#to exist or do anything or not do anything

[headspace-hotel]

feels like I've cornered myself with the story I was writing cause like...I decided it was a future world, and the choices I make about the landscape and ecology of The Future have a ton of implications.

Most future-world stories are profoundly empty ecologically. It's a foundational assumption of this type of story: setting a story in the future means extinct animals and desolated wastelands just like setting a story in fairy tale world means magic and castles and fairies.

Creatively, it's pretty lazy. On a deeper level, it means that we have fully accepted the idea that extinction and desolation are the future, to the point that it doesn't even occur to us to imagine anything else.

I played a short game about a week ago, a sort of point-and-click exploration game set in the future, with a throwaway line about how hard it was to believe that a place like the Amazon rainforest used to exist. It was jarring. The Amazon rainforest, wiped from existence in a single line of dialogue, never to be revisited.

What is this doing on a storytelling level? Does it establish the setting, impart to us the themes being conveyed? I don't know, because I'm too stuck on why it could be used in the first place. Implicitly, the elimination of the Amazon rainforest conformed to the setting and genre expectation, such that it didn't need context or explanation.

This kind of "future world" setting clue has lost its meaning as a call to action or a warning about what could come to pass. It is just...an acknowledgement that we are in the future.

And this, in my opinion, is a betrayal of the purpose of dystopia, science fiction, and speculative fiction in general. Spec fic is about envisioning something outside of our world that resonates with the problems and possibilities within our world. If it delves no deeper and aims no higher than the vague miasma of despair that surrounds us, there's no insight or exploration. It is the equivalent of those nauseatingly dull literary fictions about English professors having affairs.

[twenty-qs]

You know, one of my favorite under-the-radar interactions in Arcane is actually between Jayce and Vi.

On paper they have…literally nothing in common. One’s the golden boy science nerd, plastered all over Piltover as the symbol of progress, who has actively made decisions on the Council that made life in Zaun worse. One’s a bruiser who cut her teeth on the streets of Zaun, and then prison, as Piltover did its very best to forget she ever existed. They’ve had maybe, like, one actual conversation, in which Vi called him ‘pretty boy’ and Jayce looked deeply uncomfortable. But against all odds—they get along like a house on fire. I think Jayce is the only one Vi would have accepted weapons made of Hextech from; and I think Vi (and Caitlyn, but Vi came first) was the only person other than himself that Jayce would have made Hextech weapons for. They’re so in sync that they literally coordinate battle moves on the fly without needing to exchange a word. It might strike you as weird, at first. It’s just so improbable.

But it makes sense. Because the way they make decisions is almost the same—emotion. Impulse. Punch first, think later. Do what you think is right, and don’t wait for the world to give you permission, because it never will. They trust their gut and make snap decisions. And because the world of Arcane is morally gray, they usually regret it.

Which makes me think that some of the strongest parallels in this new season might actually be between Vi and Jayce. Arcane is about change. The price of change; the promises and dangers of change; and how people change, too. Vi and Jayce have been relatively stable character-wise. They change their minds about things, circumstances around them change, but at least at the end of s2e3, they’re still very recognizably themselves. Still punch first, think later. But the people around them have been undergoing extreme transformations.

Powder is now Jinx. Vi spent the entire first season refusing to see this, then failing to understand this. At the start of season 2, she still can’t reconcile the two in her mind—she can only conceive of them as literally two different people. Powder is dead. (I killed her.) All that’s left is Jinx. (I created her.) But the truth is that Jinx is still her little sister, is still the girl who was once Powder. Powder didn’t die—she changed.

Meanwhile, Caitlyn in season 2 is having a cataclysmic change because of her trauma and grief. The Caitlyn Vi fell in love with was brave, precise, determined—and fundamentally kind. She traded her gun away for medicine to save Vi’s life. She didn’t even hesitate. But now, all of that laser focus is being bent on revenge. Caitlyn has become increasingly single-minded, narrow-viewed, her world reduced to the target in her sniper’s scope. If you’re an obstacle, she’ll simply shoot right through you. She promised Vi she wouldn’t change, and then she hit Vi and abandoned her the moment Vi got in the way. Season 1 Caitlyn would never do that.

Vi struggles with change. She never seems to quite—grasp it. Doesn’t understand how the Undercity has changed while she was locked up, stagnant, an insect trapped in amber. She loves people with a sort of nostalgic glow. What the show forces Vi to reckon with is how far she’s willing to love someone before they’ve changed too much. She thinks it’s over with Jinx. She says she doesn’t consider Jinx as her sister anymore. But they are, they’re still sisters, of course they are. Jinx knows this. Jinx loves her sister, even now. Which means there might still be something in her for Vi to love too. But with Caitlyn, is there anything left of the kind girl who gave Vi her freedom and treated her with compassion? Can Vi still love the dictator literally waging war against her people? Should she? (Could she even stop loving Caitlyn if she wanted to?)

Jayce’s arc is just beginning in season 2, so I’m not sure which direction he’s heading in. But the parallels are already showing up. Is Viktor still in there, or is he dead? (Did I kill him?) Is it just the Hexcore using his body now, a monster that must be stopped? (Did I create him?) Jayce, too, might soon be forced to decide if he can still love someone who’s changed past the point of recognition. Or whether he should.

All this is to say that I hope we get more Vi and Jayce interactions this season. And that it’s definitely not a coincidence that we got two divorces back to back.

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

.

Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[obxanon]

Addressing the OBX drama and the speculations:

Was JJ’s Death planned?

No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.

Did the writers/producers create an uncomfortable set?

No, they didn’t. This post is not true. The brothers were never inappropriate.

Was Madison a bully on set?

I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true. 

Was Rudy’s decision sudden?

Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.

Was there on set drama between Rudy and the Pates?

Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.

Why did every ship but Jiara get a still?

The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.

Why did the cast chemistry seem off in part 2?

They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.

Was there alternate endings?

Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.

Did Rudy and Madison talk on set?

Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.

Why did Jiara have “less” than everybody else?

It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.

Was Elaine uncomfortable with Jiara scenes?

Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.

What is the Rudy and Madison Drama?

Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing. 

It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.

Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.

Should the Writers/ Directors/ Producers stepped in?

Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”

What’s going on behind the scenes right now?

A mess. They knew it would be bad but infact it is worse and they know that.

Am I reliable?

Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.

[deafmangoes]

Disclaimer: I'm not American, and this is largely tangential to your main point, but it's been rattling around my head for a few days now.

No, of course you don't "have a right" to mount an insurrection. No one has ever had that "right".

Because rights are usually bullshit. A "right" is simply something your state permits to happen, and that society broadly thinks should happen - they can stop doing that whenever they want, or public opinion might turn the other way. That's how people's "rights" are lost, as you yourselves saw with Roe vs Wade (a top-down situation) or historically, abolition (a bottom-up situation).

The Thirteen Colonies didn't have a "right" to revolt. The French had no "right" to revolt. Slaves had no rights to damn near anything. I could go on!

Even just our protections to exist as queer folks in public in some places around the world weren't "rights" until they were made to be by the actions of those who had had enough.

Stop thinking in this narrow box of what other people - in this case, a state who doesn't care about you, the individual, at all - allow you to do.

Harris wouldn't have saved you, okay? The rot runs much, much deeper than the desk of the President.

Just to be clear, Kamala conceded with grace and dignity but it is still well within everyone’s right to demand an investigation and even a recount with due cause despite a winner being declared. U.S.Americans have the right to demand free and fair elections (we don’t have a right to, say, start an insurrection like certain people did after the 2020 election).

Many, including major swing states, (Nevada, Wisconsin, Pennsylvania, and more) have already admitted to data and ballots not being recognized or lost and are recounting or calling for a recount. It usually takes days to count and record votes, a day after a bunch of election tampering is not enough.

If you used a mail-in ballot and haven’t yet, check if it was actually counted and “recognized.” A lot of mail-in voters from swing states found out that their ballots were uncounted today.

[1roentgen]

.

[haunted-xander]

Well, I guess you didn't have much of a choice either

[thriftdyke]

it really does bother me how no one can seem to answer the question “what even is romantic attraction, really.” like some people are like “it’s who you wanna kiss and cuddle <3” and I’m like ok well kisses and cuddles can be either sexual or platonic depending on context. “It’s who you feel passion/desire/arousal for” well that just sounds like sexual attraction which you can have without even knowing somebody so I fail to see how that’s romantic. “It’s who you want to go on dates with” I go on dates with friends all the time plus “date” is a social construct anyway there’s really no innate difference between a date and hanging out. “it’s who you have deep feelings for” great news for you that can be literally any type of relationship. my friend told me she defined it as “who you wanna give roses to” and I’m like do u hear urself??? like the more I talk to people the more I’m convinced romance and romantic attraction is an elaborate socially fabricated illusion that has no real defining characteristics. and like there’s nothing Wrong with it being a constuct but why people are so attached to defending the supremacy of it is something I cannot for the life of me figure out

[lexidius]

And it's okay for you to assert your boundaries with older friends! We expect you to! As the older party, we have obligations to be respectful of a younger person's wishes and not make anyone uncomfortable! Especially minors! We as adults have the full legal accountability for anything that harms you, so please tell us where the boundaries lie and let us know when something oversteps. Trust that we'll do the same for you in turn. So yes, this is a two way street and we absolutely fully expect you to respect your elders as well, but with that two-way understanding and mutual respect in place, it's entirely possible for platonic, meaningful friendships to exist outside of your age group.

I think another reason for the whole... hesitation? Around interacting with older people absolutely stems from the education system as well. During high school, most of the people you hang out with and interact with aside from teachers are peers in your own year. 8th graders generally hang with other 7th and 8th graders in their section of the school, seniors in their 11th and 12th grade are more likely to spend their time studying for their final exams together or interacting with other seniors during their free periods between classes (I'm talking from experiences in the Australian education system, so my terminology might be a little off to others sorry). But outside of high school, you're going to meet people of all age groups because you're not restricted to being herded to and from classes with other same-age peers like some kind of human livestock. Go talk to the person 5 years, 10 years, 30 years older. It's okay. And if it doesn't feel okay, or the person makes you uncomfortable? It's within your right to end that communication, and the older person should respect that and not be weird about it.

I'm 29, and live in a smaller rural community without many young people in that age bracket because most of them moved to the big smoke. Some of my closest friends in my local area are parents or retirees 45+ at their youngest and at their oldest, well into their 70s and late 80s.

I need you people to realize that you can be friends with people older than you. like, much older than you. like, decades older than you. you can be friends with these people. regular friends, just like anyone your age. it is possible.

[panstarry]

my final from last semester that i made into a zine. cooked this one up in a couple hours before the critique (the ink was still wet!), so it's very raw and kind of sloppy but the sentiment is there. i love you trans people of color. we are the backbone of this community 🌟

[256gb]

in case you need further proof re: penn & teller’s shithead basketball

[violent138]

Bruce is one of those parents who has truly done it all (running away, weird relationships, training under assassins in death matches, car racing) and so his nightmares about what his kids could be doing while sneaking out at 3 a.m. are particularly terrifying.

[ace-of-bass]

Also: Building community is not just an outreach tool. It is a tool of keeping ourselves safe and keeping resources available to all. Offering things on social media like rides to abortion clinics, or diy hrt, or anything else that is perhaps not-totally-legal in all places, is not a great strategy. For one, you shouldn't trust strangers on the internet with information that sensitive, so those you are offering those services to would do well not to trust you. If you want to meaningfully contribute to providing things such as the above, or even more legal-but-logistically-complex things like feeding a large number of people, handing out narcan, etc, you need to organize in person. How do you organize in person? By meeting people in person, aka building community.

If this is your goal, you can start with people who are very similar to you! You don't have to start by reaching out to Alt Right David or even Annoying Uncle Bill - you can start by going to a local show or a group that meets at the library or hanging out with your D&D group when you're not actively playing D&D. Then, you have friends that you can rely on to take care of you, and who you might be able to plan some cool mutual aid shit with. I've been working on building community for awhile, at first not intentionally and lately very intentionally, and here's how I met the group of friends I started a monthly free store with:

1. Met Friend A at a choir thing since I like to sing and was looking for friends after moving somewhere new. Friend A ultimately left choir but we stayed friends, and at one point I told Friend A I'm ace.

2. Friend A said, "oh you'd love my friend B, who's also ace! She's doing a comedy show, let's go see her perform together and then you can meet her!"

3. Friend B and I become friends, and start a local peer support group for aspec people, based mostly on Friend B's existing communities and our sheer determination.

4. Fast forward a year and a half, Friend C comes to our aspec peer support group and I become friends with her.

5. Friend C and I are talking about activism, and Friend C says a lot of the things I'm interested in aligns with what Friend D has talked to her about. Friend C introduces me to Friend D.

6. Independently, I have been building a community space on my street, in the rough neighborhood of where Friend C, Friend D, and I live.

7. Friend D and I want to create a solarpunk future but decide to start small. Friend D ropes in several of his friends, one of whom I happen to know from the community space mentioned in 6.

8. This group of friends runs a free store once a month in the community space, open for all to donate to and all to attend. As we find out about others who are doing/want to do similar things, we try to join forces. In this way we've expanded from just a free store to a free store + clothing swap, and we're only on our third time hosting it.

All of these friends are lefty, and all of them are queer in some way or another. The free store friends are explicitly anarchist, like me. I think OP's point is useful for deradicalization and for growing the movement, but if you are alone and you are scared, encouragement to build community is just as much about finding your people in person as it is about forming coalitions with those different in you.

Another important note is that finding people like you should be a starting point, not an ending point. The goal of this is not to find friends, though that's a good start. The goal is to build dual power, which is done by working together with others and having open doors to join the movement. Once you've found some friends or communities, work to ensure that they are open to all, that you are reaching the people who most need the work you are doing, and that you are not simply making yourself feel good or just having a good time with your friends.

Activism is not cold-calling.

Activism is not cold-calling, and this is critically important to understand.

I'm seeing a lot of posts on here about 'building bridges' and 'finding community,' and then (extremely valid) response posts saying "BUT HOW??" And I'm going to explain something that can be very counter-intuitive: there is strategy involved in community.

As a longtime volunteer labour organizer, I’ve taken and taught many trainings on the strategy of talking. Something that surprises a lot of people is the very first thing you do in a union campaign. You sit down with your organizing committee, take out pen and paper, and literally map it out. You draw a physical map of the workplace: where are the entrances, exits, break rooms, supervisor offices. Essentially, ‘where is it safe to have a union conversation.’ Then you draw another physical chart of your coworkers. You sort out who is union-friendly, openly hostile to unions, or somewhere in the middle, and then you plan out very deliberately and carefully who talks to whom and in what order.

Consider: If Vocally Leftist Jane walks up to Conservative David and says "hey what do you think about unions," David is going to shut down immediately. He's not inclined to listen to Jane. But if Jane talks to Moderate Jason and brings him into the fold, then Jason is a far more effective strategic choice to talk to David, and David may actually hear him out without an instant reaction.

IMPORTANT CAVEAT: If Conservative David turns out to be Alt-Right David, and could be dangerous to follow organizers, we write him off. We are not trying to reach Alt-Right David. We are trying to reach Conservative David, who may actually be persuaded to find solidarity with other employees as fellow workers. Jason is a safe scout to find out which one he is. It does no one any good if Leftist Jane (or even Moderate Jane who is a visible minority) talks to Alt-Right David and puts herself on his radar. Not only has she done nothing to convince Alt-Right David to join a union - she's probably actively turned him against the idea - but now she's also in danger and the entire campaign is at risk. NOBODY WANTS THIS. Jane was NOT a hero for doing this. The organizing committee was foolish and enacted a terrible strategy to everyone's detriment.

Where you can make a difference is with people who will listen to you. You having a conversation with your well-meaning but clueless Centrist Democrat Auntie, and maybe gently helping her understand some things the media has been glossing over, is way more strategically useful than you marching up to MAGA Neighbour You've Met Once and trying to "build community" or "understand" them. They don't care. They're impervious, dangerous, and cruel. But maybe your beloved auntie will think about what you said, and then talk to her friend Anna who IDs as "fiscally conservative" but didn't vote because she can't bring herself to get on board with Trump. Then perhaps Anna talks to her brother Nic who has MAGA leanings but isn't all the way there yet. Proto-MAGA Nic would not have listened to you, nor would he have listened to Centrist Democrat Auntie, but he might absorb some of what his sister is saying.

This is not a cop-out or an echo chamber. This is you spending your time and energy strategically and safely. You are not a useful activist to anyone if you’re dead. Anyone who is telling you to hurl yourself directly at MAGA assholes like cannon fodder has no understanding of the strategy behind community building, and you should feel comfortable writing them off.

Last point: If you are tired, emotionally devastated, and/or in danger: take a break. This post is for people who would feel better jumping into action, not for people who are too overwhelmed to even think about it right now. You are worth so much even if you’re not actively Doing Activism, and your rest is worth more than “a break period so you can recharge and Do More Activism.” We all deserve the individual dignity of being worthy of comfort, rest & safety just on the basis of being human, outside of whatever we're doing for others' benefit. To deny ourselves that dignity is to devalue ourselves, and that’s the absolute last thing any of us should be doing right now.

[postpendulum]

Damian's new classmate was what most people would deem as strange, Damian however could not see him as anything other than suspicious. Daniel Knight had joined in the midst of the school year, claiming to have moved here with his father Fredric Knight (first area of suspicion, a parent willingly moving both them and their child to Gotham) for a new start following his fathers divorce. The boy was reclusive when not spoken to directly, however he would not stop talking when a topic of his interest would come up. After searching further into his past (as he does with all his classmates) Damian found a relatively normal past, the only outstanding things being a noticeable drop in grades at the beginnings of freshman year relating to an undisclosed accident resulting in lichtenberg scarring starting from Daniels palm, and presumably up his arm being hidden by his sleeve. Apparently this accident left Daniel with irregular tremors and, every once in a blue moon, seizures. Damian had thought about taking this suspicious blockage of information to Tim or the Bat Computer to be bypassed, however the idea of sharing Daniel this cases existence with the rest of his family for some unexplained reason bothered him greatly, so Damian has come to the decision to figure out Knight’s true intentions on his own.

Meanwhile Danny’s just trying to live his new, semi-normal life in peace. After a reveal gone wrong results in some good old vivisection, Jazz Sam and Tucker recruit the help of Clockwork to find Danny a new home, where he can heal from both the physical and mental wounds. Clockwork ends up dumping Danny into the DC universe alongside Fright Knight, who was insistent on going with him, feeling responsible in helping to protect his young prince now since he feels he failed the first time. So with a bit of spacetime razzle dazzle, Tucker messing with stuff he probably shouldn't have messed with and a very tearful goodbye with promises to check in every day, Danny goes off to start his new life as Daniel Knight. It was going ok so far, he took half the year to himself, focusing on healing. Also so Frighty could adjust to the whole pretending to be human thing. Danny doesn't have any friends yet, and to be honest hasn't made the effort to make any (Jazz would be disappointed if she knew that), but there's this one boy in Danny's class who might be even weirder than him. Danny can feel Damian's eyes on him, knows how he follows him around without a sound (Danny really shouldn't be able to tell, he only knows because he isn't fully human(and in a weird way, Danny thinks that's kinda cool)), and whenever they do make eye contact Danny can see and feel the boy fluster and shy away.

Maybe he just needs a friend too.

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬