#time card calculator

[invoicera1]

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[timecalculatorio]

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[cjgladback]

I went to my first fiber festival this past weekend! Hoosier Hills Fiber Festival; if I'm still in this state come June next year, I'll probably be back and would love to meet anybody else there. Socializing/hanging out/talking to people without feeling like I was obstructing Real Customers was the one thing I missed, though I didn't really get to any of the free lectures so maybe that's where I could've met some people. Since it was an unknown situation with a lot of people and nearly an hour drive each way, I strategized to make sure I'd go:

First day, I signed up for a couple volunteer shifts. Absolutely a recommended strategy.

Got to be helpful!

They happened to have goodie bags, to help me justify the gas and time (I now have a nice tape measure to replace the one that's been vacationing with a missing sewing kit for a couple years and a lasercut wood two-inch gauge window that might help me with consistency versus my suboptimal practice of just trying to knit perfect squares when swatching in pattern)

I got to learn things about the layout and schedule I wouldn't know to ask when answering questions and acting as a gofer -- especially true working two different locations

And of course, some people were pretty much guaranteed to be happy to see me!

Second day, I signed up for a workshop in the morning so I'd be there and able to shop for anything I needed at the end. Ombre yarn dyeing was the class! It's acid dyes, something I'm several years off from wanting to get into enough to commit to dedicated cookware, full pots of dye powder, etc. The room with the workshop was a barn that had plenty of outlets--but they did not represent plenty of breakers. So there weren't quite enough functional heating elements for the class to have sufficiently cooked our yarn before leaving, and I did need to risk a giant stock pot at home for three batches of four jars, almost-simmering in a water bath for thirty minutes each, of the yarn that hadn't proven it was done (all but the two palest greens). I was a little worried the delay/drawn out heat situation would affect the results but if it did it wasn't much; I got pretty much exactly what I was hoping for with my two color gradient and the single is great too!

The single dye gradient is the color Moss, which did some interesting things with the red portion separating out once they were heated. Every skein has redder blotches, so I'm not bothered about any inconsistency -- if anything it'll help my finished product camouflage stains. Though it was definitely a surprise for me and the other Moss user in the class when our first yarn to have exhausted the dye was the complementary color to what it went in as.

The two color gradient used Rhodamine Red on one end, which was one end of one of our instructor's samples where she chose a cool-green for the other end to show how multi-component dyes mix less predictably than most paint. (It was kinda like shading with markers where you can still see washes of the pink and green in what you squint at and call a grey-brown.) The other end was Cantaloupe, which was one of the maybe three colors she didn't have a sample cut of yarn for. But she described it as the flesh of a perfect ripe cantaloupe and obviously I had to see that, and it sounded like it would be fairly guaranteed to combine nicely with the magenta while being just enough around a bend in the color wheel to be interesting--warm orange versus cool pink. As I said, it turned out pretty much exactly as I was picturing. Not anticipated was how much the jars looked like they were full of some delicious dragonfruit-mango beverage. Were I still a barista I'd be trying to recreate this for my shift drink.

Image descriptions under the cut.

[ID: Five images following fourteen small skeins of sock yarn dyed in individual glass jars, in two gradients. One gradient is six skeins from a medium forest green through a pale creamy pink, the other is eight skeins from a vibrant yellow orange through an even more vibrant magenta. The first photo is inside under fluorescent lights, showing the 32oz glass canning jars with metal lids and rings, full of dye and yarn on a table at the end of the class in which they were filled and heated for a short time.

The next two images are animated gifs. The first gif is two frames showing the finished dye jars sitting in grass, with their yarn and with it removed. The green gradient left only transparent blue color in its jars, and most of the pink to orange gradient's water looks more orange without its yarn, aside from the third and fourth jars from the orange end, which shade toward a neon lilac with the peachy pink yarn removed. The second gif is a view of the inside of the bright green wash bucket, with just the pink-orange yarn in it, then all of them mixed up, all as they were after a soak with the rust-brown water, in the first rinse, and that rinse water alone showing its transparent but still brown tint.

The last two photos show the gradients lined up along a weathered wooden bench on the side of a deck. The first photo has the wet piles of yarn bundled in front of each of their respective jars with remaining dye. The final photo has the clean, dry yarn wound into center-pull balls and still vibrant in the direct sunlight. End ID]

[kaurwreck]

I like it when the fandom engages with Chuuya drinking problematically or Akutagawa smoking despite his lung disease or Fyodor indulging his gambling addiction.

Asagiri can't explore the same, there's a censorship regime in Japan for manga aimed at certain ages. But even if he doesn't care to, fan works should be transformative and exploratory; and fan works that do so while engaging with the source material and its themes like humanity and contradiction and culpability are even more golden for doing so.

The urge to lacquer fiction in performative didactism and aversion to moral turpitude is self cannibalizing.

[invoicera1]

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[gachaparadise]

... Seeing them all lined up is quite satisfactory isn't it.

[aria0fgold]

FUCK I forgot bout the upcoming collab gacha to ensekai o<-< I only have 18k crystals to my name NOOOOOOOO

[whoslaurapalmer]

okay okay. i was able to order the birthday cake milkshake. pray for me that i Get the milkshake

[whump-in-the-closet]

Five Types of Living Weapon Whumpees

The guard dog -> loyalty has been ingrained into their bones, following their handler around like their shadow. No one dares stand against the organization because of the legendary dread surrounding this living weapon. They hardly say a word but every movement is calculated, eyes always darting, always watching. (“You always were their lapdog.”)

The loose cannon -> dangerous for both sides. Always talking back and never predictable, their value is dependent on their skill. If it wasn’t for that, they’d be dead a long time ago. Their loyalty is earned, not bought. No one wants to be on their bad side, walking on tip toe whenever they show up. And they enjoy it. (“What’s everyone looking at? Aren’t you happy to see me? I even brought my rifle!”)

The broken down -> most common type of whumpee I’ve seen. They’ve been overpowered and forced into the commission. They hate their handler more than anything else but see no way out. When they’re told to shoot, they don’t even blink. It’s always “yes, sir” this and “yes, sir” that. If they feel any sympathy, they don’t show it. They’ll do anything to avoid punishment and flinch at quick movements. Nothing they face on the field is worse than the cards they’ve been dealt. (“I understand, sir/ ma’am. I-I’m sorry.”)

The dissenter -> Usually recruited into the organization or joined as a last ditch option. Not necessarily against using their abilities or skill, they just hate being told what to do. As time goes on and their disobedience is punished over and over again, they grow reluctant. Bitter. With every order, they slip in a snarky comment. Roll their eyes. Anything to assert their own identity. Or what’s left of it. (“ah ah ah, you didn’t think i’d notice? The middle finger was a bit much. I’m afraid it will have to go.”)

The ghost in the machine -> known only by their codename by outsiders and by their number in the organization, they’ve been stripped of all humanity. They live, breathe, and think by their handlers orders. They’ve been told over and over again that they are just a weapon. And a weapon does what it’s told. Their anonymity is attached to the organization in the same way a gun is simply an extension of their arm. But at night they still stare up at the ceiling with a blank stare— did they ever a life before this? They can’t remember. (“It’s not like it’s a person. It doesn’t have feelings like that.”)

[foldingfittedsheets]

I worked retail for a long time and people really do treat you like shit sometimes. But between selling sex toys, mattresses, and jewelry I can say definitively I got treated worst selling mattresses.

All three of my jobs were in sales but selling sex toys we were allowed to put people in their place, and in jewelry people didn’t want to misbehave in a fancy setting. But people at the mattress store had no problem yelling at me, hitting on me, or insulting me to my face.

For a while I was managing my own store for the company. I ran a small location and had struggling employees placed with me for rehabilitation. If their numbers improved they could go back to bigger stores. If not, they got fired.

So this meant I was the manager of problem employees. At one point both of my people had a foot out the door. The company was going downhill and changed computer systems and they were fed up. Consequently, they made a ton of mistakes, because they just didn’t care about the job or learning the new systems.

I strolled into work on what was essentially my Monday to a shit show. Deliveries scheduled without product, wrong things on orders, poor expectations of the process, you name it. I spent the entire morning getting yelled at for mistakes that weren’t mine.

The final straw came when a man called furious that his moms bed for her nursing home had a delivery window he couldn’t accommodate. This wasn’t a huge disaster since we still had time to deliver it before she moved. I ran him through the options and he just kept screaming at me. Not for a solution but because I was there and he was frustrated.

My heart filled with malice and a cold fury. A calculating part of my brain had a realization in that moment that I could stay a punching bag or I could strike back.

I quavered my voice delicately, taking in a shaky, warbling breath like I was trying not to cry. “Sir,” I quivered through fake tears, “I don’t know what you want from me! I told you what I can do, I didn’t make this mistake I’m just trying to fix it!” My voice broke pitifully on the last syllables, sounding in all ways like a sweet innocent person being yelled at who’s just trying her best, really!

It was like I’d doused him with cold water. My emotional act was the realization that he was screaming at someone who was just doing their damn job, and he was being an asshole. He hastily made an excuse and hung up.

I had a third employee covering with me from another store that day who heard everything. When I hung up, I looked over to see them watching me with an awed expression. “Did… did you just pretend to cry?”

“I absolutely fucking did,” I said with feeling, “and I’d do it a thousand more times. If that’s what it takes for someone to realize they’re behaving like a fucking prick, they deserve it.” The employee looked at me like I was their hero.

The man called back, apologizing profusely, having magically arranged his schedule to accommodate delivery. He came in later that week with an apology Starbucks gift card. I was gracious in my acceptance.

I pulled it a few more times before leaving the company. I felt no shame in the ruse. If someone behaves so poorly that it’s plausible their behavior would drive someone to tears they deserve to feel absolutely wretched about it.

[sqeeebus]

No this literally happened to me recently— except more embarassing

[professorcalculusstanaccount]

Tintin Tarot, part 2 - the Fool's Journey Continues. Part 1 can be found here! Me and @josephscoat came up with a list of Tintin characters assigned to the major arcana cards in a tarot deck after she realised how well Tintin mapped onto the Fool.

The Hanged Man - Sacrifice, martydom and hesitation. Frank Wolff's death in Explorers on the Moon really stuck with me. I watched the 90s cartoon adaptation of it with a friend recently and even though I knew what was going to happen, it still hit very hard. I replaced the living tree, which represents the potential for growth and knowledge on the original card, with the planet Earth.

Death - New beginnings, metamorphosis, fear of change and decay. Even just for the imagery I had to use Rascar Capac. His use in the narrative seems to demonstrate a fear of the unknown. As the Hierophant and the child from the Sun card appear on the original Death card, I opted to use Rascar Capac as he's in the same story as the Prince of the Sun and Zorrino, who we assigned to the Hierophant and the Sun respectively! Professor Tarragon replaces the dying person on the ground in the original card, and Inti the Incan sun god watches over the scene.

Temperance - Middle path, patience, finding meaning, but also could mean excess and a lack of balance when reversed. Haddock is famous for his tendency to fly off the handle at a moment's notice. But Haddock also has endless patience for Tintin's bullshit. His character arc is one of finding meaning in his life after hitting rock bottom. He is pouring bottles of Loch Lomond, as seen in the Magician card.

The Devil - Addiction, lust, materialism, playfulness. Who else is more devillish than Tintin's arch nemesis, Rastapopoulos? His schemes grow wilder and larger as he pursues wealth and revenge. While sexuality is famously absent from the Tintin series, Rastapopoulos and his associates certainly lust over money and control. Tom and Allan are held in chains, though they are clearly removeable. The choice is theirs if they wish to walk away.

The Tower - Sudden upheaval, disaster, but also an avoidance of disaster in reverse. Calculus' reusable nuclear powered moon rocket was literally ahead of its time, representing a huge shake up in technological advancement in the Tintin universe. However, the moon mission attracted a lot of sabotage and disaster which was narrowly avoided. While the characters had to rely on the rocket for safety, it's not necessarily predictable.

The Star - Hope and rejuvenation, but also discouragement and insecurity in reverse. The phostile meteorite ushered a global wave of panic and speculation initially, but once it landed it became a beacon for competing factions to get to in time. It has a property that allows living things to grow quickly and abnormally large, representing the abundance the Star card is supposed to signal. The Star is supposed to follow the trauma of the Tower. Picking the rocket and meteorite felt thematically appropriate as both have associations with space, a relatively new frontier.

The Moon - Illusions, intuition, fear, confusion, misinterpretation. Professor Phostle jumps to conclusions and makes wild predictions from shaky calculations. He's also conveniently moon shaped.

The Sun - Inner child, joy, truth and liberation from struggle, or sadness and self doubt in reverse. Zorrino escapes the torment and bullying in his village and joins the Inca. Haddock and Tintin are immediately protective over him, with Zorrino being a little younger than Tintin.

Judgement - Releasing baggage, call to action, renewal, moving forward. Ramo Nash breaks free from Rastapopoulos' grasp and saves Tintin's life. I decided to depict the final confrontation scene from Alph Art where he pushes Rastapopoulos off a cliff, to his end.

The World - Culmination, success, completion, but stagnation in reverse. The Fool has seemingly completed his journey - Tintin has it all, a successful fulfilling career, friends who care about him and a manion to live in. But he is, by design, stagnant. Forever a cherub faced boy, stuck in an episodic serial by nature, Hergé wanted to kill him off by sealing him inside a resin statue, freezing him in place for eternity. He will forever be the Boy Reporter.

I dressed him as a Morris dancer because I thought it would be funny

[kisakunt]

megumi’s pissed— pissed with a big, capital p. he’s bothered a lot; irritated and agitated with people daily, no stranger to fingers curling into a fist either at his sides or to the top of someone’s head. but right now, in the cold of your room, he’s pissed.

“take this shit off.” he won’t dare lift his hands himself because if megumi is a man of anything it’s principle. you laugh— louder than a giggle but nonetheless muffled by your pursed lips— and shake your head.

“no can do, nutmeg.” and now he’s really mad.

“don’t call me that.” he’s itching, his normally protruding hair flattened, his palms clammy, his breathing shallow.

“c’mon, why are you so miserable all the time?” it’s a slow drawl, a whine that he has to force himself to ignore. “can’t you show a little joy? maybe even some jubilance? or dare you say it might kill you?”

your name comes out stern, calculated and pointed in a way he knows will get to you, and simply, he repeats himself.

“take this shit off.”

megumi fushiguro is not a big believer of tradition. he has never obsessed over a birthday— although he did buy you a singular cupcake and candle on yours— or stressed at the thought of marriage. he’s not big on anniversaries and he couldn’t care less about a baby shower or bachelor party, so naturally holiday’s mean nothing to him.

you on the other hand are, in his own words, a nutcase. you’d met him two weeks before the christmas prior and insisted you get each other small trinkets. on valentine’s day you gave everyone you knew a card, on easter you mastered the art of making your very own chocolate, on halloween you bought a costume that he refused to wear.

and now, here you are again; snow on the ground outside and a small, and frankly sad, tree in your room symbolizing not only the biggest day of your year but an absolutely grueling year of knowing you.

you sit in front of him, criss cross, with a goofy little grin on your face. he can’t help but think it’s utterly disgusting that that’s doing something for him. regardless though, he stands his ground.

“if you don’t take this off right now i’m not talking to you for a week.” you laugh for real this time, shaking your head with more energy than before.

“well we both know that’s a lie. i’d probably drop dead if you did that and then, overwhelmed by guilt, you’d turn into an even weirder and sadder old man.”

“i’m not old. take this shit off.” atop his head sat a truthfully horrific santa hat. it couldn’t have cost more than two dollars, assortment of dim led lights on the trim. he can’t help but think of how many little, lice ridden kids must have tried this on. but he still won’t budge.

“you know you can just take it off yourself, right?” he does know that— obviously— but again, he has beliefs. he has pride. it has absolutely nothing to do with the fact you’re looking at him like he’s heaven on earth or the matching hat smothering your own hair. it has nothing to do with you at all.

he shifts, leaning his body weight onto his left side as he presses his hands into the plush of your bed to lift himself up. he makes a little show of it, slow and meticulous as he barely raises himself.

it would be so easy to avoid this situation. it would be so simple to shake his head or yank the hat off or have stopped you from putting it there to begin with.

megumi’s pissed, but it’s not with you.

“i’m serious. it’d actually be nice to have a moment of quiet in my brain.” megumi is furious, livid and squirming in his own skin. he’s absolutely, unequivocally angry.

he’s angry because he can’t figure out why for the dear life of him there’s a tightly wrapped gift tucked in the bottom of his bag, or why he knows the nearly exact color hex of your eyes, or why he’s hummed— hummed— the song ‘war is over’ twice this week.

you grumble, butt hurt and annoyed now too, and you reach over as fast as you can and snatch it off of him.

“there,” and now megumi’s even more upset because that upset him and his head feels cold and empty now. “happy now?”

and before he can think, before he can be as calculated as he always is, it slips.

“no.” and in that moment something shifts. it’s both of you, just a little bit towards each other, it’s the tension that’s now (and always has been) in the air, it’s the way your hat slips a little to the side.

“well i just can’t win with you, can i?” the— his— hat lays loose between your fingers, your voice quieter than he thinks he’s ever heard it.

megumi wonders time to time if he’s a coward. he knows he’s strong, he knows he’s just in his opinions, he knows he fights. but sometimes he freezes and sometimes he panics and sometimes he can’t look you in the eye.

maybe it’s time for him to be brave. he leans into you, closer to you, breathing you all in and, brushing your fingers in the process, he takes it back from you.

suddenly it’s warm again. suddenly you’re matching again. suddenly he feels close to you again.

“there.” for once, it feels like christmas to megumi. “happy now?” and it feels like he’s got a gift in front of him.

[paranoiddreams]

Husband?

✰ Modern!Sukuna x fem!reader

✰ Warnings!! - None!! Just fluff and some swearing hehe

��� A/n!! - I’m trying to get into the groove of posting on here, I get insecure abt my writing, but reading my favorite blogs on here gives my peanut brain motivation.

“Oh yeah, that’s my husband!”

Sukuna could swear the world stopped spinning the moment he heard y/n’s voice a few feet away. He cocked his head towards the checkout line of the Barns & Noble she dragged him into, seeing his girlfriend of 5 months and half (who’s counting?) claim him by a title he wasn’t aware he’d upgraded to; last time he checked, he hasn’t popped the question yet, although the thought doesn’t disgust him as much as he thought it would in the past.

Sukuna puts the book he was looking at back onto its shelf before walking toward’s his now supposed wife just as the woman she was talking to turned the other way.

“What was that I heard?”

Y/n turns around swiftly, a sheepish smile appearing on her face. “I have no idea what you’re talking about,” she says, feigning innocence, “you ready to go now?”

“No, no, no, what did I hear you call me?” Sukuna’s grin couldn’t be more prideful, his arms crossed over his puffed chest.

“She was asking about you,” y/n finally relents with a sigh. “I just…doubled down. So she’d know.”

Sukuna doesn’t say anything, continuing to stare at her with that shit eating grin. An embarrassed flush blooms on her cheeks under his calculating gaze, her eyes hesitant to meet his for more than a few seconds at a time.

“I know…it’s early. Sorry.” Her fingers play with the plastic bag holding the books she just bought with Sukuna’s card, nervousness prominent in her disposition.

“Nonsense,” Sukuna finally grunts out. “We act just as a married couple would. Why not address each other as such?” He smiles, playing with the idea in his mind.

Y/n’s eyes float up to his again, her face falling a bit. “Really?” She stammers out.

Sukuna doesn’t say anything—he only quirks his brow at her, as if to silently say, ‘don’t make me repeat myself’. So she doesn’t; she takes his hand in hers, and leads him out of the store, feeling as if she’s walking on air.

Maybe Sukuna feels the same as well…no matter how hard he tries to hide it.

[os2warp]

ooooh i should really sharpen my pencil before i get started. that should kill a minute or two.

pov you just came back from recess and ur still feeling that high. you sit down and the first thing you see is this

[invoicera1]

Free Time Card Calculator for Accurate Work Hour Tracking | Workstatus

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