#time for More panel symbolism

[infini-tree]

variations of a theme

[journey-to-the-attic]

one thing about ik is that she will always reach out

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[psalmsofpsychosis]

going through the batmanverse archives after awhile and— we really need to talk about the way Batman and Joker fight.

There's a form to fighting for offence and defence, your body movements are focused on delivering pain and/or protecting yourself from pain. This involves a sequence of specific positionings and physical orientation, none of which Batman delivers right when it comes to Joker.

It's a bit on the nose at this point to talk about Joker's fighting style when it comes to Batman, what with his knife and the intimate proximity that fighting style creates and all—

But Batman? Batman literally hits like sex. He punches joker's face like he's trying to get past skin and bone and get into his mouth, he fights Joker like he wants to make a dent in him and tear into him, get in him. it's fascinating how in Batmanverse Batman's fights with Joker are a lot like intercourse; upclose and unbearably personal, he's not trying to hurt him as much as he's pushing to get closer and closer to him. He doesn't hit to break through, he hits to break in. And he doesn't get satisfied until he draws blood, what is *in* must come out; he wants to draw the inside out, to see the affect of how he drives Joker over the edge. cum symbolism ensues this brings me to another curious point:

traditionally in the percieved absence of female ejaculation and visible signs of orgasm and conclusion, for a very long time men have been obsessed with making a woman bleed from intercourse. At different points in Batman comics writers have assigned a lot of feminine qualities to Joker, sometimes a bit more than usual, sometimes a bit less, but it's been there consistently through most of his portrayals, so when plotpoints like these

ensue, you start to wonder what is happening here exactly. Very curious indeed.

[angy-grrr]

SJ's internal changes (I recall it was the editor in chief, someone really influential) happening JUST at the same time it was announced the epilogue would be 5 chapters (same week) + the ending not bringing up huge plot points (where the other villains are, why theres no actual Himiko corpse and instead we got Ochako's grief over that assumption, what happened to Dabi, what was the All Might vestige, why the bkdk handhold was off screen when its a big deal for them, who is Deku's dad, etc), letting them linger in the air while trying to make an okay ending + that strange two week break because of "schedule conflicts" + choosing to end BNHA under even more pressure even tho its one of the most important manga in SJ + Horikoshi talking about the ending days after the official release and bringing up how grateful he is for being able to work in SJ, as in past tense (like he is grateful he worked here, but isnt happening again; I say this bc I expected him to say something around the lines of "I hope im able to create something good here again soon!", considering we already know he has another manga project, if I remember correctly)

Thinking about it.

Thinking about how he could let it as it is, or try to pick it up and confirm the things that do matter to his story.

Btw, im not talking about the handhold as a shipper -it was genuinely important for them, as it symbolizes both their new mutual understanding and an acceptance as the new All Might duo thanks to their respective heroisms. It wouldn't be weird to add it in the epilogue, especially considering so many characters hold hands in non romanitc ways, so to choose not to when its arguably the most important one... Idk, it felt really weird as it was the only thing I was sure would get sooner or later.

[xamaxenta]

Two pages or one?

[deiaiko]

#9 - Rescue

Masterlist

Previous

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Let me know your thoughts in the reblogs <3

[martyrbat]

[ID: an uncoloured drawing for a panel next to the publicized version. They're both from the comic Batman: Legends of the Dark Knight #194. In them, Batman is shown from the waist up. He's looking at Jim Gordon, who's off panel, with a penitent expression after being accused of something he secretly did do. He has his palm pressed against his chest and is blocking the bat emblem as his other hand is clasped ontop of it. In the initial drawing, there's a halo floating above his head as well as several tiny hearts mixed in with the lights that surround him. In the publicized panel, the hearts and halo has been removed and two speech bubbles have been added. He's in front of a terra rose background and is starting to say, “Jim, I don't even know what you're...” But Jim cuts him off, saying, “Stop it. I'm tired of this.”

The third photo is a description of the drawing from the artist's (Seth Fisher) website. It reads: This is another page that the DC editors changed: no halos or hearts around Batman, no matter how (disingenuously) contrite he is. In the final edition, the halo and heart in the center bottom frame have been excised.]

[jasontoddenthusiastt]

‘The point is not “is bftc good Jason characterization”’

Actually the point can be anything that the op of the post wants it to be. Oh you mean that is not your point. Um …. Cool. Nobody asked.

[the-stove-is-on-fire]

After School Ghost Theory 101 with Professor Fenton

Switch to light mode or Classic Blue to get the full transparency effect!

[Image ID: A four page comic that starts with Danny Fenton standing in front of a whiteboard holding up a white cat. "Question: Do ghosts purr?” 

Tucker: “Danny when was the last time you slept?” Danny: “Irrelevant.” 

Danny info-dumps: “The answer is yes, but also no. Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations. Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different. Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’”

Danny, wiping off the whiteboard: “Any questions before we move on?"

Danny’s audience consists of Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter in a classroom. Wes is seated at a desk at the front taking notes. Tucker is sitting on Sam’s lap playing on a Switch, Ellie is sitting on a desk behind them. Dash is asleep at the back of the room.

Ellie, now holding the cat: “Is this Vlad’s first cat!?” Wes: "Could you tone down the floating eyes before the next part? They're kinda distracting." Danny: "What eyes?" Wes: “Please stop gaslighting me.”

A transparency trick on the last page reveals dark shadows and eyes all around Danny when viewed in dark mode. /.End ID]

An Extended Image ID is available under the read more because it’s over 1k. Side by side light and dark mode versions of the transparency trick is also available under the cut.

[Extended Image ID: The post contains a four page comic. The first page shows two comic panels with white borders. The top panel features a bedraggled looking Danny Fenton from the waist up holding a disgruntled fluffy white cat. There are bags under his eyes, his hair is messy, his arms are covered in bandaids and cat scratches, and his nails are painted black. He’s wearing a white shirt with red sleeves and a red oval on the front. In a large green text bubble he says “Question: Do ghosts purr?” A small orange text bubble under it asks “Danny when was the last time you slept?” “Irrelevant” Danny replies. 

In the bottom panel Danny is standing on the far left side of the panel in front of a whiteboard in a classroom with the cat under his arm. He’s wearing baggy jeans with holes in the knees and his classic white and red Converse shoes. The whiteboard behind him has partially erased doodles around the edges including some flowers, stars, and Phantom’s DP symbol. There are a few balls of paper on the floor. Partially out of frame on the wall behind Danny is a poster of  Einstein and above it a clock. Pointing at the whiteboard with a marker Danny says “The answer: Yes but also no” His words are written on the whiteboard. Under the words is a drawing of a stick figure and a green bedsheet ghost with a circle between them. The circle is surrounded by green squiggly lines radiating out from it. Under the circle, an arrow is drawn pointing to it with the words ‘core vibrations’ written on the board. A green text bubble in the space under the whiteboard says “Technically, all beings that possess a core are constantly "purring", a.k.a. Core Vibrations.”

On the second page there are two blocks of text, each followed by a drawing. The page background is a pale, greenish-grey with subtle scuff marks imitating the look of a whiteboard. The first block of text at the top of the page reads “Core Vibrations are a nonverbal, emotion-based communication system between Ghosts, similar to how some living species use pheromones to communicate. The exact tone of each ghost is different the same way people's voices are different.” Under the text, imitating the look of dry erase marker, is a drawing of two simple ghosts smiling and waving to each other. They both have a small green circle drawn on their chest area with green squiggly lines radiating out from each ghost. Between the two cores, two parallel arrows are drawn, facing opposite directions. Under the arrows is the text “core to core communication.” 

Under the ghosts is a second block of text reading “Humans can only hear these vibrations when the frequency passes through their audible range (20Hz - 20KHz), hence the 'purring' sound. When the range dips into infrasound (16 - 20Hz) it can cause feelings of fear and unease in humans that they often associate with ghosts and the supernatural. Also known as the ‘Heebie Jeebies.’” Under the text a red arrow points from the words ‘heebie jeebies’ to a simple drawing of Dash Baxter holding a flashlight and looking scared. There is a cobweb with a dangling spider drawn to his right and a bunch of green blob ghosts behind him to his left. In blue text the blobs say “you forgot to update your mailing address with the IRS” and “you filed your taxes incorrectly.”

The third page once again shows two comic panels. In the top panel Danny takes up the centre. He’s stretched across the whiteboard in a dynamic pose erasing the drawing of frightened Dash with a big swipe. One hand is braced on the board as he looks over his shoulder and asks “Anyone got questions before we move on?” If the image is viewed in dark mode, there are five, messily drawn eyes of varying sizes surrounding Danny. If viewed in light mode, the eyes are absent. 

The bottom comic panel reveals Danny’s audience to be Wes Weston, Tucker Foley, Sam Manson, Danny’s clone Ellie, and Dash Baxter. In the bottom left corner, Wes sits slouched at a desk at the front of the classroom with papers and an open notebook spread out over his desk. He’s wearing a red zip up hoodie with white sleeves. His hoodie is unzipped showing a green shirt underneath that matches the colour of his eyes. At the desk beside him Tucker and Sam share a chair with their focus on Tucker’s Switch and not Danny’s presentation. Tucker is sitting in Sam’s lap with her arms around his waist and her head resting on his shoulder. Tucker is wearing a red beanie with short dreads, goldenrod yellow turtleneck sweater, green cargo pants, and white shoes. Sam is wearing a black crop top with a fishnet layer over top, purple pleated plaid skirt, artistically ripped purple leggings, and black combat boots with bright green laces. Tucker has the tips of his dread dyed green and purple. Sam has streaks of purple, green, and orange in her hair. Ellie is sitting cross legged on top of a desk two rows behind Sam and Tucker. She’s wearing a cropped hoodie with the same colours as Danny’s shirt and black track pants with white and red shoes. Her hair is tied in a high ponytail and she is holding the squirming fluffy white cat up in the air. At the very back of the classroom behind Wes’ left shoulder Dash can be seen asleep slouched over his desk. Wes has one hand resting on his desk holding a mechanical pencil the other partially raised with his hand open. In a beige text bubble with red text he replies to Danny’s question with an unimpressed look on his face “Could you tone down the floating eyes before the next part? They're kinda distracting.” Under his text bubble a small blue text bubble from Ellie asks “Is this Vlad’s first cat!?” If the image is viewed in dark mode, there are three visible floating eyes off to the side of the panel. If viewed in light mode, the eyes are absent. 

The final comic page is a single, full body shot of Danny standing in front of the blank whiteboard. He’s looking over his shoulder, slightly turned with his back mostly towards the classroom and the eraser in his hand. He has an incredulous look on his face. If the page is viewed in dark mode, the background looks dark and Danny is surrounded by dozens eyes of in all different sizes. If viewed in light mode, the eyes are absent. In a green text bubble Danny asks “What eyes?” In the bottom left corner Wes replies “Please stop gaslighting me.” /.End ID]

[yuu33]

I never knew tumblr had a max tags limit until now. Anyways, I haven't finished gushing in my tags so I thought of this way to continue so don't mind me (kinda sorry for adding it as a reblog but I just love this so much I need to spill abt what I love so much abt this)

#even in the first panel he said sorry but you could see the (fake) smile and the bubble being black it just gives off the vibes he's scary (and he is) #steven is absolutely the best person to do this #i love the bbb cast reaction so much it's so fitting and in-character of them #i love how klaus is not quite phrase by the dog food but seems more awkward on how to interrupt them (maybe) or awkward bc of how steven did it #zapp face at being fed dog food enough said hahaha #awww look at leo blush #if i was there i would be chain #chain is totally blushing for a different reason from leo #also really love the portrayal of that panel and the pose of ww and vash being closely tgt while showing the cast behind them #it's hilarious how they broke the flow and atmosphere from angst tinged romantic moment to humorous #i really love the storyteller and portrayal in this comic can you tell #steven's final bubble is aaaaaa i love it so much his inner thoughts is probably so obvious to all of them #if only this scene could be animated bc it's so good and i would love to hear their voice actor do this #'and now he can't deny it' aaaaaaaaaAAAAAAAAA #bro you spent 150 years and the only reason why the count didn't continue was bc you were forcefully removed from the premises and your target got revived from your deep desire #god i missed shipping wv #the orange/yellow/gold(?) of ww new eye is surprising tho and i wonder if the other eye is still black or also orangey #aaaa i cannot get enough of this comic i keep rereading this and getting all excited and happy again #i need to go find more of this artist and what they drew #also sidetrack but i wonder exact how dark is vash hair in this comic #it seems completely black but i also see lighter tone used for some parts (mostly the roots) of his hair so #i hv mixed feeling about vash's black hair even in canon #i wonder if ww ever mentioned it bc when he died vash hair haven't turn black maybe? I can't remember #ahhhh the lifespan thing is such a killer angst material #also I'm so happy to have found this xover bc i love the trigun and there's not enough fan content on it (or maybe i don't know how to find it bc it's an old series so content might be on older site sry lj i refuse to use u again)

#Vashwood VWinHL AU (Trigun x BBB Crossover) ③ 14p ***TRIMAX SPOILER!***

Wolfwood's eye color/setting is different

BBB characters talked this time

"What did Vash learn from WolfWood?" "Humanity"

Part 3. Something I want to say: I originally planned to do this way later in the storyline but my plan is never working :D Nothing related to the previous chapters so i didn't do anything in the title -------------------------------

One thing about Vash's eyes color change: The red represents desire.

It indicates he realized there's a desire deep in his mind.

And now he can't deny it.

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[doctorsiren]

Okay, doodle request:

Reigen meeting Serizawa before Claw got to him. Maybe helping him start leaving his room?

I had a lot of fun with this one. I wanted it to parallel the scene of Serizawa meeting Suzuki, and so pages 6-8 are directly referenced from the manga (just in a flipped format so it reads left to right like the rest of the pages) and I also referenced some shots from the anime (like the final panel of page 10). For the dialogue in those middle pages, I referenced lines from the unofficial English translation of the manga, the official English translation of the manga, and the anime. (I was picking and choosing which lines I liked better). I also had fun with the colouring, which is something I love to do in comics especially. It starts out with Reigen in a muted, paler, desaturated palette with no highlights. But when he meets Mrs. Serizawa (I gave the name “Azumi” because it means something along the lines of “safe home/harbour”), she’s much more warmer and saturated and she has highlights. Once she starts explaining her son’s situation, that’s when Reigen has the variation of colour as well as the introduction of some small highlights. Then, the colour palette changes in every panel after that point. Serizawa is done with a grayscale palette, with the only colour on him being the bright light of the TV screen (reflecting video games as his only joy and his escape from reality). As Reigen talks to him, Reigen slowly start to lose some of that variety and saturation (AKA hope) he got from Mrs. Serizawa until he goes grayscale as well when he thinks that Serizawa might know he’s a fraud. He decides to switch up his approach and actually open up, which is what causes the variations in colour to return. Serizawa stops being grayscale in the panel where Reigen reveals that he too is lonely. (He’s a gray-blue palette, but it’s not true grayscale). The next page is in bright colours as Reigen opens up and doesn’t lie, which causes Serizawa to have bright colour as well, since now there is light and hope. In the page after that, Serizawa’s colour fades until he is grayscale again because it’s him not believing fully and still having doubts, while Reigen maintains that bright colour. (Also silly Falsettos reference on that page). I have Reigen’s colours shift from yellow until he reaches pink which is the colour I just have assigned as His Colour (since his tie is pink). Serizawa gains colour again and he shifts from that muted dark blue to finally orange (which is his colour) as he finally accepts Reigen’s help. The light from the TV is no longer coloured, and is just white, because Serizawa now has a new source of colour in his life (that being a real friend.) It ends with them being in their normal palettes at a normal happy saturation, contrasting the muted colours of the start of the comic. With the umbrella, I still wanted to include it and give it a role in the story, but in a different way from how Suzuki used it. While Suzuki used it to directly manipulate and control Serizawa, Reigen used it as a way to open up a choice for Serizawa to either let Reigen stay or make him leave. He asks Serizawa if he can sit and stay for a while since it’s raining outside and he didn’t bring an umbrella, despite clearly having done so. And then I ended the comic with a shot of the umbrella to emphasize that point.

Sorry for the long and probably unnecessary explanation. I just really love explaining my intentions and symbolisms in my art. Yeah I just had a good time over the last few days doing this :) I thought it was an interesting idea and I couldn’t think of a way to reflect it better than in a comic (which was also partially inspired by this wonderful Ageswap AU comic made by @fend13th about Reigen helping Serizawa)

[whateversawesome]

Spy x Family's Secret Story

A few days ago, I learned something interesting at school: some stories have secret stories.

Hopefully, I can explain it: a secret story is what is not told explicitly in the narrative, but that the reader can understand by the character's behavior, thoughts or actions.

The most interesting part is that this secret story is, in many cases, what pushes the main story forward.

So, of course, I had to apply this to my sxf brainrot 😏 It took me a while to figure it out, but I think I got it...

Remember this panel?

It's one of the most celebrated panels in the manga. We finally got to see Twilight shirtless 😎 and we've enjoyed countless fanarts of it (thanks to all the wonderful artists 👏) Well, it was precisely this panel and the timing of it what made me realize about Spy x family's secret story.

This is the first time we see Twilight naked, right? This was also the first time he realized he was vulnerable.

Here, Twilight, master of disguise, best spy of Westalis, rips his disguise, admits that he has weaknesses and shows us that he's injured because of this vulnerability.

Think about the symbolism of it; a person is at their most vulnerable when naked and we didn't see him in this state until he had that conversation with Yor. Even though the arc was about catching Wheeler, the secret story of that arc was about weakness. Wheeler himself mentioned it several times and it's not a coincidence that in this arc Twilight shows weakness not once, but three times:

1. By not killing Yuri (and getting shot)

2.By getting hurt during the confrontation with Wheeler and lastly...

3.When he sees Yor again!

It's also not a coincidence that he got physically hurt because he showed weakness. I suspect it won't be the last time this happens. Keep that in mind for the future...

All this is related to that secret story l mentioned at the beginning. I think SxF secret story is precisely that, not weakness, but vulnerability.

That conversation he had with Yor was about that; she was trying to convince him to be vulnerable with her (more on that here). And his thoughts were about that too; he's telling Yor in his mind he lives in a world where he cannot be vulnerable.

And that last line!!

It's exactly what secret stories are about: unsaid things.

The fact that an arc about weakness and vulnerability started and ended with Yor and where Twilight acknowledged his weakness is very significant. Do you see it too? All this happened because of her and I think he knows it too.

Twilight's struggle with vulnerability is what pushes the story forward and ultimately what makes so many of us connect with the characters. Clearly, he's losing the battle with himself and he's trusting and relying on his wife more every day; we see it in his behavior. We all want that to happen too!

Because, what is more human than to become vulnerable because of love?

[zarvasace]

Whumptober day 18: possession. Image description under cut!

Edit: next>>

This comic is done in tall pages with a gray background. All the lines have a pencil-like texture to them, and it is not colored. Most lines and text are in black, with white and red being used symbolically and sparingly.

Page One

Panel one: A sketched landscape that evokes the Dueling Peaks of Wild’s world, lit in bright red by a full and bloody moon.

Panel two: A line of silhouettes, lit slightly in red light for some detail. They are walking toward the right side of the page. From right to left: Wolfie, facing forward. Time. Warriors, looking backward. Wild, looking up with his slate in his hands. Legend looking around. Hyrule, jogging to catch up. Wind, shading his eyes and looking up. Sky, glancing backward. Four, fully stopped and looking back down at his shadow on the ground. The text reads, in quotes as if recalling something from a memory: “Monsters stalk the shadows here, once they’re dead. Blood moons bring them back.”

Panel three: We see Four’s head and hand, reaching out toward something slightly below him. His expression is concerned. He’s lit in red light, including two little reflected red blood moons in his eyes. The text is not in any quotes or speech bubbles, as if they are Four’s thoughts: “...bring them [underlined] back. Could it?”

Panels four and five: Four, still in silhouette, kneels next to a puddle of bubbling shadow, lit in red light. First he reaches down toward it, and in the next panel, his hand pulls back suddenly as the shadow begins to extend upward. Flecks of red evoke the Malice in the air, and become more intense in the fifth panel. The fifth panel is interrupted by a large (loud) exclamation from an unknown source, with a dash before to indicate that the speaker interrupted themself: [all caps] “—FOUR!”

Page Two

Panel one: Four glances over his shoulder, still lit in red light with flecks of red flying around him. There are tiny tears in the corners of his eyes, and he’s smiling. He says: “Calm down, its [underlined] okay!”

Panel two: A copy of the previous panel, except for a few differences. Four’s tears are gathering a little bigger. The red flecks in the air have turned to flaming shapes. Four says: “It’s just my S—” but is cut off by the next panel.

Panel three: Four is still looking back, but a bright flash of red interrupts what he’s saying. His eyes go round, his tears fall, and he stops speaking. The red lights in his eyes are bigger. 

Panel four: Four kneels down in the middle of the panel, while shapes that suggest the other Heroes gather around him, indistinguishable from each other. Red flecks fly around them all. Text fills the background, as if from the Heroes muttering, but there is now way to tell who is saying what: “FOUR! That doesn’t look good. What happened? He doesn’t usually linger behind. Give him some space. He said to calm down? That’s the opposite of what we should be— Who has the Ma— [cut off by shapes] He has a moon pearl, right? He never touches the thing.”

Panels five, six, and seven: These panels are a sequence left to right, separated by dotted lines instead of solid ones. In them, we see Four, but not any of his facial features. In panel five, he stands up (there’s a word to make it clear: “RISE”.) In the next, he raises his hands to look at them, and lines indicate that he’s wobbling. His feet are turned in ever so slightly. In the last panel of this sequence, he is still looking at his hands, but there is less wobbling and he’s standing more firmly. All through these panels, he doesn’t say anything, and red wiggly lines surround him. 

Panel eight: A shot of Hyrule, looking grim with a shield already out, Legend, looking a bit worried with a hand on the hilt of his sword at his back, and Wild, who’s definitely worried. They’re all outlined in red light, but don’t have any red shining in their eyes. Wild, in a wobbly speech bubble, says: “...Four?”

Page Three

Panel one: This panel takes up most of this page, and shows Four looking up, with one hand on his head and a huge, maniacal smile on his face. His eyes are fully red, and he’s still lit in red light. Flecks of red fly around him, and the panel is shaded and has more detail than the others have had. A series of “AHAHAHA” laughing is repeated behind him. He says, in all-caps with a red speech bubble: “I KNEW THE LITTLEST WOULD BE EASIEST TO TAKE!!”

Panel two: This isn’t Four, but it is his body. Not-Four laughs, one hand up by his face, and keeps speaking with red speech bubbles: “The idiot let me right in! Me, his dead friend?”

Panel three: All eight of the other Links with swords and some shields out, making angry eyes as they stand in a line. The sky is red behind them. We see the top silhouette of Not-Four’s head, and he says: “oh… uh…”

Panel four: A copy of the last panel, except now each of the other Links looks either surprised or even angrier. They all shout: “STOP!” but the silhouette of Four’s head is now dissolving into red light. He says, “catch you suckers later!”

Page Four

There is only one panel on this page, and it is quite spread out to illustrate a lull in the action.

At the top, we see the moon outlined in red, but now with white on the inside and around it, as if the blood moon is disappearing. 

Text, without speech bubbles but staggered so that each sentence seems to come from someone else, without any hints as to who says what: “Does anyone have any idea what that was? …nobody? Where’s Four? What was that? He’s possessed?!” And at the bottom of this block, there is more text: “Guys… Who’s that?”

At the bottom of this page, we see a Four-like figure lying slumped on the ground, a few sparkles of white around him. He looks to be asleep. The end of his hood is curled above him without a charm, as if floating with a mind of its own.

The very bottom has text in white, the artist’s signature: “mina @ zarvasace”

[angy-grrr]

dont mind me. Im just here, thinking about the beginning of the manga with izuku being rude for example in the sports festival for insulting one of his classmates to create a parallel with katsuki, showing a complicated rivalry thru a similar attitude he would also get quite easily when he needs to defend others vs towards the end where its clear theres a separation between the anger he feels for others’ pain and the rage he has when its katsuki. And its not even about making him less or more angry -when he is pissed off, he is always really… animalistic? He “wants” to act in that kind of way, and we know about the difference because of him not being able to hold back.

Theres anger and pain and rage when shigAFO stabbed and hurt Gran Torino, Aizawa-sensei, and others. He barely is able to hold back. And then Kacchan gets both stabbed AND insulted as a worthless sacrifice?? Thats it, he is a wounded dog.

ppl will say bkdk it’s just another sns and that they would end with girls but have you thought about:

They are different mangas with different authors. They don’t have to end the same way at all -and knowing horikoshi disliked the ending, it makes even less sense.

It’s canon that Katsuki really, really dislikes attention from girls and doesn’t pay them any mind at all, to the point of not having even moments with any that could count as lazy romance. Who tf is he picking?

The popular ships in Japan according to polls when n*ruto was going on were exactly the ones that became canon as far as I know so even if in the west it made little sense for many, they were justified and liked my at least a big part of the Japanese audience.

All of the “you hurt my loved one and now I need to kill you” moments were exclusively with Katsuki being targeted (with this I mean he loses the ability to hold this back. With others he is able to at least maintain some sanity even if it hurts him personally); in n*ruto, as far as I know, there are moments like that with Sas*ke and Hin*ta being the targets making the protagonist lose control. The most similar situation was when Himiko stabbed Ochako in front of him and he was worried about leaving when there’s such an unpredictable character, but it was more about wanting to make sure she is okay. In Katsuki’s case, it always make him more rude and impatient + lose self control when things get too serious, going against his own ideals.