#thus far canonically anyways. the potential is there but the dude would Have to be absolutely smoking hot AND seductive

[fairymint]

"I can't hear your blank space over the sound of me combing for feathers on my drifloon-bird." Yes, you do make the same jokes now and again, ruin delver. He never said they had to be official. Inside jokes count, too. "...what, do i get a spanking if I can't find any?~ Or is that my job?" Probably time to stop the joke at this point, but his gremlin side demanded utterance.

[grif-hawaiian-rolls]

Anyways the “essay” about the energy sword to character development pipeline below the cut

Ok so like yea tucker-crunchbite-junior is, obviously, the first instance of the sword-quest-companion theme/trio that im like, rattling in my head rn

Tucker finds the sword, crunchbite shows up and theres the “quest” that challenges tucker both in the false intent (you need to be the hero) and the true intent (SA leading to Junior which is not handled well but it IS important) which is a push against tucker’s character thus far in that he’s the comic relief, make everything a sex joke archetype— he doesnt take it seriously, he doesnt see himself as important beyond getting just enough recognition to be “hot” and now he’s made to be the so called “hero” and the true plot puts him in the one position that he probably never thought could be him. Bc he wants to get laid so… yeah. Pushes his character if you give it like three seconds of critical thinking and not just the standard “haha alien baby bullshit” (that said, i do enjoy fics that explore crunchbite more and play with the potential of the “joke” shitty character into someone less sinister, but im doin my best to stick to canon rn)

And JUNIOR, oh man, because theres the thing that really solidifies this for me like

The dude who doesnt care doesnt bother is all jokes and ‘man whatever’ energy is a dad, and it starts with him trying to avoid it but he really fucking quickly steps the FUCK up for Junior and its the start of his development that people are like “oh he learns to be a leader on chorus” which i mean kinda yeah but he never struck me as a Leader even on Chorus even tho he does decidedly lead, its not the same as when kimball leads or when wash leads or carolina

He’s leads as a dad bc he is a dad

Not always a good one, but he’s trying and yea sometimes that means being the asshole, sometimes that means screwing up but it also means you fucking care and you take responsibility and you put yourself in danger first (the rescue mission, leaving the lieutenants behind)

And that doesnt start on chorus! Its the most evident there sure but

it starts with junior

It starts with him going after tex to protect his son, it starts with him trying to be a diplomat so they stay together, in sending junior away so he is safe while tucker buys time protecting the temple, it STARTS with him looking at church and going “leave my kid out of this” and yeah the way rvb was written and approached does Not take that seriously bc it wouldnt and if it did it would be a very different show but the implications are there and its acknowledged with tucker’s photograph of junior with his 5th grade basketball team (“i know right? Who carries actual pictures anymore” -tucker) which i could go on about THAT too but suffice to say its very clear that tucker cares so gd much about his kid and yeah his character development isnt super linear but you can basically pinpoint when it starts with the sword and junior

The second run of this trio of things is actually grif which is admittedly, a stretch, a big ol reaching for straws (okay, TECHNICALLY grif is the third run, but i’ll address that in a minute) largely a stretch bc grif… does the pattern backwards

This IS S16 stuff so if ur a shisno paradox hater i respect that, i however am gnawing on it with everything i have and will be going feral so this is your warning thank u for reading the tucker side of it mwah appreciate ya

Anyways

Grif does his plot backwards during timetravel shenanigans

He gets the alien companion/friend who contrasts his character first in Huggins

Grif is a loyal friend, but he is lazy, even after s15’s breakdown and apparent change of tune, he’s still looking to take the path of least resistance, avoiding the call, trying to keep things from moving

Enter Huggins: zippy, full of energy, excitable and just so different in that she is not only so proactive she puts herself in danger (which helps everyone in the long run/plot but its the principle) but shes so fucking lonely

As far as she knows, her family is dead, except for muggins who is so dettached from her, he might as well be a coworker and not her brother

Compared to grif, who has a family even when he tries to push them away (the reds, the blues, KAIKAINA) but hates taking action

Huggins is the start for grif’s arc of “it sucks but someones gotta do it” which in their case is best shown as the trudge across the bottom of the english channel which is so fucking funny to me but it really pushes both of them and puts them firmly in the friends category

Huggins cant zip ahead without grif, grif cant stop moving because huggins wont let him, so they find their little balance of gas vs brakes and together they cruise along p well

The actual push of the “quest” is grif having to be the one who steps up (kinda like tucker but its to the left) he’s the one who starts getting everyone together again across the timeline, even if he is very,,,

Well he’s very Grif about it, but it is still fundamentally, the change in character

Tucker isn’t a always good dad, Grif isn’t always a good instigator of action

But theyre trying and theyre working on it and grif’s arc suffers a Little from being so late in the show and thus not having much of a parallel to pull on but you could argue he gets the parallel from s15 anyways with the refusal of the call (from fake church/loco) and rescue mission but i hesitate to call that a parallel bc its literally back to back but an argument could be made for it which i love

Enter part two: the alien quest giver

“Wait wasnt that huggins”

NOPE huggins was alien companion! The Bestie in grif’s case,

The alien fetch quest comes from atlas, in that stupid wishing sequence but cmon it wouldnt be rvb if the character development wasnt sandwiched inbetween obnoxious gags and stupidity

The quest is less important here admittedly bc again, with grif doing this in reverse its not the challenge to his principle character that it was for tucker, his connection to huggins was the challenge, and this becomes the final push into the development, the “you have a role, now play it” that gives grif the final shove into Doing Things literal!! And his prize? For this character development arc? An alien sword

And thus the inverse version reaches an end, sort of (im pissed that technically he loses his sword, im also ignoring that he loses it in canon bc he fucking earned it okay this is a bit of canon i will ignore and loophole my way around it)

And now we track back to Chorus and to the second iteration of the sword-quest-companion plot

Locus

Now okay i will admit this is conjecture and pepe-silvia-on-corkboard-with-red-string fuckery at this point but hear me out okay!

He gets the sword with Felix’s death. We know this. What we dont know is how the fucking hell he gets off Chorus! We just see him show up later with A’rynasea. The vaguely alien (maybe sentient?? AI? Its implied with the way he addresses her but we literally have her for like two episodes) ship that seems to be the driving force (literal) (bc shes his ship) behind his chosen redemption arc where he pushes himself to help others at no apparent benefit to himself, but because it is, and i quote “the right thing to do”

Arguably, Santa could be Locus’ quest giver, seeing as how he is the one who triggers the whole shift in view for Locus in the first place and that is, technically, what crunchbite does and what atlas finalizes for grif! But the problem is we simply dont have enough of A’rynasea to draw the parallel between her and Locus as personalities, as companions for it to work for me??? But that might just be me overthinking? But it does make Locus’ version is a bit messier depending on who you consider his quest-giver but as far as I’m concerned, he’s still on his quest snd its just up to interpretation if A’rynasea is his companion?? or if theres a secret third alien for Locus that we never wouldve seen even if they planned for that bc its red vs blue and im just delusional about locus and his role in plot and this is just me firing concepts blindly into the sky at this point like - yeah i could still theorize what kind of companion characterization i think locus would work well with bc its more about the wielder than the companion in this sense (sorry junior and huggins i love yall i promise) but thats a completely separate rant at this point and not nearly coherent enough at this exact moment to add it PLUS its ridiculously self indulgent and only marginally canon compliant/adjacent but i will never not be amused by this very specific plot beat happening enough to draw these parallels, as tenuous and vague as the parallels are

[bigskydreaming]

About that last Cass meta, I wanted to correct or elaborate on something I realized in hindsight lends the wrong impression. This happens a lot with me, especially the longer a post gets, because I’m just trying to cram SO MUCH stuff in a post as is that I leave stuff by the wayside, and it typically tends to be the stuff I think is so matter-of-factly obvious to me personally, that in the moment it seems to be the most obvious thing TO leave out, as I instinctively think of it as the thing most people would figure out or connect the dots on themselves. Most of my posts I tend to write stream of consciousness as though I’m literally just speaking to anyone who follows me, and aren’t like, made with either the intention of gaining new followers or even REACHING people who don’t follow me, so like, just because I’m thinking ‘oh anyone who follows me would already know I think this’ like....that isn’t a valid assumption to make about anyone who just might read a particular post. And like, this isn’t reasonable on my part and does tend to lead to a lot of misunderstandings. So.....that’s a thing and its also a mea culpa.

In this particular case, the thing I need to elaborate on is my stance on how Cass is written speaking. When I spoke of the racist tropes I think are evident in a number of Cass’ depictions, even if unintentionally, this was NOT meant to reference or invalidate peoples’ conscious choice to make Cass have trouble with the spoken word due to various disabilities that might stem from the way her brain’s very wiring has been messed with in her backstory and appearances.

Writing Cass as disabled and having various speech impediments or trouble translating her thoughts into speech for neurological reasons is one hundred percent valid, and I should have used more nuance when describing my issue there. Personally, I tend to write her as being dyslexic and having aphasia, but she hasn’t had a specific speech or learning disability NAMED in canon as far as I’m aware, and there’s plenty that could feasibly apply.

But what I was talking about specifically is like......for instance, some people write Cass as struggling with ENGLISH, specifically, but fluent in not just sign....but say, Cantonese or another Chinese dialect as well. This is when red flags go up for me because I’m like, hmm, that’s an interesting choice that doesn’t seem to have anything to do with story logic, because see, Cassandra’s only issues with language are due to something that affects her equally with ALL languages. She only BEGAN learning languages not long after her first appearances, and the barrier that kept her from doing so previously like.....it went down in regards to ALL languages at the exact same time. 

So while it definitely is reasonable to have Cass being more comfortable signing than speaking out loud due to the fact that she prioritized learning sign language first, is less familiar and thus potentially comfortable with being part of spoken and verbal conversations period, and perhaps depending on what specific speech or neurological disabilities you write her as having is physiologically more adept at translating her thoughts into sign language without any trouble than she is selecting verbal words......what DOESN’T make sense is Cass having somehow picked up Chinese over the past several in-universe years, but its English specifically she struggles with and has a barrier conversing with her siblings in it. THAT specifically is where I would say hey maybe if this is a choice you’ve made in your own writing, this is one where you should look at what made you make that choice and second guess it like mmmm what WAS I thinking there precisely, and was that thought something I want to stand by, upon reflection.

Similarly......there is a certain WAY that people go about writing Cass struggling with speech that raises red flags for me......and that’s when they write Cass speaking the broken English I referred to specifically in that post, as in, the way Hollywood depicts caricatures of Chinese characters speaking non-fluent English. There’s a very familiar and evident cadence to that, which I believe a lot of people simply default to when writing an Asian character who has speech issues, but again, this is something that you should probably subject to more self-scrutiny. Because a Cass who has speech issues due to a neurological disability is going to display those issues in a fairly consistent way no matter how long its been since she started learning whatever language it is she’s speaking, albeit with some variance that accounts for workarounds she might have developed or learned to compensate for any issues she has there. But what she’s not going to do, IMO, is perpetually speak English in a cadence that lends the impression that she’s just not familiar with the language or struggles learning it or just hasn’t become proficient with it regardless of however many years she’s supposedly been learning or using it at this point. I’ve heard a lot of people with various speech or neurological disorders speak, but personally? I’ve never heard someone speak with a speech or neurological disorder that manifests in them speaking like a racist caricature of a Chinese character according to Hollywood depictions. THAT, specifically, is my issue there.

(And related, my reference to Cass being as much a genius as anyone in her family in that last post was meant to specifically highlight how well and how quickly Cass DOES adapt to a society she was not at all raised to be a part of, once she’s given resources and support in order to enable her to do so. Cass picks things up with TREMENDOUS speed in the comics, and so part of my ire about that last trope in particular is how often I come across fics where by their DEPICTION of Cass’ speech issues, it seems a lot more like she just hasn’t become fluent in English yet. And although its of course true that she had a very late start, if she’s been a member of the family for years at this point in your fic and you’re not bringing up any specific speech or learning disability affecting her ability to learn English, and thus it basically looks like despite years of practice Cass simply hasn’t managed to attain enough of a command of this particular language to comfortably converse in it with her family.....that’s when I go scrunchy-eyebrowed. Because like I said, Cass is SMART and she picks things up damn fast, and without any other explanation provided in narrative for why she’s struggling here specifically, I AM going to draw my own conclusions about why you’re writing her speech the way you are, and you probably aren’t gonna like my conclusions but that’s really more of a you problem at that point, IMO).

And finally, I think but don’t quote me on that, I’m a mind changer, I change my mind a lot......the last issue I have where I see red flags go up when it comes to Cass and communication is when Cass is struggling with speaking English but without direct reference made to her doing so because of a specific speech or learning disability....and at the same time, the author of the fic shows no acknowledgment of any other character’s disability or any desire or intention to depict any of the other characters with some canon disability or another as actually disabled. I’m not gonna lie, although Babs is able-bodied in canon at the moment, if someone’s writing Babs that way while writing a Cass that seems plucked out of pre-Flashpoint continuity rather than based specifically in her Batman and Robin Eternal origin......I’m not gonna be all that inclined to give the author the benefit of the doubt there and assume their depiction of Cass’ speech issues is due to an actual desire to write her as disability rep. I mean, it could be that I’m wrong and they are! I don’t actually know! I’ve been wrong before, I’ll be wrong again, either way the world WILL go on! I’m just saying it like it is.....point blank, if there’s no sign of a single other disabled character in your work and Cass just so happens to visibly struggle with speaking English, I’m just not gonna automatically assume its because you’re writing her as disabled rather than just writing her while racist. And if you ever do end up called out for that and its only after the fact that you suddenly seem to backpedal and insist you were just writing her as disabled all along, my skepticism, it will still abound. *Shrugs* It just is what it is. Do with that what you will. Literally just like, my opinion dude.

But anyway! That is the nuance I should have included at that part in my already behemoth-esque post but didn’t, but that is very much a mea culpa and so please take this as a wholly necessary post script. Disabled Cass one hundred percent has my support and I should have been more conscious about implying otherwise, no matter the point I was trying to raise at the moment there.

[mintchocolatechipnut]

the boys but they’re idols

ft. bakugou katsuki. midoriya izuku & todoroki shouto

Note: yes, I missed prime pun opportunity to write ‘the boyz’ in the title. Anyway, I’ll be general enough to not include any real-life names and music, but I’ll get specific about other details. (Besides, if you squint real close you can see where I got my references from.) I’m thinking of a follow-up part, but we’ll see. Hope you enjoy!

* These headcanons are detailing each of the boys as a member in a hypothetical idol group, and not that they’re all in the same group.

** For context: the difference between main and lead positions is that main is the position that gets majority of the activity e.g. song, dance, rap, etc. Lead is more of a supporting role, but still important nonetheless. 

Tags: idol!au, no x reader for this one, unless??, as you can see from the word length I think you’ll know who I’m partial to

Word count: 3.3k

BAKUGOU KATSUKI

Obviously an all-rounder. He can sing, dance, and rap, though his forte is definitely dancing.

Bakugou obviously has some mad hand-eye coordination if he can play the drums, and I haven’t even brought in his utilizing it through his quirk and fighting talent. He’s also very flexible when twisting through the air and extremely precise with his explosions

Thus, I’d say that his moves are the most on-beat and precise. He’s got very solid moves when dancing; imagine his limbs cutting the air in sharp, refined movements, and his flexibility leads him to be an overall powerful dancer.

Bakugou is a HUGE stickler for technique. Sure, he’s not above improvisation, but technique’s where he excels the most. He’s looking far ahead enough to not want to jeopardize his health by doing some dangerous moves that could potentially hurt his body, so he always takes extra care when going about them, such as taking advanced dance classes.

He works wonderfully as a center, because not only does he have this charisma that makes people unable to look away from him, his perfected balance between his fierce dancing and his emphasis on technique lead him to be a picture of refined strength, and an absolute delight to watch on stage

His facial expressions are definitely the best when he’s performing powerful songs, probably because he’s naturally angry lol. His worst concept has got to be cute, but while he dreads doing it, it’s not like he can’t pull it off. He’s an idol, dammit.

Bakugou’s that one member who wears a headband or bandanna during cutesy performances and sticks with it, because that’s the closest the stylists are ever gonna get to his hair

God forbid if he ever has curly or straight hair

He’s not against dying it though, but he still cares about the repercussions it has on his body, so he tries to refrain from dying it too often. (Which could be inevitable if his managers require him to, I know that. But I’m going to give the boys a little more leeway here to showcase their personalities.)

Anyway, a bandanna suits him just fine, and now he’s the trademark member with the bandanna haha

Some things that don’t change from canon are obviously his schedule. Boy still wakes up at the crack of dawn, probably goes for runs or do sets in the gym, make himself a healthy breakfast, then get down to work

Now I’m conflicted as to what position he would take in a group; I’m leaning towards main dancer

Then again, he IS an all-rounder, so really you could get him to do anything and he’ll be just fine

It’s not in his nature to fail, after all

He can sing, but since his voice is kind of gravelly he’s not the first choice for a main vocal. Strong lead vocal material, I’ll bet, because his voice adds a lot of color and diversity. It’s not something you’d usually hear in a song, that’s why.

He can rap, but again, his voice is gravelly and hard to hear, so I don’t think it would be too good a fit for fast-paced raps. Though, throw him one or two iconic rap lines in his natural ‘I’ll punch you in the face’ tone and you’ve got yourself an icon (and a meme) for days.

I can also see Bakugou being leader of the group, since in canon he’s actually the oldest in class 1-A. One thing though is his outward persona isn’t all that pristine; he has trouble switching gears into idol mode. As we know Bakugou doesn’t lie, regardless of circumstances, and he’s not about to start doing that just to be liked better. If any of these extras are going to be his fans, they’re going to have to recognize real talent, without all the fake smiles.

But because he knows what it could do to the group’s reputation if he came out to look like a big bad bully, he usually keeps his mouth shut during publicity events

He’s probably one of the first idols to have a not-so-sunny media persona, but fans mostly see him as this brooding, sulky kid that’s prepared to put 100% into everything he does

Which is why they still like him

Suffice to say, his fan-base is very similar to the BNHA fandom lmao

Cue all the memes on him being a jerk and everyone liking him anyway, but they know he’s fully committed to the group and wouldn’t want to do anything to risk its image

But over the years, and with the amount of events he’s been involved in, Bakugou’s learnt to let out his true personality one step at a time

He’s considering things carefully because he doesn’t want his fans to be jarred by his personality change all of a sudden, and also because he’s tired keeping up appearances

Jokes on him because the fans already know how he is and are just waiting for him to be more comfortable around the group to showcase his true feelings

And you know what? It sells!

His members also see him as some inspirational figure because his determination and commitment is truly unparalleled

And while he isn’t the easiest to get along with, they know that he’ll do anything within his abilities to push the group to greater heights

While that’s cute and all, it also means they have to suffer at the hands of Bakugou’s tough love. Tough luck

Besides being leader, I could also see him having a hand in producing as well

Remember when I said he was a stickler for technicality? Well, yeah, exactly this

If he feels something isn’t up to par he’d rather do it himself. I think he’d dabble in mixing for a bit and realize he actually has an ear for it, to which he’d then go on to producing whole songs that just awe his members and they’d be like ‘yeah let’s go with this’

And one more thing. Bakugou’s actually got an eye for fashion

Yeah, gripe all you want because all this boy ever wears in the dorms is skull shirts and black tanks but seriously, when he gets down to it, he knows what looks perfect on each member and can make little adjustments to change up a whole style

Courtesy of having designer parents lmao

Overall Bakugou is nothing if not capable. While it means he could definitely go solo at some point, he’s formed bonds with his members and knows he’s grown as a person as a result. And at this point he can only get better

In a leader position, he’s got the charisma, and is not afraid to push for changes if he thinks the status quo isn’t doing enough to ensure the members’ well-being

His weaknesses are obviously teamwork and perfectionism, but he’s been learning how to get along with others better, that it’s not all just a rat race for fame and influence, and he’s able to form some pretty lasting relationships (see: Kirishima)

Not perfectionism, though. He sees it as a strength and not for one second will he compromise. He wants nothing but the best quality, not just for himself, but for the fans

MIDORIYA IZUKU

Looks like the maknae but isn’t. That’s it, that’s the post

He has a really sweet voice so I can see him going for vocals. So imagine when he turns around, holds a mic in his hand and starts RAPPING

You got it, he’s a rapper. Look at the speed that kid goes when he’s mumbling and muttering to himself all the time

Cue Deku’s origin story where he’s mumbling to himself on the street and a talent scout hands him his business card asbfajgfsa

His enunciation is also clear, and his sweet voice makes for a very refreshing rap. That and he also writes his own rap, because if he’s going to be saying anything on that stage, he’s going to want it to mean something.

His raps are always soulful, with hard-hitting lyrics that serve to encourage and motivate anyone who hears and vibes with them.

Basically, his gap moe game is STRONG. Dude be spitting fire up there on stage but once he’s come down, he’s a timid, sweet, shy boi, with overreactions and exaggerations that just make him all the more endearing

He’s also a big fan favorite because he nails every concept well, and has a very down-to-earth personality which he doesn’t hide from the cameras

You want him to act cute and youthful? You’ve got it. You want him to go for something sexy? Um yeah, he’ll have his reservations, but he’ll still do well. You want him to be angry and powerful? The strength in his gaze has got you trembling from the pit.

He’s not just a fan favorite but also that of the staff. Seriously Deku deserves all the love in the world and in this world, he’s going to get it

He’s in the position for main rapper, but I could see him going for lead vocals as well. He’s got a sweet, clear voice that immediately tugs on anyone’s heartstrings the moment they hear it, and he’s usually given more lines in ballads. His vocal range isn’t bad, he can reach moderately high notes, but sometimes his voice undergoes strain. He’s training for that, though!

As for his dance style, Deku probably goes for freestyle! He’s got this easy-going, totally relaxed style going for him that’s full of swag (omg outdated word alert) that makes his movements very smooth. He’s also reasonably flexible, though not as flexible as Bakugou or Todoroki, so he still can pull off certain dance moves.

Unpopular opinion, but it’s Deku, not Todoroki, who looks good in EVERYTHING. Literally his stylist is squealing backstage because they can go ham on dressing him. You could put him in a gold chain and ripped jeans OR an oversized hoodie and rompers, and it’d just go. The only thing is his hair though; he’s thinking of selling it as his charm point (not his freckles!) so he’d prefer if it could stay green. He doesn’t mind if they style it different ways though

The fans would go ballistic if they saw Deku with an undercut, and chances are they’re going to get to see it

He’s definitely one for improvisation! He’s very flexible with these changes, much like how he considers his growth in canon. He’s always looking to try out new styles or moves and see if it fits for him

Besides, I also see him producing! It’s because he’s so immersed in his idol career that he’s always studying new trends on the scene and making them into formulas for the group. He’s also thinking of marketing strategies in his free time

Everyone better be afraid of businessman Deku because he’ll be stealing those bucks from right under your nose

He’s also got mean leadership skills, but I don’t see him in a leader position

Rather, he’s like the second-eldest-but-co-leader kind of guy! He assists the leader in any way he can, and always serves to inspire and motivate the younger ones to work harder together as a team

Deku’s still got that shounen-protagonist charm, even in this world

But for all his good points, Deku still worries he isn’t enough

He knows how cut-throat the industry can be, having studied it inside and out, and he doesn’t want to lag behind

Cue him getting up at odd hours of the morning to use the practice studio (without waking up the others, of course) and other instances

Whenever his members realize he’s been overworking, literally everyone turns on him

He used to be the mom figure, but the moment he’s ushered into bed, a cooling pad on his forehead and thermos at his bedside desk, and the members even station one person to be in the living room so if he tries to leave his room to practice by himself they’ll see him

Jokes on them because Deku practices in his room

He practically moves in his sleep as if trying to get the muscle memory down

Precious boy must protecc!

In sum, Deku’s a great teammate to have and a valuable asset to the team

He’s also the best of friends and is never one to let a fellow member down

Probably the first to burst into tears if the group ever disbands

With his talent and fan-base, he could definitely go solo. But more than that, he wants to cherish the time he has with his members and achieve greater milestones with them every day

TODOROKI SHOUTO

High-key a visual. I mean, everyone wants to look like him!

Like. Everyone stops to look at him whenever he enters the room. Staff, producers, backstage crew, everyone. Even his members, sometimes.

Man’s just too pretty not to stare at

That's not to say he isn't talented, oh no. He's much like Bakugou, an all-rounder, but he's gone through rigorous training from when he was young to get there

Definitely not because of genes, no offense to Rei

As much as Enji is a major shareholder in the industry, anyone who sees Todoroki strut his stuff and still says he got in because of his father has got to be blind. Or deaf. Or plain stupid.

Sure, he had all that training courtesy of his dad. But the moment he enters as a trainee, it's all him from there and no one else.

He's a lot withdrawn at first, still is, but he's improved a lot from when he first joined. It's because of the support he's gained from both his members and fans that he's able to push himself to be the best version of himself everyday

He definitely doesn't come out and say it, but he's probably the most grateful for his fans. As in his family isn't the only lifeline left for him anymore

Todoroki has an amazing voice; while his speaking voice is low, he can reach higher notes without much difficulty. His tone is deep, somber and perfect for ballads, but the training he's undergone has made his technique immaculate. He's got excellent control, he can do runs and riffs effortlessly and he's even perfected his growl. Fans won't even see it coming

His dancing on the other hand is a lot about technique; but unlike Bakugou, Todoroki probably did classical and contemporary dance training as opposed to hip-hop or popping. Because of that, his movements are smooth and elegant, and he always carries himself with the grace of a dancer

That's not to say he cannot be an absolute beast on stage, of course. He's just more in his element when it comes to melancholic ballads, and he's had a hand in choreographing contemporary routines before

That experience and knowledge easily make him a capable choreographer for the group

After all those years of not being able to properly express himself, Todoroki learnt to let his dance tell a story in itself

He's also a fast learner, so any hip-hop techniques he easily picks up and incorporates into the routine

This makes me think he’s going to be a main dancer and a lead vocal, maybe even main vocal

I don’t see him in a leader position because while he has the charisma for it, I think he’d lack in communication, like Bakugou. They’re both a bit too used to doing things on their own that they 1) can’t trust anyone else to do it right and 2) as a result have never consulted other people about how they do things

The difference is Bakugou is a little more observant and far-thinking enough to be a leader, but it doesn’t make Todoroki any less important

If anything, he’s the mom friend, and always makes sure that the members stay in line and out of trouble

Also, for some reason, he's got exceptional charisma on stage and he doesn't even know it

Like, a sexy song comes on and then there’s Todoroki's smoldering heterochromatic gaze

Fans: omgomgomg how is he so hot what the—

Him: ??? This is my normal face tho

It's a strange feeling. One moment, he can be humping the floor and another moment he's got dimples in his cheeks from smiling. It makes him look like a totally different person, even though he's the same guy

His fans don't know why either

As much as he has a creative outlet in dance, Todoroki thinks he has no talent for songwriting or producing. He doesn't consider them his areas of expertise and if he was asked to write lyrics he'd have a hard time because he rarely expresses himself with words. He'd fret on it and eventually not get much done, so why try?

He does help out though, in offering suggestions on how to proceed, but he won't take the lead for any of these. Only dancing

That and his growing up with a businessman father leads him to also know the industry rather well, so he can offer some insights as to what image they could go for and how to market their discography

When it comes to styling, Todoroki is an absolute Mess. The things he likes and wants to wear doesn't suit him all that much, and the stylists usually have a hard time picking out clothes that really accentuate his look and figure. The myriad of colors in his hair and face lead to color clashes, but they find that red and blue are usually the go-to colors.

Did I mention that Todoroki doesn't mind dying his hair as long as they don't dye the white part? Enough said

They've done rainbow on him before!

He also doesn't cover up his scar, and over the years he's learnt to make it his charm point

It serves to make him a noticeable figure in the industry (as if his heterochromia weren’t enough) but it also makes him easily recognisable to fans

It’s not like he doesn’t like interacting with his fans, but sometimes some of them get a little too close, or ask questions that are way too personal

During those times, he’s at least got his members to relate and support him through it

The cutest thing about this man has got to be when he interacts with fans

Like, he’s pretty expressionless most of the time, but he always makes sure that his fans know that he’s extremely happy to have them here, and that he’ll continue doing the best he can for them

If you’re lucky and catch a small smile from him when you’re at a fan sign, I guess you could die peacefully

To summarize, Todoroki is a sweet bean but hardly ever shows it

When people praise his looks, he’s humble about them (though it’s more because he doesn’t know or think he’s attractive… baby just doesn’t see it)

And to top it all off, he’s a charmer on and off stage  with his quiet, sensitive nature and calm demeanor

He’s also the one that’s most likely to have a modeling career outside of his idol work

He can’t act for the life of him even though he’s got the expressions right on stage

Like Deku and Bakugou, he could always go solo, but his reason for not doing so is mainly because he’s found a new family, here with his members, and he doesn’t want to lose it

He doesn’t even mind if they don’t produce music anymore. As long as everyone sticks together and has a good time, he’s willing

A/N: Thank you for reading! If you haven’t checked out my other pieces, you can find them on my masterlist; if you have, thank you for your support! I’m trying to post something new every week, so stay tuned :)

[qqueenofhades]

I want to hear about gay knights. Please.

Ahaha. So this is me finally getting, post-holiday, to the subject that was immediately clamoured for, when I volunteered to discuss the historical accuracy of gay knights if someone requested it. It reminds me somewhat of when my venerable colleague @oldshrewsburyian​ volunteered to discuss lesbian nuns, and was immediately deluged by requests to do just that. In my opinion, gay knights and lesbian nuns are the mlm/wlw solidarity of the Middle Ages, even if the tedious constructionists would like to remind us that we can’t exactly use those terms for them. It also forces us to consider the construction of modern heterosexuality, our erroneous notions of it as hegemonically transhistorical, and the fact that behaviour we would consider “queer” (and therefore implicitly outside mainstream society) was not just mainstream, but central, valorized, and crucial to constructions of medieval manhood, if not without existential anxieties of its own. Because medieval societies were often organized around the chivalric class, i.e. the king and his knights, his ability to make war, and the cultural prestige and homosocial bonds of his retinue, if you were a knight, you were (increasingly as the medieval era went on) probably a person of some status. You had a consequential role to play in this world, and your identity was the subject of legal, literary, cultural, social, religious, and other influences. And a lot of that was also, let’s face it, what the 21st century would consider Kinda Gay.

The central bond in society, the glue that made it work, was the relationships between soldiers, battlefield brotherhoods, and the intense, self-sacrifical love for the other that is familiar to anyone who has ever watched a war movie, and dates back (in explicitly gay form, at least) to the Sacred Band of Thebes. Medieval society had a careful and contested interaction with this ideal and this kind of relationship between men. Because they needed it for the successful prosecution of military ventures, they held it up as the best kind of love, to which the love of a woman could never entirely aspire, but that also ran the risk of the possibility of it turning (homo)sexual. Same-sex sexual activity was well-known in the Middle Ages, the end, full stop. The use of penitentials, or confessors’ handbooks, as sources for views or practices of queer sexual behaviour has been criticised (you will swiftly find that almost EVERYTHING used as a source for queer history is criticised, shockingly), but there remains the fact that Burchard of Worms’ 11th-century Decretum, a vast compilation of canon law, mentions same-sex behaviour among its list of sins, but assigns it a comparatively light penance. (I don’t have the actual passage handy, but it’s a certain amount of days of fasting on bread and water.) It assigns much heavier penalties for Burchard’s main concern, which was sorcery and the practice of un-Christian beliefs, rituals, or other persistent holdovers from paganism. This is not to say that homosexuality was accepted, per se, but it was known about, it must have happened enough for priests to list in their handbooks of sins, and it wasn’t The End of The World. Frankly, I am tired of having to argue that queer people existed and engaged in queer activity in the Middle Ages (not directed at you, but in general). Of course they did. Obviously they did. Moving on!

Anyway. Returning to gay knights specifically, the fact remained that if you encouraged two dudes to love each other beyond all other bonds, they might, you know, actually bang. This was worrisome, especially in the twelfth century, as explored by Matthew Kuefler, ‘Male Friendship and the Suspicion of Sodomy in Twelfth-Century France’ and Ruth Mazo Karras, ‘Knighthood, Compulsory Heterosexuality, and Sodomy’ in The Boswell Thesis: Essays on Christianity, Social Tolerance, and Homosexuality, ed. Matthew Kuefler (Chicago; University of Chicago Press, 2006), pp. 179-214 and 273-86. I have written a couple papers (in the ever-tedious process of one day being turned into journal articles) on the subject of the Extremely Queer Richard the Lionheart, some material of which can be found in my tag for him. Richard’s queerness has been argued over for a long time, we all throw rotten banana peels at John Gillingham who took it upon himself to deny, ignore, or minimize all the evidence, but anyway. Richard was a very masculine and powerful man and formidably talented soldier who could not be reduced to the stereotype of the effeminate, weak, or impotent sodomite, and the fact that he was a prince, a duke, and a king was probably why he was repeatedly able to get away with it. But he wasn’t alone, and he wasn’t the only one. He was very much part of his culture and time, even if he kept running into ecclesiastical reprisals for it. It happened. If you want a published discussion that covers some of my points (though not all of them), there is William E. Burgwinkle, ‘The Curious Case of Richard the Lionheart’, in Sodomy, Masculinity, and Law in Medieval Literature: France and England, 1050-1230 (Cambridge: Cambridge University Press, 2004), pp. 73–85. Also on the overall topic, Robert Mills, Seeing Sodomy in the Middle Ages (Chicago: University of Chicago Press, 2015). 

Peter the Chanter, a Parisian cleric, also wrote De vitio sodomitico, a chapter of his Verbum abbreviatum, fulminating against “men with men, women with women [masculi cum masculis […] mulieres cum mulieribus]” which apparently happened far too often for his liking in twelfth-century Paris (along with cross-dressing and other genderqueer behaviour; the Latin version of this can be found in ‘Verbum Abbreviatum: De vitio sodomitico’ in Patrologia Latina, ed. Jacques-Paul Migne (Paris: 1855), vol. 205, pp. 333–35). Moving into the thirteenth and especially fourteenth centuries, this bond only grew in importance, and involved a new kind of anxiety. Richard Zeikowitz’s book, Homoeroticism and Chivalry: Discourses of Male Same-Sex Desire in the 14th Century (New York: Palgrave Macmillan, 2003), explores this discourse in detail, and points out that the intensely homoerotic element of chivalry was deeply embedded in medieval culture – and that this was something that was not queer, i.e. unusual, to them. It is modern audiences who see this behaviour as somehow contravening our expected stereotypes of medieval knights as Ultra Manly No Homo Men. When we label this “medieval queerness,” we are also making a judgment about our own expectations, and the way in which we ourselves have normalized one narrow and rigid view of masculinity.

England then had two queer kings in the 14th century, Edward II and Richard II, both of whom ended up deposed. These were for other political reasons, but their queerness was not irrelevant to assessments of their character and the reactions of their contemporaries. Sylvia Federico (‘Queer Times: Richard II in the Poems and Chronicles of Late Fourteenth-Century England’, Medium Aevum 79 (2010), 25–46) has studied the corpus of queer-coded historical writing around Richard, and noted that while the Lancastrian propaganda postdating the usurpation of Henry IV in 1399 obviously had an intent to cast his predecessor in as unfit a light as possible, the accusations of queerness started during Richard’s reign, “well before any real practical design on the throne […] and well before the famous lapse into tyranny that characterized the reign’s last few years. In poems and chronicles produced from the mid-1380s to the early 1390s, and in language that is highly charged with homophobic references, Richard II is marked as unfit to rule”. E. Amanda McVitty (‘False Knights and True Men: Contesting Chivalric Masculinity in English Treason Trials, 1388–1415,’ Journal of Medieval History 40 (2014), 458–77) examined how the treason trials of high-status individuals centred on a symbolic deconstruction of his chivalric manhood, demoting and exiling him from the intricate homosocial networks that governed the creation and performance of medieval masculinity.

This appears to have been a fairly extensive phenomenon, and one not confined to the geopolitical space of England. Henric Bagerius and Christine Ekholst (‘Kings and Favourites: Politics and Sexuality in Late Medieval Europe’, Journal of Medieval History 43 (2017), 298–319) traced the use of ‘discursive sodomy’ as a rhetorical tool employed against five late medieval monarchs, including Richard II and his great-grandfather Edward II, John II and Henry IV of Castile, and Magnus Eriksson of Sweden. In all cases, the ruler in question was viewed as emotionally and possibly sexually dependent on another man, subject to his evil counsels and treacherous wiles, and this reflected a communal anxiety that the body of the king himself – and thus the body politic – had been unacceptably queered. Nonetheless, as a divinely anointed figure and the head of state, the accusations of gender displacement or suspected sodomy could not be placed directly on the king, and were instead deflected onto the favourites themselves, generally characterised as greedy, grasping men of ignoble birth, who subverted both social and sexual order by their domination of the supposedly passive king. 

None of this polemic produced by hostile sources can be read as direct confirmation of the private and physical actions of the kings behind closed doors, but in a sense, this is immaterial. The intimate lives of presumably heterosexual individuals are constructed on the same standards of evidence and to much greater certainty.  In other words, queerness and queer/gay favourites could not have functioned as a textual metaphor or charged accusation if there was not some understanding of it as a lived behaviour. After all, if the practice did not physically exist or was not considered as a potential reality, there could have been no anxieties around the possibility of its improper prosecution.

This leads us nicely into the deeply vexed question of adelphopoiesis, or the “brother-making” ceremony argued by some, including John Boswell, as a medieval form of gay marriage. (Boswell, who died of AIDS in 1994, published the landmark Christianity, Social Tolerance, and Homosexuality in 1980, and among other things, controversially argued that the medieval Catholic church was a vehicle for social acceptance of gay people.) Boswell’s critics have fiercely attacked this stance, claiming that the ceremony was only intended to join two men together in a celibate sibling-like relationship. A Straight Historian who participated in a modern version of the ceremony in 1985 actually argued that since she had no sexual inclinations or motives in taking part, clearly it was never used for that purpose by medieval men either. (Pause for sighing.) 

The problem is: we can’t argue intentions or private actions either way. We can understand what the idealized and legal designation for the ceremony was intended to be, but we cannot then outrageously claim that every historical individual who took part in it did so for the party line reason. Maybe medieval men who joined together in brother-making ceremonies did live a celibate and saintly life (this would not be surprising). It seems ludicrous to argue, however, that none of them were romantically in love with each other, or that they never ever ever had sex, because surprise, formulaic documents and institutional guidelines cannot tell us anything about the actions of real individuals making complex choices. Even if this was not always a homosexual institution (and once again with the dangerous practice of equivocating queerness with explicitly practiced and “provable” sexual behaviour), it was beyond all reasonable doubt a homoromantic one, and one sanctioned and organised according to well-known medieval conventions, desires (for two men to live together and love each other above all) and anxieties (that they might then have sex).

The medieval men who took a ‘brother’ would probably not have seen it as a marriage, or as the kind of household formation or social contract implied in a heterosexual union, but as we have also discussed, the definition of marriage in the Middle Ages was under constant contestation anyway.  The church was constantly anxious about knights: their violence, their (oftentimes) lack of religiosity, their proclivity for tournaments, swearing, drinking, and other immoral behaviour, the possibility of them having sexual affairs with each other and/or with women (though Andreas Capellanus, in De amore, wrote an entire spectacularly misogynistic handbook about how to have the right kind of love affair with a woman and dismissed same-sex relationships in one sentence as gross and unworthy, so he was clearly the No Homo Bro Knight of his day). So, as this has gotten long: gay knights were basically one of the central social, religious, and cultural concerns of the entire Middle Ages, due to their position in society, their necessity in a warlike culture, the social influence of chivalry and their tendency to bad behaviour, their perceived influence over the king (who they may also have given their Gay Cooties), their disregard of the church’s teachings, and the ever-present possibility that their love wasn’t celibate. So yes. Gay knights: Hella Historically Accurate.

The end.

[oveliagirlhaditright]

Soooooooo... because I’ve completely lost my mind: “Light and L in Hogwarts during the year that Harry Potter was” AU ideas (and I know a lot of people have already written them into Hogwarts, so I’m probably just unknowingly copying people’s ideas. But shh).

Light is a Gryffindor and L is a Slytherin (same year). Really, Light should also be a Slytherin, of course. But this helps them to be rivals better. He probably asked the Sorting Hat to put him in Gryffindor--ala Harry--and the Sorting Hat took his choice into consideration.

And they are rivals. Because like in canon, they’re very much the same and Foils to each other. They both definitely become prefects and Head Boy of their year (sorry, Ron. I guess I’m stealing prefect from you for this AU. I’m so sorry, baby!). And everyone is constantly comparing the two, so they hate each other at first. They’re also both on their respective Quidditch teams, because of course they’d be. I’m imagining they’re Beaters, because “he who attacks first, wins”, and since Harry’s still got to be Gryffindor Seeker.

And getting the obvious out of the way: L loves Honeydukes, of course.

But I imagine the reason these two start to become friends is this: Light realizes there’s something wrong with Snape jumps down Harry’s throat on his first day. Like, he reads fear and humiliation on Harry’s face or something--or knows that even the most basic wizard should have known the answers Snape was asking about--he questions him about it... To which Harry admits that he didn’t even know he was a wizard--or about the wizarding world--until a few days ago. Though I doubt Harry would be this open about it to a stranger, but shh. And this ticks Light off--to know that Harry’s aunt and uncle treated him so dirty, and that Professor Snape just made this poor, defenseless kid look like an idiot--and he plans to go to Snape about it. But anyway, L had secretly been listening this whole time--but hiding like a cat--and he makes his appearance known now. He’d come to the same conclusions and also wants to help Harry out, because he’s “justice” too, after all. And it’s here that Light and L develop a grudging respect for each other. And they probably do go to Snape. But Snape being Snape doesn’t listen to them, and he takes points from both Gryffindor and Slytherin for their “insolence”... At which point, they might decide to make Snape’s life a living Hell, and thus a friendship begins.

The two of them totally become aurors when they graduate, and enjoy seeing Harry and Ron at work.

Light and L may think that Ron isn’t the smartest wizard in the world--and somewhat un-deserving to hang out with Harry and Hermione--at first, but their opinion of him changes pretty quickly. And even when they did think this of him, they didn’t dislike Ron. They liked the dude pretty well, since Ron’s pretty sociable, but just didn’t think he would ever be a rival to them. Let’s put it that way. But when they learn about all that Ron does in his, Harry, and Hermione’s adventures, they give him mass respect.

Light and L are the biggest supporters of Neville Longbottom that you’ll ever see, as they both saw his potential and realized pretty soon that it was abuse keeping him from unlocking his full potential. 

Light and L are “fans” of Harry at first--though not starstruck--and then just flat-out respect the Boy Who Lived once he just becomes one of their peers. Granted, they don’t think baby Harry really did anything to earn all his fame... but you’ve still got to give it to the infant that somehow tripped up Lord Voldermort and stopped his reign of terror.

Light and Hermione... get on pretty well. I’d maybe go as far as to say they’re acquaintances. And, naturally, everyone thinks they should date: since they’re the two smartest Gryffindors and prefects. But this would never happen. They probably even laugh at the idea together. Hermione has just never had any interest in Light, for whatever reason (maybe because she had a crush on Ron pretty early on). And Light is most definitely gay.

I forgot to mention that L in this is probably a clue to the Golden Trio earlier on that Slytherins aren’t all bad.

Speaking of: L and Draco are friends (but only because Draco’s pretty much the best person he can find in Slytherin house). And this maaaaaaaaaybe convinces Draco to switch sides earlier than in canon.

As he would, Light definitely loves to use avada kedavra against evil people... Though no one really has a problem with this, because most people use that spell during a war (in fact, even our heroes in Harry Potter often don’t understand why he won’t use the killing curse). L maaaaaaaaaaybe tells Light that he thinks this is a bad thing. But it isn’t something they’re going to turn into enemies before. And L’s certainly used the spell himself in dire situations. But similarly to Death Note canon, Light thinks that all criminals should be avada kedavrad. L questions that one time, though, in asking Light, “You want them to suffer for what they’ve done, yes? So wouldn’t it be worse for them to live out their years in Azkaban? Or have their souls sucked out by the Dementors?”

But back to Light and L still being rivals... There’s one time where they’re both in the halls after curfew--probably because Light and L sometimes get roped into the Golden Trio’s adventures, or their own adventures, because they’re too smart not to be--and L leans over to Light and says, “Know that I love you,” before kissing him on the lips... He then gets on his broom, or something, and quickly flies away so he won’t get caught, but Light is and Gryffindor loses points. So the game is on.

I feel like Light and L would probably hate and dislike Dumbledore, after they realize some of the shady stuff he does. L might somewhat respect his cleverness, but ehh.

Also, Light and L are brilliant... So they never once doubt that Voldermort is back when Harry says he is. And they do, in fact, join Dumbledore’s Army and help Harry teach... Even though they probably hate the name. They also help bring it back with Neville, Luna, and Ginny, when the Golden Trio are away in year seven.

They fight in the Battle of Hogwarts, of course. And in the battle in Hogwarts at the end of book six.

L is probably the first Gryffindor to stand up to his house, like “Uhh, no. We’re not going to sacrifice Harry to Voldermort to save ourselves.” And speaking of... there’s a chance that a good portion of L’s house hates him for clearly siding with Harry over Voldermort when the war begins.

I had some ideas about Misa, but I’m sort of forgetting them now. She’s definitely a Hufflepuff... But I want to do something different with her, than most people usually do. Yes, Light is kind of annoyed by her because he thinks she thinks they’re dating or is trying to force it? (She probably does something to help him? And then Light thinks she’s insinuating he owes her. IDK?) But what if in reality, she’s ace or something and just wants a friend? And Light is just assuming the worst--and for once, being dumb--by just not talking to her? But eventually he does, and then they’re sort of cool with each other. And she then sometimes helps Light and L, because this is the happy Death Note AU (in Hogwarts), everybody.

...I feel like I had so many ideas, but now I think I’ve forgotten them all. Oops. I’ll add to this if I remember them, I guess. 

Also... there’s a good chance that Light and L figure out the Sirius Black and Peter Pettigrew thing before anyone else--near instantly, when they learn about it--but I also don’t know if I want to commit to that? Because I don’t want to steal the Golden Trio’s thunder too much here? But at the same time, if I’m not going to have the Death Note characters slightly change things, what’s even the point?

Edit: The two geniuses probably do create some new spell or potion or something together. 

Edit 2: Harry and L totes bond over being orphans.

Edit 3: All the students in Hogwarts know that Light and L are gay for each other. And are constantly like, “Where’s your boyfriend at?” to their annoyance, probably because even in this universe Light and L are in denial about their feelings for each other for the longest time for some reason.

Edit 4: Light and L have the same patrous (to their annoyance. And at first, it’s not because they love each other--though maybe later it partly is--but because they’re that much alike). And it’s probably a cheetah or something.

Edit 5: Back to the whole Light and Misa thing, L actually realizes she doesn’t want to be Light’s girlfriend and is cool with her before even Light is. Since, oddly enough, it seems that Slytherin and Hufflepuff are close, and Gryffindor and Ravenclaw. Later, when Light asks how he figured it out first, L sites his deductive reasoning schools and this as the reason.

Edit 6: I just thought of how this gets dark, and how Light and L maybe turn against each other... Light being tempted to create horcruxes by using the kills he makes in self-defense. L tells him not to do it: to not be like Voldermort. And Light perhaps listens to that... or doesn’t, in being so arrogant that he thinks he won’t become a dark wizard if he’s tasted immortality. On one hand, I feel like Light wouldn’t want to rip his soul apart. But if he thought it was for the greater good--so he could continue fighting crime as an auror--then he might do it...

Edit 7: Light and L do probably resent their professors some, in thinking that they’re more capable than they are.

Edit 8: Light and Hermione might actually go on one “date” together. To “The Slub Club”, because they want to make Ron and L jealous.

[hextiger]

More Research Excerpts

This time it's Der Alptraum in Beziehung zu gewissen Formen mittelalterlichen Aberglaubens. (English: The Nightmare in Relation to Certain Forms of Medieval Superstition).

You can find the PDF here via Project Gutenberg, but it's in German.

For context though: this appeared in 1902 in a magazine published by Sigmund Freud. That fact is very much apparent throughout.

Introduction

"My focus is not on the historical side but the deepest psychological meaning" phrases that clue you in that there's a lot of nonsense coming

Nowadays the word "Weib" really just reads as "woman (derogatory)"

Dream and Belief

"the breath soul and the shadow soul" I'm sorry what. What! Shadow soul?????

"Freud's discovery of psychoanalysis" I don't know that I'd call it a discovery rather than "wholesale invention" or maybe "ass-pull" but sure

You can at times REALLY tell this is influenced by Freud. Example: "The more people have a certain type of dream the more likely it is that its' subliminal content is of a sexual nature" good (?) news for all the people who dream about their teeth falling out

Something something dreaming of your dead mother or father something something oedipus complex repressed in childhood

You can really tell this was written in the early 20th century. Take me back to the 18th/19th century weirdness please

"In a court in 1516 the jury of Trojes admonished the caterpillars who had devastated some distracts on punishment of curse and excommunication to leave within a certain number of days" I have SO MANY questions

The source for the above is "Cesaresco. Essays in the Study of Folk-Songs, P. 183" which I now have to read

Nightmares

"It is generally known that nightmares have a greater influence on the fantasy of waking life than any other dream" my dude you JUST went on for a whole chapter abt sex dreams so like are you sure

"I have added that the repression of female masochistic sexual urges is more suited to the creation of the typical nightmare than that of the male one, a view that Adler agrees with" I just wanna read abt weird hairy creatures sitting on people's chests, not this nonsense

Ok HERE'S something interesting. Dude's talking about how nightmares express deeply repressed wishes like yes. This I can vibe with

"Digestive problems do not explain the appearance of beautiful women from keyholes" sure but if that were a thing I'd sure as hell take the digestive problems

Incubus and Incubation

"In the middle ages the belief was generally that there were evil spirits whose sole function was to have [...] intercourse with sleeping people" HE JUST SAYS THIS. WITHOUT A SOURCE

"A favorite form that incubi took was that of clergy. Hieronmyus reports the story of a young lady who called for help against an incubus which her friends found under their beds in the form of the bishop Sylvanus. The reputation of the bishop would have suffered if he had been unable to convince them that the incubus had taken his form"

People at the time reacted by saying "Oh an excellent example for the wizardry of Sylvanus" so I don't think this bishop was believed

Anyway I WISH that had been an incubus but it really sounds like it was just a creepy old dude

Sir why do you keep randomly throwing untranslated French quotes in this German text

Oh hey another mention of people who were supposedly children of incubi. This time it's Alexander the Great, Caesar, Martin Luther, Plato, all of the Huns and everyone who lived on Cyprus

You're right, it would be unnecessary to linger on how snakes are phallic symbols thank you for not doing that

"The belief that the soul leaves the sleeper in the form of a snake which escapes through the mouth" UM HOLD ON

I checked the source and yeah, that sure is a thing

This one's from Thorpe. Northern Mythology, 1851, Vol I. P. 289f https://archive.org/details/northernmytholog01thoruoft/page/n309/mode/2up

The Vampire

"The wish for reunion, which has its origin in the living person, is here partially projected on the dead" FINALLY some good content

"Widows can get pregnant by their vampiric husbands visiting" uhuh sure

"After the transformation into a vampire is complete it can be discovered by finding the unburied body with red cheeks, tightskin, full blood vessels, warm blood, grown hair and nails and open left eye"

May have found another source on alps here. Features slut-shaming of sphinxes as far as I can tell

"The Wallachian myth wherein dead redheaded men appear in the form of frogs, bugs etc. and drink the blood of pretty girls"

So depending on which church you were a part of before committing heresy you'd either become a werewolf (roman-catholic) or a vampire (greek)

"Like the vampire the Alp can be the soul of a dead person and suck the blood of sleeping people" whhhhhhhhhhhhhhhhhy do I only read this now

The Werwolf

Apollo's apparently associated with wolves, which I did not know

Oh yeah I forgot about the part of werewolf lore that's like "Yeah they turn their human skin inside-out cause the other side is a wolf pelt"

If you're born on christmas day you're apparently destined to become a werewolf as punishment for your parent daring to deliver on the same day as Mary

"The seventh son is destined to become a werewolf, the seventh daughter a mare" mmmmmmmmm there's Something here I may be able to use

Quick gallows, wow what's that? Oh. Oh it's a gallows where the person has their hands bound behind their back, is pulled up by their bound hands on a pulley and then dropped from great height??????? That's uh. That doesn't sound like a good experience

Armenian werewolves are women who sinned and were thus punished by having to live for seven years as a werewolf.

There's also a creature that's somewhat between werewolf and vampire which, apparently sucks blood from the soles of the feet of people walking by

Very rough translation but "One has to burn the werewolf because otherwise he will rise from his grave a few days later. In ravenous hunger he will eat the flesh from his own hands and feet and when he has nothing else on his body to consume he will burrow out from his grave at midnight, fall into the herds and steal the animals or even go into houses, lay down by the sleeping and suck their blood from them" this is good, actually

I cannot stress enough how openly freudian this thing is

Werewolves can apparently also leave behind their bodies and wander about at night

Devilworship

"Belief in devils can be traced back to an oedipus complex" ok. sure

Apparently the devil used to be a close parallel to jesus. The whole deal: twelve apostles, went to hell and was reborn, hot bod

The devil had his own bible which was written down in Bohemia and is now in a library in Stockholm k so who's down for a trip to Stockholm after [waves hands] all this is done

"One of the later bynames of the devil was Grendel (english Grant)"

The devil is canonically bisexual and bigender

He can only impregnate folks if he previously acts as a succubus

....Merlin was a son of the devil? He was born because the devil was imitating God? His purpose was to defeat Jesus? Is this what Fate Grand Order is about

"if a woman sleeps alone the devil sleeps with her" well good for her

The devil has a second face on his butt that looks like a beautiful woman's face. He sits the wrong way around in chairs. His genitals are on his back

The Witch Epidemic

Witches like to eat babies, especially unbaptized ones

Witches apparently sometimes turned men into horses to ride to sabbath??? rad

Or they rode the devil himself in form of a horse or goat. sure

Why would witches have stigmata. I want to know, but not enough to check the source that's cited for this

The roman-catholic church is at fault for witchcraft

Apparently 40 year old witches turn into Drude which are also similar to alps

In Conclusion

This entire thing was a trip but I cannot recommend reading it or a translation. It's far too Freudian for my tastes. At least there's a little bit here that I can use for A Pale Imitation and its potential sequels.

[clansayeed]

Hey Jack! I wanted to know what your thoughts are on Rheya. Was she really a villain to you? Were her motives justifiable? Was she a good villain? Did you think she deserved to have a redemption arc in chapter 16? What could have been written to make her have a better character story? Any thoughts at all about Rheya!

FOREWARNING: Anon... I accidentally wrote you a 2500 word essay. I shit you not this thing is 2,528 words long. So... I don’t know whether to say you’re welcome or I’m sorry. Just letting you know in advance.

ADD-ON POST-POSTING: I’m fully aware this is an app game. A three book series written with sexying vampires in mind. Where the medium is limited both size and content-wise, where you can’t go into much detail because they can only have so many panels in a chapter, etc. Still thinking what I think though. And if you get paid to create content professionally the least you can do for your own paycheck is go back and double-check your work.

Actually this ask came at a good time since I have to work on some character motivations for her for my series... and I always break down the in-canon versions before working on my own. So anon, let’s talk... are you a mind reader?

Kidding! mostly

So. Rheya.

I actually just finished my first replay of book 2 and at the moment I’ve only ever played book 3 the once. I played it as it was releasing so there were some memory gaps in some places and needed-refreshers in others. But on a whole I have similar thoughts about Rheya as I do Xenocrates, and you can find those thoughts here.

Overall she was a solid setup, good design and potential, and PB pretty much wasted her execution.

I wanna start with a genuine question to the fandom since I’ve never actually been able to ask this... but y’all like... totally saw the Bloodkeeper being related to her coming, right? Like I was so convinced of it that when it was revealed in some big dramatic point at the end I was like “yeah... they told us this...?” and it turns out they fuckin didn’t??? Like I could not understand the people who were like super into her sprite like yes she looks good but here I was thinking she was our ancestor from the get-go so I was... confused to say the least.

Not gonna lie when they started pushing in snippets of Rheya’s past trauma in book 2 (things like her yelling “you know what they did to me/took from me” which is paraphrased but you know what I mean) I really hoped they weren’t gonna do what they did. So of course they did it.

But I wish they’d like... just given her the kid. Just give her Iola and leave the weird suddenly random husband out of it. At this point we know Gaius has an unhealthy idolatry for her, we know Xenocrates adored her in his own way in his youth... but we know fuckall about Demetrius up to and including his existence until literally book 3. Sloppy, IMO. They took something not being mentioned and used it to put in a plot device when the omission should have been strategical.

TBH I thought the whole “you know what they did to me” was gonna get hella dark RE: Rheya and King Kaelisus’ obsession with her. That’s as far as I’ll go there.

But you have a Priestess, a known Priestess, who was definitely faithful enough not to stray even when she thought she was walking to her own death. It’s pretty easy to assume (as I did ngl) that she would be completely devoted to Phampira, including romantically/sexually. It would have been a good setup to explain why she never gave Gaius the goods if anything.

And there’s nothing wrong with having said Priestess have her own family while still being devoted. I just wish PB would have used some fucking forethought and hinted at that earlier on than they did. Because they didn’t hint. They dropped this random fisherman-something husband on us and told us she cared enough about his opinion to make him part of her advisory board but not... to like... mention him in any of her conversations in any of the flashbacks... including those in which he would have been alive.

On that note the whole timeline there is really messy, they obviously threw him and Iola in later on after some things were established/couldn’t be taken back. I’ve studied this shit extensively and it’s really muddled exactly how long Rheya ruled, when shit went down with her family, how much time had passed when Xenocrates staked her, etc.

I would have loved for Iola’s father not to have been there. Give me a strong woman, a strong single mother, who would burn the world for the loss of her daughter. Doesn’t matter who did the deed, Iola was hers and the Sons/Order took that from her and the world would have to pay the price.

If I had been given that I would end all of my complaints right here. I would, genuinely. Because then her descent into madness, her paranoia, her megalomania would all have been explained. And they still technically are but -- maybe it’s just me -- there’s something about her having to factor in Demetrius that just... takes me out of it. IDK.

I didn’t mind the guy... though him being a talking tree of doom was a little much for me... though by that point I had accepted the plot was off the goddamn rails and just kept nodding and going with it. But his presence made the story okay when his absence could have made the story impactful and powerful and emotional. That’s just my thoughts. Which you asked for. You did this.

No takesies-backsies.

Was she a villain? Hells to the yes.

It’s a classic case of obtaining ultimate power and abusing it; of crossing the line between justice and vengeance. Not that she wasn’t justified in her freak-out over the death of her family. But everything after up to and including her fatal feeding schedule was totally unnecessary. For a villain, yes necessary. 

For a vampire goddess who could have easily used Gaius’ influence over the vampires of the modern world to form a cult following around herself with an open dialogue about her big ass appetite and probably would have ended up with swaths of willing adorers ready to lend their blood to her cause thus eliminating the need for secrecy and subsequent feeling of betrayal...

You tell me.

I feel like she was definitely more than a little hyped up though. Not even going into my whole-ass issue with the entire Unchained plot and thus the first like 4-5 chapters of book 3, she was hyped up in myth and kind of a let down in person. She could FLY. Walk in the SUN. Heal the DYING. She’s vampire JESUS.

*ADDED IN LATER: She took out THE ENTIRE ORDER OF THE DAWN, WHO HAVE RAVAGED THE VAMPIRE POPULATION FOR LITERALLY 3000 YEARS since they were around in her time after all IN LIKE A THREE-MOVE COMBO BREAK. ALL THIS SHIT THEY HYPED WITH THE ORDER and their entire ERADICATION isn’t even an ON-SCREEN THING. Unless you pay.

Dude if they had kept Xenocrates and the Order and used the two of them against each other; the Order’s long-standing influence on the modern world versus the new world Rheya wanted to create with the human populations not knowing the history behind their hatred, where like the first half of the book is Rheya and MC and gang taking out the Order and Xenocrates only to find out in the middle point that she’s been doing it for selfish reasons and they were on the wrong team the whole time and THEN Rheya becomes the big bad... I would have enjoyed the shit out of that.

Anyway. “She’s vampire JESUS...” and her big evil plan is to... suck face on national television? IDK. It didn’t play the mood right for me. I can see from a writer’s perspective how they kind of played out all of their options and went with a quick and easy solution... but it didn’t work for me. That’s a no from me dawg.

Do I think she deserved a redemption arc? I don’t think anybody deserved a god damn redemption arc, unless they are done with extreme care and attention to detail before/during/after said arc they go horribly, and overall tend to be the plot device pick of lazy writers.

And I take nothing back. No like I think I might have gone into how much I fucking hated Gaius’ “reDEmPtiON aRc” before or at least I have somewhere and to someone. Probably Sofia... no most definitely Sofia. But anyway. They spend TWO GOD DAMN BOOKS hyping Gaius as this ultimately irredeemable bad guy. 

OMG I was literally playing the book 2 finale and got a quote hold on... HERE. Adrian literally says about Gaius in 2.16 “It’s like there’s no humanity left.” And that’s just one actual example of the tons of times they make him out to be devoted to Rheya of his own volition, the ultimate example of the line between believing in something and being blinded to everything by it, etc. Like a huge chunk of Kamilah’s and Adrian’s arcs RE: Gaius are about how he was definitely a monster, he turns the people around him into monsters, and while they have worked their asses off to be good and right their wrongs he has not, will not, and would not ever do such a thing.

Then suddenly he’s brainwashed, tried to turn Rheya down and was made into a loony toon because of it, and everything he made MC’s loved ones do that they blamed themselves for but needed to blame him for is suddenly Rheya’s fault and now we should blame her for.

Mmmmmkay sweetie. I’m good, thanks.

But really -- that was the last straw for me when it came to both Gaius and Rheya. There’s a difference between giving the villain something they see as a just cause (ex. Rheya avenging her family) and giving the villain a cop-out that absolves them of guilt (ex. Gaius and... everything about him). Like yes I know MC didn’t have to forgive him, I know Kamilah didn’t really forgive him, but it’s pretty fuckin obvious from how it was put out into the world story that the writers were trying to lean you towards blaming Rheya and letting Gaius off the hook.

I mean... making him save Lula for real when Rheya saved her for fake earlier on in the book, using Lula as a stand-in metaphor for her own child daughter that she finds out she was the cause of her death for, etc? That symbolism is so transparent I could put it in the asset database.

And I’ll only briefly touch on this since I could write a whole other essay on the matter RE: PB and their fucking constant repetition of this, but “let’s give both bad guys similar moral quandaries but suddenly reveal it was a consent issue and the woman is wholly to blame and now gets the man’s crimes piled on with her own” is super common in fiction and hella. fucking. sexist.

But that isn’t to say all of this is necessarily bad.

When done right, everything I’ve complained about above can be a part of a really good story. What “done right” means is different for everyone, everyone has a different example and different thoughts on it. These are mine. I think the better term would be done well. It was not done WELL.

But given things like PB’s weird obsession with redeeming the attractive (apparently) bad guy, PB’s history with narrowing a woman down to one trait or part of her (ex. Rheya’s power corruption centered around her role as a wife and mother and not... a super all powerful vampire goddess...), their obvious lack of attention to detail and overall lack of vision when it comes to the big picture* and more, I personally don’t think they knew what the fuck they wanted by book 3 and were already well into transitioning into whatever adultery-obsessed lingerie shenanery they’re fixated on now; so much so that it’s almost a disservice to the writing done in earlier book 1 and a decent chunk of book 2 when calling it a whole series.

*I keep bringing this up only because it means I can back up stuff like this with real examples of theirs: these guys did not write the plot of this series as a cohesive story. I get that, as a writer writing a big series myself I get the fuck out of that. But you have to solidify some things early on in the development process in order to avoid writing yourself into a hole or, like with this, having to result in trope-y plot devices that work in theory but on paper don’t give the story the full-circle fulfillment it deserves. 

Their timelines are out of whack, they contradict themselves in quite a few places, constantly wishy-washy their own lore, and definitely didn’t go back and double check if they’d said something already... and that’s not including where they focused on the details of one unimportant thing and left another more important thing to just be “and this is the way it is moving on.”

I literally have no way/idea how to summarize any of this bullshittery going on in this ask. Did I like Rheya? The character personality, design, and overall idea as this big ass badass power/hungry goddess demanding fealty was pretty cool. Did I like Rheya when they narrowed her story down to her grief over her family (which, again, is valid, but just seemed really disjointed and rushed when compared to everything else they had given about her/shown of her by the beginning of book 3)? Not... as much.

I think they wanted her to seem like she could be redeemed. I mean FFS in the “big battle” she literally just stands there and lets you do the thing. 3000 years imprisoned and however many centuries before that spent taking the power that she was denied all because some bad dudes in masks killed the mortal husband and daughter you would have eventually lost to old age anyway...? And she just stands there??? 

Even knowing she was really behind Iola’s death they could have stuck with the “madness consumed” plotline and had her be like well... what’s done is done back to taking over now thank you.

But sometimes a bad guy just has to be a bad guy. Rourke from ES, mister capitalism -- can’t remember them trying to redeem him. If they had I don’t think I would have liked it so much. Who else... UGH. Thomas in NB. Crazy zombie man wants all monsters dead because one killed his family (can we stop using dead families for grief porn please and thanks...) another example of a useless villain. Hence why I removed him from my NB rewrite don’t even get me going...

What’s his face in TCATF! Luther! You join up with him and he still tries to kill you in the end! Now that was fucking classic. Hex, who suddenly is forgiven for the literal enslavement of a race of people and the thoughtless murder of a civilization that didn’t agree with her.. and all because she was ‘like a mother’ to the kid genius? Not so much.

I could go on and on and go search out tons of examples but in the end the one thing you can say PB does well is that they stay consistent in their ideas of redemption, of who deserves it and who isn’t, and just how far they’re willing to stretch the fucking story to forgive a character if 1. the sprite is hot or 2. the sprite had a little sprite family somewhere in there.

legit just talk to me about bb/nb

[makeste]

I just took that Bakugou introspection as Horikoshi's way of telling the audience that yes Bakugou can keep up with OP Deku because there has been so much muttering across the fanbase that Bakugou won't be able to. I don't see the melodrama of Bakugou only seeing his strength as a means to keep up with Deku or that his pride is problematic. I think him having an idea for his hero names means he knows what his strength is for. He's always been strong as a person (when Deku was not) (pt1)

Losing his quirk doesn't need to be the gateway to force him to develop the kindness and consideration he's already been showing, nor would it be karmatic balance between him and Deku- especially when any scenario that takes his quirk benches him from the story or cheapens the stakes by him getting it back relatively fast. Deku's 15 years of quirklessness can't be balanced. Additionally, Bakugou only lost in the story when he was too close minded to learn, once open minded he started to (pt2)

grow. It doesn't send out a good message, if after all that growth he still gets punished. His declaration of spirit to not lose, be it to Shigaraki or Deku is not a bad thing, he is the underdog with an indominable will and he is declaring his spirit as the symbol of victory. Bakugou may lose his quirk, I don't know, but your reasons I disagree with because we interpret those panels differently. They give the audience a point of reference to guage Bakugou's ability.

you make some excellent points, anon! and you see, it’s strange, because up until this chapter and his monologue, I was in full agreement with most of what you’re saying -- that he’s already figured out all of that hero biz, that he’s already in the process of sorting his shit out on his own, and that Horikoshi is simply waiting for the right moment to finally show it.

but after reading his internal dialogue in this chapter, I’m just not so sure anymore.

in the past I’ve done a lot of guesswork on Kacchan’s thought processes based on his subtle little actions and microexpressions, and on what we’ve already been told about his character thus far. I call it “guesswork”, though, because it very much is that, because we so rarely get an actual glimpse into his head to see what he is really thinking. so when Horikoshi actually does give us one of those rare glimpses, I’m inclined to pay very close attention, and prepared to make any necessary adjustments to my current understanding of his character if need be. he is very, very complicated, and despite my spending an absurd percentage of my free time analyzing him up and down and front to back, that absolutely doesn’t mean that any of those analyses are actually right, lols. I’m constantly updating my internal databank of Kacchan knowledge both from interactions with the rest of the fandom, and -- when Horikoshi actually deigns to give us some new information -- from the canon itself.

anyway! so when I read this chapter and saw Kacchan yet again comparing his progress to Deku’s in his head, and thinking -- even now, even in the moments right before an intense battle!! -- only about his rivalry and about keeping up, that immediately set me to updating my mental bakuwiki in regards to his current character growth status. so he definitely has his hero name picked out already, we know that much. and so presumably has thus already figured out what kind of hero he wants to be. right? right.

and yet he still apparently has not revealed the new name to anyone. even after three months. like yeah, we get it, you made a promise to tell Jeanist first, etc. fair enough, but still! it’s an interesting bit of hesitation to take note of. and then there’s also the matter of Horikoshi’s interview from back in December (which I’ll link in a comment once this is posted), where he talked a lot about Bakugou and made a point of saying that his character growth wasn’t done yet, and that he still needs to apologize to Deku. which is as good a confirmation as any that such an apology is indeed forthcoming.

so why, then, does it seem like we’re still no closer to that moment, even after Kacchan seemingly had a mysterious epiphany at the end of the internship arc, and even after we subsequently went through a three month time jump? Kacchan isn’t one to be slow about it when he decides to make progress. his growth in all other aspects has come by leaps and bounds. and yet when it comes to his relationship with Deku -- his friendship with Deku, except that he still can’t bring himself to acknowledge that’s what it is, and insists on thinking of it as only a rivalry -- it seems like he reached a certain point, and then just... stalled. like he’s not willing to go any further past this. and there are many reasons for why that may be the case. but at the root of all of them is pride.

and I’m not saying he needs to give up that pride, because that’s a huge and very important part of who he is. you said his declaration of spirit not to lose isn’t a bad thing, and I agree. but that doesn’t always make it a good thing either, and I don’t want to get so swept up in my love of the character that I start refusing to acknowledge the downsides of that trademark pride as well. pride, like anything else, is nuanced. it can be both good and bad. it’s good when it motivates you and pushes you to do your best and to achieve your goals. but it’s bad when it makes you inflexible, and when it prevents you from taking actions which would benefit you and others, just because doing so would mean humbling yourself in a way that is scary and which feels like it runs counter to your ultimate goals. because you want to be someone who always wins. and so any time you do experience a loss, you go through an entire mini-crisis, because it feels like your very purpose in life is being threatened.

I don’t know if “problematic” is the word I would use for this aspect of him. I feel like that word is fairly overused, especially in fandom, and now has certain connotations of “this is objectively bad behavior which should be called out and shunned.” and I don’t think that’s the case at all when it comes to Kacchan’s pride. he’s already learned how to put it aside in order to work with others and save others. and that’s great! he already is a great hero by this point, imo. if Horikoshi decided to just end his character arc here and not take it any further, I would actually be just fine with that.

but I think that there is still the potential for more. I think that we are still not done here yet. because this manga consistently surprises and amazes me with the way it goes the extra mile when it comes to character development. Kacchan and Deku didn’t have to reconcile their differences and learn to respect one another after only 120 chapters (I say “only” in a very sincere and not sarcastic sense here, because that really is an insanely short timeframe compared to most other manga). but they did. Endeavor didn’t have to see the error of his ways and decide that he wanted to become a better person, and he definitely didn’t have to be shown apologizing and admitting his wrongdoings and even going so far as to back out of his family’s lives for their sakes and even build them a house so they could move on apart from him. but he did! and that’s insane, you guys. name me another series that goes that hard in trying to redeem a guy whom virtually every single member of this fandom would have once described as ultimately devoid of any redeeming qualities. I can’t think of any.

but BnHA is just like that. it goes hard. it doesn’t back off. nothing about its character arcs is remotely half-assed. and so if a character is showing signs that they are still angling for more growth? that there are still things they need to learn? then I’m inclined to think we are going to roll up our sleeves and get that growth, one way or another.

this story consistently amazes me because whenever I look at a certain aspect of a character’s development and say to myself, “oh hey, that’s pretty awesome, even if it’s still not ideal,” Horikoshi goes and nudges it down another notch towards being ideal. like, the dude just doesn’t settle. and so that’s one of the reasons why I’m convinced this is a very real and even likely possibility. because this kind of development, to me, would be very, very, very close to my ideal. is it strictly necessary? absolutely not. would it fucking blow my mind as a development, however? I kinda think it would, ngl.

-- that is, with the one addendum that since I do love my son very dearly, I wouldn’t want it to actually be permanent. so in order to be truly ideal, such an arc would also have to include a way for him to climb back up again after experiencing that fall. which some might find contrived or “cheap”, as you put it. but that’s a risk I’m very selfishly and biasedly game for all the same, lol. I am more than willing to occasionally suspend my sense of disbelief in the name of character development, and honestly, I don’t actually think it would cheapen the stakes in any way, because just because Kacchan’s main character status gives him cool perks like a one-time get-out-of-losing-your-quirk-for-free card doesn’t mean the same would apply towards anybody else. and for that matter, it wouldn’t detract from whatever soul searching Kacchan does during that period while he fully believes that he will be quirkless for the rest of his life, either. it doesn’t have to be permanent in order to have a permanent impact.

lastly, in regards to it balancing things out between him and Deku, I don’t mean that Kacchan becoming quirkless would (a) be some sort of necessary and deserved punishment for him, or (b) be even remotely equivalent in any kind of way to what Deku experienced while growing up. that is very obviously not the case, and I can’t stand that kind of thinking, that redemption is only about punishment. maybe “karmic” isn’t the word I should have used then; I meant it as a way of signifying something spiritual in the push-pull balance between the two of them, not in the “what goes around comes around you were a jerk and now you’ll finally understand what it feels like” sense of the word. that’s a big yikes, lol. so yeah, just to clarify that part of it!

what I mean by balance is that it would serve as a catalyst to Kacchan finally being able to understand Deku’s side of it. finally being able to see things from the point of view of his rival-friend who’s had the exact opposite arc as him in terms of what he had to do and go through and learn and unlearn to get this far. it would serve as a means of finally bridging that one last gap of understanding between them. it would bring things back into balance because it would bring them back into balance, by giving them the push to finally mend that one last broken part of their former friendship. the part that’s still untouched by both of them, because they’re both afraid of disrupting the current semi-stable truce that they have now in their relationship. even if it’s not perfect. not, if you’ll pardon my use of the word yet again, ideal.

tl;dr I see Bakugou’s introspection as being a lead-in to something potentially game-changing both because I want it to be, and because, as strange as it may seem, the manga has conditioned me to think this way now. to have expectations. to anticipate more depth, more growth. so it may be the case that in this instance I’ve taken those expectations too far and I need to temper them back down and swing them in a less angsty, more traditionally shounen direction. and like I said, if that does wind up being the case, I won’t be upset.

but maybe, just maybe though, this manga will in fact go there once again. if for no other reason than that it can. “Horikoshi really went and did that” is a sentence I’ve gotten very used to typing since I started reading this manga. and so, well, let’s just wait and see.

[alyasalias]

One For All Users Theory

My theories on the mystery users of One for All. Major spoilers for the manga...so make sure you're caught up. You have been warned.

For those still curious, the somewhat spoiler free TLDR of what I have written here: The naming system of One For All users appears to follow the trend of having each user's name have something to do with their number. We only know four of their names so far and have been led to believe that their name-number thing is tied to the number of user they are/were. While reading that tidbit I realized that "Katsuki" is homonyms with "victory", which lead me to thinking "first place"...so..."first user...that One For All was passed onto...so technically the second user"...and that "Eijiro" when written with the right kanji means "Second son"...so...second person the Quirk was passed onto? So...maybe this lends some weight to the theory that Bakugo Katsuki and Kirishima Eijiro are our mystery previous users? Building on that theory, I suggest a potential explanation for All Might's Muscle form.

A while back I found a few theories online floating around  that Bakugo Katsuki and Kirishima Eijiro are the second and third users of One For All, respectively. The silhouette for the spiky-haired dude definitely seems like a dead ringer for Katsuki.

I thought this theory was kind of ridiculous because a true time-travel Quirk has yet to be established in HeroAca. The theories that I found insisting that it was so all linked it to Eri--that Eri's Rewind somehow sent Katsuki back in time all the way to the point of the first user. Personally, I think that claiming Rewind can do that is a stretch. The only victim of Eri's Quirk that we know of that was rewound out of their present existence was her father, and we have no idea what actually became of him. Some claim that she basically rewound his body to the point where he deaged into inexistence. Eri's Quirk is still largely unexplored, but based on the way it was used in the battle against Overhaul I don't think there's enough evidence to claim that Eri's Quirk could send someone back in time. At present, it appears to only have an effect on a single individual's cells and/or molecular structure. She appears to be able to make damage to living cells reverse themselves. De-aging would fall under that, 'cuz some people would consider aging basically gradual cell death...so it's possible that is what happened to her father. Potentially, he had no injuries and was far too intrigued or shocked to get out of range--he was an adult, he should have had time to get out of range before vanishing into nothingness. Unless, of course, Eri's Quirk awakening happened like Tenko's and she goes through a similar subconscious suppression of her Quirk due to trauma. It's possible she could de-age a person out of existence in an instant, but after doing it to her dad the trauma caused her to keep a lid on it...hence why Izuku had time to think and realize what was going on with his body and that he'd have to damage his body fast enough to keep up with Eri's Quirk. I don't see any hints that Eri's Rewind has elements of time travel though. If she's capable of it, then our best bet would be to question what actually happened to her father--were his cells simply rewound to the point that he no longer existed (rapid de-aging), or was he maybe transported to a different era? It's possible, but it's currently unexplored in canon.

Ultimately, I think that until we get some more facts it's too soon to claim that Eri will send Bakugo and Eijiro to the past. How they get to the past isn't what I want to theorize on tonight...but on *why* it's probable they could become the mystery users.

We all know that Horikoshi loves meaningful names and that each One For All user appears to follow a naming rule where their names have some connection to which number of user they are with the Quirk. Izuku's "ku" is homophones with nine, Yagi's got an eight in his surname, Nana is homophones with seven, etc. That would imply that the unknown users should have "two" and "three" in their names somewhere, since they are the second and third users of One For All. It's another stretch, but what if the first user was "Zero" and the mystery users became "One" and "Two"...being the first and second users to have One For All passed on to them (after all, in the original user would it be called One For All if it's just the power-stocking quirk coupled with the ability to pass on quirks?) It gains the "one for all" moniker because it's passed on. Also, if we're screwing with time, having the numerical naming order be disrupted seems a bit poetic--it shows in the names that something messed up as far back as the 2nd user if his name bears allusions to "one" or "first".

After reading the bit about the users names again recently, something began to bug me--especially with the silhouette of one of the users being a dead ringer for a Katsuki look-alike. Katsuki can mean victory--which made me think of 'first place'. Eijiro, with the right kanji, can sometimes mean "second son" as a name--"second person to inherit the quirk (technically third user)"? This would definitely create an odd naming system for sure and a number would end up being missing from the names. However, it could be possible. In Asian cultures 8 is seen as a lucky number and fours are considered unlucky. It's possible that "four" could be skipped entirely, having All For One's brother be "zero", Katsuki being "First/one", Eijiro being "second/two", and the unknown fourth user being named with "third/three", skipping four entirely and we get Banjo Daigoro (Black Whip) as our confirmed fifth user ("go" in his name is homonyms with five), the dark-haired dude as our sixth user, Nana at seventh, All Might at eight, and finally our nineth as Izuku/Deku. Fours are already taken anyway--All For One claims that "Shigaraki" was his own name...and that he gave it to Tenko/Tomura for that reason. "Shi" is homonyms with "death" as well as one way to say "four" in Japanese (the other being "yon"). Maybe the One For All users won't invoke four because it's the name of their fated enemy.

It's definitely a stretch dependent on whether or not Horikoshi is superstitious about fours or whether or not it'll be a factor in the naming system at all or whatever. Also, this names theory only means anything if we're willing to accept the possibility that Katsuki and Eijiro are the mystery users.

Another thing I wonder as part of this theory has to do with Eijiro's Hardening Quirk being within One For All.

All Might claims that he was Quirkless, and now that the embers of One For All have left him, he should be completely Quirkless...but he's still shown the ability to turn into his muscle-form...and it's acknowledged by the characters as his muscle form, so that makes me think that it's actually happening in the world of the story and that it's not just a gag for the readers. Muscle-form looks like a Quirk to me...so...if Toshinori was Quirkless and One For All has left him...then where did muscle-form come from and why does he still have the ability to change into it--no matter how briefly?

My theory on muscle-form is that it's Kirishima Eijiro's Hardening Quirk (assuming we accept the fact that Eijiro is one of the past users of One For All)--that Toshinori drew on the stored Quirk without knowing it...and that even if the embers of One For All are truly gone from him...somehow that last bit of it stayed with him. After all, it's different from all of the other Quirks we know of within One For All. Hardening is a transformation type Quirk--the results are temporary. Black Whip, Float, and whatever happens when Izuku taps into One For all, Full Cowling and any SMASH! moves--all of those appear to be emission-type Quirks. Perhaps Transformation-type Quirks linger or merge with the very cells of the user...and thus don't entirely leave even when the embers are gone? My theory on why Hardening looks different on All Might than it looks on Eijiro can be explained by Monoma's explanation of his copy ability and "blanks".

Monoma could copy Fatgum's Quirk, but it wouldn't function the same way. It appears that FatGum's Quirk gives him the ability to convert calories into fat at a more efficient rate than normal, and that his bodyfat has some extraordinary qualities--behaving like quicksand or rubber or whatever. His stored fat gives him the ability to trap people, stockpile force/blows, and the ability to basically lie on a dentonation device and absorb the force of the explosion--letting it out (ike the stockpile of force/blows) in a safer manner than if the device were to simply dentonate (see Vigilantes). FatGum's Quirk wouldn't work on Monoma because it relies on the stockpile. He'd have the quirk but wouldn't be able to do the same things with it--especially given the time limits. Potentially, Monoma would be able to convert calories into fat and get rounded out in the time he copies FatGum's Quirk...but he wouldn't be able to absorb people or blows in the same way until he had enough stockpiled fat. Basically, he could copy FatGum's Quirk, but he wouldn't balloon out to look like a copy of Fatgum.

I'm suggesting here that All Might's Muscle-Form is Kirishima Eijiro's Hardening Quirk (assuming that we accept that Eijiro is a previous user). Maybe "Hardening" manifested differently on All Might's frame than it does on Eijiro. It's a transformation type while the others currently known to be a part of One For All are emission-types. All Might's Muscle-form certainly looks like a transformation-type to me--maybe he's just not as rocky as Eijiro because the rocky part of it is something to do with Kirishima's own cells...cells All Might doesn't have. The way the Quirk manifests on All Might is different from how it manifests for Eijiro.

It's a stretch 'cuz we don't have enough facts from canon--and a lot of what I've written here relies on a heck of a lot of speculation. But hey, this is all just a theory (jkjk...love that channel...system of channels btw. Thank you MatPat for the amazingly done edutainment).

[ahiddenpath]

Digimon Adventure 2020 Ep 12 Reaction

Holy damn, those were some dope visuals!

I can’t-  I can’t even with this?  This ep was really pushing a vibe, my dudes.  I got some strong Nier: Automata feels (green things overtaking technological ruins, robots with Feelings), some Persona vibes (hellish broken mask Hagurumon, lit red from within), some Miyazaki homage...  And Lilymon herself, so sparkly and flowery and beautiful!  I mean, dang, this whole thing was such a treat to look at!  And the fairy music playing when Lilymon evolved!  Dang!

I wasn’t super impressed with the actual content of the episode; it was fairly by-the-books.  Child shows compassion to apparently non-living thing, and whups!  It’s a digimon who has probably never been smiled at like that before.  Digimon protects child, treats us to a whirlwind of lovely images, then dies.  Mimi’s sorrow and rage unlocks Palmon’s perfect form, Lilymon.

Man though, Mimi is amazing in the Reboot?  She falls down the hole (and is somehow... fine?) and immediately says, “Whelp, gotta get up!”  Of course, the logical thing would have been to wait there- if you get lost, you’re gonna lead your friends in circles if you move, especially if they... saw where you went, regardless (and Taichi CLIMBING DOWN?!  JFC KID).  But I like her moxie!

Anyway, we see her showing compassion to what appeared to be piles of scrap.  We saw her love for the unlikely friend protecting her.  And we saw the potent depth of her emotions, something I think the crest of “purity” is meant to evoke- that Mimi is never duplicitous, that she shows the world exactly what she’s feeling, always, and that those feelings are powerful.  A storm wrapped tight in skin and bone.

I’m not quite sure what is unlocking perfect evolutions in the Reboot.  It seems implied that their traits are unlocking the evolutions- Yamato’s second “Friendship Montage” in the last ep, Mimi’s “rage and sorrow” in this ep, according to Lilymon.  But Taichi didn’t quite have a moment like that- although, to be fair, Taichi is basically a walking, one-note Fearless Leader kid in the Reboot thus far.  The only time we saw much in the way of faltering was his desire to avenge Ogremon, even if it wasn’t logical/helpful to their mission, but that became kind of a moot point with Metaltyrannomon hunting them, regardless.

I think some folks will accept “purity of feeling” as evidence for a trait-based evolution here, and some will assume the evolution was basically... plot-driven by Guardromon’s sacrifice.  Either way, I don’t think it really landed for me, personally.  The appeal of this ep was straight-up vibe potential.  Like... those visuals, hot damn.  That atmosphere!  Living machines overtaken by living plants!  The meaningless loss of life, that merciless ending!  Just!  Dang!  

The most interesting part was Mimi kneeling by Guardromon at the end.  It evokes her grieving during the Dark Masters arc, but this Mimi knows that the only way to end senseless deaths is to pursue her mission (I mean... Assuming we can trust the statue voice message from a few eps back).  Adventure 1999 Mimi lost the will to fight for a while after losing a few friends, so again, we’re seeing a character that’s starting with much more maturity than the kiddos from back in my day.

This Mimi is hella impressive, I won’t lie.  I love her so much, but I also feel a little sad that...  Even as she starred in this ep, possible with more “alone” screen time in a single ep than anyone but Taichi has had so far??  I’d say this ep was geared more towards mood and visuals than characterization.  But, like...  I enjoyed the mood and visuals a lot!  I just enjoy characterization more.  I really appreciated hearing more about what “purity” could mean as a trait, though!  It has gross connotations in the states (virginal, “innocent” on a sliding, moving-goal-post scale), so I like exploring it in canon.  

A strong ep!  What do you think?

[wiseabsol]

WA Reviews “Dominion” by Aurelia le, Chapter 13: A Start

Link: https://www.fanfiction.net/s/6383825/13/Dominion

Summary: For the Fire Nation royal siblings, love has always warred with hate. But neither the outward accomplishment of peace nor Azula’s defeat have brought the respite Zuko expected. Will his sister’s plans answer this, or only destroy them both?

Content Warnings: This story contains discussions and depictions of child abuse, emotional abuse, physical abuse, sexual abuse, and incest. This story also explores the idea that Zuko’s redemption arc (and his unlearning of abuse) is not as complete as the show suggested, and that Azula is not a sociopath (with the story having a lot of sympathy for her). If that doesn’t sound like your cup of tea, I would strongly recommend steering clear of this story and my reviews of it.  

Note: Because these were originally posted as chapter reviews/commentaries, I will often be talking to the author in them (though sometimes I will also snarkily address the characters). While I’ve also tried not to spoil later events in the story in these reviews, I would strongly recommend reading through chapter 28 before reading these, just to be safe.

Now on to chapter 13!

CHAPTER 13: A START

Alright, on to chapter thirteen. Before I begin, since there have been some people in the comments expressing interest in my full reviews, they can be found at: wiseabsol (dot) tumblr (dot) com (slash) tagged (slash) dominion (percent sign) 20by (percent sign) 20aurelia (percent sign) 20le. I might also run the idea of setting up a forum for “Dominion” by Aurelia. That way, you all would have someplace to read my reviews on this website, as well as discuss the story with each other outside of the reviews section.

 On to the review. Zuko has slept past sunrise, which may be an indication of how bad a shape he’s in, since firebenders are supposed to rise with the sun (Azula, note, still rose with the sun while hospitalized). But he managed to sleep the night through without nightmares, which is progress for him. Turns out he’s achieved that by drinking a sedating tea left by Iroh.

 “The old man had even gone do far as to pretend Mai told him, to try to get Zuko to talk. It was the kind of thing Azula would do.”—Iroh and Azula are both cunning, strategic thinkers, which may be part of why she makes Iroh uncomfortable. She probably reminds him of himself when he was younger. If she’d been a boy, it’s possible that he might have tried to take Azula under his wing…but given that she was a girl, and thus had gender roles that she was supposed to conform to (hence him giving her a doll), he didn’t. That and Ozai snapped her up quickly, with Iroh soon afterwards writing her off as Ozai’s “creature.” But I wouldn’t be surprised if we later find out that part of why Iroh considered her so dangerous was because she reminded him of his younger self, rather than Ozai.

 Apparently Zuko blew up at Iroh for the deception, and said some things he shouldn’t have. Old habits die hard.

 “What his uncle couldn’t know was that there was no help for what he did.”—Yeah, sleeping with your sister is not something you can take back.

 Zuko has some manservants in the room with him, who offer him fruit, foot washing, and hot towels, which he doesn’t accept. What even is the point of being royalty if you can’t enjoy some nice things, Zuko? Though you probably don’t think you deserve nice things. As the manservants go about getting him ready, Zuko has this pleasant memory of Mai: “Mai used to put his hair up for him, when she woke at the same time as Zuko. She wasn’t much good with hair, in truth, but that hardly mattered. More often than not, it was just thinly veiled foreplay”—So they were a genuinely sweet couple at one point.

 But then it’s time to go to Squicktown: “But when he tried to recall those mornings now, it was his sister’s slim fingers that raked through his hair, her mouth that he tasted, the warmth of her skin—“—That’s gross, buddy. While we could chalk this up to being a sign of his continued obsession with Azula, it could also be a sign of trauma. Good memories triggering associations that trigger bad memories. If he was wanking off to the memory of Azula, then I’d say it was an obsession thing. As it is, it’s causing him distress, so trauma seems more likely.

 “A memory made all the more painful by having to wonder how much of that Azula did at their father’s command, those years he abused her under the guise of training….”—Sadly, I think Ozai does believe it was training. Though this is also the dude who believes that suffering is instructive.

 “With such dark thoughts as he had for company, he barely noticed the comings and goings of the palace staff anymore.”—Losing your situational awareness is not good, Zuko. Especially when you know there are people who aren’t happy with your reign.

 “Uncle thought it started shortly after Zuko was banished. She would have been eleven.”—Ugh. That is vile. Though I suspect that Ozai was grooming her before then.

 Ozai is dying from his burns. While I’m inclined to say “Good riddance,” if he dies, it means that Zuko will have committed patricide, which will cause a public outcry and earn him more enemies. Also, Azula will never forgive him for it.

 “The man lived to plague him, he knew.”—Ozai is absolutely that spiteful.

 “He remembered asking Iroh if his banishment might have been planned. If his father might have sent him away just to do that to Azula, to remove the last family member she might have turned to for defense, the last witness to his crimes. He remembered the look his uncle gave him then, when he said they may never know.”—I think it’s probable that Ozai was looking for an excuse to get rid of Zuko, just like he did with Mai and Ty Lee. He wanted to isolate Azula, but he also wanted to get Zuko out of the picture so he could make Azula first in line for the throne.

 That being said, I don’t think Ozai believed that Azula would turn to Zuko for help. The siblings were already poisoned against each other back then. I think the look Iroh gave Zuko wasn’t because he knew the answer to the question—it was because he knew that it wouldn’t have mattered whether Zuko was there or not. Ozai would have done this to Azula anyway, and given how careful they were to hide it, I don’t think Zuko would have noticed that something was wrong until the abortion. I doubt that Iroh would have noticed either, since he was so focused on Zuko. While the idea of, “If I was there, I could have done something!” is a comforting one, it’s also naïve on Zuko’s part. He was a child then, too. And given Zuko’s disposition at that age—to confront evil head on, without thinking through the potential consequences—he probably would have ended up in a much worse position than he did in canon. He would have been a security risk to Ozai—a security risk that can’t lie well. No, I think Zuko being there would have resulted in disaster. Iroh, on the other hand, might have been able to figure out a quiet solution. But he wasn’t there, and so the possibility passed.

 Iroh, in any case, left after receiving a letter from Rai, without telling Zuko the contents of said letter. Iroh says this is so Zuko can have plausible deniability, but because Zuko is in bad mental shape, he’s slipping into some paranoia about it—paranoia rather like Azula’s at the end of the series. He’s unkempt, he can’t sleep, he is wracked with self-hatred and guilt (Azula was, too, though her mind expressed it through Ursa’s hallucination). If he starts banishing people, it will probably start rumors that madness runs in the family.

 “He wondered if his uncle began to mistrust him around Azula. If he knew what you did, he would never trust you with her again, he reminded himself.”—Which would be fair of him, Zuko. But Iroh is too convinced of your goodness to suspect that you would hurt her intentionally. He was ready to handwave away you killing her as an act of self-defense.

 “And Mai would not receive the old general at her parents’ house, sparking rumors she had left the palace to avoid him, rather than her husband.”—I think because Mai knows that Iroh will side with Zuko in a conflict, and that’s not something that she wants to deal with right now. I do not blame her.

 Zuko continues to contemplate Iroh’s visit, sliding into self-pity as he thinks of how tired Iroh must be getting of him: “[Iroh] was probably just as relieved to go as Zuko was to see him away….”

 “‘It isn’t fair,’ [ . . . ] That one mistake with Azula should poison the only healthy, loving relationship he had with any blood relative. It wasn’t fair.”—Zuko thinks this, but he’s the one who is pushing Iroh away. I think he could have told Iroh a portion of the truth—that he and Azula argued, that he got angry and intentionally hurt her, and that he feels horrible about it now. I think that would shake Iroh’s faith in Zuko, but I think he would still be supportive, and would understand, finally, that Zuko still has lingering behavioral problems from Ozai’s abuse that need to be worked through. It might have opened up some routes to healing faster…though I daresay that Mai wouldn’t have been pleased with Zuko giving his uncle a sanitized version of the truth.

 Zuko’s chamberlain comes in, with a list of what sounds like some very important meetings that Zuko should go to, but Zuko has other plans for his day. He’ll still keep the meeting with the “Advisory Board for the Reformation of Asylums,” which Zuko created sometime in the last few weeks. For now, though, Zuko is going to see Mai and Lu Ten.

 We transition to Iroh meeting with Rai. Apparently, Iroh recruited her after her banishment from the Fire Nation. Rai catches Iroh up on how her time with Azula went, but feels that she could have done more for Azula. Iroh interrupts her by placing a hand on her knee—weird choice there, Iroh—and says that it was for the best that she didn’t reveal that she knew who Azula was, because, “‘She might even have killed you.’”

 Rai, though, has more faith in Azula than Iroh does: “‘No.’ The cook shook her head, surprising Iroh. ‘She makes threats when she’s under duress. And she certainly knows how to sell them [ . . . ] But she never struck me as particularly bloodthirsty, either then or now. She would avoid unnecessary violence, if only to keep a low profile.’”—Thank you, Rai!

 Rai, bless her, also dismisses Iroh’s question of whether the wounds could have been self-inflicted. I see why he would ask this, given the self-harm Azula committed in the asylum, but it does make it clear that he hasn’t seen her any time recently, after she started getting better. He then wonders if maybe the asylum had been mistreating her and covered up the signs, since his visits were announced in advance and he only ever saw her from a distance.

 Then he wonders if Zuko was the one who injured Azula—ding, ding, Iroh, you are correct! “It would go a long way toward explaining his obvious guilt, and Zuko had always been given to emotional excesses.”—No kidding. In regards to the burn, he thinks, “He could not see what purpose it had served, except to hurt her…”—CORRECT AGAIN!

 Rai, meanwhile, wonders about Azula being sent to the asylum. She thought that Azula might have been jailed or banished by Zuko instead. This ticks Iroh off: “Her brother showed her compassion,” he insists, but Rai is not convinced, since the workers at the asylum might have hurt Azula. When she expresses that, Iroh responds hotly, “‘He knew naught of this, woman,’” and breathes out flames. I’m not fond of him calling her “woman” here, because when men do that, it’s often meant to be dismissive or demeaning. The show of flames is also not cool of him. Control yourself, Iroh.

 Rai isn’t impressed by him and plans to leave, but Iroh has more questions. He asks what happened to the man who assaulted Azula, and Rai responds: “‘Dead,’ Rai told the woodplank floor, her voice barely breaking a whisper when she crossed white arms under her ample bust.”—Why are you noticing the size of her breasts, Iroh? But also, this does seem hard for Rai to talk about.

 Iroh assumes Azula killed the guy, but Rai corrects him, telling him that she did it herself. “The woman raised her eyes to his, and Iroh was reminded uncannily of his missing sister-in-law.” Oh, I hope that Ursa kills Ozai. I feel like it’s improbable that that will happen, but I want it. Also, the phrase “silk hiding steel” comes to mind here, both for Rai and Ursa.

 Rai discusses her reasons for killing Lee—both to give Azula a measure of protection and for justice—and how her own husband, Shou, abused her. “If she had been abused, of course this cook would look coldly on what she likely viewed as excuses for the abuse of Azula. Her own husband probably made her parrot lines like that, that it was an accident, she did it to herself….”—As much as I obviously empathize with Azula, I should point out that there is, theoretically, some danger in Rai doing the same. If Azula had continued to behave abusively towards others, Rai’s empathy for Azula’s suffering might have made her inclined to excuse Azula’s actions, much like Iroh currently does for Zuko. And if she’s excusing those actions, then she might have been caught off guard and hurt by Azula during their time together.

 That being said, in this case, Rai’s empathy is refreshing, and also lends itself to a more accurate reading of Azula’s character than Iroh has. Iroh, very confused by this point, asks Rai why she would go to such lengths to help his niece. As it turns out, Rai worked in the kitchens at the palace, while her husband was an imperial firebender. She couldn’t accuse him of abuse or get away from him, but when Azula started banishing people, Rai was banished before he was—and so she managed to escape and stay ahead of him all of this time.

 “‘Rai,’ he said quietly, a little concerned for her sanity at this point, ‘you must know she didn’t mean to help you. She banished her servants because she was crazy, not out if any altruistic urge.’”—It rubs me the wrong way that Iroh thinks that Rai might be crazy. There’s a part of me that wants to throw at him, “You only think that because you’ve never known what it’s like to be helpless,” but I know that’s not true. It’s not like Azulon was compassionate to Iroh or cared about his emotional needs, and losing Lu Ten would definitely have made Iroh feel helpless. Still, this grates on me, possibly because Iroh is a very privileged man and hasn’t faced the same hardships as Rai. I feel like Ursa would understand Rai, though. I don’t know if they would get along—somehow, I doubt it, since Rai has faith in Azula and Ursa does not—but I’d love to see a conversation between them someday.

 Much to Iroh’s discomfort, Rai talks about how the palace staff knew that Ozai was mistreating Azula, and hints that there were rumors about the sexual abuse, too: “Those years Prince Zuko was banished, her father kept her so close [ . . . ] She turned up all manner of strange injuries [ . . . ] and even disappeared for a week once. There were some as said he killed her. And those were the least of the rumors. [ . . . ] There was something…wrong there. [ . . . ] Everyone knew it. And no one did anything. [ . . . ] Not even me.”

 When Iroh points out that Ozai was the Fire Lord and there was nothing that she could have done, Rai is not consoled: “‘And she was a piece of work,’ Rai finished bluntly, holding his gaze. ‘I know. She was also a child, with no one to treat her like one. I thought I might be someone to look out for her, even years too late’”—God, it’s so nice to hear someone point out that no matter how cruel Azula was, she was a kid and didn’t deserve what happened to her. It’s so good to see someone want to look out for her and help her. I’ve never thought that Rai could have been an inspiration for Tam, but she’s hitting the same points, even if she’s a very different person. I wish we had more of Rai in this, but I suspect her role in the story is done by the end of this chapter.

 As their conversation winds down, Iroh reassures Rai that she did help Azula and pays her for the information. Rai urges him to help Azula, even if Azula pushes him away. “‘She really seems to hate you,’” Rai says, and I think that’s due to, A.) Ozai turning Azula against Iroh, B.) Iroh’s claim of killing the last dragon, C.) Iroh sending Azula gifts that catered more towards who Ursa wanted her to be, rather than who Azula wanted to be, and D.) Iroh choosing Zuko and telling Zuko to confront Azula and take her crown from her. Iroh says his goal is to help Azula, but he inwardly admits that he’s not sure how.

 We shift back to Zuko, who is just arriving at Mai’s place. Mai’s uncle, the warden from the Boiling Rock, is there, and isn’t happy to see Zuko. He escorts Zuko in, and there is a brief exchange with Mai’s parents, during which her mother seems to imply that Mai’s uncle better not mess things up with the Fire Lord. Once the rest of the family is gone, Tsutomu quickly establishes that if it weren’t for Mai, he’d gut Zuko, because Mai has told him everything.

 I’m not sure this was a wise call on Mai’s part—the more people who know a secret, the harder it is to keep—but I understand why she did it. She knows that her uncle is loyal to her. She knows that he doesn’t like Zuko. It would feel safe to go to him with this. That and he has contacts who could help her.

 “Zuko was glad Mai had him to support her through this. But the warden would have done his utmost to poison her against him”—You did that yourself, Zuko.

 “But then, a man who lays with his sister and tries to kill his father, what would you know about [family]?”—Woof, yeah, Zuko is a walking Greek tragedy. I’m curious about what Hu Xin did to be considered an equivalent.

 “And I’m not sure that’s something I can allow in my niece’s life, regardless of her wishes.”—Fair, but you can’t support Mai if you’re executed for committing treason and regicide, Tsutomu.

 Zuko asks if Mai’s parents know, but Tsutomu dismisses the idea: “‘They still think you fucked that waterbender.’” I am slightly amused by the confusion there, but not amused by the warden calling Katara a “nubile little savage” right afterwards. Gross and racist, Tsutomu.

 “Zuko could only stare at him, sick with the realization that Mai’s parents suspected he cheated on her, even if they didn’t know with whom. And they still treated Zuko better than their daughter.”—More evidence that monarchies and patriarchies are terrible. The warden acknowledges that, saying that Mai’s parents expect this sort of thing from a noble husband, and that they think that Mai should suck it up and make sure her son’s and her family’s futures are secure, rather than let her hurt feelings get in the way. Which the warden thinks is bullshit, and as much as I don’t like him, I agree with him.

 “‘Be the man that she deserves,’” he tells Zuko, and I’m like, “You tell him, Scary Warden.”

 Zuko goes to find Mai, who is still wearing her crown. “She wouldn’t if she meant to desert him, would she?”—Dude, she earned that. I wouldn’t give it up without a fight either. Like, I don’t like monarchies, and I’d set up a council if someone gave me a crown…but like hell if I’m giving up that crown! It’s shiny!

 Mai has been waiting for him to approach her to talk. I don’t know if I’m supposed to find the bed exchange amusing, but—Mai, come on. The bed needed to go. How could you sleep in it again knowing that Azula was raped and impregnated there? No, let it burn. Throw some oil on it while you’re at it. There’s bad juju in that mattress. I don’t think making Lu Ten in that bed erased the aura of squick. Though also, Zuko, you should have offered her a different bed. Come on, my dude.

 “‘Really?’ Mai sprang like the jaws of a trap snapping closed. ‘So you were thinking of me the whole time you were with her?’”—Yikes!

 Mai continues to press him on why he slept with Azula, with him getting “unaccountable angry that she wouldn’t just accept his explanation.” She doesn’t buy that the fight spun out of control, though that was a part of what happened. But that isn’t why it happened. Zuko reveals the ugly truth of it: “‘She made me so angry [ . . . ] I just lost control.’”—Meaning that Zuko didn’t have sex with Azula because he loved her. He did it to punish her.

 Mai then asks why Azula would sleep with Zuko, and Zuko tries to explain that it’s because Ozai abused Azula. Mai isn’t convinced by this—maybe she thinks that this is some kind of Morgana plot on Azula’s part—and doesn’t believe that Ozai would admit to the abuse, either.

 “‘He just let it slip, in a moment of anger!’” Zuko says, to which Mai responds, “‘Really? Because that sounds a lot more like you.’”—Yes. Yes, Mai, Zuko and Ozai are very similar people. Similar explosive angers, similar self-centered natures, similar disregard for Azula’s personhood. Yes, you got it in one, even if you don’t realize it yet.

 “‘You’re a fool if you think it ever happened.’”—This is so ugly. Mai, don’t be this person. Don’t be the person who thinks that the rape victim is lying.

 “‘Because I know Azula, I know how she thinks [ . . . ] She makes you feel sorry for her, you give her want she wants. You let her bend again when she starved herself, maybe you’ll give her a royal pardon when it turns out Daddy fu—’”—Mai, I don’t think you’ve ever understood Azula. Not really. Right now, you sound like all of the Azula-haters out there, who see Azula as a conniving snake, rather than a deeply troubled girl. And honestly, when did Azula ever act weak to try to get what she wanted? And why would she want this story to be spreading about her? It will make everyone look at her differently. At best, they’ll pity her; at worst, they’ll find a way to blame her for what happened, or say that it served her right, even though she was a child.

 Zuko raises a hand to strike Mai at this point, almost adding wife-beater to his sin list, but Mai intercepts him and tries to kiss and come onto him. When Zuko pushes her away, Mai asks him why he didn’t push Azula away, too—which HE SHOULD HAVE. Which he had opportunities to do! But he didn’t and he doesn’t know why.

 Mai has a theory, though: “‘It wasn’t just the fight. You wanted her. You lusted after her. Your own sister. [ . . . ] You act like you caught some disease that impaired your judgement. [ . . . ] But people don’t do what you did without feeling that way for a long time. And you never said a word to me.”—I think Mai is correct here, though this doesn’t touch on how his resentment towards and his desire to dominate Azula pushed him over the edge. I also want to sit her down and say, “He didn’t know, so he couldn’t have told you,” because I don’t think that Zuko knew on a conscious level what he felt for Azula, besides anger. Also, Mai, would him telling you have made it better, somehow?

 “‘You would never talk about her! I had no one I could talk to about her—’”—Ty Lee is glaring at you from the other side of the planet, Zuko.

 Mai accuses Zuko of raping Azula, which he denies, but Mai asserts what I’ve been saying for chapters now: “‘If she was crazy, how could she give consent?’”—Thank you, Mai! Thank you for calling him out on this!

 Mai wants to play the blame game, either having Azula or Zuko be entirely at fault for what happened. It’s not that simple, though. The truest answer here is probably Ozai—he’s the one who messed both of his children up—but at the same time, Zuko was in full control of his actions, unlike Azula. So we can’t and shouldn’t absolve him of responsibility.

 As Mai starts to cry, Zuko tries to hug her, but she pushes him away. “‘I want my husband [ . . . ] I want the man who would never do this! I want the man I trusted!’”—This reflects the pain that people feel when they find out that one of their loved ones has abused someone, except without the denial that usually comes with it. It feels impossible to reconcile the person you thought you knew and cared about with who they’ve been revealed to be. As much as I don’t like how Mai demonizes Azula, I understand and feel for her here.

 Zuko asks if this means that she won’t come back, but she clarifies that she will, with some conditions. After all, there’s Lu Ten to think of. “‘He asks for you every day.’ A tear dripped from her chin, and watching this, Zuko needed a moment to realize she was talking about their son.’”—Dude, think more about your son! You barely seem to!

 Mai’s conditions are reasonable: Talk to her before telling their son about what’s going on. Give her her own quarters. Don’t come into them unless she summons him. Keep her in the loop about the search for Azula. She’ll probably have more requests in the future, but this is a good start.

 We switch over to Aang and Katara, who are visiting Bumi in Omashu. Bumi captured Azula at one point and she escaped, which is what the pair are here to discuss with him. We get the detail that there are now bounty hunters looking for Azula, and that the people of the Fire Nation aren’t thrilled with the search.

 “[Aang] began to realize that he was not these people’s hero. He wondered if Azula might be.”—Honestly, Aang? Yeah, she is. Their princess is the youngest firebender master in centuries, she has blue fire (which could be seen as a sign of Agni’s blessing), and she conquered Ba Sing Se with only two comrades, after their most famous general failed to. Iroh and Zuko are also, technically, traitors to the Fire Nation, since they defected and helped overthrow the king. This isn’t even touching on the dismantling of the Fire Nation’s military, the trials against many of the Fire Nation’s nobles and generals, or the massive amounts of reparations that Zuko has given to the other countries. Are these things, in the broader sense, justified? Of course. The Fire Nation’s imperialist regime brought 100 years of suffering to the world, suffering that is still fresh for the other countries. But from the perspective of the people of the Fire Nation, this looks like a deep betrayal from their leaders. The fact that the economy is tanking and the crops aren’t good must look like further signs that Zuko is bringing disaster onto the realm. Of course the people would look up to Azula instead. She brought them glory. Zuko is forcing them to feel shame. It’s little wonder that they prefer her to him.

 Moving on. Bumi is apparently 117 years old now. I know that Kyoshi lived to 230, but this is still wild to me. It’s also wild that Bumi became the king of Omashu, considering that he was a commoner and is still illiterate. Not that there’s anything wrong with either of those things—I think that compassion is a much more important quality in a leader, and Bumi has that in spades—but I’m surprised that the Earth Kingdom allowed it. I have to assume his prodigious earthbending was part of what elevated him. I bet there’s a whole story there, which we’ll sadly never see.

 Katara is offended to learn that Bumi shared a meal with Azula, but Bumi reminds her that he shared a meal with them, too, when they were prisoners. “It’s the little things that count, you know, Aang [ . . . ] Never forget that.”—Bumi knows how important kindness is, and probably suspects how little of it Azula has been shown in her life.

 Bumi doesn’t buy that Azula is crazy and dismisses the danger she poses if angered: “‘Oh, all Fire Nation people are like that’”—Which is too much of a generalization for my tastes. He thinks that Iroh might be an exception, but given that Iroh breathed out flames at the suggestion that Zuko put Azula into an abusive environment, I’m not convinced.

 When Bumi compares Azula to her “prince” brother, Aang worries that he might be going senile, but Bumi gently corrects him. They then get back to business—Bumi reveals that Azula stowed away in a cargo caravan and was caught by inspectors when she fell asleep. Aang is surprised by this, but Bumi reminds him that Azula was sick during her stay in Omashu. Azula was with Bumi for two days—god, I would have loved to see that—before he let her go. Aang and Katara are shocked and ask why. Bumi confides that he’s worried that Azula’s capture and death will lead to war, since Zuko threatened as much.

 Aang and Katara don’t believe Bumi at first, with Aang going so far as to say, “‘He wouldn’t endanger [the peace] for personal concerns.’”—I’m sorry, Aang, but have you met Zuko? Family is super important to him, even if that family is dysfunctional. Katara understands, since she’s the girl who went on a revenge quest to murder her mother’s killer, but only stopped when she realized that the killer wasn’t worth damaging her soul over. But if Sokka’s life was on the line, you better believe that she would start a war for him. Katara is just as ruled by her emotions as Zuko is, and just as inclined toward dramatic gestures. Aang’s own culture works against him somewhat here, since it emphasizes the communal over blood relations (which are functionally erased, though there must have been someone keeping records of who was related to who, to avoid accidental incest). It makes it difficult for him to grasp how deep a bond with a family member can go, even one who you have a bad relationship with. Zuko and Azula are parts of each other’s identity, difficult though that is for both of them to accept.

 Bumi points out that the Earth Kingdom is part of why he didn’t turn Azula over to the Fire Nation or Aang—the Earth Kingdom is more of a collection of countries in a trench-coat, rather than a single, organized government. If Omashu defied the wishes of Ba Sing Se by turning Azula over to safety, rather than to them, the people of Omashu would pay the price. We also learn that since Bumi outed himself as a White Lotus member, he hasn’t had access to privileged information, like Azula’s trial in absentia.

 Regardless of who catches Azula, though, the Earth Kingdom sees it as a win. Either they catch and kill her and restore their honor, or Zuko shelters her from them and they can start a war over it—a war which would help them seize Fire Nation resources and recover from the occupation. Zuko has, apparently, suspended reparations to them.

 Bumi adds that a war with the Earth Kingdom would be extremely difficult to fight: “‘A continent this vast supplies almost unlimited troops, and plenty of places to hide private armies. And our chain of command is more convoluted than the 52nd Earth King’s family tree.’” The technological gap between the Fire Nation and the Earth Kingdom has also been closing since the war ended, and with the Fire Nation’s military gutted, it would be challenge for them to get an edge on the Earth Kingdom again. Overall, our heroes are in a bind, but there’s still time for them to find a way out of it. Until Azula is captured, that is—that will force the issue.

 At this point, some letters arrive. The Gaang, thinking that Azula went to Kyoshi Island to recruit Ty Lee, are relieved that Ty Le “refused.” In truth, Ty Lee would have gone with Azula, but Azula told her no, because she understands the pain that she caused Ty Lee by forcing her to choose between her friends, and doesn’t want to do that again. Zuko tells them that he’s going to Kyoshi Island himself to ask questions, and that they shouldn’t waste the trip, which they accept…but Aang is starting to feel like he can’t trust Zuko, which troubles him.

 We cut to Zuko as he arrives on the island. It turns out that Kaede actually bought that Azula and Ty Lee were fighting, and gave Ty Lee some light work to cheer her up. Zuko thinks that maybe Azula told Ty Lee everything and that’s why she’s not acting like herself. I wish that Azula had told Ty Lee, since it would be good for her to have someone in her corner who knows what happened from her perspective. But I understand why Azula didn’t say anything—it’s a memory that causes her shame, she’s used to keeping stuff like this a secret, Ty Lee might have let it slip to someone else, and it would have driven a wedge between Ty Lee and her other friends, something Azula is being careful not to do. But even so, I wish Azula had someone who knew and was supporting her in the aftermath, rather than her carrying it on her shoulders alone. But Azula isn’t used to accepting help from others, especially with things that are this sensitive.

 When Ty Lee and Zuko meet, Ty Lee says that she didn’t think that Zuko would want to see her, and Zuko contradicts this with, “‘We’re friends, aren’t we?’” I don’t think that is true, given how Zuko thinks about her and how dismissive he’s been to her in the past. Zuko tries to apologize for that, but Ty Lee is more upset about how he’s treated Azula than with how he’s treated her. Zuko gets to the point: he wants information about Azula, such as why she was crying. Ty Lee refuses to give him that info because it’s personal to Azula, which tells us that Ty Lee wouldn’t have shared what happened to Azula if Azula had told her.

 When Zuko says that he’s just trying to help Azula, Ty Lee calls bullshit. “‘You’re just trying to help yourself! She never would have ran if she thought there was any chance of you ever letting her out! But you never saw her; you wouldn’t even answer her letters! [ . . . ] Even I could tell you just dropped her there to forget about her—”—So true, Ty Lee. Especially the part about him never seeing her, which works on both a literal and figurative level.

 “‘I never forgot!” Zuko insists, but this is actually more damning. It suggests that he kept Azula there so he would always know where she was and have control over her life.

 “‘You never helped her, either [ . . . ] I know she didn’t always treat you right. I know, because she hurt me too. [ . . . ] But that’s not all she was. She’s not a monster. [ . . . ] She feels remorse, and she can repay kindness with kindness. She’s just—seen so little of that, I don’t know if she knows what it looks like anymore.’”—Clearly Ty Lee dumped most of her character creation points into Wisdom (and Dexterity). She might not be cunning, but she understands people, Azula included, much better than most of the other characters do. She has a lot of empathy, which I deeply appreciate.

 Interrupting their conversation, though, June the bounty hunter storms into the clearing, with her shirsu paralyzing Ty Lee with a lash of its tongue. And that brings us to the end of another chapter! As always, thank you for the read, Aurelia!

 Sincerely,

WiseAbsol  

[bigskydreaming]

I'm not sure if you got my request because i didn't had internet when i sent it, so i'll write it again xd Do you think Dick (and the batboys in general) are famouse like Bruce? Because in the comics there's not any clue about it, i've never seen anyone say something like "oh look! Its Dick Grayson!, y'know, Wayne's first ward/son And its a shame, because reporters would make such a hard life to all of them, it would maka a good narrative tool

Honestly, this is a prime example of that inconsistency I rant about, and also DC’s refusal to just COMMIT on even the most basic aspects of their universe like….uh…how many kids does Batman have. 

afhsahfklahsklfhal

Like, you would think that would meet the MINIMUM requirements of “shit you should probably have figured out and make sure everybody’s on the same page with” but DC’s like….nah, that’s not important.

So I mean…..I’m reasonably certain - like this is just my personal belief, but I’d put money on it being right, lol - but I think the primary reason there’s so little mention in the comics of how Bruce’s kids are viewed in the public eye/how much the public are aware of them (in the New 52, at least, as pre-Flashpoint there was a lot more plot around that kind of thing, especially back in the 80s and 90s)……

…is because 90% of the writers and editors have no clue either, and nobody wants to be the one to ask, and like, open that can of worms. I 100% think you could ask five different writers at DC which kids Bruce has OFFICIALLY adopted in this current continuity, and get five different answers, lol.

There’s been so much handwaving about Dick’s status ever since Spyral, and again - I think its because nobody bothered to think through the logistics of the Hypnos/global-mindwipe machine BEFORE writing it into the story, and then once it did occur to any of them to like….wonder just how specifically it worked, they were like, fuck it, better just be as vague as possible. So, according to Grayson, everyone Helena didn’t program into the exclusion list before the satellite was activated should have no recollection of Dick Grayson, which is why he was able to ‘go back to his old life’ and be Nightwing again, without worrying about his secret identity having been unmasked…..

But what does that mean for his official identity as adopted son or even just ward of billionaire Bruce Wayne? People can’t have NO memory of Dick Grayson and still remember that Bruce Wayne took in a kid named Dick Grayson. I mean, as far as I can tell, the overall consensus in the comics seems to be that after the satellite was activated, Dick just kinda started from scratch as ‘Dick Grayson’ like, he was free to be himself again, but it was like he was a blank slate/came out of nowhere as far as everyone else was concerned. But again, that means as far as anyone outside of their close circle of family and friends know….Dick Grayson is a non-entity to Bruce Wayne and the two have no history. 

Which I mean, is fairly shitty and you’d think if nothing else, there’d be massive story potential there for delving into Dick’s character and his relationship with Bruce and examining how he felt about ‘having his old life/identity back’….except with the caveat that as far as the world is concerned, his life and identity don’t and have never included his father.

Cut to DC: Naaaaaaaah.

But even WITH that, plot holes persist, and abound, because…..why didn’t the satellite erase the Court of Owls’ knowledge/memory of Dick? Even before Luthor gave Cobb those goggles and files to help him with bringing Ric into the fold, Cobb clearly was already stalking Ric and knew exactly who he was….the Court obviously already had that doctor in place while he was still in recovery…so, whoops. I mean, you could probably come up with an explanation about the Court, via their own tech and resources, having had some protections in place 24/7 that kept the satellite from affecting them even though they weren’t on guard for it specifically…..but again, Occam’s Razor….I feel like the real answer is DC just didn’t care enough to think things that far through. Especially since the average Bludhaven citizen, like Bea, at least didn’t seem totally blown away when Ric revealed to her that amnesia aside, he was supposedly some rich billionaire’s adopted kid….which again suggests that as far as the writers were thinking, people in general are familiar with the idea that Bruce Wayne has more than one kid.

Then you’ve got Jason’s whole situation, and to be honest….I really only have the vaguest idea what’s going on there, because reading Lobdell books is against my religion, and I am a devout and deeply spiritual person, as you all probably can tell. I mean, I know that there’s something going on where like, Jason had himself legally resurrected in the public eye and is openly referring to himself as Bruce Wayne’s formerly-assumed dead foster kid……but like, is that the official official word, or would other writers if you asked them say they’d been operating under the assumption Bruce had adopted Jason too at some point in the Rebirth timeline, or….idek, man.

I…..honestly don’t have the faintest fucking clue what to make of the many back-and-forth retcons about Tim and his parents and his official place in the Batfam/relationship with Bruce, and am actually slightly terrified of even trying to make sense of that clusterfuck of a Gordian knot, so my official stance on Tim is to just like….back sloooooowly away from the anthropomorphic-migraine-masquerading-as-a-backstory, without like….agitating it and accidentally setting off another multiverse Crisis birthed wholly from just that one all-consuming black hole of a retcon.

I mean, there’s a reason I basically just shoehorn all the kids’ official pre-Flashpoint family statuses into anything I write in Rebirth continuity, and that’s not just stubbornness and my refusal to play the “now this kid is adopted…now he’s not…now he is again….except he’s not….oh he’s adopted again…..oh wait now he’s not again" game. 

Its like. Also for the sake of my sanity and stuff.

(And also hahahahaha fuck you DC times infinity, every time you use the words “blood son,” or “real family” in a comic, or have one of Bruce’s other kids refer to Bruce as “your father” when talking to Damian, as if that’s not an utterly bizarre and roundabout way for any sibling to refer to their mutual parent and thus I j’ete REFUSE to acknowledge it as valid….ahem, anyway, my point is, every time they do that in a comic, I double down and headcanon Bruce throwing a random as fuck gala for literally no other purpose than to remind all of Gotham that he has half a dozen kids and they’re all better than everyone else’s. Ugh. Kill it. Kill the “blood son” nonsense with fire and lightning and also lots of stabbing maybe).

Anyway, that’s my official stance on DC’s stance on Damian in the books.

Then as far as Cass goes….ugh, her origins were pretty much utterly butchered by the New 52, which IMO has also failed to give us Cass and Bruce bonding and dynamics sufficient to Sate Mine Ire™, sooooooo…..I mean, my perception of the current canon is that Cassandra’s official status is “secret mystery foster child that nobody really knows about,” but because I do not care for that and there’s the whole not sufficiently sated ire thing I mentioned, I officially reject this canon and willfully replace it with pre-Flashpoint Bruce and Cass love and adoption. DC’s welcome to kiss my critically acclaimed hiney if I’m doing it wrong.

Which brings us last, but certainly not least, as its only this way because I go sequentially and Duke is still Shiny and New comparative to the others and will be until the next inevitable fostering/adoption/clone hi-jinks bumps him up the sequential ladder (except I randomly switched Damian and Cass around this time because LOOK I DONT MAKE THE RULES, THERE ARE NO RULES i hvea Adhd hiccup sob leavem e aloooone soooooob)…..

Duke’s official status, much like the rest of the Batkids, can be summed up as Honestly, I Really Don’t Have A Fucking Clue And Am Just Winging This Whole Thing.

I mean, there’s less inconsistency with him, due mostly to the fact that so few writers other than Snyder use him (boo, hiss, and not just because I hate having to give Snyder credit for stuff - look, I love his Duke, but I loathe how he writes Dami, its a thing, I just…don’t get me started). But what inconsistencies there are….well….they’re a bit glaring.

Basically one major storyline showed Duke as being an official foster kid/ward of Bruce’s and living out of the Manor with Bruce and Damian and occasionally Tim when he’s not off road-tripping around the multiverse….and then Batman and the Signal had Duke in the care of his uncle, who was stated to be his legal guardian and Duke was constantly sneaking out in order to meet Bruce in the special Signal-cave he built specifically for Duke to operate out of so he didn’t have to like, drive all the way out to the Manor to change just so he could then drive back into the city and patrol. And then Batman and the Outsiders just said fuck all that, here’s Duke and Cass hopping hemispheres with the Outsiders every other issue, so apparently nobody’s making unscheduled visits anywhere back in Gotham to make sure these two are where they’re legally assumed to be, which again, for the record is…..*error, source not found*

LOLOL and the really fun thing about this little back and forth is I’m pretty sure allllll these conflicting takes are all the work of the same writer. Like. GET ON YOUR OWN PAGE, DUDE.

Also, again I have to assume the “Can’t Be Bothered To Give A Shit, Or Maybe They’re All Just Really Bad At Logic” curse has struck again, because….uhhhh…..

….at no point anywhere in Duke’s stories have I seen Bruce or literally anyone else express concern about the fact that Duke living with Bruce as his official foster, like he definitely and clearly was at some point at least…..means that literally every single one of his We Are Robin friends who knows that he was taken in by the Batfam (and there’s several of them who know this)….like, by the transcendent properties of You Can’t Honestly Think They’re That Dumb, that’s a good five or six civilians out there who probably took all of five seconds to play connect the dots and figure out the Wayne family, having officially taken Duke in on paper…..is pretty likely the Batfamily.

I mean, I like all of Duke’s friends and would definitely headcanon/write them as all being trustworthy and able to keep this knowledge to themselves for Duke’s sake, if nothing else, but I mean, its pretty unprecedented for Bruce to out himself and all of his kids/allies by extension, to like, that many civilian teenagers all in one swoop….

…sooooooo, you’d think, AGAIN, logically, maybe, perhaps, this is the kind of thing that should be brought up in a narrative somewhere as a plot point worth delving into, y’know, just for shits and giggles and maybe a little bit of that whatchamacallit - oh right, character development, but.

Cut to DC: Naaaaaaah.

 *throws up hands and does the I Can’t Even Shuffle all the way home*

In conclusion:

DC is a mess. The official/public status of each and every Batkid is a mess. Except for Damian, the blood son, but we have that pencilled in on the schedule to be killed with fire and also stabbing, so he can get filed under ‘just a fucking mess’ with the rest of his siblings. Hashtag Solidarity.

I mean, I say just write or headcanon their official status however you damn well please, and it’ll STILL be more effort than I believe DC has put into organizing and staying consistent with all of this, and thus STILL make more sense than what we currently have to work with.

*Shrugs* If they don’t care enough to provide a clear canon blueprint to follow when mapping the Bat Family Tree, I can’t be bothered to care if the one I make up myself happens to contradict one single mention of one kid’s official status as claimed by one issue of one book.

Especially if it was written by Lobdell.

Jason’s just a foster son my ass. grumble mumble bitter vengeful swears and a pox on all DC’s houses. WHY DO YOU PEOPLE HATE ADOPTION SO MUCH, INQUIRING MINDS WANT TO KNOW AND ALSO FUCK YOU.

[alewyren]

tumblr is dead but I’m gonna post my thoughts on Inuyasha here too for archiving purposes. cw for (non-detailed) discussion of sexual assault and suicide wrt kikyo

OKAY. SO. MY THOUGHTS ON INUYASHA. warning for some INCREDIBLY hot takes.

it. sure was a journey. I am not sure if I liked the series overall or not. It had some legit good/touching moments, but it dragged SO LONG and there were a lot of things I thought could've been handled better. But it was fun liveblogging it for sure. And I got NarKik out of it, which snapped me out of my year-long creative dry spell, so it was at least a net positive time investment LMFAO.

I liked... mmmmost of the characters? sango, sesshoumaru, kagura, kanna, naraku, kohaku, K I K Y O, and even kagome were all Good. On the flipside, Inuyasha himself is FUCKING TERRIBLE and he sucks and I hate him. Emotional immaturity ain't cute, he gets everything handed to him on a silver platter, rarely apologizes for being a selfish prick, and the other characters are WAY too forgiving of his bullshit. I got tired of the tsundere het romance cliches between him and Kagome pretty fast, as well as how often he was jealous of her. Like, Kagome's insecurities over Kikyo I can legit understand (despite being #1 Kikyo Fucker). But whenever she's so much as civil with Kouga and Inuyasha's all HANDS OFF MY WOMAN I'm like... dude shut up you two-timing hypocrite. If You Like It Then You Should’ve Put A Ring On It. Credit where credit is due tho, they did chill out over time and some of their moments together towards the end of the series were legit sweet. I'm pretty meh on Inukag overall, and iffy on the resolution of her moving to his era permanently, but that last panel of him greeting her as she came out of the well gave me a Feel.

(Actually, on that note, it... would have been legit kind of hella if the series had ended with Inuyasha himself permanently moving to the modern era? Aside from their friends he had far fewer attachments in his world than she did hers, and there's so much more potential with him having to adapt to the modern era, lol. ALTERNATIVELY, kikyo lives and she switches places with kagome and makes a new life for herself in the modern era. thus letting her truly live as a normal girl. But I'll Get To Kikyo Later. smh)

The premise of the series is actually pretty strong, though of course you can poke holes in it. To my knowledge it was the first isekai anime that really took off, and the driving plot of collecting the Shikon fragments is excellent monster of the week material (though I'm not really a monster of the week fan myself). Also, youkai are awesome. Focusing the series on real-world mythology makes my Shin Megami Tensei heart very excited.

I know the series runs on emotion rather than logic, but I REALLY have some questions here. The fact that the well is explicitly stated to take Kagome back in time rather than to another world makes no sense at all. First of all, where are all the youkai in the present day? Inuyasha and Sesshoumaru are at least a couple hundred years old, right? What happened to them in that 500 year timespan? Surely some creature or another from the series would have naturally survived that long. So what happened? Was there a mass-youkai extinction somewhere along the line? Shouldn't this be cause for concern? Also, do Kagome's time-traveling actions create a stable time loop or a branching timeline? If Naraku won in the past, how would that affect the present? The two eras are just completely isolated from each other and I really don't get it. That kind of stuff. Yeah yeah I know MST3K mantra and all but MAN this bothers me.

Which brings me to Exhibit A of stuff I think should have gone differently: Kagome should have stayed the protagonist, and the modern era should have gotten more focus. Not as in her day-to-day school shenanigans, but stuff touching on the questions listed above. There's just a lot of untapped potential regarding How This Shit Works, rather than confining the story pretty much entirely to the Sengoku Jidai With Youkai. Also there could be plenty of shenanigans with characters OTHER than Kagome and Inuyasha hanging out in the present. LIKE KIKYO. okay yeah my kikyo bias is showing but it would be the perfect opportunity to 1. hide her from naraku (unless he found a way into the present, but that just ties into my previous point), 2. develop her friendship with Kagome. Which would have done both of them wonders. BUT I'LL GET TO KIKYO LATER. (I'm dying imagining Kagome introducing Kikyo to her schoolmates as her cousin and taking her shopping though..... teaching her how to ordinary human... like..... HHH.)

Anyway, Kagome as the protagonist. She was very much the protagonist at the start of the series--she took a more active role in a lot of the monster of the week conflicts, and just had a lot more focus and screentime in general. Then Inuyasha got his sword upgrades and her role in conflicts became reduced to sensing Shikon fragments and occasional use of arrows. It took until the last hundred chapters for her to get ANY sort of substantial power-up, and it felt... unearned? I had been looking forward to her developing her miko powers alongside Inuyasha's youkai powers, and getting bow upgrades to match his Tessaiga upgrades, but it just... didn't happen. Her miko powers having been sealed all along felt like an ass pull, and I wasn't really a fan of the test of character she had to go through in order to get the fancy bow upgrade being solely focused on overcoming her feelings of jealousy towards Kikyo... again... like it's valid for her to feel that way but we've been here already! Surely there's more to her character than this! I think it would've been awesome if she actually got some fights of her own too, and maybe Kaede and eventually Kikyo mentoring her growth as a miko? But as far as canon went, it just felt like she got shallower and less interesting over time as Inuyasha slowly took over the protagonist role and that was a damn shame. Let Kagome be the plucky isekai protagonist she was always meant to be! This, of course, ties in with my assertion that the modern era should have gotten more focus too.

okay, so. it's time. kikyo. Kikyo. I fucking LOVE kikyo, absolutely my fave chara, I was not expecting to love Kikyo this much lmao. All that ship war propaganda was a big fat lie. She has an ASTONISHINGLY mature narrative about the effect of tragedy and trauma on people and relationships, but it was SO under-utilized and shafted in favor of the Love Triangle and Inuyasha's Manpain and I'm FUCKING UPSET. Kikyo was (or at least had the makings to be) the best character in Inuyasha but she was not done justice at all, in this essay I

Like, sit down and think about it. Here we have a woman who lost her parents at a young age, taking on the responsibilities of her household, and training to be a miko on top of it--which in the world of Inuyasha is a very emotionally demanding position that requires her to basically devote her entire life to her duties, ESPECIALLY once she's entrusted with the Shikon Jewel. All while being required to live a life of asceticism and suppressing worldly desires. In short, she basically never had a chance to actually, like. Live. Keep in mind that she was a child/teenager throughout all this (she was 17/18 when she died). That's a LOT of pressure on someone that young.

At this point, she's understandably lonely and depressed, and then along comes Inuyasha. She falls in love with him, gets a taste of a life that would truly make her happy, and has it ripped away. Like, there's some really fucking dark subtext to the whole Onigumo plot. She shows kindness to a random stranger, who proceeds to make a deal with the devil to LITERALLY RAPE HER, and her life is ruined as a result. No, Kikyo wasn't literally raped in canon, because even though Onigumo wanted to rape her Naraku's intentions towards her were... more complicated if still incredibly fucked up, but good lord the subtext is THERE. And as a result of the ensuing incident, believing Inuyasha betrayed her, she straight up KILLS HERSELF. Yes, it was partly to protect the Shikon Jewel, but she did not want to come back to life. Let that sink in. Kikyo was driven to suicide by an incident incited by a man who took advantage of her kindness in order to rape her. (nostalgia critic voice) FAMILY PICTURE!

I'm not gonna pretend Kikyo was the only victim here, though. Inuyasha has pretty clear PTSD from the event too, even after learning Kikyo is innocent. But through his relationship with Kagome, he begins to heal and move on. Then Kikyo gets brought back as a clay zombie, fucks up his whole grieving process, kickstarts the love triangle, you know the story. Kikyo's perspective is actually really interesting to dig into though. She didn't want to be brought back. She's PISSED. Even when the dust settles and she learns that Inuyasha is innocent, the anger and trauma have changed her. She's got a good ol' dose of PTSD herself. She's colder, harsher, engages in risky/self-destructive behavior, and distances herself from her loved ones. Like, think about it. Was there any logical reason she had to separate from Inuyasha and his group to fight Naraku on her own? To keep them in the dark about why she surrendered the Shikon Jewel to Naraku? No. That's a character flaw on HER part. And all this puts real strain on her relationship with Inuyasha. They still love each other, but their mutual trauma has completely changed their dynamic. Their love is based on their past relationship rather than their present chemistry. They don't make each other happy anymore. Neither of them are at fault for that. That's REAL AS FUCK. That's what trauma DOES to people and relationships.

So, yes, I'm a hardcore Kikyo stan who supports InuKag over InuKik. We exist. InuKik does not work as a relationship in the present because they've both changed due to trauma and that's the GODDAMN POINT. It's not a story about true love, it's a story about moving on from first love. The problem is that Kikyo's character is largely confined to her role as a love rival to Kagome. Inuyasha's side of the InuKik narrative, of letting go of the past and healing, is resolved. Kikyo's is not. And boy, I was ABSOLUTELY FUCKING LIVID that the love triangle was resolved through Kikyo's death rather than Inuyasha just... fucking, PICKING KAGOME OVER KIKYO BEFOREHAND RATHER THAN HER NEEDING TO DIE. She can still die after that! I swear, I'm not just salty because my fave died. At least 70% of my favorite charas are dead. I literally don't care anymore. I'm mad that she was killed off in a way that reduced her to being Inuyasha's Woman rather than getting a chance to heal and grow apart from him, as he did from her. And this in turn cheapens the narrative around why InuKik doesn't work as a present relationship to begin with, because he never actually picks present love over past love! He just keeps committing emotional infidelity until Kikyo gets killed off to wrap things up in a neat little bow with no character growth on his part! This shit is why I hate Inuyasha (the character).

Kagome's kindness towards Kikyo also plays a part in why she softens up by the end, yes, but that kindness is entirely depicted as "I want to save her because she's important to Inuyasha and I love Inuyasha." Kagome's character growth in these moments hinges on her picking love over jealousy, NOT through actually bonding with Kikyo. On top of that, Kikyo saving Kohaku over defeating Naraku struck me as out of character (have to show she's not a bad person after all? which she isn't, but still). It definitely made her death feel even more pointless. How come Kohaku gets to live and not her!!! Seriously, the fact that Kohaku gets to live and Kikyo doesn't REALLY rubs me the wrong way. She barely even knew Kohaku! He was willing to die to defeat Naraku! NOT killing Kohaku to defeat Naraku almost cost MORE lives! It could've been a poignant resolution to her character arc, but there wasn't enough buildup for it to be a convincing decision for her to make.

And oh my god, there's SO much wasted potential here. Kikyo's resentment towards Kagome is super understandable, and it's never really explored. Kagome replaced her. Kagome is filling the role she should have filled. What's even left for her except her hatred of Naraku? She asserts that Inuyasha cannot forget her (her being lowkey possessive of him is *chef kiss* my wife is a bitch and I like her so much), and he doesn't, but she still straight up tries to kill Kagome lmao. Like I said they do reconcile, but it's kinda half-assed. Kikyo's feelings are never explored in-depth. She's never truly given a chance to heal and realize that she does have a place in the world beyond her decaying relationship with Inuyasha and hatred for Naraku. That her scarred, flawed existence is still just as fucking valid as Kohaku or Rin or Jaken being able to live after being brought back from the dead. Like lemme stress again that the girl experienced INTENSE trauma and COMMITTED SUICIDE. The notion that she's the only one who needs to die in order to restore the natural order, that her death is beautiful and tragic but necessary, is..... gross, tbh. :U

Like, she can still die, lmao. IMO it'd be legitimately more interesting if she lived, if she had an opportunity to carve a place for herself outside of Kagome like Kagome did Kikyo, but it IS possible for her to die without it making ME want to die. Just resolve the love triangle shit first, flesh out some of her relationships outside of Inuyasha himself (ESPECIALLY Kagome), show her healing and softening, and then she can die protecting everyone or some shit. That would've been fine. But No. She just gets killed off for the service of Inuyasha's character, so he can hook up with Kagome guilt-free, with NONE of this addressed. Because it's more palatable for a woman to be dead than broken up with, I guess? I Hate It Here, You Guys.

her (near) last words being "I've finally become an ordinary woman" rubbed me the wrong way too... it like, tried to wrap her character arc up in a neat little bow while ALSO entirely confining its resolution to being Inuyasha's Woman and discarding the narrative of trauma driving them apart. I love the narrative of the girl forced to be inhuman who just wants to be normal. This just felt like... a really cheap way to go about doing that, at the disservice of her character being about OLD love, for a forced (and false) sense of closure. Didn't like it. God fucking damn, typing it all out just made me even MORE pissed off.

tl;dr: kikyo had the makings of an amazing trauma survivor narrative but it got shafted. she deserved everything. thank you for coming to my TED talk.

SIGH. okay. there are other characters I wanna touch on too. Uhhh I actually thought Naraku was pretty cool, though he became way less interesting after Mt Hakurei (for the most part--he was cool again during the direct lead-up to Kikyo's death as well as the final battle). His identity crisis was pretty neat, as was the way he specifically targeted other people's emotions and relationships as a way to compensate for his own utter lack of a sense of self. Not to mention the cold, detached way he regards his own emotions ("my pp stands up whenever i look at kikyo, wish it wouldn't do that :/") and how this leads him to succumb to the influence of the Shikon Jewel, in contrast to Inuyasha and Kagome breaking the cycle. His lack of motivation is actually kind of the point, and I think it's neat as hell! Things got boring once The Baby entered the picture, and I got the sense Rumiko wasn't really sure what to do with Naraku for a while. His style of villainy got a lot more distant and "just as keikaku," when it was the way he got up in everyone's business and pushed their buttons for his own shallow amusement that made me like him in the first place. His fragments aside from Kagura and eventually Kanna were way less interesting, and I think it would've been neat to go more into his role as basically being an abusive dad, but it's fine. The Baby was a fucking boring and atrocious villain though, jfc. The /idea/ of Naraku's own heart rebelling against him was cool enough, but it means jack shit when The Baby is just a bland-ass villain who doesn't remotely represent the character traits that make up Naraku's "heart" in the first place, even aside from Kikyo.

Speaking of which, his fixation on Kikyo is a LOT of fun. Their interactions (which he was apparently secretly into), how he rejected his own humanity and destroyed both himself and the object of his desires, etc. Which is another reason he got less fun after Mt. Hakurei tbh. I fucking hate the way Kikyo's death was handled overall but I liked that he had to reclaim his human heart in order to overwhelm and kill her. That was neat. Something something toxic desire destroying both yourself and the person it's directed at. Then at the very end he realized that his entire existence was completely pointless and empty and his complicated feelings towards Kikyo were the only thing that ever made him actually, like, give a shit. Pour one out for this absolute dumbass. He's a relatable villain because I too would go to absolutely insane lengths to get over a girl I never even dated.

Uhh who else. Sango and Miroku. Sango was my favorite character in the main party. She's the most level-headed of the bunch, has a super cute design, and her story with Kohaku was responsible for a lot of the emotional moments in the series that really landed for me. Her friendship with Kagome was actually super cute and heartfelt. That scene early on where she broke down crying in Kagome's lap because she was scared of being alone again HURT. Also, Kirara is fucking precious. Miroku I've got mixed feelings about, since on the one hand he's a legitimately interesting character and some of his scenes with Sango did hit fairly hard, but DEAR GOD I hate the quirky pervert trope with a burning passion. If it were played seriously, I'd stan him to hell and back a la Adachi. But it isn't, so it's not. I've got mixed feelings about MirSan too. Their resolution was really sweet, but I was kinda like "wha" when Kagome said Sango had a thing for Miroku in the first place. Like, sure okay, but I think more time should've been spent showing her falling for him in the first place lol. Also the butt-grabbing joke got old fast. And when he proposed to her and basically refused to stop flirting with other women I facepalmed so hard. Can't have character growth when you have unfunny running gags! To his credit, he did chill out for the most part, but still kept making jokes about flirting/scoring that clearly made Sango unhappy and I'm like. Why. Then the bit with Hirai-Kotsu needing to be fixed. I liked their mutual resolve to protect each other, but I thought Sango's comment about how she couldn't live without him was..... a bit much. Like what about Kohaku??? But anyway I'm just glad Sango got a happy ending even if I'm still super *SQUINTS* at Miroku.

Sesshoumaru was pretty neat, I get why he's popular, though wasn't really My Type. Sure he's cool, but his /personality/ was a bit lacking and I think we should have gotten some more insight into his relationship with his father for how much focus his quest for the Best Sword got. His development was pretty good, but I've kind of got an issue with how Rin was more of a plot device than a character. Like, okay, one of the reasons I decided to start reading Inuyasha was because the announcement of Yashahime sparked a wave of Sessh/Rin discourse and I wanted to form my own take on it. And, yeah okay I don't like Sessh/Rin either and I say this as a certified Nasty, lmao. Less because it's problematic (though I find it kind of offputting myself, even aged-up) and more because it's bland. Rin has no character whatsoever outside of being a vehicle for his development and I'm REALLY not a fan of girls being objects for male charas' development. Still, I'm not gonna boycott Yashahime if Sessh/Rin is canon or anything. I prefer him with Kagura or even Kikyo but they're dead, so. If Rin has to be his cum dumpster to make this happen, then that's how it's gotta be.

Thats about it I think. I'd put it a rung or two above Naruto in terms of overall quality, but BOY am I still mad abt Kikyo. 6/10 probably wouldn't recommend, but it WAS fun.

[dragimal]

TROS thoughts? TROS thoughts.

just some thoughts abt TROS and the trilogy as a whole. I don’t actively talk abt SW much so this’ll prolly be p disorganized, but I just wanted to throw some thoughts to the wind lmao. also thanks @cobwebbing for bullying me into watching TROS as quickly as possible and also yelling abt all these jumbled thoughts with/at me

overall I rly liked it! with a lot of criticisms! and I’ll expand under the cut

so, as usual, everything reylo was p spectacular. Rey trading off her light-saber to Kylo? that last bombastic kiss? Kylo fading into a force ghost to presumably reunite w/ his family? the mutual healing of one another-- and in particular, Kylo not only sharing his own life-force, but that which Rey had previously gifted him for the stab wound??? the DRAMA! the ROMANCE!! I was going absolutely (mentally) HOGWILD during those scenes, AAAAA I couldn’t have asked for better! Rey and Kylo are totally gonna have a force-ghost honeymoon and I’m here for it

my one big criticism w/ anything involving them was Palp being Rey’s grandad. Star Wars has always had weird hangups abt bloodlines, so it felt very fresh to see the protag be a whole-ass nobody-- u don’t need to come from some line of force-sensitive heroes/baddies to be somebody! ANYBODY can be somebody if they choose to be! yeah, she technically still renounced her “evil blood” to be a good person, but it felt a lot cheaper than just letting her be a nobody that chooses that path. I feel like there’s a nugget of good to be found in her adopting the Skywalker name at the end (y’all know I’m a sucker for adopted family~), but compounded w/ all the other hangups w/ bloodlines, it kinda felt like another affirmation that only Skywalkers can ever be the big important heroes or something, idk

that all said, I don’t hate Palp’s existence in TROS, I just don’t want him related to Rey in any way. tho his existence was still a bit awkward at parts (Snoke was a clone? who were all those cultists in the stands around the throne? how did he even survive the first trilogy?? hello???). but overall I rly liked the idea that the reason Sith kill their masters is for some reincarnation-death ceremony. when u hold that against the fresh new cast of heroes in this trilogy, you get this theme of, “evil ideals are always the same-- stagnant and unchanging. good must evolve and grow to combat it.” if that makes sense? I just rly like that implication

it was weird how easily Kylo seemed to drop any connection to Vader? like when Rey knocked Vader’s mask on the ground, I thought Kylo would either feel angry that she almost destroyed it, or betrayed by the reminder that he was never rly talking to Vader anyways, or SOMETHING, but he kinda just left it there in the snow? it was just strange, after all the build-up

now aside from anything involving Rey and Kylo, everything else was..... well, it was abt as I expected. which wasn’t good, coming off the heels of TLJ’s treatment of anyone that wasn’t Rey, Kylo, or Luke. while JJ and Rian do a fantastic job w/ reylo stuff, they seem to just let everything else fall to the wayside, which is unfortunate in a lot of ways

for one, Finn is one of my favorite characters in SW as a whole, and it’s heartbreaking to see his character arcs fall apart before they even start (post-TFA). he has so much depth and potential-- enough to even be the main protag, as some have pointed out. while I don’t agree that he’s a better foil to Kylo (and that’s not just my reylo bias, like they rly don’t have the same personality chemistry or thematic conflicts imo), I could totally see a SW trilogy centered around him instead (tho idk if I’d be able to properly doctor the script to THAT degree on my own... 🤔...)

either way, Finn’s potential was rly squandered the last two movies, and I’d love to see that rectified. I’ve always been disappointed that Finn immediately went to shooting other stormtroopers in TFA w/o any hint of hesitation, so I’d ideally like to give him some conflicted feelings during TFA to start off with. then, I’ve always thought his plot in TLJ should’ve been focused completely on stormtroopers-- no casino, no fox-horse racing or anything. he and Rose would IMMEDIATELY sneak onto the FO ship from the beginning of the movie as undercover stormtroopers, gathering info for the Resistance and trying to shut down the FO’s tracking tech, while also feeling out the thoughts of fellow stormtroopers. maybe some troopers would be gung-ho abt the FO, while others would like to rebel but are too scared, while others still had never considered the option of rebellion until Finn planted just a little seed for them. however, by the end of TLJ, his efforts might’ve *seemed* useless, like the FO might’ve killed off any defecting stormtroopers. then we’d hit TROS, and Finn might be a bit colder, and bit more willing to kill stormtroopers, b/c even if he could convert them, he wouldn’t be able to protect them, so he might as well end it as quickly as possible. but THEN he’d meet the former stormtroopers-- not just strangers this time, but some of the troopers he’d met while on the FO ship in the previous movie! they’d escaped, and his efforts weren’t for naught! his actions still mattered, and continue to matter as everyone moves forward!

also, can I just say, fucking weird that Finn’s suddenly force-sensitive?? I’m not necessarily against him being force-sensitive, but I’m attached to the idea of an important character that doesn’t have any significant connection to the force-- he was just a talented dude! but even then, I think I’d be more open to it if not for how it was introduced. apparently, the only reason he (or any stormtrooper, as far as we know) defected is b/c the force told them to. no personal decisions based on morals or logic or even basal fear, just some “force-instinct”. that’s just.... so insulting to his character and the potential for stormtroopers, I’m reeling lmfao

Poe is an interesting case for me b/c I don’t feel any particular way abt him. like, he’s fine? but I care far more abt reylo and Finn than I do Poe, so I haven’t put as much thought into how I’d change his arcs, BUT I do have a few ideas. since I’d nix Finn’s casino trip in TLJ, I’d have Poe kinda take the helm of that-- rather than a slow crawl thru space on low fuel, the Resistance’s problem would be their space-jumping tech (+ the FO tracking them of course), so they’d have plenty of fuel to jump, but for some reason they’d have to recharge or re-fix something after each jump? so it’s more like a lil space roadtrip for Poe’s plot, where he’s jumping the Resistance to different planets, hiding their ships somewhere before the FO catches on, and waiting until the can jump again to the next hiding spot. all the while, Poe’s keeping in touch w/ Finn, trying to keep the FO off their tails for just a little bit longer, or gathering info on their plans. I rly liked Poe’s TLJ arc of, “sacrificing a few for the cause is actually kinda shitty,” so I’d like to keep that, like maybe he makes a few risky decisions while running? and then later, when Finn tries to sacrifice himself to the FO’s canon (in this case b/c he thinks his efforts w/ the stormtroopers didn’t work, so maybe he can do just this one thing--), Poe’s like Oh Fuck No and smacks him outta the sky. so Poe has this moment like, “wow, perhaps I’m not as ok w/ all this sacrifice as I thought? also I might have a crush?😳” and then in TROS he’s coming to terms w/ his crush on Finn (and Zorii’s like, *nudges* “OH-HO??~”), but Finn’s still a bit broken up over how everything w/ the stormtroopers turned out in TLJ, so he’s been difficult to connect to. then when Finn meets the former stormtroopers, he gains back some of that confidence in connecting to others, and he finally *sees* Poe for the first time in a while and it’s all romantic and junk heheh

tbh I don’t actually feel particularly strongly abt finnpoe as a pairing, BUT I rly like the potential it has for Finn and Poe’s respective character arcs, and especially how it could so lovingly tie into TROS’ theme of, “we are only as strong as we are together, and together we can beat this.” unfortunately, that theme in and of itself is also kinda awkward coming on the heels of TLJ, where the Resistance was abandoned by the galaxy when there was only a small fleet of FO forces to deal with, yet the galaxy comes to aid when there’s a fuckin billion FO ships w/ PLANET-DESTROYING TECH on-board each?? I know the 2nd movie’s supposed to be a low point, but the huge turn-around in TROS just doesn’t make a whole lotta sense to me, and I don’t know how to fix that one lmao

Rose is.... a difficult one. I rly want to like her b/c I love Kelly and she has cute moments, but TLJ already didn’t give her a lot to work with, and she had insultingly little to do in TROS. I think that perhaps she’d work well as Poe’s thematic foil in TLJ? Rose’s sister was one of the ones sacrificed under Poe’s direction, so she prolly wouldn’t be too pleased w/ that, and would bring up counterpoints to Poe’s risky maneuvers w/ the Resistance whenever they check in w/ him. then when Poe goes to rescue Finn from the canon, Rose’s words are what play thru his head. for TROS, I’d gladly replace C3PO or Chewie (or both) w/ her, lmao. I can’t necessarily think of an arc for her, but TROS was already juggling so many anyways, I think it would’ve been fine for her to maybe be a lynch-pin for the squad-- someone trying to hold everyone together through these dire circumstances, but everything starts to fall apart... until some significant moment where she helps pull everyone back together, thus completing the theme of the film. also I would’ve felt FAR more distressed if it was Rose that was supposedly on the destroyed transport ship (tho that scene was already kinda stupid like... why couldn’t Rey sense that Chewie wasn’t on there... hm..)

the Hux betrayal was obvious even from as far back as TFA, but it was weird he was replaced by a nobody we never met before and don’t care abt lmfao. I mean I don’t rly care for Hux at all, but I care even less for this stranger who has no personality lmfao

[lesbian-octoling]

Octarian life cycle headcanons!

Because I got into this earlier and because people seem to enjoy my head canons, this is actually one that i’ve been picking apart for a while: the life cycle of an octarian. Mainly because it irked me that so many different types of octarians are all the same species- how, and why, could that happen?

Anyway, under the cut because it got long, haha!

First and foremost, it is canon that octoling no longer have the ability to reproduce sexually. To make another octarian, they must cut off a tentacle and grow it.

Now, it couldn’t have always been this way: though octopi in real life now can regrow tentacles, the tentacles themselves cannot turn into other cloned octopi.  I believe that this began happening during the great war. As with any war, casualties were high- so to counteract this, the highly developed octolings began cloning themselves to create more soldiers more quickly. This is also supported by the scrolls saying that inklings won due to a ‘greater number of limbs’- though inklings and octolings have the same amount of limbs. Who doesn’t? The little cloned guys. The undeveloped octarian soldiers.

However, one thing we know about cloned creatures today is that they’re often sterile, or have severe reproductive complications. So non of the clones could reproduce. Slowly, cloned octarians began outnumbering ‘true’ octarians, until the ability to reproduce was wiped out entirely.

So, perhaps at some point, octarian reproduction was similar to inkling reproduction, but not any more.

Which brings me into my next topic: the current life cycle! Here’s some really crappy art, but it gets the point across. I’ll update it later.

First up, the tentacle itself must be removed. Because octarians have prehensile tentacles as opposed to inklings, getting them cut off does actually hurt I imagine, but that’s not the point.

Getting a tentacles cut off doesn’t automatically just grow into a new octarian. It has to be placed in a special solution to stimulate the growth, and regularly ‘fed’ nutrients into he solution which it the absorbs- the same way any growing creature needs to be ‘fed’ while still in the womb. The only difference is that it’s absorbed through the skin as opposed to any sort of umbilical cord. Soon, eyes and a mouth develop, and then legs! 

However, i imagine this process, if left naturally, takes quite a while: perhaps the same amount of time as it takes an inkling to grow (so, around human years). To speed up the process, chemicals are added into the solution to help speed up the process- however, this effects the still-growing vitals of the baby octarian, giving them the nasty green bug eyes. Once removed, they slowly begin going back to normal, though green and blue remain common eye colors for cloned octarians. 

Of course, the octarians, ever desperate, began continuing the experiments, leading to hastily sped growth in size as well. This explains why some octarians appear to still be ‘babies’, but are also so large; such as octosnipers and the octo samurai.

The trailer for October expansion also gives us this scene:

Which leads me to believe that, potentially, octarians can be kept in this solution until adulthood, potentially. However, they’re usually removed once their legs are developed enough to carry them, which give us these little guys:

Yup! These things that you kill almost like fodder in single player? Babies! They’ve only just started growing legs, and have yet to grow arms, so they use their tentacles to steer their little buggies. In my headcanon, naturally, this would occur at around 6-8 months of age. With the genetic meddling, these guys pictured above are maybe about a month old. 

Octosnipers too are still in their ‘baby’ stage- however, as mentioned above, their genetics have been messed with to cause rapid growth in size, though perhaps not in development. 

Next up are these fuckers we all hate in the game:

Their tentacles have began to split, leading into the growth of arms, as you’ll see soon. Naturally this guy would be around three-four years old to have two fully formed tentacles, but with the genetic meddling, i’d say the soldier pictured above is perhaps a year old. Considering just how many of the babies you mow down in the game, these guys are much rarer because reaching a year of age is quite a feat.

Next up would probably be something close to the octobombers (though maybe not quite as ugly)

The two ‘hair’ tentacles on the baby above have dropped down, beginning to form the fist semblance of arms. Though the octobombers might be genetically altered because they can uh. Spit out bombs. I imagine this stage being a little more like this:

Up next would probably be something similar to the octopus samurai!

The two drooped down tentacles have become much more arm-like, even beginning to grow thumbs. Their form is overall much more humanoid than tentacle shaped, though the evidence is still there. 

We don’t see many of this stage because, usually, if they’ve made it this far they’re protected until they can become a fully adult octoling. The onto samurai is an exception because he’s been genetically altered to be... well, gigantic. I mean, really. The dude’s huge. 

Sometime after this the octarian would gan full control of their ‘onto’ and ‘kid’ form, much the same way an inkling would at around 14-15. Of course, since the aging process of an octoling would be sped up, an unnatural clone could probably reach the point of being an octoling in around 6-8 years.

Of course, the last stage of development is the octoling itself!

At this point, octolings that have had their growth enhanced through chemical means begin losing the green eye look, and develop a more ‘natural’ eye. However, the usually remain a shade of green or blue, such as Marina’s. The orange, round pupils of agent 8 indicate an octoling that was grown naturally, without chemicals to speed up the process. This could also be why their tentacles are thinner as opposed to Marina’s and the other enemy octolings.

DJ Octavio himself, though we never see him in his ‘human’ form, we see him in the octopus form. However, the fist thing i notice is that not only is he really big, he has the chemically green-blue eyes. 

Thus, I think that he’s also genetically modified to be larger than the standard octarian- in his ‘human’ form, he would be even bigger, towering above Callie and every other inkling. 

Also: another thing to support the green/blue altered octoling theory? These guys!

My headcanon is that they’re even further altered, via chemicals or genetics, making them more pure perhaps, or grow stronger, faster... helping produce a whole slew of octoling soldiers without having to wait years for them to reach adulthood. The coloration is just a side effect.

This also juxtaposes Agent 8′s position, if we’re going with the fact that she was a more ‘naturally’ developed octoling, which could also lend a hand to why she has more free while than the heavy modified ‘pure’ octarians above. 

So, TLDR, octarians are grown from tentacles, but genetic meddling and chemicals can cause them to grow bigger and develop faster, though this can lead to some aesthetic side effects, and most of the octarians you battle in single player mode are just kids. 

Of course, these are just head canons and theories, you can believe whatever you want! :D I’d love to hear everyone’s take on this.