#tldr I LOVE HIM!!!!!!!!!!!!!!!!!!!!!!!! >:///)))

[diavolaangelica]

This is what happens when you elect corruption. You fell for his bullshit and now you are in the hot pot with the rest of us. If you think this targeting of all illegals for deportation is not going to have real economic consequences, think again. America's dirty little secret of their love affair for cheap non retaliatory labor that they don't have to pay properly or give benefits to is what is costing Americans jobs... not the illegal. It's greed. Do you know the other acronym for "FEMA" when disaster hits? "Find Every Mexican Available." Who do you think rebuilds this country when disaster hits? Who do you think has had a long history of sending their military here to help too? Any guesses? Mexico! If you want to start blaming the Mexicans for everything wrong in this country then you need to take a long look in the mirror and ask yourself if you aren't part of the problem too, because you blindly believe everything bad you've heard from those abhorrent politicians who have only one mission today... distract you from the ugly shit they are actually doing to this country. The opioid crisis didn't start in Mexico, it started right here in the united states with big pharma pushing their highly addictive drugs on people. Doctors were paid to prescribe Oxycontin, so they were handing it out like candy. People really need to start aiming their ire toward the greedy bastards that have no real interest in the American people or how we get by, because all they want is to line their pockets any way they can. I know many of you think you want all the illegals out, but I wonder, if you hate them so much, why do you love their food so much and why the fuck do you celebrate Cinco de Mayo? When I was in college, I was working in grocery store deli. It was a big chain back then. I don't remember who was in office at the time, but I remember local news casters warning people to stay away from places where large groups of people congregated like the mall, shopping areas, and farmers market, because immigration was out picking people up. I remember going to work one day and they had a big ass light navy green and white immigration bus that looked like a prison bus parked in the parking lot to try and snatch people up. The raids didn't last very long and in that month, the grocery store took a big hit due to lack of customers, overtime paid to people who came to work to fill the void for employees who were not coming to work out of fear they would be arrested even though they were legal, and loss of product that couldn't be sold before expiration. The shit Trump is doing right now has real economic consequences, you may ]not see it right now, but you will... we all will, and it's not going to be good. He's already started off on the wrong foot, and of course he is incapable of the slightest empathy for the victim's family members of the plane crash, instead he would like to blame Obama and Biden... someone needs to remind him the HE is the one at the helm it is his responsibility and his duty to take accountability. Or should we be asking the neo-nazi shadow president Elon Musk to take accountability? Other people are writing his executive orders and he's just signing them. He is absolutely clueless of half the shit he is agreeing to right now, because he doesn't read shit and he doesn't want to hear shit, he'd rather be golfing... but let's just keep pumping out those meme coin scams.. for those who have lost all on his coin keep this in mind, 80% of the money made off that coin went directly to him... that is almost unheard of in the crypto scam scene. Usually it's lower because it's spread out between many people... but I digress... tldr we are fucked!

The First Felon could never be hired. DEI standards laugh at reject hacks like Trump.

[thedaythatwas]

on nagito komaeda and love

I just think it’s sort of funny that for a character whose (arguably) most well-recognized CG is this: 

komaeda’s narrative so heavily centers love. and I don’t just say this because I’ve had komahina brainrot for years (though this is true!!). even if you don’t care about komahina, it’s tough to deny komaeda is a walking tragedy in large part because of the role that love plays in his life. his characterization is driven by the way his luck has denied him love, and how he seeks it out regardless. in that sense, I think that without understanding komahina as at least one-sided, you miss out on one of the juiciest, most miserable pieces of komaeda’s character development.

tldr; a love-centered reading of komaeda makes sense, recognizing komahina as “a thing” in DR2 (whether you ship it or not) is pretty important to understanding how komaeda operates, and I’ll try to prove it right here under this page break!!

Part 1: Komaeda’s Love Life (or, his life without love)

I think it’s safe to assume that if you clicked here, you know about komaeda’s absurdly miserable, tumultuous childhood, but I’ll do a quick recap just in case! meteor kills his parents on a plane, he inherits a ton of money. he’s kidnapped by a serial killer, he finds a winning lottery ticket in the garbage bag he’s thrown out in. he’s diagnosed with terminal cancer and dementia, he gets into hope’s peak.

in his free time events, komaeda *explicitly* frames his luck cycle as something that takes away the people he loves. it only “takes action” against him after his relatives have died (for the sake of this essay, let’s assume that komaeda loved his parents, or would have at least been hurt by their passing). by way of other close connections… well, his wording here implies that by the time of his diagnosis, he didn’t really have anybody in his life. 

either komaeda didn’t allow himself to get close to anyone after the meteor incident, or he did, and they were taken away by his luck. at some point during his childhood, komaeda learned he should view himself as a death sentence.

so, how does this loss of love shape the komaeda we know? I’ll talk about this in terms of four of his defining (and connected!) traits in DR2 canon – the ones that really make his actions make sense: his self-loathing, his hope-seeking, his learned helplessness, and his certainty that his existence poses a threat to those around him. komaeda’s experience with loss makes him view himself as a source of death, which in turn fuels these tenets of his character. ultimately, his loss and the complexes that arise from it give him good incentive to push people away.

his self-loathing

komaeda hates himself. he views himself as worthless outside of his potential to serve as a “stepping stone” for the hope of the ultimates. he claims that this is driven by his beliefs around talent, which are in turn linked to the way his worldview rests on viewing hope as “absolute good.” the talentless (himself included) are only good for advancing the hope of the talented. still, his self-loathing is a bit more personal than that. take what he says and dig just below the surface, and it’s a clean cut trauma response all the way down. which leads us directly to…

his hope-seeking

komaeda is willing to do literally anything to serve hope. on the island, this (in short) means dying. this is where I prod at komaeda’s reasoning a bit more: komaeda’s willingness to act the way he does in canon also stems from his belief that his dying would be a net good for the world. his existence kills the people around him. his illness will kill him anyway. he has less than no value, and hope is invaluable. to go out for the sake of hope would give his wretched life purpose; it’s his dream come true.

and it’s no mystery why komaeda cares so much about hope: again, it’s a coping mechanism! komaeda’s belief that all bad luck is a necessary precursor for good luck and that hope will always triumph over despair is (as he himself says!) the only reason he’s managed to stay alive. I’ll say it again because I really can’t emphasize it enough – komaeda thinks that just by existing, he kills the people he loves. ouch!

learned helplessness / his existence as a threat

komaeda has, essentially, learned to submit to his luck cycle. all bad luck is good luck in the end – isn’t that amazing?! almost paradoxically, he’s hyper-vigilant about the negative impact his luck has on those around him. this is a tricky one. I make sense of it this way: komaeda’s perception of how much his luck impacts the people close to him isn’t inflated, like, at all. the supernatural way the world bends around komaeda to screw him over really does pose a danger to himself and others, and he takes measures to minimize that danger. his stated acceptance of his luck cycle is… well, again, he’s coping. 

if komaeda really thought that all bad luck is ultimately good luck, he wouldn’t try to protect his classmates from his bad luck. but, as we see in island mode, he does!

but really, who could blame komaeda for lying to himself? I’ll restate the facts. komaeda thinks that luck is absolute power. he says that he’s powerless against it. his luck has taken his family, and it’s left him with nothing but money that he doesn’t want. he’s certain he’s a curse, and there’s no end to that in sight: so long as komaeda exists, he’ll keep on losing – murdering – everything he loves. 

in the face of all of that despair, what can you do but abandon your self-esteem and pray for something good to come out of all of it? how else could somebody possibly survive carrying that burden, truly believing that load will never be lightened?

tldr; komaeda thinks his existence is a threat, and a big chunk of his personality is a frankensteined way of surviving the pain that comes with that. still, we should question how much of his worldview komaeda has really internalized without inner conflict. 

Part 2: Enter Hajime Hinata

we get some answers on that front when we see that despite the clear and obvious danger it poses, nagito komaeda still finds himself falling hard for hajime hinata. that’s really, really loud.

I’ll preface this part by saying that you don’t need to actively ship komahina to understand what I’m trying to get at here. this said, I’ll be recapping an argument you’ve almost definitely seen before: komahina is definitely “a thing” – at the very least as a one-sided thing. to this, I’ll add the (perhaps bold?) claim that without recognizing that much as true, you’re missing out on a big part of what makes komaeda so interesting.

komaeda’s FTEs make it abundantly clear that komaeda has feelings for hinata. apart from his famed failed love confession, the fact that komaeda is willing to allow hinata to get close enough to learn about his views on hope and luck is telling. 

(the smoking gun here hinges on trusting that komaeda was telling the truth during the time you spent with him; in so many words, that he only lied about lying. so, for the sake of argument, let’s assume this is true! there’s good proof for it, anyway.)

if you read his final FTE as komaeda flashing his soul to hinata and making a decision at the very last second to retreat, turning to old coping mechanisms to protect hinata from his luck, it’s sort of a komahina bombshell. that capitulation spells out for us that komaeda understands sharing his life experiences with hinata to be one of the most intimate things he could possibly do.

he recognizes the exact moment he lets hinata get too close – when his life story is finally told – and he does what he’s learned he needs to do to get them both out of that situation safely: he tries to make hinata hate him, and tells himself (and hinata!) that he did it for the sake of hope.

(and yet, komaeda let hinata approach him every FTE, knowing damn well that they were both playing with fire… very interesting.)

now, let’s say you don’t consider the FTEs to be integral to canon. I mean, you can really easily miss out on all of komaeda’s content if you choose not to hang out with him in chapter 1! so, for the skeptic, in the unskippable main story, komaeda tells hinata this:

komaeda cares about hinata despite everything. and I really, truly mean despite everything. at this point in the story, the fact that he still cares about hinata calls into question basically every single one of his core beliefs. he’s read his final dead room prize – not only does hinata not have a talent, we can presume that komaeda also knows hinata became ultimate despair along with the rest of them. 

hinata has continually sought out komaeda’s company, even though komaeda knows himself to be worthless at best, lethal at worst. komaeda was willing to let him get closer, even though he knows how dangerous that is for hinata. he can’t help but let hinata try to know him. 

isn’t he awful? to want what he knows he can’t have, even though that wanting has never done anything but cause pain? he’s really the lowest of the low, to love someone who destroyed the world, who makes him question the views that will allow him to do the only good thing he’s ever been able to do for it: to die for hope. 

and yet, it’s a nod to how incredibly capable of love komaeda is that he’s still willing to reach out for it, no matter how many times it’s burned him in the past, and how much it hurts him in the present to want it. he understands more than anyone that his feelings can only result in disaster. reading komaeda as someone who can’t help but go on loving anyway makes his story hurt so much worse. 

but, you miss a whole lot of that without an eye for komahina. seeing hinata as the eye of komaeda’s emotional hurricane (and keeping tabs on their connection accordingly) allows us to glimpse past the cracks in komaeda’s front. we see that komaeda’s worldview is less stable than he presents it as – hinata is where komaeda’s coping mechanisms, for better or worse, run up against a wall. that tends to be uncomfortable for a guy who’s just barely coping in the first place. then again, growth is supposed to be uncomfortable, isn’t it?

Part 3: The Future He Chooses

so, all of this considered, I think one of the most interesting ways you can flesh komaeda out post-canon is by asking how he’d find himself willing to accept love. whether that love is from hinata or the ultimates, whether it’s platonic or romantic, love is the thing that komaeda wants AND fears in equal measure more than anything. it’s the source of his self-loathing and his obsession with hope. it’s the reason he’s lived the way that he has for so long – lonely, and afraid of being anything but.

getting into a relationship wouldn’t solve komaeda’s problems for him, and that’s a good thing. it would force him to confront old ones, and probably create dozens of new issues for him, too. writing him through that makes for great character study!

hinata (or anyone else, for that matter) can’t love komaeda into loving himself, but he can give him a shoulder to cry on while he works through 22 years of fear and sorts through the wreckage of a worldview that’s long since stopped serving him. I don’t think his progress would be linear. but, I think that he could do it. komaeda learning to accept care is what his healing looks like. 

(well. and physically recovering from cancer and dementia. but that’s neither here nor there!)

a post-canon komaeda learning to love narrative is also in line with the themes of DR2. hinata leads the survivors out of the neo world program because he makes the decision to choose his own future, creating a new version of “hope” for himself and his classmates. likewise, komaeda can make the decision to save himself. that is, if he trusts himself enough to actually touch and hold the thing that he’s never been able to stop reaching out for, anyway.

after all, hinata is lucky too. (and if it turns out he isn’t… y'all like angst fics, right?)

(shoutout to @cynopter for looking this over and confirming that I'm not spouting nonsense <33 thank you for reading my thesis of the week <33)

[frownyalfred]

Walk with me, I have a thought.

Women, when pregnant, sometimes get accelerated hair growth. It grows thicker, longer, etc and not just on their head.

Male omegas that are pregnant - do they grow thicker beards or are finally able to grow beards or does it fall out with the (assumed) rush of estrogen?

I usually write it as their beard falls out but like then I thought on the factoid I started this ask with and that one trans dude that was pregnant some years ago had a full beard If I recall correctly.

Tldr: will Bruce have a full beard when the twins are born, be clean shaven or still be scruffy like he was in BvS?

(dunno where this thought came from but it's here 🤷)

(also congrats on getting The Ninth Wave out. Writing is hard 😂😭)

Thank you so much! Hopefully getting another chapter out today. As for Bruce’s facial hair in that fic, I’ve been writing him as keeping it. I don’t personally love the trope of male omegas becoming more feminine during pregnancy, esp since I wrote this world as single sex a/b/o. That’s also why Bruce was still scruffy etc when he was heavily suppressed.

What will it look like when the twins are born? Folks will just have to wait and see 😈

[voxslays]

SQUID GAMES MEN’S HOBBIES

TLDR: What the squid games men would do with you for fun… A/N: I got bored so I binged all of season one in a day yesterday (I have a problem. I’m too obsessed with this show).

HWANG IN-HO

❀ Coming up with ideas for the next games (and playing them). Don’t get me wrong, In-ho is a brilliant man—but sometimes even he gets stumped on new ideas for the games. But with you by his side, it all seems to come to him so much easier.

❀ Your imagination seems infinite, seeing as you come up with so many good ideas (glass bridge, mingle, etc). And when you’re done? You play them together with the guards just for funsies. You truly know how to make In-ho feel like a kid again.

THE SALESMAN (GONG YOO)

❀ Ddakji. Must I say more? This guy loves Ddakji so much it’s basically his job—well, that and recruiting people with money struggles or debt into a death game! But you don’t know that part yet.

❀ Although Gong-Yoo usually wins, it’s always fun to see your cute little faces when you’re focusing, or when you mess up. Unlike the slaps he usually gives to his elders (or anyone for that matter), when you mess up, all you have to do is give him a little kiss.

THANOS (CHOI SU-BONG)

❀ Thanos loves writing his raps with you. It takes him quite a while to write his songs—but with you it goes ten times faster. In Su-bong’s mind, you are his muse, and he usually sits in his studio, at his desk, with you on his lap.

❀ Thanos is usually the one to write the first lines, while you come up with the rhymes. According to Thanos, you are the smartest person he knows, so who better to help him with his rhyming? That, and he just loves any excuse for you to be on his lap (and cockwarm him).

KANG DAE-HO

❀ Cooking. Growing up with four older sisters, he learned a lot of ‘girly’ things (as his father would say) from them. From cooking to sewing, he can do it all! So really, it’s no surprise that every night he has off, he wants to help you cook.

❀ Dae-ho is also very helpful in the kitchen. If you’re stirring, he’s mixing. If you’re cutting, he’s mashing. With his help, you can get a meal with an hour preparation down to around a half hour. This man is crazy skilled, and not afraid to deviate from the recipe a bit.

[musclesandhammering]

Oh I agree with this hard. But I feel like there’s a certain component to this whole fuckery that you touched on, that rarely gets talked about, which is: Dean and his stans are the problem.

It’s always kinda hard to find anti destiel folks who address this because antis are generally wincest shippers or brotherly salmondean fans, meaning Dean is one of their favs too and they almost always see cas as the sole problem. But if you look around at the most deranged and vehement and out of touch destiel meta, it’s almost always by deangirls.

And it always goes the same: Dean is their misunderstood mistreated eldest-daughter-coded bisexual little softhearted nerd bottom who wants to suck the dick of every male character he meets and is so distraught every time ‘his angel’ is gone that he goes into an inconsolable depression. And Sam only exists to be he and Cas’s relationship therapist. Seriously. Like.. they genuinely believe that.

Nevermind the fact that, in the actual show, dean has repeatedly chosen Sam over everything- including cas- to an unhealthy degree. He’s not female coded in any way whatsoever (that would be Sam), he’s not queer coded at all (the would also be Sam), and in fact he’s generally framed as the foil to Sam’s feminine coding- the domineering, closed minded, abrasive asshole who mirrors their shitty dad far more than anything else. He also doesn’t really give a shit about cas. Like the times cas has been killed, Sam has been more upset about it than dean, and the times where cas exited due to some morally tricky situation going on between them, dean instantly detaches from him with little to no difficulty. Even when they’re together, he doesn’t seem fond of him, ever. He’s mildly annoyed at best and outright hostile at worst. Sam is the one who finds cas amusing and is always patient and forgiving with him.

In fact, I could go on and on about how Dean has constantly treated both Sam and Cas like shit at pretty much every turn. But with Sam, it comes from a place of personal dysfunction and codependency issues- Dean doesn’t know how to express concern without anger, doesn’t know how to be protective without being controlling, doesn’t know how to guide Sam without also denouncing him, doesn’t know how to love a family member without projecting John’s “love” for him. Whereas with cas, Dean genuinely seems to just not trust or like him about 80% of the time.

But the problem is his fans can’t acknowledge that their fav is legitimately bad in those ways (because lord forbid you enjoy a problematic character), so they find excuses for some aspects of him (he just uses anger to hide how sensitive he is, it’s not his fault!!) and do mental gymnastics to twist other aspects into something completely different (he’s always annoyed at cas bc he’s frustrated about having to hide his feelings!!) and just outright brush other aspects off as ‘bad writing’ and ignore them (racist porn, jailbait kink, and misogyny anyone?). And what they’re left with- the absolute bare skin and bones of his character- is a guy who maybe kinda sorta could be attracted to his angel buddy 🤷‍♀️.

TLDR- Dean’s a pos and his fans can’t accept that, so they hallucinate him into a different character- one who doesn’t put his brother above everything to an unhealthy degree and is a little bit in love with cas.

in re: “cas knows dean better than sam”

“cas sees dean as a whole person and sam just sees dean’s façade as his big brother slash parent” but like how and where. outside of your fanfiction. season and episode. scene and line. if it’s so obvious and apparent you should have at least 3-5 concrete examples right? “sam doesn’t know dean carried him out of the burning house” yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heaven’s bidding? like if you’re going to say “cas knows dean better than sam” than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesn’t measure up are so warped, blinkered, and moronic that it wouldn’t even be worth much if you could provide the textual evidence, but at least you’d have a semblance of a point. like say anything without going “as an eldest daughter…” “well my relationship with my sibling isn’t…” please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. I’m literally begging you.

like the thing of it all is and always has been that you’re so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you don’t even miss the forest for the trees, you miss the trees for like, the pretend invisible things you’re seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it – and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. it’s also profoundly unhealthy, codependent, evil and toxic etc. (a lot more dean’s fault than sam’s but I will nawt be getting into all that right now) but that doesn’t change the fact that sam and dean both know and understand and feel deeply that they are each other’s person – that they know the best and love the most in the world. but that – which IS true canon fact – is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.

anyway i digress there are two main categories of Bad Thinking that i will be addressing below

childhood/ “parent/child” / blah blah blah

every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of ‘analysis’ I just described. a few things:

“wah sam didn’t know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to him” – what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I don’t have time for right now. but also, it’s clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does – which is true, demonstrably whenever they talk about it.

obviously there are some things that happened to dean in their childhood that sam doesn’t know about (or didn’t know about, until told in whatever episode they come up in). equally, there are things dean doesn’t know about sam’s childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didn’t remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of sam’s relationship with amy pond (7.03). these don’t mean that ‘sam withheld these things to protect dean out of parental love’ lol, it’s just that there are details and events in each of their lives that the other happens to not have been told about.

similarly “sam didn’t even know dean wanted to be a firefighter L” girl did dean know sam wanted to be a lawyer? in 1.01 he’s pretty surprised that sam has a law school interview. the point here isn’t “neither sam nor dean know each other well,” these are minutiae that aren’t relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.

or possibly the dumbest one is that “wah sam doesn’t even know that dean reads books L” whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down  

one of the extra annoying variants of this type of ‘proof’ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if you’re actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until it’s unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isn’t, at all) it’s abundantly clear. the top two worst offenders:

“sam didn’t even know that dean is good with kids :( he doesn’t even realize that dean raised him :(” first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress – this doesn’t make any sense bro. in 1.03 dean admits he doesn’t know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when he’s an adult. in 1.03 it’s clear that dean himself is a bit surprised that he’s able to connect w/ lucas so well because he’s clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, there’s no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids – sam is standing there at 22 years of age talking about adult dean and children – of fucking course he doesn’t mean himself are you stupid.

from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: “Dean...ah...I wanna thank you. […] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.”

and 1.06: DEAN: Well, I’m a freak, too. I’m right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.

and then possibly even more stupidly, the one where it’s like “wah sam doesn’t even know dean can cook :( he doesn’t even know that DEAN was the one making him food as a babe in arms :(” – when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they haven’t had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says “I’m nesting”, clearly showing that this is a novel development because they now have a kitchen, and that it’s irregular relative to past behaviour – both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because he’s smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young – of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says ‘I didn’t know you knew what a kitchen was’ or something to that effect, but if you think he’s being 100% literal there I have an oceanfront property in Kansas to sell you)

again, obviously there are pieces that sam doesn’t know about dean, e.g. when he’s talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, they’re able to reflect and share on childhood experiences if they’re close with their siblings as adults. it’s clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didn’t know everything about how dean felt when they were young, but that’s equally true in the other direction, and it’s such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when they’re really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesn’t count when it’s sam lol.

“sam doesn’t know the One True Dean / doesn’t see through his facades”

the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and – demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into cas’s dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.

Obviously there are times where sam teases dean when he’s being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) that’s very clearly coming from a place of knowing the real dean vs. the façade he puts up because that’s the whole joke. and it’s allowed to be a joke because they’re siblings and that’s what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.

examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):

2.02 (about John’s death)

Sam: “I mean this ‘strong silent’ thing of yours, it's crap. […] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.”

Dean: “You know what, back off, all right? Just because I'm not caring and sharing like you want me to.”

Sam: “No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.”

2.03 (Sam to Dean, also about John’s death): “You know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.”

Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon

3.07 (about Dean’s demon deal – also proven true in later episodes)

SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.

DEAN: I'm not!

SAM: You're lying. And you may as well drop it 'cause I can see right through you.

DEAN: You got no idea what you're talking about.

SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.

DEAN: And how do you know that?

SAM: Because I know you! […] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just […] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.

5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean ‘making the right call’, which he predicts] – e.g.:

SAM: No, you won’t. When push shoves, you’ll make the right call

DEAN: You know, if tables were turned…I’d let you rot in here. Hell, I have let you rot in here.

SAM: Yeah, well…I guess I’m not that smart.

DEAN: I—I don’t get it. Sam, why are you doing this?

SAM: Because… you’re still my big brother.

8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): “I'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. […] I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.”

10.22 (understanding how much dean has ~done for him~)

SAM: I'm saving my brother.

CASTIEL: You told Dean—

SAM: —I know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Dean—

CASTIEL: He did whatever he could to save you.

SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.

10.23 (basically the o.g. version of whatever went on in 15.18, x2 – from Sam to Dean): “You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. […] You will never, ever hear me say that you -- the real you -- is anything but good.”

11.13 (Sam understanding exactly how Dean feels about Amara being his ‘deepest desire’, and confirming that it doesn’t make him a bad person)

Dean: Why? Because if she is that means that I’m…

Sam: Means you’re what? Complicit? Weak? Evil?

Dean: For starters, yeah.

Sam: Dean. Do you honestly think you ever had a choice in the matter? She’s the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I’m not.

Dean: You know that I want her ass dead.

Sam: Yes. Of course. And I know you’ve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?

13.02 (Sam perfectly explaining Dean’s psyche to Jack)

JACK: Is that why Dean hates me?

SAM: Dean doesn’t hate you. It… Look, sometimes the wires in Dean’s head get crossed and—and he gets frustrated, and then he mixes frustration with anger, and—and fear.

JACK: Why would he be afraid?

SAM: Because Dean feels like it’s his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.

14.03 [Sam assesses Dean’s psychological/emotional response to the Michael possession; end of episode, Dean confirms that Sam’s assessment was fully accurate]

14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]

14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]

15.17 (self explanatory at this point)

DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!

SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected me— from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.

like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.

so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and it’s such a stupid one too i'm embarrassed for you)

[kuschelkissen]

So uh. Episode 6, huh? I mean, I knew I'd be disappointed when I saw that it was only 26 minutes long, and that fear became true. I absolutely think this ep would've been A LOT better if it had had time to BREATHE.

Like. No scene was really long enough to have actual impact? Even those that I liked were just at least 1-2 minutes too short.

The photo shooting? Cute! Love that Lu Guang could just lift Cheng Xiaoshi like that but didn't account for the change in center of gravity. Would've loved it a lot more if it had been longer, though?? Give me more of that wholesomeness, give me some more of the bonding with Xia Fei! (Cxs has a picture of both of them as his chat background??)

The scene with Wang Qing? The beginning was OK, I guess (wtf was that story Vein told her?? It would be funny if it was his own lol), but as soon as the mum took over, I felt like the rug was pulled under me?? It was NOT serious at all, and while it's kinda 'nice' to see that he apparently has his silly side from her, there was NO emotional impact, at least not for me. And again, it could've worked, if the scene had just. Been. Longer!! Give him time to process that this is his mum!? Give him time to be angry at her! Like he gave a whole speech to his dad, and he didn't even know it was him, so his mum should've gotten it worse??

I also high key hate her more than the dad?? Like?? Idk where she is in this moment, but she has to be at some place in the future to be able to dive back, but even if she were just 10 min into the future from here, at this point she was gone from her son's life for a decade and she's behaving like she just left for a week of vacation or so???

I feel so sorry for Cheng Xiaoshi... and the poor loyal soul is STILL waiting!!

The talk of Lu Guang and Vein also was... a bit underwhelming tbh? So you're telling me Vein asks him "Why do you look at me with murderous intent lol", Lu Guang answers "I have my reasons", and Vein then just leaves it at that? 💀

(Do you think Lu Guang said the Detective set the forest on fire? Since it was the same that Vein said and somehow that answer fits him)

The fight with Wang Qing was also... well. The fight was OK, BUT WHY DID SHE GO AND GET THE DAMN BOOK?! wtf?

And of course, the sweetie line was said to her 🙄 biggest letdown, but I expected it.

And then. Uh. What happened?

Does Lu Guang have another power? Is he able to remote-kill people? 😅 why did Wang Qing's eyes glow blue?? Does Vein's real name have anything to do with this??? And why does he (seem to) know that this is Lu Guang's doing????

ACK so many questions. Kinda wondering what that means for Lu Guang and how he will end up...? Like. Killing someone in cold blood isn't really a hero kind of thing, so I wonder if he will get punished for that 🥲

Either way, the whole death scene, or rather the aftermath of it, felt short again. Not even a real grieving moment for poor Xia Fei 😭

The kitty hat is back?? How??

Xia Fei telling them that he'll get the one who killed his boss, oh well, I guess we will see him again, but not as a friend anymore 🥲 i mean, that was to be expected, but... still 😭

I guess my biggest disappointment was finding out that this is the current timeline because wtf. So we just ignore that Cheng Xiaoshi didn't know that he could dive by himself in s1. Okay, cool cool.

Xia Fei disappearing in the end, uh, I guess I'll interpret that as him going underground on his hunt for the killer of his beloved boss. (Why did the other guy disappear? Who knows. Maybe Xia Fei finally snapped... (was that one of the guys that tried to drown him? Didn't have time to check, but he looked similar? Need to check the credits for names maybe))

And then Vein did a Bella Swan impression, I guess.

So who's the one with the fake death ability, since director Li apparently confirmed that Vein didn't have powers in the Yingdu arc? Is it Wang Qing, since the code was on her id? But how is Lu Guang involved then? ARGH.

Tldr:

Too much stuff happened in not enough time. The episode would've profited IMMENSELY from just 10 more minutes, though more would've been better imo.

Cheng Xiaoshi's parents are awful. Even if in the future we will learn that they had a good reason to leave him alone without a word, the way they were portrayed is not on their favour 💀

Looking forward to seeing the hot headed trio again in s3, but I'm also scared of it. (Did Vein have any agency in his fake death? Because I don't think so. And if that's the case, how did he come back? We all know the "came back wrong" trope etc, so what if he came back as Liu Xiao's puppet? Hah. There's potential for drama here, but at this point I'll just not get my hopes up lol)

So. I guess now the waiting begins 💀

[blurrilines]

Alright, it’s time I discuss Star Sapphire Bernard and why I think he would legitimately be a good fit for becoming a ring wearer (aka Blurri read a theory book on love and has a lot of feelings about Bernard Dowd and now the Star Sapphires could be written moving forward)

First let’s establish what makes a Star Sapphire chosen by the Star Sapphire Ring (bear in mind I am not a full expert and I understand that the Star Sapphire Corps have changed over time so I’ll try to be as up to date on their lore as possible). Star Sapphires are empowered by Love the way Green Lanterns are empowered by Willpower. They are typically portrayed as women scorned or someone who lost someone they love, and this event is what lead them to obtain their abilities, aka when the ring chose them and They chose to become a Star Sapphire, aka fight fear and hatred and give love.

However, It’s not exclusive to these events taking place the same way wearing a Star Sapphire ring isn’t exclusive to women, it’s just usually the case we see in most stories. This emphasis on choice is where I’m reminded of Bernard.

Bernard Dowd is someone who’s been hurt, both in a very literal, physical sense, as well as an emotional and spiritual one. Starting with the obvious Bernard was in a pain cult, where literal beatings were used to achieve “enlightenment” and so on, though for Bernard it was clearly something he felt he deserved, much like eventually becoming the cults sacrifice, which Tim fortunately intervened in. However, despite being rejected by his parents after coming to terms with not being straight and not having seen Tim in years, not to mention being deep in the cult that convinces him that beating will make the pain in his heart stop, he chooses to reconnect with Tim. And when freed from the cult’s sacrificial alter, he fights by Tim’s side to free not only himself from the cult but the others they indoctrinated.

Later we see this theme continue with Bernard talking about how he wouldn’t reject his parents if they decided to change their tune and treat him like their son again, even if it would be more than understandable for him not to. He chooses to see them as people who can change, and to love them despite the pain they’ve caused him, while still keeping his distance and not caving to their manipulation or demands. Bernard is someone who has been shown, in multiple ways, to already align with the Star Sapphire’s foundations of choosing to give love and fight against hatred - even when it would be the arguably easier option.

There’s also the fact that at this point there are currently no male Star Sapphires in their ranks, only male Lanterns who’ve briefly worn the ring. This would leave Bernard in a unique position as the only known male Star Sapphire, leaving for a new and interesting story to be told for DC. Bernard is also a character criticized at times for “only being a love interest” and being created as a supporting character to Tim, as was the case when he first debuted Pre-Rebirth. Turning that trope on its head by making Bernard a being literally giving super powers from the love he has, for Tim or otherwise, would be dope as hell imo, but that might just be me.

Love is sometimes defined as the choice to extend oneself to nurture another or your own spiritual growth (go read all about love by bell hooks for more on that). It is an action and a decision made the same as activating one’s willpower to achieve their goals. I think with this specification in mind we see how Bernard embodies this choice and how it could lead to him becoming a powerful member of the Star Sapphire Corps.

TLDR; Bernard is a character who is shown to already align with the core of what a Star Sapphire is (choosing love and gaining power from it) and it’d be cool if DC gave him a ring.

[theexaltedbride]

Chronicles of Darkness is a total reboot. There are similarities between the two settings though so this is a bit of a TLDR, and honestly I really like Werewolf the Forsaken way more than Apocalypse. The Uratha feel much more heroic and less eugenics focused than the Garou. But in this one the Uratha (the werewolves) are descendants of two ancestral Spirits. Father Wolf, and Mother Luna. They inherit all of their powers from their ancient ancestors. Father Wolf was once guardian of the gauntlet between the world of the living and the world of spirits. He kept the two separate/made sure no spirit or human stayed too long on the other side, as they could have ill effects. He hunted great and terrible monsters known as the Idigam (eldritch horrors akin to the Wyrm and other horrors like that, to the point some of the descendants of the Idigam still fear wolves because of it, such as the Rat spirits who keep trying to eat away at the borders of reality and let in more horrors) and Father Wolf won the love of Mother Luna who bore him multiple children known as the First Born.

Mother Luna was known as 'Warden Moon' and a shapeshifter, and she actually imprisoned many of these Idigams to keep them from bothering the mortal world.

Eventually Father Wolf grew sick and weak, unable to hunt as he used to and his own children wished to usurp him. All of them knew about it, and only a few went through with it (though some hedged their bets and chose to stay silent). In a terrible fight they killed Father wolf and sought to take his place.

Mother Luna was not happy, in her sadness she cursed the wolves with weaknesses to Silver, and some Uratha (the ones who knew about the plan to kill Father Wolf but did nothing) rejected Luna and accused her of being behind it and outright rejected taking up Father Wolf's old duties. The would call themselves "The Pure" and would become werewolf supremacists believing that eth world would be better with spirits running wild, infecting reality, and letting them roam free to pull an Impergium on humans.

The other wolves "the Forsaken", accepted that they had done wrong. And tried to prove themselves to Mother Luna by taking up Father Wolf's old duties of keeping balance between the mortal realm and the spirit world, for they themselves were born of spirits and would become tied to humanity (though we can only assume this is from Firstborn mating with humans, but it never explicitly says how werewolves became part human, unless we imagine Mother Luna looked human when she was with Father Wolf). Many spirits hated the Forsaken from keeping balance, and forcing them to remain to their duties, but Mother Luna saw that they did, and actually chose to forgive them. She removed some of the weakness the Forsaken had to silver, and bestowed on them Silver Tattoos and Auspice powers to make them stronger and better able to fulfill Father Wolf's duties. Now many eons later, the Forsaken still keep up this duty, surrounded on all sides by hostile spirits and the cruel predations of 'The Pure', who want to do plenty of horrible things to humanity, the Forsaken, and even Luna. The later supplements even make it canon that some Idigam have broken free of Luna's prison, and it is up to the Forsaken to stop them. But despite always being outnumbered, the Forsaken haven't lost yet and they still keep the balance.

The Wolf Must Hunt, and so they shall.

(As I said this is a TLDR and I'm leaving out a lot of details, but I honestly love Werewolf the Forsaken much more than Apocalypse, even went so far as to actually get most of the books. Highly reccomend starting with the 2nd Edition and then finding supplements/sourcebooks which interest you. Thanks to the modularity of CofD, you can really play around with the setting and change things up. I recently just completed a game where a trio of Werewolves befriended a runaway Changeling and they formed an alliance which saw them allying with other local changelings to kill Huntsmen (Fae bounty hunters) and work with more Forsaken packs to chase all of the vampires out of the city and turn it into a safe zone for Forsaken and Changelings. Surprisingly a lot of Werewolf and Changeling lore fit together in odd places).

If you were interested in checking out a playthrough, I'd also highly recommend "The Bitches of Brewery Park" by DorkTales. its very well done and shows a lot of the aspects of Forsaken.

(Image is not mine. Taken from the Werewolf The Forsaken book "Signs of the Moon". )

I don't know what it is about this image but it manages to be so wonderfully bittersweet within a dark setting. Werewolf dad watching out for his kids and making sure they are okay. Still trying to be a part of his family's life even while fulfilling the duties of the Uratha.

It might be inconsequential to most people, but it's one of the things in Chronicles of Darkness that keeps coming to mind and is one of the glimmers of light that show the setting is worth fighting for.

[mintjeru]

"but there is nothing more beautiful and terrifying than innocence."

open for better quality | no reposts

[timethehobo]

Just finished Emmy’s personal questline and am too full of feels rn so all I have is a tiny doodle tonight. I love him sm. 😭

[gossippool]

every day i wake up and think about the fact that wade was special forces. and no there is not going to be any singular coherent point to this post this is just every thought and headcanon i have ever had about it

but like he will never not be a soldier in every single way. there are things he's learned that he's had to do like how to shoot and clean guns and how to survive torture and how to stake out a place and address medical emergencies, but there are also the other things like focus and discipline and communication, right. and this absolutely has an effect on many things that he does

in the case of an emergency, he can lock in and focus on the task he needs to do no matter what. wade as a person is very in touch with his emotions, but he can switch that off when necessary. we saw this when he was protecting vanessa in deadpool 2, and that was before vanessa was even physically injured—if he has to deal with a severe injury of a loved one, his special forces training would override any personal emotions he feels. and wade is intrinsically selfless, but his training has definitely helped hone that mindset: leaving no man behind, service before self. he was literally trained to put his life on the line for others and this is a theme we have seen in every single movie. doing the experiment for vanessa over actually caring about his own life, literally dying for russell, sacrificing himself so logan can live.

and even in daily life he is very attuned to his surroundings and body language. he knows how to carry himself, can change the tone of a conversation through the subtlest shift in body language. if he's angry or displeased, his tone could remain as lighthearted or nonchalant as before, but the air will shift ever so slightly to let you know that he's serious. and that is Scary. he can be so intimidating when he wants to be

also ! his identity as a soldier itself was protection for him. this is more symbolic than anything but Look at this:

this is by no means the special forces uniform or even a military uniform in general but this outfit choice was definitely meant to mimic it (vanessa is also wearing the same army green). it's literally armor for him in preparation for receiving bad news. like a soldier going to war

all this to say that he is an incredibly capable man and a soldier at his core and did not need protecting even before he became deadpool. not only that, but he is often the most qualified and skilled person around, which necessitates him doing the protecting most of the time. but just because he doesn't need protecting, it does not mean he doesn't need protecting on a mental and emotional-connection level. this is why logan is so good for him, because he's one of the only people in the world who understands this and can actually do something about it and will take a bullet or two for wade just because he can

[starry-bi-sky]

im on my hadestown bullshit again but im also still on my SVSSS bullshit too so au where Shen Yuan gets transmigrated into a nameless NPC sometime after Bingge merges the realms and becomes the demonic emperor over like, basically everyone. And Shen Yuan manages to become an immortal cultivator and has a few years to himself to explore the world he's in, conveniently avoiding Bingge the whole time. Until eventually Shen Yuan joins what is essentially a traveling theater group.

They all love the strange stories he tells, ones he claimed he learned from far away places, and eventually ask him to write one as a play so that they can share it with the world. He does one better and writes a musical and slightly xianxia-izes Hadestown so it fits with the times better.

Eventually they learn everything, the music is st up, their lines learned, and the group rents out some kind of low-class stage for a night in a town that's neither too big nor too small. One that Bingge is conveniently passing through.

The actor for Orpheus falls 'sick' the opening night, and Shen Yuan gets convinced into taking the role by his. He has the prettiest voice, and he knows Orpheus' lines and character the best! Shen Yuan agrees.

Bingge attends that night too, and sits in the far back, in a seat where nobody can see him that well.

There is nothing to prepare him for the Tale of Orpheus and Eurydice.

Not the actor, who looks distressingly, uncannily similar to Shen Qingqiu, from the sharp curve of his jaw to the sound of his voice. It's Shen Yuan's saving grace that he has just enough differences that Bingge doesn't fly to his feet immediately.

Not the character Orpheus either. Who shares a distressingly similar worldview to the one Bingge once had a long, long time ago. A young man, a boy really, with so much hope for the world around him to near the point of naivety. Who believes that there is still good in the world and the people around him.

There's nothing to prepare him for Epic III. A song the lone Orpheus sings to convince Hades to let him and Eurydice go, one that rends Bingge of his flesh and leaves him feeling raw and wanting.

Suddenly he's no longer watching the stage; he's on it, standing in Hades' place, jaded and bitter and cold and reigning over all. Having become cruel like Shen Qingqiu once was. He stands in Hades' place, tall and imposing and powerful.

And there is a shadow of the past sitting at his feet. A boy in love with the world looking up at him, stripping him down to his soul, and asking him where he's been. Bingge stands in Hades' place, and just like that, becomes a man again.

[transsongtaewon]

I think the way baby Yoohyun cried is sooo cute, especially since it was all crocodile tears. Here is this tiny little guy deciding to get his way by crying because he saw it on tv and then his hyung, also a tiny little guy, starts crying too because he was so startled and itty bitty Yoohyun never anticipated that reaction so he just sort of stops crying so hyung will stop crying and this was never meant to end this way.

[affectionatecorpse]

Redd will never stop being the absolute funniest Animal Crossing character to me. It's illegal how underrated he is. He's got either a londoner or new yorky accent depending on how you read it. His logo is a blatant ripoff of Tom Nook's. He's fuzzy. He wears nothing but an apron. He's a bastard. He's clever. He's amazing at art. He does not utilise this talent in a genuine way. He painted the Mona Lisa at least 5 times but with angry eyebrows and no other change. He went to art school. He's divorced from Tom Nook. He has a million cousins. His old colleague now works for his ex instead. He lives on a boat. He has to hide said boat from Tom. He doesn't even know if half his art is real or fake. He's a kitsune with no powers so is essentially just a normal fox. He recreated an entire stone tablet and the only thing he changed was he made it bright blue. Blathers hates him. He's an enemy of the state. He openly admitted he was crazy before realising that was a bad sales technique. He replaced the adjective with 'jolly'. In old games people were blatantly racist against him being a fox. He has the same criminal motivation as Nick Wilde. His name is just the colour of his fur. His password is a spiteful jab at his ex. He's REDD.

He's just so damn FUNNY.

[shepscapades]

Why does Ren have 4 ears? Are they all real or is one set fake?

Hehe I’ve gotten this question a lot actually! They’re all real— I like to think hybridization isn’t always a clean balance of traits, so Ren just unfortunately ended up with two sets of ears— his Dog ears being much more receptive to sound, naturally— and sometimes when the extra intake of sound is too overwhelming, I imagine he wears earplugs in his human ears to help adjust :> it’s a bit weird, but idk! i like to make designs funky and nonconventional! I liked the idea that Ren had hearing struggles due to wonky hybridization and just kept the concept :>

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.