#though one set of characters has these issues. more severely

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[felikatze]

seeing how apparently lighthearted agnea and partitio are from memes feels surreal. my current party are an inquisitor, an assassin, and a prison escapee. are there any people having a good and normal time in this game

[moiraimyths]

The Good People (Na Daoine Maithe) | Official Trailer

The Good People (Na Daoine Maithe) is a lore-rich and choice-driven historical fantasy visual novel inspired by Irish mythology and Celtic folklore. Play as a tenant farmer from mid-19th century Ireland, whose path becomes inexplicably entwined in fairy affairs after getting robbed by the roadside and lured into the mythic and war-torn world of Tír na n��g: A once unified land, now divided into the Seelie and Unseelie Courts. Will you escape and return home with your stolen belongings? Or does fate have something else in mind?

🍃 STEAM 🍂 ITCH.IO 🍃PATREON 🍂DISCORD 🍃

Eager to play? Certain route content is available NOW in early access on Steam and Itch.io! For more information, click below👇

Meet the Cast

Facts & Questions: The Game

🍃 The Good People (Na Daoine Maithe) is a Kickstarter-funded project currently in development. Due to the scope of the story, we will be releasing it serially over several years to Steam and Itch.io, and discounting it while in early access. The earlier it's bought, the cheaper it will be overall, and you'll only need to buy the game once!

🍂 Not all routes are currently available! As of Nov. 1, 2024, you can play half of Shae and Maeve's routes; both approximately 50k words. If you're not sure about paying for an unfinished game, feel free to check out our free demo first. It consists of Vol. 1, Book of the Traveller (the pre-route content). Differences between the demo's Vol. 1 and the paid game's Vol. 1 are marginal following our August 1, 2024 re-release of the demo.

🍃 The Good People (Na Daoine Maithe) has a recommended reading order (Vol. 1, then 2, then 3, etc.), which will correspond to the release order of the routes. For more information on our reasoning behind this, click here.

🍂 Due to its setting, The Good People (Na Daoine Maithe) will occasionally feature instances of characters speaking in Gaeilge, i.e. the Irish language. All instances of Gaeilge are linked to an internal translation tool, which is voiced by Nigel McKeon, a Gaeilgeoir.

🍃 The main character is yours to shape. At minimum, you must choose a nickname, pronouns, and one of four default appearances, the last of which can be your own artwork (instructions are included in the game's files). You may also choose to discard the True Name…

🍂 All routes, both current and upcoming, will have both romantic and platonic choice options. If you're uninterested in romance, feel free to make friends instead! No matter the nature of your relationship, you will still be able to reach the good end. Or the bad one.

🍃 Our cast consists of two men, two women, and two non-binary characters. All are romancable no matter the MC, but some characters are asexual or on the aromantic spectrum, which may impact aspects of their romances.

🍂 If you are a Mac user and are having issues launching the game via the Itch direct download, refer to this guide for troubleshooting before sending us an ask. We strongly recommend purchasing the game through Steam instead of Itch if you are a Mac user; it is the best way to avoid issues with launching the game.

🍃 NDM is very intentionally set just prior to the onset of the Great Famine, which is both thematically and textually relevant to the leftist, anti-imperialist story we're aiming to tell. If you would like more insight into this, refer to this post.

🐎 There are secrets to be found in this game, with more yet to come. Prepare yourself for a lot of horse related shenanigans. 🐎

Facts & Questions: The Company

🧵 Moirai Myths is a five-person company based out of Canada. The core devs/founders go by Clotho, Lachesis, and Atropos. All writing and programming are done by this collective, i.e. the Fates.

🪡 Moirai Myths has a two person in-house artist team consisting of Kazane, our Character/UI Designer, and Melinoe, our Environmental Designer. In addition to them, though, we have had a number of guest artists assist us with the creation of sprites, CGs, and an assortment of other materials. If you'd like to meet them, check out our about page on our website!

✂️ Moirai Myths stands with the people of Palestine 🇵🇸

Disclaimer: This description will be updated periodically. If you're reading this in a reblog, you may want to check our current pinned post for potential changes.

[prettyflyforawhitelie]

Hi I love your work so far, do you think you could do headcannons for all the different characters of the main Hazbin Hotel cast when their lover comes to them injured? Like how they would treat you and then how they would deal with the person who harmed you. I would love to see this ahhhh 😫

Ahh of course! I love this, thanks for the request! I hope you like it!

Trope: Hazbin Hotel x Injured!reader

Characters: Alastor, Charlie, Vaggie, Angeldust, Husk, Sir Pentious, Lucifer

Warnings: Physical violence, mention of death, injured reader, blood.

author's note: hey guys! this is my first time doing one of these, and I'm still getting better, so forgive me if its a bit shabby. If you have any requests, feel free to send them in! I'm in a creative buzz rn lol. Enjoy!

🦌📻Alastor📻🦌:

The day that your attacker decides to hurt you is the day that they decide to die. Messing with the Radio Demon’s plaything is about the last thing you want to do. 

Alastor often sent his shadows to follow you into town when he couldnt be with you, so the second you were attacked, Alastor could sense that something was wrong. 

By the time his shadows had carried you back to the hotel, your attacker had already escaped, but luckily, his shadows saw everything.

When he rushed down to see you, he seemed rather indifferent at first. He carried you up to his room, immediately conjuring several healing ointments to heal you quickly.

He laid you in his bed, in which you almost immediately fell asleep.

He hears the whispers of his shadows, and gains all of the information he needs out of them. 

With a single snap of his finger, the issue was taken care of. Rumor has it that the screams of your attackers' seemingly “random” death could be heard about 3 rings down. 

While waiting for you to wake, Alastor conjures two steaming bowls of his mother’s jambalaya. Placing one on the side table next to you, he sits down next to your sleeping body and lightly grazes your head, singing soothing songs until you wake up.  

😈🗝️Charlie🗝️😈:

Would of course be so very angry at whoever did this, but her first priority would be healing you up and making sure that you’re absolutely 100% okay and comfortable. 

Would set you up in her bed and assure that you have anything at all that would make you feel more comfortable. Tea? Yup. Ice pack? Already got it. Cuddles? Of course!

Would definitely let you cuddle with Razzle and Dazzle for as long as you needed.

She would try her best to talk to you and figure out what happened - to figure out who did this to you.

As you told her, she seemed surprisingly… calm? She simply thanked you for telling her and left the room. 

Though Charlie doesn't seem like a particularly violent person… She can get protective over the people she loves. So, let's just say she got that issue taken care of real quick. How stupid to mess with the Morningstar family. 

🪽⚔️Vaggie⚔️🪽:

Anybody in her vicinity needs to watch out when she hears that her love is hurt. 

Like, seriously, heads will roll. But not before she checks on you to evaluate how badly she needs to fuck up the person who did this to you. 

When she sees you, bruised and bloody, she can't help but hold you so tight and cry, scolding you for getting yourself into a bad situation without her there to protect you.

Vaggie knows what it feels like to be beaten and dumped on the side of the street like garbage. She could never forgive herself if she allowed that to happen to anybody else, let alone the genuine love of her life. 

When she asks for the person who did this, you can only give her a vague description. That’s alright though, she will use her former exterminator skills to scan all of Hell and find the person who dared to do this to you. She will not leave this alone until she serves you justice. 

🕷️💖Angeldust💖🕷️:

Coming home from the studio to find you in his room, crying and bruised, he immediately drops whatever he’s doing and comforts you in the biggest hug ever. 

Angel has plenty of experience with being abused and left to fend for himself, so he doesn't immediately resort to asking questions. No, that’s not what you need right now. You just need to know that you’re loved, beautiful, and that this does nothing to affect your worth or value as a person.

He carries you from the floor to his bed, covering you in blankets and laying next to you with Fat Nuggets. 

“It’s okay baby. You can cry, it's okay.” he whispers as you sob into his chest.

He allows you to initiate the conversation of what happened, not wanting to push you past your limits. 

Once he finds out what happened, he knows what he has to do. He waits until you fall asleep, and heads down to the club where your attacker happens to frequent. For once, being a famous pornstar will actually serve in his favor. He tempts your attacker to follow him, and immediately beats him to an absolute pulp. 

He allows the person to live, saying “I am only letting you live so you can know how it feels. You ever try this shit again, and I will find you. Except that time, you wont leave here looking so… whole.”

♥️♦️Husk♦️♥️:

Husk is used to all the residents of the hotel bitching and moaning to him about all of their issues. With Charlie coming to him and oftentimes crying about the many failures of the hotel, tears were no foreign sight to him.

But coming from the kitchen to the bar and seeing you there, looking an absolute mess, was different. 

“What the-What the fuck happened?” he yells. When you flinch, he knows that something happened.

When you explain to him what happened, he immediately needs a description of the attacker. He takes possibly the largest shot you've ever seen and storms out of the hotel.

He wishes that he could do more to protect you. Back when he was an overlord, he had power beyond anybody's imagination. He could've snapped a finger and your attacker would simply disintegrate (but not before he tortured him a bit first). But now that Alastor owned his soul, his powers were limited. 

You know what wasn't limited on husk, though? His pure physical strength.  

He immediately finds the guy walking on the street adjacent to the hotel (dumb, right?) and absolutely obliterates him. 

As the attacker is begging for his life, he just keeps hitting, blind with rage and love for you.

When he wants back into the hotel bloody and exasperated, he sits in the stool next to you and wraps you with one of his wings. 

“It’s all okay now. I’m here” he says as you lean on his shoulder, so ready to go to bed. 

🐍⚙️Sir Pentious⚙️🐍:

Sir Pentious always loved coming to your room to show you his many zany inventions. Normally you welcome him in with open arms, a sweet smile on your face, but today was different.

When he knocked on your door, he was met with absolute silence, which isn't normal for you. When he listened a bit closer, though, he could hear your small sniffles. He trusted his gut and slowly opened the door, fully ready to be denied entry.

Instead, you looked at him shyly, turning away and crying. He could've sworn that he saw a… black eye?

He took this opportunity to come and sit next to you on your floor, placing his arm around you and letting you lean your head on his shoulder. 

When he noticed that you were calming down a bit, he asked you what was wrong.

You explained that while you were engaged in a turf war, some ruffian beat you up, and badly. The girl you had momentarily teamed up with had left you behind, and you were left to trek back to the hotel on your own, barely able to walk. 

You could see something change in his eyes. 

He curled his tail around you, his cool skin calming your nerves. He assured you that he was here now, and nothing like this would ever happen to you again. He then swiftly called his egg bois to entertain and comfort you while he prepared his airship. The idiot that did this to you was going to pay, and not just in turf.

😈🐣Lucifer🐣😈:

Bursting into Lucifer’s room, the only thing you could mutter is “Help” as you fell into his arms. 

He frantically carried you to a chair and tried to assess your injuries. Man, someone fucked you up, and badly. Too bad he would kill them before they could brag about their success. 

He rushed to find ANYTHING that could help you. Bandages, ice, your favorite food, a rubber duck, ANYTHING. 

When he finds you absolutely passed out asleep in the chair, he gently moves you to his bed and tries his best not to stir you. 

As he sits watching you, thinking of your beautiful smile (and how he’ll brutally kill the person who did this to you), he observes your features with great detail. 

When you wake up, you smile. Lucifer must have gone, but sitting on your table is a bowl of soup and… is that a rubber duck that looks like you?

[kamaluhkhan]

anti-curse

pairing: percy jackson x daughter of apollo!reader

summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.

warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3

when you first met percy jackson, he almost shot you through the chest with an arrow.

given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.

archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.

so, you were entirely anticipating that percy would be hurt by your announcement during dinner. 

“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”

the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.

that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.

you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank. 

if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it. 

you clear your throat, an attempt to interrupt the group's conversations. 

“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”

the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”

"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined." 

percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”

leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.

you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.

“it's up to me. and i want leo and jason to come with me.”

“then i’ll come too,” percy's voice remains calm, but insistant.

“isn’t there that thing about quests usually being done in threes?”

“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.

"or my quest through the labyrinth," annabeth recalls.

"but won't that also change our other plans, though?" hazel asks.

"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."

"we're not interchangeable," percy grumbles.

"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"

you take a deep breath. "it's not a big deal, really."

"it kind of is," percy counters. "you've never gone on a quest without me."

"you've gone on quests without me," you point out.

"that's...that's different."

"why? because i'm so weak that i need the son of the sea god to protect me at all times?"

you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.

"you know that's not what i meant," he sighs.

"then what did you mean?"

percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”

“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”

percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition. 

“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.

“you saw something in your dreams, didn’t you?” annabeth realizes. 

her conclusion makes you freeze.

demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were. 

what you saw in your dreams last night, what might happen to percy, made your blood run cold.

you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.

you figure that the future isn't written in stone, right?

either way, you're willing to challenge destiny for percy jackson.

without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze. 

“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.

[hells-wasabii]

How would each of the Hell characters(Hotel group, Lucifer, Overlords, Vees) do while cooking entirely on their own? Can be platonic or romantic, whichever you want

A/N: So I know I said 2, but the other one isn’t ready yet I’m still writing it. It’s gonna be pretty big too since it’s that velvette part 2. But I had to get my cat spayed today so I’ve been super busy all day keeping her out of trouble and from hurting herself :/ but anywho, enjoy!

Characters: All that I write for

Type: Hesdcanons (hazbin cast cooking headcanons)

Charlie

With Charlie, I’m a little torn. On the one hand, she’s a princess, so cooking would likely be more of a novelty considering she likely had staff to do it for her. But this is Charlie we’re talking about. She would go out of her way to learn how to cook. Wouldn’t give up either, not until she could do it on her own. I would imagine that she started learning from Vaggie and reading cookbooks.

Vaggie

When it comes to Vaggie, she can cook some, but she’s definitely super humble about it, brushing off any compliments because it’s ‘just food’. If the issue is pressed I can see her getting a little embarrassed about it. It’s mostly dishes that she had been taught while she was growing up, along with basic dishes that don’t necessarily require a honed skill to make.

Angel

Angel can cook, though he doesn’t exactly put much effort into it. I can definitely see him just throwing something together so he can eat and move on with whatever else he has going. Baking is a different story. I can really imagine while he was growing up he would sneak his way into the kitchen while his mother and Molly were baking. He picked it up pretty easily. And as someone who enjoys baking let me just say that his extra set of arms would be so helpful.

Husk

Husk was an entertainer in life, growing up in a casino, learning the trades in the house. That also includes the kitchens. Sure he likely didn’t spend a whole lot of time there but he still picked up a thing or two. So he’d be able to hold his own fairly well when it comes to making a homecooked meal.

Alastor

While it’s canon that the radio demon can cook, I feel like he specifically likes to cook recipes his mother left behind. Cooking recipes from his youth reminds him of joining his mother in the kitchen whipping something up for lunch and helping her prep for dinner. He’s not all that adventurous in the kitchen, though. He likes to stick with what he knows and what he grew up with.

Niffty

Having died in the 50s as a young housewife, I genuinely believe that she at least knows some fad recipes, like those salads and casserole recipes. Jello molds too. But that’s not to say that she wouldn’t know some basic stuff. I can definitely see Niffty being the type to try to create whole new recipes with varying, mostly horrifying results.

Sir Pentious

Sir Pentious is a genius, there’s no doubt about that, but the man can’t cook. At all. He’d burn water honestly. But baking? Oh yeah, he can bake with out a doubt(but not necessarily the decorating part), it’s basically science, but not cook. He’d quite honestly have the Egg Bois help, but let’s be honest here, that’d be a disaster too.

Cherri Bomb

I’ll admit, I wasn’t to sure about Cherri. She just doesn’t seem like the type to cook. Nah. Cherri is the queen of takeout. She can boil water but that’s really about it. Honestly, she’s only really a couple of steps above Sir Pentious, but she can’t bake either. Sometimes though, before Angel went off to the hotel, she would go out and buy ingredients and stuff and go to his apartment and they (he) would make something.

Vox

This man absolutely can cook, and he’s pretty damn good at it too. Considering he’s the television demon, he’s going to have several cooking shows. Hell, he even stars in a couple of them. That being said, he’s not one to do things half-assed. Sure, a lot of cooking shows have stuff that was prepared beforehand, but with Vox’s he goes out of his way to actually make the dishes in real time.

Valentino

I stand by my headcanons from my Valentino posts. He can cook, but it’s honestly a solid 50-50 on whether or not it’s burnt or edible. He’s pretty easily distracted, whether it’s a phone call or something else entirely, so if it's a dish that you have to pay close attention to, it’s likely to not turn out right.

Velvette

Velvette can do some light cooking, but nothing too extravagant. She’s got more important things to do, such as keeping Vox and Valentino on track. With a schedule as busy as hers, I don’t think she would cook often, preferring either Vox’s cooking or takeout. Oh but that doesn’t mean that she doesn’t take a picture and post it, because it’s Velvette, of course she does. Oh! But She’s probably been on Vox’s show as some sort of celeb guest type deal, the dish they made definitely stuck with her, so she might make it from time to time.

Zestial

Considering how long Zestial has been around, I would be more surprised if he couldn’t cook. You can’t convince me that after a while he at one point went through hobbies like a revolving door. Cooking absolutely would have been one of them. This man would absolutely try making the craziest things. He’d be up to date on all of the cooking fads, know recipes and cooking methods from several time periods and cultures. With him, there’s no telling what he might cook up next.

Carmilla

While I don’t think that she would really set aside time to cook often, she’s pretty skilled in the kitchen. Carmilla would likely have a couple of nights out of the month set aside to cook a meal with/for her and the girls, a tradition that carried on from their life before hell. She’d even take the opportunity to try new things while cooking.

Rosie

Oh, Rosie can absolutely cook, it’s canon that its a hobby of hers. She’s very well versed in a multitude of cooking methods, and while she may not entirely like a whole lot of new-age gadgets in the kitchen, she can’t really deny the fact that they can be quite useful. I’m willing to bet that she would have an Instapot (they’re great I have two and one of them has an air fryer attachment)

Adam

Adam would never openly admit it, but he knows how to cook. He was the first man, he would have had to learn eventually, even if it was something as simple as preparing meats. That being said, he can grill. I’d be willing to bet that he’d host a little barbeque after the annual exterminations for the exorcists, maybe even enter into grilling competitions.

Lute

Lute’s honestly a bit of a wildcard when it comes to cooking. She might have been able to cook while she had been alive, but nowadays not so much. It had been a long time since she actively made anything, so she’d be pretty rusty. But other than the basics, I don’t really see her being able to be too creative in terms of cooking either. She’d honestly probably stick to what she knows and wouldn’t stray too far away from that.

Emily

I don’t necessarily think that seraphim would really need to eat, but that doesn’t mean that they can’t or don’t. In Emily’s case, I would imagine it as a scenario where she wanted to do something to get closer to humanity. They were her charge after all, or rather their state of happiness. But all humans eat and many find joy in doing so and even in the act of cooking, so she absolutely would be thrilled to learn! She’s getting better at it by the day.

Sera

Sera had likely done the same as Emily when she was a young angel, though I don’t see her sticking with it. I definitely think that she taught Emily to start her on her little culinary journey. She can cook, she just… doesn’t. I’d even go as far as to say it’s been centuries since she’s actually cooked a meal of any kind. That being said, if she were to jump into the kitchen nowadays, she probably wouldn’t have a very easy time finding her way around.

Lucifer

Lucifer is a man of many talents. He can absolutely cook, possibly even Michelin level, he just chooses not to. He likely just considers it a novelty of sorts, considering he has the power to simply poof food right in front of him. Honestly, it’s pretty helpful whenever he’s depressed and doesn’t feel like making anything. But, when it comes to his family and friends, he’s more than happy to whip something up.

Lilith

Another one who would likely consider cooking to be a novelty. Considering how she’s the second most powerful being in hell, and fiercely independent with more important things to worry about. Lilith wouldn’t concern herself with cooking unless it was with her family, and even then it likely didn’t happen that often after Charlie grew up.

Bonus:

Alastor Cat

Would wind up burning what ever building its in down. Was it intentional? Was it an accident? The world may never know

[freakingholland]

freakingholland's batboys headcanons part 1

A/N: Hi cuties! After posting some dc comics related imagines over the last couple of years I've decided to finally post a list of my own headcanons for batboys! Just a disclaimer - these are based on multiple dc related media (comics, shows, fan-made content) as well as just my imagination. I do not mean any harm with these! Also if you agree/disagree with these let me know in the comments/asks/rbs because I'm super intrested in what you guys think and your own fanons! Stay whelmed xx questions/ideas here! - rules here my wattpad archive is here my AO3 archive is here If you enjoyed my work: Ko-fi.com/freakingholland masterlist

Dick Grayson (25-29ish yo)

Wears contacts all the time when he’s out. His sight used to be perfect up until puberty. Only wears prescription glasses when he knows he’ll spend the entire day wearing sunglasses – has prescription on them (he does have an emergency pair of regular glasses though).

Has a deep set of dimples. More visible when he’s a dehydrated raisin of a human being. He has a special bottle for just water to force himself to drink more.

Is left handed. His siblings bother him for that matter when he accidentally elbows somebody while eating.

Is “silently” addicted to energy drinks. Has tried to switch to other beverages but ultimately always goes back to energy drinks.

Sings in the shower, has a genuinely good singing voice. Pretends to be shy when people suggest doing karaoke.

Has chronic wrist pain due to a bad fracture.

Is a minimalist. Hates clutter and frequently gets rid of things like clothes, unnecessary gadgets, kitchen utensils etc.

Loves rock climbing and bouldering.

Has pockmarks on his cheeks. Had tried different products to make them fade away, but gave up and accepted his fate.

Uses a lot of post-it notes around his apartment.

Jason Todd (22-24ish yo)

Jason is the only one with brown eyes. You cannot convince me otherwise. Don’t try to.

He’s the best cook out of all the guys. Finds it very therapeutic. Genuinely enjoys making meals especially if others can stop by for dinner or pick up his food. (always makes me think of those pics of him and Dick in the kitchen in Gotham Knights!)

Has type 1 diabetes, uses a pump. (As mentioned here!)

Has a private library stamp for his book collection because any time someone visits him, somebody borrows (steals) books from him.

Plays the violin, self-taught as an adult. It’s his “safe” hobby that convinces his neighbours that he’s just a regular guy.

Has a full arm tattoo sleeve, it’s his way of dealing with body dysmorphia and body image issues. His tattoos include book references, fav movie characters and different symbols for all of the siblings (not their super hero stuff though, for safety reasons).

Has reading glasses. (As mentioned here!)

Hates arugula, loves Italian cuisine. He is not afraid of carbs (his glucose monitor states otherwise) and makes noodles often.

Has wavy hair but doesn’t use proper products for his texture.

Has veryyy straight teeth naturally. Others are jealous.

Tim Drake (20-21ish yo)

Journals. Even when he’s severely sleep deprived. It’s his way of dealing with heavy stuff, but also his archive in case he goes missing.

Has a nintendo switch. Doesn’t really use it but he knows that Damian steals it that’s why he keeps it instead of selling it.

Has a proper skin care routine. It includes dying his hair dark every 4 weeks cause he has gray hairs due to stress.

Uses ktape regularly. Struggles with chronic back pain and uses a foam roller.

Is vegan. Doesn’t try to convince other peeps to switch to veganism knowing that they are barely capable of making food for themselves. Will make an exception and eat meat if it’s a meal prepared by somebody close to him.

Is a huge music fan, listens to music often. Mostly metal, but also pop, rap. Doesn’t really discriminate music genres.

Loves playing board games. Is the type to bring board games to social meetings of sorts in case people want to play.

Has a very pleasant, contagious laugh. Rarely laughs out loud, but those who know his laugh try hard to make him laugh for that matter.

Has really sparse facial hair. Would like to grow out a stache or beard but cannot.

Blushes very easily. Doesn’t like it. Despises cold temperatures for that matter.

[raven-at-the-writing-desk]

I don't know if this has already been asked, but what did you think of the Halloween event? Is it too early to ask? How did it compare with the other events?

Aaaaah, thank you for asking!! I was actually in the middle of writing my own "these are my thoughts" post even if no one specifically asked 😂 but I'm glad I can just reply to this ask with what I was cooking up~

***Warning: SPOILERS AHEAD!!*** ***Please also note: these are just my OWN thoughts and opinions! In sharing them, I do not mean to disparage those who think differently than me; I only mean to contribute to the discussion.***

I'll be quick and rip off the band-aid now: I liked this event about as much as I did Stage in Playful Land, maybe a little better than Playful Land if I think about it. If you know anything about my thoughts on the previous Halloween event, well... Let's just say it's a mixed bag. Neither of them comes close to toppling the peak that was Glorious Masquerade. (Fandom consensus seems to be quite positive though, with many liking Nightmare more than, if not the same as, GloMasq while Playful Land is still considered the weakest of the bunch.) Playful Land and Lost in the Book with Nightmare Before Christmas both suffer from general pacing issues. The former had an intriguing premise and setting but also many plot holes, a lack of active involvement from the SSR squad, and a resolution that was way too convenient. The latter, Nightmare, was very boring throughout because the majority of the event was centered on party preparations. I enjoyed everyone's bickering and the SSR squad's role in the event, but I wanted more than just that. It's basically like Terror is Trending, but if it had the Nightmare Before Christmas characters also featured. However, Nightmare did have a really interesting ending that played with amnesia and time paradox tropes. It's just that the road to get there wasn't anything special. I'll now get into all of this in detail, but it's quite long. Ready for a read? Then let's go ^^

My Extended Ramblings:

The initial aesthetic is strong. VERY strong, especially to me, a girlie that loves Nightmare Before Christmas and formal wear😭 BY GOD DOES EVERYONE LOOK SHARP AND DRESSED TO KILL IN THOSE NIGHTMARE SUITS... The devs totally popped off with the fits. I also loved how all the characters' coloring shifted once they entered the book; there's notable hatch marks on their shadows and even their skin and hair adopt bleaker saturations. These are SO much better outfits than the GloMaq and Playful Land ones, I'M SORRY BUT THAT'S JUST THE TRUTH. The other events tended to have chunky silhouettes and/or overly embellished elements to their designs that didn't sit quite right with me. NIGHTMARE SUITS HOWEVER ARE PERFECT AS THEY ARE...

... That being said, I think this event's premise was not great. I know everyone's mileage with this will vary greatly, but personally I don't like Lost in the Book events. I don't enjoy having Disney properties so blatantly shoved at my face; I'd prefer it to just be a distant part of the lore and history of the Twst world. The other issue with the event being so closely tied to its Disney film is that the story becomes so predictable. You can't really explore beyond the bonds of what the film has already set up, so you're trapped with whatever status quo Disney has mandated is "okay". (For example, in Nightmare, it has to be set BEFORE the events of the actual film in order to keep things "the same" when the film events actually play out.) Lost in the Books rely on individual nostalgia to some extent to get you invested in what it's trying to sell. This was particularly evident in this event, which featured several characters from the film and made Jack a very big fixture in the story. I for one was not sold on it despite my own fond feelings for Nightmare Before Christmas. I needed it to prove its own merits to me, and I'm not entirely sure if it was successful on that front.

I have made it no secret that I don't like most Twst events in general. Too often does it feel like pointless meandering and sightseeing without anything of real substance happening (though I do enjoy meeting new characters and learning new lore). That's also the case with Nightmare; the scale of the conflict isn't anything spectacular--but that's fine, it can still work as is, even if I don't personally find it interesting. I was still plenty entertained by all the bickering between the boys and between them and the residents of Halloween Town. The highlights for me definitely have to be Jade being a little shit to everyone, Jamil being tormented with bugs, Sebek's big speech in the climax, and Leona just beefing with EVERYONE in sight (particularly Malleus). The comedy and character interactions helped the middle part of the event not feel dull. I do feel like them having to switch groups around halfway through was short of a shoehorned way to prolong the middle of the event though 💦

One thing I noticed like, right away as I was playing this event was how disjointed it felt. And for the life of me, I could not pinpoint why… until I went back and compared the number of chapters per part. This is how the parts break down:

Part 1 - 13 chapters

Part 2 - 22 chapters

Part 3 - 20 chapters

Part 4 - 13 chapters

Part 5 - 16 chapters

For comparison, Glomasq:

Part 1 - 15 chapters

Part 2 - 18 chapters

Part 3 - 17 chapters

Part 4 - 19 chapters

Part 5 - 18 chapters

And Playful Land:

Part 1 - 16 chapters

Part 2 - 21 chapters

Part 3 - 11 chapters

Part 4 - 16 chapters

Part 5 - 18 chapters

Generally, Part 1 is dedicated to setting up the scenario and reason for travel. Parts 2 and 3 are meant for exploring the new location, with a big reveal dropping towards the end of 3 that kicks the conflict into high-gear. Part 4 is for combat, and then Part 5 is the continuation of the combat (with a focus on confronting the Big Bad), climax, and resolution. … Did you notice it? GloMasq (the only event of the three I consider overall excellent) is pretty evenly spaced out. Playful Land meanwhile has a weirdly short 11 chapters in Part 3 but had the extremely long 21 chapters in Part 2 beforehand. The discrepancy is made even worse in Nightmare, with Parts 1 and 4 being woefully short and Parts 2 and 3 being 20+ chapters each. It has the (likely unintended) effect of making the conflict resolution feel really rushed.

Alright, I think I've held off for long enough. Let's talk about the elephant in the room, our new addition to the Halloweenies, Mister Skully J. Graves himself. Right from the get-go, he had a mysterious air about him, especially since he's the first ever character to meet his twisted inspiration. Like I said in my first impressions post, I'm really into his design, but his personality shocked me. I expect some whimsy, but not a guy that flat-out kisses everyone he meets and calls total strangers "lovely dears". At the same time, he has the spirit of "sad wet cat" energy, and his expressions can whiplash between that and being absolutely deranged, which I found kinda charming. I get the feeling that he charmed a LOT of fans, as I saw many gushing about his otome-esque behavior and loving how he always calls attention to Yuu and Yuu's opinions. Unfortunately, Skully has what I lovingly dub "Ashengrotto Syndrome" due to my own experiences with Azul. That is to say, I started off liking both Azul and Skully, but after a certain point (book 3 for Azul, part 2 for Skully) they both took a nosedive right into my dislike zone. This is something I vaguely alluded to in my halfway through the event impressions post. I'm under the impression that this is a surprising opinion, so I'll try to do my best to explain why Skully lost his appeal to me. So the initial deterrent was his defensive and controlling behavior surrounding Halloween. He also gets so nasty and speaks down to others who don't see his perspective, which I don't find cute at all. I've mentioned before that I hate it when characters act elitist/gate-keepy and refuse to accept other opinions or change, and Skully fits that bill to a T. Sure, he might have his reasons, but I still find the result of his reasons distasteful. It's fine if he wants to respect the past or celebrate Halloween the way he's been taught, but it's another thing entirely to force those views on others. I've been on the receiving end of this kind of attitude and it was very unpleasant; I would not wish that upon anyone. (To make a long story short, I had invited a friend from outside my culture for a holiday meal so neither of us would be alone that year. That friend then complained that I was eating "non-traditional" food for the holiday.) Really rubbed me the wrong way when Skully started to tell others about HIS Halloween while being totally against everyone else's suggestions. Some of the others (like Jamil) even made an effort to try and include him anyway after his outbursts, and Skully was still unable to accept this lying down.

The hand-kissing thing was... charming at first, because I thought it was just his way of greeting people. But the more Skully did it, the less charming it seemed to me because of how everyone reacts to it. The others are CLEARLY uncomfortable with it, but he disrespects their boundaries by continuing to do so. To me, that seems very invasive and rude. Skully especially kisses Yuu a lot, and whether or not you like it will be up to individual preference--but personally, as someone who doesn't like strangers touching me intimately, I'm not into it.

During the Halloween planning, I noticed Skully speaking to Yuu directly quite often, which is different than the previous Halloween events. I started to feel a little uneasy about this, and for the longest time I could not tell you why. Then I realized. I don't think I can explain it any better than how I did in a previous post, so I'll copy and paste from there:

Another thing that really bothered me was that Skully keeps asking Yuu for their opinion. It SEEMS polite to consider them, but his intentions are way less selfless than they appear. Skully is often asking Yuu for their thoughts AFTER some other character has disagreed with him. So he is literally only consulting Yuu because he wants someone on HIS side. If you ever pick the dialogue option where you disagree with him, Skully insists there must be a misunderstanding and he will explain it to you no matter how long it takes. Don’t you see??? He doesn’t want to know what Yuu truly thinks; he wants validation in his own way of thinking. That’s NOT actually being considerate. The same shit happens when Skully tries to kiss Grim again. Grim dodges but Skully sneaks behind him and kisses him anyway because I guess that’s what gentlemen do according to him. Bro has demonstrated time and time again he does not value consent nor what others’ thoughts are on anything that differs from his own thoughts.

Skully lets his true colors show around the end of the third part. There, he feeds Jack Skellington a sleeping poison, turns Grim into a pumpkin, then takes Jack, Grim, AND Yuu as his hostages while claiming he'll reign over Halloween. Okay, that sounds great on paper, right? But there's so many practical problems with this.

Firstly, HOW does Skully plan to achieve this??? He's not that powerful since he's a first year; how does he intend to stand up to the NRC students? We even know at this point that he can't use his UM that much. Skully has shown he is impulsive and doesn't think ahead too, because he just assumes that Grim figured him out after walking in on the scene of the crime instead of lying/deceiving him about who poisoned Jack. He could have easily blamed someone else or claimed he walked in and found Jack like this already, but he didn't. It comes off as very near-sighted and not well planned out on Skully's part (which may very well be intentional; I don't think he was written to be a large threat.) I know this event's plot isn't meant to be as serious as prior iterations of Halloween events, but it sure doesn't help build tension for the finale.

We find out later in the event that Skully isn't mistreating his captives; he's keeping them in the bathtub Lock, Shock, and Barrel ride around in, feeding Grim and Yuu snacks, and asking them to please keep quiet. He also rambles on a lot about how he admires Yuu and how he wants to grant them a perfect Halloween, etc. That's... wholesome for a kidnapper, I guess??? But what I don't appreciate is (again) how he keeps shoving his ideas onto me and acting like he knows what's best for everyone. He’s not respecting my autonomy or right to think how I want. Skully is literally made of the most negative traits of Idia and Malleus while having none of the danger level of either one/j 😭 This makes me continue to not take him seriously and think that Skully could easily be beaten up--which does, in fact, end up being the case.

The ones who truly shine in this event are Sebek, Jamil, and Leona. The implementation of the SSR squad in Nightmare is much better than Playful Land. In Playful, it felt like Kalim, Ace, and Ortho hardly did anything unique to save the day; instead, it was a convenient phone call that rescued them from demise. The most I can say is Kalim was open-minded and tried to welcome Fellow and hear him out. Most of the other things could have been fulfilled by any other character, which didn't make the SSRs feel as integral as they were in GloMasq (with Azul's UM being needed, Malleus being the one Rollo has beef with, and Idia understanding the feeling of losing a younger brother and mourning). In Nightmare, each of the SSRs is similarly given a chance to shine with their special skills and UMs.

Beginning with Sebek! He leads a lot of the planning and serves as the one to draw up plans, which earns him praise from everyone, including his seniors. It's excellent set-up for him to later confront Skully about the idea of being recognized and acknowledged by one's idols (which I will discuss later in this post). Sebek is also the first to confront Skully on Spiral Hill after Skully has kidnapped Grim, Yuu, and Jack. In an act of desperation, Skully starts firing off magic and making really deranged expressions; Sebek unleashes his own UM, Living Bolt. This results in a strong flash of light in their location. The impact destroys Skully's shades and causes him to break down--he wore them as part of his ensemble, trying so hard to emulate his Halloween idol, Jack. Skully manages to pumpkin Sebek in the midst of his fit, and Sebek insists that Malleus--his own idol--will surely rescue him. NEXT UP IS L*ONA OTL WHO HAS MADE ME SO ILL THE ENTIRE MONTH OF OCTOBER, HURK 🤢 who heard the shouting. He rescues Sebek (he’s de-pumpkin’d) and Skully isn’t able to touch him because King’s Roar is just too OP 😭 (I’m sort of confused about how tf Leona’s UM works though?????? He seems to be sanding Skully’s MAGIC, which shouldn’t even be tangible???) I’m confused. dbsvsjsnskwk And he tells Skully to get back up do he can keep beating him back down????? BRUTAL. Leona’s been pretty useful up until this point too, taking charge in leading the group, strategizing, sussing Skully out, and thinking long and hard about what his true identity is. Bro’s really working those fat brain cells of his, huh…

I think this is the first of the Halloween events (that introduce new characters) where the new guy’s explicitly said to be in danger of OB. Not sure why that is, it’s just interesting to note???

SkULLy RUNS FOR IT and bumps into Lock, Shock, and Barrel, who proceed to subdue him. Surprise, turns out that Jamil had gotten to them first and Snake Whispered the trio. The kids call Jamil MASTER and -SAMA… My guy, you are so repressed 💀 (I recall it being said in book 4 that using his UM on multiple people can result in rapid blog accumulation so UHHHH I guess I’ll overlook this for now or assume 3 people isn’t an issue????) Earlier in the event, Jamil was like the only person to approach Skully to try and include him in the planning. Must be used to this being a big brother + always dealing with his dorm.

I’m not sure if it’s just me but??? It feels like they overlooked how some of the SSR trio’s UMs worked just to have it fit in the context of the climax they wrote. For Jamil’s, maybe you can excuse the fact that he’s controlling 3 kids by saying it’s easier for him to manipulate young minds. BUT THERE’S NO EXCUSING HOW LEONA CAN SAND MAGIC 😭 At least say he has strong defensive magic that Skully cannot break through????

It’s times like these that make me really question whether or not Yuu is actually important for helping these people learn to get along, because they seemed to have resolved the issue just fine without any kind of intervention from Yuu. Yeah, they bickered and picked on each other too, but they still fixed things on their own (albeit on their own, but it comes together in the end anyway) while Yuu is kidnapped and completely out of the picture.

Vcdnsksksksn The moment that follows is kinda funny and wholesome… Well, for the SSR trio, not for Skully. They all sort of rub it in Skully’s face that he lost and then praise each other but in a back-handed way??? Like they call each other nasty and shit at planning, etc. Leona says Jamil bullied Skully so much that the poor thing started crying, then Jamil accuses Leona of threatening Skully a ton… then they gang up on Sebek (wow, they’re both awful and I love that for them).

Seeing this camaraderie makes Skully throw ANOTHER fit because he’s jealous that Sebek gets all this praise and attention. Meanwhile, Skully is all alone, always alone. Though it’s not explicitly stated, it’s implied Skully is deeply insecure about being by himself, as his classmates at school don’t understand him and rejected him + his interests. He extols a lonely and desolate version of Halloween too, something that reflects his own soul... clinging to the only solace he has in this world, the one constant. A holiday that he cherishes so very much--to the point where his own UM is linked back to it. The big dilemma he goes through this event seems to be a mix of having his own views being questioned as well as having his impression of his Halloween idol challenged. This makes Sebek a good foil character for him, similar to how Kalim was for Fellow and Idia for Rollo in the previous Halloween events. Skully even calls out Sebek explicitly, saying that he has all of the things he has never had. He'll never be disappointed by his idol Malleus (sadhbaslidbas this is ironic, considering the events of book 7), he has senpai who praise him, he has Zero for a friend, etc. Life’s soooo unfair, Skully claims. And like??? I was so shocked to see Sebek acting mature about the whole thing??????? He refutes Skully's claims and tells him straight up that to believe in someone isn't to force your own views onto them so your idol stays how you pictures them in your head. It's a mistake to think of one's idol as perfect--not even Malleus is perfect. Even so, Sebek explains that agreeing with someone and loving/respecting them are very different things... so he will accept Malleus's flaws and love him nevertheless. Even if he disagrees with Malleus, even if they have to part ways, Sebek will accept it. That's really surprising coming from him, seeing as how Sebek acts absolutely SURE of Malleus's absolute goodness in the main story... Now I'm wondering if this event must take place after book 7??? Because that's when Sebek has his own views on Malleus totally shaken. Still, I'm so proud of Sebek for dropping this hard truth on Skully--it's definitely something Skully needed to hear and be reminded of to be pulled back to reality. He also just outright calls Skully put for all his cowardly moves, including going after those who cannot fight back 💀 Very Ace of him to do…

Speaking of Skully, what really put the final nail in his coffin and sent him to the Shadow Realm (my dislike tier lol) was all the tantrums he threw this event. I understand being upset and frustrated. Really, I do. I understand being envious of others, of feeling like you've got no one by your side. But is it REALLY necessary to react like that…? And so frequently… He just shouts “shut up” over and over again… OTL I don't know, it feels like I could sympathize with him more if they properly explained why it is Skully is so into Halloween (besides his hometown being the same) and why he holds the past in such high regard. The most we get is it's just something his hometown is into and when he left for school, none of his peers really accepted that. Is the implication that Skully retreated further into his hyperfixation to cope with his loneliness????? If so, I'm not sure if this was properly conveyed so now Skully is left acting like a big baby and overreacting to everyone trying to get him to calm down. The worst of it is when he claims he’s the one who TRULY loves Halloween and everyone else is fake. That sounds like something straight out of an angry elitist otaku’s vent post. Other characters acted similar to this when on the brink of OB (which Skully was) but never so childishly. This might just be a me thing though, I don't really care for overly emotional characters; they're usually not my cup of tea.

I'm not sure how I feel about everyone forgiving Skully and partying with him at the end for the Halloween celebration. On one hand, yeah, forgiving him makes sense because it's not like he was plotting anything crazily world shattering like Rollo or a participating in a large-scale crime ring like Fellow. Skully didn't really harm anyone (though he did try to shatter someone he pumpkin’d), at least not on a large scale like Rollo and Fellow did. On the other hand, I think it was a little bit too overdone with how sappy it was??? Like why did Jack say he was PROUD of Skully for being so passionate that he went to these extremes for Halloween? Why did Jack give Skully a HEAD PAT after the shenanigans he pulled?? I felt that saying he's forgiven and inviting him to join the festivities anyway would be sufficient. And again, I detest how Skully disregarded everyone’s consent and kissed them (Yuu and the SSR trio) as an apology even when they (SSR trio) already made it clear they didn’t want to be kissed. That just felt super gross to me, not funny or cute 😔

One of the big highlights of this event was, of course, the Twst cover of This is Halloween. Everything about it is just so... *chef's kiss* from the strong vocal performance to the perfect selection of characters to recreate each scene. It's a shame that we can't access the song outside of this event, but I know that I'll be playing it on an endless loop off of Youtube 😂

For all of the issues I had with the story up until this point, I'll be the first to say that the ending was genuinely sweet. Skully actually expresses gratitude towards everyone (a first, lmao) and calls us his friends, the best thing that has ever happened to him, etc. He wants to meet with everyone and celebrate Halloween with them again. BUT. I don't like that he singled out Yuu specifically as someone he really likes. I get the same feelings from him as I do with Malleus... Like, there's a weird over-familiarity and attachment he has with Yuu despite Yuu not doing or saying much to bond with him. His reaction seems unwarranted to me, with a lot of the appeal of his friendship coming from how much the player projects onto him. (And to be clear, I say this ONLY for myself, as Yuu is meant to be a character for self-inserting; in the case where I put myself in Yuu's shoes, I would be uncomfortable with how Skully is acting toward me.)

Now we get to the ending that seems to have emotionally broken the fandom.

I said earlier in this post that I don't like Lost in the Book events, and another reason for that is because there's amnesia involved at the end. I feel like an event isn't worth it if the memories get wiped anyway because then it's like the events never happened at all. However, Nightmare actually played with this trope and did something really cool with it. Even though those who leave the book have their memories erased, they're still left with some residual feelings that can propel people to act. In the Stitch event, this resulted in the boys wanted to vacation to the beach. In Nightmare, Skully--who was transported within the book from his original time HUNDREDS OF YEARS AGO--was so touched by the connections he made in the book that he essentially becomes a changed man. He graduates from NRC and travels the world to spread the joy of Halloween, thus being responsible for why it's such a big holiday in modern Twisted Wonderland, the era which our main cast is from.

No one remembers the book's events, but Skully is so thoroughly motivated by his lost memories... He somehow recreates the Nightmare Suit, BUT DROPS THE SHADES (a symbol of him trying to emulate Jack) BECAUSE HE HAS NOW BECOME HIS OWN PERSON. He shares a jubilant version of Halloween because that's the version he cherished celebrating with his idol and first real friends. History doesn't remember him, but his legacy is still going strong. LIKE THE GAO POSE... DID IT ORIGINATE FROM HIM???? ? ? ? ??????? ?? AND NOW I'M THINKING ABOUT ALL THE FUN THE GHOSTS AND STUDENTS HAD IN THE FIRST EVER HALLOWEEN EVENT... BECAUSE OF HIM SPREADING THE HOLIDAY AROUND

The NRC students don't remember him either, but they must somewhere in the deepest recesses of their hearts... CUZ THEY ALL STILL MAKE COMMENTS ABOUT HIM, LIKE LEONA SAYING BRO LOOKS LIKE A PATHETIC LITTLE MEOWMEOW (exaggeration). There's also the implication that Skully's spirit is still around, since the characters remark feeling a strange cooling sensation on the back of their hands. We never SEE him, but we sense that there's something there. In the end, they promise that they'll make the best Halloween ever in honor of his legacy and we get sequel bait.

Twst REALLY had to go and drop that ending on us and then peace out, huh 🤡 It's hard to put my feelings about this ending into words, but I think I would personally describe it as very bittersweet yet romantic. Not lovey-dovey romantic, but like... it portrays a hopeful future even though it's sad too. Like, it's tragic that the NRC students and Skully will never be able to celebrate together again. But isn't it cool that even though they were born in totally different eras, fate still allowed them to meet and completely change the course of history? And even if they forget about their encounter, that meeting still impacts them to this very day. It changed the world and their lives forever. Reaching for that thing you're missins and forgetting, without really know what it is... Something lingering there, without a form... There's something so dream-like about the concept, I have to commend the Twst devs for coming up with it. In that sense, I'm quite satisfied with the conclusion despite the bumps in the road I ran into on the way.

IN CONCLUSION. Yeah, I thought this event was another mixed bag. The pacing was bad and nothing that interesting happened since the story was mainly about preparing for Halloween. I'm not a fan of Skully. However, what I can say is that Nightmare had a good showcase of Sebek, Jamil, and Leona's strong suits and actually allowed them to resolve the crisis. The ending is also much stronger than Playful Land's and poses many interesting questions about Skully and his impact on history.

[howtofightwrite]

Missing an Eye

So, a weird note, I can't find this ask anymore. I think it might have been deleted. Anyway, that contributed to the delay in getting this live on Tumblr tonight.

EDIT: I just found the ask. I answered this on Monday. I am deeply sorry for reposting the ask again. This has been a hell of a week, and this just goes to show how fried my brain is from the stress.

So, again, mea culpa. I did not mean to spam out this post again.

Hello! Thanks a ton for all the work you guys do! It's been very helpful to read through your blog and adjust how I write action. What would you say is the best weapon for someone with depth perception issues in a pretty straightforward fantasy setting? I've got a character with horrible depth perception, but he's in a position of power/influence where he needs to be armed and can't always have guards around.

Depending on the level of sophistication, I'd say that's a pretty good setup for an enchanted prosthetic eye. Depth perception does effect melee combat, but the loss of peripheral vision is probably the more pressing issue.

Really, the time when depth perception becomes a serious consideration is with ranged weapons, where judging the appropriate fire arc is as important as the horizontal angle.

Intuitively, your audience is more likely to recognize that depth perception is likely to be an issue with polearms, more than blades or axes. Then again, a lot of readers often won't really pick up on a character's loss of depth perception as important (even in situations where it is.)

I suspect that a dagger would be the weapon that suffered the least from a loss of depth perception, if the character is using it as an assassination tool, rather than getting into actual combat. Failing that, a sidesword of some variety would probably be one of their better options if they did find themselves in full on combat, though, as mentioned, the loss of peripheral vision on the side with the missing eye would be a more severe vulnerability, especially in mass melee.

Now, the best weapon for someone missing an eye is a retinue of well trained and loyal soldiers who know that your character's experiences make them more valuable as a leader than as just another fighter. That is somewhat how this visual coding works for characters. So, while it's possible that this is some loner, very often that eye patch doubles as a bad of senority.

Also, it is worth considering that someone may wear an eyepatch specifically to prevent night blindness in that eye, when they expect to transition between bright and dark areas in quick succession. One (possibly apocryphal) example were marines who expected to fight below decks during boarding actions during the Age of Sail. Being able to flip up their eyepatch as they went below decks would help reduce the advantage that defending sailors with acclimated vision would enjoy.

-Starke

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[just-wrting]

Secret Admirer

Title: Secret Admirer

Pairing: Spencer Reid x Reader

Summary: You've been trying to figure out who keeps leaving you little notes and gifts. Despite everyone else knowing, you keep denying the obvious answer.

Word Count: 1721

Master List

A/N: This will probably be the only thing I write for Reid. I'm not super into him but when the List Randomizer spat out secret admirer I weirdly thought of him. I plan on trying to write a bunch of different characters from a bunch of different fandoms. Just whoever pops into my head I guess. Two will probably be posted Friday.

You aren’t sure when you noticed it. Maybe it was the fact that your desk was always clean. Maybe it was the little extra things that started to appear. Slowly but surely, you realized you had someone who was leaving you gifts and notes. You had a secret admirer.

Despite your efforts, no one on the team would say anything. For several weeks, you pressed the issue with the other BAU members, yet no one cracked. In fact, you were teased about being unable to figure it out. How could a member of the BAU not figure out their mystery admirer?

“Come on Garcia! I know you know. You have to tell me,” you plead with the tech genius. “You’ve literally been avoiding me. I know you know.”

She lets out a squeak before running to the safety of her lair. Morgan is giving you a smirk and shaking his head. Despite your scowl, he chooses to tease you.

“Come on, (L/N), can’t you figure it out? Who could be this mystery man leaving you gifts and fancy letters?” He laughs as he pokes the latest gift, a small stuffed version of your favorite animal.

“Hey, leave my new son out of this. What did he ever do to you?” you grumble, pulling it closer to you. “I didn’t even realize someone remembered such a little detail.”

“Maybe that means it’s been a long time crush.”

At that moment, Reid sets his bag down and takes a seat at his desk. You think you see Morgan’s grin get wider, but it’s hard to tell given how wide his smile usually is. It’s a picture perfect smile.

“That’s a relatively cute stuffed animal. I’ve actually been reading up on that one recently if you’d like to know more,” he offers. “Only if you’re interested of course.”

Reid gives you his charming boyish smile. It goes well with demeanor and you can’t help but find it cute.

“As long as you’re willing to leave out the creepy facts. I don’t even remember telling anyone my favorite animal,” you say with a smile. “Who would remember such a little detail?”

Morgan chimes back in, “Maybe someone with a perfect memory. Like what the kid has.”

You sigh. “Reid seems to like highly intelligent women with PhDs. I may be smart, but I’m not smart enough.”

Before anyone can protest, Hotch calls you all to the conference room for a case. While you’re sure Reid is nice enough to help whoever has a crush on you, you doubt you’d be his type. Maybe Reid is the perfect person to question about the mystery man.

—-

“Reid, (L/N), you two stay here and look through the papers,” Hotch orders before leaving the precinct.

You frown. What’s the point of having you here? Reid can read faster than you can. It’s almost like you’re just here for moral support in case he gets tired.

“Well now I feel useless,” you groan. “What am I even supposed to do?”

Reid doesn’t look up as he speaks. “Maybe today you’re our mascot. After all, mascots are supposed to be cute.”

You roll your eyes and try not to laugh. “Not all mascots are cute. Recognizable is definitely more important than cute. Besides, am I really that cute?

“I meant to say that compared to Morgan, you’re cute.” Reid buries his head further into the papers.

You ponder for a moment. “Well, you’ve got some charm. Morgan has the charm of he’s good with women so that’s why he gets hit on. Hotch is mature and a leader so that’s why women are into him. You’re cute though. You’ve got this soft sort of shyness that makes you adorable.”

You don’t catch Reid’s reply. His face is completely hidden behind various files. Maybe he’s just embarrassed, given that he’s always been a bit bad with taking compliments. That doesn’t stop you from thinking that it’s adorable.

“Speaking of your charms. I like the fact that you’ve got a good memory. You wouldn’t happen to know who’s got a crush on me, would you?”

He doesn’t look up. “I can pass along a message if you’d like.”

“Well then, I suppose you should tell this guy to ask me out. I can say for certain that if he’s this considerate, that he’s already got my interest.”

“I’ll do that,” he mumbles before handing you a file. “Take a look at this. I think I’ve found what we’ve been missing.”

—-

You peer into the lecture hall. It took some convincing, but you have successfully dragged J.J. to one of Lewis’ classes. You gesture vaguely into the room.

“See! That’s what normal Reid is. Dorky jokes, random facts, and the rambling on for ages is what makes him Reid. That’s not what he’s like around me anymore,” you hiss.

She makes a face and shakes her head. “So you have a different Reid? I don’t think he’s been replaced (L/N). Maybe you’re thinking about it too hard.”

You scoff. “No I’m not. Reid just seems so nervous around me. Did I do something? He barely looks at me anymore.”

With a shrug, she leads you away. “Have you tried asking him?”

You toss your empty coffee cup in a trash can. Part of you wants to throw up your hands and be done. Why is everyone treating this like it’s normal? No one is giving you any answers.

“Of course I have J.J. It would be weirder if I hadn’t. He clearly knows something about this secret admirer of mine, but won’t tell.”

J.J. pats your arm comfortingly. “Maybe it’s because he’s your secret admirer. Perhaps you need to ask him out.”

“Yeah sure. I’ll ask him out once I have the evidence that he’s the person leaving me these gifts.”

J.J. raises her eyebrows as she drinks from her coffee. Her face says she has other thoughts, but she won’t press the matter further. Your gut tells you to trust her, but you’d rather not make a fool of yourself. Sure, she knows Reid better than you do, but Reid can be difficult to read.

—-

After reading the latest note, you search your desk for your stapler. You’ve been stapling the date and time to each note before tucking it in your desk. However, it’s missing.

You let out a groan. This isn’t the first time it’s been in the wrong spot, and you’re sick of it. You opt to beg Garcia to look at the camera footage to see who’s been using it.

“Hey Garcia? Can you please pull up the footage of my desk this morning? Someone’s been using my stapler, and today they stole it,” you grumble with a scowl. “Whoever took it is going to get some very strong words.”

As she speeds through the footage, you watch the people who got there before you. At first, you see Reid pause at your desk and fiddle with something. You note that he’s the only person in the office at the time, but after he pulls away, you see your stapler still on the desk.

The next person to stop at your desk is Morgan. He pulls your stapler off your desk and staples his paperwork together as he heads to Hotch’s office. He never sets it back on your desk.

“Garcia? Can you please get my stapler from that idiot?”

She laughs. “Has he been using your stapler this whole time? He said there wasn’t any more in the supply room.”

You shake your head. “You like him so much, you can retrieve my stolen goods from him.”

Garcia nods. “I’m on it. You can count on me.”

You leave her to her planning. You don’t comment on the fact that Reid had been at your desk. If you ask her about it, she’ll just  leave you alone to go get your stapler. This is enough evidence for you though. It’s time to confront Reid.

Thankfully, he’s made his way to the conference room to look for something. You sneak in behind him and stand between him and the door.

“So, what did you need from my desk this morning?”

You watch him jump and spin around. He looks shocked, but quickly covers it up.

“I’m not sure what you’re talking about, (L/N).”

You frown. “I found out my stapler was missing. Garcia showed me the footage and before it went missing, you were at my desk. What did you do?”

Reid opens and closes his mouth a few times. He doesn’t look at you. His hands keep fiddling with whatever he’s holding.

“Forget about it, I’m sure there was just some trash leftover that you cleaned up.”

He swallows hard. “Yeah. I didn’t want you to have to worry about it.”

You give him a smile. “Thanks. Actually, I’ve been meaning to ask you about something else. The others seem to think I’m just talking myself out of it, but I think I can't put it off any longer.”

You make your way towards him, your smile still plastered on your face. You can tell he’s even more nervous now.

“Reid, are you my secret admirer?”

This time, Reid looks you in the eyes. You hear his breath hitch in his throat.

“What if I am?”

You’re a bit taken aback. Despite the determination you had walking into this, you aren’t sure what to say.

“Why didn’t you say anything?”

Your voice is a whisper now. It feels like some sort of dream. It’s almost like if you talk too loud, this whole thing will shatter and you’ll be left in pieces.

“I didn’t think you’d like me back. Your type just didn’t seem to include me.”

Reid hesitantly pushes a strand of hair out of your face.

“You’re more my type than you realize.”

“Then do you want to get dinner tonight?”

Now you’re the one who's acting nervous. Your palms are sweaty. It’s more difficult to breathe. You can’t help but bite your lip.

“I’d like that. If you’re willing to get dinner with me.”

Reid leans down, and gives you a quick kiss. It barely lasts a second, but you can feel your skin heat up. When he pulls away, he stays close.

“I wouldn’t miss it.”

[dark-audit]

Things I wish more writers understood about PTSD

Traumatic events don't always lead to PTSD. Two people can experience the exact same traumatic event, and one can go to work the next day shaken up but otherwise alright, while the other still has trouble functioning normally two years down the line. This is a fact that's been studied to death in psychology, but we're still no closer to figuring out why this discrepancy exists. So no, that character who experienced a very traumatic event and wasn't traumatized to your liking wasn't actually 'unrealistic'; they just didn't live up to your preconception of how trauma is supposed to effect people.

There is no flaw or 'weakness' in a person's temprament or personality construction that will make them more likely to develop PTSD, and likewise, people who don't develop PTSD are not inherently 'tougher'. PTSD is not the kind of illness you can blame on the person who suffers from it; human beings are more complicated than that. Furthermore, people who don't develop PTSD from a traumatic event exist, in fact they're very common, and while they don't develop that precise, largely arbitrary set of symptoms, they are still likely to be deeply affected by the event/s. Their experiences are no less real than those of their counterparts.

Sometimes, a person who experienced a traumatic even didn't develop PTSD afterwards - because they already had it. There are lots of people who go into therapy following a traumatic event only to discover they've been experiencing the symptoms of PTSD for years, following a previous unrelated traumatic event. This is especially common for people who had C-PTSD beforehand. Since PTSD can often manifest in very subtle ways, and since people are likely to 'mask' symptoms as a way to keep judgement or prying at bay, this scenario is not particularly uncommon.

PTSD doesn't always develop immediately following the traumatic event. PTSD can take any amount of time to develop. For most people, it takes around 3 months for symptoms to appear, but for a lot of people, the symptoms of PTSD do not appear for many months, even years after the event/s. This usually has something to do with the memory issues that can arise after trauma, and also might be affected by how a person conceptualizes the 'threat level' over time.

People with PTSD are not 'broken'; people with PTSD can be treated. Human beings aren't inanimate objects; we're living beings, graced with this incredible ability to adapt, grow and change. While there is no 'cure' for PTSD, there are loads of types of psychotherapy and medications that help to alleviate symptoms, and many people with this disorder are able to live fulfilling lives despite the diagnosis. Recovery is never out of the question, no matter how severe a person's symptoms might be. PTSD or not, I for one have yet to encounter anyone I would ever consider irrevocably 'broken'.

People with PTSD don't all experience the same symptoms. I feel like it needs to be said, because there is a bit of a 'type' in fiction, isn't there? And this can be incredibly disheartening to read for someone whose PTSD doesn't align with the way it is constantly shown to 'normally' manifest. In reality, PTSD is a very complex disorder, which might express itself in a wide breadth of different ways, and people handle their symptoms using a wide breadth of different methods. You'd be hard pressed to find two people who are completely alike in this regard.

Perpetrators of violence are just as likely to develop PTSD as their victims. This is one of those things I learned though my torture research escapades, and I've found it applies to other violent crimes as well, such as violent assault and murder. It's not a particularly nice fact to know if you want to maintain your straightforward good-vs-evil worldview, but alas, the real world is grim and complicated. There is actually a name for this type of PTSD, and it is Participation-Induced Post Traumatic Stress Disorder (PI-PTSD), or perpetrator trauma. PTSD does not discriminate, and you're not safe from it just because you're not on the recieving end.

People with PTSD aren't automatically more violent. I don't know why this myth has to be so prominent with every single mental illness ever, but like, yeah, its not true for this one either.

[lemonycheesecakes]

Can we just take a moment to think about how amazingly the TOTA characters show the unspoken reality of how mental health issues can affect a person?

someone who experiences mental health issues as a teenager and doesn't finish school. He is disadvantaged when trying to get more education (due to the education system not providing support to those struggling mentally) and is also disadvantaged when he tries to enter the working world.

A girl with a dysfunctional and abusive family trying to cope with her own teenage pregnancy and death of a child that was the result from rape. This causes her to struggle to have healthy relationships and gives her a warped perception of love, family and independence, even well into adulthood.

someone who develops schizophrenia and will permanently be at risk of loosing his jobs and damaging his career (mainly because of protected characteristics not existing at the time - but some truth still holds in that today). The constant misunderstanding of how his disorder affects him drives him to be suicidal.

A mother who's child dies from a disease and she develops severe germaphobia and OCD from the mental impact. Her marriage deteriorates due to her husbands lack of understanding and acceptance of her disorder. She copes by developing a parent-like relationship to a teenager, not being able to accept the death and the fact that her marriage will never again be in a good enough condition to have another child and be a happy family.

A husband who is also struggling with the mental impacts of his child dying from a disease. Even though his character isn't explored much, it's clear he struggles to cope when his wife develops severe issues and gets sent to a mental hospital, leaving him with no support. Due to the general lack of understanding of mental health issues in the 90s and his own personal misunderstandings, he tries to pressure his wife into becoming "normal" again by trying to make her feel ashamed for her disorder. He loves her and wants her back, but he doesn't know how to make their relationship work around her disorder, so he doesn't come to acceptance with how she is mentally impacted and so tries to force her to change.

A middle aged man who's career has never set off and so has no money. He doesn't have any family (aside from his grandma whom he has a complicated relationship with and leaves halfway through the show) and has only had failed romantic relationships. He resorts to alcoholism as a way to cope. Despite his life being considered a disaster, he is considered the most healthy and capable main character due to him not having any sort of condition. People only expect mental health issues to affect the characters with disorders, leaving him misunderstood and without support.

Keep in mind, THIS WAS MADE IN THE 90S! Gosh, I fucking love Donna Franceschild. She wrote mental health issues (specifically ones affecting women) more brilliantly and with more truthfulness and understanding than most writers today. She's like the Sylvia Plath of the 90s. If only her work wasn't so obscure.

[alpaca-clouds]

Solarpunk Game Ideas: CRPGs

Here I go on with my ideas for Indie Solarpunk games, that are not some sort of building sim or farming sim - and of course I cannot do this without mentioning CRPGs.

Mind you, despite what you might think given that over the course of the last year I have barely played anything but a certain CRPG (BG3), CRPGs are actually not really a genre of game I am super into, even though some of my favorite games are CRPGs. But as a genre in general I usually like faster paced games a lot more. It is just that when I hyperfocus on something that usually is a result of me getting obsessed with a character from it - and that is more likely to happen with a CRPG than with a metroidvania.

But how to do a Solarpunk CRPG?

The Issue:

Look, there really are not any CRPGs right now that are in any way Solarpunk. And I would argue this goes again back to the issue that people struggle with telling stories within a Solarpunk setting, as they are too set in the idea that a) Solarpunk needs to be an utopian setting (or a setting that pretends to be utopian) and b) that utopian settings will not allow for any conflict whatsoever. Additionally there is of course also the issue that most CRPGs do involve violence in form of fighting, which is what a lot of people struggle with - even though some amazing indie games like Disco Elysium have shown very well, that you can do a CRPG without a combat system.

So, let's go over some ideas for Solarpunk CRPGs.

Idea #1: Off-Brand Princess Mononoke

If you follow me for any time, you might know that to me there is no movie or piece of media that is more Solarpunk than Princess Mononoke. And thankfully we can easily build a sort of CRPG around it, either with a similar historical setting or just a fullon fantasy setting. Because remember: Solarpunk does not need to be Science Fiction!

No matter whether you go with a historical setting or just a full-on fantasy setting, the idea is fairly easy: The player character has a magical problem and they need the help of some sort of spirits. As they travel to the place of the spirit, they find out that the spirits are in a war with some group of humans, that are encroaching of the home of the spirits, because they try to access some sort of ressources, driving the spirits nearly to extinction. The player would have the choice in the end which side to join - or whether they will try to broker peace between spirits and humans.

Bonus: You'd have several choices how to play the game - but it is not a clear cut "good" and "evil", especially when the humans might have good reasons to need the ressource.

Idea #2: A SciFi Conspiracy

This idea is very much for a somewhat shorter game. Think a bit more like "Shadowrun Returns". Something that has more like 15 to 20 minutes of a runtime.

We go with the idea I brought up in one of the other ideas before: We have a Solarpunk world, that runs on mainly anarchist principles, and there are some arguments going about over some of the security mechanisms. (Anarchy can after all not properly work, if some people have weapons and others don't have - but you cannot undo the existence of weapons.) Our main character is part of some security force, that mostly are just trained to deescalate situations, but are in some cases allowed to use force.

And when a group of pro-capitalists or maybe even actual fascists start a conspiracy to take over the government, and they already have some co-conspirators in all positions. And the main characters need to navigate this with a mixture of diplomacy and violence, with the player getting a fairly good influence on how this plays out.

Idea #3: A Natural Disaster

Let me take one approach, that is inspired by one of the most Solarpunk movies, that is not by Ghibli: Misaki no Mayogai. That movie takes place after the Tohoku earthquake and is very much about mutual aid in the community.

And here is the thing: No, CRPGs do not need to have combat. So this is an idea for a CRPG without combat. We have a natural disaster of some sort. Honestly it does not matter. An earthquake, a flood, a vulcano... Can be anything. It just did destroy a lot of stuff in a big area. And the game is very much about rebuilding after this disaster, about people helping each other through mutual aid, and then building something better from it. It could feature a society going full Solarpunk if you want to (like a positive post-apocalypse) or just something getting a bit better. Build back better and such.

And if you are interested in creative Solarpunk endeavors, I would love to invite you into the Solarpunk Creatives community! :)

[wingsdippedingold]

@theladyofbloodshed made a wonderful post examining the usage of “bastard” in the ACOTAR series (with data!!!)

And to that I’d like to add my own two cents. Bastard’s technical deffiniton is an illegitimate child, and while that is heavily looked down upon in medieval/fantasy settings and is used with a negative connotation, the world itself is a classification.

Now the world is also used as a general way to describe a distasteful man. Aka just a general insult, a (less severe imo) male equivalent of bitch.

What I find curious is that Nesta never uses bastard towards Cassin in its actual definition, or even in reference to being an Illyrian, but merely as an insult:

Bastard in ACOWAR - defending him

“arrogant bastard” - ACOSF - Cassian wouldn’t let her go

Bastard in her training - ACOSF - he was forcing her to train

Cass & Az as bastards -AcOSF - they were chasing the obstacle courses

Who does use it within its actual definition/ to refer to birth status?

Rhysand & Feyre regarding Cass and Az, and initially Lucien, (a lot, it’s getting concerning)!

The IC! Its literally always them! Non-ic characters use it about 9 (vs the ic which is over 80) times throughout the series, and only 4 times is it possibly referring to a birth status

And… drumroll please… even though we all know the answer… Cassian! He uses it towards himself and Azriel to derogatorily refer to his birth and heritage as an illyrian. He quite literally calls himself a “bastard-borne brute” and says Nesta has called him that many times before, which she hasn’t. She never implied anything more than her distaste for him and his actions in general when using the word “bastard”

Nesta is not responsible for his feeling of inadequacy. Cassian himself views himself as unworthy and a “bastard”. Those are his own issue to work through, not ones that are imposed by Nesta.

[pastamansta]

While I have had my issues with "My Little Pony: Friendship Is Magic" (2010-2019) since we restarted the series, and while I have already begun to realize that the show will never be as good as the peak that was achieved in Seasons 2 and 3, as Ginger and I have reached the end of Season 6, I realize that, from this point forward, finishing this show is now something of a chore, or at least a "quest."

There have been issues in the past, no doubt; (1) "bothsidesism" and indigenous peoples stereotyping in a fantasy setting, via the conduit of buffaloes, (2) a portrayal of toxic masculinity as inherent to men, via the conduit of dragons, (3) using autism-coded characters irresponsibly, to make points about "friends who annoy you," via the conduit of both Pinkie Pie and Maud Pie, (4) doing BOTH, via the conduit of Discord, (5) anti-Semitic stereotyping in a fantasy setting, via the conduit of griffins, (6) xenophobic stereotyping in a fantasy setting, via the conduit of yaks, (7) irresponsibly vague and tonally un-sound depictions of self-harm, via the conduit of S05E13 "Do Princesses Dream of Magic Sheep?", (8) inserting support of the military-industrial complex into a show for children, via the conduit of The Wonderbolts, and (9) portraying a character with a severe level of anxiety as someone who is not in need of change, via the conduit of Fluttershy. These issues, however, are, by and large, excusable. Many of these issues are contained to individual episodes, and the show's primary demographic, those from ages FOUR to SEVEN, would have to really be paying attention to notice any of these, though some stick out more than others.

Season 6 is where not only do these issues still manage to present themselves, but they also manage to get worse.

The Wonderbolts have gone from a minor annoyance as part of Rainbow Dash's character, to one of the few reasons she appears on-screen, while further and further pushing a pro-military agenda down the throats of children, with one stand-out episode this season going so far as to apologize, if not encourage, military hazing?

The "toxic masculinity as inherent to men" issue evolves into a larger, more racial issue, ironically done by no longer portraying the dragons as all-male. A new fantasy race, originally introduced as little more than hissing bugs in Season 2, is now just as bad as the dragons, though perhaps not as offensive as the buffaloes, yaks, or griffins. This new fantasy race, the "Changlings," bear a striking resemblance to the real-life conspiracies on "draconian shapeshifters," which has been historically used to demonize Jewish peoples, as well as other marginalized communities.

And as if all of that wasn't bad enough, suddenly the show feels the need to comment on real-world xenophobic attitudes toward Indian cuisine? And their idea on how to do this is to make Rarity biased? By making her worship the words of a critic? Offensive stereotyping, with no "fantasy race" excuse to fall back on, and character assassination in the same fell swoop? "Spice Up Your Life" has to be one of the most embarrassing episodes of the series.

All of this in exchange for... what, exactly? A thinly-veiled, if not entertaining for a FAR older demographic, advertisement for parent-company-owned "Dungeons & Dragons?" A cutesy musical rendition of "A Christmas Carol?" A "what if" episode about a griffin who finally answers, definitively, if non-pony characters can receive a cutie mark? Enjoyable? Sure. Worth the problematic elements and ever-decreasing enjoyability of stock plots and subpar characters writing? Not at all.

As Ginger mentioned in one of her prior posts on the subject, we rank the episodes, every season, from best to worst, and then cut that list into three categories; "Good," "Mid," and "Bad." We have an extra column for "Problem" that, as of this season, was more full than ever. This season, we added a fifth section; "Ironic," as the show has gotten so generally terrible that it is becoming hard to decide between which episodes we had a good time with on their terms... or on ours.

"Flutter Brutter," "Stranger Than Fan Fiction," and "The Cart Before the Ponies" are some of the most fun I've had all season, due to how downright, laughably bad they all are. "Hey, seven-year-old! Did you know that Fluttershy's brother is a massive fuck-up who looks and talks like Matthew McConaughey?" "Yo, pre-teen! Do you have a hot take on the Star Wars Prequels?" "What's up, little dude?! Wanna just... watch your favorite characters ignore their siblings for twenty minutes?!" I was truly in stitches, almost as much as I was during Season 5's "Hearthbreakers," where Pinkie Pie's family eats rocks for Christmas, and the Apple family is told that they HAVE to enjoy it! If you've got a craving for watching twenty-minute chunks of horse cartoons that feel far too much like "Freddy Got Fingered" (2001), this is DEFINITELY the season for you.

If you only like, you know, the show that this used to be? Stop earlier than I'm going to, because Ginger and I are in this for the long haul.

[im-just-a-bug]

Finished In Stars and Time last night and want to put down my thoughts bc that was nuts. Spoilers ahead v

Theres still much I havent seen, and ive only gotten one ending but man this game blew me away. Here are some things i loved about this game.

Timeloops are such a common plot device, a way to help the mc level up for the big bad, and the way they flipped that narrative on its head! The instant shift from "this is a gift to help me!" To "who did I think I was, how stupid," is so satisfying.

The music, at the end, terrified me. That first time Headmaiden broke down, and the music glitched and deteriorated, i realized oh. Oh fuck this is a kind of horror game isn't it. I wasnt wrong.

The changes in character art!!

The subtle things; the mirror never catches you by surprise again. Your battle sprite looks bored. You stop making silly noises at the birds.

That moment in act 3 where everything is finally going right, your companions love you and youve never felt more content, and Siffrin wins and gets to the end and they loop anyway. The way that the first time his party notices anything wrong is when he is completley and utterly heartbroken, the way they run to him. And he wakes up in the meadow, to allies that don't love him anymore. Who have no idea what hes going through. Who aren't grateful. And love didnt win the game so they go searching for answers and it makes sense but it makes everything worse.

You talk to King, and for a second you think everything might work out because stranger things have happened. And after a whole game of Bonnie being safe, Bonnie running away. Bonnie never being in any real danger. King picks them up and crushes them in front of you to 'teach you a lesson.' And the terror on Sifs face the next loop they reach the King startled me deeply, and reminded me that this game is a god damn masterpiece.

The way this game sets you up to stop caring about how you treat others, only to give you a real ending after what was essentially the WORST loop youve ever had?? Incredible. Siffrin doing everything he can to manipulate his way to the end, even if everyone hates him bc hes just so desperate. There's no point being nice, there's no point pretending in the end, bc he hopes there won't be another loop but in their heart they Know there will be, so what's the point? And he fumbles every interaction, makes every one of his friends hate his guts, and then has to fight the King alone. And then they save him anyway. They follow him and pick him up at the end (which cinematically is a God damn masterpiece all on its own God DAMN) and you figure out the whole time Siffrin was looping not bc the country fumbled a Wish, but because he didn't want his friends to go. He wanted to stay with them so badly he wished for it on accident, and the universe listened.

I haven't even gotten into how in awe I was, putting together the little puzzle pieces of Sifs backstory, of his island. Even in act 1 I was squinting my eyes. Several mentions of a whole island wiped from existence no one can remember? A protagonist with severe memory issues and no connection to or knowledge of any culture left? God I love this game.

And Loop. I didnt learn Loops story on my playthrough, but i looked into it and man. Its so incredibly neat that you have this character, this other siffrin, who went through these loops so many times they got desperate enough to make a whole NEW wish, unspecified and uncaring, just wanting something to change. Wanting help. And got shoved into our Siffrins reality instead, because wishes never work how you want them to. Finding their star room and their journal and trinkets and lore was so incredibly cool!! Though im confused why the journal says they made a cooy of themself, but their battle dialogue says they got shoved into a different reality. Idk, but it's still cool. And their anger, that someone else got their happy ending? Fucking mwah.

These characters are so complex and interesting and a day later im still in awe about it. There are so many parts of this game i havent even mentioned here that are like a punch in the face. So many little interactions, so many art shifts.

I loved this game deeply, and the only thing stopping me from playing more is guilt at taking away that ending. When a game makes u care about the characters that much, you know its a great game.