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@spinnysocks @devilsrecreation @pizacat72
I told you so
#tlg content tlg content tlg content#/pos#the lion guard#the mutuals tag#tlg reirei#tlk zira#never thought abt those 2 together but this is compelling nonetheless /gen
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how the outlanders show affection in small ways in a human au :)
putting a blanket over whoever fell asleep on the couch
they definitely eat each others' food, but always leave a little bit for whoever it actually belongs to
if one of them is sick, they get quarantined in their room/apartment but others bring them food/comforting things and act like it's nothing
everyone babysitting the kiddos for reirei, jasiri and madoa. the cute part is that pretty much everyone was bad at it at first but now dogo, kijana, wema and tunu love them all
to continue the last point, just imagining the adults playing jenga or hungry hungry hippos or smth with the (jackal or hyena) kids 😭
let's be real - there's probably A LOT of injuries via accidents. that means lots of driving to hospital, sitting with whoever's hurt and comforting them
wouldn't be surprised if a few of em have fucked up sleep schedules or insomnia, so whoever is awake at obscure times knocking on apartments/rooms to see if there's anyone else awake they can chat to (there always is, and they don't mind)
to add onto the food point - knowing each others' favourite foods and buying it without telling them
when the kids try cooking/baking for the first time, even if they burn the food everyone will praise them
it's not christmas yet but consider - forced to bond over ugly jumpers :)
that's all i got for now but fluffy human au outlanders is always on the brain <3
#the fluff content greatly increases when i'm sick lmao#the lion guard#tlg#tlg outlanders#human au#fluff
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Fluffy moments in the series/TLG headcanons
- Flashbacks of Makuu and Kiburi’s friendship
- Flashbacks of Kiburi’s float as babies in general, they were so innocent back then. I’m talking about:
- Nduli following Kiburi around and later bonding
- Tamka giving his friends piggyback rides
- Pua singing the hatchlings lullabies
- Kiburi being a genuinely good brother to Ucheshi
- And so on and so forth
- Janja and his friends reuniting with their parents
- Chungu befriending Nguvu, Aibu, Kifo, and Kiatu and acting as emotional support
- Nguvu’s still talking with her family despite her worries that their relationship is strained since they last spoken thanks to him
- Aibu and Kifo were able to find a better home
- He’s the reason Kiatu has multiple chicks instead of one. He encouraged Kiatu to be different from other shoebills
- The first time Kiatu’s chicks call him their uncle 😭
- Chungu hugging Janja and Cheezi when he comes back and him saying how his clan were his real family all along. Though he also mentions that his parents are watching over him
- Ucheshi and Kiburi bonding during their trail to Udugu and finally making up
- Kiburi apologizing for his actions after saving Nduli from Hatari and Nduli hugging him
- “I’m sorry…”
- “*sniff* I know 🥹”
- Kenge teaching the kids and the skinks how to defend themselves and warming up to them
- Kenge and Ushari’s friendship
- 50% of Kenge and Sumu’s relationship
- The Idiots. Just them in general doing literally anything. Especially Cheezi inviting Sumu to hang with them
- Kiburi bonding with Wakali
- Njano and Kenge being brothers for a day
- The skinks are pretty wholesome when it comes to each other
- All of Ucheshi’s relationships
- Njano and Danganya’s relationship
- Njano and Hodari being BFF’s
- Pua being the dad friend to the crocs
- Reirei and Goigoi’s love story
- Sumu reuniting with his mother and referring to Jasiri and the other pack leaders as his friends
- The appreciation party the Outlanders throw for Jasiri
- Sumu and Madoa forming an unlikely friendship
- Tamka and Pua making up and putting everything behind them. It ends with both of them getting emotional and promising to spend more time with each other (which I mentioned before)
#*hurts you with angst just to kill you with cuteness*/silly#fluff i can’t stop thinking about#wholesome content#fluff#tlg outlanders#the lion guard#i love my nonexistent outlander spinoff sm you have no idea
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If Dorian is a swan, Henry Wotton is a peacock. He wears a sack coat; this coat would have just begun to grow popular in the early 1890s. The coat Henry wears over his shoulders is called an opera coat—I used an article from Vogue 1892 as reference. When it comes to fashion Henry is ahead of everyone—sometimes even being the one to set trends. Fashion is both a pleasure and tool for Henry and he uses them in every way he can, from genuinely expressing himself to creating pretentious outrage (yall just wait for when I get Henry in the Rudi Gernreich bathing suit!)
Henry’s status as a middle child (2 of 5) contributes to his desperation for attention. He loves being the center of attention—this man does not have a shy bone in his body. Because of this, he is the only one of the trio to consistently use color in his outfits, often accenting in golds or silvers.
Even the frame of his glasses (he is nearsighted and not happy about it) are plated in gold, catching in the light, because attention, like his glasses, is a necessity in his life. Henry also wears a cravat as a nod to Beau Brummel—the original dandy. My Henry idolizes Beau Brummel which is my excuse for not giving him facial hair; it’s just a dandy thing.
Henry’s hair, unlike Basil’s, loosely hangs around, only styled so it doesn’t catch on fire from his cigarettes. My version of Henry was directly inspired by Basil to have longer hair back when they were in Oxford. Until he met Basil, he hadn’t realized he was allowed to just have long hair. This realization was accompanied with further desire to break away from Victorian norms in the most flamboyant (but not openly illegal) way he could.
A lot of decisions that Henry makes are a result of something he fancied in Basil/something Basil did for him. In the Modern Reimaging AU, Henry lives to be 75, dying in 1940. But even when he was mostly with Dorian or living as an old ass man, Henry kept his hair long, never quite able to forget Basil.
Fun story: My friend and I were talking about cigarettes, so I showed them this page and they said they “no longer like cigarettes because that dude made them too pretentious.” Honestly iconic of them.
#the picture of dorian gray#henry wotton#tlg#tpodg#my art#art#vogue and harper's bazaar has saved my ass so many times#shoutout to them and the 1892 December Issue#expect more outrageous henry content#i'd tag beau brummel but I don't want to bring him into this XD
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With The Lion Guard's 10th anniversary happening in November of next year, I think the best way they can celebrate it, and also the easiest way they can celebrate it (as in, not a fourth season, sequel series, books, or new movies), would be reruns.
When The Lion Guard was coming to a conclusion, it's viewing figures on television took a hard dip, partly due to Disney's poor distribution of the episodes. Because of this, reruns (at least here in America) did not last that long. Only from November 3rd to December 30th, 2019, and then the show was gone for good. They couldn't keep the completed show on the air during the winter holidays when kids had 2 weeks off from school and were at home likely doing nothing but watching TV. Which is - not a good sign.
Up until recently, I would've assumed that Disney would've done nothing for the show given these unflattering results. But seeing the Disney Jr. musical short, as well as people online posting merch of the show in spite of half a decade passing since the show ended, gets me thinking of some significant way Disney would acknowledge the series.
Anyways, back to the topic of reruns. The one thing that would redeem this show's unsatisfying send-off would be reruns, perhaps in the form of a marathon, to celebrate the decade anniversary of the show. Something similar happened this year when The Lion King was re-released in theaters for it's 30th anniversary (most likely to compensate for Mufasa: The Lion King, getting delayed 6 months due to the strikes).
Disney, even Disney Jr has done reruns of cancelled/completed shows, either regularly or as special occassions. Sofia the First and Tangled got reruns on World Princess Week: Jessie still gets reruns on Disney Channel, ironically increasing in quantity ever since it's spin-off Bunk'd ended. Phineas and Ferb got endless reruns on Disney Channel and Disney XD, even before the announcement of the revival. And not to mention many holiday specials/movies/crossovers such as Good Luck Charlie. And just recently, Wizards of Waverly Place got a marathon of reruns in light of next month's reboot series, Beyond.
So it would be very thematically appropriate for The Lion Guard to get this type of treatment. Reruns, from the pilot episode, all the way to the finale, marathoning all day on Disney Junior. It would give the show the mainstream fanfare and recognition, from its target demo audience, that it was robbed of when it died. Not only would it introduce kids of today's generation to The Lion King franchise, but it would potentially bring back viewers who were in the show's target demographic when it aired - who would now be adults themselves.
And it would come full circle too since The Lion Guard was pitched, created, and announced as a tribute to The Lion King's 20th anniversary itself, so to have a decade-related anniversary like this would be sweet in theory.
Do I think Disney will actually do this? No. This is all hypothetical. Logically speaking the furthest thing they'll do is probably upload some Lion Guard full episodes onto the YouTube channel, post a few Tik-Toks, make a few "happy anniversary" tweets and leave it at that. But it's a do-able/possible-ish idea for a way they can give tribute to the show's decennial. I will not hold my breath on that idea, or be surprised if they do viritually little to nothing for the anniversary (I'd actually be surprised if they did anything more than the abovementioned logical factors such as happy anniversary posts and tweets).
#the lion guard#the lion king#kion#fuli#bunga#beshte#ono#tlk#tlg#disney junior#disney jr.#I think this is the best way Disney can give mainstream limelight back to The Lion Guard#Bc like a fourth season would be virtually impossible with several people on the crew leaving Disney whilst the rest moved on#a sequel series would be impossble for the same reason especially with Mufasa: The Lion King taking up the limelight as TLK's showstopper#A new comic series or books maybe but given how awful the Disney Villains: Scar comic was I wouldn't hold my breath#plus the book-based properties of TLG were essentially canned eyars ago#And again I don't think any big TLG related content would happen to avoid competition with Mufasa: The Lion King -#The best we'd see is just some more fluff like with the music video or new merch#But I think a rerun marathon as a decennial tribute for old and new fans of the show would be the most likely option and the best objectivl
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my favorite moment from tlg: diagnosis jimmy
#had a good chuckle#the lone gunmen#personal#not enough tlg content on tumblr so i'm making my own dammit
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Remembering this hc and I love to think Makuu has a role as not only Vitani’s idol, but her mentor too
I can see Vitani being hard on the rest of the guard while they’re training and Makuu’s behind her like “Attagirl! Show ‘em what being the fiercest really means.” or smth like that
TLG: Idol
So you know how Vitani quotes Makuu word-for-word in the same exact tone as him when she says “I call… for a Mashindano!”? I like to think Vitani had first heard of a Mashindano through watching one a little after joining the Pridelanders, she eventually became a fan of Makuu after he’d won yet another Mashindano like he once did against Pua and Kiburi So here we have a starstruck Vitani meeting her idol after the fight, asking him questions regarding techniques (but not without stuttering and letting a few awkward things slip out lol). Despite her worries, Makuu respects a lion who not only doesn’t fear him for once, but utterly admires him (which pairs perfectly with his ego lol) I like to think this is one of the things that inspired her to lead her very own Lion Guard, taking after Makuu’s style of leadership and fighting
(also I think Makuu may be one of my favorite TLG characters. He’s just so stubborn and dark-humored, he’s just portrayed so well lol)
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The Scully Family In-Depth (Part XXIV): Guardian Angels and Inverted Nativities
I was struck with the overt nativity symbolism while combing through this two-parter-- not as a direct religious comparison (a mother to an impossible child), but as a poignant antithesis to Scully, Mulder, and Emily's story.
(**Note**: A deep dive into the Scully family spanning A Christmas Carol and Emily can be found in this post here.)
EMILY, SCULLY, MULDER: A DISASTER IN THREES
When we first glimpse Emily, she is cradled in her father’s arms, silent and expressionless in the wake of her mother’s death. She locks eyes with Scully and refuses to look away, following her movements in that room, during Scully’s second visit, during the arrest of Mr. Sim, after the social worker van drives away, and in her hospital room: an intense, though bland, fixation. Emily, it seems, was beckoning Scully to her; and was perfectly content to be in her company while chaos was erupting around her. Although part of this has to do with Chris Carter’s characterization in A Christmas Carol-- which Spotnitz, Gilligan, and Shiban tone down in Emily-- the germ of that idea remains: in short, Emily quite blatantly chose Scully-- whether because she was obeying a supernatural or biological or other more normal and sacred impulse.
This is important because of two reasons:
That inclination sends her biological mother into a spiral of questions and doubts, which culminated in a fight for custody and willingness to leave the FBI to raise Emily. If she had not fought to adopt her, Scully wouldn't have been able to keep her safe during Emily’s final hours on Earth.
That inclination creates friction between Scully's intentions and Mulder's subdued resistance.
To set the scene: Scully has been avoiding the temptation to call her partner up to ask for help-- in fact, she bailed on the only phone call to his apartment and worked around him to get answers (Mulder’s friend Danny at the FBI-- not TLG, not Mulder himself.) On the one hand, we know she is conflicted and struggling with her infertility; but the struggle is greater-- much greater-- than she is letting on. As discussed in the previous part, she nearly breaks down in tears trying to convince the social worker to advocate for her: “--” Scully either found out she was infertile during her cancer treatments (but didn’t have the time or energy to abstract that fact into her reality) or she found out afterward (either before or after Mulder dodged-- intentionally or not-- her cheese platter in Detour.) And yet, she has not shared this burden with her partner nor (until Maggie applied a little pressure) with her family.
If this be the case, of course she would avoid Mulder’s calls: her sister’s voice eerily over the phone? A niece, she presumes, who is involved in a cover-up conspiracy? Everything would point, in Mulder’s mind, back to the Conspiracy; and Scully isn’t allowing herself to entertain that notion. But now, against her first inclination, she is left no choice but to call Mulder: Emily is her daughter, and that means she is a part of the Conspiracy with a capital ‘c’. “Well, how did she come into this world?” Scully asks when Mulder arrives; and avoids a direct response when he replies, “Have you asked yourself that?” Because no, she hasn’t-- hasn’t wanted to.
And that’s the (not-so-subtle) subtext: everything, to Mulder, is the key to everything, to his quest for the truth. And where does that leave her, newly recovered and ready to let her walls down? She tried to change but he hadn’t: he’s still the same Mulder running after mothmen and trying to find answers about his sister. It’s the endless line again, it’s Never Again again, it’s a preemptive taste of a weekend tossed aside for crop circles.
The next big question is: where does this begin and end for Mulder?
Over the course of ten days (according to this timeline), Mulder receives two phone calls: one Scully drops and another where she asks him down to be a character witness. But that, of course is not the full picture: his partner asks him down to be a character witness to adopt her daughter whose parents have been murdered and whose case she has been investigating without asking for Mulder's help. In short, he feels purposefully excluded and reduced to the boxes of "partner" and "character witness."
Mulder seemed secure in his brief appearance in A Christmas Carol: Scully was out of town, but she’d be back; and he’d get up to shenanigans in the meantime.
Mulder shifted to being insecure, withdrawn, and downright fearful in Emily: not only had he, in his eyes, already lost his partner right from under his nose, but he might alienate her further because of the information he’d kept from her-- the fact he’d known about her infertility as far back as her early cancer diagnosis.
If that wasn’t bad enough, Scully is calling him in as a character witness to win the adoption rights for her daughter; and all the facts he has to give are deemed unworthy of a normal court’s time.
Lastly, he knows-- he just knows-- that something is off with Emily. If she is a product of Scully’s ova, there is no way on Earth that the Syndicate hasn’t tampered with her DNA. The clones he met in Memento Mori who called her and other MUFON abductees “our mothers” prove that to be the case.
And he knows that Scully either doesn’t know or doesn’t want to know this.
To Mulder, this spells disaster: Scully dropping out of the FBI and leaving him behind to raise a child that is most certainly half-human, half other. What is even more disastrous is that he doesn’t know how to react or respond to this situation: does he council her against the adoption? He can’t in good conscience. Does he support her decision to adopt, which would mean he supports her transfer from the X-Files department? Does he warn her of the consequences and dangers of trying to raise Emily? Yes. But does that change Scully’s mind? No. His hands are tied.
And how do his concerns and his fears factor into this dynamic? In short, how could a miraculous conception-- quote on quote-- spell disaster and doom for him, Scully, and Emily?
MULDER ARRIVES
Emily opens on Mulder’s arrival at the children’s foster care center, a lone figure asking directions to where his partner and her daughter are. And that loneliness continues when he finds them: Mulder hangs back, observing Scully’s happiness and Emily’s complacency with dread. Already, Mulder is placed as an outsider-- more precisely, he is placing himself as an outsider by hanging back.
Why is he hanging back? Why, specifically, is he hanging back from Scully and her daughter instead of embracing this?
Simply put, we know Mulder is bracing for disaster. And we also know that he is in no place in his life to make space for a family, to “settle down, have something approaching a normal life” (as Scully says a year or so later.) Put these two factors together, mix them up with a child he suspects is the half-human result of his partner’s abduction, and Mulder has already set up sky-high brigades to protect himself.
This is not new for him, either: after her remission, Mulder put barriers back in place between himself and Scully; and when she tried to explore their boundaries, poke them or topple them with a cheese platter in Detour, he purposefully muted his awareness and ran after monsters. And his decided, purposed avoidance of settling down or having a family or-- in short-- leaving the quest was a decision he’d made before Scully came into his life (one he stated decisively to her in The Jersey King.) It’s not until The Unnatural that Mulder realizes he can have both, that his goals won’t suffer by living just a little normally, enjoying life just a little bit. (And afterward, Scully approaches him for the IVF, post here.)
Combine all of that together, and it explains why he nearly sags when seeing Scully smiling eagerly at her daughter-- a child, he tells her, that was never meant to be: his guard is up, and he's keeping a distance between himself and little Sim (and warning his partner to do the same) despite his kindness and gentleness, despite chasing leads and yelling threats to save her life. In short, he’s saving this girl for Scully, not himself. And because he loves Scully, truly loves her, he's willing enough to lose her for a child that was not meant to be.
But Mulder is Mulder, and his partner and her daughter are Scullys: he puts on a brave face when Scully looks up at him from the floor, walks over, and tries to strike up a friendship with Emily. He then proves he’s a natural with kids, particularly shy ones: he asks what Emily what she’s coloring, waits for her answer, and makes an exaggerated Mr. Potato Head face to lower her guard. It cheers her up instantly, and makes Scully smile as well.
Another warning sign lights up for him right after: he notices Scully's cross around Emily's neck. His partner is already attached.
But what a conflicting brew of emotions that would be. He wore that cross during her abduction, while her ova were taken and her daughter-- who is now wearing it-- was created. It's a passing of the baton Maggie did for him in Ascension, one that must have stung a little for her as Scully distanced from her mother to draw closer to the work (and Mulder.) But Mulder is given no choice or prior warning (like the keychain in Alone): it's happened; and that connection between them has been made significant another, different way... for someone else.
When Scully insists, “I can protect her, too,” he persists: “And who’s going to protect you?” Despite his reasoning-- that both the Sims are dead to protect the Syndicate’s interests-- Scully replies, “I know. I-I’ve considered that. But I’ve also considered that there’s only one right thing to do.” Mulder doesn’t seem to agree: silently here, publicly in the judge’s chambers; but he supports her decision both times (just as he supports her decision to let Emily die.)
“Why didn’t you call me sooner,” he asks, the same edge in his interrogation in Elegy.
“Because I couldn’t believe it,” she answers, the same response as Elegy.
Predictably, he is annoyed, irritated: he feels the step backward in their dynamic. When Scully states she called him to be a witness on her behalf, he (quietly) snaps, “And I should have declined.” Off her hurt expression, he softens and clarifies, “If I never want to see you hurt or harmed in any way.”
Branching off of this conversation, the judge’s chambers reveal a deeply rooted psychological insight into Mulder’s character. He lays out the facts as he knows them-- the dangers and unanswered questions-- but states, in closing, “The fact that she can adopt this child-- her own flesh and blood-- is something I don’t feel I have the right to question and I don’t believe anybody has the right to stand in the way of.” ‘Her own flesh and blood’ and ‘the right to question’/‘right to stand in the way of’ are specifically coded in the language of Fate.
The irony, or serendipity, or fate, really-- and this two-parter is dripping in Fate, be it because of Emily’s miraculous birth or Melissa’s miraculous guidance or the lingering vestiges of Scully’s partner and late sister’s belief in Fate-- of Mulder being completely correct (that Scully will get hurt) and of Scully being completely correct (in the face of her family’s disbelief and her own desire to stay at the FBI) is beautifully tragic; and horribly marred by the Consortium's last spiteful maneuver (a coffin full of sand.) “No matter how much you love this little girl, she was a miracle that was never meant to be, Scully”-- that is the theme of A Christmas Carol and Emily.
It’s not the first time Mulder has alluded to the concept of fate or its working in his and Scully’s life-- in fact, Mulder builds the identity of his quest on top of that concept of Fate (post here.) He lost his sister because of fate; but his fated, mythical quest will bring her back. His father played with the hand of fate and lost. The Consortium choose to tamper with Fate, taking it into their own hands; and Scully was taken and Emily born because of it. But it was Fate to bring mother and daughter back together; and he doesn’t see it as his right to step in the way of or prevent that fate.
By contrast, Scully’s own beliefs are in direct opposition to Fate: she argues Mulder out of his own biases and beliefs, calls into questions the lies he chooses to believe in (or tells himself), and points out that she chooses to stay by his side, that she chooses to be his partner. “I wouldn’t put myself on the line for anybody but you” is a choice she made as far back as Season 1; and the FBI a choice she made farther back than even that.
Emily is a wedge of in both systems: she was not fated to be, according to Mulder; but she is there and must be protected, leaving Scully no choice. The Consortium played with Fate, making themselves god, and created a life that had no purpose other than to die; and the Consortium ripped away Scully’s one choice by robbing her of the peace of burying her own daughter.
(As an aside: this is why I’m so invested in Scully’s pregnancy in Requiem-Existence: William’s conception and birth was not an act of fate, but an act of freewill and choice. Scully chose to stay with Mulder in all things; and he was conceived that night-- according to Frank Spotnitz, post here. Season 8 played with the confusion of “Is this fate?” from all parties; and all parties were proven incorrect. Mulder and Scully’s baby wasn’t what anyone were predicting-- not some special, magical, or given-by-God-to-save-the-world figure. He was simply, and beautifully, normal. “But that doesn’t make him any less of a miracle, does it?” Mulder asks; and Scully agrees. He’s their miracle that they conceived and worked hard for and angsted over during the long, hard months that Fate tried to rip them apart forever. Free will, then, wins.)
After advocating for Emily’s adoption, Mulder waits for Scully on the Scully family couch, attention caught by the Nativity scene-- the same one that caught her attention in the previous episode (post here.) He fiddles with one of the wisemen-- again, breaking that direct comparison between his own ties to this story-- until his partner approaches; then he turns the figurine around and sits back as she approaches.
As touched on previously, the religious imagery filtering throughout these episodes-- the Nativity scene, Mulder pondering Joseph’s figurine, Scully's face fading out to the Virgin Mary's stained glass image-- serves to invert and pervert the Nativity story. More often than not, this episode is read through a ham-fisted, morally superior, distasteful parallel between Mary the Mother of Jesus and Scully’s surprise motherhood. The reality is, the narrative points of the Biblical story do not at all align with Scully or Mulder or Emily’s journey-- in fact, the latter three serve as its antithesis.
Mulder is not only a man who feels excluded from this miracle but also one who chooses to avoid becoming a father figure.
Scully is an expectant mother not through divine blessing for her strength of character but because of ruthless, corrupted, and inhumane interference.
And Emily is a child who doesn’t see Scully as her mother, who staunchly holds her separate from her own beloved Mommy (“Mommy said no more tests.”)
The writers themselves said they weren’t trying to set Scully up as the Virgin Mary incarnate, either (post here)-- the parallel was simply a Christmas one-- and I believe them. Because they wrote the true parallel between Tara and the Nativity, showing the display first by her side in A Christmas Carol. From then on, Scully and Mulder separately gazed or pondered or played with the Nativity as an unreachable, almost inconceivable notion-- because it is, for them. (For now, anyway, if you cosign canon after Je Souhaite.)
“It takes two of us to get my sister-in-law in bed these days,” she says, explaining her length of absence and attempting to lighten the mood.
Sincerely, Mulder asks, “When is she due?”
“Two weeks ago.”
(Which means-- if the math maths correctly-- that the Scully family expected baby Matthew before Christmas; and since he hasn’t arrived, Maggie and Scully might have then expected to stay longer and help Tara and Bill transition into parenthood. Or maybe Maggie intended to stay and Scully to fly back. In any case, her almost panicky reaction to the baby kicking (mentioned in a previous post here makes more sense in context.)
When the phone rings, Scully is almost afraid to answer it (sitting on the couch a few seconds longer than necessary as Mulder stares at her.) This time there is no voice, no “go to her Dana”, which would probably be more unsettling than her sister’s instructions, at this point.
Emily Sim, they find, is deteriorating (Mulder, in fact, finds the green cyst on her neck); and both scoop her up and rush her to the hospital. It’s bad news after bad news (as he predicted.)
“Now, are you two the parents?” asks the doctor.
Scully looks from him to Mulder, eyes troubled and almost pleading. When her partner notices, he tilts his head away, sags, and withdraws: this is her child, and her call. For Scully, this signals that he is not ready to commit further-- won't, in effect, join her in these new responsibilities; and feels the rejection like a blow. Although Mulder didn’t mean to reject her-- he thinks that she’s leaving the work (and him) to be a parent, something he can’t do; and now feels outside the circle of her decisions-- his meaning is clear. From now on, Scully feels she must battle for Emily’s life on her own, reliving the struggle and isolation of her diagnosis and treatment in Scanlon’s office.
“How did you know?” Scully questions Mulder after Emily’s blood has incapacitated a doctor. He continues dancing the thin line between keeping information from her and telling her just enough, and the little he gives his partner weakens her resolve and sends her into a mild panic: “She’s just a little girl. You say that I can’t protect her, but I can’t let this be her life. Just a few days ago she was fine.”
“She was also being treated,” he points out; and Scully’s eyes widen, more proof she is so rushed that she hasn’t considered this circumstance-- her daughter, the adoption, the Conspiracy-- from all angles.
As Emily’s condition worsens, Scully keeps watch, knowing she has no real authority to save her daughter but hold onto what little foothold she has. The little girl, however, begins to resist: “Mommy said no more tests.” Again, an inverse of the Christmas story: a child drawing away from its biological mother.
Stung by the reality of their situation, she doesn’t deny Emily's statement, carefully deflecting, “We just want you to get better. That’s what these tests are about.” And with each test and each procedure, she has to endure worse and worse news: a tumorous infection, the doctor proclaims; a possible revocation of rights, the social worker warns. After storming against Emily’s possible removal, Scully relents to a quiet, “What do you want me to tell them you’re doing for her?” Pausing, she admits, “I don’t know yet. But I will”: active choice, Freewill, beginning to assert itself. During her daughter’s last round of tests, Scully gently talks her through the procedure. It seems to work, at first, before Emily starts screaming; and she rushes to try to both help and calm her down.
The last glimpse we have of the two together is of Emily near tears and Scully unable to soothe her completely.
And where is Mulder while all this is going down? Hunting down and assaulting men that won't “Help that little girl!”, causing havoc and mayhem and disruption… and finding yet another Scully baby submerged, alive, in green goo (post here.) But he does not save this baby or any other baby there-- knows he cannot, now, with so much at stake-- but instead grabs a cure for Emily; and flees.
Mulder is committed to protecting the innocent; and, though he fears how this will play out, he is willing to stand by Emily’s hospital bed (and Emily’s coffin)-- there for his partner, and for her daughter, as much as he can. It might not be in ways Scully needs from him, but it's the best he can do.
Unfortunately, Emily Sim slips into a coma before the cure can arrive.
Scully is staring at her body, watching her breathe up and down, when Mulder rejoins. She is gutted, but accepting, knowing without having to ask what he’s thinking: “I’m okay, Mulder.”
As they stand there together, she shares her resolution: “It’s what’s meant to be,” she says. Paths and purposes, saving a girl to deliver her up to death, guiding her from life into her sister’s arms in the afterlife. She was meant for the FBI, and Emily was meant for her for a short time; but both weren’t, ultimately, meant for each other.
“But if you could treat her--” Mulder begins; and is shocked by her conviction.
“I wouldn’t. I wouldn’t do it to her.”
“Are you sure?”
“Mulder, whoever brought this child into this world didn’t intend to love her.”
Surprised at her stability-- and trusting to it-- he carefully admits, “I think she was… she was born to serve an agenda.” His way of having her back, of saying “I would do the same thing.”
“I have a chance to stop that.” Face crumbling, she mourns, “You were right: this child was not meant to be.”
Looking from Emily to his partner, he assures, “I’ll stay with you”; but Scully, still remembering his gun-shy distance, feels she must grieve this loss alone-- a loss she knows he sympathizes with, but hasn’t internalized for himself. And, despite Mulder’s growth since the early days of their partnership (post here), she is right.
“I think I’d like to be alone,” she requests, casting her watery eyes up for understanding. And as rejected and dejected as he feels, he understands.
Mulder retreats without telling her about the cure, sparing her the moral quandary of second guesses-- knowing his partner well enough to know she would doubt herself and revive Emily, only to watch her die a second time.
Alone, Scully climbs into Emily’s bed, cuddling up against her daughter. The scene transitions to a stained-glass window of the Virgin Mary-- another mother doomed to lose her child to the cruelty of others; one with, however, a happier ending-- as the girl quietly passes away.
Alone, Scully sits in the church, withdrawn. But alone no longer: Mulder wanders in, last but not least; and surprises (and amuses) his partner with flowers he'd bought for Emily, determined to do this right. He may be a man who doesn’t see the value in convention, who remembers birthdays in dog years, and who kisses hands one day and runs off to the woods the next; but he is also a considerate soul who understands these conventions are meaningful for other people-- for his partner, most of all.
“Who are the men who would create a life whose only hope was to die?” Scully questions, seeking the truth from the only one who will give her that truth.
“I don’t know.” Seeing the pain in her face, he reassures, “But that you found her… and you had a chance to love her…. Maybe she was meant for that, too.” Melissa would certainly agree.
“She found me,” Scully replies; and, again, this draws me back to my earlier theory on Emily’s psychic prescience (post here): in each dream, Emily made herself known; in each run-in, Emily sought her out with her eyes; at each step of the way, Emily looked up to her like a guardian angel-- her rescuer. And, in turn, Emily rescues Scully, as well (All Souls.)
There is no evidence of Calderon’s work, Mulder explains; and Scully quickly realizes, “There is evidence.” Walking up to the coffin, she stands before Mulder’s bouquet, shooting him a shaky last side glance before raising the lid; he, in turn, pivots away, unable to stomach what he suspects she will find.
And there is nothing but sand; nothing but second guesses. Scully concludes, as the episode’s opener, “It begins where it ends, in nothingness. A nightmare born from deepest fears, coming to me unguarded, whispering images unlocked from time and distance. A soul unbound, touched by others but never held. A course charted by some unseen hand. The journey ahead promising no more than my past reflected back upon me-- until at last I reach the end. Facing a truth I can no longer deny: alone, as ever.”
Season 5 was, as I’ve previously discussed, a rough season for Mulder (post here), but the loneliness and guilt and indecision that molds to Scully will not be torn from her until All Souls, and then only under more painful, more disharmonious circumstances.
ALL SOULS AND ALL THINGS
All Souls begins and ends with Scully’s confession, the doubts kicked up from A Christmas Carol-Emily doubled and tripled in the two-fold issue of religious uncertainty and biased doubt from her partner.
This episode, for Scully, does not end kindly: she must make peace with Emily’s loss, and let her go; and she must begin a serious battle with her own abilities-- is she helping anyone? Can she help anyone? Emily died, Mulder’s struggling, her resolve is cracking. Soon The Pine Bluff Variant will play on that distance, and Diana Fowley will swoop in to exploit it. Soon the office will burn; and, in spite of all her efforts, Scully will feel like she failed herself, her partner, and their work. Soon, she will embrace him as he stands in transfixed horror, unable to reciprocate back.
All Souls is set up to break and subvert the patterns the previous two-parter set up, just as that two-parter set up just to subvert the Nativity scene: Scully calls Mulder for help from the get-go, but he dodges her call; Mulder sneers at rather than investigates other possibilities; and Mulder comforts her about seeing Emily in a vision but believes she is allowing herself to be compromised on a case. At least in Emily, Mulder knew the answers (or suspected them), and advocated for her exactly how and when she needed him to. What she recounted, he confirmed; what she guessed, he affirmed; what she grieved, he comforted with larger concepts like Fate. But here, Mulder is detached-- religion and its religious superstitions and beliefs are such an ugly concept to him that he gave no credence to Scully’s visions and tried to talk her down from her intuition instead of supporting her in crisis. Mulder is proving, again and again, that he has not changed from the ditch in Detour-- and, moreover, that he can’t: this year, he’s just trying to keep his head above water. Like I’ve mentioned before, Scully has changed, Scully has grown, Scully is working to lower her shields… but over and over, she finds that Mulder is not ready for that vulnerability and avoids it: “Have you ever thought seriously about dying?” she asks in Detour, and chuckles-- at the time-- over his flippant “Only once, at the Ice Capades” response.
But All Souls also provides an interesting flip in her relationship to Emily-- i.e. mother and daughter reverse roles. Like Scully had last Christmas, Emily is there to save vulnerable children and guide them to a better afterlife. And like Scully, she has accepted, in death, that her role on this Earth wasn’t “meant to be”: she pleads with Scully, “Mommy, please, let me go.”
It’s striking, then, that Emily becomes the spiritual medium instead of Melissa. I understand why it was written that way-- Scully connects her sacrifice and Emily’s death to the church, and her faith, to bring her comfort. (And I don’t think Melissa Scully would be too keen to dabble around with Catholic mythologies.) It’s even more striking that Emily becomes the only truth Scully clings to or believes in: no one else, be it deeply entrenched priest or well-researched paranormal partner, believes in her eyewitness accounts. (Or, in Mulder’s case, does… but suggests it’s born from outside manipulation.)
This episode is yet another ouroboros: Scully her only witness, Scully her only source of strength-- a pattern that began in Beyond the Sea and loops back around and around until she puts it to rest in all things. And there's another parallel: Melissa acting as her conscience and guardian angel; Emily acting as her literal conscience and guardian angel. It was Scully herself who spotted the physical similarity between the two; and the narrative continues to connect that similarity to Scully's emotional growth.
“You believed you were releasing her soul to Heaven?” the confessor asks after Scully admits to a fourth girl's death.
“I felt sure of it,” she says, tears brimming.
“But you still can’t reconcile this belief with the physical fact of her death?”
“No. I thought I could, Father, but I can’t.”
“Do you believe there is a life after this one?”
“Yes.”
“Are you sure?”
She stops, confused; and doesn’t answer. Second-guesses, doubts, and an inability to know her own conscience: all bubbling to the fore, once again. The ouroboros.
“Has it occurred to you that-- maybe this, too, was part of what you were meant to understand?”
“You mean accepting my loss?”
“Can you accept it?”
Tears trickling down her cheek, Scully trembles out, “Maybe that’s what faith is.”
Her journey of faith has always been fraught (will continue to be so, post here) but Scully is mistaking belief in faith as an acceptance of loss-- a loss which she believes to be a punishment. She is afraid of attaching to others, has been since as a little girl; and that has driven her to and from God in different moments of extremis.
Further, the struggle to be always in the dark, to never fully understand, is not one she gives much thought to… if she doesn’t have to face it, alone. However, Mulder-- her backup-- has been drifting aimlessly in recent months; and, because her own family can’t completely understand the strange horror of her reality, there is only one person left to lean on: her faulty perception of God.
Why can’t Scully accept and believe what Emily has asked of her-- to let her go-- when she believed and accepted that truth when her daughter was dying? Because her conviction was shattered when she saw Emily’s coffin filled with sand: a spit in the face to her deliberate choice and hard-won decision. She has lost faith in herself; and the one person who she relies on-- as she admitted in Irresistible and Elegy-- for strength (inadvertently) withheld that comfort and support in All Souls, shattering it further.
And the reality is, Mulder withdrew in All Souls because he was afraid of her (as he perceived) blind faith. Mulder himself is in desperate straits; and the thought that he could lose Scully-- to adoption (Emily), to a belief in aliens (The Red and the Black), to a wackier belief in God and angels and demons (All Souls)-- scares him to death and stirs up his distance or anger. While they were working towards a common goal in the cancer arc, neither needed to feel out-of-sync in their partnership, or question her nosebleeds, or withdraw from each other (more than their normal withdrawal parameters.) But now? Now, they’re completely out-of-sync-- Scully two steps ahead, doubting her progress, doubling back; and Mulder slouching, slumping, then sliding down a wall.
THE GREAT CHANGE
What sets them right?
Mulder’s confession in Fight the Future (post here) is mandatory to the shift from Season 5-- his dissipation and disbelief; her discouragement and lack of self-esteem-- to Season 6-- her assuredness and slow-build to loneliness; his wobbles forward into embracing a life on this planet with his touchstone. (I also recommend my meta on their Season 6 push-and-pull, post here, to understand why both had a lighter tone and higher confidence compared to last season.)
TLDR: Scully was walking-- “You never needed me, Mulder. I just held you back”-- because she felt useless and worthless. Mulder was forced to battle with his own fear and insecurity or lose her forever; and, clutching his courage, chased her into the hall and tried his best to convince her to stay: by telling her, honestly, how much he truly needed her.
CONCLUSION
Emily Sim was not meant to be; just as Scully was not meant to leave the files, nor Mulder to set aside his mission and walk away with them. Her birth, her life, and her death were a circumstance forced by a tampering with Fate-- the antithesis to Scully's freewill.
While Mulder rules his life by Fate-- parroting its principles, enshrining his quest and his losses in those terms-- Scully rules hers by choice: it is her choice to join the FBI, her choice to stay, and her choice to leave when she chooses (e.g. Season 8-- to be discussed in future.) Without her, Mulder’s life would become chaotically imbalanced, thrown about on every whim that promised to satisfy, toyed with by every voice that sold him lies; and without him, she would be confused and lose faith in herself and her choices.
This child was not meant to be... but what about those that were? That is a meta for another time~.
Thanks for reading~
Enjoy!
#txf#mine#The Scully Family In-Depth#Guardian Angels and Inverted Nativities#xf meta#Part XXIV#In-Depth#meta#S5#Emily#A Christmas Carol#All Souls#S7#All Things#FTF#Scully#Mulder#Emily Sim#Melissa Scully
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hello! in tlg, there's a scene of reg learning hindi for james, but never one of james finding out; how do you think that went?
Ooh yes that! Them learning each other’s languages is so special to me.
Please bear with me because I don’t speak Hindi (or French), but this is how it went:
The Long Game
An additional scene
“Come on you bastard,” James shouts at the TV, his voice double the volume of any reasonable human in an enclosed area.
Regulus is sitting sideways on the sofa, leaning against the arm with his legs resting in James’ lap. He looks up from his book; even after eight months together, his boyfriend’s ability to be completely enraptured by people running up and down a field truly puzzles him.
Sure Regulus looks at the screen every now and then, but he’d be lying if he said it was for anything but the close ups of fit players in shorts.
“Are you wining?” Regulus asks.
“Not if Erling Haaland can’t kick a ball straight for once in his fucking life.”
Regulus raises his eyebrows, doing nothing to keep the smile off his face. James’ eyes are still glued to the screen, and quite frankly his whole energy right now is really rather attractive. There’s not a lot that can make James angry, and his set jaw and piercing eyes are a sight that makes Regulus want to make him forget there’s a game on at all.
He’d never do that though, he knows how much it means to the older boy, and so he makes himself content with just watching the emotions play across his face.
The other team scores a goal then and all hell breaks loose. Regulus is fairly sure he hasn’t heard that much profanity come out of one person’s mouth in his entire life.
Effie appears in the doorway then, her hands on her hips.
“James, dhang se bolo aur chillao mat. I know you’re an adult but this is still my house.”
James has the decency to look apologetic. Even with a game on, he can’t ignore his mum.
“Sorry, Mum. We’re losing.”
“Phir bhi, gaaliyan kam se kam honi chahiye, theekhe?”
James shrugs, “Main koshish karunga.”
She looks disapprovingly at her son.
“I’ll make sure he does more than try, Effie,” Regulus promises.
Effie smiles at that. “This is why you’re my favourite. Use shaitaani karne se rokna.”
“Ek namumkin kaam,” Regulus comments.
Effie laughs. “You’re not wrong there.” She gives James one last stern look before disappearing back down the hallway.
Regulus goes to read his book again but feels James’ eyes on him. He looks up to see a look of complete disbelief.
“What?”
“You just spoke to my mum.”
Regulus’ mouth twitches. “Is that not allowed?”
“Regulus.”
“Yes?”
“You understood and spoke to her in perfect Hindi.”
Regulus is properly smiling now. “Is that a problem?”
There’s a moment of silence and Regulus can almost see the whirring of James’ brain. He then splits into a wide grin, the warmth spreading to his eyes almost immediately.
“You learned Hindi for me?”
“You learned French for me.”
James shakes his head, his expression soft. “I love you so much, Regulus Black.”
The older boy puts his hands on Regulus’ knees before leaning in, waiting for him to lean forward and meet him halfway. Regulus does so gladly, his love for James warm on his lips.
“Say it in French,” Regulus says, voice low.
James’ smile is back. “Je t’aime chaque jour davantage.”
Regulus takes his hand as he speaks. “Mai tumse humesha pyaar karunga.”
“Only forever? That’s not nearly long enough.”
And Regulus kisses him, because how else is he supposed to respond to that? Especially when he agrees. Forever is not long enough to love James Potter.
As they pull apart again James speaks. “Regulus, I love you so much and you learning Hindi for me means the absolute world and we will definitely come back to this moment, but-“
“James-” Regulus interrupts and James pauses in his rambling. Regulus smiles. “You can get back to the game, it’s fine.”
“Are you sure?”
“Yes. I’ll have plenty of time later to seduce you in multiple languages.”
James takes an audible deep breath. “Fuck me, I’m so lucky.”
“Don’t forget it,” Regulus winks at him before picking up his book again, settling back down on the sofa as he does so.
“Regulus.” James asks just before his attention is once again consumed by football.
“Mm?”
“We can talk about Sirius while he’s in the room now.”
And oh, the French and the Hindi is sexy, but that suggestion? Well, that’s the hottest thing he’s ever heard.
#marauders#james potter#jegulus#regulus black#please forgive me for the translations#I’m doing my best
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Twinkfrump Linkdump
I'm touring my new, nationally bestselling novel The Bezzle! Catch me in CHICAGO (Apr 17), Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!
Welcome to the seventeenth Pluralistic linkdump, a collection of all the miscellany that didn't make it into the week's newsletter, cunningly wrought together in a single edition that ranges from the first ISP to AI nonsense to labor organizing victories to the obituary of a brilliant scientist you should know a lot more about! Here's the other 16 dumps:
https://pluralistic.net/tag/linkdump/
If you're reading this (and you are!), it was delivered to you by an internet service provider. Today, the ISP industry is calcified, controlled by a handful of telcos and cable companies. But the idea of an "ISP" didn't come out of a giant telecommunications firm – it was created, in living memory, by excellent nerds who are still around.
Depending on how you reckon, The Little Garden was either the first or the second ISP in America. It was named after a Palo Alto Chinese restaurant frequented by its founders. To get a sense of that founding, read these excellent recollections by Tom Jennings, whose contributions include the seminal zine Homocore, the seminal networking protocol Fidonet, and the seminal third-party PC ROM, whence came Dell, Gateway, Compaq, and every other "PC clone" company.
The first installment describes how an informal co-op to network a few friends turned into a business almost by accident, with thousands of dollars flowing in and out of Jennings' bank account:
https://www.sensitiveresearch.com/Archive/TLG/TLG.html
And it describes how that ISP set a standard for neutrality, boldly declaring that "TLGnet exercises no control whatsoever over the content of the information." They introduced an idea of radical transparency, documenting their router configurations and other technical details and making them available to the public. They hired unskilled punk and queer kids from their communities and trained them to operate the network equipment they'd invented, customized or improvised.
In part two, Jennings talks about the evolution of TLG's radical business-plan: to offer unrestricted service, encouraging their customers to resell that service to people in their communities, having no lock-in, unbundling extra services including installation charges – the whole anti-enshittification enchilada:
https://www.sensitiveresearch.com/Archive/TLG/
I love Jennings and his work. I even gave him a little cameo in Picks and Shovels, the third Martin Hench novel, which will be out next winter. He's as lyrical a writer about technology as you could ask for, and he's also a brilliant engineer and thinker.
The Little Garden's founders and early power-users have all fleshed out Jennings' account of the birth of ISPs. Writing on his blog, David "DSHR" Rosenthal rounds up other histories from the likes of EFF co-founder John Gilmore and Tim Pozar:
https://blog.dshr.org/2024/04/the-little-garden.html
Rosenthal describes some of the more exotic shenanigans TLG got up to in order to do end-runs around the Bell system's onerous policies, hacking in the purest sense of the word, for example, by daisy-chaining together modems in regions with free local calling and then making "permanent local calls," with the modems staying online 24/7.
Enshittification came to the ISP business early and hit it hard. The cartel that controls your access to the internet today is a billion light-years away from the principled technologists who invented the industry with an ethos of care, access and fairness. Today's ISPs are bitterly opposed to Net Neutrality, the straightforward proposition that if you request some data, your ISP should send it to you as quickly and reliably as it can.
Instead, ISPs want to offer "slow-lanes" where they will relegate the whole internet, except for those companies that bribe the ISP to be delivered at normal speed. ISPs have a laughably transparent way of describing this: they say that they're allowing services to pay for "fast lanes" with priority access. This is the same as the giant grocery store that charges you extra unless you surrender your privacy with a "loyalty card" – and then says that they're offering a "discount" for loyal customers, rather than charging a premium to customers who don't want to be spied on.
The American business lobby loves this arrangement, and hates Net Neutrality. Having monopolized every sector of our economy, they are extremely fond of "winner take all" dynamics, and that's what a non-neutral ISP delivers: the biggest services with the deepest pockets get the most reliable delivery, which means that smaller services don't just have to be better than the big guys, they also have to be able to outbid them for "priority carriage."
If everything you get from your ISP is slow and janky, except for the dominant services, then the dominant services can skimp on quality and pocket the difference. That's the goal of every monopolist – not just to be too big to fail, but also too big to care.
Under the Trump administration, FCC chair Ajit Pai dismantled the Net Neutrality rule, colluding with American big business to rig the process. They accepted millions of obviously fake anti-Net Neutrality comments (one million identical comments from @pornhub.com addresses, comments from dead people, comments from sitting US Senators who support Net Neutrality) and declared open season on American internet users:
https://ag.ny.gov/press-release/2021/attorney-general-james-issues-report-detailing-millions-fake-comments-revealing
Now, Biden's FCC is set to reinstate Net Neutrality – but with a "compromise" that will make mobile internet (which nearly all of use sometimes, and the poorest of us are reliant on) a swamp of anticompetitive practices:
https://cyberlaw.stanford.edu/blog/2024/04/harmful-5g-fast-lanes-are-coming-fcc-needs-stop-them
Under the proposed rule, mobile carriers will be able to put traffic to and from apps in the slow lane, and then extort bribes from preferred apps for normal speed and delivery. They'll rely on parts of the 5G standard to pull off this trick.
The ISP cartel and the FCC insist that this is fine because web traffic won't be degraded, but of course, every service is hellbent on pushing you into using apps instead of the web. That's because the web is an open platform, which means you can install ad- and privacy-blockers. More than half of web users have installed a blocker, making it the largest boycott in human history:
https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/
But reverse-engineering and modding an app is a legal minefield. Just removing the encryption from an app can trigger criminal penalties under Section 1201 of the DMCA, carrying a five-year prison sentence and a $500k fine. An app is just a web-page skinned in enough IP that it's a felony to mod it.
Apps are enshittification's vanguard, and the fact that the FCC has found a way to make them even worse is perversely impressive. They're voting on this on April 25, and they have until April 24 to fix this. They should. They really should:
https://docs.fcc.gov/public/attachments/DOC-401676A1.pdf
In a just world, cheating ripoff ISPs would the top tech policy story. The operational practices of ISPs effect every single one us. We literally can't talk about tech policy without ISPs in the middle. But Net Neutrality is an also-ran in tech policy discourse, while AI – ugh ugh ugh – is the thing none of us can shut up about.
This, despite the fact that the most consequential AI applications sum up to serving as a kind of moral crumple-zone for shitty business practices. The point of AI isn't to replace customer service and other low-paid workers who have taken to demanding higher wages and better conditions – it's to fire those workers and replace them with chatbots that can't do their jobs. An AI salesdroid can't sell your boss a bot that can replace you, but they don't need to. They only have to convince your boss that the bot can do your job, even if it can't.
SF writer Karl Schroeder is one of the rare sf practitioners who grapples seriously with the future, a "strategic foresight" guy who somehow skirts the bullshit that is the field's hallmark:
https://pluralistic.net/2024/03/07/the-gernsback-continuum/#wheres-my-jetpack
Writing on his blog, Schroeder describes the AI debates roiling the Association of Professional Futurists, and how it's sucking him into being an unwilling participant in the AI hype cycle:
https://kschroeder.substack.com/p/dragged-into-the-ai-hype-cycle
Schroeder's piece is a thoughtful meditation on the relationship of SF's thought-experiments and parables about AI to the promises of AI hucksters, who promise that a) "general artificial intelligence" is just around the corner and that b) it will be worth trillions of dollars.
Schroeder – like other sf writers including Ted Chiang and Charlie Stross (and me) – comes to the conclusion that AI panic isn't about AI, it's about power. The artificial life-form devouring the planet and murdering our species is the limited liability corporation, and its substrate isn't silicon, it's us, human bodies:
What’s lying underneath all our anxieties about AGI is an anxiety that has nothing to do with Artificial Intelligence. Instead, it’s a manifestation of our growing awareness that our world is being stolen from under us. Last year’s estimate put the amount of wealth currently being transferred from the people who made it to an idle billionaire class at $5.2 trillion. Artificial General Intelligence whose environment is the server farms and sweatshops of this class is frightening only because of its capacity to accelerate this greatest of all heists.
After all, the business-case for AI is so very thin that the industry can only survive on a torrent of hype and nonsense – like claims that Amazon's "Grab and Go" stores used "AI" to monitor shoppers and automatically bill them for their purchases. In reality, the stores used thousands of low-paid Indian workers to monitor cameras and manually charge your card. This happens so often that Indian technologists joke that "AI" stands for "absent Indians":
https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain
Isn't it funny how all the really promising AI applications are in domains that most of us aren't qualified to assess? Like the claim that Google's AI was producing millions of novel materials that will shortly revolutionize all forms of production, from construction to electronics to medical implants:
https://deepmind.google/discover/blog/millions-of-new-materials-discovered-with-deep-learning/
That's what Google's press-release claimed, anyway. But when two groups of experts actually pulled a representative sample of these "new materials" from the Deep Mind database, they found that none of these materials qualified as "credible, useful and novel":
https://pubs.acs.org/doi/10.1021/acs.chemmater.4c00643
Writing about the researchers' findings for 404 Media, Jason Koebler cites Berkeley researchers who concluded that "no new materials have been discovered":
https://www.404media.co/google-says-it-discovered-millions-of-new-materials-with-ai-human-researchers/
The researchers say that AI data-mining for new materials is promising, but falls well short of Google's claim to be so transformative that it constitutes the "equivalent to nearly 800 years’ worth of knowledge" and "an order-of-magnitude expansion in stable materials known to humanity."
AI hype keeps the bubble inflating, and for so long as it keeps blowing up, all those investors who've sunk their money into AI can tell themselves that they're rich. This is the essence of "a bezzle": "The magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it":
https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way
Among the best debezzlers of AI are the Princeton Center for Information Technology Policy's Arvind Narayanan and Sayash Kapoor, who edit the "AI Snake Oil" blog. Now, they've sold a book with the same title:
https://www.aisnakeoil.com/p/ai-snake-oil-is-now-available-to
Obviously, books move a lot more slowly than blogs, and so Narayanan and Kapoor say their book will focus on the timeless elements of identifying and understanding AI snake oil:
In the book, we explain the crucial differences between types of AI, why people, companies, and governments are falling for AI snake oil, why AI can’t fix social media, and why we should be far more worried about what people will do with AI than about anything AI will do on its own. While generative AI is what drives press, predictive AI used in criminal justice, finance, healthcare, and other domains remains far more consequential in people’s lives. We discuss in depth how predictive AI can go wrong. We also warn of the dangers of a world where AI continues to be controlled by largely unaccountable big tech companies.
The book's out in September and it's up for pre-order now:
https://bookshop.org/p/books/ai-snake-oil-what-artificial-intelligence-can-do-what-it-can-t-and-how-to-tell-the-difference-arvind-narayanan/21324674
One of the weirder and worst side-effects of the AI hype bubble is that it has revived the belief that it's somehow possible for giant platforms to monitor all their users' speech and remove "harmful" speech. We've tried this for years, and when humans do it, it always ends with disfavored groups being censored, while dedicated trolls, harassers and monsters evade punishment:
https://pluralistic.net/2022/08/07/como-is-infosec/
AI hype has led policy-makers to believe that we can deputize online services to spy on all their customers and block the bad ones without falling into this trap. Canada is on the verge of adopting Bill C-63, a "harmful content" regulation modeled on examples from the UK and Australia.
Writing on his blog, Canadian lawyer/activist/journalist Dimitri Lascaris describes the dire speech implications for C-63:
https://dimitrilascaris.org/2024/04/08/trudeaus-online-harms-bill-threatens-free-speech/
It's an excellent legal breakdown of the bill's provisions, but also a excellent analysis of how those provisions are likely to play out in the lives of Canadians, especially those advocating against genocide and taking other positions the that oppose the agenda of the government of the day.
Even if you like the Trudeau government and its policies, these powers will accrue to every Canadian government, including the presumptive (and inevitably, totally unhinged) near-future Conservative majority government of Pierre Poilievre.
It's been ten years since Martin Gilens and Benjamin I Page published their paper that concluded that governments make policies that are popular among elites, no matter how unpopular they are among the public:
https://www.cambridge.org/core/journals/perspectives-on-politics/article/testing-theories-of-american-politics-elites-interest-groups-and-average-citizens/62327F513959D0A304D4893B382B992B
Now, this is obviously depressing, but when you see it in action, it's kind of wild. The Biden administration has declared war on junk fees, from "resort fees" charged by hotels to the dozens of line-items added to your plane ticket, rental car, or even your rent check. In response, Republican politicians are climbing to their rear haunches and, using their actual human mouths, defending junk fees:
https://prospect.org/politics/2024-04-12-republicans-objectively-pro-junk-fee/
Congressional Republicans are hell-bent on destroying the Consumer Finance Protection Bureau's $8 cap on credit-card late-fees. Trump's presumptive running-mate Tim Scott is making this a campaign plank: "Vote for me and I will protect your credit-card company's right to screw you on fees!" He boasts about the lobbyists who asked him to take this position: champions of the public interest from the Consumer Bankers Association to the US Chamber of Commerce.
Banks stand to lose $10b/year from this rule (which means Americans stand to gain $10b/year from this rule). What's more, Scott's attempt to kill the rule is doomed to fail – there's just no procedural way it will fly. As David Dayen writes, "Not only does this vote put Republicans on the spot over junk fees, it’s a doomed vote, completely initiated by their own possible VP nominee."
This is an hilarious own-goal, one that only brings attention to a largely ignored – but extremely good – aspect of the Biden administration. As Adam Green of Bold Progressives told Dayen, "What’s been missing is opponents smoking themselves out and raising the volume of this fight so the public knows who is on their side."
The CFPB is a major bright spot in the Biden administration's record. They're doing all kind of innovative things, like making it easy for you to figure out which bank will give you the best deal and then letting you transfer your account and all its associated data, records and payments with a single click:
https://pluralistic.net/2023/10/21/let-my-dollars-go/#personal-financial-data-rights
And now, CFPB chair Rohit Chopra has given a speech laying out the agency's plan to outlaw data-brokers:
https://www.consumerfinance.gov/about-us/newsroom/prepared-remarks-of-cfpb-director-rohit-chopra-at-the-white-house-on-data-protection-and-national-security/
Yes, this is some good news! There is, in fact, good news in the world, bright spots amidst all the misery and terror. One of those bright spots? Labor.
Unions are back, baby. Not only do the vast majority of Americans favor unions, not only are new shops being unionized at rates not seen in generations, but also the largest unions are undergoing revolutions, with control being wrestled away from corrupt union bosses and given to the rank-and-file.
Many of us have heard about the high-profile victories to take back the UAW and Teamsters, but I hadn't heard about the internal struggles at the United Food and Commercial Workers, not until I read Hamilton Nolan's gripping account for In These Times:
https://inthesetimes.com/article/revolt-aisle-5-ufcw-grocery-workers-union
Nolan profiles Faye Guenther, president of UFCW Local 3000 and her successful and effective fight to bring a militant spirit back to the union, which represents a million grocery workers. Nolan describes the fight as "every bit as dramatic as any episode of Game of Thrones," and he's not wrong. This is an inspiring tale of working people taking power away from scumbag monopoly bosses and sellout fatcat leaders – and, in so doing, creating a institution that gets better wages, better working conditions, and a better economy, by helping to block giant grocery mergers like Kroger/Albertsons.
I like to end these linkdumps on an up note, so it feels weird to be closing out with an obituary, but I'd argue that any celebration of the long life and many accomplishments of my friend and mentor Anne Innis Dagg is an "up note."
I last wrote about Anne in 2020, on the release of a documentary about her work, "The Woman Who Loved Giraffes":
https://pluralistic.net/2020/02/19/pluralist-19-feb-2020/#annedagg
As you might have guessed from the title of that doc, Anne was a biologist. She was the first woman scientist to do field-work on giraffes, and that work was so brilliant and fascinating that it kicked off the modern field of giraffology, which remains a woman-dominated specialty thanks to her tireless mentoring and support for the scientists that followed her.
Anne was also the world's most fearsome slayer of junk-science "evolutionary psychology," in which "scientists" invent unfalsifiable just-so stories that prove that some odious human characteristic is actually "natural" because it can be found somewhere in the animal kingdom (i.e., "Darling, please, it's not my fault that I'm fucking my grad students, it's the bonobos!").
Anne wrote a classic – and sadly out of print – book about this that I absolutely adore, not least for having one of the best titles I've ever encountered: "Love of Shopping" Is Not a Gene:
https://memex.craphound.com/2009/11/04/love-of-shopping-is-not-a-gene-exposing-junk-science-and-ideology-in-darwinian-psychology/
Anne was my advisor at the University of Waterloo, an institution that denied her tenure for fifty years, despite a brilliant academic career that rivaled that of her storied father, Harold Innis ("the thinking person's Marshall McLuhan"). The fact that Waterloo never recognized Anne is doubly shameful when you consider that she was awarded the Order of Canada:
https://nationalpost.com/news/canada/queen-of-giraffes-among-new-order-of-canada-recipients-with-global-influence
Anne lived a brilliant live, struggling through adversity, never compromising on her principles, inspiring a vast number of students and colleagues. She lived to ninety one, and died earlier this month. Her ashes will be spread "on the breeding grounds of her beloved giraffes" in South Africa this summer:
https://obituaries.therecord.com/obituary/anne-innis-dagg-1089534658
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/04/13/goulash/#material-misstatement
Image: Valeva1010 https://commons.wikimedia.org/wiki/File:Hungarian_Goulash_Recipe.png
CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en
#pluralistic#linkdump#linkdumps#junk fees#fcc#ai#ai hype#labor#unions#hamilton nolan#history#cfpb#privacy#online harms#ai snake oil#anne dagg#anne innis dagg#obits#rip#mobile#net neutrality#5g
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Have you ever thought that maybe MP's success was partially because of children migrating from The Lion Guard? I can see a teenager being told that they're too old to watch Disney kids cartoons, finding MP and shielding themselves with the ableism, gore, etc... To feel more "mature" while still watching a lion cartoon.
It would be a bit depressing, honestly.
"Success" is a strong word because that would insinuate that it did what it was meant to do, as in be popular enough to warrant getting a season 2 picked up by a studio. It also would be successful with its intended audience which is adults. MP isn't nearly as popular as people think it is. Its views plummet after episode 1, my guess is because general audiences gave it a chance and then thought it was stupid and then stopped watching. And the only audience left was people who already liked Tribble from COTW or her warrior cats stuff. Is it more popular than it should be? I'd say so, considering I've seen more people calling male lions "manes" unironically on nature documentaries than I'm comfortable with. And most people who like TLK have never even heard of MP. And TLG is less likely as the majority of people who watched it were between 2-7 years old. But I can probably agree that the majority of people who started watching it, who weren't already fans of Tribble, watched it with the belief that it was going to be more mature than TLK. But it is a really immature show. - Cat
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It's also worth noting that Tribble literally tried to sell it as a 'more mature Lion King' so that does come across as trying to ride off TLK/TLG's coattails to me, anyway. It's also part of what set this show up for failure. Not only is The Lion King not what I'd call a childish movie (I mean, for fuck's sake: we see a legit dead body on-screen) but My Pride also comes across as very immature and actually censors a lot of its violence when it's not treating it as edgy content.
And I could also rant for days on the incredibly stupid and patronising "trigger warnings" that treats its audience like they're toddlers. The fact that this isn't how you do trigger warnings aside, it's almost like Tribble was aware kids would sneak a look at this "adult" show and couldn't help but poke fun at it.
So, the demographic for this show is just all up in the air and I think that's another issue to consider here. I feel Tribble certainly wanted to appeal to more adult fans but she also didn't want to completely alienate her minor audience because she got big off a minor-driven fandom (Warrior Cats). Decisions, decisions...
But like Cat said, MP fans have this weird perception that this show was a smash hit based on its views alone and there's a lot of nuance that goes into YT view counts, such as rewatches being counted as new views and so on.
Not to mention certain things occurred that also affected the overall viewership of the entire series too. Things like Tribble being called out around the time Episode 4 came out and people just opting not to watch any further when homophobia was revealed to be a thing in Episode 7. - RJ
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Fic prompt - Scully goes on a date with the Perfect guy. Mulder is angry, decides to go to a bar to find a one night stand. He just gets drunk and TLG bring him home where... He finds Scully sleeping on his bed
I started this forever ago, but could never really get it to flow and didn’t know how to end it. Reading through it now… it’s a little uneven, has not so much as whispered in a beta’s ear, but I kind of like where I left off and… I have so many unfinished works sitting in docs I’m letting this one fly free. Thanks for the prompt so long ago, Anon.
Dale. The guy’s fucking name was Dale. Who named their kid Dale, anyway? Perfect smile, perfect teeth, perfectly coiffed hair, polite, a doctor, and so damned charming that even Mulder had trouble not liking him.
He had a sailboat. He was taking Scully out on it. He was somehow more Vineyard than Mulder himself – a guy from fucking Chilmark. And Scully was eating it up. She was excited about the date, had been talking about it all day, ad nauseum. Well, he was pretty sure she had. He’d had to tune her out for his own mental well-being.
You’d drink, too, he’d said, maybe out loud, and it took him a moment to register the warm hand that clapped his back, the presence next to his barstool.
“I know, buddy,” Frohike said, eyebrows like caterpillars crawling across his brow, his hand squeezing Mulder’s shoulder.
“Frohike?” Mulder asked, surprised as all hell to see his friend standing there.
“Thanks, Nadine,” Frohike said to the barmaid, who handed over Mulder’s cell phone and credit card, both of which Frohike slipped into Mulder’s sport coat pocket. “Let’s get you home.”
Mulder stood woozily, and the older man had to occasionally correct his trajectory as he stumbled past the billiard tables that Casey had pulled three booths to squeeze into the back room of the bar.
The Vanagon was idling out front, Byers behind the wheel. Langly was riding shotgun, rubbernecking out the window and snapping a tight knot of green gum. The valet looked pissed and said something to Frohike that Mulder couldn’t make out as the little hacker tried to maneuver the much taller man through the open door.
“Keep your pants on, key jockey!” Frohike clapped back as he slid the big door closed. Mulder slumped against the window, miserable, sliding down the vinyl seat as Byers pulled away from the curb.
“What happened?” Langly asked, turning around and peering at Mulder through smudged glasses.
“Scully’s on a date,” Frohike said carefully. Byers’ eyes flicked to Mulder’s in the rearview, but he said nothing.
Langly nodded knowingly. “She been dickmatized? Is this dude some kind of punk?”
“No,” Mulder burped, righting himself in the seat as the contents of his stomach sloshed. “He’s actually a really nice guy.” He directed his comment to Langly’s second question, adamantly refusing to acknowledge his first.
“Let’s just get Mulder back to headquarters,” Frohike said, glaring at Langly. “Let him sleep it off.”
Mulder grabbed onto the side of the van as his head began to spin, and the thought of sleeping on the guys’ lumpy couch surrounded by the close-quarters smell of hot circuitry and day-old nachos triggered a violent urge to propel the contents of his stomach out the window beside him. He took a deep breath and steeled himself.
“No!” he burped again. “Take me home please.”
When Byers’ took the exit for Old Town, Mulder unclenched, and that’s when the urge to puke turned into a biological inevitability.
The look on his face must have conveyed some real urgency, because the next thing he knew, the van had swung over to a curb and Frohike already had the door open. He fell to his knees on the floor of the Volkswagen and hurled an arc of vomit onto the sidewalk outside the van.
“Whoa,” he heard Langly’s nasally voice pipe up when his coughing and gagging had died down considerably. “That’s some serious upchucking. I think he shot it past the fire hydrant.”
He spit once and then looked down in his hand to see a wad of Burger King napkins that Frohike had pressed into it. He mopped his face as the other man slid the sliding door closed and Byers merged back into traffic.
Mulder settled himself gingerly back onto the big bench seat.
“I feel a lot better,” he said pathetically, the sweat on his forehead cooling.
“Well you smell a lot worse,” Frohike replied, scrunching his nose in distaste.
“Bet Dale can’t hit the fire hydrant,” Mulder said.
“Dale can probably hold his liquor,” Frohike grumbled, and the puke-induced euphoria he felt withered, replaced by a humble misery. He wondered where Scully was now, if Dale had let her take the helm. He wondered how big the boat was, if it had a sleeping berth. If Dale and Scully had ever used it.
“You’d drink too, if-” Mulder started, but his words died on his tongue as it came to him what he was about to say. Out loud. To the guys.
The cab of the vehicle took on an embarrassed silence and after a long moment he looked up to find Langly reaching a hand back to him, a foil-wrapped stick of gum on offer along with a look of knowing sympathy.
Mulder took the gum with a nod of thanks and stuck the sheet of spearmint in his mouth, chasing out the taste of bile and sick and rampant jealousy.
When Byers pulled the van in front of Hegal Place, Mulder had trouble meeting anyone’s eye. Frohike was on the sidewalk waiting for him when he tipped himself out of the back of the van, sobriety duking it out with whatever liquor still swam through his bloodstream.
Frohike looked up at him with a kind and steady hand on his arm. “You want me to walk you up?” he asked.
Mulder felt around his pockets for his keys, locating them after a quick search. “No,” he said. “I got it from here.”
Frohike nodded and patted him one more time. “Put a trash can next to your bed, huh? Drink some water.”
Mulder thanked him and turned on his heel, missing the look the three guys gave each other before watching him ascend the stairs and fumble his way through the front door of his building. Eschewing the elevator and up the stairs because moving was better than standing still, down the hallway – where he’d thought he’d told her he loved her in as many words as he could, and still she went out with Dale – and through his front door. He had it bad, he realized, as he stepped through his door and into his apartment. He had it so bad that he thought he could smell a trace of her perfume – the expensive stuff she kept in her sock drawer – when he walked through the door of his own apartment. Christ.
He toed off his shoes and made immediately for the shower, catching the alleyway stench of whatever vomit hadn’t made it all the way to the sidewalk. Standing under the hot spray, he rethought some of his more recent choices.
If he were honest with himself, he’d gone to the bar tonight to pick up a woman and take her home. It had felt like a wild, righteous idea at the time, made on an indignant huff just as Scully was waving goodbye and Dale put his hand on her back to lead her through the double doors of the Hoover building. A decision made with jealousy boiling through his veins, but abandoned when he sat down at the bar and pictured another woman with her head thrown back on his sheets. Anonymous sex didn’t hold the appeal it once had for whatever reason, and he’d ordered a drink instead. And then a second, and a third and on down the line.
What would he say to Scully if she were here now, he wondered, toweling himself off. What do you see in him? That was obvious. He bent over and drank water directly from the faucet, slurping until the headache he felt coming on was assuaged. He looked at himself in the mirror. Why him and not me? He thought, and sighed, padding naked into his bedroom – not bothering to turn on the light – and sliding on a pair of pajama pants he pulled from a drawer.
He lowered himself into the bed, dejected, tired, still a little woozy, when a sound – a quick inhale of breath – sent him shooting back up to standing, heart pounding, instantly sober.
“Mulder?” came a groggy voice from the other side of his bed, and it took him a moment to reconcile his partner’s voice and its place in his dark bedroom.
“Scully?” he said, his voice sounding two octaves too high. “Jesus.”
He reached over and switched on a bedside lamp.
“I’m sorry,” she said breathily, blinking rapidly. She scooted up on the mattress and back into the pillows. Her hair was mussed and she wore a shell-shocked look. “What time is it?”
Mulder was still so surprised to see her that he couldn't put together a coherent answer. “I-what are you doing here?”
Scully looked over at him, took in his pajamas and his bare chest, his still-damp hair, and a look of profound embarrassment washed over her face.
“I’m sorry,” she said again. “I was waiting for you and then-”
Maybe Mulder wasn’t entirely sober yet, because his brain still felt absolutely befuddled. “Where’s Dale?” he asked, sounding rather like a simpleton, like he expected Dr. Dale to come sauntering into his bedroom at any moment, wearing one of Mulder’s robes, handing over a cold martini to Scully and saying ‘great bedroom for a shag, thanks for letting us use it.’
“Out on his boat, I imagine,” she said, not meeting his eye.
“But why are you not… on his boat?” Mulder lowered himself back onto the mattress, perching on the edge. “Wait, did he try something? Are you okay?” He leapt back up to standing.
“It's fine, Mulder, he didn’t do anything. I…got seasick,” she said, finally turning to look at him, a dubious, slightly jokey look on her face.
“But you don’t get seasick.” He was still standing.
She gave him a look like he was being deliberately obtuse. It started to occur to him that she was here on purpose, not because something calamitous had happened.
“But you were excited about it,” he said, lowering himself once again back to the bed. “You kept talking about it.”
“Mulder…”
“Scully?”
She thunked her head back against the headboard.
“Maybe I was hoping you’d talk me out of it.”
“You we’re hoping I’d-“ his heart soared momentarily, a bird taking flight. And then it fell out of the sky.
“Where have you been?” Scully asked, head tilted to look at him, her brow creasing, eyes narrowed.
“I was… at a bar.”
“Oh.” Her cheeks turned scarlet in the warm yellow light of the lamp and a look came over her face like a dawning realization. “Were you… there for someone?”
His life flashed before his eyes. Scully could tell when he lied to her, and he had gone to the bar with the intention of picking up a woman.
When he didn’t answer, Scully’s eyes widened and she stood suddenly. “I have made,” she said, looking around as if for a purse or a set of keys, “an appalling miscalculation.”
Mulder wasn’t sure if she was talking to him or herself, but suddenly she was on the move, darting through his bedroom door in a rapid exodus.
“Scully wait!” he called out, following her, just hoping to catch her before she got to the door. He felt like if she went through it, there was a real chance he might never see her again. Dana Scully didn’t do embarrassment well.
But he almost stumbled into her when he reached the hallway. She had pulled up short next to his billiard ball coat rack, her nose scrunched up in a look of minor revulsion. He had left his discarded clothes and shoes in a rumpled trail from the door to his bathroom, and the fumes coming off of them were sour and unpleasant.
“Mulder, it smells like vomit.”
He doubted she could see his chagrined expression, backlit as he was by the light spilling from his bedroom, but he shrugged.
“I… may have tied one on,” he admitted.
“You went out drinking?” Her face looked like she was working on a very hard math problem. “Alone?”
“Well, the Gunmen came and got me.” While he was sure she was glad he hadn’t driven drunk, he knew that’s not what she was getting at. “I was upset,” he finally admitted.
“Upset?”
He took a hesitant step toward her, watched her eyes slowly climb up to his face the closer he got to her.
“Jealous.”
Her gaze was moving rapidly back and forth between his two eyes. “Jealous?” Her voice barely above a whisper. His stomach did a loop, like a swallow over a corn field.
“You wanted me to talk you out of your date?” She smiled and sighed, looked down and away from him. “What’s wrong with Dale?”
Her gaze climbed back up, lingering a little, he thought, on his bare chest.
“Nothing’s wrong with Dale. That’s the problem.”
Mulder reached out a hand, wanted run it through her hair, but grazed her shoulder instead.
“You looking for a fixer upper? I know at least five different-“
“Mulder,” she said, exasperated. “Shut the fuck up.”
He did so immediately.
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so i'm reading a TLG croc fic and
yet another fic where kiburi shows at least a slither of care for his float! :) i love that this is a common theme in nearly all of the small amount of fics he's in
"Wow Kiburi, I didn't think you were this soft or sentimental" "Tell anyone what I just said and I will be sure to kill you myself." THE CHARACTERISATION IS SPOT ONNNN
the fic is here if anyone's interested, let me know if the link doesn't work! i honestly had no idea there were kiburi fics outside of ao3 but i am gathering ALL THE CRUMBS!! i'm only 13/40 chapters in but OOOO it is good :)
#i love kiburi's float so much#they are actually my everything#i wouldn't usually read oc fics but this one is makuu and kiburi povs so i'm not saying no to that#like i said i'm scraping all the crumbs off the tiny plate i have with kiburi content#and tamka & nduli :)#fanfic#wattpad#<- regrettably using but whatever 😭#the lion guard#tlg#tlg crocs#tlg crocodiles#lion guard kiburi#kiburi#tamka#nduli#kiburi's float
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Imagine Chungu, Cheezi, Goigoi, Tamka, and Nduli singing “Loser Baby” after the zebra mastermind episode except it’s about them being idiots
And the title could be “Furbrain Buddy” hfgfhfhf
Bonus if towards the end of the song, Janja, Reirei, and Kiburi walk in on them like “Are you guys fucking singing?”
#LMAO I ALREADY HAVE SOME OF THE LYRICS JFHDHDHDH#but that’s for another post mwehehehe#outlander idiot appreciation post coming soon#tlg outlanders#the lion guard#not gonna tag it has hazbin hotel cuz i’m only using the song the content is more tlg based
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Why do you think Mulder was cutting up articles and pinning them on his wall in IWTB? Do you think he was solving the cases in his head? Was it just some strange hobby? Was he occupying his bored mind? Or something else?
Great Question! I think they serve a few purposes depending on the article. In IWTB Mulder is clearly restless but he’s made a conscious choice to stay in hiding in order to have a life with Scully. As well meaning as this choice was, I think it inadvertently threw Scully off balance and you see her struggle with her faith and her fear of losing Mulder to the void again.
The articles that allude to oddities or paranormal are clipped because Mulder wants to believe that there is more to life than what is known. In Quagmire when Scully surmises that Mulder is disappointed, despite solving the case, because he wanted Big Blue to be real he replies, “I guess I see hope in such a possibility.” In the Revival it’s a character point that Mulder had stopped clipping articles as he’d given up hope, until meeting Guy the Ware-Lizard. Scully likes her Mulder bat crap crazy, and so do I (btw one of my all time favorite eps). Then there are articles which serve as reminders of what’s been lost and his failures. Clipping out the article on the case in IWTB was Mulder’s way of honoring Agent Whitney and all the others who he couldn’t save. He knows from experience that the world will move on and forget these people so he keeps physical reminders so that at least one person remembers. This is so beautiful and tragic, a young man having to grow up and watch the world move on as if his sister never existed, but his love for her will never let him forget her. So in the series you see the clippings contain the cases where other lives have been lost and in his way he honors the family and the victims by remembering too; hanging their articles near his picture of Samantha.
When Scully walks into the office in IWTB, Mulder is cutting out an article on the closure of a famous ESP study. I believe these are the kind of articles he pins up because he would have loved to discuss them with TLG, but with them deceased he clips the article and tries to imagine what each of them would say. That’s why it almost sounds like he’s mid conversation when Scully comes in and gives him crap for not locking the door. He’s been having this discussion in his head with what the Gunmen would say and in walks Scully so he quickly loops her in.
Current Mulder has adapted to modern technology and now takes screenshots on his phone of articles he finds interesting or wants to show Scully. I like to believe this reflects the more content phase of his life with Scully and their kiddos.
#Ask#the x files#txf#msr#fox mulder#txf meta#x files#answered asks#this was a great question sorry it turned into an essay lol
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Favorite songs from each Lion Guard season so far? :D
this ask made me go through tlg’s fandom wiki list of songs from the entire show and I remember like. half of these. anyway to answer your question..
starting with the long-ish episodes since the fandom wiki listed them seperately.
return of the roar (pilot) — tonight we strike. I remember beginning my rewatch of tlg and I sort of forgot the songs but when I heard this I was like yo this is so good?? /pos.
the rise of scar — fujo and the path of honour.
battle for the pridelands — quite obviously a new way to go :)
season 1 — jackal style, baboons!, and lions over all. jackal style is such a good song dude they had no right going that hard on it but boy am I glad they did haha. baboons is a song I’ve always loved, and tbh I generally like fuli’s songs. diamond white’s got a nice voice, what can I say? lions over all is generally very interesting to me and was my favourite song when watching the show as a kid.
season 2 — may there be peace, fabulous dhahabu, I’m gonna run this dump, and height and sight. may there be peace is such a soothing song and very much applies to today’s world, I feel. fabulous dhahabu is an amazing song and I listened to it for maybe two-three days straight after watching that episode lol. I’m gonna run this dump not only gives us content of the outlanders but is also otherwise a banger, as all outlander songs tend to be haha. height and sight has to be one of my top tlg songs from all the seasons; it’s such a beautiful melody and the harmonisation between ono and anga is so soothing to hear.
season 3 (from what all I’ve watched so far) — ghost of the mountain, as you move forward, friends to the end, who is better than who? and poa the destroyer. general bops for the most of them. as you move forward especially resonated with me, and also fikiri’s va/heather headley has a beautiful voice. friends to the end and who is better than who is also really fun to sing!
thanks for the ask!! really enjoyed answering this one, and hope you don’t mind the rambles haha, can’t help myself sometimes.
#ngl now i’m curious as to everybody else’s favourite#feel free to share yours too if you’d like galaxy! (if its alright to call you that) /np#asks#the lion guard#music and songs
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