#three dimensional characters with flaws

[salemontrial]

Okay listen I know we all love Malakai here and of course so do I but can we at least acknowledge that he did Amerie dirty before their breakup. Like he was struggling with his sexuality and thats totally valid but he did not handle it well and yea he did gaslight Amerie about it, he did give her the world's mixedest signals, he third wheeled her on their own date to the guy he was into, like Amerie isn't perfect by any means but can we at least all understand that he did not treat her okay

[bizarre-paradox]

was gonna make a post abt usopp w an image attached but all the images i had saved were too cute so we gotta not do that or i’ll fold and not make the point i wanna make

i can see why people wouldn’t wanna do this because of the insane insane insane INSANE amount of hate he already gets from powerscaling types of people but i wish we as usopp fans would aknowledge the ways that he sucks, a little more. i understand wanting to adopt a ‘my precious baby boy who did nothing wrong’ attitude in the face of all the people who refuse to see even a sliver of good in his character but like….. he is flawed. i wish we could aknowledge that more in a like, normal way.

like, other characters right. like sanji. very common for people to call him a bastard and say they love him in the same sentence. makes sense, the ways in which sanji sucks are a lot lot lot lot more viscerally uncomfortable to deal with than the ways in which usopp sucks.

but a lot of usopp’s flaws are my flaws, so i guess that’s why it feels personal to me. he is so viscerally me and he is so complicated and he is so viscerally still loved by his crew and that’s really special to me. i’m not saying quit the ‘he did nothing wrong’ posts because they’re funny and fun and i get that, but it kinda reminds me of what people do with some female characters too where to combat the hate they just girlbossify the shit out of them and it can feel idk, like a slightly less interesting way to engage with a character who is flawed

TLDR: usopp kind of sucks!!! and i love him!!!!!!!!!!!

[inkpotsprite]

Dead Boy Detectives and Interview with the Vampire are the best shows of 2024, in this essay I will–

[snake-with-scallions]

So, I’ve noticed that there are two fanon interpretations of Patton floating around, one where he’s an innocent precious baby who can do no wrong, and the other where he’s some kind of demon who does everything wrong, and I really want people to know that both interpretations are equally wrong

[4e7her]

chapter five! we've got a diedre pov which i think is a good bit interesting :) i lied last week though we're not actually meeting fenrir's siblings until chap six, i had to cut it after they got to the northern territory or it would've been way too long a chapter

ao3 - https://archiveofourown.org/works/55561897/chapters/143260885

quotev - https://www.quotev.com/story/16519931/a-drop-of-silver-in-a-sky-of-stars-yandere-m-various-x-m-oc/6

[sprolden]

i literally can't decide of the shadowhunters tv show girlbossified isabelle or degirlbossified her. she was already very hashtag girlboss but i think what it comes down to is that they made her less #girl and more #boss so where does that leave us

[johanna-swann]

I don't know who got it started or how but. The bi for bi Taylor/Buck thing? Chef's kiss. Do I want them to be endgame? No. Do I want bisexuals supporting and helping each other figure stuff out even if their romance doesn't last? Hell yeah.

[scarletfasinera]

Khonshu is not “explicitly evil” nor is he a force of pure good will but actually he is a secret third thing

[des8pudels8kern]

heka:

#no no you don’t understand i love this scene #because honestly i don’t think mark really gave a shit about the crimson article #he really seemed to think it was just funny and he kept talking about it seeing how upset it made wardo#but not in a malicious way just in a hehe i’m going to mess with him and tease him because he’s so atwitter and it’s cute #like rly mark didn’t give a fuck but it was fun to play with his wardo

#he was trolling eduardo for gods sake

[etherealabyss11037]

Say it with me everybody: Making A Character Queer Doesn’t Automatically Make Them Interesting Or Deep! 🗣️🔊 👏👏👏

Just felt like I had to get that out of my system after an argument with a friend.

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[lesbianamalvada]

Okay thank you!. When Lazlo or Nandor do gay things or even when Nadja does it's just shown as this quirky thing they do because they are sex-obsessed vampires. And the Guillermo/Freddy thing was weird tbh. And people just laud them as "omg they are so gay pansexual vampires!!!" when it's literally just a joke that they are so promiscuous. And of course they are going to have Nandor/Guillermo end up together but it's taken SO LONG and honestly the show is still very heteronormative. Not saying it's bad, it's not even problematic, people just hype it up so much (for its rep specifically). And actual stuff made by gay people gets ignored.

We need to talk about queer representation in What We Do In The Shadows

I'm just going to say it: for a show that claims to have great queer representation I sure haven't seen a gay couple in five seasons.

(The closest they've come is with Freddy and we all saw how that turned out)

Okay, I've been thinking about this for a while and I honestly don't love the discourse but fuck it. We need to talk about queer love and queer representation on wwdits and how it's not great.

Let me begin by saying that I love this show, I do, it's my favorite and I adore it and I am not going to stop watching it. But the internet holding it it as the be all, end all of queer representation needs to stop. We need to take off our heartshapped glasses for a second and think critically.

Now I'm not saying it's homophobic because it's clearly not, but a beacon of queer representation and love it is not.

Yes, it has its moments and when they come they are incredible (Guillermo's coming out episode my beloved). But if we stop and think about it for a second it becomes clear that same sex love in the show it's not treated with the same respect that straight love gets. And it's time to aknowledge that as a fandom.

It's 2023 and we don't need to be living off scraps or jokes made at our expense anymore. The times of Supernatural or Sherlock are done. But in wwdits we are, a lot of the time, the butt of the joke and not always in a good way. I'm begging you to think for a second about why the jokes are supposed to be funny, think of Laszlo and Nandor, or Laszlo and the Baron, or Nandor's guy wives... the joke IS that it's gay, there's nothing else.

And you know what? That could be FINE or it would be if they commited and treated gay love with a little bit of respect but they don't, not really. Show me queer love, stop just talking about it and SHOW it.

Or at the very least when you do show some semblance of it (looking at the season five finale, season three finale and a lot of other moments) don't immediately undermine it with articles about the power of friendship, it's the least you can do. We are just asking to be more than a joke.

It's like a reverse of what happened in Supernatural where after so many homophobic jokes it just turned kind of gay, it feels like after so many gay jokes with zero commitment behind them wwdits is starting to feel kind of hurtful.

I'm not saying they should have Nandor and Guillermo get together (though they should), I'm saying that after five seasons we should at the very least have seen a couple of the same sex treated with the same respect and love they've shown Laszlo and Nadja, Sean and Charmaine, or hell even Colin and Evie.

All I'm asking is for the show to make us more than just a joke or they're just going to end up circlying around and not looking great, and after five seasons it's starting to happen and I'm worried it's going to leave me with a bitter taste in my mouth by the end.

[whoviandoodler]

one of my favourite parts of iwtv is that it will fight the audience's desire to paint its characters black and white at every turn. oh you thought they were unequivocally the villain? the victim? the onlooker who neither holds the knife nor bears the wound? well buckle in, motherfucker! you're about to perceive them as the flawed, multifaceted, three dimensional beings they are until your ears bleed or you will never even begin to understand the story, sorry!

[probablybadrpgideas]

OCtober day 23

Our dragon is a complex, three dimensional character, and so must have a flaw!

Also! Tomorrow's poll will be to name the dragon's archenemy/ex-roommate. I'll pick 12 options out from the replies on this poll

Current dragon description below the cut

Our OC is a silver dragon with purple eyes, who works as a weaver, does giant bonsai for fun, and has a good relationship with their parents. They can breath capsaicin solution, as well as shapeshifting, though in other forms their hair is silver and they remain short, fat, and muscly, just as they are in dragon form (an average dragon being over 200 feet long), with a mascy-femme presentation. They are aroace, and don’t think much about gods, despite living the remnants of a fallen fantasy steppe civilisation that once ruled the world, alongside their pet mimic. Their archenemy is their former roommate, a wizard

[oatmealdaydreams]

would like to add: just bc someone disagrees with your takes or has different takes than you, doesn't mean it warrants retaliation :)

free my boy yes he did that shit but also a huge part of sanders sides is about the fact that no one is 100% good or 100% bad its never that simple and we all contain multitudes as well as the capacity to harm others even without meaning to 🗣🗣