#thoughts form as typing happens

[callipraxia]

As semi-promised on Thursday night: here is a fuller explication of my thoughts after reading @zephrunsimperium's post about Ford and anger (which you should go check out their various Ford analysis pieces if you haven’t, they’re excellent and, unlike me, actually get to the point in a timely manner!)...thoughts which ultimately melded with some attempts at another essay I had semi-abandoned a few months ago, so hold on tight, friends, you’re in for quite the long ride with this one, should you choose to wade through it to the end, for this essay is more than 10,000 words long. Numbers in parentheses indicate endnotes, which can be found at the, well, end. Trigger warnings for extended discussions of multiple kinds of abuse portrayed/only thinly made into metaphors in the GF canon, and for discussion of mental health. For anyone feeling up to dealing with all that...read on below the cut.

To my way of thinking, one of the most essential things for understanding Ford lies in recognizing all the gaps between who he is, who he wants to be, and who he wants other people to think he is, and the intersection of anger, the performance of masculinity, and his long, long history of relational traumas is the fateful crossroads which those gaps emanate from. At the risk of sounding unduly like a pop psychologist, I also think his father is an important individual to consider in light of these issues.

Filbrick, as Stan tells us in ATOTS, was a strict man who had “the personality of a cinderblock.” Stan is not always a terribly reliable narrator, but he seems to lack the ability to lie to the flashback camera, and the first few flashbacks of the episode give us a glimpse at what the Pines family was like in the sixties which supports Stan’s assertion about his father. In those scenes, Filbrick is the only character we don’t see expressing strong emotion of some kind before the science fair, something that makes the ‘sound and fury’ of the scene where Stan is disowned, when it comes around, all that much more shocking. Until this point, Filbrick came about as close to physically resembling a cinderblock as his personality was said to; even when he expressed approval of Ford in the principal’s office, it was a relatively muted display, barely more emotive than his earlier “I’m not impressed” or his silent disappointment in the season one flashback when Stan recalls the summer Filbrick first sent him to boxing lessons. We learn after the science fair that he can, apparently, express anger very vividly, but “Lost Legends” further underlines how he is otherwise mostly emotionally inaccessible to his family; Stan (despite being far more aware of his emotions than he might like to admit that he is) cannot just talk to his father about how he feels, and once again, the only concrete emotion Filbrick shows on-screen is anger. Pictures near the end suggest possible mild experiences of a few other feelings, and the adult Ford, narrating many years after the fact and very probably after Filbrick’s death, speculates about what might have been going on in his head, but those feelings are never made explicit the way his anger is. We don’t know why Filbrick is this way (the closest thing to a hint we get is the information that he was a World War II veteran - there is, after all, a reason for the common portrayal of the Stan twins’ entire generation as one which was saddled with cruddy fathers in the aftermaths of World War II and Korea – but for all we know, Filbrick could have been like that before the War, too. What was his family life like, growing up? His financial condition? Could he just be someone who was born with a strong predisposition toward an emotional or personality disorder, regardless of whatever else happened in his life? We just don’t have enough information about him to say for sure), but it seems safe to speculate that he was this way pretty consistently: whatever else was going on with him, the only emotion he seems to have felt comfortable expressing was anger.

And this is the guy Ford and Stan had held up to them as their first, and quite possibly most influential, example of what being a man is.

I’d argue that – when they were children, at least – this was more of a problem for Stan than for Ford. Filbrick presumably saw them both as shamefully weak as children, but Ford, at least, had another route to the old man’s approval readily available to him. If Filbrick was at least grudgingly proud of Ford’s intelligence, then Ford could receive the measure of parental approval which Stan craved and could never get; we also see that Ford could apparently hold his own while sparring with Stan by the time they were teenagers, so it’s likely enough that he no longer had to worry about physical assault from his classmates by the time he was in high school, either. Though still isolated and insecure underneath it all because of his childhood experiences and probably in part due to his ongoing social isolation, Ford was able to find a path to a kind of self-esteem: he was both brilliant and quite capable of using his six fingers to break your nose if you had too much to say about them, and he knew it, and everyone else knew it, too. He also had his brother as a constant source of support. When Ford was made to look ridiculous by having a drink thrown in his face in public, Stan promptly threw a drink in his own face in order to look even more ridiculous. When Ford won competitions, which he seems to have started doing at an impressive rate very early in life, Stan seems to have been almost over-enthusiastic in his approval: he looks as delighted about Ford winning the science fair (at the time, before the meeting with the principal) as Ford himself does, if not even happier about it. Even his habit of copying off Ford’s papers in class could have served as a reinforcement for Ford’s ego: he not only could manage for himself, but he could even allow someone else to depend on him.

In this way, by the time everything went wrong, the teenaged Ford had probably already developed a degree of self-respect and self-sufficiency that Stan was still struggling to reliably maintain forty years later. Neither of them could ever be the kind of man Filbrick was, or of which they thought he would approve, they were both too emotionally vulnerable and expressive for that, but it’s probably noteworthy that Ford kept pictures of famous scientists (instead of family photographs) around him during his college and young adult years: because he could also do something Filbrick never could, he was able, to some degree, to carve out an idea of “how to be a man” on his own terms. If Filbrick’s approval was an immovable object in the path between Stan, Ford, and healthy expressions of adult masculinity, then where Stan flailed against it, Ford simply walked around it by choosing new conscious role models.

Tesla, Sagan, Einstein, and company were “great men,” successful (well, at least remembered posthumously) and respected, who were also given to Nerdy Enthusiasms. Said enthusiasm, an open delight in the marvels of the natural world, was therefore an emotion besides anger that Ford could express freely without compromising his view of himself, and it seems that he did so regularly. This appears to have worked well for him; we know very little about his college years – only that he worked very hard, that he made at least one close friend and (based on his usage of the plural ‘friends’ when discussing DD&MD) possibly even had a social group of sorts, and that he continued to indulge his creative side to a degree by playing DD&MD, which was as close as someone in his late teens and early twenties could probably get to continuing the kind of fantasy play he’d enjoyed as a child without sabotaging his probable adolescent desire to feel very grown up – but it seems they were productive and reasonably happy. Six years after them, a slice of his life comes into focus for us in the form of his journal. He was probably around thirty to thirty-three years old when it was written(1), give or take a year or two, and we find him several years into the circumstances he was in when he says, as a much older man, that he’d finally found somewhere to belong. He could be lying - Ford, unusually, even has the ability to lie to the flashback camera, or at least omit things - but we don't really have any reason to believe this; when the flashbacks turn to Stan making an abortive attempt at contact, Ford on the phone sounds cheery. His lack of paranoia and surprise about someone phoning him is also not the only evidence that, at this time, he may not even have been totally socially isolated in Gravity Falls – in the same years, he goes to the public library with some regularity, he declines to buy cookies from a zombie Boy Scout, he converses sometimes with the mailman, and he is on friendly enough terms with Dan Corduroy, even some years after Dan finished building Ford’s house, to know that Dan’s family had a holiday cabin and to ask to use it. Clearly nobody was too close to Ford even then, but his chosen path was going reasonably well for him; it's possible that Stan might have found him rather harder to replace at this point than he did later, after an unspecified time lapse, which may have lasted as long as a year,(2) during which Ford had gradually became a complete recluse as he became more and more consumed by his relationship with Bill Cipher. Before that time lapse, Ford the man seems like a logical enough place for Ford the boy to have ended up; after it…..

Well, after it is where we get back to the topics of anger and its intersection with various aspects of identity and self-concept.

A decent place to begin is with Fiddleford, and with why, exactly, Ford asked him to come to Gravity Falls. Ford tells us that he asked Fiddleford to come because he (Ford) did not have the technical know-how to complete the Portal. There is some evidence to support the veracity of this idea: Fiddleford is, after all, the man who later proves able to build astonishingly lifelike robot monsters whilst homeless (and thus, it seems safe to assume, without conventional sources of funds or supplies), and he is the one who sees the flaws in the Portal design. Indeed, he seems to start spotting them before he even has a chance to physically see them: Ford tells us that Fiddleford started suggesting revisions to the plans over the phone while still in California, in the same conversation where he agreed to come. In the third portion of the Journal, the sixtysomething Ford also mentions hearing about how a Parallel Earth Fiddleford was convinced to come back to the project, at which point the Parallel Portal was stabilized and became something that could be used the way Ford had intended to use it (as opposed to how Bill had intended to use it). The implication is that Ford not only didn’t understand how to complete the Portal, but that he also didn’t understand the plans even as far as he thought he understood them. Certainly the Fiddleford of the main timeline, who would have worked with him before, was instantly suspicious about the existence of a third collaborator once he saw how far Ford had gotten without him, which further supports the idea that Ford was more of a theoretician than a mechanic. This does, however, run somewhat against the grain of much of what we see Ford do on-screen. As a teenager of modest economic means, he was shown to be as comfortable working with his hands as with his pencil, and he was able to build something which acted enough like a perpetual motion device that he won a state-wide competition and drew the attention of an elite university. At university, he created the mind control tie – something which appears, both by its existence and by the glimpse we get of how it’s wired in “The Stanchurian Candidate,” to involve electronics more sophisticated than what Fiddleford was shown working with in roughly the same time period. I tend to run with the idea that the events of the episode “The Stanchurian Candidate” only happened in a particularly vivid nightmare of Stan’s, and therefore include the tie simply because it was in the Journal, but if one goes with official canon and accepts that “Stanchurian Candidate” happened, then Ford somehow, in a matter of hours, with no budget or supplies, invented a thousand-year lightbulb that also improves the complexion of the user in the same episode that shows us the wiring of the tie. In the eighties, he also seems to have developed his mind-encrypting machine as a private project, and in the Multiverse, he survived entirely on what he could steal or construct for thirty years, and it seems he had progressed a long way toward the development of the Quantum Destabilizer on his own before he stumbled into the ‘Better World’ dimension; Parallel Fiddleford really just sped the completion process up because he’d happened to discover a useful fuel source for presumably completely unrelated reasons years before Ford showed up. Clearly, Ford can more than hold his own as an engineer, and as one with a particular flair for doing impossible things with electricity and the laws of energy conservation; even Fiddleford trusted his gift in that area enough to, however reluctantly, briefly accept his claim that he had been working alone despite his serious doubts about the idea, and to allow Ford to bully him into silence about the Portal’s design flaws for weeks or possibly months before the confrontation at the diner. Why, then, did he suddenly become convinced, during that fateful July, that he could not finish the Portal without Fiddleford?

The answer may lay a few pages further back in the Journal. Not long before he calls Fiddleford, Ford makes notes on the plans for the Portal that Bill had showed him in a dream. One of these notes is “I MUST NOT LOSE MY NERVE!” Later, in a state of mind where he is increasingly paranoid and beginning to lose a degree of touch with reality, he reflects repeatedly about Fiddleford’s nerve in similar terms. There may well have been some level, deep down, on which Ford knew he was getting in over his head, and he was scared out of his mind by that realization. If this is true, then, on some level, he knew something was...off, with what was going on around him. He knew he needed help from someone he trusted and who was not Bill. And so he reached out to his college roommate for that help, and he did so in a way that allowed him to still plausibly deny just how much trouble he was in, both to himself and everyone else, and he didn’t only need that deniability because he was inviting a third party into the isolation of an increasingly abusive relationship and would need an excuse if Bill took exception to the idea of Ford relying on anyone or anything other than Bill. He also needed that plausible deniability to preserve his self-concept, because by this time, whatever he had or hadn’t been earlier, Ford Pines had become a deeply, deeply dishonest man.

One of the key moments for understanding this - and, in many ways, the character overall - occurs in “Dungeons, Dungeons, and More Dungeons.” There, Ford delivers the exasperated line, “if my hands were free, I’d break every part of your face!” If that line was taken totally out of context and shown to a casual viewer, the casual viewer would likely misidentify it as a line of Stan’s. Stan is, after all, the character with the hair-trigger temper and violent tendencies, right?

To an extent, yes. In “The Golf War,” Stan asks Soos if it would be “wrong” to punch a child (Pacifica) – probably more of an indirect threat in response to Pacifica’s insults toward the Pineses than a true question, but Stan’s moral code is sufficiently different from the standard issue that one can’t completely dismiss the possibility that he really wanted to, well, punch a child. And who can forget his antics in “The Land Before Swine” or “Scaryoke,” where he punches his way single-handed through monsters which had defeated the rest of the cast? Or in “Not What He Seems,” where he takes on multiple government agents in zero gravity while, for at least part of the time, he had his hands fastened behind his back? Or that glorious moment in the finale when he did, in fact, break every part of Bill Cipher’s glitched-out face? Stan is also the character who lost his temper to the extent that he lashed out at Ford physically in the middle of the save-the-world ritual, and Stan is the one who keeps his old boxing gloves around his bedroom, along with owning at least one set of brass knuckles. As an old man, he still seems to take pride in having learned to fight back against the world physically as a child, and he recommends that Dipper try knocking Robbie unconscious bare-handed when Dipper is challenged to a fight. And, of course, the man is a menace whenever he gets within a certain radius of the Stanmobile, the vehicle that can take out roadway railings, light poles, and theme park gates without showing a scratch. There’s no denying it: Stan is perhaps many other things, too, but he’s also a very physically aggressive kind of guy. If, therefore, someone in this series was going to threaten to break someone’s face, it seems obvious it would be Stan…but it wasn’t. It was his supposedly milder-mannered, “goody nerd-shoes,” brother who, on examination, actually behaves far more casually violently than Stan does throughout his sadly short time in the series. To demonstrate:

Ford sets foot in his house for the first time in thirty years and identifies the first person he sees as his brother. Later, writing in his reclaimed journal, Ford describes his own reaction thus: “instinct took over and I punched him right in the face. I feel kind of bad about that!” 

In the very next episode - aside from his antics in the first scenes(3) and the already-mentioned description of what he’d like to do to Probabilitator after the wizard captures him - we also have Ford’s immediate reaction to the wizard’s materialization. Stan is, naturally, most clearly unnerved by an evil math wizard suddenly materializing in the TV room, but there’s a moment where he glances sideways at Ford after Ford pulls a gun; to me, at least, this glance made it seem like he found that behavior pretty disturbing as well. For the past several hours, after all, Ford had been playing board games. Most people do not bring concealed guns to game night with their nephews. Ford does.

Stan and Ford both have wanted posters that show up ‘on screen’ – Stan’s in his box of memorabilia in “Not What He Seems,” and Ford’s in Journal 3. Stan’s talks about “scams, frauds, and identity theft” - all potentially serious crimes that can ruin the lives of the people on the other ends of them, but ones which follow the general tendency (per the reading I did last March) of real-world con men to avoid violence in the commission of their crimes. Ford’s, on the other hand, refers to its subject as ‘armed and dangerous,’ and as someone with a bounty on his head. From the way Ford depicts his own appearance in it, it seems likely that particular version of the poster is at least ten to fifteen years old, but in “Lost Legends,” he is still instantly recognizable in the multiverse for his criminal shenanigans, even in the company of his near-identical twin. In his own words, “a number of dimensions consider me an outlaw to this day.” If one uses the dictionary definition of the term - and considering how much variety comes up just in the few examples Ford gives of worlds he’s visited, there’s no reason to assume he hasn’t visited a few Premodern Justice Dimensions - this means there could be multiple dimensions out there where the authorities took the time and trouble to formally declare that he had done something shocking enough to justify the revocation of all rights and protections he might have otherwise enjoyed under the law, thus allowing anyone to do anything they could physically manage to him with no fear of any negative repercussions except those he could personally inflict on them. He also refers to his own  exploits as “swashbuckling” (a term which brings piracy to mind) and offhandedly mentions travels with “bandits” (a term which describes practitioners of behavior usually classified under the ‘organized crime’ umbrella due to the cooperative nature of the often violent or potentially violent crimes in question).

Much of this behavior, it’s true, can be attributed to a combination of trauma responses and, in the Multiverse, sheer necessity. He refers in the journal to talking “my way into and out of food and shelter,” and the “out of” comment underlines how, like Stan before him, he very abruptly went from having a relatively stable situation (at least in the material sense) to being homeless, which would be at least a serious shock to the system of almost anyone, including people in much better mental health than he was in at that time. Then there’s the more complicated non-material aspects of his previous situation. As an adult reader, it’s stomach-knotting to go through the 1980s portion of the journal, because if you look at the behaviors and dynamics and leave out the “incorporeal eldritch abomination” element, it only takes a very little extrapolation from the material for his ‘partnership’ with Bill becomes an uncomfortably realistic depiction of a domestic abuse situation. Considering that either of these major traumas of 1981-1982 could (and, if the fantastical elements are stripped out, regularly do) induce PTSD in nearly anyone, and considering how many more traumatic events he doubtless went through in the years following, it’s not implausible that the man would develop a tendency toward believing that the best defense is a good offense. However, there is also evidence that at least some of these tendencies predated Ford’s major traumas, and that – despite how he would very likely insist this was not the case - the trigger-happy adrenaline addict we meet in “A Tale of Two Stans” may not represent a total change in character from who he was before the Portal – or even before Bill. The evidence here is admittedly scarcer and more ambiguous, but to illustrate:

In Journal 3, Ford seems sincerely puzzled about why Fiddleford would show signs of trauma after the gremlobin incident. This incident involved Fiddleford being shown his worst fear (something which ended in tourists being removed from the Mystery Shack via stretcher in apparent catatonic states. Fiddleford was a  man who probably had an anxiety disorder to begin with, who was just accepting the reality of the supernatural, and who was living, for at least several months, hours away from where his wife and young son were, something which seems to have troubled him at the best of times. It's remarkable he was functioning at all after the gremlobin incident). He was also hit with a bunch of venomous quills, and flown through the air by something which clearly had no good intentions for him in mind…and that was all before the solution to the situation ended up involving Ford crash-landing everyone through the roof of a barn, breaking Fiddleford’s arm in the process.

The gremlobin incident is not the only time Ford, even before the multiverse, appears bewildered by perfectly ordinary responses to frightening stimuli. While Fiddleford admittedly may have had some form of anxiety or compulsive disorder to begin with (an idea supported by events like his tearing out his own hair under stress and his need to correct the Cubik’s Cube), his reactions to monsters appear far more reasonable than Ford’s offhand assertion that he has survived many monster attacks without registering any of the experiences as traumatic.

When Fiddleford was in danger, Ford’s automatic response involved, essentially, jumping off a cliff and hoping the magnet gun-to-hyperdrive attraction would first catch and then carry him long enough for him to catch up…and that he would then somehow figure out how to land the improvised gremlobinmobile without killing himself, Fiddleford, and the monster all in one go.

When we go into the bunker in “Into the Bunker,” Soos finds a candy dispenser in a cabinet filled with weapons. These weapons appear to be a mix of firearms alongside various medieval or Renaissance-style pieces. It is, of course, possible - though to my mind, improbable; Fiddleford seems to prefer indirect methods of aggression, mostly in the form of homicidal robots - that some or all of these weapons belonged to Fiddleford, but there is also evidence that there was a similar mix of weapons in the house which later became the Mystery Shack: sside from Ford’s singular ideas about how to answer a door in “A Tale of Two Stans,” we also see a box of other manual weapons which Dipper has access to in “Boss Mabel,” and which Stan is seen rifling through to find a crossbow - presumably the same one which had come alarmingly close to his nose thirty years earlier – at the beginning of “Love God.” Stan further asserts there are ten guns in the Shack during “Fight Fighters,” but we never see them; even while fighting against zombies, while following pterodactyls into caverns beneath the town, and during Weirdmageddon, Stan routinely arms himself with bludgeoning weapons, not ranged ones. The only time we see him use a ranged weapon (at least that I can recall) is the time he aims the crossbow at a balloon, which was out of reach. Ford, however, despite demonstrating almost immediately upon arrival that he’s quite capable of fighting without one, repeatedly uses ranged weapons even in close quarters: the crossbow in Stan’s face, the handgun in the living room, the Quantum Destabilizer during Weirdmageddon, the spear in the closing montage of the finale. These examples are, of course, all justifiable enough in their various contexts, but the combination of several incidents and all the weapons around the house and its environs makes it seem eminently possible that Ford was a bit of a weapons nut long before he became an interdimensional fugitive, and that if there actually are ten guns in the house, Stan may have more or less 'inherited' them along with the Stanford identity.

When Bill - who knew Ford very well before the Portal - shows Ford a vision of a possible future in an attempt to convince Ford to join him in his conquest of the universe, it is a vision of complete destruction. We see Bill’s giant finger tearing cities apart in an uncomfortable amount of detail, and are treated to the sight of planets being munched on like apples…and this is Bill’s sales pitch, the ‘party’ he is inviting Ford to and really, really wants Ford to agree to attend. This leaves us with two options: either Bill can’t understand that anyone might ultimately desire anything beyond or besides the chance to participate in unlimited, consequence-free violence (something which doesn’t square too well with Bill’s otherwise apparently excellent grasp of human motivation and how to manipulate it to serve his own ends), or Bill has some reason for thinking that the prospects of immortality and a group of ‘friends’ to destroy things with on a massive scale might genuinely appeal to his “old pal” just as much as the prospect of being “all-powerful” and “all-knowing” would. This is also hinted at by how Bill appears to try to convince Ford to relate to him by revealing that he was once mortal himself and explaining that he burned his dimension before offering Ford the chance to effectively do the same to the universe of the canon timeline. 'Become a god of destruction' or 'get tortured a lot' were also not the only possible options Bill could have offered; he could, for instance, have tried to convince Ford that if he (for all intents and purposes) became a god, then he could save at least some sapient life-forms in the universe from Bill by setting up his galaxy as a benevolent dictatorship or the like, with the alternative being that everyone would die if Ford didn’t take that deal. Bill did not attempt anything of the sort. Bill, at least, thinks Ford is not only capable of observing or even committing acts of great violence, but that he is capable of relishing the opportunity to do so.

Why are all these things easy to overlook? In part, it is because Ford wants us to overlook them, because they do not ‘fit’ with the person Ford wishes that he was. He wants, very much, to see himself as a cool-headed, utterly rational, cultured figure – not least because this would represent a total contrast to his twin brother and everything Stan stands for, either in reality or inside Ford’s imagination - and so he uses long words and is usually fairly softly-spoken. He emphasizes his “well-ordered and scientific mind” even as he behaves in ways which suggest he’s highly volatile and puts in writing (however carefully concealed the information might be behind veils of words) that he planned to make his name on a scientific project which wasn’t of his own design, a behavior which indicates a comfort with shortcuts even more potentially disastrous than Stan’s. When he does, rarely, have to acknowledge something that he would rather not acknowledge directly, he always immediately justifies the potentially unflattering behavior in fairly grandiose ways - stealing radioactive materials, for instance, is rationalized as a ‘doing a public service,’ and all the things he did to become a wanted man in multiple dimensions are, similarly, lumped together and dismissed as crimes committed “for a noble purpose.” No doubt some of them were, but on the page about the Infinity Die, one doesn’t really get the impression that he was particularly discriminating about when he used that thing, considering the usage statistics we’re given. The page informs us that the Die saved Ford’s life three times, endangered it “around 20,” permanently changed the color of a sky one time…and that it’s been used enough other times besides these that he can note the odd frequency of rolling a four(4). When talking to Dipper, he also seems quite confident about just how far the Die can warp reality - he doesn’t speak as if “the universe could turn into an egg” is an exaggeration. Use of the Infinity Die would not be a reliable way to limit damage or even to advance his goals while committing other crimes, so it becomes a bit difficult to justify his apparently relatively casual use of it as something he did only as a last resort and/or only in service of a noble purpose. Most fans recognize that he clearly started over-identifying Dipper with himself toward the end of the series, but he identifies Dipper with himself only when it comes to traits he is proud of having; otherwise, the “grammar, Stanley” remark is one of the few criticisms he has of Stan which doesn’t also come across as something he might want to say about himself and his own less desirable qualities, if he could only bring himself to acknowledge them for what they are in plain language. It reads, to borrow from someone I once talked about the character with on Reddit, like “my man is just as chaotic [as Stan], he just manifests it differently.”

Part of this difference lies in their respective approaches to the truth. Neither is anything you could reasonably call an honest man, but the distinction lies in how Ford appears to lie to himself a lot more often than Stan does. Stan, outside of ‘working hours,’ is utterly up-front about who and what he is and what he cares about: he’s a crook and a grifter and a liar, interested only in that which benefits him and the small number of people he personally cares about. Only once, when contemplating his epitaph in “The Stanchurian Candidate,” does he show anything even vaguely resembling shame about this, and even then, he still includes the detail that he would, of course, be a crooked mayor if he became one. It's entirely possible that the only ultimately sacrificed himself to destroy Bill because of the direct and imminent threat Bill represented to his individual relatives. As the man himself once said: it wasn’t enough for him to be the town’s hero, because his real agenda was being Dipper and Mabel’s. Ford, on the other hand, seems to have shared many of Stan’s desires (wealth, respect, shortcuts to these things) as a young man, but also to have always felt some need to convince himself that he wanted more (for lack of a better term) socially acceptable ‘side features’ as well. When he dreams of scientific accomplishment, he will admit he looks forward to riches and glory...but he also throws in that he wants to revolutionize science to enhance the well-being of all mankind, too. When he writes down the story of how he began his quest to kill Bill, he acknowledges that he wished to “wreak vengeance for the life he stole from me” - but only after saying he would “save the multiverse from [Bill’s] wrath.” Later, though, when talking about his meeting with a parallel Fiddleford, he refers to his vow as a “vendetta” - a word defined as “a blood feud in which the family of a murdered person seeks vengeance on the murderer or the murderer's family; a prolonged bitter quarrel with or campaign against someone.” The word can be used far less precisely in casual conversation, of course, and he probably does sincerely see it as his duty to atone for his mistakes by removing the entity which seeks to exploit them, but at the end of the day, despite his attempts to frame his behavior in terms of doing what is objectively right, there’s also a massive degree to which his quest is personal. Anger and revenge and personal concerns ultimately prove just as important to him as they are to his brother, if not even more important. This is illustrated perhaps most dramatically in the lead-up to the Final Deal: one can only imagine what Bill’s back-up plan was, because Bill came close to not needing one. Ultimately, when put to the test, the principles which went along with the persona Ford tried so hard to project crumbled: the family was, in the end, more important to him than saving the world, just as it was for Stan. He never mentioned the idea of making any attempt to save himself in the deal (on top of doubtless believing that such an effort would be doomed to failure, there are hints that Ford always planned to die in the execution of his revenge, or at least never saw a way around doing so), but he was willing to let Bill take over the galaxy “or worse” just to save (or at least exempt himself from the responsibility of personally dooming) three other people on a probably quite temporary basis. If Bill was unraveling reality all around them, after all, where exactly were Stan and the twins supposed to go?

“What other choice do we have?” It took no few viewings of the finale for it to register why I always find that line so wrenchingly uncomfortable to watch. At that moment, finally, for the first time on screen, Ford admits that he cannot save the situation, or even himself. That he’s been backed into a corner – trapped – forced to acknowledge that another entity can and will hurt him, and that it can and will hurt him on as many levels as it pleases. He’s been taken right back to where he was when his first grade classmates nearly put him in the hospital, and he can’t hide it from himself or anyone else anymore...and it’s after this moment that we almost immediately see a dramatic change in Ford’s behavior and self-representation. The same man who remained remarkably defiant, all things considered, when tied up by an evil sorcerer who was gloating about its plans to consume his brain, or even in the midst of what was probably several days of severe torture,(5) visibly flinches, his hands shaking, while using the memory gun; in the aftermath of that moment, we then see him standing in a corner, looking helpless and at a loss for what to do while other people (specifically, mostly Mabel) try to figure out a solution without his assistance, as he's meekly accepted the situation instead of trying to change it. Dipper notes that some point in that day was the “only time” anyone had ever seen Ford cry, a statement that implies there had been other occasions where Dipper expected him to cry when he didn’t do so – perhaps it’s just because Dipper is used to Stan, who cries rather a lot, but for some reason, Dipper regarded this observation as specific enough to underline the severity of the situation during the first hours of Stan’s amnesia. The closest Ford really gets to his pre-Weirdmageddon demeanor again is when he takes the long way around the block in order to ask Stan to accompany him to investigate some anomaly up north, just as he’d previously made the same excuse about being too old to manage on his own anymore for asking Dipper to stay in town after the summer ended; since even unbending enough to, effectively, ask anyone not to leave him was already a step away from his isolated-hero act, it’s far from one of his more distinctive adult characteristics reasserting itself. Something, it seems, in the man profoundly broke in the throne room of the Fearamid, and based on his worryingly fervent attempts in the last pages of his journal to represent both Stan and Fiddleford as plaster saints, it doesn’t seem like it’s getting fixed any time soon.

I noted earlier that I suspected Ford had no intention of surviving his duel with Bill in the Nightmare Realm during “Not What He Seems.” There are a few reasons for this. One is simple probability, of course (even if he had destroyed Bill, there would have still been plenty of creatures around that would have been more than happy to eat him, and his death ray was almost out of power). More pertinent, however, are a few of Ford’s own words. Twice, he refers to Stan as having “saved” him – not ‘rescued’ ‘retrieved’ ‘gotten back’ or any other possible combination of words, but “saved.” The first, where he’s still grumbling about it, is when he shows Dipper the Rift and explains why he was angry at Stan for this seemingly charitable behavior: he saved Ford’s life, but at the cost of endangering the world, and at that time, Ford was still deeply committed to the idea of himself as someone who sacrifices, not someone who sacrifices are made for. On the second occasion, while trying to explain what just happened to Dipper and Mabel after they realize that Stan no longer recognizes them, he sounds almost bewildered as well as moved as he makes the statement. Shortly before that second occasion, in the Fearmid itself, he also, infamously, uses the word “suicide” on the Disney Channel, when he tells Dipper and Mabel that any attempt to take on Bill – or, in other words, to undertake the very task he was attempting when the Portal reopened in NWHS – was a “suicide mission.” His behavior, from the moment he comes back, is usually varying degrees of reckless, and the Journal illustrates that this isn’t an entirely new tendency: aside from vowing to undo the damage he’d done “or lose my life in the attempt” at the end of the 1980s section, he also put himself through the kind of work conditions that can literally kill a person for, it seems, months before he realized Bill had played him; afterward, he proceeded to have a breakdown while continuing, or even increasing, his dangerous habits of sleep deprivation and stimulant overuse. And even before that, as previously noted: he once didn’t think twice about jumping off a cliff. There has, at least since he came to Gravity Falls, always been a part of Ford which seems to have had some inclination toward self-destruction; he may not have been suicidal as such in the early years, but even then, he seems to have been more than merely indifferent to his own well-being. It is at this point that all the disparate threads of this essay will begin to gather back together into a single line, because this behavior can be interpreted as Ford, essentially, daring the universe to so much as try to make a victim of him, because it was at in those years that he began to feel the need to assure himself that he wasn’t one. After he admits he’s out of ideas in the Fearamid, though, he finally has no other choice but to admit that he has in fact been victimized – specifically, by Bill Cipher.

When Ford chose to adopt famous scientists as his models for how to be a man, he began to lie to himself about himself to some degree. He insisted he was rational and unemotional when he was anything but. He retained some pride in being in better physical condition than the other men close to him during both his scientist and hero arcs, but he downplayed his quite real attraction toward violence (recall that on two of the three occasions where he and Stan came to blows, Ford was the one who escalated the conflict) and thrill-seeking, trying to veil them from himself as well as the reader. Ford’s tendency toward black-and-white thinking didn’t disappear at the end of the show; he simply reversed the polarity, so that now, instead of him being the hero, he recast others in that role and was at least attempting to accept a place among the ranks of those who’d needed saving. This was something that he’d been denying he was for a very long time, even at the price of focusing on anger-inducing aspects of the past, perhaps distorting them out of proportion in his memory so he could keep his mind on the future. Unable to cope with the loss of control implicit in his situation with his 'Muse,' acting as the agent of something else and being manipulated in deeper and deeper over his head, he directed his attention to a future where he would be on top again, focusing on anger toward the past instead of on his fear of the present.

For most of the show, Ford has real issues with anger, and I tend to believe that quite a lot of them had to do with the need to protect two things after the disintegration of his relationship with Bill Cipher. One is his image of himself, and the other - arguably, something dependent on the maintenance of his self-concept - is his sanity – or at least, if not his sanity, then his ability to function. As noted the other night – anger might not feel good, exactly, but it can feel so much better than hurting that it can be mistaken for feeling good. Fury can be paralyzing, yes, but it can also, when directed outward, keep you moving – spite, as they say, is the source of many an accomplishment Self-loathing, on the other hand, will crush you like a boulder, sooner or later...and it’s painfully obvious, in the scrambled, increasingly unhinged journal entries between the Portal test and his decision to call Stan, that Ford is capable of intense self-hatred. Even in later years, when he has focused his entire mind on revenge for decades and reviles the traits in his brother that he dislikes in himself, there’s still that undercurrent of guilt and self-hatred running just beneath the surface, so close to the top that even he can never really fully ignore it. He doesn’t really know how to accept help while maintaining his self-respect, and here’s where we get to him being both an abuse survivor and, arguably, specifically a male one.

Earlier, I referred to his partnership with Bill as an uncomfortably realistic depiction of a domestic abuse situation when you strip the supernatural frills away. Bill could well have marked off items on some kind of manipulation checklist: he would flatter Ford to draw him in, and then withdraw without explanation, leaving Ford despondent and thus that much more dependent on Bill upon Bill’s return. Bill convinces Ford that nobody else really understands him like Bill does, and that nobody else ever could do so. They are all parasites who want to ride on Ford’s coattails, or steal his work, or are people who will hurt him because they are jealous of him; Bill is the one who inspires him, because he’s just that deserving of inspiration...except, of course, when he isn’t. When the Muse would go silent for long stretches of time, waiting with highly uncharacteristic patience until he got just close enough to desperate for a breakthrough. Then the whole cycle would begin all over again, until finally, by 1980-1981, Bill had succeeded in reducing Ford’s world to little more than himself. Based on the state of Ford’s study, he was, by the end, probably literally worshiping Bill as a god.(6) It is therefore possible to argue that the relationship included spiritual abuse in addition to the blatant psychological, physical (“enjoy the mystery bruises”), and financial (in that much of the grant ended up being used to pursue Bill’s agenda instead of for its intended purpose) abuse...and all of that happens before the possession sub-plot after the Portal test, where any illusion that their association is consensual or in any way for Ford’s benefit falls apart. Bill systematically violates every understood boundary within the relationship during the weeks between the Portal test and the Portal incident, and Bill very clearly enjoys doing so. He takes the time to taunt his victim by scribbling in the Journal when Ford blacks out. He seems to derive a great deal of satisfaction not only from the ability to completely deprive Ford of all mental and bodily autonomy on a whim, but from reminding Ford that he had this ability: he seems to have gotten a twisted satisfaction from knowing that Ford knew that, sooner or later, he would be unable to physically prevent himself from sleeping any longer. The hopelessness and inescapability of his situation are thrown in Ford's face again and again, and apparently for no better reason than that Bill is a physical and psychological sadist. Other people's misery and horror are like a drug to Bill, and we see, again and again, in the series that Bill will even undermine the pursuit of his own goals in order to enjoy it.

And the person he did all this to was Ford. Someone who already had profound trust issues (from his point of view, everyone he ever cared for had betrayed him to one degree or another), and whose formative years were during early fifties. This is significant, even aside from the impact of personality flaws specific to Filbrick Pines on his son’s development. Even today, in our rather better-informed times, many people dismiss the idea that men and even boys can be victims of abuse entirely, and even some of those who acknowledge the possibility won’t take it as seriously as the idea of men abusing women and girls. When Ford was physically and verbally bullied in elementary school, the only solution his father could offer was “learn to hit harder than the other guy.” If someone hurts you, you hurt them back; this, in the earliest examples he seems to have had, is how you reclaim power, and if you can’t do that, then Filbrick thinks you’re weak, that you’re an embarrassment, and that he just wishes you were gone, to very nearly quote Stan from “Dreamscaperers.” This was also a general attitude of the surrounding culture, without a lot of prominent examples of better options. Years later, it follows - horrible though it is to say – reasonably enough that when Ford realized he’d been manipulated and used by something that couldn’t be punched in the face, he began to have a breakdown, which only began to resolve in a small way when he convinced himself there was, in fact, a way to do something at least equivalent to punching Bill in the face. His plan was irrational and poorly strung together, and it did require him to ask someone for help, which must have galled – but it’s only Stan he has to ask, after all, and Stan doesn’t really count, and Stan owes him anything he might choose to ask for anyway, and besides, he’s not really asking Stan to help him deal with the problem, is he? He’s going to be the one who defeats that bastard or dies trying. Stan’s just...going to hold his beer, so to speak. Or book, as the case may be. Because he doesn’t need Stan. He doesn’t need anyone. Because he’s in control of this situation. He’s going to save the universe, and then everything will be fine again (or so he tells himself), because then he will be, once and for all, beyond the reach of anyone who might want to hurt him again. Because if he can pull this one off, then who would dare? Who would even want to? He’ll be a hero, a savior, someone deserving of everyone’s respect – and if not, he’ll at least be a martyr, which to him likely seems like a better second choice than continuing to live with the thought that he’s vulnerable and that everyone knows it.

An interesting thing to examine at this point is the similarity between his approaches to Fiddleford and Stan in the eighties. Earlier, it was argued that Ford may have reached out to Fiddleford as much out of repressed fear as from any real need for technical assistance. When Fiddleford first comes to Gravity Falls, Ford cannot stop talking about Fiddleford’s excellence, praising it even above his own. Fiddleford is his friend, his partner, his companion on this path to glory. Slowly, though, it changes. He begins to cast more and more doubt on Fiddleford’s capabilities, in a way, at first, which almost seems reasonable due to Fiddleford’s neuroses. He begins to feel that he is doing Fiddleford a favor – many favors, in fact – by allowing him to participate in “making history” like this. He projects and lashes out. This shows up even more clearly when he writes to Stan. He does not, admittedly, start out with praise in that case, but he still clearly goes through the same process of progressing from acknowledging a need to twisting it around in his own head so he no longer has to do so, just at a higher rate of speed. Almost as soon as he decides to write to Stan, he adds in his journal that “perhaps he can prove his worth to me.” This is followed by some prevarication – the line about how perhaps the mistakes of the past can be made right could apply to his thoughts on how he feels Stan wronged him, his thoughts on his situation with Bill, or even his past actions toward Stan, and when Stan arrives, Ford initially seems to present the matter as one where he needs a partner-in-crime because Stan is the one person he can trust – but within minutes, he shouts about how he’s offering Stan the one chance he’ll ever have to do something meaningful in his entire life. He’s progressed again to the idea that he doesn’t need help, and that he’s just doing these people - people who he has ostensibly asked for help - a favor. He is still in control. Because he doesn’t need them. He doesn’t need anyone. And when he triumphs over Bill, then….

...Then….

...Then we get to the bit I did write about on Thursday night. Specifically, how there’s very likely going to come a day when Ford will start finding it very, very hard not to have Bill around to hate anymore. To paraphrase zephyrsimperium - even when anger is hurting you so much that even you can see that it’s doing so, even when you know, intellectually, that it doesn’t really feel very good at all, it still hurts less than actually cleaning out the psychological wound.

To a certain extent, Ford’s anger did save him in 1982. Coping mechanisms can be necessary, for a time, when a trauma is too close to deal with. Truly dealing with it would be healthier, but there are situations where some distance has to be put between oneself and the trauma before it can be addressed; situations where you’ve just very suddenly become homeless and are being hunted by your reality-warping abuser would, it seems safe to say, be among these. Too much pain from too many sources could not be addressed all at once, especially by someone who, for reasons both cultural and innate, possessed none of the psychological tools or self-awareness to even begin to work through it all, and so when survival became a priority, focusing on hating Bill more than he hated himself probably was the only choice Ford realistically had in that moment. At the end of the show, however...Bill’s gone. Ford no longer has that mission to focus on, and at some point, that’s likely to mean waking up and realizing – if I may be forgiven for quoting a song from the Dark Ages, aka, my childhood -

“Wherever you go, there you are/You can run from yourself, but you won’t get far.”

Learning to defend himself as a child wasn’t enough – he still had to seek validation, acceptance of some kind, through all those competitions. Winning the competitions wasn’t enough – he still needed to find a place where he could fit in, somehow, either as a genius or as an anomaly. Going to college, finding someone he considered even more brilliant than himself, winning a grant – somehow, it still wasn’t enough, he needed to discover a new theory and emblazon his name in the history books...never realizing that even if he’d succeeded in that endeavor, it still wouldn’t have been enough. And all that was before Bill. Afterward, sure...he killed Bill. The being that made him feel weak and stupid and helpless all those years ago, it’s gone now. He won. And it still won’t be enough, because removing Bill doesn’t undo what Bill did to him. It doesn’t take away the difficulty of trusting anyone else after such an acute betrayal. It doesn’t take away the anger at himself for being someone who got duped. It doesn’t take away all those years out in the Multiverse, and the memories of whatever less-than-ideal things he had to do to survive them, or the impulse to hit first and ask questions later that he’s developed, or anything else. Nor is throwing himself into being the Perfect Friend or Perfect Brother in an attempt to make up for the past going to ultimately help much – he can’t undo whatever wrongs he did Fiddleford or Stan any more than they can undo the ones they did him, and all three of them are likely in for a rough ride of learning how to have relationships where sometimes you clash and disagree, but you trust the other person enough that you can have a relationship with them when neither of you is a Perfect Anything to the other…and where you trust the other person to still want to be your friend after you demonstrate that you aren’t perfect, or even able to perfectly fit into a simple, clear mold. As hard as accepting onself as a flawed individual with vulnerabilities that can be exploited is, it's probably still child's play compared with then, after having been taken advantage of in the past, to trust anyone to not do so at the first opportunity again.

Despite the somewhat gloomy tone of this essay, there are reasons for hope. One lies simply in the fact that Ford got this far. His story, after all, follows the arc of many a tragic hero, and yet, he manages to end the show alive and without having gone over to the Dark Side (even if he came dangerously close and was only pulled back from the edge by Stan’s quick thinking and acting skills). Another, more promising, is in "Lost Legends," where we get a glimpse of the Pines family in the week between Weirdmageddon and the birthday party. We see that Stan has recovered his normal personality and memories enough that he and Ford manage to annoy each other throughout the adventure. They disagree on how to proceed, which of them is more competent to look after the twins, etc...and the incident ends with a truce, rather than each of them slinging blame at the other for the situation Mabel ultimately has to rescue them both from. Ford is able to accept that they both contributed to the problem, rather than it being a black-and-white situation, the way he seems to have viewed most situations for quite some time. He even lets Stan play with the super-glue gun of science. It's progress. Here's hoping, for everyone's sake, that it's one step among many to be taken.

Notes

(1) See my essay “The Trouble With Timelines” on AO3 for an explanation of this assertion.

(2) Reasoning for this hypothesis can also be found in “The Trouble With Timelines.”

(3) Based on his lack of alarm when a second specimen later attacks him in the lab, my theory is that Ford staged the near-escape of the Cycloptopus at the beginning from first to last - note how he appears to have a pretty solid grip on it when he enters the gift shop, and later turns to the family, holding it up and smiling brightly, after subduing it as though looking for approval from others before indicating that he’d like to be included at meal times. Later, in “The Last Mabelcorn,” we learn from the read-out of his thoughts that he lurked closely enough behind the vending machine to eavesdrop for at least long enough to hear Stan refer to him as a “dangerous know-it-all;” since his other thoughts in that sequence all involve loss, anxiety, regret, and childhood bullying, it seems reasonable to assume that whatever he had hoped  to overhear, it wasn’t that. Considering how Ford agreed to avoid the children at the end of “A Tale of Two Stans,” it seems likely to me that Ford staged the Cycloptopus incident just for an excuse to interact with the rest of the family for a moment without obviously trying to do so, and that the creature was not actually especially dangerous.

(4) Though it is possible that some of the times Ford rolled a four were among the 20-odd times the Infinity Die allegedly endangered his life; if he was already in a bit of a bind and decided to risk getting a solution that way, rolling a four with something that is highly illegal to own - and, therefore, probably even more highly illegal to roll - would be unlikely to improve his situation

(5) I saw an essay once where someone actually tried to figure out what, if Bill was accurately portraying his own usage of electricity, happened there: best-case scenario involved convulsions violent enough to dislocate joints accompanied by severe internal and external burns. It seems, considering the contrast between his first appearance in “Take Back The Falls” and his relatively physically normal behavior during the rest of the episode, that being turned into gold again resulted in the instantaneous restoration of his pre-torture physical condition, but this would probably provide small comfort if you are under the impression that every time you ‘wake up,’ you’re just going to go right back through the same thing again...and again...and again….

(6) Comments in the codes of all Journals and in invisible ink in the blacklight journal make the question of Ford’s religious beliefs another interesting one; we know he was raised Jewish, but his few remarks after dealing with Bill could suggest that, by the story’s main time, he may have become some form of dualist. An argument which can be used either for or against this idea is the apparent existence of the Axolotl cult, as shown in exclamations by space refugees, carvings in Jheselbraum’s shrine, Bill’s dying invocation, and a bumper sticker in “Lost Legends.” On one hand, Ford expresses confusion about what the refugees meant by “praise the Axolotl!” and makes no explicit connection between the statement and the carvings he later sees in Dimension 52; when he speculates on “the opposite of Bill?”, it is unclear if he is referring to Jheselbraum or her background art/presumed patron deity (“Oracle” is suggestive of the Oracles of Delphi, who were priestesses of Apollo and were supposed to prophesy through divine inspiration, so it does seem likely that Ford, Jheselbraum, or both believe that another entity is the source of her prophetic gift). It is also unclear what, exactly, the power dynamic between Bill and the Axolotl is; the fact that Bill invokes it in the hopes of returning from his deletion implies it is far more powerful than him, but it is unclear (both in Bill’s invocation and in the Axolotl’s prophecy in “Time Pirates’ Treasure”) if the Axolotl could choose to ignore the invocation if it wished to do so. Bill, we know (or are at least told), was once a mortal being which sought escape from all laws, including the laws of nature which dictated his own mortality; we do not know how the Axolotl came to exist outside of time and space, or what this implies about its nature. When Bill muses on his enemies, however, he swears that neither Time Baby nor “the big frilly jerk” will stop him; this could imply that he sees Time Baby and The Big Frilly Jerk (most likely Axolotl, unless the canon version really does have a twin brother) as equal threats, and that perhaps “the ancient power” is something they are all in some way bound to/reliant upon for their seeming immortality? Bill was able to reduce Time Baby to his component molecules, but word of author is that TB is not actually dead and will eventually manage to pull said molecules back together into a Time Baby-like shape again, which renders the issue of power levels even murkier.

[varian-the-alchemy-boi]

Soo this just happened

GUYS THE WAY I SCREAMED AND HUGGED MY TABLET WAS CRAZY

I'VE WANTED THIS COSTUME SO BADLY AHHHHH AND I GOT IT YAY!!!! I'M SO HAPPY RN

[love-songs-for-emma]

every time i am about to post an opinion on this website, i hit the draft button instead. it keeps me safe

[aroaessidhe]

2024 reads / storygraph

These Burning Stars

political space fantasy

follows an infamous heir to the Nightfoot empire and a stoic cleric who are hunting down a figure from their past - the cleric’s classmate who the heir challenged to impress her, or die trying

and a hacker/thief who’s gotten her hands on something that could implicate the Nightfoot family in a planet-wide genocide

sapphic & nonbinary characters

[anxiouslyextroverted]

10th time explaining ocd to someone because apparently only way to have ocd is to be neat and tidy according to them and I dont fit that because im not neat or tidy. I show them hundreds of tabs on my computer which literally is caused by hoarding-OCD and yet they think its not Ocd at all. Its so stupid. How can someone fuck up the definition of a disorder that straight up says what it is in the name "Obsessive Compulsive Disorder" Obsessive thoughts turn to compulsion.

[unproduciblesmackdown]

pinning to the workshop corkboard: you've heard of winston "i'm cassandra" billions clairvoyance concepts for fun & profit, hear also of winston billions sphinx concepts (you must be This understanding of what he means to proceed)

[frankensteincest]

EVERY ITERATION OF FRANKENSTEIN’S CREATURE MUST BE BLESSED WITH THE CAIN INSTINCT

[sumplysilly]

Zeke moment

Sumply strange growing & traumatic memories sticking in my mind bc they had such an impact on my life while everything else good & otherwise fades away over time. I remember my teeth being ripped out with pliers & being hit with a bullwhip. But I can't remember my stepdad's voice. & I try to hold onto good memories but so much of my life was just hanging on terrified & isolated barely living

& I want to move on to better memories but I spent more than half my life just hanging on. So now I'm like those birds that fly into a window & get taken in to get their wing fixed, but when they get released the other birds don't fly w them bc they act not like a bird because there's something deeply wrong with them after being handled. So even if I forget being beaten & starved near to death it's still in my codes & ppl can sense it on me & ppl don't want me near them bc I'm a cursed wrong poison person. & even if i forget my brain will still feel wrong

But remembering doesn't help either bc nobody I loved & trusted ever helped me when I begged for it, & the ppl that physically tortured me will never validate my memories that I don't want that are their fault. So I'll never have closure & my brain is fucked until the end of everything until I die. & all I can really do is say ok :) & twiddle my thumbs over my life so far being shaped by pain & fear & violence

[trans-leek-cookie]

post. Post-posting clarity where you're like "wtf was I talking about". But also post-posting confusion where you're also like "wtf was I talking about" but it's less about your mental state While Posting and more about "okay. I've written many words. I remember. Approximately 20% of them. What the fuck are the rest of these?"

[anythingneverythingnstuffs]

shower sounds

It was wrong. It was immoral.

But Simon 'Ghost' Riley couldn't help himself. He just couldn't.

You were his neighbor. His sweet, smiling, food-bringing goddess next-door. You had shared conversations with him, a few bottles of wine from time to time, too many cookies for him to count- you shared walls with him.

For the most part, the walls you shared with him weren't a problem. Sometimes you had your TV volume up too loud, sometimes you sang a bit too loudly to whatever music you were listening to, but that never bothered Simon.

Sometimes he could hear your cat jump up to her cat tower. He could always hear (and sometimes feel the vibration) when she would launch her chubby self up to the tower, and the tower would always knock against the wall you shared with Simon. It made him scoff quietly every time. He had a fondness for that fat cat, whether he would admit it out loud or not.

Maybe her owner, too.

His excellent hearing was partially to blame, so he never made it to be a big deal. He never wanted you to know he heard you that much, didn't want to make you feel bad for some reason.

And those noises really weren't all that bad. In fact, he looked forward to hearing those mundane sounds. Sometimes a cupboard would close a bit too loudly; he never imagined you being the type to go randomly slamming cupboards shut, and he would wonder if you were alright. If he didn't hear anything else, he wouldn't worry as much.

It was a different kind of noise that Simon 'Ghost' Riley was bothered by that came from your unit. Noises, rather. And it was always one kind of noise that led to another…

The first time it happened, he felt almost ashamed of himself. Almost. Maybe he'd be more full of shame if he hadn't felt so damn good after.

Simon had been lounging on one end of his couch, TV remote in hand. He was switching between channels when he heard the familiar sound of your shower turning on. 

There was always this almost ringing-like sound that would come through the building's old pipes when the water was on, especially in the showers. The sound was always the same when the shower turned on, though if you adjusted the spray of the shower head, it would become higher or lower pitched depending on the intensity of the stream of water.

He heard you turn on some music before he could hear the shower curtain being drawn back and forth as you probably stepped into the shower, naked-

Simon shook his head, trying to focus back on the task at hand, picking something to watch on TV.

But there was nothing on.

He decided to give up on that. Right after his television went black, he heard the familiar high pitched noise of the building's old plumbing go up a few levels.

Simon wouldn't have thought anything of it if his apartment hadn't been dead quiet, and if he hadn't heard a small moan through the shared wall between you.

Simon's eyes widened as he listened, his ear turned towards the wall now so he could listen more closely. He could hear the harsh spray of your showerhead, his mind racing with what you could be using it for and where the stream was being directed on your body.

He felt a spark of something, and his body began to respond to the intimate sounds you were making that echoed into his apartment through the wall. His breathing began to slow and he closed his eyes, focusing on the sounds. He could hear your soft whimpering and short gasps even clearer now.

A lump began to form in his throat as his body continued to react, his heart racing with excitement. His hand instinctively went to his groin, his fingers tracing the outline of his growing arousal. He knew he shouldn't be standing there, his ear on the wall between you, his eyes closed, listening to you pleasure yourself in the shower-

But he just couldn't help himself. The sounds were drawing him in, making him feel like he was part of something intimate and-

Simon's eyes snapped open, and he moved away from the wall, trying to compose himself. He couldn't believe he was getting turned on by listening to his sweet, adorable, sweets-and-food gifting neighbor getting herself off in the shower. He needed to put some distance between you. He needed to get out of there, to clear his head and calm down.

He had taken the first step to move into another room when he heard a faint whisper through the wall.

"Oh, yeah..."

Back against the wall he was.

He couldn't move, couldn't breathe. He was stuck, his ears glued to the wall, listening to the sounds coming from the other side.

The sounds were getting louder, and Simon could hear you more clearly now. You were whimpering and moaning, your breathing a little shallower now.

He continued to listen, unable to move away. His breathing was ragged and sharp, his body reacting to every single noise on the other side of the wall.

Simon's hand went back down to the waistband of his jeans, his fingers tracing the material. He felt a shiver go down his spine as he realized what he was about to do, but he didn't stop himself.

He unbuttoned his jeans, his hands moving urgently as he listened to the sounds coming from the other side of the wall. He was getting more and more turned on as he heard your moans and whimpers growing louder, the sounds getting more frequent.

He shoved his jeans and boxers down in one swift movement, his other hand grasping his already rock-hard length.

He stroked himself slowly, his hand still pressed against the wall, his ear inches from the spot where your voice seemed to be coming from.

His eyes closed once more as he imagined what you might look like, pleasuring yourself in the shower, as he stroked his throbbing cock, already glistening at the tip with precum.

To keep his own pleasured sounds from getting too loud, in fear that you would hear him and maybe stop, he bit down on his own tongue, quickly tasting copper in his mouth as a muffled groan escaped his lips.

He imagined you in the shower, how wet you must be in so many ways, how slick your skin was as you touched yourself, and how much you wanted this, needed this release just as desperately as he did.

With a low growl, he began pumping his shaft faster, harder as he imagined your wet skin, your curves, your breasts, your ass... He could picture it all so vividly, thanks to the erotic symphony playing through the thin wall separating them.

He was stroking his thick, angry cock faster now, his hips rocking slightly, the sound of his own heavy breathing mingling with the distant echoes of your pleasure-filled cries.

"Fuck," he heard you whisper breathlessly before letting out a soft whine. You were getting close. He could tell.

So was he.

The sound of your moans grew louder, more urgent, and Simon found himself matching the rhythm of your strokes, pumping his own cock in time with your breathy pleas.

His grip tightened around his shaft, the veins bulging as he worked himself closer to the edge. The image of you touching yourself, lost in pleasure, fueled his desire, making him ache to be inside you.

He could almost taste you on his tongue, feel your slick heat enveloping him as he thrust deep. The fantasy was so real, so intoxicating, that he swore he could smell the sweet musk of your arousal carried through the thin partition.

A guttural groan tore from his throat as he quickened his pace, chasing his impending climax. Precum dripped steadily from the tip of his cock, leaving a sticky trail on his fist as he pumped faster, harder.

Then, he heard what he had been waiting for most of all, a sound he knew was coming but wasn't sure what exactly it would sound like. And it was more delicious than he could have ever imagined.

He heard you cry out through the wall, in the shower, as your orgasm washed over you. He really hoped that your sound of released pleasure distracted you enough to not notice his own.

Simon's entire world narrowed to the sound of your climax, a whine that seemed to pierce through the very fabric of his reality. It was the most beautiful thing he'd ever heard, and it shattered his last semblance of control.

He knew he was about to be loud. He needed to do something, fast, that wouldn’t mean biting his tongue or lip off-

Simon bit down on his clothed arm as he came undone, his orgasm ripping through him like a hurricane while the pain from biting his own arm threatened to tip the scales of pain and pleasure towards the former, but maybe that made him like it even more. Hot spurts of cum spurted from his cock, painting the wall he leaned against in thick, viscous streaks. His hips jerked erratically as he rode out the aftershocks, his vision flashing white behind clenched eyelids.

When Simon finally returned to Earth, he was left looking at the aftermath of his actions as he caught his breath, breathing in and out with his eyes closed, still listening intently through the wall just in case you had any more delicious sounds in you.

masterlist

[catboybiologist]

This is going to be a really half baked thought but

I feel like any attempt to break down the effects of HRT into a snappy, bulleted list of distinct "this exact thing will change" type effects, will ultimately always end up as an underexaggeration

There's not a great way to counter this, so I understand why it happens. But, for example, if the primary way you're explaining transfemme HRT is "breast growth and some fat redistribution", as opposed to "all new tissues formed by my body are now in a female configuration, and I have to wait for my body's natural turnover rate to slowly get rid of the old male tissue, and my body is therefore being completely restructured because of it", that first version is always going to sound like an understatement to me.

But of course, that second explanation is mostly useless, practically, as it doesn't set distinct expectations well.

[classyrbf]

PERSONAL TRAINER! — GOJO SATORU

SYNOPSIS...just some small little nsfw headcanons about personal trainer!gojo hehehe

INFO...personal trainer!gojo x fem!reader, gojo is touchy and pervy, sex in a gym, sex in the showers, oral (f!receiving), rough sex, praise, nipple play, not proofread

OTHER...likes and reblogs are appreciated

personal trainer!gojo who you have the fattest crush on. You didn’t expect your personal trainer to be the hottest guy you’ve ever laid eyes but here you are

personal trainer!gojo who claims he’s a hands on trainer, demonstrating moves and helping you adjust your position and posture

personal trainer!gojo who is right behind you as he bends you over to make you touch your toes, his large hands on your as he pushes you down further and further “You got it…there we go. Yeah, good job.” You swear you almost melted right then and there

personal trainer!gojo who begins to compliment you everytime you walk in the gym, noticing how you always have your matching set on and how he can tell the workouts are really starting to shape your body like you hoped

personal trainer!gojo who gets you all hot and bothered when he’s doing push ups shirtless, sweat dripping down his godlike body, his grunts and groans filling your head with such perverted thoughts that you had to excuse yourself to the bathroom

personal trainer!gojo who pretends like he doesn’t know he has an affect on you, purposely doing what he does just so he can see you get all flustered and riled up, he thinks it’s so cute

personal trainer!gojo who has you two do a late night workout session with only you two in the gym, you come in with your matching set and water bottle with a smile on your face, not a single thought behind those eyes on what he plans to do with you

personal trainer!gojo who makes you lay on your back and stretch your legs upward and toward your chest, his hands gripping your calf and pushing back, hovering over you as hiss at the stretch. “You can take it, I know you can.”

personal trainer!gojo who notices you look away from him, avoiding eye contact as he pushes your leg further and further, his hips pressed up right against your throbbing heat. His hands glide down to your thighs now, tossing your legs over his shoulders. He knows exactly what he’s doing

personal trainer!gojo who has you leggings ripped open minutes later with his thick cock shoved inside your pussy, pounding you into the gym floor while you cry out his name

personal trainer!gojo who’s got you bending in all types of positions, each one making your eyes roll back at the way he hits that spot deep inside you. “This is what we were practicing for, sweetheart.” His chuckle sends chills down your spine

personal trainer!gojo who has cum around his cock so many times you can’t even form words, mindlessly babbling before you’re squirting around his cock again, screaming in pleasure

personal trainer!gojo who eats pussy like a champ, slurping, licking, spitting all over it while he moans at your taste and scent. He’s got your legs pushed back all the way to your chest as his tongue expertly circles your puffy clit, taking one of his long, thick fingers to rub against your g-spot

personal trainer!gojo who even fucks you in the showers, hot water cascading down your skin, his hands mushing your face up against the wall while he fucks you like a slut but tells you how much of a good girl you are for taking him so well

personal trainer!gojo who loves your titties so much, always cupping them, squeezing them, twisting your cute perky nipples until you’re a whining mess

personal trainer!gojo who is still your personal trainer despite everything that happened between you two, allowing you to come over his house to workout instead of the gym just so he can have you all to himself and fuck you whenever he wants

personal trainer!gojo whose idea of cardio isn’t running or walking, no, he just ends up fucking you in his bed for several hours until your both dazed and drunk off of sex

personal trainer!gojo whose only plan now is to train you to take his cock until you become absolutely addicted to the way he stretches you out and makes you cum so hard

[salemlunaa]

𖥸∘˚YOU ARE MORE POWERFUL THAN YOU KNOW𖥸˚∘

don’t force it, just let go.

There are people who go to sleep in one bedroom apartments and wake up in mansions. There are people who go to sleep with a body or face they hate and wake up with new ones. There are people who go to sleep hating their school life, family and friends and wake up with all of that changed. There are people who go to sleep living a life they dread and wake up with their dreams. Why not you.

You are so much more powerful than you know. You are the operant power of this reality and all the other realities. As I once said, these realities are your children, they are of the same relation to you and the same proximity. It is you running through their veins. You aren’t doing this extravagant thing by creating and shifting timelines to a new reality, you are taking your awareness and placing it in a reality that already exists.

You can leave anytime you want. In fact, top panicking and realise you’ve already left. A lot of you promised to yourselves that you would get your dream life over the break, over the weekend, over night and you panic when you don’t see anything. How many times will you do this? Stop the panic, the outerman isn’t you and sees nothing but limitations. There’s nothing to panic over because it is done and there’s nothing left to do. You wouldn’t be panicked about a cruise trip if you were there.

The words “OMG school starts on monday and i STILL haven’t been on my cruise trip, im so upset i feel like a loser” wouldn’t be uttered if you’re already on the cruise, sipping one of those cute drinks with the tiny hats. So stop panicking about wasted time when you’re already there and there’s nothing to do. Don’t get worked up over nothing, the 3d isn’t real.

All you need to do to induce pure consciousness is focus on the darkness in your eyes, set an intention to induce the state of “I AM” and make up scenarios, count, sing in your head. do whatever. Forget yourself, stop trying to relax, stop forcing it, stop looking for symptoms stop trying to immerse yourself in the feeling and let it happen naturally. You don’t force yourself into the state of awake and asleep so why is it any different with pure consciousness.

∘˚ 𓆸∘˚

Think of yourself being in a pool, there’s two of you. One version of yourself is being let down gently into the water and the other version of yourself is letting you down. Think of a baptism type of position. When you are fully immersed in the water you are pure consciousness, and you will come out of the water as your desired self. But what you must do is let it happen naturally. You can’t push yourself underwater. You can’t drown yourself or the water won’t accept you.

Let yourself down gently. Stop trying to force yourself into pure consciousness, stop forcing the immersion or it won’t accept you. Like how if you force yourself into the state sleep you’ll just sit in bed eyes shut waiting to it to happen. It isn’t until you let go and finally give up trying that you eventually fall into the state of sleep. That’s it. Give up, give up trying and let go. Assume you’re in the water already and before you know it you’re fully immersed in that body of water.

When we say falling into the state of pure consciousness is as easy as breathing, we’re not just trying to motivate you are trick your minds into thinking it’s easy as a form of help. It’s the truth. It’s a state, that’s all it is, just as is sleep and being awake right now, think of how effortless it is to fall into between sleep and wake. That’s all pure consciousness is. Failure to do this does not exist.

You can leave anytime you want and within an instant. Assume you have mastered this simple yet beautiful art and you will have, assume you’re there already and you will be. It takes a second to flip your thoughts and begin. You don’t need a routine or a days worth of affirming or any challenge. If you believe that is a must, you don’t understand what this is.

Go, simply because you can.

YOU CAN do this, why not now? Don’t let your fear of failing and “letting yourself down” allow you to procrastinate, failure doesn’t exist.

YOU ARE YOUR ONLY BLOCKAGE, CHANGE THAT AND LET YOURSELF GO

[gojover]

the courtship affairs of a common man

summary: nanami kento prides himself on his discipline, efficiency, and ironclad work ethic. you, on the other hand, are a paragon of spontaneity and relentless optimism. as ceo, you’re used to getting what you want—and your next business venture? winning him over.

⇢ pairing: secretary!nanami kento x ceo!fem!reader ⇢ contains: fluff, mild angst, smut (oral sex, desk sex, protected sex, angry sex, slight dirty talk), office romance au, grumpy x sunshine, profanity, alcohol consumption, parental pressure to get married, corrupt corporate companies, implied misogyny—please let me know if i’ve missed anything! ⇢ word count: 17.9k ⇢ art credit: pinterest | read on ao3 here.

Nanami Kento is a man of routine. At precisely 7:26 A.M, he heads out of his apartment with his tie knotted perfectly and his shoes shined. At 7:43 A.M, he reaches the coffee shop he always frequents, and by 7:54 A.M, he walks out with an iced coffee with three shots of espresso (for himself) and a Mocha Cookie Crumble Frappuccino (for you). 

If he drives fast enough, he can clock in at his workplace by 8:28 A.M, and by the time he reaches his desk, it’s 8:31 A.M. He waits patiently for you to arrive sometime between 8:36 and 8:49. Usually, you arrive exactly at 8:45 A.M, and until then, Nanami works on making a list of all the tasks scheduled for today, in order of greatest priority.

It’s when the clock starts inching towards 9:25 A.M and you still haven’t arrived, that Nanami Kento starts to get a little bit worried.

At 9:26 A.M, Nanami finally sets down his pen. He isn’t the type to fidget, nor is he the type to worry unnecessarily, but there’s an undeniable itch in his chest—a quiet, nagging thought that something is off. He checks his watch. Then his phone. No missed calls, no unread messages. Highly unusual.

The drink he bought for you sits untouched on your desk, the condensation already forming a damp ring on the pristine surface. You always take the first sip as soon as you walk in, mumbling some variation of how you need caffeine to tolerate capitalism.

He waits exactly three more minutes before standing.

If anyone notices the way he strides towards the elevator with more urgency than usual, they don’t comment. The building’s lobby is its usual mess of suits and hurried footsteps, but your usual entrance—heels clicking against polished tile, a cheerful “Morning, Nanami!”—is absent.

He exhales through his nose, tilting his head slightly as he debates his next move. Calling you outright would be overstepping. You are his boss. He is your secretary. If you were simply running late, you would text.

That means something must have happened.

Nanami adjusts his tie and makes the call anyway. The phone rings. Once, twice, three times—and then, finally, your voice; groggy and unmistakably hoarse.

“...Nanami?”

He clenches his jaw. “Where are you?”

You pause, followed by a rustling sound, as if you’re shifting under blankets. “Oh, shit.”

“You overslept,” Nanami states.

“Uh,” you say intelligently. “Maybe?”

Nananmi doesn’t sigh, though he wants to. You’re an excellent CEO—brilliant, quick-witted, sharper than most people twice your age. But responsible when it comes to your own well-being? Absolutely not.

There’s more shifting on your end, followed by a muffled groan. “I might be a little hungover.”

“Of course you are.” His glasses have slid down the bridge of his nose, so he adjusts the frame.

“Listen, it was my friend’s birthday—”

“That’s not an excuse.”

“Okay, mother.”

Nanami does sigh this time. He glances at his watch. If he leaves now, he can get to your apartment in twelve minutes, fifteen if traffic is bad. “I’m coming to get you.”

“Wait, what?”

“You’ll waste another thirty minutes trying to function. I’ll be there in twelve.”

There’s a long pause. Then, in a voice that’s entirely too suspicious for someone who just admitted to being hungover, you say, “...How do you know where I live?”

“I fill out your paperwork,” the secretary says.

Another pause. “This feels like an invasion of privacy.”

“You list it under the company address.”

“Well, I could be lying.”

“Are you?”

Silence. Then, begrudgingly, you admit, “No.”

Nanami does not have the time for this. He’s already halfway to the parking garage, briefcase in hand, and his patience—though formidable—is starting to wear thin. “Stay put. Drink some water. Don’t make it worse.”

You hum. “Define worse.”

“Don’t make me regret my employment here.” 

There’s a chuckle on your end before the call clicks off. Nanami shoves his phone into his pocket and fishes for his car keys. The headlights of his white Toyota Corolla blink back at him. He slides into the driver’s seat as quickly as possible and starts the engine.

Nanami Kento does not speed. He is a very responsible driver. Yet, here he is, at 9:41 A.M, speeding towards your apartment because you overslept, are likely still half-drunk, and have a board meeting in less than an hour. Objectively speaking, this should not be his problem. But Nanami has long-since accepted that you are his problem.

There is a margin of error in his schedule now, and he does not like it. His mind is already running through the necessary steps to minimise the damage.

Best Case Scenario (Highly Unlikely): You’re already awake, dressed and hydrated. You recognise the consequences of your actions. You get in the car immediately. The meeting proceeds as planned. (The probability of this happening is about the same as Gojo Satoru from HR filing his paperwork on time.)

Most Likely Scenario (Unfortunate but Expected): You answer the door in your pyjamas. You have not consumed a single drop of water. You groan at him, complain about work, and stall for at least ten minutes. He has to herd you into productivity like a kindergarten teacher. He gets you to the office just in time—barely.

Worst-Case Scenario (God Forbid): You’re still in bed. You refuse to move. You throw up on his shoes (he will quit). You open the board meeting by saying something absurd like, “Gentlemen, what if we invested in a company that just makes really big spoons?” and Nanami Kento gets fired.

He adjusts his tie at a red light. No, he refuses to let it reach that point.

By the time he pulls up to your apartment, he is ready. He checks his watch once more. 9:53 A.M. Nanami forgoes the elevator in favour of climbing up the staircase two steps at a time. Your apartment is on the fifth floor, and he knocks twice. Firm and precise.

The door swings open, and you are—well. Exactly what Nanami had expected.

You’re standing in the doorway wearing an oversized hoodie and what are definitely not your pants. Your hair is a tangled mess, mascara faintly smudged beneath your eyes. Nanami is not a man easily shaken, but this is certainly not how he expected to start his morning.

“You look awful,” he says.

You groan, dragging a hand down your face. “Good morning to you too, sunshine.”

Nanami steps into your apartment uninvited. The place is surprisingly not a disaster, though for a luxury apartment, it does seem a tad bit shabby. An empty wine glass balances precariously on your coffee table, next to a half-eaten slice of cheesecake and—God help him—what appears to be a sequined tiara. 

He chooses not to ask. Instead, he sets his briefcase down, rolls up his sleeves, and heads straight for your kitchen.

You blink. “What are you doing?”

“Fixing this.” He pulls open your fridge, scanning the contents with a critical eye. It is, to his horror, mostly condiments. “When was the last time you ate a proper meal?”

You scratch your cheek. “Um. Last night?”

He shuts the fridge a little harder than necessary. “Cheesecake doesn’t count.”

“Rude. That cake was expensive.”

Nanami ignores you, opting instead to fill a glass of water. He hands it over, watching as you take a slow, reluctant sip. “Drink all of it,” he instructs.

“You sound like my mom,” you say, squinting at him.

“Yes, well, if your mother were here, I assume she wouldn’t have let you drink half your body weight in alcohol the night before a board meeting.”

“Wait.” Your eyes widen. “The board meeting.”

Nanami resists the urge to point out that this should have been your first concern, not the last. “Yes,” he says, “the one that starts in thirty-five minutes.”

You suck in a breath sharply. “I need to shower.”

“Obviously.”

“I don’t have time to do my hair.”

“You’re wearing it up.”

“I don’t have time for makeup.”

“You keep a bag in your office.”

You scowl. “You’re very annoying, you know that?”

Nanami gives you a pointed look, taking your empty glass of water from your hands. “Yes.”

You grumble something under your breath before disappearing into your room, the door clicking shut behind you. Nanami sighs. He takes off his glasses, pinching the bridge of his nose, before rolling his shoulders. He deserves a pay raise.

By the time Nanami drags you into the office, you’re at least functioning. He’s made sure of it. He forced you to drink two full bottles of water and a homemade electrolyte mix (which you gagged on); stopped you from wearing a sweatshirt that said Eat the Rich (your argument was that it was thematically appropriate); shoved a bacon, egg, and cheese sandwich into your hands (which you sullenly ate in the elevator, glaring at him the entire time); and silently questioned all of his life choices.

And now, he stands beside you in the conference room, arms crossed, expression stoic, while you sit at the head of the long, polished table, addressing a room full of corporate executives.

To your credit, you’re holding your own. Your voice is even. Your sentences are concise. Your data is accurate. If Nanami didn’t know that you had been half-dead in bed forty minutes ago, he wouldn’t be able to tell.

The board members—a collection of old money, new money, and at least one guy who definitely inherited his position from his father—watch you with varying degrees of interest. Some, like Flower Bandana and Secret Tattoo from Marketing, nod along. Others, most notably, Wire-Rimmed Glasses and Charcoal Pants, pretend to skim the reports in front of them. Nepotism Baby, however, is very obviously checking golf scores under the table.

Nanami clocks all of it. Still, you power through.

“—and as you can see, our projected quarterly growth remains steady despite recent market shifts. However, to maintain momentum, we need to prioritise long-term investments in—” You pause. Nanami notices it immediately—a brief hesitation, a flicker of your fingers against the table.

You’ve forgotten what you were saying.

To the untrained eye, it is imperceptible. To Nanami, who has spent an ungodly amount of time observing you, it’s as obvious as a flashing neon sign. 

Before you can recover, Salt-and-Pepper Board Member—the one who always speaks in a tone that suggests he hasn’t been happy since the Reagan administration—leans forward. “Miss CEO,” he says, adjusting his gold watch, “before we move forward, I’d like to address something.”

“Of course,” you reply smoothly, though Nanami catches the way your hands tense against the table.

Salt-and-Pepper clasps his hands together. “While we appreciate your insights, I have to ask—” a pause, carefully calculated for dramatic effect— “what exactly is your long-term vision for the company?”

The room stills. It’s a trap. A carefully laid, passive-aggressive, MBA-scented trap. Nanami watches you closely. He knows this type of boardroom maneuver—an underhanded way to question your competence without outrightly saying it. Testing the waters to see if you’ll crack, so to speak.

You, as always, rise to the occasion.

“My vision?” you repeat, tilting your head slightly, voice measured. “That’s an interesting question.”

Nanami presses his lips together. He can see the gears turning in your head.

You lean back in your chair, lacing your fingers together. “If I had to sum it up, I’d say my long-term vision is simple: Growth, innovation, and ensuring that this company doesn’t crumble under the weight of its own outdated bureaucracy.”

Salt-and-Pepper’s eyes narrow just slightly. You continue.

“Because let’s be honest, gentlemen—” (Nanami notes how you conveniently exclude the few women in the room; they could do no wrong in your eyes) “—we could sit here, shuffle numbers, and pat ourselves on the back for maintaining the status quo, or we could actually build something for the future. Something sustainable, something adaptive. Something that doesn’t leave us scrambling every time the market shifts.”

Impressive. Nanami hides his amusement behind a neutral expression. You’ve managed to say absolutely nothing while making it sound like you’ve said everything. A skill only a true genius could master. Salt-and-Pepper’s eyebrows pinch. He opens his mouth—likely to challenge you—but before he can, Nanami steps in.

“Further details on our strategic initiatives can be found on page five,” he says, flipping to the appropriate section in the report. “You’ll find that the CEO’s approach aligns with our projected financial goals and ensures continued shareholder confidence.”

Translation: Shut up and read the damn report. Salt-and-Pepper huffs in irritation.

The meeting continues. Charts are analysed. Projections are debated. Wire-Rimmed Glasses tries to poke holes in your marketing budget, only for Secret Tattoo to shut him down with three lines of data and an unimpressed eyebrow raise. Nepotism Baby suddenly develops an interest in the conversation only when someone brings up potential tax incentives.

Throughout it all, Nanami stands beside you like a quiet, immovable force of nature, ready to step in whenever necessary—though, to his silent chagrin, you seem to be having fun.

“You know,” you say, after redirecting a particularly obtuse question from Charcoal Pants, “I was going to bring this up later, but since we’re already on the subject of outdated models—”

Nanami immediately dislikes where this is going.

“—I’d love to discuss our executive compensation structure.”

The temperature in the room drops several degrees. There’s a long, pointed silence. Salt-and-Pepper visibly tenses. Wire-Rimmed Glasses stops pretending to read his report. Charcoal Pants blinks very fast. Nanami sighs. You are testing his patience. He’s not sure what you’re trying to achieve by discussing potential salary cuts to the Board of Directors, but it is too late now, and he is in too deep.

“Compensation structure?” Salt-and-Pepper repeats, as if you’ve just suggested setting fire to the stock portfolio.

“Yes,” you agree. “As you all know, our yearly executive bonuses amount to a significant percentage of our net profits. While rewarding performance is important, I believe we should also explore options that align with our long-term company health.”

One of Salt-and-Pepper’s eyes twitches. “I see. And what exactly do you propose?”

“A more balanced structure. Something performance-driven, sure, but also weighted in a way that ensures we’re reinvesting into the company and our employees. After all, a company is only as strong as its people.”

“That’s a… bold suggestion.” Salt-and-Pepper smiles, but it is a smile in the way a wolf bares its teeth.

“Oh, I know.” You flash him a blindingly fake grin. “But that’s what visionaries do, right? Think boldly?”

The discussion moves forward. The board members clearly have no interest in discussing executive pay cuts, and after five minutes of unproductive back-and-forth, Nanami steps in to smooth things over.

“We can table this discussion for another time,” he offers. “Let’s return to our key agenda items.”

Translation: You are all embarrassing yourselves. Move on. Thus, the meeting drags to an exhausting close. As the last board member exits, the conference room falls into silence. Nanami breathes out slowly. He turns his attention back to you—where you sit, still slumped in your chair, spinning a pen between your fingers. 

You look pleased with yourself. Of course, you do.

“You’re mean,” he says plainly.

You grin, unapologetic. “But you’re still here.”

Nanami presses his lips together, but he doesn’t deny it. You’re right; he is still here. Still standing beside you, still following you through your commitments and obligations, still making sure you don’t self-destruct before lunch, let alone the fiscal year. Still watching.

Nanami Kento isn’t blind to his own habits. He is not a man given to sentiment, nor is he someone who allows himself to be distracted. He has spent years cultivating a certain discipline, a carefully maintained distance between himself and his work. 

Yet, here he is.

Here he is, noticing things. Like the way your fingers tap absently against the table when you’re thinking. The way you tilt your head ever-so slightly when someone challenges you, as if already preparing a rebuttal. The way you wield charm and sharp wit like a weapon, disarming a room full of men who think they can rattle you.

Here he is, memorising things. Like the exact cadence of your voice when you’re amused versus when you’re irritated. The way you argue, not just for the sake of arguing, but because you genuinely believe things should be better.

Here he is, wondering things. Like why the sight of you so thoroughly holding your own in that room makes something in his chest feel curiously, infuriatingly warm. 

He shouldn’t. He shouldn’t worry about you, shouldn’t be so aware of the way your presence has begun to take up space in his thoughts.

Nanami isn’t sure when it started. Maybe it was the first time you dragged him into a fight you had no business winning, arguing down a board member twice your age with nothing but facts and deduction. Maybe it was the morning you shoved a coffee into his hands without preamble, grumbling something about corporate capitalism slowly draining the life out of him. Maybe it was when he realised that despite your recklessness, despite your exhausting tendency to push every limit—

You were trying. 

Maybe that’s why he stays. Not because you’re impossible. Not because you test his patience on a daily basis, but because, despite it all, Nanami believes in you. Maybe—just maybe—that belief is starting to feel like something else entirely.

He clears his throat, shaking off whatever momentary lapse has settled over him. “Your next meeting is in fifteen minutes,” he says, already turning towards the door. “Try not to fall asleep before lunch.”

“No promises,” you call after him, and Nanami forces himself not to look back.

The next morning, you arrive at 8:45 A.M on the dot, and though you don’t greet Nanami with a chipper good morning wish, you do shove a neatly-wrapped roll of melonpan into his arms. 

“For yesterday,” you explain. “Thanks for picking me up even though it’s not a part of your job.”

Nanami stares at the melon bread in his hands. It’s soft, and still warm, wrapped in crinkly butter paper. For a moment, he simply blinks at it, as if it’s some kind of foreign object, something misplaced in the orderly structure of his morning routine. (It is.) 

Then, he looks at you. You’re already at your desk, halfway through flipping through a manila folder, scanning through documents with your brows furrowed in concentration. But Nanami catches it—the way your fingers loosely hold the paper, the way your shoulders aren’t as stiff as they were yesterday. It’s an offering—but more than that, it’s you remembering, because the name of the bakery printed on the butter paper is his favourite one.

He sets the melonpan carefully on the desk beside his coffee. “It was never not part of my job.”

“Huh?” Your head snaps up.

“Looking after you.”

Your brows knit together in something Nanami recognises as your default setting: Suspicion. “That’s not in your job description.”

“It should be,” he says, shrugging.

Your expression flickers—just for a second—before you roll your eyes. “Great. So I’ve officially become a liability. Good to know.”

“You’ve been a liability since day one.”

“Wow. You’ve been holding onto that one, huh?”

“I’m simply stating facts.” Nanami picks up the bread, breaking off a piece, and takes a bite. The outer layer of cookie dough is crisp, and it melts on his tongue with just the right amount of sweetness.

Your lips press together, like you’re trying to fight off a smile. “So?”

Nanami chews, swallows, and nods once. “Acceptable.”

“Oh, shut up. You love it.”

He says nothing, merely covers up the bread with the butter paper once more and places it next to his coffee once more. You look pretty today, he thinks. You’ve recovered from yesterday’s series of meetings. You’re smiling more. It might turn out to be a good day after all. Nanami doesn’t allow himself to linger on the thought. He reaches for his coffee, taking a sip, while you return to your documents, flipping a page with a little too much force.

“You have a meeting at ten,” he reminds you.

“I know.”

“And a working lunch with Legal.”

You make a noise of protest. “Not the suits. Again.”

“They have concerns about the expansion,” Nanami says mildly.

“They always have concerns.” You sigh, tilting your head back against your chair. “I swear, they enjoy making my life difficult.”

Nanami hums noncommittally. It’s not an argument he’s inclined to entertain—mostly because he knows you’ll win, and you’ll be smug about it. Instead, he glances at his watch. “You have exactly ten minutes before the executive team starts pestering me about your whereabouts.”

You make a face, dropping your folder onto your desk with a soft thud. “Can’t I just—skip?”

Nanami gives you a look. You groan and stretch your arms above your head, letting out a soft sigh before reaching for your pen. He watches as you jot something down in the margins of your notes. You’re still tired, he realises. Maybe not visibly, not in the way you were yesterday, but he sees it. The way you rub your temple when you think he isn’t looking, or the way your posture shifts just slightly when you exhale. It’s ridiculous, really, how attuned he is to you.

He clears his throat. “I rescheduled your two-thirty to tomorrow.”

You blink at him. “Why?”

“Because you’ll need the break.”

You purse your lips, considering this, and for a second, he thinks you’ll argue. But then, to his quiet surprise, you nod. “...Okay.”

The ten o’clock meeting is exactly as tedious as Nanami expects it to be. The executive team drones on about projections and budget allocations, with at least three separate tangents about “synergy” and “maximising operational efficiency.” Nanami watches as you nod along at all the right moments, feigning interest while you fiddle with your pen. He knows you’re not actually absorbing any of it—your attention is already elsewhere, likely preoccupied with the looming meeting with Legal. 

(He knows this because, at one point, you doodle a tiny stick figure on the margins of your notes. When the CFO asks for your thoughts, you barely miss a beat before delivering a perfectly rehearsed response.)

When the meeting ends, he follows behind you. You stretch discreetly, rolling out your shoulders, and when you glance at him, your expression is a silent plea for mercy.

Nanami sighs. “Stop looking at me like that.”

“Like what?”

“Like you expect me to spare you from your next obligation.”

“But you could,” you say, all mock innocence.

“I won’t,” he answers.

You heave a sigh. “You’re heartless.”

“I’m efficient.”

“Same thing.”

“You have twenty minutes before your next meeting,” Nanami says instead. “Eat something.”

“Okay, boss.”

Your secretary rolls his eyes. “You’ll thank me later.”

You do, albeit reluctantly. The legal team’s working lunch is predictably dull, full of jargon and contingency plans and hypothetical risks that you pretend to take notes on. At some point, you throw Nanami a look so filled with unspoken suffering that, if he were a softer man, he might have pitied you. 

See? your expression seems to say over the rim of your coffee cup, eyes flat with boredom. This is my suffering.

Nanami lets his mouth twitch upwards. You’ll survive.

You don’t know that. You narrow your eyes at him.

You do survive—just barely—through an hour of suffocating legalese, sitting through discussions on compliance policies and liability frameworks with a blank notepad and polite nods. You haven’t written anything down except Help me in the margins, which Nanami had caught a glimpse of when you’d shifted the notepad slightly. When the meeting finally, mercifully, ends, you slump back in your chair, stretching your legs out beneath the conference table with an exaggerated groan.

“I deserve a reward for making it through that,” you mutter.

Nanami flips through his schedule. “Your reward is not getting sued.”

“That’s a terrible reward,” you retort, scrunching your nose.

“It’s an important one.”

“You’re no fun, you know that?” you say, but there’s no real bite to it. Just annoyance, not directed at him.

“I do,” Nanami says, without missing a beat.

You huff a soft laugh, shaking your head before pushing yourself to stand. He follows suit, gathering his notes. It’s only when you step out of the conference room that he notices it again—the way your fingers tap absently against your arm, the slight crease in your forehead.

You’re preoccupied. Not just with work—no, he’d recognise that kind of stress easily. This is something else.

Nanami doesn’t pry. He never does. If you wanted to talk about it, you would. But when you step into the elevator and don’t immediately pull out your phone or launch into complaints about Legal, he speaks before he can stop himself. “What’s on your mind?”

You turn to him, mildly surprised. “What do you mean?”

“You’ve been distracted all morning,” he says evenly.

“It’s nothing serious,” you say, a little softer than usual. “Just… something personal.”

That’s more than he expected you to admit. Nanami nods. He doesn’t push further or demand an explanation, but he asks, “Do you need anything?”

“I—” Your fingers still against your arm. “No. I’m fine.”

Nanami Kento doesn’t believe in prying. He’s spent years making sure the lines between professional and personal stay intact, clean and neat. You, however, have spent just as long ignoring those lines completely. He could leave it at that. Should, probably. It’s not his place to push, not when you so rarely let people in. But the problem is, he knows you too well—or, at least, better than most. He knows you well enough to recognise when you’re on the verge of running yourself into the ground, or to see through the half-hearted distractions you use to keep yourself from thinking too much.

The elevator doors slide open, and you step out first, wringing your hands like you’re physically squeezing out whatever was on your mind. He doesn’t comment when you pick up your pace, diving headfirst back into work as though you were never distracted in the first place.

It’s strange, he thinks, this feeling that lingers in his chest as he watches you settle back behind your desk. He’s always known his role in your life. He’s your secretary, your buffer against boardroom politics, the person who keeps your world running just a little more smoothly. He arranges your meetings, reorganises your schedule, and reminds you to eat when you’re too caught up in your work to remember.

Still. 

There are moments like these—moments where the boundary blurs, where the concern twists into something deeper. Moments where he finds himself wanting to do more than just keep you organised. 

It’s a dangerous thought, one he has no business entertaining, so he doesn’t.

Nanami Kento is not a morning person. He is, however, a responsible person, which means he is usually awake at a reasonable hour, even on weekends. Today is no exception.

His apartment is quiet, save for the rhythmic ticking of the clock on the wall—the minute hand inches towards 7:42 A.M—and the occasional rustle of a turning page as he reads. A fresh cup of coffee sits within reach, steam curling lazily into the air. It’s black, strong, and exactly the way he likes it—no unnecessary sweetness, no frills. This is how he prefers to spend his time off: A slow morning, a good book, and silence.

Then his phone buzzes. Nanami glances at the screen, frowning slightly at the name that appears. You. He sighs, already feeling a headache coming on. Nothing good ever comes from you calling him on a weekend. Or at all, really. 

Still, he picks up. “What?”

For a moment, there’s nothing but silence on the other end. Then he hears you take in a breath, like you’re working up the nerve to speak. “Hey, um— Are you busy?”

“It’s my day off.” Nanami closes his book and leans back in his chair, his fingers pressing against his temple.

“I know,” you say quickly. Your voice sounds a little different—softer, almost unsure. That alone puts him on edge. He isn’t used to you hesitating. “That’s… actually why I called.”

His frown deepens. He recognises this setup. This is how people sound right before they ask him for something. Nanami shifts the phone to his other ear, already resigned. “What do you want?”

“Okay, first of all,” you say, defensive already, “I resent the implication that I only call you when I need something.”

“That is the only time you call me.”

“...Okay, fine. That’s fair.”

Nanami sighs again. He swears he isn’t the sighing sort of person, but you seem to bring out sides of him he never knew existed. “What is it?”

There’s another pause, longer this time. He hears the faint sound of movement—maybe you shifting your weight, maybe you fidgeting. He almost rolls his eyes. 

“There’s a flea market today,” you say, but there’s something different about the way you say it. Your voice is notably quieter, almost hesitant. “I, um… I wanted to go, but I don’t really have anyone to go with.”

Nanami stills. You? Hesitant? You, who has no problem bossing him around at work, who never hesitates to demand his time and attention, shy about asking him for a favour? Something about the way you say it makes his chest unfurl with warmth.

“So,” you continue, voice uncertain in a way he isn’t used to, “I was wondering if maybe you’d wanna come with me?”

Nanami doesn’t answer right away. He could say no. In fact, he probably should say no. It’s his day off, and he has no interest in spending his weekend surrounded by noisy crowds, looking at secondhand trinkets he doesn’t need. 

He exhales, already regretting this. “What time?”

“Be ready in an hour?” you ask hopefully. “Dress casual. But, like, not too casual.”

“I’m hanging up now,” he says.

“Wait—”

Nanami places his phone down on the table and stares at his coffee like it has personally betrayed him. How did this happen? One moment, he’s enjoying his peaceful morning. The next, he’s been roped into spending his day off at a flea market. It’s fine. He can handle this. He just needs a plan.

Best Case Scenario (Highly Unlikely): You’re already waiting outside when he arrives. You haven’t made any impulse purchases within the first ten minutes. You respect his personal space. You finish browsing in a reasonable amount of time, and Nanami returns home with his sanity intact. (This is about as likely as Gojo Satoru from HR suddenly developing the ability to stay awake for longer than five minutes during important meetings.)

Most Likely Scenario (Unfortunate but Expected): You’re ready, but you’re too excited. You get distracted by every shiny object at the market. You see a vintage typewriter and suddenly develop an unrealistic dream of becoming a novelist. You haggle dramatically over an item that costs the same as a cup of coffee. He ends up carrying all your bags.

Worst-Case Scenario (God Forbid): You’re waiting outside, but you’ve already made three online purchases while waiting. You spot a tarot card reader and decide he needs his fortune told. You find a vintage sword and somehow convince him to buy it. He loses you in the crowd and considers leaving you there. He doesn’t. (Unfortunately.)

Nanami arrives exactly on time, at 8:42 A.M, dressed in a dark olive button-up with the sleeves neatly rolled to his elbows, paired with well-pressed slacks and his usual leather shoes. His watch glints under the afternoon sun as he adjusts his glasses, scanning the crowd until his gaze lands on you.

You’re waiting near the entrance, shifting your weight from foot to foot with barely contained excitement. You’re wearing a breezy sundress, the colour bright against your skin. A canvas tote hangs from your shoulder. You rock onto your toes when you spot him, waving as if he might somehow miss you in the small crowd. Nanami sighs. You look pretty, he thinks, but when has he ever not thought so?

Just like that, Nanami Kento finds himself being led—against all better judgement—towards the market, where the streets are lined with stalls draped in colourful awnings, and the scent of saffron and cherries mingles in the air. Vendors call out their wares, old books are piled up in uneven stacks on wooden crates, and delicate silver necklaces and earrings gleam in glass cases. Somewhere, a musician plays a soft tune on a violin, the notes drifting through the air like the slow unraveling of a ribbon.

You walk slightly ahead, turning back every so often to ensure Nanami is still there, as if he might bolt at the first opportunity. How stupid of you. As if he’d go anywhere else. The man doesn’t miss the way your shoulders are loose, the way you no longer hold tension in your frame like a coiled wire. This is why weekends exist, he supposes.

When you reach a stall selling secondhand books, you stop abruptly. “See? This is nice,” you say, running a finger along the worn spine of a novel. “Better than sitting in a meeting with Legal.”

Nanami hums. His gaze is on you. You pick up a book with a cracked leather cover, flipping through its yellowed pages. Then, suddenly, you turn to him, holding it up.

“Tell me,” you muse, lips curving. “Have you ever been wooed in a flea market before?”

He blinks. “I don’t think so.”

You clear your throat and read aloud: ‘...and he regarded her with a most admiring countenance, struck by the quickness of her wit and the sharpness of her tongue…’

Nanami crosses his arms as you hold the book open like a scholar about to present a groundbreaking thesis. The corners of his lips twitch, but he schools his expression into something neutral. “Is that so?”

You nod solemnly. “A most admiring countenance,” you repeat, tapping the page. “That’s what it says. I think that’s a very poetic way of describing how you look at me all the time.”

He looks at you, ready to say something horrifically stupid, probably, but then you grin, mischief shining in your eyes, and he shakes his head with a quiet sigh. “You do realise that’s from a romance novel.”

“Oh, I’m very aware. I just thought, maybe, if I read enough passages, you might be so swept away by the romance of it all that you’ll fall madly in love with me.”

There it is. That ridiculous, absurd, entirely unserious thing you do—teasing him just enough to see if you can get a reaction. Nanami knows this game well.

“Hm.” He tilts his head slightly, his voice even. “And if I say it’s working?”

You blink. For once, you don’t have a quick-witted reply. Your fingers tighten around the book as you search his expression for something—anything—to indicate that he’s joking. But Nanami is frustratingly unreadable, his gaze steady, the sunlight catching the sharp planes of his face.

You shift, looking back at the book. “Then I’d say I need to find more material,” you mumble. “Something more compelling.”

He chuckles, amused at the way you retreat when met with your own words. “Of course.”

You huff, flipping through the pages again. He watches as your fingers dance over the old paper, as you scan each line with an almost childlike curiosity. There’s a sort of reverence in the way you handle books, as if each one holds a tiny universe inside. Nanami understands. He takes a step closer, just enough to catch the scent of your perfume—light, familiar. You’re so engrossed in your search that you don’t even notice. 

“This one’s nice,” you murmur, tapping another passage with your fingertip before reading it aloud. “‘To be looked at with such devotion… it is a wonder she could bear it at all.’ Sounds familiar, doesn’t it?”

Nanami doesn’t say anything. He reaches into his pocket and pulls out his wallet. 

You brighten instantly. “So you are being wooed.”

He hands over a few bills to the vendor without acknowledging your comment. “Just buy the book.”

You chew on the inside of your cheek, barely holding back a laugh, before placing the book inside your tote bag. Your fingers brush against his briefly—just the lightest touch, gone too soon. The transaction is done, and the book is safely tucked away, but Nanami doesn’t know why his mouth suddenly feels too dry, or his clothes feel too warm.

“You’re a very easy target,” you say, tilting your head up to look at him.

“Enlighten me.”

“Well, for one, you act all stern and no-nonsense, but you just bought a book because I read one romantic passage out loud. That, Nanami, is the behaviour of a man who is, against his better judgement, deeply susceptible to my charm.”

Nanami doesn’t dignify that with a response. Instead, he turns and starts walking down the narrow aisle between the market stalls, knowing full well that you’ll follow. You fall into step beside him. “Hey, I wasn’t done talking.”

“I know.”

“You’re so rude.”

“You’ll live.”

You roll your eyes and he lets you get distracted by the next few stalls—one selling mismatched ceramic mugs, another displaying old postcards with faded ink scrawled across them. You pause at a stall selling silver jewelry, fingers trailing over delicate rings arranged on a velvet-lined tray.

Nanami watches, hands in his pockets, as you try on a ring, twisting it around your finger before putting it back. “Not getting one?” he asks.

You shrug. “I don’t know. I like the idea of having one, but I don’t think I’d wear it often enough to justify it.”

He glances at the tray, his gaze settling on a simple silver band. He briefly considers buying it for you, but the thought unsettles him for reasons he doesn’t want to examine too closely. He says nothing and waits for you to move. 

You wander through the market together, stopping here and there—laughing when you find a truly heinous painting of a cat, nudging Nanami when you spot a tarot reader just to see his reaction, groaning dramatically when he refuses to let you buy a vintage sword. (He doesn’t trust you with a sharp object. This is a reasonable stance, he thinks.)

By the time the afternoon sun hangs high, painting the streets in gold, Nanami finds himself carrying a small bag of your purchases despite his earlier aversion—not because you asked, but because, without thinking, he took it from you when your hands were full, and somehow, neither of you mentioned it.

Nanami Kento is brushing his teeth, already halfway through his night routine, when his phone buzzes against the bathroom counter. He considers ignoring it—nothing good ever comes out of late-night calls—but then he sees your name flashing on the screen, again. He closes his eyes. He spent half the Saturday with you at the flea market. It’s a Sunday night, and he’s already thinking about the miserable Monday morning waiting for him. He doesn’t need whatever nonsense you’re about to tell him. Still, he picks up the phone.

A sigh leaves him, muffled by the toothbrush in his mouth. He spits, rinses, and presses the call button. “What?”

“Nanami,” you say, pathetically slurred.

“Oh, for God’s sake.”

“No, listen, listen,” you insist, voice wobbly. “I have—a problem.”

“Of course, you do,” Nanami says. “Where are you?”

“At home.” There’s a rustling sound on the other end, like you’re rolling around on a couch, or maybe tangled up in a blanket that you don’t have the coordination to escape from. “I made it home all by myself. I think that’s really impressive. You should say you’re impressed.”

“I’m not.”

“You’re so mean,” you whine. Then, lower, in a voice so pitiful he almost snorts, “I think I’m dying.”

Nanami checks the time. 10:34 P.M. He should tell you to drink some water and go to sleep. He should just hang up. From the other end of the line, you let out a tiny, miserable noise. It’s barely a sniffle, more like a small whimper of distress—pathetic, and fleeting, but it sits wrong with him. He stands there for a moment, staring at his own reflection in the bathroom mirror, waiting for the irritation to take over. It never does.

Instead, his eyebrows furrow in something that isn't quite a frown, but close enough. Then, he grabs his coat. If he leaves now, he can reach your apartment in twelve minutes, fifteen if traffic is bad.

Your apartment is unlocked when he gets there. Nanami pushes the door open, stepping inside and toeing off his shoes. He barely has the time to take in the mess—your shoes kicked off in two completely different directions, your bag lying lifeless in the middle of the floor, clearly dropped mid-stride—before you come stumbling out of the kitchen, gripping a glass of water like it’s the only thing keeping you tethered to this world.

“You came,” you breathe, eyes wide. “My saviour.”

He frowns. “Why is your door unlocked?”

You wave a hand, dismissive. “It’s fine.”

“It’s not fine.”

“Why are you mad?” You blink at him, wobbling slightly where you stand, and tilt your head like he’s the one being unreasonable.

Nanami presses his lips into a thin line. Instead of answering, he reaches out to flick you on the forehead. You yelp, nearly dropping your glass. “That’s for being careless.” He folds his arms. “How much did you drink?”

“Mm. Enough.”

“That’s not an answer.”

“Enough to want to die, but not enough to actually die,” you clarify, solemn. “Does that help?”

“No.”

You snicker at his flat tone, but it quickly turns into a hiccup. Eyes wide, you slap a hand over your mouth, until you relent and start giggling uncontrollably. Nanami watches you, expressionless. He has never been more tired in his life.

Without another word, he moves past you and into your kitchen. “Sit down. I’ll make you something to sober up.”

“I don’t wanna sober up,” you whine, trailing after him.

He eyes you critically, pulling open a cabinet in search of honey and ginger. “What’s your excuse for getting drunk this time? Another friend’s birthday party?”

You snort. “Don’t be silly, Nanami. You’re the only friend I have.”

He stills. You blink at him, swaying slightly. He ignores the warmth creeping up his cheeks, and tells you to sit down before you fall over. You huff, but oblige, dragging a chair out and collapsing into it. Your head flops onto the counter, cheek squished against the cool surface. “You’re kinda good at this,” you mumble.

Nanami doesn’t bother looking at you as he fills the kettle. “It’s just tea.”

“No,” you say, voice thick with something close to admiration. “Like. Taking care of people.”

His hands still for a fraction of a second before he returns to slicing ginger. He doesn’t acknowledge your words, but something in his chest twists. It’s not like it’s hard to take care of you—you stumble through life with the kind of reckless abandon that practically demands someone step in before disaster strikes. He glances at you. Your arms are folded under your head, body lax, but your eyes are distant, slightly unfocused.

He asks, “What happened?”

You blink sluggishly, turning your head just enough to look at him. “Huh?”

“You don’t drink like this for no reason,” he says. “What happened?”

Your lips purse. You look like you’re debating whether to brush him off or tell him the truth. Then, with a hiccup and sniffle, you mumble, “My parents want me to get married.”

“What?” 

Your nose wrinkles, like the very thought is giving you a headache. “It’s stupid,” you grumble. “They want me to meet some guy, settle down, be stable or whatever. Like that’s something I can just do.” You lift your head slightly, eyes glassy, lower lip wobbling. “I don’t wanna get married.”

Nanami swallows. There’s something painfully childlike in the way you say it, as if you’re afraid of being forced into something you can’t escape from. Your face is flushed from the alcohol, but your expression is unguarded. He could be rational about this—tell you that you don’t have to do anything you don’t want to, that it’s your life. But he knows that’s not what you need right now.

Instead, he reaches out, pressing his palm against the top of your head, warm and steady. He hears your sharp intake of breath.

“You don’t have to get married if you don’t want to,” he says, voice quiet but firm. “No one can make you.”

You stare up at him, wide-eyed. The room is still. The only sound is the quiet whistle of the kettle coming to a boil. Then, like a switch has flipped, you sniffle, rubbing at your nose with the sleeve of your sweater. “You’re so nice to me, Nanami.”

“I really am.”

“I should marry you,” you say seriously.

He pulls his hand back immediately. “Absolutely not.”

“Why?” you say, lips quirking into a lazy grin. “You afraid you’d fall in love with me?”

Nanami levels you with a flat look. “I’m afraid you’d forget that we ever got married in the first place.”

You cackle, unbothered, and he shakes his head, exasperated. The kettle clicks off. Nanami turns back to the counter, pouring the hot water into a mug. He stirs in the honey and hears you sigh behind him.

“I mean it, though,” you say, softer now. “I don’t wanna get married. Not to someone I don’t love, or ‘cause my parents think I should.”

Nanami glances at you over his shoulder. Your face is half-hidden behind your arms again, but your eyes are clearer now, a little more serious despite the alcohol buzzing through your system. He walks over, setting the tea down in front of you, and says, “Then don’t.”

You blink up at him again. He nudges the mug towards you, and you wrap your hands around it, staring down at the amber liquid. 

Nanami inhales slowly. “Now drink your tea and go to bed.”

You hum, blowing gently on the surface before taking a sip. Then, peeking up at him through your lashes, you say, “Will you stay?”

He hesitates. It’s late. He has work tomorrow. You have work tomorrow. But when he looks at you—tired, drunk, a little lost—he knows he won’t be able to leave until he’s sure you’re okay. “...I’ll stay until you fall asleep.”

You smile sleepily, satisfied, and take another sip of your tea.

The board votes. 

Salt-and-Pepper calls it. Wire-Rimmed Glasses raises his hand first, the corporate equivalent of a teacher’s pet. Charcoal Pants follows, though his fingers twitch with uncertainty. Nepotism Baby—who has been thoroughly checked out for the past forty-five minutes—glances up from his phone just long enough to nod vaguely before going back to whatever meaningless app he’s scrolling through. Nanami watches you from the corner of his eye. You don’t move.

Salt-and-Pepper looks pleased. “Well, that’s that. We’ll move forward with drafting the initial—”

“Wait,” Secret Tattoo from Marketing cuts in. “Are we seriously doing this?”

Salt-and-Pepper’s eyebrows rise, as if he hadn’t expected resistance. Foolish of him. “Is there an issue?”

An issue? Oh, where to begin. Your fingers drum once, twice, against the table. “Zen’in Industries.” You say it like you’re testing the words, rolling them around in your mouth to see if they taste any less like poison. “That’s the best we could do?”

Wire-Rimmed Glasses adjusts his frames. “They’re the most viable partner given the timeline.”

“That’s debatable.”

“The most viable approved partner,” Salt-and-Pepper clarifies. “We’ve reviewed the alternatives.”

“You reviewed them wrong,” Flower Bandana mutters under her breath.

Secret Tattoo leans back in her chair, arms crossed. “I don’t like it either.”

“This decision was made with careful consideration,” Salt-and-Pepper says. His left eye twitches, and he turns back to you. “Miss CEO, while I understand your concerns, business decisions must be made pragmatically, not emotionally.”

Translation: Suck it up and sign the damn papers.

You tilt your head. “Right. And pragmatism is why we’re aligning ourselves with a company whose leadership has been, let’s see, sued five separate times in the last decade for fraudulent business practices, labour violations, and—oh, my favourite—potential ties to organised crime?”

Wire-Rimmed Glasses clears his throat. “Those cases were dismissed.”

“They barely avoided a federal indictment,” you say.

Nepotism Baby suddenly chimes in. “Zen’in’s big. They’ve got resources.”

Nanami resists the urge to sigh. Yes, genius, that’s how companies work. You shoot the boy an unimpressed look, and say, “They also have a history of—how do I put this politely—being absolutely terrible.”

Charcoal Pants shifts uncomfortably. “That’s a bit—”

“Am I wrong?”

Secret Tattoo raises a hand. “Would now be a bad time to remind everyone that they also had an entire warehouse shut down for safety violations?”

“That was an isolated incident,” Wire-Rimmed Glasses says.

“Was it?” you ask. “Because my notes say it happened twice.”

Nepotism Baby leans towards Wire-Rimmed Glasses. “Wait. Twice?”

Salt-and-Pepper clears his throat. “Miss CEO, I assure you—”

“No, really, help me understand.” You lean forward, elbows on the table. “Because last I checked, we weren’t in the business of giving ethics violations a seat at our table.”

“This partnership will allow us to expand at a rate we can’t achieve alone.”

“Uh-huh. And remind me again, what’s the exact rate we’re aiming for? Because if you’re simply going to say something like, faster than usual, I feel like there are other ways to do that. Like, I don’t know, hiring more people. Investing in R&D. Not selling our souls to a family that definitely has bodies buried somewhere.”

Nepotism Baby looks even more alarmed. He leans back towards Wire-Rimmed Glasses. “Wait. Bodies?”

“Metaphorically,” Charcoal Pants says weakly.

You click your tongue. “Probably.”

“The decision has been made.” Translation: Sit down and deal with it. Salt-and-Pepper’s patience has officially run out. Flower Bandana shakes her head. Secret Tattoo mutters under her breath about corporate bootlickers.

Your fingers curl around the pen in front of you. Nanami, ever the observer, sees it immediately—the way you stiffen, the way your expression shutters, before you school it into something blank. “Fine,” you say coolly. “If that’s what the board wants.”

Salt-and-Pepper nods, pleased. “I’m glad we could come to an understanding.”

The meeting adjourns. The board members leave. Salt-and-Pepper sniffs condescendingly in your direction before stepping out. Nepotism Baby stretches, lets out an obnoxiously loud yawn, and wanders off. Charcoal Pants moves quickly, as if afraid you might call him back, and Wire-Rimmed Glasses follows him. One by one, they filter out, until the conference room is empty, save for you and Nanami.

Your fingers uncurl from the pen you’ve been gripping so tightly that there are deep grooves in your skin. You set it down. Tilting your head back, you stare at the ceiling for precisely three seconds before letting out a single, humourless laugh.

“Well.” Your voice is calm, but only barely. “That was fucking awful.”

“You handled it well,” Nanami says.

You let out a breath, somewhere in between a scoff and a sigh. “I shouldn’t have had to handle it in the first place.”

That’s fair, he thinks. You drag a hand down your face as if trying to smother the frustration bubbling just beneath your skin. It doesn’t work. “I knew they’d pull something,” you mutter, “but Zen’in? Of all the goddamn companies in the world, they want them?”

“It’s a strategic decision.” He knows it’s not what you want to hear, but he says it anyway. 

You drop your hand and turn to him. “Say that again, and I’ll replace you.”

“I’m only pointing out the obvious.”

You sigh, but don’t argue. You both know the board sees nothing but numbers, nothing but projections and timelines and carefully-worded justifications. They don’t care about anything outside the bottom line. 

“I don’t want to work with them, Nanami,” you admit.

He already knew that. But hearing you say it—softer now, tired—settles something heavy in his chest. He doesn’t like it. “You won’t do it alone,” he says simply.

Your lips twitch upwards, but it doesn’t quite reach your eyes. “Okay.”

“Okay.”

You study him, searching for something, but whatever you find must be enough, because you sigh and push yourself up from your chair. “Guess we’re stuck with this mess, then.”

“Seems that way.”

“If I’m suffering, then you’re suffering with me.”

“Unfortunate,” Nanami says, but he knows you know he doesn’t mean it.

You guffaw, tension easing—slightly. He can tell it’s still there, simmering beneath the surface. He’s still thinking about it, watching you as you head for the door. He sees the way your jaw is set too tightly, the way your shoulders are stiff. You’re angry. Not just irritated, not just frustrated—angry. It’s not just about the board’s incompetence. It’s Zen’in Industries.

“Let’s get something to eat,” Nanami says.

“God, Nanami. Are you asking me to lunch?”

He stiffens slightly at your teasing, but he doesn’t say anything. He just walks past you, already heading to the elevator. You laugh, falling into step beside him.

At lunch, you pick at a Greek salad with disinterest, stabbing a piece of feta cheese with your fork. The restaurant is a nice place—not overly extravagant, but tasteful in a way that suits Nanami’s particular preferences. He hadn’t put much thought into where to take you. He just needed to get you out of that boardroom. 

Now, though, as he watches you pick apart your salad, he wonders if it even helped.

You roll an olive on your plate with your fork. Across from you, Nanami takes an absent sip of his lime soda, only half paying attention to the taste. The silence is not uncomfortable, but he feels awkward regardless. He should be focused on the partnership, on the logistics, on the long list of ways this shouldn’t be as much of a problem as you’re making it out to be. But instead, his mind drifts.

To you.

To your sharp edges and sharp tongue, to the way your expressions flicker just a little too fast sometimes, as if you’re trying too hard to rein yourself in. To the way you are so painfully aware of everything around you: Every person in a room, every slight shift in tone, every implication buried in corporate jargon.

You are, objectively speaking, a brilliant CEO. Ruthless when you need to be, charming when it suits you, but most of all, uncompromising. Yet, when it comes to this—when it comes to Zen’in Industries—your anger is not just professional. It is personal.

Nanami doesn’t like personal. Personal is messy. Personal gets in the way of logic, of utilitarianism, of clear-cut and efficient decisions.

He tells himself that is why he is still thinking about this. Not because the tightness in your shoulders makes his chest ache. Not because he has never once seen you almost falter the way you did today. Not because he has spent the past half-hour cycling through every possible reason for your reaction and coming up empty.

No, he tells himself, it is because this is a complication he cannot account for, and that is what bothers him.

You press your fork into the olive, just enough to puncture the skin. Then, so casually, you might as well be commenting on the weather, you say, “Did you know that I was in a relationship with Zen’in Naoya?”

Nanami freezes. His brain—normally so methodical, so efficient—comes to a screeching halt. There is no quick calculation, no immediate strategy to deal with this information. There is only the sound of your voice, so stunningly normal in its delivery, juxtaposed against the implication of the words themselves. His grip tightens around his glass of lime side. He doesn’t set it down or react outwardly—but he shifts in his seat.

Zen’in Naoya.

He knows the name well. Anyone even remotely involved in business does. He is a member of the Zen’in family—one of those Zen’ins. A man with power, influence, and a reputation that precedes him. Not for anything good, either. Nanami has never met him in person, but he’s read enough and heard enough to know that he would not want to.

He finally sets down his glass. For once, Nanami Kento does not immediately know what to say.

“Nothing to say?” you ask lightly.

Nanami studies you carefully. You are not looking at him, but he recognises this version of you—the one who pretends you’re fine, who deflects with indifference. The one who would rather fill the silence than allow it to become suffocating. 

“You never mentioned that before,” he says slowly. It is not a question; just an observation.

You attempt to smile, but it comes out more like a grimace. “It never came up.”

Nanami is many things, but he is not stupid. The warble in your voice, the way your fingers tighten ever-so slightly around your fork—this is why you were so angry in the meeting. This is why you stiffened at the mention of the Zen’ins, why you dug your heels in so hard. He should have realised it sooner.

He breathes out slowly. “And now it has.”

“Yes,” you say simply. “Would you like me to tell you about our first date?”

Nanami does not react. He makes sure he sounds neutral when he answers, “No.”

You hum, feigning disappointment. “It was terribly boring, anyway. He took me to some overpriced restaurant with a six-course meal, and every single dish had foam in it.”

Nanami ignores the way his stomach twists at the thought of you on a date with someone like Naoya. It is illogical. Unnecessary. 

“I was nineteen,” you continue. “Very stupid. I thought I knew everything. He was older, and it seemed impressive at the time. He said all the right things. I was easily impressed back then.”

Nanami’s fingers curl against the table. Back then. As if there is a before and after to who you are. He doesn’t like the insinuations of that. “You’re not now,” he says.

“No, I guess not.” For the first time in the conversation you look up at him. Nanami does not look away. You lean back in your chair and say, “So, now you know.”

Now he knows. Nanami doesn’t know what to do with that knowledge. It sits uncomfortably in his mind, wedged there like a stubborn wooden splinter. For now, he does the only thing he can do. He nods, takes another sip of his lime soda, and says, “Eat your salad.”

You laugh. It’s a short huff, but it almost makes Nanami smile.

 “Miss CEO,” one of the Zen’in representatives—a wiry, balding man who sweats too much—says, visibly struggling to remain polite, “surely you understand that our current offer is more than fair.”

“Fair,” you echo, as if testing the word on your tongue. “That’s an interesting way to put it.”

Nanami—who has spent the last three weeks enduring these negotiations—already knows where this is going. He resists the urge to sigh.

“Would you care to elaborate?” Balding Man asks. He keeps his tone professional, but there is an undeniable sense of annoyance in his eyes. Nanami takes a deep breath. You, however, smile.

“Well,” you say. “I just think it’s funny—”

Oh, no. Nanami shuts his eyes for a brief moment, pressing his fingers to his temple. He has heard you say this exact phrase at least five times this week, and every time, what follows is never actually funny. It is, usually, a goddamn nightmare.

Balding Man shifts in his seat. “Funny,” he repeats cautiously.

“Mhm,” you hum. “I just think it’s funny that, in your latest revision, you’ve somehow—” you tilt your head— “conveniently removed the profit-sharing clause we originally discussed. The one your team proposed, by the way.”

“That was an adjustment made to account for—”

“—what, exactly?” you interrupt, leaning forward slightly. “Because as far as I can tell, it was an attempt to quietly slip in a clause that benefits your side while offering absolutely nothing in return. Now, I’m sure that’s just a simple oversight, right?”

Balding Man opens his mouth, then closes it, then opens it again, like a fish flopping around outside water. Nanami watches this unfold with an increasing sense of frustration. 

You are doing this on purpose.

This is not a necessary discussion. The contract could have been finalised two meetings ago, but you have spent the last three weeks turning every single interaction into an exercise in endurance. You nitpick everything. You argue over semantics. You demand last-minute revisions on things that don’t even matter. At one point, you outright rejected a clause you had originally asked for—just to make them go through the process of re-drafting it. 

And because Nanami Kento is your secretary, he has spent most of his time smoothing things over before the Zen’ins lose their patience entirely. It is, frankly, exhausting.

“We can revisit that clause,” Balding Man says tightly.

“Oh, we will,” you say, with a delightfully insincere smile. “In fact, let’s go ahead and set up another review meeting.”

Nanami finally steps in. “That won’t be necessary,” he says, voice clipped.

Your head snaps to him so fast that he almost regrets speaking. Almost. 

“Excuse me?” Your voice is deceptively calm.

Nanami meets your gaze, unwavering. “Dragging out negotiations benefits no one.”

Balding Man exhales, muttering something under his breath. You, however, do not look impressed. Your fingers drum once, twice, against the polished surface of the table. “I wasn’t aware I asked for your opinion, Nanami.”

A sharp silence settles over the room. Nanami’s fingers curl into his palm. You do this all the time. You argue, you challenge, you push every meeting to its breaking point. When things spiral, he’s the one left cleaning up the mess. Now, when he finally intervenes, you’re mad at him? Fine.

Nanami sets his jaw. “I’m only saying what needs to be said.”

The corners of your mouth turn down—just a fraction—before you lean back in your chair. Without looking at him, you say, “Let’s wrap this up.”

Nanami doesn’t allow himself to feel relieved just yet, but at least you don’t push back any further. The rest of the meeting crawls towards a conclusion, with the Zen’in representatives clearly eager to be anywhere else. The moment the last pleasantries are exchanged, Balding Man all but scrambles out the door, leaving you and Nanami alone in the conference room. The silence is razor-thin, stretched taut like a wire about to snap.

“That was productive,” you say, standing up.

He closes the folder in front of him with a controlled snap. “It could have been productive three weeks ago.”

You don’t even look at him. “Tragic, isn’t it?”

He levels you with a stare, but you keep your attention on straightening the cuffs of your blazer, smoothing out imaginary wrinkles. The dismissal is blatant. His patience thins. “You’re making my job harder than it needs to be,” he says.

At that, you finally glance at him. “Then maybe you should stop getting in my way and embarrassing me in front of our collaborators.”

“I’m doing my job.”

“Are you? Because from where I’m standing, it looks more like you’re doing theirs.”

The words are like ice—controlled, but cold enough to cut. Nanami’s fingernails dig crescents into his palm. “You’re dragging this out for no reason,” he says evenly.

You hum, turning towards the door. “If you think that, then maybe you should stick to taking notes instead of giving opinions.”

That stops him in his tracks. You don’t wait for a response. You step out of the conference room without another glance, the steady click of your heels the only sound in the empty hall. Nanami exhales, fingers flexing at his sides. 

You’re shutting him out. If that’s how you want to play, so be it.

It starts with the coffee. Nanami always brings it to you in the morning when he reaches his desk at 8:31 A.M—black for him, a complicated order with enough sugar to kill a lesser man for you. He knows the exact amount of cream that you like, and the precise temperature it needs to be when you take your first sip. But the morning after the meeting, when he sets his cup down on his desk, there’s no second cup. He hears the slight pause in your typing when you notice. A small shift of paper against paper.

“Nanami,” you say.

He doesn’t look up. “Yes?”

“Did you forget something?”

He smooths his tie down over his chest, eyes still on his tablet. “I assumed you wouldn’t need my help with something so simple.”

There’s a long, brittle pause. He knows you’re looking at him. He can feel your eyes upon him from across the room. But he doesn’t glance up, doesn’t shift. Finally, you close the file in front of you with a muted snap and rise from your chair. Your heels click sharply against the floor as you pass him, pausing just briefly at his side. “Hope your schedule’s clear,” you say, voice like glass. “You’ll need to redraft the acquisition proposal by noon.”

“Fine.” His mouth tightens.

He retaliates with paperwork. Nanami knows exactly how to drown someone in administrative hell without breaking a sweat. The next morning, he leaves a neat stack of contracts, memos, and reports on your desk, all unlabeled. He knows you hate that. The revised budget is buried beneath the expense sheets, and the acquisition report—still missing a key section—has no notes attached. He hears the scrape of a chair, followed by the clipped sound of your heels striking the marble floor as you stalk towards his desk.

“Did you think this was acceptable?” you say, tossing the report onto his desk. Nanami’s hands are still on his keyboard. He doesn’t look up. “The section on profit restructuring is incomplete,” you add.

“I assumed you’d prefer to review it yourself,” he says, “since you were so insistent on final approval.”

“Correct it,” you say, voice low. “And put it on my desk by the end of the day.”

Nanami closes his laptop with deliberate care. “Of course.”

Meetings become a war zone. He starts cutting in before you’ve finished speaking. You return the favour without hesitation. One afternoon, during a strategy meeting, he hears you inhale and knows exactly what you’re about to say. “Actually—” he begins.

“I don’t need clarification,” you say flatly, not even looking at him.

“It’s important to avoid miscommunication,” Nanami says. His eyes flick towards you.

Your smile is thin. “Then stop talking.”

Nanami’s mood darkens. Balding Man, sitting across the table, looks like he’d rather fling himself out of the nearest window. Nanami doesn’t care. You’ve made it clear how little you care about his input. If you want to micromanage everything, he’ll stop bothering to clean up your messes.

He starts adjusting your schedule. Meetings appear on your calendar without explanation—overlapping appointments, double-booked sit visits, late-night briefings. At one point, you get a notification for an 8 A.M call with the accounting department, only to find out Nanami cancelled it an hour earlier. You stride into his office. He doesn’t look up from his tablet.

“I thought you handled scheduling,” you say.

“I must have misunderstood your preferences,” he says without inflection. “Since you’ve made it clear that you prefer to handle things yourself.”

You stare at him. He still doesn’t look up. Finally, you scoff under your breath and leave. Nanami watches the door swing shut, something sharp and pointed pressing into his chest.

Lunch becomes unbearable. You still sit together—out of habit, perhaps—but the silence is cutting. Nanami eats his neatly-packed bento with steady, measured bites; you stab aggressively at your pasta, tearing the penne apart like it’s personally offended you. Once, you push your tray an inch towards him and say, “Taste this.”

“I’m allergic to it,” Nanami says, scrolling through some news article on his phone.

“You’re not allergic to chocolate mousse.”

“I could be.”

You make a noise, sharp and irritated, and push the tray away. Nanami doesn’t look away from his phone. He feels the tightness in his shoulders. He hates this. He hates that you’re angry. He hates that he’s angry. Most of all, he hates that he can’t stop himself from pressing harder.

The final blow comes during a boardroom meeting. One of the department heads starts talking in circles, and Nanami—already at the edge of his patience—starts to cut in. “We already—”

“I think it’s important to clarify the terms,” you say smoothly, before he can finish.

Nanami’s gaze snaps to you. His eyes narrow. “There’s no need to clarify anything.”

“Just making sure,” you say, flashing him a bland smile.

Nanami closes his laptop with unsettling calm. You start gathering your papers. His hands curl into his lap. “If you want to manage everything,” he says quietly, “I’ll stop bothering to give input.”

You look at him; your eyes are ice when you say, “Maybe you should,” and walk out without another word. Nanami watches the door shut behind you. He clenches his jaw so hard, it begins to hurt. This is untenable, he thinks.

Nanami hears the clock ticking.

It’s past midnight, and the city outside the office windows glows faintly beneath the dark sky. The only light in the room comes from the soft, sterile glow of your laptops, casting cold shadows across the polished table. His tie is loose around his neck, and the sleeves of his dress shirt are rolled up to his elbows. Across from him, you sit with your laptop open, eyes fixed on the screen. Your hair is slightly disheveled. There’s an untouched cup of coffee beside you, gone cold hours ago.

It’s quiet, except for the sound of typing and the low hum of the air conditioning. Nanami reviews the document in front of him, trying to concentrate, but it proves to be a difficult task when his gaze keeps drifting towards you. He observes—the tightness in your jaw; the slight furrow of your brow; the way your fingers tap a little too hard against your keyboard. He knows you’re frustrated. You’ve been frustrated for weeks. So has he.

He hears the sound of a key sticking, followed by an annoyed exhale. “Fucking hell,” you mutter under your breath.

“You should take a break,” he tells you.

“I’m fine,” you snap.

Nanami sets his pen down. “You’re not fine. You’ve been working non-stop for—”

“I said I’m fine.”

He leans back in his chair, arms crossing over his chest. “Yes, clearly. That’s why you’ve been rereading the same page of that draft for the past thirty minutes.”

Your head snaps up. “I’m sorry, are you the CEO now?”

“Are you trying to sabotage your own company?”

“Oh, fuck off, Nanami.”

“Gladly,” he bites out, closing the folder in front of him. “Maybe then you can stop wasting my time.”

Your chair scrapes loudly against the floor as you push back from the table. “I’m sorry I’m such an inconvenience,” you say sharply. “God forbid you actually have to work for a change.”

Nanami’s expression darkens. His hands press flat against the table as he stands. “It’s not about the work. It’s about you actively making it harder for yourself—and for me.”

“And here I thought handling me was part of your job description.”

“I don’t mind doing my job,” he says icily. “I mind when you refuse to let anyone help you and then act surprised when things don’t go your way.”

“Then why don’t you quit?” you say, chin lifting. “If you hate working for me so much, why don’t you just leave?”

“Maybe I should.”

You suck in a breath sharply, shoulders tense, mouth tightening. Nanami knows he’s gone too far. He sees the flicker of hurt in your expression before you smooth it away.

“Do it, then,” you say coldly. “Walk out. It’s not like anyone’s forcing you to stay.”

You are, he wants to say. Because you are, whether intentionally or not. Nanami finds himself drawn to you, like a moth circling a very bright flame. If he was a sunflower, he thinks you’d be the sun. Nanami doesn’t say any of that. He steps towards you, walking around the table until he’s right in front of you. “Don’t—”

“Or what?” You smile, sharp-edged and bitter. “You’ll finally stop pretending to care?”

Nanami’s hands curl into fists. “Stop it.”

“Stop what?” you demand, turning away from him and bracing your hands on the desk. The papers underneath your hands crumple. “Stop trying to make sure my company doesn’t go fucking bankrupt, or stop—”

“I’m trying to help you—”

“No,” you say, breathless with rage. “You know asking for help means I can’t handle everything myself, and—”

“You’re so stubborn,” he says, finally. His heart hammers against his ribs. “You’re impossible to work with right now.”

“I am under pressure!” you yell, whipping around to face him. “You think I’m being difficult on purpose?”

Nanami stares at you, breathing hard. His hands brace against the table to keep from shaking. “Then what the hell is this?”

Your hands are trembling. Your eyes shine with something dangerously close to tears, but you don’t let them fall. “My parents are pressuring me to get married. And on top of that, I’m trying to close a deal with my ex’s company because of my stupid board of directors—never mind the fact that the Zen’ins engage in borderline illegal practices—and I have to sit across their representative and pretend I don’t know Zeni’in Naoya once tried to steal intellectual property from me. And the only person I trusted to be able to help me out has been treating me like a fucking liability.”

Nanami’s breath catches. “I’m not—”

“Then do something, Nanami,” and you sound pleading when you say it, and Nanami’s chest tightens.

You’re an anomaly in Nanami’s perfectly-structured, perfectly-planned out life. He has known this for a while, only he never acknowledged it until now. The thing is, Nanami thrives on order; on logic; on neat, clean lines and predictable outcomes. He works best when things make sense, when he can anticipate every possible outcome and adjust accordingly. He’s built his life around that certainty—disciplined and unwavering.

But there’s you.

You, who he can’t predict. You, who challenges him in every conversation, who barreled into his life with no premonition. You, whose moods shift so easily—stern one moment, playful the next, always just a little out of reach. You, a hurricane in the body of a woman. You, you, you. 

You are the only thing in his life that doesn’t fit into a box. And yet, somehow, you’re the only thing he doesn’t want to let go of. You barreled straight through his rib cage and settled deep down inside his unsuspecting heart, and he does not think he could pry you away, now.

Nanami breathes hard. His pulse is a frantic, erratic thing beneath his skin. It echoes in his ears as he stares at you—eyes flashing, chest rising and falling.

You’re close—close enough that he can see the tremor of your hands where they’re braced against the desk. Your mouth is parted and your breath is unsteady. There’s a flush creeping up your neck, and your eyes—God, your eyes—burn into him like they’re trying to carve him open from the inside out.

Nanami should step back. He knows this. He should take a deep breath and turn away before one of you says something you can’t take back. But his feet feel rooted to the ground. You look at him—really look at him—and whatever thread of control he’s holding onto snaps clean in two.

His hand moves before he can stop it, fingers brushing along the line of your jaw. Your breath hitches. You don’t pull away. He tilts your chin up, his thumb resting just beneath your lower lip, and your mouth opens slightly beneath his touch. His palm is warm, and then his hand slides to the back of your neck.

And then you’re moving—closing the distance between you without hesitation. Your mouth crashes against his, rough and desperate, and Nanami’s hand tightens at the nape of your neck as he kisses you back, hard.

It’s messy. Too fast, and too much. Your teeth catch against his bottom lip, and he exhales harshly, his other hand sliding down to your waist and yanking you forward until there’s no space left between you. Your fingers curl into the front of his shirt; you tug him down to you. His lips part against yours, and you deepen the kiss, all gasping breaths and frantic movements.

Nanami’s head spins. His hand slides beneath your blouse, finding the bare skin at the small of your back, and you shudder. You press closer, and he feels the quick, uneven flutter of your heart where your chest is pressed against his.

You break away first, just barely. Your breath ghosts against his mouth, shallow and ragged, before you lean in and kiss him again—slower this time, softer, but still aching with urgency. Nanami’s hand slips into your hair, his thumb pressing gently behind your ear as your lips part beneath his. You sigh into him.

Nanami knows he should stop. He knows he should pull back before this spirals out of control. But you breathe his name against his mouth, quiet and pleading, and Nanami’s resolve shatters.

He kisses you deeper.

Nanami doesn’t think—he’s past the point of rational thought. His hands slide down the curve of your waist, settling at your hips as he walks you backward, step by step, until the edge of the table presses against the back of your thighs. You’re breathless, flushed, lips swollen from his mouth. He watches your chest rise and fall, watches the slight tremor in your hands where they curl into his shirt.

His hands are on your thighs, lifting you effortlessly onto the polished surface. Papers scatter beneath you, forgotten, as his mouth trails down the column of your throat. His lips are soft, his breath hot against your skin, and you gasp when his teeth scrape lightly over the sensitive spot under your jaw. His hands are firm at your hips, sliding beneath the hem of your skirt as he coaxes your legs apart.

Your hands find his shoulders, clinging. He drops to his knees in front of you. His gaze lifts to yours, golden in the low light of the room. His hands slide down your thighs, spreading them wider, and his mouth curves slightly when he sees the way your breath shudders.

“May I?” he asks, a little bit hoarse.

You nod. “Yes,” you breathe out.

That’s all he needs. His mouth presses to the inside of your knee, trailing hot, open-mouthed kisses along the soft skin of your inner thigh. Your head tips back when his lips brush higher, his breath hot against the lace between your legs. He pulls your underwear aside with a tug.

“Look at you,” he murmurs, thumb brushing along your inner thigh. His breath hitches as he watches your slick shine between your folds, already glistening with arousal. His thumb traces the line of your slit, parting you with a slow, teasing drag. “So wet for me already.”

His eyes flick up to meet yours. “Did you need this that badly?”

You open your mouth to answer, but you shudder when his thumb presses against your clit, rubbing a slow, lazy circle. A broken sound escapes you, hips twitching towards his hand. Nanami hums in approval, and says, “I’ll take that as a yes.”

The first stroke of his tongue is slow, like he’s savouring the taste of you. Your thighs twitch, but his hands find purchase beneath them, anchoring you firmly against the table as his mouth works against you. His tongue flicks over your clit, and your hands fly to his hair, fingers tangling in the strands. He groans low in his throat, the sound vibrating against you as his lips close around you and suck.

“Oh, my God—Nanami—”

He hums against you, pleased. His tongue slides down, dragging through your folds before pressing back up to your clit. He’s focused, the same way he is with everything else—this time, though, his only goal is to make you feel good. His fingers flex against your thighs. Your hips jerk, but he presses you down with a firm hand. His mouth leaves you for half a second, just enough time for him to say, “Stay still.”

Then, he’s back on you, tongue sliding over you in slow, wet strokes. His lips close around your clit again, sucking softly before flicking his tongue over it until you’re gasping. Your thighs threaten to close around his head, but his hands keep you pinned open. 

“Nanami—Nanami, I’m—”

His mouth seals over your folds, tongue curling against you just right. Your back arches, a broken moan slipping from your lips. You sag against the table, breathless. Nanami presses one last kiss to your thigh before standing. His mouth glistens.

“Come here,” he tells you, and this time, he’s the one who sounds pleading.

He kisses you, hard and hungry, and makes sure you taste yourself on his tongue. 

Nanami’s breath is ragged when he pulls back. His hands slide down your sides, steady even as his chest rises and falls in quick, shallow breaths. He undoes his belt with one sharp pull, the metallic jingle ringing in the quiet room. The sound makes his cock twitch, already painfully hard from how wrecked you look beneath him—forehead beaded with sweat, lips swollen, legs still trembling from the way he just made you come.

He draws himself out, cock slapping against his abdomen. He wraps a hand around the base, and strokes himself once, slow. His cock is thick and flushed, the head glistening with precome. His jaw tightens. He’s already so close, but he wants to take his time. He wants to savour this—savour you.

“Are you on the pill?” he manages to ask.

You nod, desperate and frantic. “Yes, yes—fuck, please—”

“Bend over,” he says, voice low.

You hesitate for a second, blinking up at him through heavy-lidded eyes. But his hands are already on you, guiding you up and turning you until you’re facing the table. His palm slides down the curve of your back, pressing your forward until your chest is flush against the cool wood. His hand lingers at the nape of your neck, fingers threading through your hair as he leans over you.

“You’ll let me have you like this, won’t you?” His mouth brushes against the shell of your ear. “Spread your legs for me.”

You do, and Nanami’s breath stutters. His hands slide down to your hips, thumbs pressing into the soft flesh there as he pulls you open. His gaze drops to where you’re still slick from his mouth, the sight making his cock ache.

“Fuck,” he curses under his breath.

He lines himself up, dragging the flushed tip of his cock through your folds, coating himself with your arousal. He rubs the head against your entrance, teasing—but he’s barely hanging on himself. His cock throbs, and his grip on your hips tightens.

“Nanami—” you gasp out.

He sinks into you in one slow thrust. The stretch makes him moan, the tight heat of you wrapping around him inch by inch. His forehead drops against the back of your shoulder. He bottoms out, his hips pressing flush against you. “God,” he breathes, voice strained. His fingers curl against your skin, hard enough to bruise. “You’re so—”

He pulls back, almost all the way out, and then thrusts back in. You shudder beneath him. Nanami groans low in his throat. The sound vibrates against your skin as he sets a steady pace, hips rolling into you with each thrust. Each drag of his cock against your walls makes him see white behind his eyes.

“So tight,” he mutters, more to himself than you. His hand slides up your spine, spreading his fingers between your shoulder blades to press you down. His other hand grips your hip hard, holding you still. His cock stretches you open so perfectly that he can barely think straight.

He watches the way you take him—how you flutter around him each time he pulls back, how your legs shake when he thrusts deeper, how your eyes close and your lips part with pretty moans just for him to hear. He wants to see more. He slides a hand down to your front, his fingers finding your clit. He rubs quick circles, and the way you clench around him makes him hiss through his teeth.

“Nanami—” Your voice is wrecked, gasping, breaking.

“I know,” he says through gritted teeth. His thrusts quicken. His chest presses to your back as he leans over you. His mouth finds the side of your neck, and he sucks hard. “Let me—”

You come with a sharp cry, and the way you tighten around him makes his rhythm falter. His cock throbs as he fucks you through your orgasm, dragging out every last tremor. Your walls flutter around him, slick and hot and perfect. Nanami groans against your skin. His thrusts grow shallow and uneven, his breath ragged.

He comes with a low, guttural sound, hips pressed deep as he spills inside you. His hand stays on your hip. He presses his mouth to the back of your neck, groaning.

His breath is still ragged as he carefully pulls out, the feeling of his cum slipping out of you making his chest tighten. He slides a hand down your back, smoothing your hair away from your face as he leans over you.

“Stay there,” he murmurs, his mouth brushing against your shoulder. His voice is soft now, almost tender. “Let me take care of you.”

He tucks himself away, smoothing down his shirt before his hands return to you—lifting you gently from the table and letting you lean into his arms. “Nanami,” you say.

“Yes?”

“We’ve ruined all the contract papers.”

The office feels too quiet the next day.

Nanami sits at his desk, but his mind isn’t on the stack of reports in front of him. His pen hovers over the paper, unmoving. His thoughts drift back to last night. To you.

The way you looked beneath him, flushed with heat and trembling. The way your breath caught in your throat when he touched you. The sound of his name falling from your lips, breathless and perfect. Nanami exhales, trying to clear his mind. He pinches the bridge of his nose, but the memory clings stubbornly to the edges of his mind. His hands curl into fists. He should not be thinking about this—about you.

But it’s impossible not to. Especially when you’re right there.

He hears your voice before he sees you. He hears you let out a quiet laugh from across the room, the sound tugging at his attention like a thread pulled tight. His eyes lift automatically and he finds you standing at your desk, flipping through a folder with that little crease between your brows you always get when you’re focused.

You glance up, your gaze meeting his. Neither of you move, until you give him a small, polite smile and look away.

Nanami grits his teeth. His pen presses hard against the paper as he looks down, trying to will his pulse back to normal. Pathetic, he thinks.

He should be able to handle this. He’s an adult. A professional. He has handled far more serious situations with more composure than this. Every time you walk past his desk, his gaze follows you. Every time you speak, his attention hooks onto your voice like it’s a lifeline. His fingers itch to touch you—to brush a hand along your arm, to tip your chin up and steal a kiss.

It’s getting unbearable.

It’s not just the memories of last night that haunt him—it’s the aftermath. Because you’re acting… normal, and that’s the problem. You greet him the same way you always have. Your smile is the same. Meanwhile, Nanami is fighting for his life every time you walk within ten feet of him.

This morning, you’d handed him a report with your fingers brushing over his. “Morning, Nanami,” you’d said, bright and sweet.

His hand had twitched. “Morning.”

You’d walked off while he sat there, wondering how a simple touch could make him feel like his entire nervous system was short-circuiting. 

But the worst part is that he’s not subtle about it. Not at all. It’s a problem.

Like when you walked into the office this afternoon, holding a cup of coffee, looking pretty in your blouse and trousers. Nanami had glanced up for half a second—and in that half-second, he’d managed to knock his pen holder off his desk.

“Are you okay?” you’d asked, setting down your coffee and crouching to help him.

Nanami had stared at the mess on the floor. “Fine.”

You’d smiled at him, amused. He’d looked away quickly, feeling heat creep up his neck.

Or earlier today, when you had stopped at his desk to ask about a meeting. “Did you get the email from Gojo?” you’d asked, leaning slightly over his desk.

Nanami had blinked at you, his mind immediately spiraling back to last night—the feeling of your body beneath his hands, the way you had gasped when he—

“Nanami?”

“Hm?”

“The email?”

“Yes. Yes, I saw it.”

“You sure?”

“Positive.”

You’d looked at him for a long moment, eyes narrowing slightly. Then you’d shrugged and walked away. Nanami had exhaled once you were out of sight, rubbing a hand over his face. He’s being so obvious, and that’s unacceptable.

“Nanami, could you grab those papers from my desk?” you ask that evening, glancing over your shoulder as you pack up your bag.

“Of course,” he replies, already standing. His legs carry him towards your desk before he can think better of it.

Your desk is neat, everything in its place—except for the book. It’s placed on the edge, slightly worn from use. He recognises it instantly. It’s the one he bought you at the flea market weeks ago, when you’d read out a few sentences in an attempt to “woo” him. He hadn’t expected you to actually read it.

Curiosity tugs at him. His hand drifts towards the book. The spine gives under his touch, loose—like it’s been held too many times, thumbed through on quiet nights. It falls open easily. There’s a dog-ear marking a specific page. Nanami reads the passage beneath the crease:

‘It hit him all at once, like the sun breaking through the clouds. That the way his chest ached every time he saw her smile was not fear of confusion—it was love. Had always been love. And how foolish he’d been, not to have known it sooner.’

Nanami Kento freezes. His fingers press lightly against the paper. He thinks of the way you smile at him; of the soft, half-lidded look you give him when you’re tired; of the way you always seem to find him first in a crowded room. He thinks of the warmth in your laugh, and the way you lean towards him when you talk, like you don’t even realise you’re doing it.

How had he not known?

His heartbeat stumbles. His gaze lifts to you, across the room.

You’re still packing up, tucking a notebook into your bag. Your brows crease slightly in concentration, the corners of your mouth tugging down. You push a loose strand of hair behind your ear. Nanami swears he forgets how to breathe.

Had you known before he had? Is that why you marked this passage and left it there for him to find? Or had you dog-eared it for yourself—because you had some sort of silly, idiotic hope that it was true?

You look up. Your eyes catch his. You smile—small and soft, easy as breathing. Nanami’s throat tightens. His chest aches in that quiet, unbearable way that’s starting to feel familiar. He sets the book down. You zip up your bag and turn around to the door. His gaze follows you without thinking.

Oh, he thinks, heart pounding. How foolish of me.

It hits him that night, when he’s in bed and thinking about you. You’d said that Zen’in Naoya had stolen your intellectual property once. His eyes widen, and he sits up straight, reaching for his phone that’s charging on his nightstand. He dials in your number.

You pick up after two rings. “...Hello?”

You sound sleepy. When he looks at the time, it’s almost midnight. “Sorry. Did I wake you?”

“Yes, but—” he hears you yawn— “it’s fine. I should savour the occasion, actually. It’s rare that you call me first.”

“Yes, well.” Nanami’s cheeks burn. “I wanted to ask you something.”

“Go on.”

“That night— The night we—” Nanami feels his entire face heat up. “The night we argued,” he settles on. “You mentioned that Zen’in Naoya stole your intellectual property.”

There’s a pause on the other end of the line. He hears you shift, the rustling of sheets punctuating the silence. “That was a long time ago,” you say quietly.

“What happened?” he asks.

“It’s… complicated.”

“I have time,” he says, settling back against the headboard. His hand presses over his mouth, his thumb resting just below his jaw.

“It was when I was still with Naoya,” you say carefully, like you’re trying not to give away too much. “I was working on a pitch for an international partnership. It was something I’d been preparing for months. And I—I made the mistake of showing it to him.

“He said he just wanted to look it over. But then he brought it to his family as his own work. Word-for-word. Even the phrasing in the executive summary was identical.”

“And no one said anything?” Nanami questions.

“People noticed,” you reply. “But it’s the Zen’in family. No one wanted to stir the pot, you know?”

“What happened with the pitch?”

“It tanked. Naoya didn’t bother to prepare for the follow-up meetings. He couldn’t answer half the questions that came up. It was humiliating—for both of us—but I was the one who took the fall. No one was going to take my side over Naoya’s. His uncle’s practically running the whole board. It was easier to let me look incompetent.”

Nanami feels his teeth press together. His free hand curls into a fist against his knee. “You should’ve told me.”

You huff out a laugh. “I didn’t know you at the time, Nanami. All this happened while I was working for the Zen’ins—before my dad retired and handed me his company.”

The Zen’ins hadn’t been circling your company. No, it had been Salt-and-Pepper who brought them in. The timing had been suspicious. The Zen’ins’ reputation is tainted—financial mismanagement, aggressive acquisition tactics, borderline illegal practices. The last thing you needed was to be tethered to a sinking ship.

But Salt-and-Pepper had managed to convince over half of the board of directors. Wire-Rimmed Glasses had been on his side from the start. So had Charcoal Pants and Nepotism Baby, albeit reluctantly. 

“This isn’t just a business deal. Right?” he asks you. He understands, now, why you’d made negotiations with Balding Man—Zen’in Industries’ representative—so difficult. You’d tried to drag it on for as long as you could, trying to stall the deal from going through.

You stay quiet on the other end. Nanami takes that as confirmation.

“Okay,” he says slowly. “Okay. We can figure this out.”

“What are you thinking, Nanami?”

Salt-and-Pepper’s financials. His holdings. Any private deals with Zen’in Industries or overlapping investments. Nanami has access to all of it—board records, meeting minutes, even expense reports. If there is a paper trail, he would find it.

“Do you think,” he says, “you can handle a meeting with Legal tomorrow?”

It happens quickly after that.

Past papers are uncovered. Shady deals surface. It’s almost too easy. Nanami knows how these things work—no paper trail is truly invisible, no backdoor negotiation is as airtight as it seems. People talk, especially when the money starts moving.

Nanami digs through your company’s internal records the next day, tracking down the original licensing agreements for the software framework. The timeline doesn’t add up. Zen’in Industries’ supposed “internal R&D” was completed two months before the initial product proposal had even been drafted. That’s not just suspicious—it’s impossible.

He finds the buried reports: Memos from Salt-and-Pepper’s office, quiet requests to “streamline” the internal approval process. He finds—perhaps most damning of all—a forwarded email chain from Wire-Rimmed Glasses to Balding Man.

Need to close this by Q3. Zen’in Industries’ team will take over full oversight post-merger.

The date on the email reads for two weeks before the first joint meeting had even been scheduled.

He goes to the Accounting department next, via the internal compliance office. Someone from accounting had flagged a discrepancy in the financial statements weeks ago, but it had quickly been buried. There were payments made to an offshore account—small enough to be overlooked at a glance, but steady and consistent. It was linked to a shell corporation in Singapore.

A shell corporation owned by Zen’in Industries.

Nanami doesn’t hesitate. He sends the information to your private office line under encryption. The paper trail is too neat. This wasn’t just about a merger. It was a quiet takeover.

Salt-and-Pepper had gotten sloppy. He had to convince the board to sign over proprietary assets through the collaboration over the new product. Let Zen’in gut the tech. Then quietly dissolve the partnership and walk away with the intellectual property rights. Your company would be left holding the framework—and the financial fallout.

Salt-and-Pepper would walk away with his cut.

You’re surprised to see him when he walks into your office. His tie is askew. His shirt is rumpled. He is not the usual, put-together man he is. How could he be, when your own board of directors was secretly conspiring against you?

“Nanami?” you ask, setting down your bag.

He slides a folder towards you without a word. 

The next day, the partnership with Zen’in Industries is called off, and Salt-and-Pepper is stripped of his position. (Translation: He was fired.)

When Nanami Kento officially decides to ask you out—because he has, officially, let the fact that he’s in love with you sink in—it is supposed to be methodical. He had planned out the worst-case, most likely, and best case scenarios in his head, as he always does.

Best Case Scenario (Highly Unlikely): You say yes immediately, without even pausing. He takes you to that quaint French place he knows you like, and the waiter winks at him approvingly because you’re clearly out of his league. You’re charming (you always are), and he’s witty (for the first time in his life). At the end of the night, when he walks you to your door, you kiss him. It’s perfect. Birds are singing. Angels are weeping. The stock market hits a record high the next day.

Most Likely Scenario (Fortunate and Expected): You blink at him, and then laugh—a little nervous, a little delighted—and agree to go out with him. He takes you to a good restaurant. You order something a little too expensive, but he doesn’t complain. You’re charming (you always are), and he is… passable. He doesn’t embarrass himself. He even manages to make you laugh once or twice. Instead of kissing him at your doorstep, you punch his arm lightly and say goodbye. He fist-punches the air like a teenage boy when you close the door.

Worst-Case Scenario (God Forbid): You reject him. You say you only think of him as a friend and nothing more. He blacks out for approximately five seconds. You stop bringing him melonpan. He stops walking with you to the elevator. He will probably leave the company. Years later, he hears you’re married to someone who’s the complete opposite of him (probably a racecar driver). He dies alone.

(He’s accounting for margin of error, obviously.)

Nanami reviews his options with the same level of focus he usually reserves for quarterly reports and balance sheets. He weighs the pros and cons, considers timing, and factors in your general mood over the past two weeks. You’ve been in good spirits since Salt-and-Pepper’s departure. An excellent sign.

Still, when he finally stands outside your office, his heart is pounding hard enough to disrupt his thought process. Which is utterly ridiculous. He’s a grown man. A professional. He’s closed million-yen deals under pressure, right by your side. There is no reason he should be standing here, debating whether to knock.

The door swings open before he can decide. “Nanami?” you say, blinking at him.

His mouth opens. His mouth closes. He’s completely blank.

You tilt your head. “Are you okay?”

“Yes,” he says, except it sounds completely unconvincing. “I wanted to ask you something.”

You give him a curious look, stepping back to let him in. He follows you inside. His heart rabbits inside his rib cage. This is fine. He’s prepared for this.

“You look serious,” you say, sitting on the edge of your desk. “Is this about work?”

“No.” His hands are in his pockets. He takes a breath. He needs to rip the bandaid off. “Would you—” He stops. Closes his eyes. Starts again. “Would you like to have dinner with me? As a date.”

You don’t say anything—not right away. Instead, you snort.

Nanami’s eyes snap open.

You’re covering your mouth with your hand, but it’s not enough to muffle the sound of your increasingly uncontrollable laughter. Your shoulders are shaking with the full-body kind of laughter.

“Are you…” Nanami feels like his brain is short-circuiting. “Are you laughing?”

“Oh, my God,” you wheeze, tipping your head back. “You— You’re asking me out?”

“That is… generally how this works,” he says stiffly. His cheeks prickle with heat.

You dissolve into another fit of giggles. Nanami’s heart sinks. He’s about five seconds away from accepting defeat and leaving the country after changing his identity. 

But then you slide off the desk and point an accusing finger at him, still laughing. “Nanami Kento,” you say, breathless, “do you have any idea how hard I’ve been trying to get you to notice me?”

“...What?”

You groan, wringing your hands together. “I have been trying to get you to notice me for months. You are literally the most oblivious person on the planet.”

Nanami opens his mouth, but nothing comes out. His brain is working overtime trying to process the implications of what you’ve just said.

You hold up a finger. “First of all—the book.”

“The book?” Nanami echoes, very intelligently.

“Yes, the book. The one you bought me at the flea market? You didn’t have to, so I figured you might feel the same way ‘cause you do a lot of the stuff I ask you to do, even though you don’t have to, and no one’s forcing you to. And the time you came over because I was drunk and I called you up and you made me tea and stayed until I fell asleep. And here I was, overthinking everything because I like you so much—too much, probably, and—”

Nanami steps forward, closing the distance between you in two long strides. Your eyes widen slightly as he places his hands on your waist, steady and warm. His thumb brushes the hem of your shirt.

“You,” he says, “talk too much.”

Your mouth opens—to protest, probably—but Nanami leans down and kisses you before you can say another word.

Your breath hitches, and then your hands curl into the front of his shirt. You melt into him. His lips are soft and sure, and the way you sigh into the kiss makes his heart stutter. He feels you smile against his mouth. 

When he pulls back, you’re breathless, a little flustered. But your eyes are bright and happy, and that, Nanami thinks, is always good.

“Oh,” you murmur. “Was that the best case scenario?”

“Birds are singing,” he says. “Angels are weeping.”

“Stock market?”

“Remains to be seen.”

You grin and pull him down for another kiss.

Nanami’s apartment is quiet in the way he likes best. His bedroom is dark, save for the small pool of golden light from the lamp on the nightstand. His bed is warm, and so are you—curled beneath the blankets, your hair spilling over his pillow.

The book he bought you is sitting on the nightstand. There’s a new crease in the spine and a bookmark tucked partway through because he’s been reading it. He never used to care for fiction, but you’d smiled so brightly when he picked it up that now he finds himself reading it when he gets the time.

The mug of honey and ginger tea warms his hands. You blink sleepily when you see him, sitting up when he approaches the bed. Your hair is mussed, and you have a mark on your cheek where you’d turned into the pillow. His heart does that foolish, undignified thing where it stumbles in his chest.

“Tea,” he says, handing you the mug. “Drink.”

You smile when you take it. He sits down on the edge of the bed and watches you lift the mug to your lips. His hand finds your hair almost without thinking, fingers threading through it.

“We’re meeting my parents this weekend. You remember, right?” you ask, resting the mug on your knee.

“Are you turning into my secretary now?”

“No,” you say, and tilt your chin up defiantly at him. “Just so you know, I’m marrying you whether my parents approve or not.”

“Noted,” Nanami says.

“Good.”

“Why are you asking me?”

You shrug, a tad playful. “I don’t know. Thought you might’ve come to your senses.”

He makes a quiet sound—something like a laugh, though softer. “That would be difficult.” His thumb brushes the curve of your cheek. “I lost them a long time ago.”

You smile like that means something. Nanami leans back against the headboard, his arm resting across your shoulder as you tuck yourself into his side. The book is still sitting on the nightstand, waiting for him. He’ll pick it up later, after you’ve fallen asleep. For now, he lets himself breathe you in—warmth and honey and ginger.

“We have work tomorrow.” He tilts his head, and his lips brush against your hairline when he says it.

You laugh under your breath, your cheek pressed to his shoulder. “I am your work, Kento.”

Nanami smiles. He kisses your head again. His heart feels unbearably full.

Thus, he thinks, the courtship affairs of a common man have come to a very satisfying close.

⇢ a/n: as per usual, thank you to the inimitable @mahowaga for listening to me ramble about this fic & helping me out whenever i got stuck. this fic is pretty much dedicated to her. thank you for reading & i hope you have a wonderful day!

[cheapshrimpysheep]

Yuu Needs a Hug 1

SUMMARY: What their comforting hugs are like when you're feeling sad or under the weather? And how would they behave if you started crying in their arms?

CHARACTERS: Heartslabyul (Riddle, Ace; Deuce; Cater; Trey); Savanaclaw (Leona; Jack; Ruggie) & Octavinelle (Azul; Jade; Floyd)

TAGS: Fluff; GN Reader; Comfort; Bullet Points; In a Relationship

WORD COUNT: An average of 280 words per character.

COMMENTS: When I feel a little sad and under the weather, I often imagine these things to help me fall asleep. I thought you might like them too. 😘

Yuu Needs a Hug 2 (Scarabia / Pomefiore / Ignihyde / Diasomnia)

CONTEXT: They are already in a relationship with you.

All of Riddle’s hugs happen in private, and comfort hugs are far from the exception.

If he is in his dorm uniform, a very characteristic hug from him is using the cape to cover you like a blanket and as a sign of protection. With his left arm around you.

His most common hugs are the ones where he hugs you with one arm while continuing his duties with the other, like homework, or some dorm-related paperwork. And with the hand that hugs you, absently caressing your back or head.

If you are really feeling very under the blue, he will occasionally kiss your forehead.

He's not the type to hug you tight. His arms will generally be very relaxed and loose around you, as if resting. For someone who is always so uptight and strict, that means a lot.

If you happen to be so depressed to the point of crying, then yes, all his attention goes to you immediately and his hug tightens. One arm around your waist and the other on your head, encouraging you to cry all you need on his shoulder.

He will be extremely understanding and act calmly as he knows, and shows you, that it is a normal thing and that he knows it will pass, that you will be fine because he will always be there for you. He himself knows from experience how crying can do a person good, and you were always there for him at those times.

And when you feel better, he will wipe your tears with his handkerchief (I'm sure he carries one somewhere in his clothes) and kiss your forehead with a sweet and reassuring smile.

Ace will gladly give you all the hugs you want. But he will always tease you saying that he wants something in return for every hug. But if you're really sad, he'll say he was joking.

If you really want hugs to make you feel better you'll have to ask in private, because in public he only gives you those more relaxed and playful hugs.

He can give you hugs standing up, but the ones he likes most are the ones when you're both lying on the couch. He likes to have you on top of him with your head against his chest and both of his arms around you, or to lie on his side between you and the back of the couch with one hand supporting his head and the other arm on top of you.

His main strategy to make you feel better is to talk about things that distract you. Generally silly things to tease you or make you laugh.

If you happen to be so depressed to the point of crying, he will panic a little and try to find out if it was something he said. After that, he will stop the jokes and hug you tighter and kiss your forehead.

He will be quieter than usual until your crying stops and only then will he return to his normal self.

Deuce will be slightly awkward at first. This is most likely the first time someone has asked him for a hug as a form of comfort. And since he doesn't have much experience with hugs either, he's afraid of messing it up.

He will start by hugging you standing up. You will feel his arms feel more comfortable around you as you explain to him that there is no way he could do that wrong. There is no therapeutic technique, he just needs to act as he feels he should.

If you are on the couch you will be sitting side by side. Your head on his shoulder, one of his arms around you, and the other he always not knowing what to do with it.

It will take a long time for him to have confidence in his comforting hugs because he knows that he is not the type of person who knows how to comfort others, much less physically. But he will always try his best for you.

If you happen to be so depressed to the point of crying, he will panic a little and, if he only had one arm around you, he'll quickly put the other one around you too. And he will hug you like you are in danger.

Maybe you will calm down by trying to calm him down and you'll both end up laughing about it.

Cater is the #best hugger! And as he is a person who likes to show affection, it doesn't matter if you two are alone or in public, he will give you all the hugs you need regardless.

Get ready for him to talk in that cute little voice like someone talking to a child. Not that he sees you as one, but he likes to talk and act cute.

And that's why his comfort hugs are also very cute, like someone hugging a teddy bear. He also gives you lots of kisses on your forehead and cheeks while hugging you.

Although he speaks in a cute way, he doesn't do it in a way that seems like he's minimizing your feelings, but rather in a way that tries to show that everything will be okay, that whatever it is will pass.

He can do this whether the two of you are standing together or if you are sitting on a couch. But in this last option, he will be so close to you that the most comfortable way for you to sit together is with you on his lap.

If you happen to be so depressed to the point of crying, he won't change the way he's acting, as if knowing he was doing everything right and you crying was a good sign and an important part of you feeling better in the end.

When your crying calms down or stops, he will smile at you, wipe the tears from your cheeks with his thumbs and say phrases like "Are you feeling better?" and "Everything will be okay."

In the case of hugging you to make you feel better, Trey has no problem doing it in public if you need to. And he also reacts to your request as naturally as he would if you asked him to make you a sweet dessert.

You might even be surprised by how naturally he hugs you and the way he rubs his hands comfortingly on your back, if you didn't remember that he has younger siblings and probably has some experience comforting them.

He smiles and laughs softly the whole time, as if he finds your attitude cute.

He can do this standing up or, if you are sitting on a couch, sitting next to you. But only if you are alone will he let you sit on his lap.

The relaxed way he comforts you is almost parental, it must be that older brother side of him.

If you happen to be so depressed to the point of crying, he may become a little more serious, but he will always act calmly and comes across as having everything under control. One of his hands will also come from your back to the back of your head.

Once your crying calms down or even stops, he will wipe your tears either with a handkerchief he has or with his own blazer or shirt. He will smile at you, showing that everything is fine and ask if you would like one of his sweets to make you feel better.

Leona cares so much about being seen hugging you publicly that the botanical garden became your spot to take naps together as unbothered as a lion in the middle of savannah. He always wants you to be his pillow, whether it's your thighs or your chest. BUT showing genuine affection is only in private.

He had already noticed that you were sadder than usual, but you were the one who had to ask him for a hug, he was too proud to offer you one non-ironically.

He will open his arms and smile smugly, but he won't be the one to initiate the hug. If you want it, you have to take it.

But as soon as you do, he'll wrap you in a surprisingly affectionate hug. If you're lying down like when he takes a nap with you, his hands will encourage you to come closer and lay your head on his chest. You've just discovered the only way you can reverse your usual roles.

If you happen to be so depressed to the point of crying, he will remain calm and surprise you again. He'll start giving you soft kisses on your face and forehead, the equivalent of when felines lick each other's ears as a show of affection.

His tranquility can be contagious, especially because the calm beat of his heart is a reassuring sound.

Only when he is sure that your crying has stopped and you are better will he speak again: *sigh* “You just give me work, herbivore. I just hope you at least thank me in some way.”

Jack only hugs you in private! And if he ever does it in public, it's because he somehow forgot that you were in public and will quickly break the hug.

He is the complete opposite in private, after all he can be like a puppy: extremely affectionate if he feels comfortable with you. So it was always very common for you to cuddle on the couch.

His comforting hug ends up not being much different from usual, perhaps just less enthusiastic and more delicate. He likes having you in his arms, but he likes having his face close to yours more.

If you're sitting, he won't have any problem letting you sit on his lap and lay your head on his shoulder. He won't take his arms from around you, nor stop kissing your forehead and cheeks softly and affectionately. All his attention is on you, and his main purpose at that moment is to dedicate himself to you.

If you happen to be so depressed to the point of crying, he will hug you tighter and the small and calm kisses will turn into love attacks on your face. Do you know when service dogs jump at their owner when they are having a panic attack, for example? It's something like that he's doing, without fully realizing it. Ok, maybe just not as intensely as service dogs do, but with a lot of affection.

This gesture will most likely make you laugh and start telling him you're okay so he can calm down. Which will make you calm yourself down as a result.

Ruggie doesn't really care if you're in public or not, he'll hug you regardless. And there's the bonus that when he hugs you in public, it's like marking territory and warning others.

He loves being cute and affectionate with you because he loves you being cute and affectionate with him back. He often does for you what he knows you would do for him. And a comforting hug is no different.

He will always tease with you a little at the beginning. "Aww, you want one of my special hugs? That’s so cute. But remember they are expensive, okay? You have to reward me later as a thanks.” He says this in a good mood that tries to put you at ease.

He will open his arms for you to hug him first and he will hold you in his embrace. He will be smiling playfully the whole time because he thinks it's funny how you can be so cute. And he will kiss your forehead with that same smile.

If you happen to be so depressed to the point of crying, his smile will fade. It was too serious for him to treat you with humor. He will tighten the hug and start saying sweet, soothing things in your ear like: "hey, don't worry. I'm sure everything will be fine."

When your crying calms down or even stops, he will smile at you again and say that it all made him hungry. What if you two went to eat something? Maybe, just maybe, he'll share some of his food with you if it's something you really like. But DO NOT get used to it!

ONLY when you are alone, in the VIP Room, Azul likes it when you sit on his lap while he does the Mostro Lounge’s paperwork. It's a healthy balance between the stress of business and the pleasure of having you in his arms.

The only two exceptions to the rule that he doesn't like others seeing you two like this are Jade and Floyd. Why? Because he likes to brag to them about having you all to himself. ("By all means, cry about it.")

He will hug you like he always does when you two are in the VIP Room. One arm around your waist, surprisingly firm, and the other on the papers. His attention is divided between reading and signing the contracts and turning to give you sweet kisses on your face and/or, if you allow it, on your neck.

If he feels you hugging him in a more clingy way than usual, he will comment in a soft voice: “You know, if I could be in my merman form, I'd let my tentacles do the paperwork and give you all the attention of my arms. The inconvenience of having two legs. No offense of course.” If this can get even a little giggle out of you, he'll be very happy.

If you happen to be so depressed to the point of crying, his right hand will immediately let go of the pen and join his left in hugging you. He hugs you so tight it's like you're trapped in his loving embrace. He is worried about you, but he does everything he can to not show himself too worried.

“Just never forget that if there is anything I can do, you can ask. Anything. I will solve any problem for you... just for you...”

When your crying calms down or even stops, he will wipe your tears with a handkerchief and give you a pack of tissues. And when you're better, he'll give you one of his most tender kisses on your cheek.

Jade doesn't like to draw attention, he prefers to observe others than to be observed. That's why his hugs are private, especially those comfort ones that you are asking for.

“You know you can open up to me whenever you need to, but keep doing it only when we're alone, okay? You never know who might be watching you looking for a weakne- I mean, a sensitive moment to use against you, my love.”

He's not much of a hugger in general, so all of his hugs end up being special. And since you're alone, he has no problem having you sit on his lap if you want.

His arms and hands are premeditatedly affectionate and attentive to you, as if he knew exactly how you liked to be hugged at that specific moment and he fulfilled these requirements to the letter. If there's one thing he knows how to do in a frighteningly perfect way, it's how to study and please others. And you are his biggest study interest.

Whatever you wanted him to do, he will know and do it. The way you want him to hug you, whether you want kisses or not, and how you want them.

If you happen to be so depressed to the point of crying, you will feel him, in a way, disappointed. With you or with himself, you don't know. “What is the mater? Did I not predict your desires correctly? It seems like I still have a lot to learn about you. How exciting.” He will kiss your forehead and let you cry on his shoulder.

He'll probably compare your crying to Azul's, making fun of him in that passive-aggressive way he does, and end up making you laugh.

When your crying calms down or even stops, he'll help clean your face and suggest that you two go to the Mostro Lounge, where he can prepare your favorite dish to make you feel better if you want. For free? Hmm... he can think about it.

Floyd can be VERY clingy. He loves to hug you, especially in public. Whether he’s in a good mood or not. Which means that, as he hugs you a lot, he also has many different types of hugs.

The vast majority of his hugs are to satisfy him, but they end up satisfying you too. Don't worry, he never squeezed you. He jokes that he will do it, but never actually does.

No matter what mood he's in, he never refuses to give you a comforting hug. For 3 main reasons: 1st  an Octavinelle student never refuses someone's request for help. 2nd He thinks you're so absolutely cute asking him for a hug! It even makes him smile if he's in a bad mood. And 3rd You always give him the hugs he needs, it's only fair (even in terms of a deal) that he does the same for you.

He'll hug you, but he'll do what he wants in the meantime. Playing with your hair, resting his head on yours, swinging his legs if you are sitting down. And if you are, he will make you sit on his lap, it’s easier and more comfortable to hug you like this. He will probably also say silly things to pass the time or try to make you laugh.

If you happen to be so depressed to the point of crying, he will immediately shut up and if he was swinging his legs he will immediately stop too. He will straighten up, even if your head is resting on his chest. “You'll wash my clothes if you get them dirty, right Koebi-chan~?” He says this while stroking your head.

Even though he likes to provoke others, he has a perfect sense of limits, he just tends to ignore them most of the time. But it's different with you and that situation too.

When your crying stops, he will make you look at him, as if to check that the crying has stopped. If he confirms it, he will smile at you: "Is it over yet? YAY~! Can we make something fun now?”

If you would like to read more from me, you can find it in my pinned post: INDEX

[nightingale-prompts]

Beautiful Ghost-DC x DP prompt

Part of the Accidental Ghost Courting AU 》 HERE

We finally get Tim's perspective on Danny

If there is one thing everyone on campus knows it's that Danny Nightingale is hot. Not in the stereotypical supermodel or Hollywood way. He was so attractive it was scary like he dropped out of a fairy tale.

Tim first saw Danny after whispers started going around. He spotted Danny in the library walking towards the observatory on the top floor.

At first glance, you'd call him a goth and there was no shortage of people who'd love to date one. It's probably why no one shuts up about him. But Tim could tell this wasn't the corporate punk type goth that he saw Damian scrolling through on his phone. Tim was quick to tease Damian and stop what would inevitably become a phase.

No, Danny had a clear style. Classic gothic...but also not. It's hard to explain. His clothes looked handmade, straight out of the 1800s. Did he thrift or make them himself? He was an astronomy major right? Or was is engineering?

Danny looked almost ethereal. Tall, lean, and almost glowing skin. It wasn't until later that Tim would be close enough to see the way his skin sort of glittered in low light.

People parted to not obstruct Danny's path as he went toward the observatory.

Everyone knew that Danny was off limits, too cowardly to get the courage to ask him out and risk rejection. So Danny remained unreachable.

Tim paid it no mind. He acknowledged that Danny was good-looking but there wasn't much else that got his attention. Danny didn't pay attention to others.

But Tim couldn't help but notice that Danny was always alone in his own little world. There was a hint of longing in him. Tim might have overheard a few things.

Danny would usually be in the library reading eclectic materials, playing with tarot cards, and studying star charts. Other days he was in the greenhouse tending to a little corner of plants he was growing. He seemed bored. He looked like he'd rather be somewhere else.

Tim might have done some research. Just scrolling through Danny's social media. Pictures of friends and graveyards. Most of the landscape photos were taken after his arrival in Gotham. Tim gathered that Danny was alone out here and far from home. He could fit in easily around here but simply chose not to.

It wasn't until that faithful day when Danny offered him a bundle of red carnations and a cup of Death Wish coffee.

"You looked like you need this." He said smiling.

And wow...that smile. Tim didn't think he'd ever see a smile like that. It was a sort of lopsided smile, a bit clumsy but sweet. Danny had elongated canines. Were they fake or was it a medical condition?

Tim didn't know how to respond to Danny's offer but he wouldn't say no to a cup of coffee.

Over the next few weeks, Tim found himself on campus more often and hanging around Danny. Danny tended to be very generous. Always gave things to Tim, most of which he made himself. That is what made it all feel genuine. On cold days Danny always had a hot cup of coffee or tea. When it was sunny he had something sweet freshly baked. When it rained he had flowers to brighten the room. When it was foggy he wanted to go find something fun to do. Danny also worked at the flower shop nearby which was said to be haunted by the old owners.

Rumors spread more and more that Danny wasn't human, like some kind of fae that took human form. Was there a chance it was true? Yes. Does that mean that Tim was going to test that?

Yes.

So Tim just wanted to test that theory and gave Danny a bracelet that looked similar to the ones he usually had. It just so happened to be made of Iron. Tim felt bad about it (kinda) but it was just genuine curiosity.

But no Danny wasn't a fae. He was incredibly happy to get a gift though so no harm done.

Another thing Tim noticed was Danny's eyes. They weren't blue like he thought. Danny had central heterochromia. He had a ring of bright green near his iris surrounded by icy blue. Not that Tim was staring at his eyes or anything, just that no one ever mentions that part when describing Danny. It's pretty notable you know. More people should know that.

...

.....

It's normal to think that.

Anyways Tim and Danny meet up when they can. Danny likes visiting graveyards and abandoned churches. Not that he doesn't like the movies or arcades because he loves that stuff. But one time after a late class he dragged Tim with him on a scenic drive out of the city to this spot he found. It was this massive cliff just far enough from the city that you could see the stars.

Tim never really gave much thought to the stars. He's seen them thousands of times especially being carried around by Kon or on the Watchtower. But right then watching Danny fiddle with his telescope babbling on about the planets and far-off galaxies, the stars felt new and wondrous.

Was this what it felt like to be normal? Just a college kid going on a spontaneous road trip with a friend, not thinking about patrols or duties.

He liked it.

Danny had a way of making him forget about the rest of the world. Someone not linked to heroes and assassins. A friend, a weird one but one he didn't have to be Robin with. He was just Tim to Danny. Not Tim Wayne, not Tim Drake, just Tim.

Because of that, he wanted to keep Danny as far from his family as possible. They already think they were dating and he'd be damned if they scared Danny away. This didn't stop them from investigating Danny and that brat wont stop spouting his opinion.

"I don't know what he sees in you. Aside from appearance, there isn't much to like." Damian grumbled.

"He must be really vain then because Tim doesn't deserve this kid." Jason responded.

"But if he even thinks about hurting Drake-"

"Yeah, we bury him."

Tim has chosen to ignore everything they say.

The last issue is Phantom.

Tim doesn't like Phantom.

The spirit had been hanging around Gotham for a while now. He lingered around the corners of the city and if he felt like it he'd interfere. In his own words, Phantom said that he dealt with the dead, not the living. Tim did some research and it's said Phantom showed up near the dying or dead as a sort of shepherd to souls. He made the transition easier for them.

So when Phantom was seem lingering around Danny he couldn't accept it. He'd be damned if he let some spooky bastard take Danny. He can't have him.

So Tim decided to invite Danny to stay with him for a few days. But a few day became a week became two weeks. Don't judge. This was just so Tim could look out for Phantom and prevent Danny from dying. It hasn't been working so far since Phantom hasn't been seen nearby.

But Tim did run into him.

"Why are you stalking Danny Nightingale?" Tim damanded.

Phantom circled overhead his spectral tail curling. His translucent body phasing in and out of the visible light spectrum.

"Stalking? I don't know what you're talking about. I don't care about chasing the living. But let's say Nightingale is an exception. He's special. But what does he have to do with you?" Phantom eyes Tim suspiciously before diving down floated inches away from Tim face. "Hmmm, I always did think you were the cutest Robin. I was right. Too bad I've got my eyes on someone else now."

And like that he dissappeared.

Now Tim was even more anxious. Phantom was definitely after Danny most likely dead or alive. If something happened to Danny he didn't know what he'd do. Its not safe out there with Phantom hanging around.

Danny was still awake when Tim returned home. He was watching some detective drama he had refused to watch with Tim because he kept guessing the plot during the first few minutes. Which was fair.

"You were out late again. Would it kill you to get some sleep now and then?" Danny sighed stretching.

Tim wanted to say "Actually I think it would. Lets not test it" and banter like always. Maybe even relax and let Danny talk about where show was on.

But Tim couldn't. Not when everything felt so surreal. Danny was just oblivious to the dangerous spirit trying to take his soul and Tim couldn't protect him.

Tim couldn't believe he was thinking this but what if Danny wanted to be with Phantom? Then what?

Tim knew that his emotions were his greatest weakness. When he did control them he does a lot of self-destructive things and he ends up hurting people especially when he's hurt.

He hugged Danny, burying his face in his shoulder.

"Danny can you promise me...that you'll stay here." He didn't care if Danny wanted to be with Phantom just as long as he doesn't leave this world and stop being his light.

The thought of not seeing Danny every day killed him. No more nagging him to eat and drink. No more star gazing. No more TV marathons. No more being dragged to spontaneous trips to the crafts stores. No more hearing the insane conversations with his friends. No more waking up on the couch with a pair of blue-green eyes looking up at him. No more Danny.

Tim felt like his heart was stopping and his stomach dropped.

Danny hugged him back putting a soothing hand on the back of Tim's neck. It was cool to the touch.

"Of course, I'll stay." Danny laughed as if the very notion he'd leave was ridiculous.

Tim's brain seemed to twist in on itself as the cascade of emotions overflowed. That laugh seemed to play over and over in his head echoing non-stop. Warmth bloomed in his chest. Dread, uncertainty, hope, and affection all blended.

Oh no..

Tim was in love.

(This got way too long. I'm not really good a romance as you can tell but I'm trying. Anyway this is a Danny fell first but Tim fell harder situation.)