#tldr I LOVE HIM!!!!!!!!!!!!!!!!!!!!!!!! >:///)))

[shuacore]

call me pretty (m)

vernon x f!reader 0.9k tags: established relationship, fluff, smut, dirty talk, pet names, heavy on pet names and praise and woooeirieiioktjtj

a/n: someday i'll write abt someone else.... not today though WOOOOWHOHOOO (tldr; utterly self indulgent vern smut <3)

vernon knows you like all the usual nasty stuff.

choking, spitting, taking you from behind, hair pulling, being controlled. you know, the usual. and in general, the sex is pretty good—he feels good inside you, knows what to do with his hands, always makes you feel loved.

apart from sex, however, vernon is pretty low-key when it comes to being a boyfriend. he’s more of a shower than a teller, like bringing you coffee at work or helping you out around the house without being asked. he tells you when you look nice, he picks out gifts that remind him of you. you’ve come to learn that being with vernon is constant assurance that he likes you, even if he doesn’t say it all the time.

you don’t need to hear him say that you look good, but it certainly doesn’t hurt.

the first time vernon says it and says it in earnest, he’s balls deep in you, fingers twisted deep in the pillowcase under your head. already you’ve been feeling the fire coursing through your veins, being so close to him like this, feeling vernon’s skin against your own. you always feel close to him, but something about missionary today has your toes curling and a yearning boiling in your gut so strong you can’t stop touching him. his chest, his biceps, his neck, his face. if you could crawl through vernon’s skin and sit in the cavern in his heart made for you, you would.

vernon’s cock pushes in deep and you feel the air leave your lungs, cheeks flushed, fingers wound deep in his damp curls.

“fuck, you look so pretty, baby,” vernon mutters. his voice is hoarse as he says again, “you’re so fucking pretty, baby, for me.”

the words hit you like a bowling ball and you go utterly still as a wave of heat so strong pulses through your body from your chest to your fingertips, leaving you breathless again. your jaw drops open as vernon groans, his cock still deep in you as he falls into the rhythm he knows you like. it thrums in your chest, the word.

pretty.

you let out a strangled groan as vernon noses along your jaw, one hand coming to rest at the base of your throat but not squeezing—just a subtle reminder that you’re completely his. as if you needed a sign as he groans more praise against your skin, leaving you hot all over and clenching desperately around his cock.

“shit–” vernon chokes, “what’s going on with you today?” he presses a kiss to your cheek as you take him all the way again, his hips slapping against your ass in the way you like.

words are scarce as you struggle to breathe normally. you knit your eyebrows together as you feel another wrench of pleasure in your stomach. “call me–fuck–pretty–”

vernon pulls away in surprise, hips stuttering, dark eyes wide. you can’t even stifle the whine that comes from your throat; everything is so sensitive today that the loss of sensation leaves you feeling achy. vernon grins, slow and affectionate as you squirm. he raises an eyebrow and leans forward to press his forehead to yours as his cock slips out and back in.

“you like that, honey, hmm? when i call you pretty? when i tell you how much i love you?” vernon murmurs, voice raspy under his breath. you feel the praise in your stomach as you cry out, nails biting into his scalp. “god, you’re so tight.”

you don’t even have the brainpower to talk back like you usually do. all you hear is vernon murmuring you're so pretty, baby a thousand times over in your head, leaving you warm and dizzy. all you can manage is a jerk of your head, as you feel yourself approach release. vernon’s hand finds yours, squeezing tight as you gasp.

“come for me, baby, wanna see it,” vernon pleads, wasted on you as he nears his own release. “for me, pretty girl–”

you squeeze your eyes shut as you come, going stiff as it takes over your whole body, seeing white behind your eyelids. as you clench around his cock, vernon comes shortly after, muttering curses under his breath with his hand still wrapped securely in yours. your chests heave and a few seconds pass before you have the energy to peel your eyes open. your body feels heavy, utterly spent from the sudden onslaught of feeling.

when you’ve both recovered vernon pulls out and rolls onto his side. his dark eyes are thoughtful as he brushes a strand of limp hair out of your face.

“pretty, huh?” vernon says, smiling slow. you feel another burst of warmth in your gut and bite your lip. “you like when i compliment you?”

you nod slowly and feel a flush creep up the back of your neck and onto your cheeks. vernon chuckles and swipes a thumb over it.

“so definitely.”

you hide your face in your hands, biting back a smile. vernon never failed to leave you feeling like a giddy teenager, even after so long.

“it’s nice,” is the best you can come up with when vernon looks at you like you hung the stars.

he scoots closer, slinging an arm low over your hip and presses a kiss to your bare shoulder. through your fingers you see him gazing at you with so much love your heart squeezes tight in your chest.

“anything for my pretty girl.”

—

other stuff!!! :3

[ourhomealien]

Don't gatekeep feelings, please.

TLDR

I'm autistic and so I have a unique vocabulary, so bare with me please.

Hermitcraft to me is a community for all ages, that's what I expect of it. In the same way a child deserves and expects to be able to trust and learn from their parents without abuse or them being literal criminals. People are as bad as they want to be, and you can 100% grieve your expectations of them. Disappointment can hurt anyone. In the same way you invest your feelings into pets knowing they will die, and then grieving when they're gone, you can invest feelings and expectations into people you know about and that isn't childish or naive, it's human. Hermitcraft is in no way culpable for an individual's actions. The amount of distress caused by this VC's actions is widespread and not limited, in the same way an earthquake has aftershocks.

I'm genuinely grieving over iskall, The character and the community they built and the stims and autistic scripts I've built into myself because of them. I was shocked on Saturday, but at the same time, after reading that first line it didn't make sense to be any other hermit (I did not in any way predict this) at the time of reading nothing was confirmed so I felt that, innocent until proven guilty, was the way to go. My heart sank, I felt sick and I wanted to cry, I was on my way home from a long day at work and it was the first day of my hormone cycle at it's worst. The first thoughts I had were, 'no no please, it's not true, it's true, maybe it's the bullies again and he can't cope anymore'. Then the hermits started acting and I thought maybe he doesn't want to be affiliated anymore. But that didn't 100% add up. <33 to the good hermits for being amazing.

In my experience being autistic means 75% of my existence is made up of scripts I've adopted and will continue to adopt, from other people around me locally like my family, from movies, shows, and books growing up, to everything I've consumed information wise, this includes so many people, some that at one time were my hyperfixation, these scripts can be unlearnt, and I have another script that helps ('we don't do that here') but it's still a process and It's stressful and unpleasant.

VC was one of the only people I've subscribed to on twitch, I didn't even watch his live stream (they were way too stressful for me, the pay to win quality of his streams was really frustrating) I just subbed to support him. At least to me he had a 'victim' persona especially when it came to the other hermits and their success in comparison, and this translated to me the need to support him more. (He was a hermit for crying out loud, he was fine, I tell myself now), then I read the truth and the pay to win made sense because he Was showing favouritism, after reading K's statement before I was finished I knew M would be involved too and I just felt incredibly sad and heartbroken for them, no one deserves to be treated like that, and people except a certain level of human decency. I'm sorry that this happens and I'm so sad that it has.

He made me feel Grian was a bad sport and that Grian was wrong to be in videos with his friends because he was more popular, that Grian couldn't be sincere in his joy 'because he was always stealing the limelight' (I was 15 at the time and irl was tough and I had bigger problems going on, I loved C! Grian a lot) and didn't trust anyone, so I started to dislike CC! Grian a lot. (Again young n Major trust issues); I like Grian again now but felt uneasy for a long while.

VC always pops at the end of his videos when he says bye and I always watched to the end just because of it, and at a certain point I started associating popping with saying 'I love you' I did it to my family and it's been a part of my autistic script since late 2018. Others include (Hallo, Omega, of doom)

Iskall's Minecraft character is canonically non-binary/agender and in fanworks they use they/them pronouns and as someone who's a fan of mcyt, Minecraft and is gender q, that was a big deal for me to be canonically represented. They also inspired me to write incredibly niche and rare minecraft lore and head canon's for them (them being a villager/player hybrid); iskall's character is a separate entity but the association is horrifying now and that is extremely disappointing, it was the same with William Gold.

VC has made fun of people's differences and difficulties and has been generally rude at times under the guise of humour. He has laughed at people's trust in the creepest way, that even though I liked him I was scared and put off for days, I was so genuinely angry at him, because I felt humiliated. He knew who he was and laughed at our trust in him. That hurts and angers me even more now.

[balsamfir-fics]

I generally agree with most of OP's analysis, but less so for the Season 2 write up and the implications that aviktor has some low sense of self-worth emotionally. I'm not a subscriber to the genius cold loner camp either as I am fully on board with the S1 analysis, but I disagree that he has self hatred or loathing in S2.

pretty much until Jayce calls Viktor out in those last 10 minutes, there's no indication that Viktor has internalized self-loathing. Rather, from S1 to the crumbs we got in the earlier S2 episodes-- and even some themes from his confusing LoL lore, his Arcane character reads more to me as resigned rather than self-hating.

In my perspective, he fixed his leg more so because he had nothing to lose and was struck by scientific eureka, and there was no time like the present to runify his leg. It gave us the running scene, which I think is so impactful and freeing because it shows Viktor experiencing what he was missing out in terms of bodily strength and stability, but we see that it's short lived because even with his Arcane leg he's back on crutches afterwards.

Up until Jayce' last pitch to him I never got the impression that Viktor internally saw himself as unworthy of love. perhaps to a small extent subconsciously, but that's what therapy is for. I do agree that he was probably genuinely surprised by the extent of Jayce' and Sky's affection because he was a little blind to it before. But personally I don't see that as internalized self-loathing or feelings of unworthiness for love.

that being said, my disagreement comes at the risk of sounding like i instead am in the "he's a misunderstood cold genius who doesn't need it" camp. rather, I think the truth lies in between.

I've always read his character as optimistic and hopeful, even with his personal relations. he approached jayce fiest. yes, it was motivated by the interesting science, but the way he approaches jayce is fluid, displays high EQ, and is extremely charismatic and witty (and bear in mind he talked Jayce off the cliff kindly and with humor). so I think he understands affection and is more than capable of giving it. what i think actually happens in S2 to reconcile what ahayce said and what OP's interpretation is is that Viktor is the kind of person who will get married to his work/carried away *if not gently reminded to take a goddamn break* but I think he in fact can be coaxed away from it to enjoy receiving affection. so I think the issue is more that he IS confident and so excited about his research that he gets carried away and simply needs reminding from time to time.

plenty of geniuses come off as cold but I don't think it's necessary out of feelings of brokenness. jayce' quotes at the end jarred me at first because I didn't ever get the impression that Viktor felt like he needed fixing per se. I think his desire for perfection came out only after experiencing the Arcane (which we know twisted his thoughts away from his humanity). so, Jayce' speech makes sense to me only with respect to him talking to Viktor the Arcane-corrupted machine mage, as an appeal to the Viktor he knows is underneath. And what he says to Viktor is necessary to break past the Arcane layer in mis hind and to remind the internal Viktor that he is as perfect and worthy as he always believed he was beforehand.

so tldr Jayce' words are a reminder to Viktor, not a epiphany or comfort words.

Something that supremely bothers me is the fact that many people fall back into common stereotypes in their interpretations of characters when a property actively works against it.

Case in point, Arcane. We have Viktor, a brilliant inventor and scientist. But unlike the common stereotypes associated with these Tropes, this man feels things intensely, has an immense amount of empathy, and is kind and considerate. Characters like him are usually written as cold, detached, and emotionally stunted. Not Viktor, though. Despite his scientific mind, he is a complexly feeling individual.

I'm just setting the groundwork here, because my topic of frustration really regards Viktor and his outcast status as a child. I have been noticing a worrying trend of interpreting Viktor as having no interest or time for friends because he's too focused on inventing things and is too smart to relate to them. And sure, that can be true to a point.

^ But this is not the face of a kid that has no interest in socializing with his peers. He locks eyes with Sky several times, obviously making sure she is watching and that maybe if she finds his invention cool she will join him. This is a boy who wants friends. But he is rejected. Time and time again. And spoiler: it's not because he's smart.

Viktor's isolation and lack of friends as a child was not due to him being 'too smart' or 'too focused on inventing', it was due to him being disabled. He didn't really have friends because kids are mean and being kids, they judge a book by its cover more often than not. It is something so many disabled people face every day. You are either treated as invisible or as if you are made of glass.

And his lack of close relationships as an adult most definitely stems from being isolated as a child and being frequently sick. And that's another point, as well. When Jayce mentions that Viktor just disappears sometimes, it's obvious to me that he is pulling away from people he cares about so he doesn't attract further attention to his failing health.

But yeah. I thought Arcane deconstructed that stereotype beautifully; that Viktor truly wants to have friends, but as a child he was given serious barriers to entry. And as an adult, his introverted habits persist due in no small part to the fact that he was looked over so much when he was little, coupled with that he does not want to burden people with his chronic health issues.

Arcane takes such a tragic, yet nuanced approach to this and it works so well. Just wanted to get that off my chest. Thanks for reading!

[flying-mochis]

I just finished the Silmarillion so now it's time for me to loose my mind trying to discern the timeline changes in Rings of Power

mostly I was trying to figure out which "war" it was that Celeborn went missing in

but first I wanted to ground myself by figuring out when Finrod died- except that also isn't clear...

This is a very long, unedited stream of consciousness post, so I'll put it under Keep Reading. I also didn't really fact check any of this just going off my recent memory of just reading the Silmarillion so- If I got stuff wrong...woops

TLDR: Though Finrod originally dies in the Silmarillian during the Beren and Luthien, I think the RoP writers have changed his death to be sometime after the defeat of Morgoth as he's hunting Sauron. I think Celeborn went missing sometime before Finrod died, either in the Nirnaeth Arnoediad (before the Fall of Doriath) or in the War of Wrath (the final defeat of Morgoth). Ultimately who knows but I'm excited to see what they do :)

In the Silmarillian, Finrod dies around late year 400 in the 1st Age protecting Beren in Of Beren and Luthien. He is killed by Sauron, as Sauron throws them in like a pit of death thingy.

but in Rings of Power, when Galadriel is giving exposition in the beginning, she basically says 'Then Morgoth was drafted, but Sauron continued to cause problems, and my brother vowed to hunt him down, then he died.' So it sounds like RoP Finrod survived the War of Wrath against Morgoth, but then died hunting Sauron afterwards.

This change would call into question how the events of Beren and Luthien played out in the RoP timeline- I guess it's not necessary for Finrod to die into order for that story to still have worked? Like maybe Luthien saved both of them or maybe Finrod never went with them. But...Part of the fall of Doriath in Hurin getting Finrods fancy necklace from Mim the dwarf after he's taken over Finrod's Kingdome in his absence- so if Finrod survived up to the fall of Doriath and past that- how would that work? I'm sure it could, there are ways to work around it so the story can still play out with those changes- or maybe they changed more major parts of the story like the fall of Doriath! That would be bold but not out of the question.

Maybe it's also possible that Finrod did still die during the Beren and Luthien story but that just happened after the defeat of Morgoth? IDK if that makes sense, because then how would Thingol have gotten the silmarill that leads to the fall of Doriath and all that stuff with Earendil and Elwing-? that has a lot more continuity changes so less likely.

Ok, moving on from Finrod. His death is at least canon from the Silmarillion, but Celeborn going missing is not. Or at least, it isn't mentioned. But one thing about Galadriel and Celeborn is that they were retconned into the story after most of the Silmarillion was written, so their presence it is extremely spotty and sometime inconsistent. It's basically mentioned that they fall in love when Galadriel and her brothers go to Doriath and she stays with him in Doriath while Finrod finds his kingdom, Nargothrond. Then she's mentioned talking to Melian like once after that right before the Dagor Bragollach (one time Morgoth surprise attacks a bunch of elf cities) and then...They basically disappear for the rest of the book until it starts talking about the rings of power in the 2nd Age-

So...There's already a lot of missing spots in there story. That's one of the reasons I think it's cool they made Galadriel a protagonist in RoP, because what she's doing in those times is very vague, though more so in the 1st Age than the 2nd- but her character could still shed some light on what she was doing then- Especially when Celeborn is introduced, cuz that's gonna require some background explanations.

So that's all just to provide the context that there is barely any context for what those two were doing before RoP takes place.

Another note about possible timelines for Celeborn going missing is its relation to Finrod's death. This is not confirmed, but I've always worked with the assumption that Celeborn went missing before Finrod died. This is based on some factors- such as Galadriel's seemingly more cheery nature when she calls him a "silver clam" before he goes off to battle---This doesn't sound like the traumatized, hardened Galadriel we know from her response to Finrod's death. Also, as other's have pointed out, if Finrod had died before Celeborn went to war and Galadriel had already become a warrior, why wouldn't she have gone to war with Celeborn? It's possible they were just going to different locations, but I don't think she would chide him to not join the fight is she was also doing so.

Running with that assumption- If Finrod did die saving Beren as he did in the Silmarillion, that means Celeborn would've gone missing in some battle before then, maybe the Dagor Bagollach. This would mean he would have missed out all everything with Beren and Luthien, everything with Turin, and everything else with the fall of Doriath at the hands of dwarfs and elves. Which I think would be a shame. There is still conflict in having missed out on a significant tragedy, but I think having him witness all those tragedies would be more interesting- and his bitterness towards dwarfs would be more understandable if he was physically there to witness their betrayal and slaughter of his people.

As I've said, its possible and probably likely that they'll change it so Finrod died much later, and this is another one for my reasons for thinking that. Aside from the other plot holes that creates, Finrod dying after the defeat of Morgoth opens up to possibilities for which battle Celeborn went missing in, so I'll continue with that assumption.

So, let's start with what Rings of Power canon we know. Not a lot, but in Celeborn's one mention in season 1, Galadriel says "When he went to [the War], I chided him." So he didn't go missing on some personal quest or whatever, he specifically went off to fight in "the war". One issue this raises is that Celeborn is from Doriath, and Doriath doesn't give a fuck. Doriath does not send any of its people off to any battles in the Silmarillion until it starts falling apart. The closest we get to Doriath elves fighting is when they hunt down the dwarves that killed Thingol and then defend themselves from the dwarves and the sons of Feanor.

One way to get around this could be making it so Celeborn and Galadriel left Doriath at some point to operate on their own. Maybe they went to live with Finrod in Nargothrond (I think it is mentioned that Galadriel stayed with Finrod there for a while, but Celeborn isn't mentioned? And I don't remember if that's in the Silmarillion or one of the unfinished tales- which are more subject to flexible canon). In which case, Celeborn could've gone off with Finrod to one of the battles- This is an interesting idea as it could show Galadriel and Celeborn being more independent and maybe dissenting from Thingol after his sus decisions with Beren and Luthien. The next battle after that story would be the Nirnaeth Arnoediad, the unsuccessful battle with Morgoth right before the Fall of Doriath. The problem with him going missing in that battle, again, would be him missing out on all the drama of the Fall of Doriath.

The second explanation for Celeborn going to war would be that he goes to fight after the Fall of Doriath. It makes sense that he would be more willing to fight after seeing the destruction of his people, even if that wasn't directly at the hands of Morgoth. Galadriel's joking disposition may not make as much sense in a setting after her husband home was destroyed and his family was slaughtered- but maybe everything still felt lighter back then as long as they were together. The most likely battle he went missing in after that would then be the War of Wrath itself, the final defeat of Morgoth.

Another possibility is he went missing during the Fall of Doriath, but that wasn't much of war as it was a siege, and I feel like Galadriel would have at least tried to help out in some way in those circumstances.

Overall, the two most likely battles I see him going missing in are the Nirnaeth Arnoediad (the 2nd to last attack on Morgoth) or the War of Wrath (the final defeat of Morgoth). The Nirnaeth Arnoediad, or some earlier battle, may make more sense for Galadriel to not go Celeborn as they hadn't experienced the tragic loss of Doriath yet, but I guess the same could be said for her not going with Finrod later.

I think I prefer him at least surviving up to the War of Wrath, as that means he was around to see the Fall of Doriath, and experience all the ~fun~ trauma of that, which is one of the things that could make him more unique as a character.

There is also the question of if Celebrian is even born yet and if so, where she is. As Galadriel and Celeborn's lives are so vague in the first two ages, so is Celebrian, their daughter. I don't think we know for sure when she was born, but I believe it is mentioned in Unfinished Tales that Celebrian was alive and with them by the time they first went to Eregion. Obviously much has changed as neither Celeborn nor Celebrian were present for the fall of Eregion in Rings of Power.

Personally, I don't believe Celebrian is even born yet in RoP. As other have pointed out, Galadriel starts the series as one who has lost everything, one who has no ties and nothing left to lose. This is fundamental to her hunt of Sauron and her eventual fall to the manipulation of Sauron. It doesn't track that she would be doing all this while she has a living and present daughter to worry about or keep her grounded. It's possible both Celeborn and Celebrian are missing. I feel like should would have mentioned that to Theo when she told him about Celeborn, but she's also managed to only mention her supposedly dead husband once in 16 episodes, so clearly she's a master at putting those particular traumas in boxes to never be spoken of. I feel like having both of them be missing to show up later would be a bit too cluttered and it'd be smoother to just say she isn't born yet, but anything's possible.

I'm pretty sure the "canon" about Celebrian being born before the fall of Eregion is from Unfinished Tales anyway? Which I think of as more like a draft of Tolkien's ideas for the family, not canon in the sense of the SIlmarillion or the published stories.

Lots of "canon" falls apart around Galadriel and her family as they were added in so late and Tolkien seemed to die before writing his "final" story for them. And this is an adaptation, they aren't meant to follow "canon" like the gospel anyway, as we've seen. As I've said, the very lack of solid story around Galadriel and her families experiences through the first two ages is more exciting than anything, as it leaves so much room for the writers to get creative them and write a thrilling story that we haven't seen before. This is a chance to shine light on characters that fall under the status of "unfinished" in Tolkien ever-changing world, such as Celeborn. The only "canon" (Silmarillion) information we have on Celeborn for the 1st and 2nd Age is that he lived in Doriath during the 1st Age, he was somehow related to Thingol and later Nimloth, and he and Galadriel were in love. There's other supplementary, unpublished notes that either expand on these traits or straight up contradict them.

Based on letters nearing his death, Tolkien was clearly still thinking of how Galadriel's families story could go, but as he never "finished" with them, if such a thing is even possible, we'll never get that "canon" story from him. So it's up to us- or, in this case, it's up to the writers of the Rings of Power. So we'll see!

Wow, that was a long-winded way to say "I dunno"

[1244950]

Been reading about your AU and love it so much! As a fan of TFP and Bayverse it's SO GOOD to see them combined!

I gotta ask: How would TFP Optimus react if he found out what Bay Optimus did to Megatron at the end of Dark of the Moon?

I feel like TFP OP would understand why Bay! OP made those decisions since it is war and would even question himself on why he hasn't killed his own Megatron yet; however, TFP! OP will always believe there is something good in TFP! Megatron since it is the reason why Megatron is still alive. Bay! OP would heavily disagree with this, however, but wouldn't ever step out of line to fight him about it.

TLDR; TFP! OP would understand why Bay! OP did what he had to do and might even respect him for it but TFP! OP would still believe there is good in Megatron and never make that decision himself

[miwiheroes]

Narrative-wise and character-arc wise based on what we know up until s4, do you think Mike and El break-up is better before or after the time skip?

aghhhhh this is such a hard question because it could actually work both ways tbh but it would just have to handled differently <3

If it's before the time skip:

this would feel extremely rushed and disingenuous if it is not done correctly. It would honestly feel like the Duffers just decided to fuck with their viewers by giving milkvan a 'good' moment in the last ep of season 4 and then taking it all away in season 4. I think if they were to do it before a time skip, the whole of the first episode would have to be before the time skip so it feels like the episode doesnt just BEGIN with like a big breakup, because closure to a storyline doesnt usually get done in the first episode or the beginning of the first episode.

I know, I know, we really want milkvan to break up immediately and have no romantic moments or whatever. I don't think this will be the case, I think if it's before the time skip, then El will likely break up with Mike, but honestly I have no clue how they will write it. Because the situation is way way more complicated than people actually write in fanfiction (I have literally written a milkvan breakup but i dont think it will happen in that way).

I think the only way that Mike can know about the painting is if he hears it from El, and I think it makes the most sense for her to tell him during the breakup, but this will make less sense if this breakup happens before the time skip. HOW IS MIKE MEANT TO RUMINATE ON THIS FOR A WHOLE YEAR AND A HALF ??????????????

If it's after the time skip:

this would be so weird because like <3 what do you mean they've been in this weird limbo space for a whole year and a half?

however, i think if it's after the time skip, it would make sense if mike keeps saying i love you to el and is now able to because he said it in the pizza place, but el still thinks that he is being fake. but then again it makes NO SENSE for her to not confront him about this for over a year yknow? therefore if this happens after the time skip then it would have to be mike breaking up with her after realising he's gay or something - therefore it would not be in episode one and would have to be after he's had a self-discovery arc. Maybe he realises what the painting really means, leading him to break up with her.

i would not like this however, because it does not make sense for his character to do this up to this point, since he has been so afraid of losing her, so honestly i think it needs to be el exercising her autonomy to break up with him if that happens, but this again makes no sense to do after a year and a half IM JUST SO CONFUSED ON WHAT THEY WILL DO HELPPPPP THIS IS JUST A STREAM OF CONSCIOUSNESS AT THIS POINT................

okay sorry for that rambling: honestly i think that it should happen before the time skip, and that pre-time skip should occur for a whole episode (episode 1) and the break up should happen around the end of the episode, where mike finds out about the painting so he can think about it for a longer time (1 year) which i guess means he can be the one pining yay

TLDR; i have a breakdown

[djevelbl]

That is... Very much a possibility, yes — but I don't know how likely it is? On one hand I can see him being desensitized to death and bloodshed — to an extent he already is, as he has no qualms killing the non-natural Swords he finds along and who fight him, plus him fighting Zam with no merciful thought in sight; the thing is that he was approached first, the weapon-swing to try and land first wasn't his. If it comes down to him drawing first blood, he probably won't do it unless he's under strenuous circumstances (which let's be honest, are probably gonna happen. what's the fun of making a character if you won't bend them around until they either form a donut or break?)

He's vulnerable whenever he pours his heart out like that, and while vulnerability in and of itself ain't the problem, who he shows it to and the moments in which he reveals himself are. If he's learned anything over the course of these six episodes — and I sincerely both hope and believe he has — then he's gonna know when to talk and when to shut the hell up /aff

evbo's going to go on a rampage looking for Tabi, won't he? like going to snap at some point, and just fucking MURDER anyone he comes across in the Cross-Item Space on a bloodlusted hunt for the one person who he thought could actually trust, who he could actually connect with, who betrayed him, who essentially told him that he meant NOTHING.

[mintjeru]

"but there is nothing more beautiful and terrifying than innocence."

open for better quality | no reposts

[timethehobo]

Just finished Emmy’s personal questline and am too full of feels rn so all I have is a tiny doodle tonight. I love him sm. 😭

[gossippool]

every day i wake up and think about the fact that wade was special forces. and no there is not going to be any singular coherent point to this post this is just every thought and headcanon i have ever had about it

but like he will never not be a soldier in every single way. there are things he's learned that he's had to do like how to shoot and clean guns and how to survive torture and how to stake out a place and address medical emergencies, but there are also the other things like focus and discipline and communication, right. and this absolutely has an effect on many things that he does

in the case of an emergency, he can lock in and focus on the task he needs to do no matter what. wade as a person is very in touch with his emotions, but he can switch that off when necessary. we saw this when he was protecting vanessa in deadpool 2, and that was before vanessa was even physically injured—if he has to deal with a severe injury of a loved one, his special forces training would override any personal emotions he feels. and wade is intrinsically selfless, but his training has definitely helped hone that mindset: leaving no man behind, service before self. he was literally trained to put his life on the line for others and this is a theme we have seen in every single movie. doing the experiment for vanessa over actually caring about his own life, literally dying for russell, sacrificing himself so logan can live.

and even in daily life he is very attuned to his surroundings and body language. he knows how to carry himself, can change the tone of a conversation through the subtlest shift in body language. if he's angry or displeased, his tone could remain as lighthearted or nonchalant as before, but the air will shift ever so slightly to let you know that he's serious. and that is Scary. he can be so intimidating when he wants to be

also ! his identity as a soldier itself was protection for him. this is more symbolic than anything but Look at this:

this is by no means the special forces uniform or even a military uniform in general but this outfit choice was definitely meant to mimic it (vanessa is also wearing the same army green). it's literally armor for him in preparation for receiving bad news. like a soldier going to war

all this to say that he is an incredibly capable man and a soldier at his core and did not need protecting even before he became deadpool. not only that, but he is often the most qualified and skilled person around, which necessitates him doing the protecting most of the time. but just because he doesn't need protecting, it does not mean he doesn't need protecting on a mental and emotional-connection level. this is why logan is so good for him, because he's one of the only people in the world who understands this and can actually do something about it and will take a bullet or two for wade just because he can

[stupendousfoxthing]

I'm trying to catch up with everything way late, but has anyone mentioned parallels between the imagery in this and the Layover MVs? The dancing scene makes me think of him in a room full of sculptures and not real people. Most of the shots are of him alone. Layover's MVs were similar. He's alone in a cave singing longingly about a person we never see. There is of course the sculptor in the Rainy Days MV reminiscing about someone else who we never see (but we see from their perspective). Same thing with Blue, we never see the other person. In Slow Dancing when there are finally other people the implication is that they're all Tae's creations. That he made that world for himself, and there's the bit where he replaces all of them. Even in the Friends MV there's this feeling of a dream world where he and/or his desires are always out of sync with everything around him, and he wakes up next to himself. This theme seems to carry throughout his work and it's really interesting and I really want to know what it all means. 😭 tldr he always seems to be an artist alone trying to create a world he (and maybe someone or something he loves) can fit in.

the theories have started, does anyone have any?

wish him the best 🌈

[shepscapades]

Why does Ren have 4 ears? Are they all real or is one set fake?

Hehe I’ve gotten this question a lot actually! They’re all real— I like to think hybridization isn’t always a clean balance of traits, so Ren just unfortunately ended up with two sets of ears— his Dog ears being much more receptive to sound, naturally— and sometimes when the extra intake of sound is too overwhelming, I imagine he wears earplugs in his human ears to help adjust :> it’s a bit weird, but idk! i like to make designs funky and nonconventional! I liked the idea that Ren had hearing struggles due to wonky hybridization and just kept the concept :>

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[royalarchivist]

Jaiden: Cucurucho, you have a lot of power, right?

Cucurucho: ...I don't know. Maybe.

Roier: Ah... Yes, you know, don't act like a dumbass, you have it. You have it, man. Eh?

Jaiden: Is there a way for us to protect all the Eggs? Do you know? I don't want anything to happen to the Eggs that happened to Bobby.

Cucurucho: Ha ha ha

Roier: WHAT? [Smacks Cucurucho]

Jaiden: [Bops him] Headpats.

Cucurucho: Maybe.

Jaiden: [Continues to bop him] Headpats. C'mon, I can get it out of you! Headpats! Chin scratches! Belly rubs!

Roier: [Joins Jaiden in bopping Cucurucho, chuckling and laughs]

Jaiden: Yeah? He's comin' around!

[Jaiden and Roier both laugh]

[nevarroes]

[affectionatecorpse]

Redd will never stop being the absolute funniest Animal Crossing character to me. It's illegal how underrated he is. He's got either a londoner or new yorky accent depending on how you read it. His logo is a blatant ripoff of Tom Nook's. He's fuzzy. He wears nothing but an apron. He's a bastard. He's clever. He's amazing at art. He does not utilise this talent in a genuine way. He painted the Mona Lisa at least 5 times but with angry eyebrows and no other change. He went to art school. He's divorced from Tom Nook. He has a million cousins. His old colleague now works for his ex instead. He lives on a boat. He has to hide said boat from Tom. He doesn't even know if half his art is real or fake. He's a kitsune with no powers so is essentially just a normal fox. He recreated an entire stone tablet and the only thing he changed was he made it bright blue. Blathers hates him. He's an enemy of the state. He openly admitted he was crazy before realising that was a bad sales technique. He replaced the adjective with 'jolly'. In old games people were blatantly racist against him being a fox. He has the same criminal motivation as Nick Wilde. His name is just the colour of his fur. His password is a spiteful jab at his ex. He's REDD.

He's just so damn FUNNY.