#thought i would say something
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nothingbizzare · 1 month ago
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You have a good heart
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poorly-drawn-mdzs · 10 months ago
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Dog Meshi.
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fairsweetlonging · 5 months ago
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truth serum / system reveal au where shen qingqiu gets hit with an uncloaking spell that reveals the system in the reflection of his eyes every time it pops up.
during one of his missions, in the treasure hoard of some dragon-like creature, he finds a golden, oval shaped hand mirror, its gaudy style more victorian based than anything (airplane you hack!), that doesn't seem to do anything when he looks into it. but when he does, it reveals the system's screen in his eyes.
he doesn't notice this, of course, because he can't see it, and the system, surprisingly, stays quiet.
the peak lords think he's cursed.
maybe mu qingfang is the first to notice, during the mandatory post mission check-up, when shen qingqiu is scrolling through his most recently accumulated points and mu qingfang can see the strange vividly-blue lines reflected in his pupils. it's gone when shen qingqiu blinks, like it was nothing but a trick of the light.
it comes out when yue qingyuan is visiting and, just as he's done laying out the plans for a new mission, shen qingqiu's eyes glaze over and a bright blue box takes over the whole of his iris. shen qingqiu goes quiet; the thing in his eyes moves, shifts, pulses for a second, like static worms crawling all over his pupils. then he blinks, and it's gone, and shen qingqiu accepts the mission that yue qingyuan was almost sure he would decline.
maybe there is an intervention, when the peak lords corner shen qingqiu at qian cao peak and try to figure out what's wrong, subjecting him to all kinds of treatments and curse-finding spells that turn up empty, they can't find anything.
of course, the silencing threat is still very much up and running. at first shen qingqiu was kind of confused by the whole ordeal, but when the peak lords start describing a "strange blue box", he realizes, with sickening suddenty, that they're describing the system. and he can't say anything.
this only makes everything worse, because their fellow peak lord now keeps evading every question and acts like he doesn't understand. liu qingge points right at his face and asks, "that blue box, what is it?" and shen qingqiu laughs nervously and starts talking about how bright the weather is and surely it's the sky and nothing to worry about!
even worse, during the intervention the system thought it was a good idea to start talking to him, so now even the peak lords who hadn't seen it and who might have been persuaded by light tricks and reflections, get a first row view that no, that definitely isn't a trick of the light.
they try to do the whole thing of "are you in danger, blink twice" but shen qingqiu can't even do that because it's still a direct admittance!
maybe eventually he starts saying vague confirmations that don't actually confirm anything, like "this master hears what you're saying", or maybe he goes with a classic "this master can neither confirm nor deny that." but the system starts warning him for that too and eventually he stops saying anything, which worries the others more.
luckily mu qingfang catches on that every time they ask a direct question about the box or shen qingqiu says anything vaguely confirming, it appears. it doesn't appear when they ask about curses or demons, so it must not see that as a threat.
for a little extra angst: maybe the peak lords keep pressuring him for answers, and at some point shen qingqiu gets fed up and snaps out something like, "why don't you understand that i'm not allowed to answer that!" the system counts this as a direct admittance, threatening it's existence. so it punishes. shen qingqiu has a qi deviation so bad it lasts two weeks and takes two people every day to cleanse his meridians. the system doesn't appear in that time. it doesn't appear for a long while after that, either. the peak lords stop asking, mainly because shen qingqiu will instantly leave the room if they do. they don't stop searching for a cure, though.
shang qinghua returns from a business trip and catches on the second someone mentions a blue box and forced silencing.
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keferon · 4 months ago
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Empurata!Prowl tries to actually communicate for the first time
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What if he wants to say something but he can’t. What if he has no voice to speak, no face to emote, no hands to write. What if every attempt to communicate a message is essentially a puzzle of wit and creativity and yet, the first thing he goes through all these troubles for. Is to say “I love you”?
Don’t ask me how did they get in this room. I have no idea. They escaped the battlefield somehow haha
Next->
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electoons · 2 years ago
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oh m-...ahhh...my pockages
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myrkulitescourge · 1 year ago
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
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just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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hailsatanacab · 1 year ago
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Family Dinners - dpxdc
"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.
The bustling dining room goes silent as everyone turns to look at him.
"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.
"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.
"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."
"Yeah, I'm really sorry, I just never thought about it, I guess."
Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.
Ancients, that's so weird!
The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.
Wait. Family dinners?
He peers around the table, openly gawking at everyone as it all clicks into place.
"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.
"Uh... something like that..." Danny mumbles as everyone laughs again.
From further down the table, the smallest Wayne scoffs and clicks his tongue.
"I thought you said he was smart, Drake?"
"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"
"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."
"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."
The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.
Come on, Danny, recover!
"That's, uh, not what I meant, though."
"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?
"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."
"Costume? What do you mean?"
Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.
"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!
"Danny?" Tim asks, looking concerned.
"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.
His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.
"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.
Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.
"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"
"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"
"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."
"Thank you, Stephanie," Bruce sighs, massaging his forehead.
It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.
It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.
Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.
"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."
Once again, the whole table falls into silence.
"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"
"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"
"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."
Danny's grin freezes in place.
"I'm sorry, what?"
"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."
"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"
Bruce looks about as shellshocked as Danny feels.
"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.
"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."
An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.
"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.
"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."
"What did happen?"
"Seriously, don't worry about it, we cool."
"How long in the future was it?"
"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.
Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"
"A week, before I managed to get back to my present and stop him then."
"A week? Jeez, B, that has to set some kind of record, seriously."
"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"
"What?"
"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."
Dick laughs and claps his hands, delighted.
"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.
"I didn't even know I was informally adopted."
"And your parents? Are they alive or dead?"
"Damian, stop—"
"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."
"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."
"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.
"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."
"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."
"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."
"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."
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laurellala-comics · 2 months ago
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Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3
(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)
[Image ID: a four page black and white comic of characters from ace attorney.
The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."
A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned
Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?
Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"
A box saying "later" in the top corner of the next panel marks the passage of time.
The Judge smiles as he says "I declare you... Not Guilty!"
We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless
Maya: YIPPEE omg you're going to LOVE this
Miles internally thinks "oh no, the consequences of my actions.
We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder
Miles: Alright, so what is this exactly?
Nick: She's a pop musician Maya really likes
Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!
Miles: That is not how the law works Ms. Fey
Maya: Shh just listen!
We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".
Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.
We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.
Maya: Ok, that's her whole discography. So! What did you think?
Nick looks at him, waiting for his response
We get a panel of Miles, looking bewildered. He starts to speak "I..."
We cut again to see the three of them standing together.
Miles: I... don't think I like women?
Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!
Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!
We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.
Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.
We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.
With lingering unease, Miles begins to walk away.
Miles: Well, I should be going then. Goodnight.
Nick hesitantly raises a finger to point out an inaccuracy in that statement
Nick: It's four in the afternoon-
he gets interrupted by Miles who repeats firmly: I said Goodnight
Nick looks in the direction Miles walked off in.
Nick: ...He'll be ok, right?
Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?
Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.
We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.
As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.
Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve
Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?
We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick
Jumping out again, Miles turns his back to Nick as he continues to talk
Miles: So as I was saying, justice is truly so important...
Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"
/.End ID]
#Miles can handle horrifying truths about the death of his father and the nature of his guardian#but he draws the line at questioning his sexuality!#also. serious moment for a second#I think we focus a lot on moments of queer discovery stemming from attraction to the same sex#like that being the moment of panicked “oh no I'm different”. Which makes sense and is valid!#But I think it's also compelling to explore the opposite but similar twist in your gut that is:#oh my god I don't feel anything in this situation where others do. oh no something something is wrong with me#and this is something that gay and lesbian people have in common with ace and aro people!#I feel such tenderness and kinship to everyone who has been in that situation#and it's why i will never understand why aspec folks are pitted against gay or lesbian representation#we are drawn to the same characters bc we had such similar experiences and isn't that lovely that we can find solace in media?#so NO FIGHTING. We should all be BEST FRIENDS. my brothers in arms. I'd die for you.#all that is to SAY: I personally read edgeworth as asexual and like demiromantic/gay.#but YOU can read him as just gay in this comic if you want <3#Also. i just thought it would be funny if it took a lesbian to make him realize he didn't like women#I think he would have no clue how to react to chappell roan. Same vibe as giving a victorian orphan a baja blast and a crunchwrap supreme#ok sorry shutting up now#ace attorney#ace attorney comic#ace attorney trilogy#gyakuten saiban#phoenix wright#naruhodo ryuichi#miles edgeworth#mitsurugi reiji#maya fey#ayasato mayoi#my art
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ascendingconures · 1 month ago
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just gonna post this bc i could never come up with a spirally background i liked & i dont want this to die in my saves folder
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thisisapaige · 1 month ago
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plague-parade · 2 years ago
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if upon being told about someones illness/condition, your first thought is to say “have you tried X?” i want you to step back for a moment and think to yourself “if i thought of X after hearing about this condition for the very first time, the person who has this condition very likely has thought of this and possibly tried it already”
we are tired of constantly being told to try the same things by people who didnt know our condition existed five minutes ago.
you dont need to offer any solutions or try to fix us. i know it might seem like a polite thing to do or that it shows you care, there are other ways to show us you care.
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benevolenterrancy · 4 months ago
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("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)
#svsss#bingqiu#luo binghe#shen qingqiu#lbh#sqq#i've been working through the series of unfortunate events and somehow that series has paired really nicely with svsss#the themes of cycling violence and what's justified and what isn't and what can possibly be done differently#and how trying to bring love and honour into the midst of it really changes nothing but also changes everything#it's just *chef's kiss*#i don't know how i can quite do my thoughts justice but i've spent the past few weeks quietly going between the two series (and mdzs and tg#as well if we're being honest they all hit similar questions and themes) and just reveling in the pain and ambiguity of it#everything is interconnected and it means you can never know what trauma and pain and necessity has shaped a person#each story goes too far back to ever ever EVER possibly see the full extent of it#at that level even communication itself is nearly impossible.#and because of that it's almost impossible to change anything. beat yourself apart and the outcome is the same#and yet ATTEMPTING to change things ATTEMPTING to do the kind thing the honourable thing is absolutely critical#because while you can change nothing you also have the capacity to change EVERYTHING#aaaaaaah i don't even know what i'm saying#but i read the beatrice letters today and the love letter just. killed me.#(obviously i cherrypicked some lines because it's three pages long but those ones felt right)#''i love you like a corpse loves a vulture's beak'' i just. can't get over that line.#to be completely changed. altered. destroyed. redeemed. purified. desecrated. reduced to nothing yet entirely necessary for another's life.#what a FUCKING line#anyway i was either going to blow up from thinking about it or else i had to exorcise it via art from an entirely different series#i've already done svsss and discworld why not throw a series of unfortunate events into the mix#i'll be honest folks i did not expect svsss to be the mxtx series that would fuck me up the most about the main ship#bingqiu is something else. i don't even know how to begin to approach my feelings on it. impossibility and necessity all at once#bizarre#my art
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bunnieswithknives · 3 months ago
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OH MY GOD??? HAS IT SERIOUSLY BEEN A MONTH????? I am so sorry guys
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slutifer · 10 months ago
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mc: oh brother-
Mammon: which one?
mc: …what?
Mammon: which brother?
mc:…
mc: uhh, you?
Mammon: that’s right baby
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always-a-king-or-queen · 6 months ago
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The ache will go away, eventually. 
That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent. 
They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea. 
But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night. 
When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered. 
For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.
At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face. 
It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be. 
She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure. 
They seemed so lost. 
Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.” 
Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust. 
Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning. 
Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were. 
More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult. 
Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods. 
More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day. 
Finally he, too, went into the wardrobe room. 
He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word. 
Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan. 
“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.  
Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces. 
Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.  
But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.
She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall. 
When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing. 
And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.
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notbecauseofvictories · 3 months ago
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I'm rewatching leverage out of nostalgia and some other emotion I haven't figured out yet, and I do think there's a story in "Maggie Ford Collins deals with having the most unhinged ex in her suburban book group, learns to hotwire a car, and gets her groove back, not in that particular order."
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