#tl multi

[appletvdaily]

I’m just so gosh darn proud to be a part of this team. You know? And I love you guys. I’m gonna miss y’all.

Ted Lasso 3.12 So Long, Farewell

[highladyluck]

Predicting Mat and Tuon's Character Growth

Mat’s character development is temporarily plateaued along with Tuon’s at the end of AMOL, because they have been developing together since book 9, and have more developing to do together/catalyzed by each other post-series.

Mat‘s arc is about not just accepting responsibility reflexively, but doing it willingly and strategically. To fully grow as a person, Mat needs to move through abandonment of responsibility, through avoiding responsibility, through reactive, passive responsibility, and finally to proactive agency.

Tuon's arc should be about not just delegating control, but giving up control willingly and strategically. To fully grow as a person, Tuon needs to move through obsessive, self-defensive control, through reactive, passive control, through abandonment of control, and finally to responsible, appropriate control.

Tuon’s role in Mat's development is to push him to not just stop running from responsibility (a thing he has already mostly stopped doing) but to actively choose responsibility & thus gain a measure of control over his life and actions. Reactive responsibility- diving into crisis situations without thinking- is only getting him so far, and by the time Tuon shows up I think he's kind of desperate for a strategic change.

(This is long, so the following sections are under the cut:

Mat's First Shift to Proactive Agency

Why Mat is Tuon's Catalyst

How Tuon Can Help Mat Grow

Mat's Second Shift to Proactive Agency

How Mat Can Help Tuon Grow)

Mat's First Shift to Proactive Agency

Choosing to kidnap Tuon after she is revealed to be the Daughter of the Nine Moons and his fated wife, and therefore choosing to actively pursue his fate, is a huge turning point for Mat. It is an echo and synthesis of both the last time he made a decision to steal something valuable and dangerous for his own gain (the Shadar Logoth dagger) and the last time he actively searched for guidance (going to the Aelfinn to ask what he should do now that his internal compass- his memories- are gone.) In choosing to take Tuon with him, Mat is marrying (pun aggressively intended) his impulsive curiosity & pursuit of self-interest to his desperate desire for direction and purpose.

We know Mat loves to be needed. He eats that shit up. He craves respect so intensely because it’s the thing he didn’t have growing up, and he’s also in partial denial about that being what he wants, because he’s a lying liar who lies to himself more than anyone else.

He takes on the hero role because he can’t not- his values demand it and Mat defines himself by his values because they are literally all he had at one point- but it’s also a thing he does to get what he craves, which is respect and attention. (Any attention will do in a pinch, but positive attention is best.) That’s the part of him that gets super shirty about not being thanked/acknowledged. Being reactively heroic is a compulsion for him, but by around book 7 he's realized it's not getting him what he really wants, which is respect and (self-defined) success. He doesn't really have another plan though, until he willingly steps into his dire fate by kidnapping Tuon.

Over the course of the series, Tuon continues to push Mat to actively take responsibility and accept the consequences. The promise he makes to get her home safely turns into his education in the personal uses (and abuses) of power. She is the catalyst that makes him use his personal army in physical warfare for his own purposes. Before he’s used it as a facet of Rand’s army at Rand’s direction, and when he did use it for his own purposes, it was lending it to Egwene for psychological warfare only.

This education in power is why Tuon approves of his war crimes even though she fully admits they are brutal and committed against her own people; they show he understands that his actions as a leader can have horrible consequences, and also that he can prioritize the mission at hand. She says she's just waiting for him to prove he's the person from the prophecy, but she's also clearly testing him to see if he can handle the power she'd be delegating to him, by seeing how he handles the power he currently possesses in his own right.

Why Mat is Tuon's Catalyst

Tuon is very hard to impress, but Mat impresses her- and he impresses her the most when he’s not trying to be impressive, when he’s just being authentic and pursuing his self-interest. She's not just interested in his military competence, although that's certainly interesting to her- she's also interested in his political acumen and ability to deescalate or escalate situations as needed. His ability to fit in everywhere and command a situation- especially when she thought he was losing- like when she collars Joline, or when he scraps his winning streak in the hell- is so compelling to her.

On one level she's no stranger to winning from a position of weakness, given that her default M.O. is apparently 'play dead'. But I don't think Tuon has fit in anywhere without a great deal of effort, and Mat's sprezzatura is a pretty different strategy from her disappearing acts or virtuoso compulsion tactics. I'm not even thinking so much about Tuon's constant fending off of assassination attempts; more along the lines that we know she had to train herself to have Resting Bitch Face and project 6 feet of presence from 4'11".

(Incidentally, I don't know if she knows the Crystal Throne is a mind control ter'angreal, especially since she seems to be canonically resistant to mind control, so it's possible she's been assuming her mom's magically-augmented strength of presence is natural. No wonder she feels inadequate.) She's also clearly incredibly weird to both normal Seanchan and other people in her social sphere, whereas Mat is a social chameleon coasting on instinct (and thousands of strategic geniuses).

Tuon is desperately envious of and fascinated by authentic people who pursue their own self-interest, since she can't pursue her own self-interest without cloaking it as her duty, and she can't be an authentic person except by either flying under the radar or using up social capital by being stubborn. Her life is circumscribed by so many forces outside her direct control, yet she believes she is supposed to control everything for her own survival and the good of the world.

Mat seems to be to Tuon what she longs to be- a responsible, independent, kind leader who forges their own path in response to changing conditions & who has earned the respect, loyalty, and competence of their followers. She’s completely baffled at how Mat got there from being... Mat... but she recognizes that it gets results. I think the end result of her development is ideally to become more like Mat- someone who is a person first, albeit one with an outsized sense of responsibility, who is able to act productively on her instincts to help people.

How Tuon Can Help Mat Grow

Meanwhile, Tuon is someone whose strengths, struggles, and shared values Mat can learn from. Like him, she's been brainwashed by a paranoid culture where the ends justify the means, and unlike him, she spent almost her entire life in it. Yet she still has a powerful sense of empathy, even if it's twisted in the service of the Empire and she mostly uses it for manipulating people. It's clear that what she thinks will help people most is her control rather than her empathy, so that's what she tries hardest to give. But the empathy seeps out even when it isn't deliberately being used to build power or influence, like when she caught that Jain was feeling guilty about leaving his wife to die. Mat should follow Tuon at her best, and not completely strangle his sympathetic impulses in the service of power.

(A note on terms: Mat's sympathetic- he's always putting himself in other people's shoes and imagining how he would feel in their situation, and that motivates him to action on their behalf. It's about saving himself in the shape of the other. Tuon's empathetic- she can imagine how someone else feels and mirror their feelings back, or manipulate them based on her accurate assessment of their feelings. It's about modeling her social/political environment and therefore exerting the correct amount of control for the reaction she wants.)

Tuon's also built and sustained a culture of personal loyalty- one of her and Mat's shared values- in an utterly paranoid environment. The degree to which her personal slaves care about her is unusual for imperial Seanchan- it was very surprising that Selucia wanted to stay with her, and notably unusual for Karede to request to work with her again. The loyalty her personal damane show her is largely due to her skill at manipulation and brainwashing rather than anything resembling charisma or personal virtues- the damane have vastly less choice about who owns them or commands them than Selucia or Karede do- but she seems to be less openly cruel to damane and da'covale than say, Suroth. (Yes, I know, the bar here is in the ocean.) She also has Setalle Anan of all people willing to protect her, and while Setalle has an agenda and isn't doing it just because she likes Tuon, I think Setalle does actually like her. Mat should also be making friends and allies in his enemies' stronghold.

Finally, Tuon's weirdly open to other people's input and correction, for someone in her position and with her background. Again, the bar is so low as to be at the bottom of the Aryth Ocean, but she did apologize for 'giving an order in anger', which is to say throwing a temper tantrum, which is to say abusing her power beyond acceptable-to-her limits. The limits she accepts on her power and agency are more stringent than what would be acceptable to her peers or advisors in her position. Related to this sense of integrity, she's very stubborn around anything directly involving either her survival or her responsibilities to others. And because she's spent so much time building her personal integrity and being open to criticism from trusted advisors, she's very comfortable with having and using power, at least in terms of judgement and delegation (her own Power is, uh, the major exception.)

Mat, on the other hand, starts out the series very uncomfortable with power- and that's good in some ways- but people with power who aren't comfortable with power are like people who carry weapons they don't know how to use. Those weapons are just going to be used against them. His time with Tuon is there to give him practice intentionally wielding power.

Mat's Second Shift to Proactive Agency

One thing that I think Tuon still has to teach him, though, is the strategic value of lying low, keeping intentions secret, and quietly building a power base in pursuit of a long-term goal. Mat's great at dramatic, impulsive, risky gambles; not so great at staying still and waiting for the right moment in an intentional way. He always wants to be DOING something, immediately. But just thrashing out reflexively is not going to work for taking on the Seanchan, as Rand found out. Mat gets a taste of the kind of strategic timing he needs, when working with Tuon to trick everyone into thinking the Seanchan are out of the fight, then having her come back in with the army at a critical juncture.

I'm convinced that Mat's path to full character development will be to fully accept his power base in the Seanchan military/political machine... and destroy it from the inside out, either intentionally or as acceptable collateral damage in saving Tuon from herself.

Even Tuon can tell that structurally, he's got 'military coup' written all over him. She just doesn't believe he would ever do it because she knows he's loyal to her, and ever since becoming Empress she can't conceive of a situation where "Tuon" and "the Seanchan Empire" are separated that doesn't mean her own death. She has a blind spot in the exact place where Mat is most creative and motivated: preventing Tuon-the-person from dying (physically or spiritually) when the Empire does.

There's all sorts of interesting strategic gambles Mat can take advantage of. The Empire has cracks all over the place. The continent of Seanchan is a hot mess of civil war and domestic infighting and that's going to prevent Tuon from using it as a power base immediately, and distract her from local issues. The sul'dam secret and Tuon's relationship to it is already out among her most dangerous enemies (her immediate peers) and Elayne's gambit to rehabilitate sul'dam and damane and send them back to Seanchan territory is also going to spread that info.

Tuon and Mat's kids are a ticking time bomb of 'likely to be involuntary channelers' and even before that, you think Mat's going to do nothing to mitigate the childhood trauma of 'everyone is trying to kill me'? This man raised an orphan in a war camp in a perpetual 'take your adopted child to work day'. He might not be able to get them out of the Seanchan cultural deathtrap altogether, but he's going to do his best to make it less dangerous for them, which could mean radical cultural change.

Oh, and the Aiel are going to want their Wise Ones back in the next year and a day, which has the potential to be a real diplomatic time bomb. Also, as far as I can tell, no one has yet told the Black Tower they can't make war on the Seanchan, who will be in a tight spot re: getting more female damane, and therefore very interested in anything they can do with male channelers, ESPECIALLY if they can be convinced saidin is clean. Also: Moghedien is there!?! And Elaida, for that matter. Creator help anyone who goes to Elaida for Foretellings.

Seanchan has 99 problems and I guarantee you Tuon is thinking that at least her man ain't one. She is wrong. She is so, so wrong. (And we haven't even gotten to Min, who could convince Tuon to do pretty much anything if she played her cards right, because Tuon is weak to prophecy and trusted advisors. Or Mat's private army, which is going to be both a point of political tension and a valuable asset for him.)

How Mat Can Help Tuon Grow

I don't think people who think that Mat has utterly surrendered and lost his moral compass by falling in (love) with Tuon are correct. Mat has a history of losing to win. And I think Tuon is going to teach him- by example and circumstance- how to take responsibility in the most deliberate possible way, for the biggest possible stakes. She's going to teach him how to win friends and influence people in his new environment. She's going to teach him how to wait for precisely the right moment for maximum impact. And she's going to teach him how to sneakily rescue the fuck out of an entire society or die trying.

But Tuon can't learn that she's a person, not an institution, until she's literally removed from the institution and it is removed from her. When it comes to damane and slavery more broadly, she IS the Empire, and her changing her heart and mind- even if it were possible for that to come first- does jack shit to actually help anyone enslaved by Seanchan without the material conditions for societal change.

Empires change by economic, military, social pressures combined. You have to break the Empire before you can break Tuon, at least if you're Mat and you like her, and also if you want her along to help you pick up the pieces and fit them into something that doesn't just kill everyone and create more massive collateral damage. Tuon's relationship with power is cancerous; her desire for control has metastasized through her life and the lives of others, and the entry point of that relationship is her self-image as The Empress (and before that, a sul'dam, and an imperial heir...)

Mat's the mature one here, for a change, and that means his character development has to come first; Tuon's will fall into place once you change the conditions around her. She's infinitely malleable that way, because she was shaped to be responsive to those pressures from birth, and she kept shaping herself to be responsive to them as a survival tactic.

Mat listens to his instincts and the dice in his head because he relies on them for survival; Tuon looks for the omens in the world and the shifting currents of power because she relies on them for survival. Once Tuon experiences the consequences of her overreach, if Mat builds Tuon a world where she and others can survive without slavery and exploitation, where she doesn't HAVE to have an iron grip on everything, I promise you she'll go for it. Above everything else, Tuon is a survivor, and I think she could surprise you by how much she would change to survive.

[multi-lefaiye]

(image id in alt)

no i haven't watched or read jjba and in fact i know very little about it. but anyway here's a stand i created for my boy salvatore <3

i promised earlier that i would talk about how this stand works, so here we go!

debt collector's ability is that it allows salvatore to draw blood from the people around him without having to touch them himself, though he does have to be able to see them. there's a catch, though--he can only draw the amount of blood equivalent to whatever *debt* the person owes to him.

what counts as a debt can be flexible and ultimately is up to salvatore's perception, but point is that he can't draw blood from strangers with no connection to him *or* completely drain a person.

essentially, salvatore's vengeful tendencies and "eye for an eye" shit manifested as this little freak.

art taglist heehoo (ask to be added or removed): @skitzo-kero @anexor @jezifster @lychniscitrus @transmasc-wizard @albatris @presidentquinn @midnight-and-his-melodiverse @lower-ones-eyes @rosesandartss @approximately20eggs @astral-runic @whonsper @kingkendrick7 @invaderskoodge @moonflowerrss

[m0e-ru]

got so silly mad over the lyric videos i keep seeing so i started learning javascript with my muse matsuchie sweetheart

[inkillable]

some thoughts re: laurie, allyson, and michael myers' overall character and existence being directly connected to The Final Girl™

i'm compliant with halloween 2018 & kills - so michael and laurie are not brother/sister for me. he simply saw her one day and became obsessed with her on first sight, which is the only thing draws him out of his house in 1978 and after her. and for me, this didn't happen because she was reminiscent of judith - it's because she was the opposite.

i think a lot about my heart is a chainsaw, and how it goes at length to speak of how the slasher cannot exist without the final girl, and that the slasher helps her transform into her complete, fully realized self. michael pursues laurie and draws her to act in violence against him because he knows they're equals - it's not a predator hunting prey. it's a dance. when he sees her in the window, he immediately recognizes that fact. the fact that he went home and was immediately drawn out of it because of laurie? yeah. why else would he have continued? likewise re: allyson.

and i think without having this Object of Obsession (lmao) michael has no standing as a character for me. it's what made halloween kills, beyond reading heavily into it re: michael possibly feeling the same level of obsession toward allyson hence not killing her on the 3-4 occasions in which he could have, feel extremely pointless and empty to me. not a huge fan of the idea of michael killing Just Because He's Evil, yk. like yes. he IS evil incarnate, but he's obsessive and an unstoppable force once he's dedicated to something - or someone. to what purpose? who knows.

the 2018 novelization implies he saw allyson running on halloween morning on lampkin lane and subsequently felt watched throughout the day. michael slowly picked off her friends, then killed her father, then her boyfriend, then her mother. it's all very, very intentional, and the cycle continuing albeit in a much more brutal manner because he's been lying in wait for 40 years. he's angry, repressed, and more violent and powerful than he was in 1978.

and so this is why allyson specifically is extremely important to my interpretation of michael and why i was heavily disappointed by ends. the only thing i really take from it is that michael was willing to work with corey to find allyson until he led him to where she is, which made him disposable to michael (hence why he killed him immediately).

all of this being said, i truly do think michael spent the 40 years he was incarcerated thinking about laurie. which is why, in the 2018 novelization, he still thinks of himself as a 21-year-old and laurie as 17, and the passage of time means nothing to him because he hasn't developed cognitively whatsoever. the only times in which he's truly been lucid ---- between the extremes of loomis drugging him into a catatonic state vs. sartain most likely not medicating him at all and endlessly enabling him ---- has been in pursuit of laurie.

considering it's been over 50 years since he killed judith--and he was literally in kindergarten when it happened--i don't even know if michael remembers killing judith at all. i don't even think 6-year-olds understand the meaning or permanence of death. so yes, i do definitely think by 2018, michael would not remember judith's death much if at all and is likely returning home (again) to look for her and look out her window (the compulsive need to look out her window, it's the mental illness innit love) vs. his original intent on recreating his first murder in 1978 with laurie's friends ---- but by that point, i think he returned home both to return to judith's room and also to lure allyson or laurie to him at that point.

[randomstoriesandwhatnot]

Also, now that they’re back, I need new EXO blogs on my tl..where you guys at

[transmechanicus]

The description here confuses the hell out of me like i know this is the Blood Games and Custodes already have unlimited authority, but what's this about bribing a tech priest and taking control of a battlefleet solar ship, like are those ppl involved not going to be killed for helping with this training exercise??

I must say the author of the codex fluff story has managed the impossible: they managed not only the first canon appearance of a female custodes, but she also is a fan-favourite now.

[appletvdaily]

Ted Lasso S3 Second Half - Rebecca Welton

[ollywander]

How J.K. Rowling felt after basing Snape on her chemistry teacher (who she quite incorrectly thought hated her) thinking he would never see it (he was good friends with her mother, loved the series, and wrote magical beast fanfiction because he — and I have many sources for this — was a mega-nerd, autistic, multi-talented, innately wizard-ish Welshman).

I looked into this guy because I was wondering what he could have possibly done to get Snape, of all characters, based on him. The only thing I could find was that apparently J.K. Rowling took his autistic socializing as “he doesn’t like me” and that this guy was actually a really nice person. Like, unusually so. I went to read up on it again for the sake of this post and had a bunch of “Oh, that’s right; he totally did have a restroom with disabled access installed in the science department for J.K. Rowling’s T.A. mother who was ill” moments, some “Oh, that’s right; he totally was a pillar of his community who went around doing welfare checks on people with violent exes even when he was on his deathbed” moments, some, “Oh yeah, he totally was a feminist who lobbied for women’s rights on a regular basis (my uncle who likes Harry Potter joked that this is why J.K. Rowling didn’t like him)” moments, and some “Oh, yeah; he totally did used to compare his chemistry class to potion making and wizards when kids got bored and sing about it in Welsh with wizard robes on randomly throughout and at the end of the year like a freaking nerd years before Harry Potter was even conceived” moments.

TL;DR: This has been a J.K. Rowling are you fucking kidding me post and also Snape is a feminist by proxy; I don’t make the rules.

[ousnap]

Any active btspopper out there?? I need more to follow. But must be an active user. Check the tags please.

[multi-lefaiye]

when customers (i'm ok now)

[ssruis]

@sakitenmaenjoyer Whenever I’m watching an event TL on YouTube the comments are all actually the most irritating thing I’ve ever seen like tsukasa4 was all “yayy tsukasa angst” (?? No it is not) “best character in the game” (wrong) etc etc.* i go on twitter and see someone being like “he’s ugly” and the replies are all NO he’s BEAUTIFUL (incorrect)… i saw someone say they hated nene because she bullied him. I see videos about his best vocal moments and it’s all shit that I cannot listen to without someone else there to balance him out. Tsukasa fans putting him in the top of hc tier lists regardless of whether or not it fits because they’re incapable of thinking anything but positive thoughts about him. “Tsukasa is actually egotistical and occasionally selfish and this is an interesting thing to explore” is met with resounding boos. Occasionally I look at the accounts of top tsukasa posters and I’m like who is this man bc this is not tsukasa tenma. Actually the trenches. & the “um acktually”s are so funny because normally they’re not even right. It’s gotten so bad they treat his CV like a character.

* actually hysterical to see bad takes in the comments of tsukasa event TLS because it’s like wow you’re watching the story and somehow still the whole thing is going Right Over Your Head

The true reason I never put my pjsk posts in the main tag (beyond the fact that I make many and don’t want to clog it up) is that if I attract the subset of the fanbase that refuses to hear one bad word about tsukasa they’ll burn me at the stake bc all I do is make fun of him and call him ugly

[sexhaver]

for whatever reason I feel like you may know this particular piece of reddit lore, how did the methwithoutcommunism subreddit get its name?

people kept smoking meth and getting mad at the government and posting stimulant-fueled multi-paragraph communist rants to r/meth and the more right-wing methheads made their own subreddit where they would be free to discuss tweaking without hearing about how capitalism must be destroyed. tl;dr:

[couch-house]

Merger AU comic... begin!! I think I've got my comic skills to a point where I want to try doing an STC-style multi-part story. I've got it all scripted, now I just have to do it. It's a lot of work! So erm 👉👈 I'd really appreciate if you'd ♥ 💬 or 🔁 to let me know what you think :)

Confused? Don't go here? Read my fanfiction as a prologue! Or don't! This picks up right after the end of Fleetway's Sonic The Comic, so you aren't really missing much. tl;dr for basic stc lore below:

In the UK Sonic comic, Sonic transforms into Super after exposure to large amounts of chaos energy or in times of great stress. Super is a violent, chaotic monster that destroys everything and everyone he sees until he loses power and reverts back to Sonic. Halfway through the comic, Super and Sonic are physically separated. Super then loses his powers and--briefly--his memories, becoming a nice little guy who wanders Metropolis Zone getting adopted by sweet old ladies. This includes Ebony the Mystic Mog (a witch/sorceres) and Pyjamas the Psychic. They take him in as family and give him a job at Ebony's coffee bar The Groovy Train. As Super's chaos energy fades, he starts dying. Ebony takes him to find the Chaos Emeralds to heal him, but runs into the Sonic Adventure 1 plot. Super absorb's Chaos' energy and becomes evil again, until Ebony seals him away in Sonic's body.

Hopefully some of that was apparent already! The only changes I've made to canon before this point is letting Super choose a new name as Fleet :)

[82mitsu]

Previously translated pair names that had been posted to Twitter. However corrections had to be made (misinterpretations & an instance of mistranslation), so this is version 2.

Note: This is the only translated thing I will be posting, I am not off hiatus. I had been meaning to archive this before my hiatus, but I also had to fix some things, which is why there was a delay.

Please consult to this post only regarding pair name translations done by me (82mitsu), any other posts or reposts you might see of this chart is the older version. (Previous version has been deleted, but I'm unaware how far the information had spread.)

If any other corrections need to be made, feel free to contact me and I'll make them as soon as possible.

Below follows an extreme lengthy TL note breaking down some pair names, it's a lot of text, so be warned once you unfold the read more.

A lot of research went into these due to 18TRIPs tendency to mix up words, use Gen-Z slang that hasn’t been picked up by everyone yet (or limited to TikTok) and make up their own words (“Omotenashisto” -> “Hospitalister”). I used dictionaries, searched forum results, looked up how people use these words on social media, went TikTok digging, etc.

I tried my best to localize in a way that should make sense even without added context. I only explained the ones that I thought might needed some more back-up in a cultural sense or because it was a specific JPN thing. Thus, not everything has been explained. However, I hope things are clearer compared to the first version that was posted. For Renga & Yukikaze: For ぽゆぽゆ (poyupoyu) there is no definition or anything for this word, but from context clues and digging through how people used it, I deduced that it means something soft and squishy like a plushie or cheeks, so to say. For Renga & Liguang: かりそめの宿縁 (karisome no shukuen) is a Japanese saying about a fated connection of bond that only lasts for a brief moment, but leaves a deep impact on your life. For Renga & Raito: Party is mispelled in the katakana as “paachii” and not the usual “paatii”. Renga has a tendecy to say English words wrong. While “friends” is spelled the correct way, both words have been “mispelled” to drive the point home. For Renga & Kinari: なぁぜなぁぜ (naaze, naaze) is JPN Gen-Z slang from Tiktok. It’s a statement made as an act for complaining, with a bit of sarcasm and irony thrown in at times. Like, “I said I wanna diet but I ate a big meal anyway! なぁぜなぁぜ” or “I’m an idol but I get more anxious doing improv than performances! なぁぜなぁぜ”. Best way I can describe the usage in this context is Renga is throwing a bit of a self-aware tantrum as to why Kinari would correct him. (As mentioned earlier, he isn’t good at English). I guessed a close equivalent would be “nuh-uh”, since that is a dismissal of someone else’s opinion without actual good reason, even if the other person has a point. For Renga & Netaro: まんまん (manman) means “a lot” but I also believe it’s a reference to meatbuns (nikuman). For Kafka & Yodaka: Hanbei is Takenaka Shigeharu, a Japanese samurai from the Sengoku era. He was known for being Toyotomi Hideyoshi’s strategist. For Liguang & Yodaka: 闘牌伝 (touhaiden) is related to Mahjong stuff. 闘牌伝 seems to be an old timey Mahjong video game with RPG elements. Rekka is a fighting game term, and I will quote the website The Fighting Game Glossary by Infil on this: “A type of special move that has multiple stages, as long as you input more commands to continue the sequence. Not all multi-part specials can be called rekkas though; a rekka tends to have exactly three distinct parts and will move your character forward along the ground with each new input.”  For Akuta & Nanaki: They went to the same kindergarten and were grouped together in the “Oden Class”. Japanese kindergartens, from my understanding from researching, tend to have a name for their class, rather than a number. To give an idea what such names could be, in 2019 the website hyenasclubs hosted a poll of most commonly used names for classes, and the top 3 were “baby chick” (hiyoko), “peach” (momo) and “dandelion” (tanpopo). For Akuta & Muneuji: My take on はっけよい輝矢部屋 (hakkeyoi kaguya heya) is a bit of an elaborate bit joking with Princess Kaguya of the Moon (from Tale of the Bamboo Cutter) because I was wondering why they suddenly opted for Muneuji’s last name instead of first. (I might’ve also just overestimated Kaguya Heya being some joke on Kaguya Hime). Hakkeyoi is what a referee shouts at the start of a sumo wrestling match. For Akuta & Ushio: I think ポジティブに腕押し (positive ni ude oshi) is a take on 暖簾に腕押し (noren ni ude oshi) that means something has no effect or is pointless. Lit. it means “pushing a curtain with one's arm”.    For Akuta & Tao: Akuta Nine is a joke on the baseball movie Gyakkyo Nine which is an adaptation of the manga of the same series, I believe. The movie is referred to as GK9, hence I made it AKT9.  For Akuta & Ryui: The original is OYAxKOBU which comes from 親分子分 (oyabunkobun) meaning “boss and his underlings”. Akuta also calls Ryui by “Oyabun”.

For Kiroku & Nanaki: Weebs who watch highschool anime should be familiar with this, but emergency staircase refers to the hallway stairs in a JPN highschool that are sometimes used as chilling out spots by students. For Kiroku & Chihiro: TuRyStA is the clothing brand they wear. 18TRIP has a various selection of clothing brands, which each character having a preference for one or another. For Kiroku & Yodaka: Zhao Yun, as quoted by Wikipedia, “was a military general who lived during the late Eastern Han dynasty and early Three Kingdoms period of China.” For Ushio & Raito: Some heavy freedom was taken with バスボムしゅわリスト (basubamu shuwaristo). After considering how to approach it in the most sensical way, I decided to translate it as “bubblist” due the other options being “hand sign list” or “bubble list”. I thought リスト might function as in -ist, like dentist, artist, guitarist. しゅわ comes from しゅわしゅわ which means bubbly. Although bubblist isn’t not that common, it is sometimes referred to entertainers that do bubble performances (in English). And I think it made more sense than “hand sign list” or “bubble list” to say the least. This was also taking in consideration how 18TRIP, as explained in the intro, gets very creative with its language usage. For Raito & Nagi: Mandarin ducks symbolize “soulmates” of some kind in China. In other words, Mandarin Duck Touring is more along the lines of “Motorcycle touring soulmates”. However, I find the mandarin duck reference and interesting pull compared to just “soulmates”, so it was kept as is. For Kinari & Ryui: “Super Darling Gap Inspection” is more along the original lines. “Gap” in Japanese is usually used in the context of when someone acts one way, but unexpectedly, can act a different way. Ex. A very shy person shows they can be super vulgar, that can be considered a “gap” of some kind. In English, people are more familiar with “gap moe”, thus gap moe was used. For Tao & Nagi: Might be a reference to Yokohama’s Zo-no-hana (Elephant Nose) Park. For Toi & Yodaka: The original is more along the lines of, in the most literal sense, “going around raisins circle (of friends).” Toi likes raisins, but Yodaka doesn’t, so Yodaka passes them onto Toi. I’ve turned into on a play on “sharing is caring” since that’s a common concept in English.

[who-is-page]

CALL FOR SUBMISSIONS: Inky Paws #3

Inky Paws is a nonhuman anthology zine for original fiction writings by nonhumans and alterhumans about nonhumanity, alterhumanity, and similar, related themes. This zine is primarily literature focused, but will also be open to more illustrative methods of story-telling such as comics. The zine’s focus is on fictional pieces that are centered around nonhumanity, alterhumanity, therianthropy, and similar (see Submission Guidelines section for more details).

You are welcome to submit:

Short stories

Microfiction

Satire

Poetry

Song lyrics

Experimental fiction (fake newspapers, fake recipes, fake blogs, fake posters, etc.)

Mixed media

Comics

And more! If you're unsure, just ask! Seriously, please just ask. I promise I would 10000% love to hear about your idea even if you're unsure about submitting it, there is no such thing as a bad idea and I cannot stress this enough.

How to participate:

You can submit your pieces in this Google Form!

OR

Email invisibleotherkin(@)gmail(.)com with your submission, and please title the email "Inky Paws Zine #3 Submission". With your submission, please include:

The piece's title or name,

A name or pen name to attribute the piece to,

Any content warnings that you feel are necessary for the piece,

Any social media handle or personal website you’d like to be published alongside your name with the piece (optional), and

Any relevant author notes or author biographical information (optional).

Anonymous pieces are also welcome.

Once submissions have been collected and the deadline has passed, these submissions will be put into the zine and it will be posted online as a free PDF. Submissions are due by April 30th, 2024.

Please see the Submission Guidelines, and Submission FAQ, below cut.

SUBMISSION GUIDELINES:

Each individual may contribute up to 3 accepted submissions to be published in Inky Paws; individuals within systems may each submit 3 pieces, that is to say 3 pieces per systemmate/headmate/preferred term.

Comics and similar multi-part pieces count as one submission altogether: if you submit a single story that has been divided into two sub-stories for dramatic emphasis, or if you submit 10 pages of a single-story comic, or if you submit a written piece of fiction and an accompanying image that you drew or otherwise created to go along with it, that would still only count as one piece.

Submissions must fit the thematic criteria of:

Being explicitly about or based on nonhumans, otherkin, therianthropes, fictionkin, alterhumans, or similar groups, or;

Having strong themes or describing experiences strongly reminiscent of or related to nonhumans, otherkin, therianthropes, fictionkin, alterhumans, or similar such as (but not limited to):

Characters experiencing nonhumanity or alterhumanity as being a part of themselves/their identity,

Characters experiencing anything similar to a shift (including physical shifting),

Characters struggling with (emotionally, socially, or otherwise) being both human and nonhuman or alterhuman in some way,

Characters having a past-life as something nonhuman or alterhuman that strongly still impacts their current life, or

Characters desiring to be nonhuman or have nonhuman attributes.

TL;DR - Your submissions have to relate to or be about alterhumans or nonhumans in some way, shape, or form.

Written submissions must not exceed 7500 words, and must also use a reader-friendly font with a text size of or exceeding 16 pt.

For stories that use multiple different fonts, such as pieces meant to imitate newspapers and similar, every effort will be made to preserve the general "feel" of your piece but fonts may not be transferred over 1:1 due to potential conflicts with font copyright, readability, and overarching zine style.

Multi-part image submissions must not exceed 10 pages in length, and must also use a reader-friendly font with a text size of or exceeding 16 pt if they include text. Images larger than 8.5 x 11in. will be scaled down to an appropriate size; please take that into account when creating and submitting your images. It is also recommended that images be vertical or square in their orientation.

Written submissions should be submitted as a .docx file. Images and mixed media pieces should be submitted as either .jpg or .png files.

All submitted pieces should be your own work. Individuals caught plagiarizing or using AI within their submissions will be barred from participating in Inky Paws, including in any potential future volumes.

SUBMISSION FAQ:

Q: Where will this zine be hosted? A: The zine will be hosted for free download on Itch.io, where issues 1 and 2 of the zine are already hosted.

Q: What is the cap on submissions? A: At this time, we are not looking to accept more than roughly 25 submissions at most, in order to keep numbers and expectations manageable.

Q: Can I update my application after submitting? A: Yes, so long as the updates are submitted before the submission deadline!

Q: What is your policy on content moderation and content warnings? A: If you feel your piece needs content warnings, please include them in the submission, as we are hoping to include relevant content warnings and maturity ratings alongside all pieces. We are at this time accepting pieces of all tones and ratings.

With that said, It should be noted that any items submitted with soapboxing intent and anti-nonhuman, anti-alterhuman, anti-fictionkin, or similar leans are largely not welcome, as this is a zine geared towards all aforementioned groups and then some.

Q: Can I submit an in-progress draft or sketch? Can I claim a spot in the zine before sending in my submission? A: We are not currently accepting WIP pieces for submission at this time, though feel free to send us your WIP if you have questions related to its future submission. We also cannot reserve or guarantee a spot in the zine pre-submission, regardless of any existing drafts or WIPs.

Q: Can I submit a piece of fanfiction? A: While we've now accepted pieces of fanfiction in the past, we tend to prefer to leave them out for legal reasons. If you submit a piece of obvious fanfiction, please know that it may be significantly more likely to be rejected from the zine and that, if the piece is accepted, the piece may be removed without warning from the zine later on if DMCA or legal issues arise. We strongly advise that individuals who wish to write something inspired by fiction make it non-obvious to the outside reader where the inspiration is being taken from.

Q: Can I submit something I've created in the past? A: You can submit something you've created in the past, but please try to avoid submitting anything that you've published previously and is currently publicly accessible. For example, if the story you want to submit has already been featured in a different anthology, please don't submit it to Inky Paws! We want to encourage people to create new pieces, or to put the spotlight on pieces that haven't previously had the opportunity to be published.

Q: Do I have to write something based on the provided prompts? A: Nope! The prompts are there by popular request to help give people a jumping off point for creating, but are not required to be incorporated into your piece and will not have any effect on if your submission gets accepted or not.

Q: What is the projected timeline for this project? A: Submissions will close by April 30th of 2024. The publish date of the zine depends on submission amount and size of submissions; in an ideal world, we hope to have the zine published by December, before year's end.

Q: Can I rescind my submission? A: As long as you request to rescind your submission before the submission deadline, yes. After the deadline passes and the formatting and work towards publishing begins, we cannot guarantee that we will be able to remove your work from the zine due to time constraints and potential formatting issues. Please take this into account before submitting.

Q: Will there be any physical copies of this zine? A: Due to cost restraints and a lack of printing experience on the part of the zine organizers, we have no physical copies of this zine planned for print. You are, however, welcome to download and print copies of the zine for personal use.

Q: Who are the organizers of this zine? Where can I reach out to ask further questions? A: Who-is-Page and Noel Sol of the Sol System are organizing this zine. Feel free to send us any questions, comments, or concerns to invisibleotherkin(@)gmail(.)com, or you can always message us on Tumblr at Who-is-Page.