed erection induces your carnal impulses further. If only you could fuck the virtual idol. You have to make do with the imprint of her pussy lips on your bulge sliding up and down. Breath in. Breath out.

Ae-Karina pulls down your boxers and spits on your erection. It's not real but her hands so slick on your cock and you let reality slip. Real is for the past, you have desires gratified in the present. There is no real person nibbling at your neck but your nerves activate in sexual desire without discernment for truth. No, she doesn't love you, but when the voracious mass of ones and zeroes says it loves its master, you say it back.

"I love you."

ILOVEYOU infected ten million computers in 2000. An explosion. Calibration engaging. It’s 1:21 PM, Sunday, July 18, 2286 and hypothetically the sun would be out in its full rage. At this latitude and longitude, you’re at what was once the epicenter of all—Seoul, where a fountain caused a chain reaction allowing the hopeful remnant of a world to exist. It lasted a surprisingly long time without the sun and without Aether but the dying planet would succumb inevitably to the ever-increasing contamination so SM of all corporations took charge. A different kind of chain reaction occurred when they acquired a restaurant chain that discovered the recipe for liquid air. The law is on its way and prepared to punish you to its full extent.

You reel while your ears ring. An even sexier version of the woman you already fantasized about appears from your peripheral vision in the crater of your floor. A skimpy cop outfit, striated with reflective material that seems to wane black at different angles, outlines Karina’s curves. She has a tool belt with absurd gadgets, such as a knife baton hybrid, a taser combined with a spray bottle and a Tamagotchi. None of this is necessary. They could just immediately arrest you, impose limitations on your devices. Sure, SM cloned people to deal with underpopulation, but why Karina would be the enforcer is a whole nother issue. Maybe the entertainment company loves their irony?

“Halt. You’re under arrest. Any resistance will be penalized according to the combined Terms of Service of all SM and SM associated products.”

Fucked anyway, you figure you might as well go for it. Escape into your inventory and only seconds later you’re forced out. You manage to get what you need regardless.

“Violation of access rights will be charged to your account.”

It’s so obvious but there’s a reason you kept so much gold in physical storage. As you swim away, the sides of your apartment start to bubble. Bubbles? Already, your limbs feel unsteady. Something’s wrong in the Aether.

“This is standard procedure for escaping suspects that are indoors. Again, this is all agreed to under the Terms of Service.”

“When the fuck did I ever click accept to that shit?”

“When you were born in this world and decided you want to stay in it,” Karina says out loud. You hear her say it. Your physical ears process the vibrations in the air that come from her mouth. Gravity thwarts your desperate escape as your limp body floats on the limit between liquid and air. The atrophy of your muscles becomes apparent within the gaseous atmosphere. She watches you sink down as the room drains of all the false air though her eyebrows crease when she inspects you closer. Your breaths are involuntary. Despite your muscles shorting out, the force of gravity and the pressure of the gas bearing down on you, you’re breathing and you don’t mean to. Her eyes wander farther down. On your pants, a concrete rod stamps the fabric.

“Oh, you like what you see?”

“Shut up, criminal. Anything you say can and will be used against you.”

“Your pussy,” you say and she scoffs.

“Original.” Karina bites her lip as your erection continues to grow behind its prison. You use all effort to put your hands up.

“Please, miss Karina. I’ve been bad.”

“I could punish you even more for sexual assault.”

“Then do it.”

Heat radiates the room in a way you haven’t felt in a while and droplets of sweat form on each of your bodies, especially on the thighs that her revealing outfit parades. Her facial features contort in deliberation and the wait kills you. You bat your eyes at her before Karina takes off her tight shorts and drops herself into your anticipatory face. This makes no sense but none of this life made any sense so you decide to go with the tides.

Centuries of training your respiration has led to this moment, but when you finally have real air to breathe, you spit at the opportunity and choose to suffocate. Then you spit at her pussy and lap it up. Karina’s nectar transfixes your olfactory glands, for once a smell that isn’t the sterile Aether. Your eyes are mesmerized in parallel because of the perfect design of her pussy, a single crease that leads into her hole that your tongue emphatically explores. Karina spreads her thighs wide to reveal a small nub that craves attention. So give it. Suck and swirl and flick your tongue, and the woman provides you the tight clench of her legs as a gift. And the sounds, rediscovered glorious noise. Loud, almost too loud, and clear is how they assault your ears, even surrounded by the flesh of her thighs. Muffled by the weight of her legs, you hear Karina moan in approval but she’s still clearly in charge with how she chokes you with her legs. This is not about your pleasure but hers, and any satisfaction that you derive is not only incidental but probably punishable by SM copyright law.

Karina squirms her hips subtly on your mouth. Her eyes are sharp and she’s just about to stop your hands from moving but she notices them clasp together.

“I’ll do anything to make you cum, please.” you say sloppily as her pussy juices fill your cheeks and drip down your chin.

“God. I can’t.” She takes deep, contemplative breaths. ”That’s more time added on for inappropriate behavior.” Her groaning and brief squeals make her words sound incogent.

You give her a concluding lick and a kiss on her slit. “So what have you been doing right now then?”

Point to a corner of the room and a subtle red light indicates a recording camera. At once, she pulls out a hose from a pocket that could not fit it and the vacuum submerges the room with noise. Her expression shifts quickly to serious.

“We don’t play games here in SMTOWN unless it’s SuperStar so don’t fuck with me.”

“Look who's trying to be a comedian. How about you fuck with me any further and the video gets released.”

“That’s funny, you think you have any sort of power-”

“Yoo Jimin, I suggest you don’t push me more.”

“Where do you know that name from? Right now.” She weighs herself down on your neck.

“You think I don’t have contingencies for if I die too? Karina, we can make this a  win-win scenario. We both get to cum, we both get to walk away unscathed.”

“Fuck you.”

Your weak arms wander between her thighs. At any moment, a feeble punch towards your face or another ten seconds of asphyxiation and she could call your bluff. Even if you did have the ability to expose her perversions in any way, there would be no permanent recourse, not as long SM was in charge. So it surprises you when Karina takes off her shorts. 

“Goddammit. Your cock just looks too good. And your mouth, how are you so good with it?” Put up five fingers when she motions to remove her top as well, and instead she opts to take off your clothes, seizing your pants and throwing them to join the rubble in the room.

A finger slips in, then two and a third dares. Her flawlessly architected pussy lips clings to your digits and Karina shudders in reply. You explore her wetness and find it’s smooth to the point of having no faults, but her juice inside is gloppy and causes your fingers to stick more than the liquids she spills from her slit.

“Who said you’re allowed to have more?”

You lap up the nectar on your fingers. “Then why’d they make you taste so good?”

Your thumb teases her sweet tight asshole and puts just the slightest amount of pressure on it while you finger her with more intensity. The mass of her butt burdens your torso the closer she gets to orgasm. Her eyelids squeeze close and you see her body ripple in anxious pleasure. Karina shows off her pearly whites, teetering on the cliff of hysteria.

“Yes, yes! I’m so close,” she screams.

"Not yet."

“Fuck." Karina sobs, "God. Damn, fuck I'm sorry. I'm sorry. Just fuck me.”

“My pleasure,” you say. There’s no need for you to grab her since she brings herself down to your groin, which you’re thankful for as your arms are as good as jelly now. Fortunately, your cock throbs as hard as ever while Karina’s slit rests on it.

“Say you’ll delete it all, all the evidence, promise me.”

“You’re gonna fuck me first or what?” Your breath hitches while she makes a strangled noise as her velvety walls swallow your cock whole to leave no room for comfort. Her tightness is stifling and you have to start counting just to breathe again.

“One two-”

“Be quiet.”

But there is no quiet when pleas for your cooperation intersperse her excessive profanities when she seats herself into your cock and ricochets up and down. Sweat emanates from her creamy skin while her legs widen to find a better angle for her supporting knees in her cowgirl position. Grapefruit and other citrus mingle with the scent of the sweat, fruits you haven’t seen except on billboards in music videos. As much as your mind crackles and your blood roars for every atmosphere of pressure Karina’s walls provide on each thrust in and out, you can’t help but reminisce on sweeter, more innocent times.

The white fluorescent lights in your apartment sputter. For all the advancements in technology, some among many things never change. Light refracts differently in air, less bright, but you can see the pure enjoyment on Karina’s face no matter the luminescence. Karina slows her ride to pull her hips down harder instead and she jolts when your cock finds the most tender spots inside her pussy and it interrupts her babbling.

Karina almost hyperventilates when she gets up to spit on your cock. She pulls out some kind of meter from her tool belt and sighs when there’s no beeping and you recognize it having to do with carbon dioxide. She gets back to dribbling saliva and the filament trailing down to your shaft mesmerizes you. This spit is real, not simulated, and it wettens your erection in a mix with her pussy juices to paralyze you further in your already listless state. Her bare thighs jiggle and you can’t exert much force with your hands but her buttcheeks are firm with just a bit of give.

“Thank you for this cock, thank you for being bad,” Karina says as you watch her ass sink deeper while her pussy holds your dick taut. She’s frenetic when bounces up and down to play an unadulterated orchestra of slick noises between your groins.

“You’re welcome,” you accomplish getting out the words between planned breaths. Your hands cup her buttcheeks but you fear they may break with how she strikes her ass into you.

Karina turns around once more to give you the spectacle of her facial expressions as she fucks herself into you. Knead her calves laying on your torso and they take no energy to spread them though she brings them back together, compressing your hard shaft within her pussy. A new game you play with her, a separate rhythm of loosening and tightening. Her feet press on your chest to help her bounce, but the way they bear down on your lungs against the timing of your breathing causes you to fumble. Your cock bends straight forward as she plunges herself into you and it sends prickles to your entire skin, making the new angle difficult but worth it. Karina takes your hand and starts sucking on your fingers.

“You want my promise that bad?” you say.

“Yes, as bad as I want your cum. I swear, I need it.”

She draws her knees up to her torso and hugs her legs to keep thighs as tight together as possible. Karina couldn’t keep her word, she was trying to kill your cock with constriction.

“Fuck, your pussy is so fucking tight. God, Karina, fuck. You’re so good.” Even if good isn’t the word you want to use to describe her.

“Do it, please, please. I’m sorry, I’m so sorry, baby. Karina can be a good girl, a good maid, a good cop, whatever you want. Just don’t get me in trouble, please.”

Karina’s mouth stops saying words though her lips writhe, drunk in increasing lust. Her cheeks flush, before the rest of her skin joins in redness while she grapples your chest and whatever spare limb she can find. You still struggle wresting control of your body but nature seems to take over when you drive yourself into her and match her needy cadence. The air in the room is replaced by a new air but it isn’t Aether. Passion, sweat, heat and all fluids that you both exude join squelching sounds, slaps and moans in harmonic bliss when her body tenses and she screams. As her body tightens, her pussy especially holds your cock for dear life and endeavours to wring out all your semen as her wetness throbs and spills. Karina starts counting to three repeatedly and you laugh though your amusement quickly subsides when you feel her juices become more viscous and she continues her ride, even in the dying pulses of her climax.

“Was I good?” Karina asks.

Just a moment goes by before you mentally send her a screenshot of all the recordings being deleted. Karina hasn’t stopped fucking you yet so at least it wasn’t a ploy.

“Thank you, thank you, I love you.” The flexion of her pliant legs brings them all the way back to rest on top of your legs. Karina lays prone above you and finally give you a kiss. The citrusy flavor may be closer to lime than grapefruit but it’s been so long that you can’t remember which scent is which. Lips crash and her tongue lashes out at yours trying to establish dominance. Keep still to let her investigate your mouth while her pussy does the same to your shaft.

You savor the way Karina’s top emphasizes the bouncing of her tits synchronous with the rebounding of her waist on your cock, but your mouth waters when she frees them. Take the shortest moment to relish in the sight before Karina smothers you with her plump globes. You wriggle your face to try to breathe. Inhale, up and exhale, down, but all you inhale is the scent of her orbs’ sweat. Her hips undulate with a pace at least double yours breathing and the echoes of slapping flesh resonate throughout the air-filled chamber. The loudness is unlike any you’ve experienced in a long time. It’s almost a flashbang every time her ass slams into your lap, especially as you start to see white when orgasm threatens to overload you with preludial pulses.

The last words you hear infected ten million computers in 2000. Fade to black. Cut. You’re slammed out of existence back into existence as a sun rebirths both within you, heating your core to a dangerous high, and from your eyes, dazzling you in an unforgiving white light. In the throes of unconsciousness relapsing to consciousness back to tenebrosity, your streaks of semen suspend in the Aether like a dead tree resting from the wind. What flashes your mind in its orgasmic state are two things only you would remember, plants and weather. Your hyperventilation is unconscious but not unwelcome, as it’s the first time in a while your breaths were reflexive even in the liquid air. However, basking in your newfound power, you start to choke. Right. You breathe in and out again. In and out. In. Out. In. Out. Back in.

“Replaying KarinaArrestsYou.mp6.” A hint of vexatious glee in the system’s otherwise dry voice. You don’t stop for it.

✦✧✦✧✦✧ 

AFF, AO3

It’s pretty silly but the idea danced around in my head ever since I saw the absolute Black Mirror concept that SM had for aespa and I concur that Karina is insanely hot.

As I’m writing this, this Kurzgesagt video on the idea of a rogue Earth comes out and now I have to rewrite stuff to make it at least a little consistent. I’m obviously already going nuts with all these ridiculous sci-fi concepts but this video almost feels too targeted to me writing this for me to ignore it.

[finn-o-corvex]

Divergent at the park

Tris: If I ever got on the seesaw then my ass would be going to space since I'm so tiny.

Tobias: Maybe if I turn this carousel hard enough my life will turn around.

Christina: Time to scale this jungle gym like a boss and feel like I have some control over my life again.

Eric: How many of these bitchass kids can I push down the slide without getting caught?

Will: *Trys to pop out and scare Christina but gets stuck* Somebody help me! Gee wilikers, I'm stuck in the playground equipment! Help, I've been bamboozled!

Al: Maybe I'll disintegrate if I swing fast enough in a circle.

Peter: I'm going to be the fastest kid on this goddamn playground. Sonic will have to say goodbye to my ass, which will haunt him in his nightmares.

Caleb: Imma build the best sandcastle these bitches have ever seen.

[fiinalgiirls]

GENERAL INFORMATION.

FULL NAME - genevieve sloane channing NICKNAMES - neve GENDER / PRONOUNS - she/her DATE OF BIRTH - february 12, 1988 PLACE OF BIRTH - portland, oregon CITIZENSHIP / ETHNICITY - united states american; irish, scottish, welsh RELIGION - atheist / agnostic SOCIOECONOMIC STATUS / POLITICAL AFFILIATION - grew up very low socioeconomic status in ne portland, before the gentrification, but is now considered middle class due to her nurse’s salary. she’s liberal. MARITAL STATUS - single ( previously engaged ). SEXUAL & ROMANTIC ORIENTATION - bisexual, leaning more towards an attraction to men. EDUCATION / OCCUPATION - bachelor’s of science in nursing; emergency nurse LANGUAGES - english, spanish, and a few small phrases pertaining to medical emergencies in vietnamese and russian.

FAMILY INFORMATION.

PARENTS - doug and paula channing, both deceased. SIBLINGS - none OFFSPRING - none PETS / OTHER - robocop ( a black and white siberian husky ). i’d also like her to get a cat at some point ! give me this plot point !! NOTABLE EXTENDED FAMILY - none

PHYSICAL INFORMATION.

FACECLAIM - adelaide kane HAIR COLOR / EYE COLOR - brown / brown HEIGHT / BUILD - 5′3″ / slight, athletic TATTOOS / PIERCINGS - nostril piercing, small tattoo on anterior right forearm. DISTINGUISHABLE FEATURES - a scar above her left ear that goes into her hairline approximately three inches, bold, full brows. freckles. usually has bruised knees.

MEDICAL INFORMATION.

MEDICAL HISTORY - laceration to left temporoparietal area, sprained ankle, fractured collar bone, well-controlled asthma. KNOWN ALLERGIES - penicillin, watermelon VISUAL IMPAIRMENT / HEARING IMPAIRMENT - nearsighted, but usually uses contacts; tinnitus. NICOTINE USE / DRUG USE / ALCOHOL USE - occasional alcohol use, former smoker ( has had an errant cigarette on occasion ), drug use as a teenager.

PERSONALITY.

TRAITS - compassionate, resilient, tenacious ; self-righteous, cynical, aloof TROPES - nerves of steel, canine companion, good is not soft, deadpan snarker. TEMPERAMENT - melancholic ALIGNMENT - chaotic good CELTIC TREE ZODIAC - rowan, the thinker MBTI - infj HOGWARTS HOUSE - ravenclaw VICE / VIRTUE - pride ; liberality LIKES / DISLIKES: animals, reading, running and weight lifting, not having to share her popcorn, take-out, breakfast for dinner, leather / denim jackets, white sneakers, fresh cut flowers, solitude, people who think about others,  /  medical dramas, arrogance, science deniers, bok choy, people who talk to her at the gym or when she has headphones on, movie remakes, passive aggression. QUOTE:  ❝take a body, dump it, drive. take a body, maybe your own, and dump it gently. all your dead, unfinished selves and dump them gently. take only what you need. ❞

FAVORITES.

FOOD - curry. DRINK - coffee. PIZZA TOPPING - pineapple ( yes, she’s that bitch ), but with olives, mushrooms, tomatoes, and tabasco. COLOR - earth tones, grey, black and white. MUSIC - synth, hip hop, indie. BOOKS - horror, true crime, historical philosophy of science and medicine. MOVIES - the thing, nightbreed, notorious CURSE WORD - fuck, goddamn it. SCENTS - lavender, vanilla, chocolate.

BIOGRAPHY,

trigger/content warnings: murder, death, graphic violence, mental health, postpartum depression, suicide, cancer, drug mention, parent death, medical, euthanasia mention, stalking, guns

THE FOG CREEPS IN ; GIRLHOOD IS A GRAVEYARD

genevieve channing is born on a cold, grey february sometime around midnight to douglas and paula channing while the heavy oregon fog kisses the modest concrete jungle of portland oregon like a phantom. paula gives her a big name, telling the nurses with heady confidence that she’ll be famous one day, and it’s the biggest gift she ever gives her. baby genevieve is in her arms so often, she hardly touches a cradle, but it’s not long until douglas feels an uneasiness creeping in.

paula is bohemian silk skirts and crushed velvet. she grows restless being trapped in the plain, modest home in northeast. she is a woman that is easy to fall in love with—not meant to sit at home idly with a collicy baby, where she finds herself in tears more than ever. douglas returns from work to find baby genevieve screaming unattended in her crib while paula cries in the backyard with an ashtray full of cigarettes. she tells him she’s worried she’ll crash the car one day on the way to the grocery store with them both inside. douglas digs his teeth into his bottom lip and tries not to cry. he squeezes her hand and tells her she needs to go to therapy. what he really wants to tell her is that their baby needs her. he leaves paula outside and spends the afternoon tidying the house with genevieve swaddled against his chest. it’s a warm feeling.

it’s not long after that paula starts disappearing for periods of time and douglas learns she can’t be trusted to watch after the baby on her own. when she calls from downtown in tears, hyperverbal and desperate, he picks her up in his old chevy truck and brings her home. she agrees to see a doctor and for awhile, they figure out how to live again. some days are even as sweet as the rhubarb pies she starts to make again.

there are only two ways neve later remembers her mother, and the first is lovely–paula is picnics and shakespeare in the parks. she’s dried roses in the window and salmon tacos with mango salsa. she is whirlwind adventures and laughter. she teaches neve to make wishes on stray eyelashes, blowing them into the wind like dandelion seeds. on the good days, paula’s eyes are filled with stars. on the bad days, they are left black as the night sky while she cries the constellations down her cheeks. occasionally, she is cruel. mostly, she is absent.

by the third grade, neve expects this. douglas has never been much of a cook–save hamburger patties with canned green beans and a baked potato. she cooks their dinners from recipes she learns from her grandmas and helps around the house. most nights she’s home alone until the grumbling sound of the chevy breaks through the dark and signals her father’s return. eventually, she stops missing her mother from the everyday–it’s only when the other kids talk about their moms that she feels the pang of loss and wonders where she is. some nights neve finds herself sitting in her bedroom window pulling out eyelashes just to have something left to wish on. some of paula’s friends overdose on heroin or get murdered in the nights when neve is sleeping; she stays up late and hopes that her vigil will keep a distant mother safe.

there aren’t many trees on their street–unlike some of the other neighborhoods. the big weeping birch in their backyard that drives her father crazy as he rakes leaves every fall is neve’s pride and joy. there is comfort in the shade its branches cast every summer. at night it makes her lonely as it blocks the silhouette of the waxing moon. on lazy summer days when her father leaves for work, neve sits with her back curved against its rough trunk and reads the day away.

on a cool april afternoon, just after preparing a plate of cherry poptarts with a thin layer of butter on top of the frosting ( much to her father’s chagrin ), neve ventures out to the modest yard to sit under her tree. the familiar crushed blue velvet of her mother’s favorite dress catches her off guard and she drops her breakfast onto the unkempt lawn as her mind makes sense of the unnatural height of its hem as paula swings–marking the time of neve’s pounding heartbeat. the butter solidifies as it cools in the dirt, the heel of neve’s hand-me-down airwalk sneakers mashing her breakfast. the cherry filling sticks to the sole like bubblegum; she’ll never eat them again, but she can’t help but recall that her mom always preferred the maple and brown sugar.

THE ODDS ARE STACKED AGAINST HER ; A GIRL LEARNS TO COUNT CARDS

portland in the eighties and nineties is less portlandia and more drugstore cowboy. a lot of kids from other neighborhoods don’t go downtown. the ones that do have an air of palpable grit. neve takes the max, rides her skateboard in the dark. douglas has cautioned her a hundred thousand times, but paula’s death has instilled such a great fear of losing his daughter that he lets her get away with more than he knows he probably should. he fears paula’s ghost will someday possess her and she’ll wander off into the ether. most days he insists that the only parts of paula he sees in his cherished daughter are the good ones–neve holds onto the corporeal world with claws. it’s only on the worst nights–paula’s specter cooling the sheets of his bed in the dark–that he wakes up with the fear his daughter is gone.

douglas’s new wife, rosie, does her best to pit them against one another, but sometimes–she’s not so bad, neve thinks. it’s nice to have a mother figure in the house again even if she falls short most days. sometimes she thinks that maybe they could learn to love each other. if nothing else, she’s sure she owes a bit of gratitude to the woman; the nights of her father’s haunting sobs have become fewer and farther between. it isn’t until douglas begins receiving late notices on utilities that he begins to grow suspicious. rosie is quick to throw neve under the bus–a young girl like that? she’s probably stealing their money to spend on drugs and CDs at sam goody. douglas has never bet on anyone like he bets on his daughter; rosie’s gambling debts are news to them both.

the fallout of the relationship leaves douglas and neve in dire financial straits. the father is heartbroken–another love lost, he blames himself for always choosing the wrong lady luck. despite their financial ruin, left in rosie’s wake, douglas has a hard time getting out of bed most days and blows through what little sick time he has available to him. school takes a back burner and neve barely attends it at all–favoring her time on finding work ( legitimate and illegitimate ) to help keep their small family afloat. she attends class when it’s profitable and waits tables or washes dishes when she can. it’s still not enough.

a few kids turn neve onto small crimes to turn a profit. they ride the max to the suburbs and crash parties–stealing pills out of medicine cabinets and turning them over for profit. calculus wasn’t worth a good goddamn, but distribution teaches skills. it’s hard not to get caught up in petty thefts and the occasional break-ins. neve and her friends find it easy to justify in the spirit of class war. a pin on her denim jacket reads ‘eat the rich’ and it doesn’t sound so bad. portland is a cannibal and it eats its children.

neve is a cat with nine lives and despite her friends being caught by the long arm of the law or the stronger arm of revenge, she evades detection. even such cats live with a fear of death, and as consequence catches up to members of the small circle she runs with, neve knows she is living on borrowed time. sooner or later, she knows, her luck will run bone dry.

SPRING RETURNS TO PORTLAND ; THE FROST CLINGS TO FRAGILE BONES

neve dropping out of high school is a wake up call for douglas. he sees farther than she does and knows that she deserves a better life than the one he’s scrounged together for her. most days, he blames himself for a life that could have been; some kids like her wore neatly pressed dresses and folded over lace socks on picture day. some kids had piano lessons and summer camps. there’s a lot of insight in hindsight, but neve staunchly opposes his masochistic remorse and becomes determined to prove him wrong. it takes her a couple years of working to figure out what she wants to do–a girl baptised in her mother’s blood is born with the kind of heart that takes on too much. she is meant for saving lives and carrying the world on her shoulders like atlas himself.

it takes time, but as douglas gets their house in order and starts working again. neve is able to start up at portland community college. she takes up a work study job and works a steady flow of odd jobs on the side to support herself. lady luck shines her fortune on the pair for the first time in forever to make up for the steady losses they’ve sustained over the years. life isn’t lavender and gardenias, but somehow waking up becomes little and less painful each day. some days neve wakes up and forgets that she can’t breathe. most days she spends her gratitude in the heap of debt the world owes her–waiting for the other shoe to drop.

the rebirth of their family is a hearty soil; both channings flourish as if made anew. the dew drops that cling to garden spider webs in their window signal the looming anniversary of a mother’s misty breath and neve learns not to fall apart. douglas works hard to do right by her and make up for the years of never knowing what to do and waffling between what is best and what is desirable. he is a man that longs for dreams–feet barely brushing the earth like her mother’s did on that day–but he is learning to make dreams work too. his dreams take root around his daughter once more; he builds them around her and builds her up with them.

the highschool dropout graduates her community college adn bridge program and she can hardly believe it when she’s accepted to ohsu for her bsn. there are no college diplomas with the channing name hanging on walls with peeling wallpaper or tucked away in trunks with paula’s things. douglas has saved his money for months to get her the right graduation gift and neve laughs, downplaying that it’s not a real graduation, but still walks in the ceremony at his insistence.

she returns home to the small party of friends she’ll start to grow apart from when she gets tired of the jeers about how she thinks she’s ‘too good for them’ now. neighborhoods like hers don’t always love to watch you grow if it means you’ll leave them. they’ll still blow up her phone for medical advice, but the invitations dry up like the drought of portland natives in southeast. for now, it’s a pleasant barbecue. the highlight of the evening comes in the small bundle of inky fur that douglas proudly produces after neve’s second burger. peering out from his strong arms are the brown eyes of a young siberian husky. douglas begs her to name the pup murphy over robocop, but loses easily–a hearty chuckle on his lips. they are bonded instantly–girl and dog–robocop becomes neve’s second most stalwart companion next to her father.

nursing school is hard, but it’s not impossible and it is full of new kinds of joys. she makes new friends and they eat lunch from the thai foodcart—nestled within the pod of south waterfront—and lay on the quad drinking smoothies and complaining about the next pharmacology exam. nose in a book and a drink in her hand at happy hour down at cha cha cha !, neve attracts the attention of pa student shane stone. he knows a nursing school classmate of hers from high school and is quickly incorporated to their study groups with a couple of his friends. he is tall with dark hair and kind eyes and just the sort of person a girl dreams of falling in love with. he spends little time worrying about things like rent and bus passes. it’s not even the end of the semester before study dates evolve into movie dates. there’s an entire world between them, but somehow the pair build a bridge.

DEATH RATTLES AND DYING BREATH ; THE GIRL’S OTHER SHOE DROPS

as neve focuses on school, douglas seems to be making steps to keep himself around longer. they go for long walks with robocop around the neighborhood. southeast portland is becoming a different neighborhood and the cost of living is high. restaurants crop up with around the block waits and family friends are forced to move to grayer pastures. it seems, to the channings, that it’s the end of an era. with neve spending most of her time at shane’s apartment on south waterfront, douglas’ weight loss is hardly noticed–everyone assumes it is merely the byproduct of increased activity. it isn’t until his stature becomes gaunt that neve starts to worry.

shane holds neve close when she finally breaks down–sneaking into the single bathroom of the clinic to let her fall apart the way he knows she can’t do in the open. like a wild animal, the girl he loves hides herself away when she feels death’s acrid breath on her neck. he doesn’t know what loss is and he certainly can’t relate to what she’s been through. douglas’ diagnosis is like watching the noose tighten around her mother’s neck all over again. her throat is dry like she’s choking on the fibers of that same rope; the world has a foggy edge—hollow like street lights illuminating an empty suburban neighborhood on a clear, dark night. everything is wooden; everything feels like a dollhouse.

it’s hard to keep up on her studies, but somehow neve muscles through. shane gives up his idyllic apartment and moves into their modest southeast home to help out. he makes a lighthearted joke about finally being a real portlander and moving so near the trendy, revitalized mississippi neighborhood and neve drops and breaks her coffee mug on the unfinished wood floor of the kitchen. it’s just another reminder that he doesn’t belong in her world any more than she does in his. it doesn’t sting as bad as the ink on his mother’s checks that she cashes to keep her father comfortable on his deathbed while she learns to be a better caretaker. life ebbs and flows, but douglas’ drains away until she hardly recognizes the sinewy, pale hands that hold hers so strongly for a man that can’t sit up by himself any longer. she curses her mother once more for leaving and twice for never having been there in the first place.

death isn’t slow or peaceful like the woman from her father’s church will lie about at the funeral. his death rattle lasts for hours and the bellows of his chest quake with weary breath. part of her wishes that the hospice nurse had started an iv on him and a sick, hidden part of her wishes it because a sweet dose of morphine would’ve ended it all sooner for him. she wonders silently if that would do more to ease his pain or hers? he hasn’t been conscious in two days. shane sits with her at the side of his bed with rapt attention and as his breathing slows, neve crawls into the hospice bed next to him. the next several months are a blur and a father misses his only daughter’s graduation. neve is barely present there herself.

shane insists that she’s not an orphan–his parents fly in from denver and treat her like one of their own. it guilts her that she can’t help but resent them for the simple virtue of living while her own father is reduced to a cold dust. she wears his ashes around her neck in a pendant from the funeral home and spreads the rest in every beautiful place she can find. some of them spill into her purse during a hike with robo and shane and she breaks down in tears. there are so many small things that make her sick or numb. a multitude of tiny memories that weigh as much as planets; isn’t dust what helped create the milky way? even around the stone family she feels alone. maybe especially around the stones.

HACKLES RAISED, A GIRL LEARNS THE DANGERS OF BEING FLORENCE NIGHTINGALE

the emergency department attracts all kinds of people in myriad dire straits. people come in at the end of their ropes–infections ignored too long, stabbings and shootings, a broken bone from slipping off the slide, and sometimes when they feel like they can’t live any longer. evan does not fit into any of these categories when he comes in. among the myriad failings of the medical system, lack of access and use of primary care is one of the larger contributions to higher emergency department volumes and evan is another data point in a sea of statistics. he comes back to neve’s room with a sly grin plastered on his face and states that he’s new to the area and can’t get into a new primary care for a few months. his daily asthma inhaler is out and he needs to renew the prescription and get a referral to a clinic.

there’s nothing on the surface that identifies this man as a threat. he’s almost charming and he’s nontoxic appearing–a nice easy patient in a sea of sick people is sometimes a great relief. they make some small talk and it’s the usual stuff she chats about with patients: ‘where’re you from?’ ‘where did you go to school?’ he expresses an interest in nursing and she recommends the program she attended at the hospital she now works. there’s almost a tension there, and when he makes a casual comment about the tan line on her finger she tells him that she doesn’t wear her engagement ring at work because it can tear the gloves. that’s only half right. maybe he can sense the rest of the truth; she’ll wonder that later when she pieces together every scrap of something she can use to blame it on herself.

he sends her a message on facebook, which makes her lips curl downwards in uncertainty. even that isn’t entirely alarming. it opens up reminding her that he’s knew to the area, and that he’s interested in the nursing program she went to. it’s a surprise, but he makes mention of a girlfriend’s wifi and he even asks how shane is doing. he loves her dog and mentions wanting one himself. sure, it’s a little weird–unconventional–but neve has always been interested in helping others find nursing and agrees to meet him for coffee to discuss the program. when they meet, she sees the mistake inherit in it before she even opens the cafe door. he’s disheveled and hyperverbal when he speaks to her and she can barely get a word in edge wise. between the gift he’s brought her and the intensity of his stare, she wonders how she could have read him so wrong. it’s then that he drops the bomb that makes her stomach sink into the trench it detonates in–will they take him in the nursing program with a record? she doesn’t ask, but he provides the details anyway. death threats to some girl he barely knew that wouldn’t leave him alone, he paints the canvas well, but she can read between the lines. evan stevens is dangerous and his lethal eye is trained on her.

she makes an excuse to leave–the first of many excuses, the illusion of being unavailable, unattainable. it’s the advice she’s given to women before, but never had to follow. those words offered to women in distress seem so trite now, so hollow. there is so much fear in cutting ties slowly–the strategic approach to keep an impulsive person like that from escalating. she wishes she could take those clinical offerings of textbook wisdom back from those women and hold their hands. she wonders how many of them still live. he starts blowing up her phone constantly. he comments on all her social media. all day and all night. if she doesn’t respond, he threatens suicide. some days he asks if she’s working and says he brought her lunch. if she says she’s sick, he asks for her address to bring her tom yum takeout from the restaurant she’s posted about on instagram. everything makes her sick now.

A FINAL GIRL IS FORGED ALONE ; THERE IS NO SUBVERTING FATE

god, it’s hard to speak about. she can’t even let the words reach her tongue, lips and teeth to birth them. they shrivel and die in her throat, festering there until she swallows them and they rest in her stomach like great stones. she wonders if evan will cut her stomach open like a wolf and find the rocks there. that’s not how the story goes; she tells herself so many versions as she lies awake in the dark afraid to sleep.

when she finally tells her friends–a smattering of girls and guys from nursing school, the er, and her neighborhood–the response is like the knife she dreams about in her gut. she shows some of the girls at her work his picture, worried that he’ll come in asking about her. she’s chided by these friends, “he’s actually pretty cute, florence nightingale” they joke. “it must be flattering to have the attention.” even shane suspected that there’s some indulgence on her part. that maybe she likes trying to fix people who are broken so much that she gets some sick reward from the experience. he doesn’t speak the words, but neve is fluent in shane stone. he says it in his eyes, the downcurve of his lips, the tense way he sighs when her phone dings over and over again during date nights.

on a cold night in december, neve works on meal prepping alone in the kitchen. evan has been out of town helping his mother remodel her kitchen and neve feels like she can finally breathe in the space he’s left behind. turning on the wireless speaker, she tries to pair her phone to play music as loud as the thin walls of her father’s modest northeast portland home will allow and instead hears, in the cold, robotic voice ‘pairing with neve’s iphone and evan’s iphone.’ robocop doesn’t even lift his head in suspicion the whole night. she calls 911, but they find neither hide nor hair of him. in the morning, neve nails the windows shut and buys a gun–a smith & wesson .357 snub nose revolver. the weight of it is heavy in her hands and she buys a membership to a gun range, calling into work and practicing until shane returns. she doesn’t tell him about the gun and she stops telling him how bad things have gotten with evan. the click of his tongue and disapproval in his eyes is more dooming than a death sentence and she can’t bear to bring further disappointment. neve channing is a strong woman–a smart woman. things like this don’t happen to women like her.

somehow, evan is everywhere and he knows all her secret places as if he exists as an extension of her. maybe he even believes he is–sending her voice messages about how they’re connected. they are the same; they are foils of one another. he send her a picture of his ouroboros tattoo from a new number after she finally blocks him. ‘we are the same.’ he is an all-consuming, devouring force, but she is not a serpent’s tail. he is moloch–besmeared with blood, the great, horrid king–but she is not a child and she will not be sacrificed for sins she has not committed. he has not right and there’s only one way she can see this ending as the days grow longer. like life itself begins, this too will end in blood.

LOVE IS A HARD KNIFE ; A GIRL CAN’T STOMACH AMBROSIA

there is a consequence to every action and every inaction. every little thing she chooses not to tell shane fester and boils. the late nights at work and the new passcode on her phone seem more to shane like cheating than a worsening of some creep’s obsession. she hasn’t even mentioned evan to him since the trees started blooming again. when he elects to cheer her up and bring her lunch during a shift she traded so she could practice at the gun range, his suspicions deepen and while she sleeps that morning, he rifles through her work bag and finds alongside her locked cell phone the cold steel of a secret that he cannot abide by.

it’s not his fault either and she means that from the bottom of her heart. every kindness from the stones feels like another debt and neve can’t help but let the resentment fester in the tasteful diamond on her finger. when she looks upon his face now all she can see is death and it’s the world’s cruelest joke, because she’s the one with cemetery dirt underneath her fingernails. she can’t tell which of the two of them she resents more and they both deserve lives where ghosts stay buried and the dead don’t whisper malcontent in her ears while she struggles to fall asleep. nightmares are her own warm milk; she’s sick of the cold metal of a gun as she moves it from her night stand to her purse each morning. she’s tired of being made to feel like she had a stake in any of this.

it’s not the kindest way to leave a man, but she’s not sure she’s ready to face him again after all that’s happened. she leaves her house keys with her cousin paloma and packs up shane’s stuff. paloma has just started nursing school and can use neve’s father’s old house to sublet. the rent’s free and she’s always been gentle hearted. neve can’t think of anyone better to care for her father’s old house. with dear john letters to both shane and the hospital, neve takes robocop and enough of her things to fit into her subaru forester. it’s not goodbye. it’s never goodbye, she thinks as she hugs paloma on the modest porch. it still feels so permanent, but neve tells herself that big decisions always do. she yearns to discover who she is outside of grief and fear and love. a daughter cannot bloom in her parents’ shadows and she is suffocating underneath the gentle love of the mourning glory.

on the road without a real plan–because if she doesn’t know where she’s going, then neither does evan–neve signs on for a travel nursing company. the first assignment she considers is salem hospital an hour south and it’s a great department, but it’s too close to home. he’ll find her there easily. st. charles in bend isn’t far enough away either. it doesn’t feel like enough of a difference and none of them do until she’s cruising down the interstate through blythe, california and she sees a listing for a level one trauma center in tuscon, arizona. it feels like it could be the right place to burn and be born again.

A GIRL AND HER DOG; SOMETIMES PEACE IS ITS OWN KIND OF PRISON

the cool steel of the snub nose .357 revolver lies buried beneath her registration and owner’s manual in the glove compartment. she wonders briefly as she pulls out her sunglasses and slips a salty french fry into her mouth. the car stereo fades in and out along the southbound highway, switching between some smooth-talking radio host and the tinny crooning of buddy holly. it makes her think of her father, and she blinks back tears–plugging in her iphone to switch to a tune that doesn’t bring back such painful memories. robocop whines in the backseat and neve discovers that her maps aren’t loading any longer, the gps unable to locate their vehicle.

there’s no sense in pulling over and pulling out the map of arizona she purchased from a disinterested teen in the first gas station she’d come across in the state. there’s only two days before the job starts and, according to her recruiter, they’d already moved the orientation up a day, cutting her time to adjust to her new ( temporary ) place before work in half. taking a long drink of coffee–now as cold as her french fries–she blinks hard to keep awake and just when she thinks she’ll have to pull over and sleep in her car huddled close to robocop’s warm, furry body.

neve passes a hospital on the outskirts of town–lit up all pretty against the dark desert sky. it looks nice enough and the longer she drives, the more she considers that her recruiter might’ve told her they were full up in tuscon. maybe that was why they moved the date up for orientation afterall. in the dark august night, most of the businesses are closed and the lights in the mobile home park neve passes are off. the first place she sees open is bj’s food mart and she stops to get a fresh cup of coffee and stretch her legs. she learns inside that amen county is always hiring and leaves with a smile on her lips.

neve has spent nine peaceful months in boot hill. the gun no longer lives shoved into the bottom of her work bag or nestled into the glove compartment of her subaru. now it spends its days in solitude in the coffin-like drawer of her bedside table. evan will never find this place, she is almost sure of it. he might be looking for her, but he’s not looking for boot hill. some evenings on her long strolls to work, she smiles and closes her eyes–listening to the soothing sounds of the town.

soon enough, neve is sure there really was no travel assignment to reach. or, if there had been, she can’t remember where it’s at. instead, she takes some time to enjoy the small town and the anonymity she feels there. she’s not even living out of the silk bonnet hotel anymore. she hadn’t seen boot hill on any map during her road trip and, if that’s universal, her past can’t find her without a destination to set its sights on. there is more than great comfort in that. by the end of her first month, she can’t imagine living anywhere else.

the emergency department is not the bustling trauma center she was used to, but there is an appeal to the autonomy rural medicine offers an experienced nurse. hell, in some places the doctors only come in if you call them. neve can’t exactly remember the application and interview process anymore. it seems like there are so many things that have become mysteries and she can’t find herself caring enough to investigate them long enough to follow an actual lead. it seems like she’s always worked there–an instantaneous sensation of home. she couldn’t even leave if she wanted to.

[deimoslunaa]

For Kendell.

happy birthday @booyahkendell, welcome to the 20′s! as promised, a schmoopy kid fic.

Nora Liu loves her job. She loves it even more now that she switched out of teaching high school and went back to pre-school education.

(More like ran out, but no one needs to know that detail.)

There are still high stress situations; more responsibility being a pre-school teacher. Toddlers operate more like hazardous drunk people more than little human beings. Nora has gotten used to the spike in her blood pressure whenever she couldn’t locate one of them during head count for recess.

But she likes kids. Kids are easy. Feed them, entertain them, make sure they get their mandatory nap and keep a goddamn eye out. It’s not rocket science, as many (cough, her ex-boyfriend) think.

Oh, and make sure they don’t kill each other.

That, was easier said than done.

Typically, that’s the one rule that’s actually hard to regulate. Kids tend to use their hands more than their words. Which, well, she can’t exactly blame them because a solid third of them can barely even use words.

George and Ken for example, are almost impossible to separate since they are best friends. Best friends who like to beat each other up.

Zoe hates sharing, which is something both her parents and Nora are working on changing. Nora caught her swing at another kid for touching her building blocks once.

Some of them are just straight up nightmares.

Nora loves her job. She loves kids. And sometimes…

Sometimes, they surprise her.

Alex Carisi, for example. Four years old going on forty, in Nora’s opinion. She plays alone, not because other kids don’t like her or don’t want to include her but because she genuinely enjoys it. She can entertain herself and still put her toys away when playtime’s over. The kid barely kicks up a fuss and never makes a loud scene, which wouldn’t be so surprising if her twin brother wasn’t the polar fucking opposite.  

Julian Carisi is a firecracker and oddly articulate for his age. He talks a lot, asks even more questions and makes it his job to give Nora heart attacks for how nimble (and fearless…) he is once a tree is in his sights.

For twins, they don’t really look alike. Nora first assumed they were adopted, knowing that they have two fathers (not that she’s met them yet, green as she is.) But there are similar enough features that hint that they have some genetic connection, if not one hundred percent.

Alex’s light brown hair is long and always styled half up, half down with a different coloured bow. Her complexion is fair, as well as her eyes that are a bright blue. When she laughs and smiles, two dimples appear deep in her cheeks.

Julian also has brown hair, short and curly atop his head. He’s a barely a shade darker than his sister and instead of blue eyes, his are green.

Nora thinks they have the same nose. But that’s about it. She doesn’t know why she can’t stop trying to figure it out.

But then George throws sand in Lucas’ eyes and that train of thought dies.

-

It’s the end of the day and Nora is waiting for the parent pick up at the front of the school. Most of them have already been taken home. Nora checks her watch; it’s a little past two pm. She glances back up and does another head count. All accounted for.

Among all the boys left, Alex is the only girl. While the boys play together, she sits in the sandbox, making a castle. She looks focussed. Nora walks over to her and Alex doesn’t even look up to acknowledge her presence.

“That’s a pretty sandcastle Alex,” Nora says, squatting to reach her eye-level.

“Thanks,” Alex says, she’s not really listening. Instead, she’s looking at her miniature toys and takes the princess toy and places her on top of the castle.

“Is it a princess castle?” Nora presses. It’s weird; how much she normally would give anything for the kids to shut up some days and yet wants nothing more than for this one to open up.

Alex nods and pushes her hair out of her face. Nora unscrews her water bottle. It’s been a hot week. “Wanna see something cool?”

Alex nods again and shuffles back in the sand. Her tights and shirt are sandy. Nora smiles and digs around the castle with the tiny plastic shovel and pours her water in, making a moat. Alex’s face lights up and she claps.

“She can swim now!” Alex cries and drops her princess face down into the water. Nora bites back a laugh. Nora picks up the doll and shakes the water off.

“Yeah, she can swim now. This is called a m—”

But Alex isn’t listening to her anymore, her attention is over her head and Nora has never seen that expression on her face before. It’s like pure sunshine. “Daddy!”

Alex scrambles to her feet and runs. Nora hears a low voice from behind her make an exaggerated hurt sound and Alex giggles. She turns as she gets up, the wet doll in her hand and –

Wow.

The man is tall and lean, holding Alex comfortably at his hip. He’s dressed formally; a navy three pieced suit and expensive looking shoes. Nora would assume he works somewhere on Wall Street, if his police badge wasn’t on his hip, glinting in the sunlight. Alex’s tiny arms are wrapped around his neck and she’s talking a mile a minute into his ear. The man laughs and they’re close enough that she can make out identical dimples on his cheeks that match Alex’s.

This must be Alex and Julian’s father. He kisses her on the cheek and she starts to wriggle, wordlessly telling him she wants to be put down. He does so but Alex holds his hand, and starts to climb up his leg like he’s some sort of tree. Nora can’t really blame her. He’s tall as one and gorgeous as fu—

“Sorry I’m late,” her father says, snapping Nora out of her thoughts. He doesn’t seem to mind that his daughter is using him as a jungle gym, carrying on a conversation still. He’s bent over a little bit but keeps his eyes on Nora and damn, that’s where she gets those blues from. “Got here as fast as I can. How was she? Not too much trouble I hope?” He smiles, lips full and pink. Jesus Christ.

His accent is obviously Staten Island, and a thick one at that. He’s effortlessly handsome, his age only shown in the greys on the side of his light brown hair. Luckily, the absurdity of that question is enough to wake her up from drooling.

“Trouble? Alex?” Nora asks, unable to keep the laugh out of her voice and comes closer to hand Alex her toy back. “I don’t know what magic you’ve got going on at home but she’s the complete opposite of trouble. Believe me.”

Alex’s father laughs at that, eyes shining and looks down at his daughter who has given up trying to climb him and just holds his hand and hugs his leg. Daddy’s little girl. “Yeah, she is,” he says and then he seems to remember something. “Speaking of trouble, where’s your brother?”

Alex shrugs, the question and concern beneath her. Sonny rolls his eyes.

“Oh, he’s – “ Nora turns to point to the play structure in the middle of the yard.

“Julian!” Alex’s father shouts and like clockwork, Julian’s face pops out from inside the play castle, like he’s been caught red-handed. When he sees who it is, he leaves his friends behind and runs down the fort and into his dad’s other leg. Julian starts talking a mile a minute, tugging his dad towards the playground.

“I found a snail daddy,” Julian says, like he’s found buried treasure.

Alex tugs him the other way. “Is Papi home yet Daddy?”

“Oh yeah?” His dad says to Julian with something like genuine interest and then, “Papi’s on his way here sweetheart. Let your brother show daddy the snail while we wait.” Then to Nora, “I’m Sonny by the way, I’d shake your hand but,” he shrugs. Like this is his life now.

Nora blinks. “No problem.”

Sonny grins. Julian lets go of his hand and he picks up Alex, who now looks grumpy. As he lets his son lead him to the jungle gym, he presses another kiss to his daughter. “Hey, you mad at me?” Alex pouts and doesn’t say anything. “Aww, you mad at daddy?” He says, grinning wide now. Nora feels something die inside her at the sight of it. He nuzzles his nose to her face until she shoves him away with her little hand, giggling. Alex kisses him off centre on the lips, a forgiveness.

Nora’s pretty sure her standards have skyrocketed into the atmosphere just watching this.

-

Turns out Sonny is more than just a pretty face with an even prettier body and impressive father skills. He’s funny, he’s a good listener and can multi-task like nobody’s business.

They keep a on and off conversation, waiting for his husband to show up.

(“You grow up here?” He asked, keeping an eye on his kids as they went up and down the slide.

Nora shook her head. “California. Moved her about ten years ago.”

Sonny whistled. “Long way to teach.”)

(“So, you’re a cop,” Nora said, a little awkwardly.

“Yup,” Sonny responded, popping the ‘p’.

“That must be…fun.”

Sonny laughed, like there was some sort of inside joke she wasn’t privy to. “Well it sure isn’t boring. That their father’s job, not mine.” And when Nora just stared, Sonny was quick to fill her in. “He’s a lawyer.”

“Ah.”)

(“Not to cross any boundaries,” Nora asked later, “but they’re fraternal right?”

Sonny smiled at that. “They look identical to you?”

“Um – “

Sonny waved her off, “nah, I’m just screwing with you. Yeah, they are. They have the same mother, biologically, but everything else is,” he made a weird gesture that Nora figured meant to say: one part of me, one part of their other dad.

“Huh,” she said. “Cool.”

And Sonny glanced over at her, arms crossed with a soft smile on his lips. “Yeah. It is.”

-

It’s another ten minutes or so, when “Papi” appears.

All the children have been picked up and technically, Nora doesn’t have a reason to stick around any longer. She has a bottle of Pinot Noir calling her name at home, but she can’t help her curiosity to see who put a ring on Sonny. She’s looking up recipes for dinner on her phone (Sonny had suggested a great website) when she hears him shout loud and sarcastically, “well look who decided to show up!”

He’s still smiling despite the tone in his voice; sitting cross legged on the ground with his suit jacket to protect his pants from the wood chips. His sleeves are rolled up past his elbows and he somehow managed to get Alex and Julian both playing together. Nora turns around from her seat on the bench.

A man approaches, an expensive looking leather briefcase in one hand. If Sonny’s suit was impressive, his belongs on a runway. It probably costs more than what Nora gets paid. He’s about her height, maybe a bit taller and his hair is dark; dark like Julian’s. The closer he gets, the more she can see Julian in every aspect of him. Nora bets behind those shades, his eyes are green just like his.

“Look who it is,” Sonny whispers to Alex, who has her arms around his neck but doesn’t move to greet her dad.

Julian is already in his arms, heavy and exhausted from playing under the sun all day. ‘Papi’ brushes his unruly hair down, trying to get it flat when he pushes his glasses over his head. He’s unfairly handsome in an unobtainable type of way. All tanned skin and green eyes.

“Alexandra,” he says softly, “you can’t give Papi a kiss hello?”

This is all a little too private for a stranger. Nora watches as Alex grips onto Sonny harder and hides her face. Nora can tell that he’s being played with and played with well. Sonny seems to notice it too.

Sonny rolls his eyes and rubs her back. “Papi didn’t mean to be late honey,” he says sweetly. “He’s out there saving the world remember? Making the world a better place like daddy.”

Je-sus.

Alex pulls her head away from Sonny’s neck and looks to her dad, who reaches out to her with his free hand. “I’m sorry mi amor, forgive me?”

It looks like those words affect Sonny more than they affect Alex who seems to think this offer over, taking her time, before nodding and she throws herself into his open arm where he’s knelt. He kisses her cheek and hugs her tight.

If Nora feels emotional watching it, Sonny appears to be wrecked. Happy and proud all at once. Sonny gets to his feet, a little unsteady and takes Julian from him, who is dead asleep. Sonny kisses his husband chastely on the lips, easy as breathing and then nudges his shoulder.

“Raf, this is Nora, their teacher,” Sonny says with a not-so subtle tone in his voice that is reminiscent of “show your manners.”

“Rafael Barba,” Rafael says, shaking her hand. He scans her face, like he’s making sure he’ll never forget it if something happens. The shift from adoring, grovelling dad to intimidating father is scary.

And just like that, she’s beneath his attention again. “Papi, I’m hungry,” Alex says, rubbing at her eye. She tugs his hand and Rafael lets her lead him out of school grounds, talking about pizza for dinner. Jesus. Alex has got him wrapped around her finger.

“You need a ride home?” Sonny asks Nora, adjusting Julian in his grip. Julian nuzzles closer, but doesn’t wake. Nora shakes her head and gathers her bag.

“No, I’ll catch a quick ride.”

“You sure?” It’s so obvious he wants to leave. His eyes keep darting to his retreating husband and daughter.

“I’m sure,” she smiles to reassure him. “You have a beautiful family Mr. Carisi.”

Sonny looks over to where his husband is loading Alex into the back seat of a shiny black Mustang. Rafael closes the door and looks for Sonny. Sonny’s already heading over, pulled into his orbit. “Yeah, I do.” His grin brighter than the summer sun.

[fiinalgiirls-aa]

GENERAL INFORMATION.

FULL NAME - genevieve sloane channing NICKNAMES - neve GENDER / PRONOUNS - she/her DATE OF BIRTH - february 12, 1988 PLACE OF BIRTH - portland, oregon CITIZENSHIP / ETHNICITY - united states american; irish, scottish, welsh RELIGION - atheist / agnostic SOCIOECONOMIC STATUS / POLITICAL AFFILIATION - grew up very low socioeconomic status in ne portland, before the gentrification, but is now considered middle class due to her nurse’s salary. she’s liberal. MARITAL STATUS - single ( previously engaged ). SEXUAL & ROMANTIC ORIENTATION - bisexual, leaning more towards an attraction to men. EDUCATION / OCCUPATION - bachelor’s of science in nursing; emergency nurse LANGUAGES - english, spanish, and a few small phrases pertaining to medical emergencies in vietnamese and russian.

FAMILY INFORMATION.

PARENTS - doug and paula channing, both deceased. SIBLINGS - none OFFSPRING - none PETS / OTHER - robocop ( a black and white siberian husky ). i’d also like her to get a cat at some point ! give me this plot point !! NOTABLE EXTENDED FAMILY - none

PHYSICAL INFORMATION.

FACECLAIM - adelaide kane HAIR COLOR / EYE COLOR - brown / brown HEIGHT / BUILD - 5′3″ / slight, athletic TATTOOS / PIERCINGS - nostril piercing, small tattoo on anterior right forearm. DISTINGUISHABLE FEATURES - a scar above her left ear that goes into her hairline approximately three inches, bold, full brows. freckles. usually has bruised knees.

MEDICAL INFORMATION.

MEDICAL HISTORY - laceration to left temporoparietal area, sprained ankle, fractured collar bone, well-controlled asthma. KNOWN ALLERGIES - penicillin, watermelon VISUAL IMPAIRMENT / HEARING IMPAIRMENT - nearsighted, but usually uses contacts; tinnitus. NICOTINE USE / DRUG USE / ALCOHOL USE - occasional alcohol use, former smoker ( has had an errant cigarette on occasion ), drug use as a teenager.

PERSONALITY.

TRAITS - ( + ) compassionate, resilient, tenacious, ; ( - ) self-righteous, cynical, aloof TROPES - nerves of steel, canine companion, good is not soft, deadpan snarker. TEMPERAMENT - melancholic ALIGNMENT - chaotic good CELTIC TREE ZODIAC - rowan, the thinker MBTI - infj HOGWARTS HOUSE - ravenclaw VICE / VIRTUE - pride ; liberality LIKES / DISLIKES: animals, reading, running and weight lifting, not having to share her popcorn, take-out, breakfast for dinner, leather / denim jackets, white sneakers, fresh cut flowers, solitude, people who think about others,  /  medical dramas, arrogance, science deniers, bok choy, people who talk to her at the gym or when she has headphones on, movie remakes, passive aggression. QUOTE:  ❝take a body, dump it, drive. take a body, maybe your own, and dump it gently. all your dead, unfinished selves and dump them gently. take only what you need. ❞

FAVORITES.

FOOD - curry. DRINK - coffee. PIZZA TOPPING - pineapple ( yes, she’s that bitch ), but with olives, mushrooms, tomatoes, and tabasco. COLOR - earth tones, grey, black and white. MUSIC - synth, hip hop, indie. BOOKS - horror, true crime, historical philosophy of science and medicine. MOVIES - the thing, nightbreed, notorious CURSE WORD - fuck, goddamn it. SCENTS - lavender, vanilla, chocolate.

BIOGRAPHY.

trigger warnings: murder, death, graphic violence, mental health, postpartum depression, suicide, cancer, drug mention, parent death, medical, euthanasia mention, stalking, guns

THE FOG CREEPS IN ; GIRLHOOD IS A GRAVEYARD

genevieve channing is born on a cold, grey february sometime around midnight to douglas and paula channing while the heavy oregon fog kisses the modest concrete jungle of portland oregon like a phantom. paula gives her a big name, telling the nurses with heady confidence that she’ll be famous one day, and it’s the biggest gift she ever gives her. baby genevieve is in her arms so often, she hardly touches a cradle, but it’s not long until douglas feels an uneasiness creeping in.

paula is bohemian silk skirts and crushed velvet. she grows restless being trapped in the plain, modest home in northeast. she is a woman that is easy to fall in love with—not meant to sit at home idly with a collicy baby, where she finds herself in tears more than ever. douglas returns from work to find baby genevieve screaming unattended in her crib while paula cries in the backyard with an ashtray full of cigarettes. she tells him she’s worried she’ll crash the car one day on the way to the grocery store with them both inside. douglas digs his teeth into his bottom lip and tries not to cry. he squeezes her hand and tells her she needs to go to therapy. what he really wants to tell her is that their baby needs her. he leaves paula outside and spends the afternoon tidying the house with genevieve swaddled against his chest. it’s a warm feeling.

it’s not long after that paula starts disappearing for periods of time and douglas learns she can’t be trusted to watch after the baby on her own. when she calls from downtown in tears, hyperverbal and desperate, he picks her up in his old chevy truck and brings her home. she agrees to see a doctor and for awhile, they figure out how to live again. some days are even as sweet as the rhubarb pies she starts to make again.

there are only two ways neve later remembers her mother, and the first is lovely–paula is picnics and shakespeare in the parks. she’s dried roses in the window and salmon tacos with mango salsa. she is whirlwind adventures and laughter. she teaches neve to make wishes on stray eyelashes, blowing them into the wind like dandelion seeds. on the good days, paula’s eyes are filled with stars. on the bad days, they are left black as the night sky while she cries the constellations down her cheeks. occasionally, she is cruel. mostly, she is absent.

by the third grade, neve expects this. douglas has never been much of a cook–save hamburger patties with canned green beans and a baked potato. she cooks their dinners from recipes she learns from her grandmas and helps around the house. most nights she’s home alone until the grumbling sound of the chevy breaks through the dark and signals her father’s return. eventually, she stops missing her mother from the everyday–it’s only when the other kids talk about their moms that she feels the pang of loss and wonders where she is. some nights neve finds herself sitting in her bedroom window pulling out eyelashes just to have something left to wish on. some of paula’s friends overdose on heroin or get murdered in the nights when neve is sleeping; she stays up late and hopes that her vigil will keep a distant mother safe.

there aren’t many trees on their street–unlike some of the other neighborhoods. the big weeping birch in their backyard that drives her father crazy as he rakes leaves every fall is neve’s pride and joy. there is comfort in the shade its branches cast every summer. at night it makes her lonely as it blocks the silhouette of the waxing moon. on lazy summer days when her father leaves for work, neve sits with her back curved against its rough trunk and reads the day away.

on a cool april afternoon, just after preparing a plate of cherry poptarts with a thin layer of butter on top of the frosting ( much to her father’s chagrin ), neve ventures out to the modest yard to sit under her tree. the familiar crushed blue velvet of her mother’s favorite dress catches her off guard and she drops her breakfast onto the unkempt lawn as her mind makes sense of the unnatural height of its hem as paula swings–marking the time of neve’s pounding heartbeat. the butter solidifies as it cools in the dirt, the heel of neve’s hand-me-down airwalk sneakers mashing her breakfast. the cherry filling sticks to the sole like bubblegum; she’ll never eat them again, but she can’t help but recall that her mom always preferred the maple and brown sugar.

THE ODDS ARE STACKED AGAINST HER ; A GIRL LEARNS TO COUNT CARDS

portland in the eighties and nineties is less portlandia and more drugstore cowboy. a lot of kids from other neighborhoods don’t go downtown. the ones that do have an air of palpable grit. neve takes the max, rides her skateboard in the dark. douglas has cautioned her a hundred thousand times, but paula’s death has instilled such a great fear of losing his daughter that he lets her get away with more than he knows he probably should. he fears paula’s ghost will someday possess her and she’ll wander off into the ether. most days he insists that the only parts of paula he sees in his cherished daughter are the good ones–neve holds onto the corporeal world with claws. it’s only on the worst nights–paula’s specter cooling the sheets of his bed in the dark–that he wakes up with the fear his daughter is gone.

douglas’s new wife, rosie, does her best to pit them against one another, but sometimes–she’s not so bad, neve thinks. it’s nice to have a mother figure in the house again even if she falls short most days. sometimes she thinks that maybe they could learn to love each other. if nothing else, she’s sure she owes a bit of gratitude to the woman; the nights of her father’s haunting sobs have become fewer and farther between. it isn’t until douglas begins receiving late notices on utilities that he begins to grow suspicious. rosie is quick to throw neve under the bus–a young girl like that? she’s probably stealing their money to spend on drugs and CDs at sam goody. douglas has never bet on anyone like he bets on his daughter; rosie’s gambling debts are news to them both.

the fallout of the relationship leaves douglas and neve in dire financial straits. the father is heartbroken–another love lost, he blames himself for always choosing the wrong lady luck. despite their financial ruin, left in rosie’s wake, douglas has a hard time getting out of bed most days and blows through what little sick time he has available to him. school takes a back burner and neve barely attends it at all–favoring her time on finding work ( legitimate and illegitimate ) to help keep their small family afloat. she attends class when it’s profitable and waits tables or washes dishes when she can. it’s still not enough.

a few kids turn neve onto small crimes to turn a profit. they ride the max to the suburbs and crash parties–stealing pills out of medicine cabinets and turning them over for profit. calculus wasn’t worth a good goddamn, but distribution teaches skills. it’s hard not to get caught up in petty thefts and the occasional break-ins. neve and her friends find it easy to justify in the spirit of class war. a pin on her denim jacket reads ‘eat the rich’ and it doesn’t sound so bad. portland is a cannibal and it eats its children.

neve is a cat with nine lives and despite her friends being caught by the long arm of the law or the stronger arm of revenge, she evades detection. even such cats live with a fear of death, and as consequence catches up to members of the small circle she runs with, neve knows she is living on borrowed time. sooner or later, she knows, her luck will run bone dry.

SPRING RETURNS TO PORTLAND ; THE FROST CLINGS TO FRAGILE BONES

neve dropping out of high school is a wake up call for douglas. he sees farther than she does and knows that she deserves a better life than the one he’s scrounged together for her. most days, he blames himself for a life that could have been; some kids like her wore neatly pressed dresses and folded over lace socks on picture day. some kids had piano lessons and summer camps. there’s a lot of insight in hindsight, but neve staunchly opposes his masochistic remorse and becomes determined to prove him wrong. it takes her a couple years of working to figure out what she wants to do–a girl baptised in her mother’s blood is born with the kind of heart that takes on too much. she is meant for saving lives and carrying the world on her shoulders like atlas himself.

it takes time, but as douglas gets their house in order and starts working again. neve is able to start up at portland community college. she takes up a work study job and works a steady flow of odd jobs on the side to support herself. lady luck shines her fortune on the pair for the first time in forever to make up for the steady losses they’ve sustained over the years. life isn’t lavender and gardenias, but somehow waking up becomes little and less painful each day. some days neve wakes up and forgets that she can’t breathe. most days she spends her gratitude in the heap of debt the world owes her–waiting for the other shoe to drop.

the rebirth of their family is a hearty soil; both channings flourish as if made anew. the dew drops that cling to garden spider webs in their window signal the looming anniversary of a mother’s misty breath and neve learns not to fall apart. douglas works hard to do right by her and make up for the years of never knowing what to do and waffling between what is best and what is desirable. he is a man that longs for dreams–feet barely brushing the earth like her mother’s did on that day–but he is learning to make dreams work too. his dreams take root around his daughter once more; he builds them around her and builds her up with them.

the highschool dropout graduates her community college adn bridge program and she can hardly believe it when she’s accepted to ohsu for her bsn. there are no college diplomas with the channing name hanging on walls with peeling wallpaper or tucked away in trunks with paula’s things. douglas has saved his money for months to get her the right graduation gift and neve laughs, downplaying that it’s not a real graduation, but still walks in the ceremony at his insistence.

she returns home to the small party of friends she’ll start to grow apart from when she gets tired of the jeers about how she thinks she’s ‘too good for them’ now. neighborhoods like hers don’t always love to watch you grow if it means you’ll leave them. they’ll still blow up her phone for medical advice, but the invitations dry up like the drought of portland natives in southeast. for now, it’s a pleasant barbecue. the highlight of the evening comes in the small bundle of inky fur that douglas proudly produces after neve’s second burger. peering out from his strong arms are the brown eyes of a young siberian husky. douglas begs her to name the pup murphy over robocop, but loses easily–a hearty chuckle on his lips. they are bonded instantly–girl and dog–robocop becomes neve’s second most stalwart companion next to her father.

nursing school is hard, but it’s not impossible and it is full of new kinds of joys. she makes new friends and they eat lunch from the thai foodcart—nestled within the pod of south waterfront—and lay on the quad drinking smoothies and complaining about the next pharmacology exam. nose in a book and a drink in her hand at happy hour down at cha cha cha !, neve attracts the attention of pa student shane stone. he knows a nursing school classmate of hers from high school and is quickly incorporated to their study groups with a couple of his friends. he is tall with dark hair and kind eyes and just the sort of person a girl dreams of falling in love with. he spends little time worrying about things like rent and bus passes. it’s not even the end of the semester before study dates evolve into movie dates. there’s an entire world between them, but somehow the pair build a bridge.

DEATH RATTLES AND DYING BREATH ; THE GIRL’S OTHER SHOE DROPS

as neve focuses on school, douglas seems to be making steps to keep himself around longer. they go for long walks with robocop around the neighborhood. southeast portland is becoming a different neighborhood and the cost of living is high. restaurants crop up with around the block waits and family friends are forced to move to grayer pastures. it seems, to the channings, that it’s the end of an era. with neve spending most of her time at shane’s apartment on south waterfront, douglas’ weight loss is hardly noticed–everyone assumes it is merely the byproduct of increased activity. it isn’t until his stature becomes gaunt that neve starts to worry.

shane holds neve close when she finally breaks down–sneaking into the single bathroom of the clinic to let her fall apart the way he knows she can’t do in the open. like a wild animal, the girl he loves hides herself away when she feels death’s acrid breath on her neck. he doesn’t know what loss is and he certainly can’t relate to what she’s been through. douglas’ diagnosis is like watching the noose tighten around her mother’s neck all over again. her throat is dry like she’s choking on the fibers of that same rope; the world has a foggy edge—hollow like street lights illuminating an empty suburban neighborhood on a clear, dark night. everything is wooden; everything feels like a dollhouse.

it’s hard to keep up on her studies, but somehow neve muscles through. shane gives up his idyllic apartment and moves into their modest southeast home to help out. he makes a lighthearted joke about finally being a real portlander and moving so near the trendy, revitalized mississippi neighborhood and neve drops and breaks her coffee mug on the unfinished wood floor of the kitchen. it’s just another reminder that he doesn’t belong in her world any more than she does in his. it doesn’t sting as bad as the ink on his mother’s checks that she cashes to keep her father comfortable on his deathbed while she learns to be a better caretaker. life ebbs and flows, but douglas’ drains away until she hardly recognizes the sinewy, pale hands that hold hers so strongly for a man that can’t sit up by himself any longer. she curses her mother once more for leaving and twice for never having been there in the first place.

death isn’t slow or peaceful like the woman from her father’s church will lie about at the funeral. his death rattle lasts for hours and the bellows of his chest quake with weary breath. part of her wishes that the hospice nurse had started an iv on him and a sick, hidden part of her wishes it because a sweet dose of morphine would’ve ended it all sooner for him. she wonders silently if that would do more to ease his pain or hers? he hasn’t been conscious in two days. shane sits with her at the side of his bed with rapt attention and as his breathing slows, neve crawls into the hospice bed next to him. the next several months are a blur and a father misses his only daughter’s graduation. neve is barely present there herself.

shane insists that she’s not an orphan–his parents fly in from denver and treat her like one of their own. it guilts her that she can’t help but resent them for the simple virtue of living while her own father is reduced to a cold dust. she wears his ashes around her neck in a pendant from the funeral home and spreads the rest in every beautiful place she can find. some of them spill into her purse during a hike with robo and shane and she breaks down in tears. there are so many small things that make her sick or numb. a multitude of tiny memories that weigh as much as planets; isn’t dust what helped create the milky way? even around the stone family she feels alone. maybe especially around the stones.

HACKLES RAISED, A GIRL LEARNS THE DANGERS OF BEING FLORENCE NIGHTINGALE

the emergency department attracts all kinds of people in myriad dire straits. people come in at the end of their ropes–infections ignored too long, stabbings and shootings, a broken bone from slipping off the slide, and sometimes when they feel like they can’t live any longer. evan does not fit into any of these categories when he comes in. among the myriad failings of the medical system, lack of access and use of primary care is one of the larger contributions to higher emergency department volumes and evan is another data point in a sea of statistics. he comes back to neve’s room with a sly grin plastered on his face and states that he’s new to the area and can’t get into a new primary care for a few months. his daily asthma inhaler is out and he needs to renew the prescription and get a referral to a clinic.

there’s nothing on the surface that identifies this man as a threat. he’s almost charming and he’s nontoxic appearing–a nice easy patient in a sea of sick people is sometimes a great relief. they make some small talk and it’s the usual stuff she chats about with patients: ‘where’re you from?’ ‘where did you go to school?’ he expresses an interest in nursing and she recommends the program she attended at the hospital she now works. there’s almost a tension there, and when he makes a casual comment about the tan line on her finger she tells him that she doesn’t wear her engagement ring at work because it can tear the gloves. that’s only half right. maybe he can sense the rest of the truth; she’ll wonder that later when she pieces together every scrap of something she can use to blame it on herself.

he sends her a message on facebook, which makes her lips curl downwards in uncertainty. even that isn’t entirely alarming. it opens up reminding her that he’s knew to the area, and that he’s interested in the nursing program she went to. it’s a surprise, but he makes mention of a girlfriend’s wifi and he even asks how shane is doing. he loves her dog and mentions wanting one himself. sure, it’s a little weird–unconventional–but neve has always been interested in helping others find nursing and agrees to meet him for coffee to discuss the program. when they meet, she sees the mistake inherit in it before she even opens the cafe door. he’s disheveled and hyperverbal when he speaks to her and she can barely get a word in edge wise. between the gift he’s brought her and the intensity of his stare, she wonders how she could have read him so wrong. it’s then that he drops the bomb that makes her stomach sink into the trench it detonates in–will they take him in the nursing program with a record? she doesn’t ask, but he provides the details anyway. death threats to some girl he barely knew that wouldn’t leave him alone, he paints the canvas well, but she can read between the lines. evan stevens is dangerous and his lethal eye is trained on her.

she makes an excuse to leave–the first of many excuses, the illusion of being unavailable, unattainable. it’s the advice she’s given to women before, but never had to follow. those words offered to women in distress seem so trite now, so hollow. there is so much fear in cutting ties slowly–the strategic approach to keep an impulsive person like that from escalating. she wishes she could take those clinical offerings of textbook wisdom back from those women and hold their hands. she wonders how many of them still live. he starts blowing up her phone constantly. he comments on all her social media. all day and all night. if she doesn’t respond, he threatens suicide. some days he asks if she’s working and says he brought her lunch. if she says she’s sick, he asks for her address to bring her tom yum takeout from the restaurant she’s posted about on instagram. everything makes her sick now.

A FINAL GIRL IS FORGED ALONE ; THERE IS NO SUBVERTING FATE

god, it’s hard to speak about. she can’t even let the words reach her tongue, lips and teeth to birth them. they shrivel and die in her throat, festering there until she swallows them and they rest in her stomach like great stones. she wonders if evan will cut her stomach open like a wolf and find the rocks there. that’s not how the story goes; she tells herself so many versions as she lies awake in the dark afraid to sleep.

when she finally tells her friends–a smattering of girls and guys from nursing school, the er, and her neighborhood–the response is like the knife she dreams about in her gut. she shows some of the girls at her work his picture, worried that he’ll come in asking about her. she’s chided by these friends, “he’s actually pretty cute, florence nightingale” they joke. “it must be flattering to have the attention.” even shane suspected that there’s some indulgence on her part. that maybe she likes trying to fix people who are broken so much that she gets some sick reward from the experience. he doesn’t speak the words, but neve is fluent in shane stone. he says it in his eyes, the downcurve of his lips, the tense way he sighs when her phone dings over and over again during date nights.

on a cold night in december, neve works on meal prepping alone in the kitchen. evan has been out of town helping his mother remodel her kitchen and neve feels like she can finally breathe in the space he’s left behind. turning on the wireless speaker, she tries to pair her phone to play music as loud as the thin walls of her father’s modest northeast portland home will allow and instead hears, in the cold, robotic voice ‘pairing with neve’s iphone and evan’s iphone.’ robocop doesn’t even lift his head in suspicion the whole night. she calls 911, but they find neither hide nor hair of him. in the morning, neve nails the windows shut and buys a gun–a smith & wesson .357 snub nose revolver. the weight of it is heavy in her hands and she buys a membership to a gun range, calling into work and practicing until shane returns. she doesn’t tell him about the gun and she stops telling him how bad things have gotten with evan. the click of his tongue and disapproval in his eyes is more dooming than a death sentence and she can’t bear to bring further disappointment. neve channing is a strong woman–a smart woman. things like this don’t happen to women like her.

somehow, evan is everywhere and he knows all her secret places as if he exists as an extension of her. maybe he even believes he is–sending her voice messages about how they’re connected. they are the same; they are foils of one another. he send her a picture of his ouroboros tattoo from a new number after she finally blocks him. ‘we are the same.’ he is an all-consuming, devouring force, but she is not a serpent’s tail. he is moloch–besmeared with blood, the great, horrid king–but she is not a child and she will not be sacrificed for sins she has not committed. he has not right and there’s only one way she can see this ending as the days grow longer. like life itself begins, this too will end in blood.

LOVE IS A HARD KNIFE ; A GIRL CAN’T STOMACH AMBROSIA

there is a consequence to every action and every inaction. every little thing she chooses not to tell shane fester and boils. the late nights at work and the new passcode on her phone seem more to shane like cheating than a worsening of some creep’s obsession. she hasn’t even mentioned evan to him since the trees started blooming again. when he elects to cheer her up and bring her lunch during a shift she traded so she could practice at the gun range, his suspicions deepen and while she sleeps that morning, he rifles through her work bag and finds alongside her locked cell phone the cold steel of a secret that he cannot abide by.

it’s not his fault either and she means that from the bottom of her heart. every kindness from the stones feels like another debt and neve can’t help but let the resentment fester in the tasteful diamond on her finger. when she looks upon his face now all she can see is death and it’s the world’s cruelest joke, because she’s the one with cemetery dirt underneath her fingernails. she can’t tell which of the two of them she resents more and they both deserve lives where ghosts stay buried and the dead don’t whisper malcontent in her ears while she struggles to fall asleep. nightmares are her own warm milk; she’s sick of the cold metal of a gun as she moves it from her night stand to her purse each morning. she’s tired of being made to feel like she had a stake in any of this.

it’s not the kindest way to leave a man, but she’s not sure she’s ready to face him again after all that’s happened. she leaves her house keys with her cousin paloma and packs up shane’s stuff. paloma has just started nursing school and can use neve’s father’s old house to sublet. the rent’s free and she’s always been gentle hearted. neve can’t think of anyone better to care for her father’s old house. with dear john letters to both shane and the hospital, neve takes robocop and enough of her things to fit into her subaru forester. it’s not goodbye. it’s never goodbye, she thinks as she hugs paloma on the modest porch. it still feels so permanent, but neve tells herself that big decisions always do. she yearns to discover who she is outside of grief and fear and love. a daughter cannot bloom in her parents’ shadows and she is suffocating underneath the gentle love of the mourning glory.

on the road without a real plan–because if she doesn’t know where she’s going, then neither does evan–neve signs on for a travel nursing company. the first assignment she considers is salem hospital an hour south and it’s a great department, but it’s too close to home. he’ll find her there easily. st. charles in bend isn’t far enough away either. it doesn’t feel like enough of a difference and none of them do until she’s cruising down the interstate through blythe, california and she sees a listing for a level one trauma center in tuscon, arizona. it feels like it could be the right place to burn and be born again.

A GIRL AND HER DOG; SOMETIMES PEACE IS ITS OWN KIND OF PRISON

the cool steel of the snub nose .357 revolver lies buried beneath her registration and owner’s manual in the glove compartment. she wonders briefly as she pulls out her sunglasses and slips a salty french fry into her mouth. the car stereo fades in and out along the southbound highway, switching between some smooth-talking radio host and the tinny crooning of buddy holly. it makes her think of her father, and she blinks back tears–plugging in her iphone to switch to a tune that doesn’t bring back such painful memories. robocop whines in the backseat and neve discovers that her maps aren’t loading any longer, the gps unable to locate their vehicle.

there’s no sense in pulling over and pulling out the map of arizona she purchased from a disinterested teen in the first gas station she’d come across in the state. there’s only two days before the job starts and, according to her recruiter, they’d already moved the orientation up a day, cutting her time to adjust to her new ( temporary ) place before work in half. taking a long drink of coffee–now as cold as her french fries–she blinks hard to keep awake and just when she thinks she’ll have to pull over and sleep in her car huddled close to robocop’s warm, furry body.

neve passes a hospital on the outskirts of town–lit up all pretty against the dark desert sky. it looks nice enough and the longer she drives, the more she considers that her recruiter might’ve told her they were full up in tuscon. maybe that was why they moved the date up for orientation afterall. in the dark august night, most of the businesses are closed and the lights in the mobile home park neve passes are off. the first place she sees open is bj’s food mart and she stops to get a fresh cup of coffee and stretch her legs. she learns inside that amen county is always hiring and leaves with a smile on her lips.

neve has spent nine peaceful months in boot hill. the gun no longer lives shoved into the bottom of her work bag or nestled into the glove compartment of her subaru. now it spends its days in solitude in the coffin-like drawer of her bedside table. evan will never find this place, she is almost sure of it. he might be looking for her, but he’s not looking for boot hill. some evenings on her long strolls to work, she smiles and closes her eyes–listening to the soothing sounds of the town.

soon enough, neve is sure there really was no travel assignment to reach. or, if there had been, she can’t remember where it’s at. instead, she takes some time to enjoy the small town and the anonymity she feels there. she’s not even living out of the silk bonnet hotel anymore. she hadn’t seen boot hill on any map during her road trip and, if that’s universal, her past can’t find her without a destination to set its sights on. there is more than great comfort in that. by the end of her first month, she can’t imagine living anywhere else.

the emergency department is not the bustling trauma center she was used to, but there is an appeal to the autonomy rural medicine offers an experienced nurse. hell, in some places the doctors only come in if you call them. neve can’t exactly remember the application and interview process anymore. it seems like there are so many things that have become mysteries and she can’t find herself caring enough to investigate them long enough to follow an actual lead. it seems like she’s always worked there–an instantaneous sensation of home. she couldn’t even leave if she wanted to.