#timeless studies

[writer-and-artist27]

Written on a whim within 2 days on vacation, while resting in a quiet cabin with no cell connection (yet surprisingly having okay internet) near Grand Teton National Park.

Just to reflect on birthdays and what they mean for me since growing up. My family was never big on giant parties, but that doesn't make the memories with them any less valid.

Taking from memories of the first birthdays I celebrated with my partner, my real life Robin, to write this while resting my legs from hikes, felt nice. Especially when soothing the sting of bad reviews.

AO3 link here. OST playlist also here, with the new songs included.

Just going to take the moment to also unofficially reference/link two songs I've used in the OST Playlist before, I was just listening to them more because of the serene mood they put me in to write this much.

[butchlifeguard]

seems like you want to be a doctor for the wrong reasons… it shouldn’t be about being able to be “pretentious” someday

this is a one piece blog

[hanvanmusic]

Tavern Queen | Relaxing Medieval Instrumental Music & Ambient LoFi #medievaltavernmusic

Journey back in time with 'Tavern Queen', an enchanting blend of medieval tavern music with calming, modern LoFi beats. This instrumental and ambient masterpiece is perfect for study, relaxation, or simply taking a moment to unwind and transport your imagination to a medieval tavern. Immerse yourself in the mesmerizing tunes of our 'Tavern Queen', a captivating fusion of the old world charm and the soothing rhythm of LoFi beats. Whether you are studying, working, or simply looking for a peaceful ambiance, our meticulously curated music promises to deliver serenity and focus. Remember to like, share, and subscribe to our channel for your regular dose of tranquility. Stay tuned for more, as we continue to bridge the gap between the past and present, one melody at a time. #TavernQueen #LoFiAmbience #MedievalMusic #RelaxingBeats

[analogous-co]

For sale at our website www.ags.supply/ 

Timeless.

Brass is thousands of years old, yet used in some of the most sophisticated photographic instruments.

We chose to use brass for its lasting endurance and durability, its warm living character, and the direct connection to Leica’s history with this timeless material.

[deardiary-history]

May 14, 1934 (Mary)

Exam week. Usual classes tho. Review in chem. Handed in my class prophecy, class news, etc. Nothing much happened that day. Studied, or rather tried to.

[funnyartprintsnow]

Beaver Portrait Print - Animal Print, Wildlife Art, Nature Decor, Rustic Home Decoration, Beaver Art

[porchtart]

So funny that that post popped out of my queue while I'm fighting for my life trying to not start writing this Garcy fic that I have not been able to stop thinking about for the last 24 hours.

[contact-guy]

I'm reading a bunch of self-reported case studies of queer people in the 19th century (Psychopathia Sexualis by Krafft-Ebing, for those who are curious) and I REALLY love that the impulse to immediately share life stories when you meet another gay person is timeless and universal

[hanvanmusic]

Keep Showing Up 🎸 Acoustic Gem from the 90s | Timeless Music Experience 🎸 #90sMusic #Acoustic

Dive into the past with 'Keep Showing Up', a timeless acoustic piece from the golden era of the 90s. This track encapsulates the authentic essence of 90s music, offering a soothing melody that's perfect for relaxation, study, or simply reminiscing about the good old days. Hit 'Play' and let the nostalgic chords transport you back in time. Don't forget to like, share, and subscribe for more unique music experiences! #90sMusic #Acoustic #KeepShowingUp #HanvanMusic 🎵 Parts List: https:https://www.youtube.com/playlist?list=PLyCzCWN9gRLw7dlc9dCU8d2F0WvZdnp-V 🔔 Don't forget to subscribe and turn on notifications so you can be notified of new videos! 🎧 Enjoy this video and please give your comments and thoughts. It is important for us to communicate with you!

[dirkdarmstaedter]

Home Office - Freestanding

[toonass]

Library Open

[confronttheconfidencegap]

Loft-Style Family Room (Minneapolis)

[florianrenner]

David H for Maximilian Mogg in my latest #campaign for @maximilian.mogg … @davidhmml_ #wearing all #maxmogg #thanksgoditsfriday #bespoke #menswear #tailoring #timeless #bold #portrait #bewegungsstudie #motion #study #photography by #florianrenner @eramanagement #grooming @makeupbyisabell #applebox #studioshoot #lavieenorange🍊 (at Berlin, Germany) https://www.instagram.com/p/Cn7KGP5N1zQ/?igshid=NGJjMDIxMWI=

[metamatar]

In 2005, the tellingly named studio After Stone wall Productions released a film titled Dangerous Living: Coming Out in the Developing World. Featuring interviews with various LGBT activists from different countries outside the West, spliced up and lumped together haphazardly, the film delivers the following overarching messages: that it is not safe to be queer in the "developing world," that what queer spaces do exist in the "developing world" are to be found in certain metropolises: Cairo, Kuala Lumpur, Calcutta, Rio de Janeiro—and that these sites trace their genealogy to the Stonewall riots. Furthermore, according to the film, queerness/gayness and sometimes transness (when it is acknowledged) were invented in the West. Epistemic breaking points such as the Stone wall riots and canonized locales such as San Francisco and Greenwich Village are the originating points of this innovation against the backdrop of a timeless, pervasive heterosexism. This cosmopolitan gayness/queerness then "spreads" from the metropole to the periphery, forming a web from city to city This coincides with Jack Halberstam's (excruciatingly white) analysis in his book In a Queer Time and Place: the idea of "metronorma tivity" that "the rural is made to function as a closet for urban sexualities in most accounts of rural queer migration" and that "the metronormative narrative maps a story of migration onto the coming-out narrative" (2005, 36-37). We can extend Halberstam's analysis further and see the ways that the closet/rural/(post)colony as well as out/urban/metropole get col lapsed onto each other—the queer is always pulled closer to the heart of capital.

The overarching savior narrative occurs towards the end of the film, when each interviewee, in clips spliced together, tells his or her story of emigrating to the West. After a particularly heart-wrenching story of Ashraf Zanati's departure from Egypt, the narrator comments that "Ashraf Zanati left Egypt. Ashraf had become part of a planetary minority." Although the film purports to care about the status of queers in the "developing world," it actually forms a wounded attachment that fetishizes displacement and bifurcates the queer from his or her society. This narration of non-Western countries as inherently unsafe for queer subjects produces the very displacement it describes, in a manner similar to the ways nine teenthcentury colonial archaeology laid the foundations for Zionism and the dispossession of Arab Jews. Writing about the European "discovery" and destruction of the Cairo Geniza—a building that had housed pieces of paper documenting centuries of jewish Egyptian history—Shohat (2006) shows us that the discursive/ archival dislocation of Egyptian Jews by the forces of European/Ashkenazi colonialism anticipated the later dislocation of Egyptian Jews. This dislocation would form part of the backbone of Zionist historiography's production of a "morbidly selective 'tracing the dots' from pogrom to pogrom." The fetishization of queer displacement, as projected by Dangerous Living, performs a similar historical flip to the one Shohat documents: "If at the time of the 'Geniza discovery' Egyptian Jews were still seen as part of the colonized Arab world, with the partition of Palestine, Arab-Jews, in a historical shift, suddenly became simply 'Jews'" (Shohat 2006, 205). Through various colonial practices, there was a discursive bifurcation between the "Arab" and the "Jew"; in the case of case of Dangerous Living there is a similar bifurcation between the "Egyptian" and the "Queer."

Papantonopoulou, Saffo. “‘Even a Freak Like You Would Be Safe in Tel Aviv’: Transgender Subjects, Wounded Attachments, and the Zionist Economy of Gratitude.” Women’s Studies Quarterly, vol. 42, no. 1/2, 2014, pp. 278–93. JSTOR, http://www.jstor.org/stable/24364930. Accessed 11 Nov. 2024.

[evergentleandkind]

Traditional Home Office in DC Metro

[hyacintho-surrexit]

Raleigh Home Office Built-In