#thought this was important to add to this chain specifically
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A message from a few of the trans staff at Tumblr & Automattic:
We want trans people, and LGBTQ+ people broadly, to feel welcome on Tumblr, in part because we as trans people at Tumblr and Automattic want it to be a space where we ourselves feel included. We want to feel like this is a platform that supports us and fights for our safety. Tumblr is made brighter and more vibrant by your presence, and the LGBTQ+ folks who help run it are fighting all the time for this, for you, internally.Â
A few days ago, Matt Mullenweg (the CEO of Automattic, Tumblrâs parent company) responded to a userâs ask about an account suspension in a way that negatively affected Tumblrâs LGBTQ+ community. We believe that Matt's response to this ask and his continued commentary has been unwarranted and harmful. Tumblr staff do not comment on moderation decisions as a matter of policy for a variety of reasonsâincluding the privacy of those involved, and the practicalities of moderating thousands of reports a day. The downside of this policy is that it is very easy for rumors and incorrect information about actions taken by our Trust & Safety team to spread unchecked. Given this, we want to clarify a few different pieces of this situation:
The reality of predstrogen's suspension was not accurately conveyed, and made it seem like we were reaching for opportunities to ban trans feminine people on the platform. This is not the case. The example comment shared in the post linked above does not meet our definition of a realistic threat of violence, and was not the deciding factor in the account suspension.
Matt thereafter failed to recognize the harm to the community as a result of this suspension. Matt does not speak on behalf of the LGBTQ+ people who help run Tumblr or Automattic, and we were not consulted in the construction of a response to these events.
Last year, the "mature" and "sexual themes" community labels were erroneously applied to some users' posts. An outside team of contractors tasked with applying community labels to posts were responsible for this larger trend of mislabeling trans-related content. When our Trust & Safety team discovered this issue (thanks largely to reports from the community), we removed the contracted teamâs ability to apply community labels and added more oversight to ensure it does not happen again. In the Staff post about this, LGBTQ+ staff pushed to be more transparent but were overruled by leadership. The termination of a contractor mentioned in the original ask response was for an unrelated incident which was incorrectly attributed to this case. We regret that the mislabeling ever happened, and the negative impact it has had on the trans community on Tumblr.Â
Transition timelines are not against our community guidelines, and werenât a factor considered by the moderation team when discussing suspensions and subsequent appeals. We do not take action against content that is related to transitioning or trans bodies unless it includes violations of the Community Guidelines.
When it comes to the experience of trans folks on Tumblr encountering transphobic content, and interacting with bigoted users, we understand and share your frustrations. Tumblrâs policies, and Automatticâs policies, are written to ensure freedom of speech and expression. We prohibit harassment as defined in our Community Guidelines, but we know that this policy falls short of protecting users from the wider scope of harmful speech often used against LGBTQ+ and other marginalized people.
Going forward, Tumblr is taking the following actions:
Prioritizing anti-harassment features that will empower users to more effectively protect themselves from harassment.
Building more internal tooling for us as Staff to proactively identify and mitigate instances of harassment.
Reviewing which of the tags frequently used by the trans community are blocked, and working to make them available next week.
Weâre sorry for how this all transpired, and weâre actively fighting to make our voices heard more and prevent something like this from happening again in the future. We know firsthand that having to deal with situations like this as a Tumblr user is difficult, particularly as a member of an already frequently targeted and harassed community. We know it will take time to regain your trust, and weâre going to put in the work to rebuild it.
We appreciate the space we have been given to express our concerns and dissent, and we are thankful that Mattâs (and Automatticâs) strong commitment to freedom of expression has facilitated it.
We will continue to fight to make Tumblr safe for us all.
â This statement was authored by multiple trans employees of Tumblr and Automattic.
#editing to add: hey im a trans woman so consider whether your tag or comment could vilify me by association if you add it when rbing from me#i quite like using this website actually and i dont want to be chased out because you wanted to write something funny/edgy. thanks#cant catch me gay thoughts#id in alt text#thought this was important to add to this chain specifically#also not people saying âjust fire matt!â in the reblogs... gals hes the ceoâ whos gonna fire him? god?#long post
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Hi ! Could you write something where like y/n is sucking or playing with heeseungs dick & she just got her fresh nails done and theyâre pretty and EVERHTING & she poses with heeseungs dick and adds a bow âŚ
(Sorry for taking so long to respond to your request)
French Tip ~ L. HS
pairing: sugar-daddy!bf!heeseung x babygirl!gf!reader| wc: 1.3k | plot: after getting your nails done, you're excited to show Heeseung your fresh, new set. | cw: đMDNI!! blow job, boob job, hand job, basically touching his dick in every way possible and snapping a few pictures lol bc why tf not (there're also a few cute moments hehe)
Having your boyfriend pay for your nails was nothing out of the ordinary to you. He did this almost every week, or whenever else he thought they should be done.
Sometimes you would ask for his input, but today was not one of those days. You wanted to surprise him with a fresh, natural-looking set.
French Tips...
"When you finish getting your nails done, send me a pic. I wanna see what they look like," he said before kissing you on the cheek. You could still smell the scent of coffee from this morning in the air.
That alone was addicting enough, but when the scent of his Channel cologne was mixed in only one thing was on your mind. And that was getting back in bed with him. Or at least pleasing him while he tells you how pretty you look.
"Okay," you smiled softly as you looked into his sweet doe eyes. You pulled the gold chain of your black clutch bag over your shoulder as you headed out the door.
You would've loved for him to take you to your nail appointment today, but he had some business to take care of at home. To be specific, he had a very important meeting over Zoom with a few of his colleagues concerning a very important business deal, which he made crystal clear to you the day before.
Before heading to your appointment, you stopped to place an order for some desserts. Heeseung planned to have a business party next week and he left you in charge of the food.
"Why do you want me to do it? Can't you just hire someone else to take care of this," you asked, not because you had a problem with it, more so for the reason that you were honestly curious.
"Well, you have good taste," he smiled.
"Mhm, sure I do."
"Well, that and you taste good," he smirked, pulling you close to flick his tongue across your lips.
You took a sip from your water bottle as you walked into the beauty salon. "Good morning, Dear. Are you here for your 9 o'clock appointment?" Mrs. Yanez asked from behind the desk.
"Yes, ma'am," you smiled.
"Alright, I'm just gonna log you in," she said as she clacked away at her keyboard. "Do you know what you want to do today?"
"Yes, I'll need a full, fresh set along with a mani-pedi."
"Did you want a massage as well?"
"No, that's alright."
"You sure, it's 30 percent off today. Plus you've accumulated a total of 1500 pretty points with us."
"Hmm, well I'll definitely use those points another day," you smiled. "And as much as I would love a discounted massage, I kinda wanna get back home a little early today."
"Ooh, Mr. Lee must be home today," she teased.
"Yes, he is," you chuckled.
"Well, then I won't keep you waiting any longer," she smiled before pushing a small black button. She often reminded you of the tĂa-sobrina relationship you never had. You could talk to her about anything, and trust me...she wanted to hear it.
"Right this way, Miss," a masked employee nodded as you followed her to the back. You giggled as Mrs. Yanez playfully waved to you with a smirk on her face.
You sat down in a soft leather chair as you explained what look you were going for today. "I would like a natural-looking set. Almost like French tips, but with natural shades."
"So no white tip?"
"Well white like the color of my natural nails," you explained pointing to the whites of your nails.
"Okay, perfect. I can do that for you. Gloss or not gloss?"
"Gloss," you smiled, as the lady turned around to pick from the colors on her shelf. A nude color, an off-white color, and a pale yellow--which she mixed with the white to match the natural color of your nails.
Having a custom color mixed made your nails feel pretty unique. Plus, this was a style you never tried before, so you were excited to see how they'd come out.
After about 45 minutes you were ready to go. Two people ended up working on you which sped up the process.
"Tell Heeseung I said hello," Mrs. Yanez smiled as you walked out.
"I will," you chuckled as she waved to you.
You climbed into your car before heading over to a nearby boba shop to pick up some drinks. Matcha for you and brown sugar for him. You liked extra boba and he liked extra syrup. These were little details you could never forget.
*Click* you snapped a shot of you holding the brown sugar boba because it looked better with your nails, even though it was for Heeseung.
Within seconds he opened the message and hearted the pic you sent. "They look nice, babe," he texted. You were surprised he even said that much.
"Maybe his meeting hasn't started yet. Or maybe they canceled it," you thought to yourself. Either way, you couldn't wait to get back home.
"Heeseung?" you called out as you stepped out of your shoes. Your car keys, clutch bag, and phone balanced between your fingers as you carried both of the drinks over to the counter. You had drunk about a fourth of your by the time you made it home.
You placed yours on the counter as you walked into his home office.
You knocked softly as you opened the door. Heeseung didnât say a single word, but the look on his face told you everything. âIâm a little busy right now, babe. You can come back later, okay.â
You paused in both shock and embarrassment for a moment before a cheeky smirk appeared on your face. You closed the door behind you before walking over to his desk.
He was trying his best not to look at you, but you could tell he wanted to.
You placed his drink on the desk next to him before crawling under the desk. As professional as Heeseung tried to be at times, he loved wearing his sweat pants and you liked them too.
They were comfortable and made pulling his dick out so much easier.
You fiddled around with his drawstring causing him to wiggle a bit from your touch before you managed to get his dick out. You felt him harden between your palms as you stroked him up and down. That's when an idea popped into your head.
You pulled your phone out and snapped a shot of his tip against your tongue. You placed your phone down beside you as you began to suck him off. You felt him lean forward slightly, trying his best to contain his excitement.
You kissed the head of his dick to give him a chance to readjust himself. You could hear the voices of his colleagues coming from his computer as you continued to suck him off. You pulled back to unbutton your blouse using your tits to take the place of your hands as you jerked him off.
*Click* you took another pic of his dick nestled in between your tits.
You traced your tongue up the length of his shaft before taking it back in your mouth. It wasn't long before you heard him getting ready to end the call.
You looked up at him from under the desk. "Couldn't wait until after my meeting," he asked with a smirk.
You shook your head no as you continued to bob your head on his cock.
"Did you at least enjoy yourself?"
"Hmm...almost. I still feel like I'm missing a little something."
"And what would that be?" he asked cheekily, though he was fully aware of what you wanted...especially after you opened your mouth to tap his tip on your tongue.
He grabbed your head, shoving it down as he pumped himself into your mouth. Just as he was getting ready to cum he pulled your head back to coat your tongue.
*Click* He took a photo of your sitting between his legs with his cum all over your tongue and a dazed look on your face.
He paused to tap away at his phone before sending a pic of you with a bow edited on your head looking completely cum drunk.
â Thank you all so much for reading! Make sure to check out other works on my masterlist!
â đđđđđđđ: @chlorinecake @mimikittysblog @nikisvanillaccola @wonbinisbabygurl @mrswolfhard3 @laylasbunbunny @sussyjake @furious-eagle @cherrriesss @abbyizzy @weyukinluv @addictedtohobi @thatonenoona @wavykook @givemeyourtmihyun @jaeljn @hoonmywk @valennshit @19-yunalyn @hoonbby @frostedblankets @hoonsyo @no-mannerism @perfectxserendipity @chubbibish @ihrtlix @bunniesforsoobin @thereadersparadise @thatbooknerdfr @aiden2001 @belongstoheeseung @jakeybabe @donut-crazs @rizzhee @nikimeows @woonieees @uarmyxtae @rebecca-johnson-28 @they2luv1naia @isa-2007 @silcry @riverscafe @pearlwhitesoul @nikohiroshi @thatbooknerdfr @wonniewonwon @sughoonieeee @babyy-bambii @adrika04 @sehunsharpasseyebrows @wtfyangjungwon @fr-3-akn-4-stymf @rikiloversworld @shawyle @sunoosrightbuttcheek @uarmyxtae @lovesickxmina @urfavberry @urauntiefaye @breadlover01 @taehyunsfavmo
#enhypen smut#enhypen scenarios#enhypen fanfic#enhypen hard hours#enhypen hard thoughts#heeseung smut#lee heeseung smut#heeseung hard thoughts#heeseung hard hours#enhypen imagines#enhypen heeseung smut#enhypen heeseung#heeseung#enhypen#lee heeseung#enhypen fanfiction#enhypen fluff#enhypen angst#enhypen x reader#heeseung angst#heeseung x reader#lee heeseung fluff#heeseung fluff#heeseung fanfic#heeseung scenarios#enhypen lee heeseung smut#enhypen lee heeseung#request
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Dearest Fox Void, I am glad you have returned.
I need to tell you about my transfem!Ed Elric idea.
Mostly, it's that Ed has never thought about her gender, but as soon as anyone brings up she may be a girl her response is to think about it for a bit, then go "Oh! No wait that makes sense." And proceed to go all in about it.
Specifically, I'm thinking about Ed being on the run with Greed and the others and needing a disguise. What better disguise when the country is on the lookout for a short loud blond boy alchemist than a fairly normal height blond girl? Ed transmutes his coat into a dress, keeps his hair down, adds a bit more heel to his boots and speaks quietly or not at all and Boom! that's just a shy girl.
After a little bit of doing this, with Ed seemingly not having any issues with the act, Greed tries to poke at Ed a little bit.
Greed: So, you seem to be playing a girl so well, what if you actually are one? (Expecting Ed to blow up about being a man and not into girly things, etc.)
Ed: [shrugs] It's not like it's a big deal, cross-dressing is fun, everyone enjoys it a little bit.
The Chimeras: ... no, no they don't.
Ed: ... What?
Darius: Honestly, kid, i'm not sure how you do it all the time. I think if I tried it I would feel uncomfortable even if I *could* pull it off.
Heinkel: Yeah, and you seem to... enjoy being seen as a girl more than as a boy.
Ed: ...
Greed is now expecting panic and loud, fervent denials, but Ed remains quiet. It's, like, half an hour before he comes back and is like, "no, yeah, turns out I'm actually a girl. Huh."
Greed: What??? Just like that??? No angst or anything???
Ed: [shrugs] it's not like it's anything bad. I just never thought about it.
Heinkel: [deciding that he's gonna roll with it to screw with Greed] so, are you gonna change your name? Edward is pretty masculine.
Ed: [oblivious to Heinkel's game and Greedlings internal screaming] Well, I want to keep being Ed, but I never really liked Edward much anyway. Maybe Eden?
Darius: [picked up on Heinkel's wavelength] sounds good to me.
So, yeah, now Ed is going by Eden and she/her pronouns. Every time Ed meets up with someone who really knows her (Al. Winry, Pinako, Izumi and Sig) and tells them, the general reaction is "no, yeah, that tracks" and Greedling is so *so* frustrated at the nonchalance. (Hohenheim is surprised, but his general demeanor makes him incapable of expressing it to the degree Greed wants.)
After the final battle, Ling leaves Ed with a cute outfit (think that one emo anime-girl pic that was everywhere. Or any hot-topic teenage girl. The red plaid miniskirt with the chains is required) and Ed loves it, and hates that she loves it, and is mildly weirded out by the fact that it is tailored to her. But, the important thing is that she wears it to Team Mustangs room to quit the military, which is how she comes out to all of them.
See I read this and all I can think is "where's the fic, anon?" because yes please and thank you????
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Midnight Fang - Poly BTS x Reader (Chapter 0.5)
Summary: The werewolves thought they found all their mates. They never imaged theyâd met another, let alone that sheâd be a vampire.
Warning: Blood, Alcohol, Mate Au Supernatural AU, Poly Au, Unrequited Love, Rejection, angst (Specific Warnings not mentioned will be made in each chapter this is just a small none specific overview)
[Series Masterlist] -> [Prev] - [Next]
HungryâŚ
You liked the forest. Trees make only 28% of the oxygen ďżźyou breathed when you were alive, but the plants and flowers gave a certain life the ocean just couldnât. The bunny nibbling on bitter lettuce was proof of just how much life these plants brought with them.
The food chain, without those plants a bunny couldnât eat, and without the bunny a fox couldnât and so on till the biggest predator dies.
Youâve liked the forest since you were human. Your friend use to call you a forest hippy, going on hikes with you once in a while. The two of you didnât have the slightest clue anything about nature. All you knew was you loved it, and she tagged along because of that reason. It just felt right. The sun in your face and the dirt in your nails.
HungryâŚ
Now the sun of your face burns hot even in cold weather and the dirt in your nails feels too odd, to new. The feeling lost to the habit and need to keep your hands clean. So you sit, with muddy white cloth gloves on, a white lacy sun dress that was covered in mud and tearsďżź, and torn shoes tied by their laces together on your wrist in a mock, heavy bracelet.
White, light, flow-y, breathable.
Stained, dirtied, cold, exposed.
You were cold, dirtied and your legs were exposed to the elements. The ďżźpristine angelic color assigned to you long ruined by the brown mud and dirt. ďżźYour dignity falling low, but never low enough to hide behind a trash can. What if a human found you? No, instead youâd die in the woods.
HungryâŚ
When was the last time youâve eaten? Three weeks⌠A person can bleed to death in just five minutes. You knew that. Vampires feed on peopleâs blood because they cannot supply their own. So while the blood running through your veins and in your cheeks arenât your own, you try and preserve it. Try not to run out of it.
A person can bleed out in just five minutes, but it took two months to die without food. For you, itâs like a small mixture of the two. Blood leaving your body, you were burning it like it was the energy food was to humans.
You sweat, panting heavily and leaning against a tree. The confusion and anxiety getting to you as you felt your more important organs finally start to shut down.
You knew you wouldnât survive without a Nest⌠but that didnât make it less painful to die.
No.
You couldnât die. Not with your life like this. Not when you gave up so much to live in the first place. So, in a finally last ditch effort to live.
You screamed.
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Jimin heard the screech before any of the his mate did. His ears just worked better then thereâs, it was a curse. A curse he thanked every full moon for because thatâs how he met his mates. The scream was primal, life or death. Jiminâs head immediately flung in the direction and it was like his body moved on its own when he started running.
Namjoon ran after him, tripping over his own paws at the suddenness of the boys new behavior. He just⌠took off! It was seconds later he heard the scream as well. A second wave before the quiet. But⌠why did the quiet make his heart squeeze more then the screams did?
They both raced to the voice. It was odd, usually when you hear screaming you run away but it was like their instincts took over.
_______________
Hi! So I made this chapter as chapter 1! Then I realized I didnât want it to be chapter one (reasons). And I also couldnâ add it to the prologue! So Iâm making it chapter 0.5! Or a teased kind of thing. Itâs cannon to the storyline placed in the middle of chapter 1 and the prologueâŚ. Do with that what you will!
Itâs really short because itâs half a chapter, real chapters will be longer. dw
#bts x reader#bts x fem!reader#bts x you#hoseok#jimin#junkook#namjoon#poly bts x reader#taehyung#werewolf! bts#supernatural au#vampire reader#vampire#mates#fated mates#short#teaser?#poly bts#bts fanfic
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On Discourse
(~1,000 words, ~5m)
[ anon ]
[...] I only know like other early twenty somethings who are as clueless if not more than me. I then imagine said smart abstraction person inevitably getting frustrated with me and my inability to keep up with them or add on to their thoughts, per the inexperienced idiocy, and eventually blocking me in the middle of a discussion on how pro-sex work thought conflicts with modern feminism despite many sharing those beliefs. [...]
I know that in your ask, you said that this might be better left unspoken, but I'd like to share a line of thought that you might find useful.
One of the discursive norms that was weakened 2014-2022 was the idea of the separation between ideas and people.
Someone who is currently wrong, but who is honest, humble, and sincerely interested in the truth, is likely to become correct (or more correct). Someone who is currently correct, but who is dishonest with both others and with themselves, is likely to become wrong (or less correct).
Therefore honesty, humility, and a sincere desire to know the nature of the material world, are generally, though not always, more important than having a correct object-level position on every issue.
If methods are more important than just being correct, because methods are how you become correct, then we can view the nature of discussion differently.
You can have a discussion âŚas practice. It's OK if you're wrong, as long as the discussion helps you to become more correct, or become better at becoming correct. Breaking things down into their components, forming arguments, and weighing arguments, are skills, which can be practiced.
Now, regarding Tumblr...
In my opinion, people come to Tumblr to blog for basically two reasons. They want to learn, and they want to be heard.
To learn from someone, they must be similar enough to you that you can understand them, but different enough from you that they have something to teach you. Rationalists have a concept called "inferential distance," which refers to the gap in knowledge or reasoning between people. For example, to explain vtuber drama to Leibniz, in order for him to understand you, you would first have to explain computers and the Internet.
Inferential distance should not be thought of as a matter of supremacy or inferiority; two people might have equal shares of information about a problem that don't overlap with each other.
Due to differences in the knowledge and experience of people, there can be someone B in a chain A -> B -> C who understands both A and C, even when A and C do not understand each other.
In addition, if there is something you don't understand, it may be possible to ask a question and get an answer that helps you to understand. In this way, a conversation, which is flexible and adaptive, can reach people that a book, which is fixed, cannot.
Knowledge relationships may be hierarchical, in that I may know some piece of true information that you don't. However, from that perspective, there are multiple knowledge relationships between two people, and it is generally the case that you will also know some true information that I don't.
People also come to social media to be heard. It might be about a topic that doesn't have a large audience in their personal life, such as collecting Korean dolls. It might be to have a larger audience than they can access in real life. It might be to be heard by specific people.
When I came to Tumblr to write about politics in 2017, I did so because I thought that the quality of the national political discourse was quite poor, so that I could hardly do worse than what was regularly platformed by national outlets, but I felt that the quality of discourse in this area of Tumblr was fairly good, so that it was possible to have discourse that would generate light, not just heat.
I write to share information that I think others should know. I also write to gather feedback (and to practice writing). Rather than either-or, this can be thought of as a split, like 90%-10%, that varies by post.
Sometimes this means sharing information I know now that I think it would have been good for me to know when I was younger. Sometimes this means sharing information that I knew when I was your age, but which people who are currently your age do not know.
Tumblr has done something remarkable - it has restored intergenerational transmission of information. I'm not that old, but I believe that many of the more experienced users on this website feel the same as I do. We are all going to leave Tumblr at some point, either because we will become too busy, or because the isekai bus will finally catch up to us.
Confucius once said that, in old age, the best men guard themselves against acquisitiveness. As members of the forthcoming generation, your presence is worth more than gold. This is why, on Nov. 6th, I told you all to survive and become strong.
The next 50 years are going to see some major changes in the underlying dimensions of human society, with likely significant advances in AI (which makes capital more like labor) and in genetic engineering (which will offer an increase in health, but also poses major ethical challenges). You will likely live to make important choices about humanity's future, which will rapidly become the new present.
It is not necessary to become a master of abstraction. Rather, even a moderate improvement in the ability to think clearly, to weigh arguments, to evaluate evidence, and to see contradiction, makes it more difficult for others to lie to and manipulate you. When people are difficult to lie to, liars must proceed in uncertainty, and reduce the magnitude of their lies.
This creates a world which is safer for the weak, the busy, and the distracted. There are people who are too young or too old to seek out the correct information, or verify it.
There was a strain of thought over last decade that was suspicious of strength and agency, as only through strength is it possible to oppress others. The world, of course, is more complicated than this. It is only through strength that we can put compassion into practice, and it is only through agency that we can ensure that what we are doing is compassionate.
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KYLE CROUSE: Alright, here's a question from Milesprowerdavis. "Recently I lost a close family member. What fatherly advice or motherly advice would the main cast give? Team Dark and Light can add more of the characters. You can be funny with it. Interested what Dr Eggman would say."
youtube
IAN FLYNN: Well, first of all, deepest condolences. KYLE: Yes. IAN: Um, I would normally not want to answer in the way of a character, but this is your personal request, so I guess that takes the 'taboo' off it. KYLE: [chuckles] IAN: Uh, Sonic I don't think would give any kind of fatherly advice; he would let you figure out your own answer and be there for you as you figure it out on your own. He's gonna let you take that journey, but he's going to be there as you do it. Um, Amy would likewise- I don't know if she would give advice, but she would be there to console, to offer words of support, to be someone to listen, or to just talk so you don't have to think for a bit. She would do whatever you needed her to do at the time. Eggman... KYLE: [chuckles] IAN: We're gonna- we're gonna go the wholesome route this time, even if it is slightly out of character. [Eggman] would go on some long spiel about the entropy of the universe, and how everything is finite, and 'dust to dust' and yadda yadda. But you are still here, and that's what's important. You continue on the chain reactions that are life, so while that experiment is ended, you are the results that are continuing to create results! So, keep at it. And then kind of an awkward shoulder pat and wanders off. KYLE: [Eggman voice] "And soon, you will be part of the Eggman Empire anyways, so it does not matter!" IAN: [chuckles] Knuckles would kind of nod solemnly and say, "That's rough, buddy." KYLE: Yeah! [laughs] That is rough, buddy. It is very rough, buddy. IAN: But he means it! So it means something! KYLE: I mean, yeah! Yeah, yeah, yeah. And Tails? IAN: I don't know if Tails would know what to say. He would want to be- KYLE: I think Tails would be kind of lost, but he would try. IAN: He'd want to be encouraging, yeah. He'd want to be encouraging and supportive, but I think he'd feel a little overwhelmed with the responsibility. KYLE: Yeah... IAN: Um, Vector would start to mumble something that might sound... interesting, maybe? He kind of starts and stops his sentences every few seconds, then says, uh, [Vector voice] "Espio, tag in!" KYLE: [laughs] IAN: Then Espio starts getting kinda philosophical, and kinda loses his own train of thought, and goes quiet for a second. [Espio voice] "Charmy, tag in!" And then Charmy offers you ice cream. KYLE: [chuckles] I mean, I would appreciate all three of them, so yeah. That's wholesome. [after a pause] Hm... would Silver be, like...? IAN: I think Silver would be devastated. I think he values life on a personal level even more so than anyone else. KYLE: Okay, okay. IAN: Um, 'cause he- I think he has a better understanding of loss than any of the cast, to be perfectly honest. Sure, Knuckles is on his own, but he doesn't have any memory of what came before. That's kind of just his status quo. It's more of an existential thing. Silver... Silver has seen devastation. He has seen tragic loss and, y'know, impossible odds. So I think he would hold everything a little- every life a little more sacred. So I don't know if he would be able to impart any words of wisdom, but he would definitely be the most openly and, uh, earnestly sympathetic. KYLE: Mhm. Alright, I think that's enough, though... There's definitely many other characters we could ask, but that's enough for now.
--- TRANSCRIBER'S NOTE: Please remember that nothing that is said on BumbleKast is canon! It's just some guys and their opinions occasionally spitballing ideas. If you don't like an answer, you don't have to take it as Word of God or anything like that. It's all just for fun! ----- Do you want a specific question transcribed and posted? Send the question and the episode date to my ask box! Or if you just want questions about a certain character, send me their name and I will see what I can do!
#sonic the hedgehog#amy rose#knuckles the echidna#dr eggman#team chaotix#vector the crocodile#espio the chameleon#charmy bee#silver the hedgehog#bumblekast#ian flynn#kyle crouse#Yeah I know yesterday I said I wasn't gonna do any transcripts but I heard this one again when I needed it most.#So I'm doing it as a transcript as like... therapy I guess. Yeah. Silver's answer made me cry yesterday lmao. Love that little guy <3#Youtube
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Okay, so I'm writing things from Sky's perspective for the first time in what feels like years (maybe it has been years? the last notable Sky POV I can remember is from Feathered which I finished I year and a half ago) and I have thoughts!
Legend is not the person who resents the goddesses. My boy is literally besties with Din and Nayru, probably Farore too. Who knows about his thoughts on Hylia honestly, but you know who is salty about Hylia? Sky. Sky is so salty about Hylia. The goddesses toyed with him and Zelda like puppets with no cares for how it would destroy them, only that it would turn out how they want. Hylia is the definition of "end justifies the means" in Sky's mind, and he resents her for it.
Sky does not appreciate anyone making any implications that he is dating Hylia, in love with Hylia, or anything of the sort. My man will throw down with anyone who tries to say that Zelda is Hylia. They are two different people, thank you very much! His brothers are not him, and Hylia' incarnations are not her.
Sky finds relief in the Chain because he is not the only hero anymore. On skyloft, he's now an important person, a hero and not just a knight. He did not sign up for this, he's fresh out of school and he is overwhelmed by the expectations and responsibilities that come from being the hero. Being with the chain is a relief because they're all heroes too.
Sky is experiencing burn-out. The sleepiness? Yeah, that's the burn out, Gifted kid burn-out maybe, maybe just exhaustion from the expectations on him, but it's burn out. he's glad no one gets on him for it now. The others laugh at it a bit, but no one thinks he's lazy and it's nice to be allowed to have his rest without consequences now.
Sky is more used to talking to Fi than anyone else, so he's developed certain ticks and cues that he used on Fi to express things (like asking her to stop talking or to redirect her when he wa suncomfortable), but which don't translate as well to talking to Hylians. Most of this is because it involves fidgeting with his sword, not an acceptable method of communication between friends.
To continue the above, Legend, who also talks to Fi, DOES catch some of the ticks because he uses them too. Different, yes, but they're both pretty similar on that front (to the point it's nostalgic for Fi when she talks to Legend because he reminds her of Sky). Does this mean that they understand certain cues the others don't even notice? Yes. They don't even realize they're doing it but it's part of how they've learned to get along already; because they use similar communication styles that no one else does so it adds a whole different level of easier communication between them.
Sky has trouble with communication with Time specifically. he's wary about discussing some topics (their adventures, the goddesses, his sword) but also just struggles to read Time in general.
Sky admires Twilight's connection with Epona and views their dynamic the same way he would a fellow knight and their loftwing.
Sky is a bundle of unresolved and unprocessed issues that he hides under soft smiles and copious amounts of affection.
That's all for now, but yeah. Sky's got more depth than I'd initially thought and my gosh this boy has so many emotions? So many issues too, I don't know if he'll be recognizable compared to the sweet sleepyhead I usually write him as, but I kinda like him being more... mature? Aware? I like him being like a real young adult still finding his feet in the world :)
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I'm new to Tumblr. How do Tumblr users usually engage with each other?
well first of all welcome haha. the main ways to engage with people are:
liking and reblogging. platforms like instagram and tiktok run on likes and an algorithm, but on tumblr, people almost exclusively use their dashboard and turn off suggested content, so theyâre only seeing what people actually reblog onto their dash. thatâs why people on this site are so adamant about reblogs, because likes basically do nothing. i saw someone say once that anything you would like on a different social media, you should reblog on here, and i totally agree. and donât worry about how old a post is, or about reblogging something youâve previously reblogged. there are posts from 2014 that i regularly see on my dash a decade later, so literally donât feel awkward, itâs 100% normal to engage with old posts.
tags. there are three main ways tags are used: labeling original content so people find it in searches, internal organization systems when reblogging or posting (for instance, many people have a tag for their original posts, and will tag reblogs by fandom or character or whatever - important note that reblogs do not show up in search results), and to make sotto voce comments on a post. itâs normal for people to make jokes, add their own commentary, ramble about something semi relevant, or say something to op in the tags on posts they reblog.
reblog additions. every time you reblog, you have the chance to add something to the post, which unlike tags will be retained when someone reblogs from you. a good rule of thumb is to comment instead of tagging when itâs something you actually want other people to engage with, as opposed to tags where youâre just kind of expressing yourself lol. donât be surprised however if you see peopleâs tags getting screenshotted and added to a reblog. if this happens because the screenshotter likes what the tag writer said, itâs jokingly referred to as âpassing peer review.â (and of course people screenshot tags to criticize or mock them as well.) essentially, tags are like being at a big group dinner and saying something to the person next to you as an aside, and then sometimes that person goes âhey everyone listen to thisâ
post comments. thereâs also an option on every post (unless op has turned it off) for people to comment on the post itself, not on a specific reblog. mostly this is useful for talking to people on personal posts or posts with reblogs turned off. on a bigger post, just reblog it and put your thoughts in an addition or tag.
asks. seems like you figured this one out! lmao. asks are used for a wide variety of things, but essentially it can either be a prompt for someone to make a post or a way of having an interaction/conversation with someone without dming them.
dms. these work like dms everywhere else, except the functionality is limited and it kinda sucks.
games. there are also many varieties of games that people play with each other, ranging from ask games (things like ârec me some musicâ or a post with prompts and people send you some from that list), tag games (typically there are questions you answer then you tag other people to fill them out for themselves) handwriting tags, follow chains, giveaways, name/url playlists, and more. with the addition of polls, brackets have gotten popular too (eg the tumblr sexyman bracket). there also used to be a lot of in-character ask blogs, where a user would set up a blog and roleplay as a specific character that people could send questions to (there still are some but way fewer and way less popular than there used to be)
to be honest i feel like i have to put âdiscourseâ and âdramaâ on this list too. people on this site loveeee having the most insane arguments of all time and then everyone else memes the hell out of it. google âsonic for real justiceâ for an example lmao. (of course thereâs also very unfunny political and fandom discourse that goes on as well. i would advise you to avoid discourse blogs as a general rule regardless of whether you agree with their position or not)
tagging people. you can also @ people in posts you think theyâd like or if you feel like they have relevant input. typically this is something you would do either to people youâve spoken to before, or a big blog with an established persona and rapport with their followers (eg if you follow a blog about snakes and you see a random post with snake info that seems wrong but youâre not sure, so you tag them to ask for their expertise).
and this isnât a specific âmodeâ of communication but itâs also a thing to âinterpretâ (for lack of a better word) other peopleâs posts. for instance, people drawing a photo from the original post (i cant find it but there was a post going around recently where op posted an aesthetic photo of an egg cooking and then several people painted it), or people trying/recreating something a post was about (example). it was also a thing for a minute there where people would rewrite funny exchanges as shakespearean dialogue
those are all the ways i can think of, although im sure iâve missed some (if other people think of any pls add on!). good luck, and i hope youâre able to meet some cool people!
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what would you say are the traits to keep in mind for preventing mischaracterization of Yuma?
It's worth clarifying before I go into this that these are traits I personally look out for whenever I plan to write for Yuma. This isn't a targeted critique at anyone else's interpretation of Yuma. Writers are free to write however they want for a character, and I just happen to stick closer to canon while still taking creative liberties with elements that I believe can be expanded upon. If anything, this is just a nice reminder for myself, while potentially giving advice to those looking for it. Anyways, I gotta actually answer the question!
I haven't written as much with Yuma as I've done for Vivia, Yakou, Yomi, and even Shinigami (I really need to write more for Hitman Zilch too augh). But I still like to have some things in mind just in case I ever decide to write for him. The main aspect of Yuma's characterization that I try not to slip up on is his amnesia! From what I've noticed, Yuma remembers what things are, but doesn't remember any experiences he has with those things. For example, he knows what detectives are, but he doesn't remember ever working as one, which extends over into all memories of the WDO. He knows what cooking is and remembers the basics of how to cook, but he can't remember any actual recipes that he's read, so he ends up making horrible food. In essence, it's like if a phone wasn't factory reset, but the photo album and downloaded apps were completely wiped, and only the basic apps automatically on the phone remain.
This next element isn't necessarily for Yuma specifically, but it's a very important part of his arc: don't forget Shinigami! She's here, she's there, she's everywhere! While she can turn invisible at will (as shown by chapter 0's aftermath), she's still chained to him throughout the entire game and loves to comment about almost everything going on around them. They tend to bicker in their shared thoughts, which is fun to capture when thinking about scenes for them. This is something that matters to me a lot since I'll be writing a lot of Shinigami for my Death Knight Yakou AU. I always want to keep in mind that Shinigami will most likely have something to say at anything that catches her eye, and whether Yuma (or Yakou in my case) ignores it, replies to it, or turns it into a full-on conversation depending on what's called for and if it'll add anything small to their characters or have some entertainment value.
Last but not least, Yuma isn't wholly innocent or exempt from indirectly killing culprits. Yuma actively decides to access the Mystery Labyrinths as a sort of self-defense mechanism. When he or his allies are at risk of being hurt or killed, he calls upon Shinigami, despite knowing that the culprits will be killed and that it won't ensure their safety. The only reason Yuma and his allies weren't killed in chapter 3 and 4 was because of good timing from others intervening. He may have killed in an act of self-defense and to better understand the conflict, but it doesn't mean he's clean of any blood on his hands, especially when he wanted to kill Icardi for the murder of Shachi. When he's angry, he's angry. He has shown that he can be enraged enough to want someone to die, so I like to have that stored in the back of my mind if ever I need to write for a wrathful Yuma that can and will choose violence if his back is to the wall and his allies are in danger.
#he's just a silly little purble guy who can do all wrong#writing tips? writings tips. for me.#(and maybe anyone else that wants it)#master detective archives: rain code#rain code#rain code spoilers#yuma kokohead
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OCS ask, does your OCs have anything important items to them that they treasure?
Oooh, I think I remember saying aaaages ago that Jodie definitely has something she keeps on her person all the time. I'll try and keep this neat and tidy!
Jodie
A drawing that toddler David Mason drew for her the first time she met him.
A photo of Frank taken of him in Vietnam, Sarah Mason gave her.
Photos of her family in general, she has some pinned on her dresser in her shared room with Frank.
Not necessarily something she treasures, but it is important to her; her puzzle book. She completed it but kept it, filling the pages to the brim with notes and thoughts - it helped her through her recovery after the brainwashing. You would look at all the scribbles and notes, some in English, some in Russian, some codes and nonsensical babbling; it's the visualisation of a mind on the brink of breaking. When she looks back on it, she's reminded of how far she's come.
Sarah
A huge photo album she has of hundreds of photos she'd collected over the years.
Her wedding ring.
A lock of David's baby hair in a locket, she used to wear it around her neck.
Ashley
Her dad's bandanna - I feel like he would give it to her later on in life.
After her mum passes later in her life, she would definitely ask Frank if she could have Jodie's wedding ring to wear on a chain around her neck. (Later when both would have passed, she would also add Frank's to that chain, too, keep 'em both with her).
A leather jacket Jodie bought her.
Keith
idk man, this guy is an enigma. Would he even treasure anything? I suppose this would depend on the AU. Canon Keith probably doesn't give two shits about sentimentality or treasuring inanimate objects - will they give him what he wants? No.
In the Boys AU I have with @walder-138 it's another photo, but it would be of him and Liberty's OC Annika. The image is probably catching her off guard and he's being a bit of an annoying jerk, but you can tell he took it with good intentions. For once, the man actually cares about someone more than himself.
OR actually, probably something that she made for him, if she ever did make anything for him. Like, maybe a shiftily made badge that says 'u suck' or something, but he'd treasure it.
Franca
I think I mentioned this in another post, but I can't find it; a Saint Christopher necklace her mum gave her. Her mum says it belonged to her great grandmother. Franca's relationships with her family are, for a lack of a better word, fucked; she remembers the last conversation with her mum was hushed and rushed, with her fumbling to push the necklace into her hand. All the while, her mum is looking over shoulder to check the dad isn't watching; it was also the last time she saw her mum. Saint Christopher is believed to watch over travellers; it's comforting for her to think that, even though her mum doesn't really speak with her anymore (due to the dad) that her mum still wanted her to be safe, hence being given that specific necklace. She treasures it for that reason.
Nanette
Similarly to Sarah, it's her wedding ring - even after Soap's death Nanette wears it. I don't think she'll ever take it off.
A jumper of Soap's, the smell of him is slowly fading, but for now it still feels like he's there when she wears it.
An old, fraying teddy of a cartoonish looking dog - it's got big black beady eyes, the cushioning isn't as fluffed as it used to be. It's a childhood teddy and she keeps it on her bed.
A baby book - it details all of Lilidh's first things; first word, first step, first tooth. You get it!
Stephanie
A room filled with artwork her late husband Zach did. The room is untouched and will remain so, everything in there is like gold to her and she will stab someone if they touch it.
Pictures of her mum.
Some rings that were passed down from her mum's side of the family - when not at work, she wears all of them. They really suit her!
Klaus
His pocket knife, it was a gift and has his name engraved on the handle.
A black woollen hat, says it's good luck.
A pair of cufflinks from his Grandad!
Esme
A woven bracelet that's hardly ever off her left wrist.
A broken keychain with a funky little frog on it, it was an image of a flat piece of plastic, but it's been snapped in half.
#thank you for the ask!!#call of duty#black ops cold war#gooseanswers#frank woods#jodie hall#cod mw2#cod bell oc#franca lorenzetti#stephanie wilde#nanette mactavish#klaus newman#sarah mason#ashley woods#esme sanchez#keith wells#shadow ocs#mw ocs#bocw oc
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At this point you've written at least four different roleswap AUs, so I was wondering if you had any thoughts or takes about how a roleswap AU should be? - someone who's planning on making a roleswap AU
Please don't remind me. I'm embarrassed about this. I know I need to write other things. I don't know why the AU concept is so incredibly fun to write. I can't explain it. Roleswaps are very easy to write and a lot of fun and involve being a freak about everything. Who wouldn't write 10 of those bitches.
But yes, as someone whose roleswap AUs are like 9 out of her 51 fics, I feel qualified to talk about this. These are just my own opinions and takes, and other people might do it differently - if you write roleswaps too, feel free to add in your two cents!!
Before sitting down to write literally anything I always figure out the rules of the story. Writing is little more than a nonstop series of decisions, and if you abide by the rules of your story or characters then your decisions will be coherent and cohesive. By rules I don't mean worldbuilding - I mean the internal logic of the story and the characters. "X character will never explicitly say how he's feeling" or "the leads have to both win and lose every encounter".
I find establishing writing rules for roleswaps especially important - it's figuring out exactly how the roleswap works. Here are the ones that I find important, and kind of the process:
Decide what is swapped. Is it more of a universal swap, personality swap, backstory swap, chronology swap, or alignment swap? No matter which one you choose, all of these things are probably going to change anyway, but there has to be one central point for each character that guides your decisions. Are you actually swapping the narrative role in the story, or are you just changing it? You have to be really precise and have a very good idea of what exactly is swapped, and it has to be consistent throughout the story. It can't just (just) work on what you'd like to see, it has to be exactly the same between characters.
Decide the point of divergence. Sometimes that point is pretty abstract (She's a teenager in the 90s instead of the 20s). Sometimes it's much more specific, just one moment (He developed his superpowers at this moment instead of that). The point doesn't have to be immediately obvious, but you should know it - I did a backstory swap ages ago, and it seemed like a complete change, but like 150k in I dropped that a character dropped out of the police academy instead of completing it and that her entire life changed from there. If the swap is more abstract, then maybe it's just a series of smaller decisions - character A has these seminal points in his story, and I'm swapping him with character B, so here's what character B did during these seminal points instead, and how it changed him and his narrative.
Decide who the character is. This might be more personal, but for me, I think of the character as...there is a central tenet of them, of who they are as a person, that does not change no matter what. That's three or four traits of who they are, that you will not change, and that's what makes their swapped life their own instead of the OG dude's. But there's a lot of traits and behaviors around that core personality that's the result of their environment, backstory, and experiences. That's what should change. It's about figuring out how these essential traits + what is swapped + the point of divergence = an entirely different character and story. The roleswap you'll end up with will be a combination of all of these things: how the essential aspects of a character mix with what's swapped to create an entirely new environment and set of behaviors, which cause a chain reaction to create something new. As a writer, you sit down and say, "I'm keeping these parts of the character, I'm swapping out those parts, this new mix changes these points in their backstory, this results in this new person".
This is more of a guideline, but it's the most important to me: your characters have to be recognizable as the character. The reader shouldn't go, "this OC is making some weird choices". The reader should go, "I don't know how, because he's the exact opposite of his canon self in every possible way, but somehow he still feels like my favorite character". This is why you isolate those basic traits before changing the rest - so long as your character is still who they are deep inside, then they still feel like that character. And that's the fun of the story. You're selling something insane, and the reader is buying it.
It's a lot of really heavy character work. You have to really understand the characters you're writing - the less I get the original character, the more issues I'm perpetually having. I tend to fly fast and loose with characterizations, but when writing roleswaps I have to refer back to canon and the source material a lot ("In canon he did X thing, with his newly different backstory how would that decision change?"). The more you're rooted in canon, then the funkier and more divergent you can get.
Personally, I like to play a fun little game I call: how exactly opposite can I make this character until he stops feeling like this character? I Sometimes my goal in writing is "how deeply can I ruin this story". This is not a good game and people should not play it. I find that the lazier I get about getting in touch with the canon character, about keeping track of the canon decisions, and about following these guidelines, then the more difficult a story is to write. If you structure a story well then it's easy to write, and roleswaps are pretty easy. Thanks for the question!
#my asks#my writing#ok I have no idea how to politely say this#so ill say it in the tags where the rude words live:#if you only think about fanon characterizations when figuring this stuff out#or if you write a characterization based on their role in the relationship dynamic#then youre not gonna be able to do this stuff well#if you write a good guy as a bad guy then you have to#honestly engage with their flaws and their terrible decisions#you can't just swap one archetype for another#and people work so backwards in characterization that. ajksldfjsadf it's 9am too early for salt#sorry I was thinking about my tma roleswap while writing this and#its giving me tma fandom trauma flashbacks#never been in a fandom so completely uninterested in any of its characters. at all. it was insane.#anyway the way im seeing ppl write vash im getting the impression that#people aren't registering that he's the biggest compulsive liar in anime#he is nonstop lies. all of the time. stamp's closer to deflection but. pure lies this man.#i read ppl writing vash and im like MAN you bought what this guy was selling hard huh#anyway roleswap vash has a bridge to sell you and gaslights to girlboss
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a death note chapter 1 vs episode 1 comparison
I think people tend to be under the assumption that the death note manga and anime are basically the same besides their endings and the foot washing scene, and thus generally interchangeable. Personally, i donât believe this is the case. Though many of the changes are small things a casual viewer might not notice, to me these small changes add up to such a degree that despite being so similar, reading the manga and watching the anime are two very different experiences (not even getting into how the anime butchers the second half lmao)
For the record, im not against significant changes in adaptations. On the contrary, i find the oft-hated 2015 tv drama to be a compelling alternate take on the narrative (even if it often struggles in the execution of its concepts). Rather, this whole Thing is more of a documentation of the big and small changes made in adaptation, through the lens of my own extremely subjective interpretation of both versions.
the anime naturally makes many structural changes to the narrative so for the sake of consistency, i will generally be going through things according to the animeâs chronology. If i believe one of these changes has a notable effect on how the narrative comes across, iâll mention it. Iâll try not to repeat things that are identical between versions, so naturally some existing familiarity with either version would be preferable
Let's Begin
Light: this world⌠Ryuk: âŚis rotten
The anime takes the opening lines of the manga (which are spoken separately by light and ryuk, respectively) and gives light ryukâs line, while lightâs is then shared between both of them.
Though they are very obviously visually drawing parallels between the two characters in the manga, i think the actual sentiment expressed in their respective lines isnât meant to be quite as connected as the anime portrays it. the role âboredomâ and âmoralityâ play in their respective motivations is pretty important later on in the chapter, so just keep this in the back of your mind for now.
After light picks up the note for the first time, he puts it back down and starts to leave, dismissing it as a stupid chain letter. But once he thinks about the fact that itâll supposedly kill people, he turns back (and goes back for it). This choice to go back is not present in the manga, he simply picks it up, laughs, and puts it in his bag without a second thought.
Though light laughs at it in both, in the manga the sequence in general feels lighter in tone compared to the anime (where light only takes interest in it Because it claims to kill).Â
In general, light comes across as more mature in the anime, in his facial features and behavior. Tragically, there is no âfwaahâ đĽş
Itâs minor but Anime light entirely skips manga lightâs rationalization of finding someone itâs âokay to killâ, though he does immediately rebuke himself for taking this so seriously
This may just be up to translation differences but anime light seems almost eager for the death note to be real, while manga light seems to just want confirmation, and is much more distressed over the circumstances. Again, the anime leaves out light determining who to kill specifically in terms of who it would be âokay to killâ. And here he then doubles down to someone who âought to dieâ, as the situation has gotten more serious
Itâs a small thing, but the anime completely removes this scene (the teacher is knocking him out of his thoughts of killing one of his classmates). Itâs only notable to me in how it connects with the wider tonal differences between the versions of the story, and of how much less willing the anime is to portray lightâs more mundane immature/human aspects
I'm not including pics but this sequence where light comes across a woman being harassed by a group of bikers is a lot more graphic, showing the preamble to sexual assault where the manga just implied it to be a possibility.
This one is probably more subjective, but when light pulls out the note to stare at it and laugh a little eagerly, the animeâs delivery is really like. Obvious overt Supervillain laugh (even if it is fairly quiet). The manga comes across a little moreâŚ.. Idc, childish? Immature? Not to mention the sweat on his face
A small change, but in the anime thereâs no disbelieving âaâŚ[bold text] shinigami?â
Anime light sweats at his initial meeting of ryuk, but itâs gone as he resolves himself. Manga light sweats and sweats and keeps on sweating through most of the rest of the conversation, the closed eye expression being one of frustration before he opens his eyes and resolves himself.
In the manga, lightâs hand trembles as he grabs the chair while getting up.
With the context of the rest of this chapter/episode, these lines come off very differently to me. Anime light feels like he was only surprised by the sight of ryuk+jumpscare, and is wayyy more confident in this situation. That he has been waiting for ryuk feels like a true statement. But in the manga, it really comes off like he is pissing himself scared right now and is desperately pretending to be cool and lies about it to try and have some control over the situation
The anime omits this hilariously awkward line, which really adds to the âlightâs absolutely freaking outâ of the manga
Ugh, for such a little thing im genuinely kinda devastated that the anime just doesnât have that look between ryuk and light. It makes the âmost people would be too scaredâ feel so much less pointed. Light later says that thereâs âsome power that makes you want to use the death noteâ and i think this bit really drives in how truly abnormal lightâs behavior is, even for people who willingly use the death note.Â
Off topic but I Hate those âthe death note has supernatural powers that makes you evilâ theories i really do, it gets rid of everything interesting about the narrative, iâll fight you. anyways.
Again, the difference in composure. Anime light is still sweating over this, but overall way more âcoolâ than manga lightâs heavily shadowed, serious expression and hunched shoulders
Im so sad at how theyâve removed so much of this lowkey humor in the anime. Lightâs awkward laughter is so funny and characterful to me, he is sooo internally freaking outâŚ
i think the juxtaposition of dark shit with humor to be one of the big appeals of the manga, and one of the main reasons i find the anime pretty boring tonally.Â
They need to stop getting rid of lightâs awkward bits, it really humanizes him
Light has resolved himself to his mission, he proclaims it with a smile on his face, in both versions. (Manga light finally doesnât have sweat on his face anymore)
But why is he doing all this? Ryuk even asks flat out in the anime. And what does light say?
Well this is where it gets really interesting⌠It is here where what i believe to be the single most significant adaptation change occurs.Â
Light has two RADICALLY different answers.
A childish, wide eyed smiling proclamation that ânobody will commit crimes anymore. the world will start to become a better place,â versus a serious âi was boredâŚtoo.â
once you strip away the cat and mouse games to reach the thematic and emotional bones of death note (the manga), i find it to be a story that is fundamentally a character study of our beloved beloathed protagonist light yagami. As such, i find Altering something so critical to who he is like this irrevocably changes the entire narrative.Â
And the thing is, both sentiments are expressed in both versions, but come across very differently due to their contexts.Â
â- right to left
This first chapter has had some fairly major structural changes done in the process of adaptation. While the anime goes from light seeing the death note fall from his classroom window to meeting ryuk for the first time in chronological order, the manga has a timeskip in the middle of it. What did they skip? Lightâs first time actually using the death note. So when ryuk later tells light that he dropped the death note for a human to pick up out of boredom, light responds that he was bored too⌠leading directly into a flashback of when he first used the note.Â
In the manga, the juxtaposition of events leads us to read âi was bored tooâ as:Â
âLight used the death note for the first time because he was boredâÂ
In the anime, the same line is instead a direct answer to ryuk asking his motivation for becoming kira. Reinforced by following it up with a flashback to the immediate aftermath of light discovering that the death note truly works (+ his decision to become kira).
Though not significantly different, i do find it interesting how the anime has omitted light considering getting rid of the death note and thinking that the second victim didnât deserve death (then talking himself into accepting it). As a result, anime lightâs rationalization of his behavior feels less personal, and has much less doubt.
Again, the manga goes way harder into lightâs emotional state, and doubts about this whole thing. âJust two, and look at meâŚâ Also, no guilt blanket burrito in the anime âšď¸
Now back to the conversation with ryuk, the anime is very notably missing this line from light. Ryuk has never seen someone write as many names in the notebook in 5 days as light has, and light is not dealing with it well. Heâs being flippant about it, but this little line is some of the most damning evidence that the guilt of killing people is actively eating away at him, and to a pretty severe degree.
Though anime light does bring up the same/similar lines about making the world a better place and having doubts about his mission, their place in his motivations has been significantly de-emphasized. The general change in lightâs characterization seems to make him look much colder, cooler and more capable, at the expense of removing most of his humanity and a lot of the dimension to his character, particularly regarding his personal feelings re: being kira.
This wouldnât be so much of an issue to me if (ironically) the anime had changed More in order to support its new direction (the shift in lightâs characterization+increased emphasis on L as well as L and Lightâs dynamic), but i donât think it executed it very well. I honestly think the musical actually delivers on these specific goals much more successfully, but weâre leaving that for another post.
can you believe i wrote all that for one chapter/episode. Christ.
Anyways look at this loser who deep down knows heâs doing the wrong thing but chooses to just keep doing it.
#my post#death note#light yagami#im actually putting a character tag on this cause i spent way too long making this and then way too long formatting it for tumblr#because i originally just make it in a google doc for me myself and i in a burst of death note obsession#that just happens to me sometimes#im posting it here because oomfs on twitter enjoyed it. might as well#anyways *puts light yagami under my microscope*
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UPDATED: October 31st, 2024
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I don't want to risk this landing as unsolicited advice or me not reading the room if I add it as a post in the reblog chain to the post that's going around (hi mutual! <3), so I'm going to put this rambling into a post of its own since I still want to shareâand I definitely welcome hearing from other folks about how they write Garak or the approaches they take with this sort of thing! But re: writing the layers of Garak's thoughts and actionsâwhat he says vs. what he thinks vs. how true what he thinks is:
Unhelpfully, I don't think I have ever encountered this challenge when writing Garak, but everyone I have seen talking in tags in agreement I think does a lot more writing than me and I admire and respect y'all and your abilities and output a whole lot! That said, I'm trying to think about reasonsâother than however my own hyperfixation on said characters and my own variety of autism and â¨vibesâ¨shake outâfor why I don't? (rambling continues below cut, I also may add to this via reblog if more thoughts come to mind later)
One possibility is just that I think I've got it down while I'm actually confidently missing it; I think the layers make it in there but who knows! Also, I have a lot more stuff in my head and in WIP form than actually on ao3. A factor that I do think helps how I relate to characters is that if I make the circumstances specific enough, it tends to really narrow down how they might react? So I think if I'm unsure about what a character might say or do next, a helpful thing is adding more framework in the form of what else might be happening/what might be at stake/etc. Another thing is that for main characters I do generally write the scene while thinking through everyone's POV to some degree (I also have some stuff where I've played around with writing both POVs separately) so I generally have awareness of what they would be thinking at least in broad terms and I think it's a lot easier to write someone lying when I know that. In terms of what lies a character might tell themself, I think that can connect to a character's valuesâwhat's important to them, what my understanding of things they need are (broadly and/or in more specific circumstances), what patterns of behavior do I recognize them as having (especially what's supported canonically), is there anything in canon that I've come to know as a strong piece of evidence about their behavior or likely reactions (fears, things they tolerate poorly, ways they've handled similar things in canon, specific comments or actions) that can be taken as something they likely hold strongly/broadly*... also, in terms of big themes or events of the world the character exists in, what are the opinions they hold about those big themesâ âand then I think another big piece for me is really sticking to what information they know compared to what I know, also what they know about what the other character knows, their overall impression of the other character. Etc. I'll come back to this if more thoughts come to mind because I like talking about this and I'm also interested in what other people might want to share! *for instance, just to give some examples of this and not really for lying reasons: Julian's feet comment could be taken as having broad/strong implications for his feelings about feet, or not! But it could be. A canonical behavior Garak does on multiple occasions is that when people get into his personal space he typically doesn't shrink back, but sometimes he does a bit, so I might wonder what would contribute to that choice to shrink back (or even what might justify it being an involuntary reaction) or I might choose to stick with the likely outcome of him holding his ground.
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Gravity of levity: Gay people will wear anything.
Gay people will wear anything is a memorial piece to queer expression and the semantics of gender presentation. Within this piece we find living floral elements such as carnations that are quintessential image of the LGBTQ community. Depending on the color they have varying meanings but typically the green was worn in the 1890s by gay men to represent their sexuality. The white carnation like the one featured with this piece is meant to symbolize pure love. I decided to incorporate red roses with this piece to give to the photographer Kristin Cofer and her series, the red Rose project. Within this body of work, she photographs LGBTQ identifying people that are important within her life with red roses, giving them their so-called flowers. The materiality of this piece deep significance. The ropes that are weave together with burlap denim and leather tie back to the leather boot element within this piece referring to blue-collar butch workmanship. We also chain a modern and post punk fashion element found within clothing. At the bottom of the piece, hang bandanna in different colors found within hanky code. Some of them more than others. With colors such as black to represent S and M, lavender for drag queens and those attracted to drag queens. This piece is also based on a joke found within my personal life. In nightlife, especially queer nightlife we tend to see what one could endearing me describe as heinous outfits. With comedic elements found with an expression and more serious and thought-provoking elements in each garment. The joke is gay people will wear anything. At my big age of 22 years old I wore my nephews Roblox hat to go to an event. However, Iâve also seen people wear things like discarded telephones on their belts, we add things like floral lease to oversize basketball shorts. This piece speaks about the playfulness with queer identity and the semantics we find within queer style of dress. This is not to say that queer fashion has a specific look but, it can be identified through its play With world building and perception of the world around it. This phenomenon which we find in real world presentations of gender, as well as photographic fashion Images is referred to as disidentification. Identification and queerness have a fond relationship as they seem to rely on each other. Dis, identification and forms, queerness, and is informed by queerness. The symbiosis is particularly interesting to study and observe because it is the creation of an identity that outsiders of said identity do not want to immediately associate, but, only hold this fear of automatic association, because of a previously made assumption. In short âI donât want to think itâs queer because it looks queer â.ďżź
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One thing I haven't yet seen explained very well in any of those aggressive and prescriptive "twitter/reddit refugees, here's how to use tumblr" posts is the culture of adding comments in the tags of a post.
This is something that confused me a little bit back in the day before I was particularly active on tumblrâaren't tags just a way to label and categorize posts? Why is someone writing out a whole anecdote in the tags? But I've grown accustomed to it, and I understand it now as sort of a way to be unobtrusive and keep whatever thoughts you're posting more between you and your followers than directing them at anyone else.
If you comment on the post, the OP (and the person whose reblog you got it from) might be notified of that comment, but other people won't see it unless they specifically decide to check the comments. That can be a good way to say something to the OP, like complimenting them on their art or whatever. And if you reblog a post and add commentary to the body of that reblog, that becomes part of the post. If someone else wants to reblog that post from you, then unless they go out of their way a bit to navigate up the reblog chain to an earlier version, their reblog is also going to include what you added. This feature is great for if you want to add to a public discussion, and some absolutely classic tumblr posts are only as funny and/or insightful as they are because of additions from people other than the OP. But whether it's polite or appropriate to reblog with commentary in a way that kind of makes the post your own really depends on what the post is about and what you want to say.
Tags, on the other hand, sort of allow you to make a quiet aside. The OP of a post is much less likely to see what you say in the tagsâin fact, before an update a while back that added a preview of the tags to the notification when someone reblogs from you, even whoever else other than the OP that you might reblog from wouldn't necessarily see them either. The only people who are going to read what you add to the tags are your followers who see your reblog on their dashboardâand even they can easily skim over them and scroll past if they aren't interested. So if someone else's funny post reminds me of a personal anecdote, instead of making it a comment or adding it to the post itself, I might want to just reblog with tags like "#this reminds me of the time my buddy georg ate a spider." That way, random people who are only interested in that post for its original content aren't going to be bothered by me adding something irrelevant to them, but my friends who follow me and know what I'm talking about might see it and laugh and say "that's classic Georg alright!"
This also allows for other uniquely tumblr ways of interacting with posts, like tagging something "#prev tags" to quietly indicate that you agree with what your friend just said, or screenshotting or copy-pasting your friend's tags and adding them to a reblog to express that you think they're funny or interesting enough that they should be added to the body of the post and more people should see themâsomething that's also a big part of a lot of classic popular posts you might see getting shared around from time to time with comments like "don't leave this in the tags" or "these tags have passed peer review."
You don't have to comment in the tags of a post if you don't want to, of course, but I think it is a pretty important and distinctive part of tumblr culture that's good for new people for be aware of! So feel free to reblog this post and interact with it in whatever way you want if you find it helpful or interesting.
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