#though not really relevent to the story i suppose

[beneaththebloodylake]

nah but thinking about yuumori and victorian politics though like marx was also around that time vaugely, what if instead of london/durham, the moriartys couldve been based in manchester and marx couldve been a character. william james moriarty and karl marx besties

[aroaceleovaldez]

Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.

Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...

Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!

As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.

With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).

It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.

It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.

[skitskatdacat63]

"From triumph to failure is but one step."

+ the usual

I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.

+ version without text

My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:

Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.

Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3

I. Renault

At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.

II. Ferrari

Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.

III. Aston

Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.

Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(

[shabadarada]

Nia my little victorian era child who wouldve been an iPad baby had those been a thing back when she was still a human

[azurechicken]

despite the awful ad attempt here, i gave it a go and finally finished watching one piece live action and uhhh its actually good?

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[viperwhispered]

Notes on Jamil's speech patterns

I was supposed to just pick out some examples of typical Jamil lines. How he speaks, the vocabulary he uses, things like that. Something I could easily refer to when writing to get the tone right.

But then it kinda blew up, oop – because it’s hard to talk about how a character speaks without also dipping into why they say whatever they say.

Plus then I wanted to get examples of Jamil in different moods, and could not resist some poignant things that were more related to his character or backstory rather than strictly the speech patterns themselves, so… It expanded a bit.

Anyways. Some things I noticed he tends to do:

Sighs (more than I realized)

Snarks

Tch (though could be a more general twst writing choice too)

Stutters when he’s flustered / embarrassed / caught of guard (what a cutie)

Goes ahem like an old man when he’s trying to get back on track in those off-kilter moments

Kinda formal with his manner of speech and choice of words (especially in servant mode) (I always worry I exaggerate this but he sure does do that)

But there’s still some animatedness with the way he emphasises words, for example

(so long-suffering and ready to bark out directions to Kalim oh boy - the way the directness just comes through when he loses it)

sugarcoating his opinions if he doesn’t feel like he can say them plainly (tyrant becomes rigorous, etc.)

sarcasm, sometimes with a side of deadpan, sometimes with a smirk

“Good grief” (another thing I didn't realize was that much of a catchphrase)

Very mild on the level of insults & swears honestly, (I mean, "drat"?) but I imagine this is more of a result of the game's rating (I guess for in-game reasons we can say he's been very conditioned by his upbringing)

I put the screenshots that seemed telling, and some related notes, on to a google sheet. That way one can filter and order it in various ways.

The sheet is probably best viewed on a computer or another larger screen, the screenshots might make it a bit difficult to navigate on mobile.

I did go in with the assumption that Jamil might speak differently pre-overblot (when the servant mask is firmly in place) and post-overblot (at least those occasions where he allows himself to be more honest). Like, there’s the sycophantic (as Leona calls it) flatterer, versus when Jamil’s honestly voicing his own thoughts. Which also shows in how I chose to categorize the screenshots.

Of course events are a bit wibbly wobbly in relation to the main story so can’t be placed in the timeline in the same way, but there are still those occasions where it seems you can tell the difference between the servant mask and a Jamil who’s not saying things just for the sake of appearances.

So, to explain the logic of the sheet:

First column has a screenshot of something Jamil says. The second two columns give the source.

The column for whether or not this happened before or after the overblot is only really used for main story things, since event stories are kinda murky timeline-wise.

Next is whether Jamil seems to be putting on the servant mask or speaking more honestly. This is where get more to interpretation territory, and I’ve not applied it to every screenshot (either because that didn’t seem like the relevant part for that line, or because I couldn’t tell).

The last column of the sheet is where we get most to my personal interpretations. So of course you might read these lines differently than I do, and that’s completely fine, these are simply the aspects that seemed poignant to me. Some notes are simply pointing out specific word choices or style of speech, others delve more into character analysis side of things.

Totally fine if you want to copy this file or modify it to your own needs. All I ask is that you don’t pass off anything I wrote as your own thoughts.

Order of lines is based purely on the order the pics were in my screenshots folder, so guess this is also an insight on the order I played things in, lol.

Tagging some jamil peeps in case y'all find this useful:

@crystallizsch @diodellet @moonyasnow @twstgo @lex752

@majestickitty @viperbunnies

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[eveninglakehomeworld]

hi friends and lovers, I've gathered a small collection of dialogues from Zevran in DA:O regarding Antiva & the Crows.

I got this together mostly for myself, but thought I'd share in case anyone who is maybe looking to flesh out their new Crow OC, write fanfic involving Crow characters, or is looking for a refresher on early Crow lore would like something to reference. I trimmed down dialogues a bit, so mostly just information relevant to the Crows, Antiva in general, and Zevran's own attitudes about being an assassin are present.

this post has dialogues from Zev's recruitment event and a couple of early game camp conversations. because it's only a handful of dialogues, this is, ostensibly, part 1 of several. I plan to post more as I progress through my replay of origins. enjoy! <3

Recruitment

Warden: "What are the Antivan Crows?"

Leliana: I can tell you that. They are an order of assassins out of Antiva. Very powerful, and renowned for always getting the job done... so to speak. Someone went to great expense to hire this man.

Zevran: Quite right. I'm surprised you haven't heard much of the Crows out here. Back where I come from, we're rather infamous.

Warden: "You came all the way from Antiva?"

Zevran: Not precisely. I was in the neighborhood when the offer came. The Crows get around, you see.

[After being asked if he's loyal to Loghain]

Zevran: Beyond that, no, I'm not loyal to him. I was contracted to perform a service.

Warden: "And now that you've failed that service?"

Zevran: Well, that's between Loghain and the Crows. And between the Crows and myself.

Warden: "When were you to see him next?"

Zevran: I wasn't. If I had succeeded, I would have returned home and the Crows would have informed your Loghain of the results... if he didn't already know. If I had failed, I would be dead. Or I should be, at least, as far as the Crows are concerned. No need to see Loghain then.

Warden: "How much were you paid?"

Zevran: I wasn't paid anything. The Crows, however, were paid quite handsomely. Or so I understand. Which does make me about as poor as a chantry mouse, come to think of it. Being an Antivan Crow isn't for the ambitious, to be perfectly honest.

Warden: "Then why are you one?"

Zevran: Well, aside from a distinct lack of ambition, I suppose it's because I wasn't give much of a choice. The Crows bought me young. I was a bargain, too, or so I'm led to believe. But don't let my sad story influence you. The Crows aren't so bad. They keep one well supplied: Wine, women, men. Whatever you happen to fancy. Though, the whole severance package is garbage, let me tell you. If you were considering joining, I'd really think twice about it.

Warden: "Aren't you at least loyal to your employers?"

Zevran: Loyalty is an interesting concept. If you wish, and you're done interrogating me, we can discuss it further.

Warden: "I'm listening. Make it quick."

Zevran: Well, here's the thing. I failed to kill you, so my life is forfeit. That's how it works. If you don't kill me, the Crows will. Thing is, I like living. And you obviously are the sort to give the Crows pause. So let me serve you, instead.

Warden: "And what's to stop you from finishing the job later?"

Zevran: To be completely honest, I was never given much of a choice regarding joining the Crows. They bought me on the slave market when I was a child. I think I've paid my worth back to them, plus tenfold. The only way out, however, is to sign up with someone they can't touch. Even if I did kill you now, they might kill me just on the principle of failing the first time. Honestly, I'd rather take my chances with you.

Warden: "Won't they come after you?"

Zevran: Possibly. I happen to know their wily ways, however. I can protect myself, as well as you. Not that you seem to need much help. And if not, well, it's not as if I had many alternatives to start with, is it?

Warden: "Why would I want your service?"

Zevran: Why? Because I am skilled at many things, from fighting to stealth and picking locks. I could also warn you should the Antivan Crows attempt something more... sophisticated... now that my attempts have failed.

A few early game camp conversations

Conversation 1 Warden: "What does it take to become an assassin?"

Zevran: Well, the Crows would have you believe that it is an involved process that takes years of training, the sort that tests both your resolve and your endurance. Survive that process and maybe, just maybe, you're good enough to start being considered one of them. But quite frankly the truth is that all it requires is a desire to kill people for a living. It's surprising how well one can do in such a field.

Warden: "It doesn't take any special skill?"

Zevran: I don't know about that. It's simply a slightly different skill set from your average killer, as I see it. An assassin simply specializes in striking from stealth... and in maximizing that first attack to be as lethal as possible. Debilitating your foe, either by poison or by crippling their limbs, makes any follow-up combat you need to engage in that much simpler.

Warden: "That sounds like it could be useful."

Zevran: See? Getting paid for the act is beside the point. An assassin is more a tactical choice than a lifestyle. Of course, the Crows like to pretend that their abilities are trade secrets, shrouded in shadows and wrapped in a blanket of mystery. So let's just keep this between you and me, shall we, hmm?

Conversation 2 Warden: "Why did you want to leave the Crows, exactly?"

Zevran: Well, now, I imagine that's a very fair question. Being an assassin, after all, is a living, at least as far as such things go. I was simply never given the opportunity to choose another way. So if that choice presents itself, why should I not seize upon it?

Warden: "You didn't choose the Crows?"

Zevran: Mm? To be truthful, I didn't even know the Crows existed when I joined them. I was but a boy of seven when I was purchased. For three sovereigns, I'm told. Which is a good price, considering I was all ribs and bone and didn't know the pommel of a dagger from the pointy end. The Crows buy all their assassins that way. Buy them young, raise them to know nothing else but murder. And if you do poorly in your training, you die.

Warden: "That sounds awful."

Zevran: "Oh, I don't know about that. The Crows who are actually good enough to survive come to enjoy some of the benefits. In Antiva, being a Crow gets you respect. It gets you wealth. It gets you women... and men, or whatever it is you might fancy. But that does mean doing what is expected of you, always. And it means being expendable. It's a cage, if a gilded cage. Pretty, but confining. [note: I transcribed the first line of the last section as it was written in the subtitles because it seemed to make more sense in context, but when Zevran speaks it aloud he actually says "That does not mean doing what is expected of you." presumably an editing error, but can't be 100% positive which is the intended message.]

[After being asked what he thinks his future might hold]

Zevran: As for what I'll do in the future... presuming that there is one... I truly can't imagine. It might be interesting to go into business for myself, for a change. Far away from Antiva, of course. For now, naturally, I go where you go.

Warden: "Won't the Crows eventually find you?"

Zevran: [laughs] Eventually can be a very, very long time if one plays one's cards right. Come, now. Enough chit-chat. Talking about the Crows summons them, you know. Any Antivan fishwife could tell you so.

Conversation 3 Warden: "Do you actually enjoy being an assassin?"

Zevran: And why not? There are many things to enjoy about being a Crow in Antiva. You are respected. You are feared. The authorities go out of their way to overlook your trespasses. Even the rewards are nothing to turn your nose up at. As for the killing part, well... some people simply need assassinating. Or do you disagree?

Warden: "You've never killed an innocent?"

Zevran: Now there's an interesting word, "innocent." How many men do you know who can claim to truly be innocent? But if you're talking generalities, such as children and relatives and bystanders and such... never on purpose, but it happens. It's unfortunate, but death comes to us all. If not me, then some wasting disease. Or a fall down the stairs. Or at the hands of a darkspawn. It's all relative in the end.

Warden: "I suppose that's true."

Zevran: "Death happens," as we like to say. And when I get paid for it, death happens more often. As far as enjoying the act of killing itself, why not? There is a certain artistry to the deed, the pleasure of sinking your blade into their flesh and knowing that their life is in your hands.

Warden: "I know what you mean."

Zevran: There are many things I did not enjoy about being a Crow, of course. Having no choice, being treated as an expendable commodity, the rules... oh, so many rules! But, simply being an assassin? I like it just fine. I will continue to do it, if I can, even if I am not a Crow. Honestly, could you picture me doing something else?

Conversation 4 [note: I trimmed this one down a lot bc it's just one of the ones where he tells you about a job and there's not a lot to be gleaned about Antiva, how the Crows operate, etc] [In response to being asked, "The Crows were willing to anger the Circle of Magi?"]

Zevran: In Antiva, nobody is too important to escape the reach of the Crows. They have killed kings and queens. That's simply how it is.

[After elaborating on how he fumbled an assassination attempt and the mark died accidentally, instead of by his hand]

Zevran: Then I found out she had told the driver to take her to Genellan instead. She has planned to lose me in the provinces. I would have looked very foolish to the Crows. As it was, my master was very impressed that I had done such a fine job of making it look like an accident. The Circle of Magi was unaware of foul play, and everyone was happier all around.

Conversation 5 Warden: "Tell me a little about Antiva."

Zevran: Oh? You wish to know about Antiva, do you? The only way to truly appreciate it would be to go there. It is a warm place, not cold and harsh like this Ferelden. In Antiva it rains often, but the flowers are always in bloom... or so the saying goes.

Warden: "Don't you want to go back?"

Zevran: [sighs] It is not really a matter of wanting to go back. I cannot go. At least not yet. I hail from the glorious Antiva City, home to the royal palace. It is a glittering gem amidst the sand, my Antiva City. Do you come from someplace comparable?

Warden: "I'm not from any glittering gem, no."

Zevran: No? That is too bad. If you were, then surely you would spend as much time boasting about it as I do! Hmm. You know what is most odd? We speak of my homeland, and for all its wine and its dark-haired beauties and the lillo flutes of the minstrels... I miss the leather the most.

Warden: "Is that some kind of euphemism?"

Zevran: [laughs] It may as well be! But not this once, no. I mean the smell. For years I lived in a tiny apartment near Antiva City's leather-making district, in a building where the Crows stored their youngest recruits. Packed in like crates. I grew accustomed to the stench, even though the humans complained of it constantly. To this day the smell of fresh leather is what reminds me most of home more than anything else.

Warden: "That's a little bizarre. There's leather everywhere."

Zevran: Ah, but it's not Antivan leather, is it? I do not know what the Antivan tanners do that is different, but ther is no leather more supple nor more fragrant.

Warden: "You sound like you've been away from home forever."

Zevran: Oh, not so long, I know. It is my first time away from Antiva, however, and the thought of never returning makes me think of it constantly. Before I left, I was tempted to spend what little coin I possessed on leather boots I spotted in a store window. Finest Antivan leather, perfect craftsmanship—ah, but I was a fool to leave them. I thought, "Ah, Zevran, you can buy them when you return as a reward from a job well done." More the fool I, no?

Warden: "Your home is still there, Zevran."

Zevran: True, and it's a comforting thought. One simply never knows what is to come next.

Now, if it is all the same to you, I would prefer not to speak more of Antiva. It makes me wistful and hungry for a proper meal.

Bonus banter snippet because I found it amusing:

Morrigan: You assassin types have a death wish, I see.

Zevran: [laughs] Only the really good ones.

[1d1195]

The Lottery II

Read The Lottery here | ~4.5k words

From me: There is def some fluctuating in the timeline. This part is mostly from Harry's POV and it suggests 6 years passes but that is more relevant for the next couple parts. There are pieces of this that happen shortly after she moves in and some years later. It might be a little hard to tell, but hopefully it won't ruin the story. I'm mostly establishing more background info in these parts. I feel like the real story doesn't begin till part three or even four.

Warnings: angst and fluff. (A new nickname for her!!!)

Summary: She is unbelievably sweet. Which makes Harry nervous because he knows how easy it would be to fall for her. Which he doesn't want.

But why does she have to be so sweet? It's nearly impossible not to fall for her.

“She opened a bookstore. But s’like a library too. The high schoolers go there t’study. And she helps them,” Harry muttered.

“Well yeah... I would too if I was in high school. I looked her up after you talked about her for an hour. Have you even seenher? You didn’t even mention how pretty she was. Why wouldn’t they go there to study? She’s beautiful, kind, intelligent, beautiful, funny, pretty—”

“Alright I get it,” he grumbled.

Louis was always ready to give Harry a hard time. More specifically he was always ready to remind him not to be so grumpy, but it was easier said than done. Harry was still young, and he shouldn’t have been so frustrated all the time. His twenties were supposed to be fun. But he didn’t feel like having fun anymore. He was much too young to be so jaded, but there he was; green, like a sour apple.

The stupid small town was just a reminder of the heartbreak he suffered on more than one front. People he had known his whole life... from when he was a baby, a child, a teen... it just felt like he was suffocating. He loved his town, he did. But it hurt. It was hard to forget about the hurt when everyone looked at him with pity because they knew. No one spoke too loudly, no one tried to upset him. It was miserable. They were trying to be kind because they knew Harry and they knew what he had been through.

Louis was the only one who tried to piss him off intentionally. When Harry let it slip that there was a new girl in town, he quickly did research and was ready to give Harry a hard time about her as well as every other thing he enjoyed pestering him about. “It’s good for you. Everyone tiptoeing around you is just making you angrier.”

When she argued with him that first day... even though it was trivial—just about pancakes—it was refreshing.

But Harry didn’t want to like her. Because he knew himself quite well. He knew the second he started to like her it was going to be a slippery slope to falling in love with her. How could he not? She was everything Louis said: kind, intelligent, beautiful, funny, and sweet... she was a breath of fresh air and Harry hadn’t had a fresh breath in ages.

No. He couldn’t think like that. Slippery slope.

But when she arrived at the diner the second morning and sat in the same spot at the counter as she did the day before—the spot that people had been avoiding for months because it was much too close to Harry—it softened something in the armor around his heart. The way she smiled in greeting even though he didn’t really return it. She ordered one of each pancake again and even though they argued, Harry knew there was no use fighting it. He was willing to do anything to keep that smile on her pretty face.

But they did still argue. Maybe she was trying to save Harry’s grumpy façade in front of his other customers, the people he had known his whole life. Like she was trying to keep up whatever pretense she didn’t even know he was maintaining. “Are you sure I can’t have one peach and one white chocolate chip pancake?” She asked hopefully. When she asked this time it didn’t have the same flare and attitude as the day before. Probably because she knew that she would get both again.

So why was she keeping it a secret?

“No,” he rolled his eyes. “One or the other.”

“White chocolate chip today then,” she sighed.

And Harry made her one of each because it really wasn’t that big of a deal in the grand scheme of things. He was just mad the day before as he always was... and unfortunately, he took it out on her. It seemed like she didn’t even mind. Given she played like she didn’t notice Harry made one of each the day before was merely solidifying how much he liked her. Even though he wasn’t supposed to.

“She doesn’t tiptoe,” Harry mumbled.

“Of course she doesn’t. She doesn’t know,” Louis reminded him. It was hard talking to Louis about this stuff sometimes. It was over a FaceTime call. Because Louis was smart enough to leave the little town and only come back for visits. He wasn’t tied to the feeling in his chest the way Harry was. In a lot of ways Louis was smart. Smarter than Harry. Maybe a genius even. “But Harry, it’s a small town. She’s going to find out.”

Harry nodded. “Yeah... I know.”

But for a few weeks, it would be nice. Not having someone know everything about him.

“Then you’ll be able to tell her you love her.”

Louis was an idiot. Perhaps the dumbest person he knew.

*

It was a couple weeks later that she reached behind the counter for the little plate stacked with sugar and cream. “Hey,” he scowled. “Don’t do that,” he reached for it smacking her hand lightly out of the way.

“Why, it’s right there?”

“Because y’not supposed to!” It was the same argument they had been having since the second time she sat at the counter after her arrival. The first time she reached for the sugar and cream and was subject to Harry’s glare, she put her hands up defensively and let him put the plate next to her.

It seemed small towns didn’t change all that much. Even with a new person around, Harry wasn’t too surprised he was having the same conversation with her weeks later. “It’s literally right there, Harry.” She rolled her eyes and poured an unhealthy amount of sugar into the mug. He grimaced. “What?” She asked defensively. Apparently, he missed when she dumped an entire week’s worth of sugar into her coffee the day before.

“Do y’want coffee with your sugar?”

“I don’t really like hot coffee but if I don’t drink caffeine, I’ll be miserable for the entire day and ruin everyone else’s day too, so it will do,” she explained. Harry felt bad he didn’t have cold coffee for her. It was in his mind to buy a pitcher later that day and keep it for her specifically in the back fridge. No one else would drink cold coffee so it wouldn’t have to be a thing really.

How was it he was already obsessed with her, and he had only spoken with her for twenty minutes at most within the two days? Most of that short time was spent arguing with her too. It was insane. It was unreasonable. Harry was an idiot. A slippery slope of hopelessness.

Harry found it easier to be angrier. Cold. People asked less of him. He didn’t have to explain himself to anyone. Yeah, they tiptoed, but he didn’t have to talk. She looked like she was a talker. Ad nauseum at that. A person who owned a bookstore probably enjoyed talking and wanted to talk. Probably wanted to talk to the person they liked about everything under the sun.

“Did you see the moon last night?” She asked as he walked by. He shook his head of the thoughts of those first couple of days. They replayed often in his head. He was memorizing those first moments, and he didn’t know why... or if even if his subconscious really knew, he didn’t want the rest of his mind to think about it.

Everything under the moon then. He thought to himself. He blinked. “Yes?” He didn’t remember looking up specifically but surely, he saw it.

“It’s so pretty.”

Harry tilted his head at her. It was just the moon. He didn’t see what was particularly special, but he liked the reverence in her voice. How soft she was. “Yeah,” he nodded in agreement because there was no way he could argue with her when she was talking like that.

“I like the moon a lot,” she explained. Definitely a talker. But instead of hurrying to another table, he found himself rooted to the spot where he stood. Waiting for her to continue. “It’s comforting you know? It’s there all the time, even if you can’t see it some nights. You know it’s going to come back and it’s always so pretty. The crescent in the morning when it’s cold is my favorite. Or when the sun is setting in December and the sky is yellow and moon is too.”

Harry watched her. Wondering what made her say all that seemingly for no reason. Before he could ask why or embarrass himself with a declaration of how much he adored her already, she was getting up after placing her napkin over the plate. “Sorry, I have to run; the plumber is coming to set up the bathroom and backroom,” she slung her bag over her shoulder, tucking her notebook inside of it, and pushing in her stool. Right before she turned she smiled so sweetly at Harry it nearly made him blurt something insane like he loved her. “Have a nice day, Harry. I’ll see you later,” she gave a small wave and hurried out the door.

Harry had an intense desire to buy a telescope. But he knew if (when) he did, he was admitting he was fully fucked.

*

Other than breakfast, she didn’t say much most of the time because she was either reading or scribbling in her notebook. The glimpses Harry did see were a bit of a to-do list. Harry didn’t see her all that often unless she was reaching for sugar and cream over the breakfast counter. The storefront that was going to be her bookshop got a sign later that first week and was hung above the entrance door.

The Open Book.

Harry could never. The half-print, half-cursive lettering splayed on an outline of open pages of a wire novel. He assumed she was inside that very story or maybe unpacking her house still (it had been on her to do list since she arrived). It had to be overwhelming to move to a new house and open a new business.

In the few weeks she’d been there, he overheard everyone talking about her meeting with Sutton and how she got him to agree to giving her a designated parking spot out behind the strip of stores for free (so long as she shoveled her own spot and adhered to the no parking rule in the snow).

She was a hard worker. That was obvious. She chatted when people spoke to her, but she was quiet. She didn’t try to force herself on the town.

There was no denying how perfectly she fit in. Within weeks of opening, it was obvious her business was a success. He wondered if it was hard for her to start anew. How many people in her life doubted her? But she didn’t seem to mind if they did. People raved about her little shop. It was exactly what the town needed, and it was like the town needed her too.

“Hi sweetheart!” Alice cheered as she entered the diner. “Harry, she’s here!”

“Jesus, Alice. Embarrass them both why don’t you?”

Harry felt a twinge of a smile on his lips as he heard her laugh but he kept it to himself by staying in the back by the grill. Silently, he paused what he was doing while he tried to hide the overeagerness to see her. He turned to the fridge to grab the pitcher of cold coffee for her. “Did you make me cold coffee?” She asked when he stood in front of her poised to pour her a cup of her favorite coffee.

Today she was wearing a pair of red leggings beneath her colorful tutu. A shirt with the Crayola logo was across her chest and her eyeshadow was multi-colored across her eyes. “Whoa,” he stared at her for a lot longer than he should have.

“Is it too much?” She frowned glancing down at her outfit. “I sent Bailey a picture and she said I looked a bit ridiculous but we’re reading The Day the Crayons Quit and then we’re going to color with the wrong colors; so, I thought it was fitting,” she sighed. Harry poured the coffee over ice and a smirk twitched at his lips.

“S’cute,” he shrugged.

"Really!?" She said excitedly. "Good, I don't want to scare the kids either," she reached for the cream, and he smacked her hand softly before she grabbed it. She rolled her eyes.

“Hey Harry!” Someone called across the room and he left her without answering her cold coffee question. She frowned at her drink wondering why he did something so nice for her again. The pancakes were sweet, the coffee was even sweeter.

She couldn’t believe it. The whispering around town about Harry and his sour attitude ensued shortly after she arrived.

Any cute guys? Bailey texted her the third day she was there.

One. But he’s kinda grumpy. The town is under the impression that he won’t do anything for anybody.

Hard pass. You need a nice bubbly guy like you.

So why was Harry making her special pancakes and coffee? It didn’t match the grumpy persona that everyone described.

“Peach, y’want a muffin today?” He asked quietly while walking by her counter space. She blinked in surprise as he replaced the coffee pot on the burner to keep it warm. She was so confused and surprised she couldn’t even answer. “Y’deaf today?”

“No... I...” She shook her head. “You called me Peach.”

If she wasn’t watching him so closely, she wouldn’t have seen him still ever so briefly while grabbing the cream and sugar to bring to another table. “Uh...” he shook his head. Was this grumpy man blushing? “Y’jus’ order those pancakes so much so... I jus’ kinda...

“Right,” she cleared her throat. “Um... muffin. Yes. Thank you.”

Today was Wednesday which meant she just wanted a blueberry muffin because she was going to be reading to the kids at story time and even though they adored her, it made her nervous and she didn’t want to be nervous on a full stomach. After several minutes (because Harry was always sure to warm it on the grill with ample butter) he returned to the front and placed an apple alongside her muffin before her.

“D’you need help with y’place or shop?” He asked.

“Help?”

“M’jus’ worried ‘bout the pipes,” he explained. And you having hot water or heat in the winter.

“The pipes,” she repeated.

“Yes.”

“The pipes are fine,” she assured him. “Nothing to worry about, there.”

She didn’t tell him the Hollistons replaced them prior to moving out. “S’jus’ getting colder quickly,” he shrugged. “S’a little harder t’get around without a bunch of plows like a city.”

She nodded. “Right, of course,” she tilted her head as Harry continued. Her multi-colored, shiny eyeshadow sparkled and twinkled almost directly at Harry. “I’ll try to make sure an issue happens prior to the first snowfall.”

He rolled his eyes. “Y’bathroom is all set?” He asked.

“All set.”

“What’s next on your to-do list?”

She sliced her apple a bit at a time, a holdover from when she had braces and worried about the skin getting stuck in her brackets—she stared at Harry as he stood in front of her while she ate her slice in silence. She flipped her notebook open to the most recent to-do list. “The windows at the shop need to be replaced. They’re glued shut with paint. A theme in this town I’m assuming because I have several at home that need to be replaced too.”

“I could look at them for you. If y’want. S’a lot of money t’replace ‘em. Could save y’some money if I can jus’ repair them.”

“Really?”

He shrugged. “Yeah.”

“Well... that would be lovely. Thank you.”

“I’ll come by after work,” he offered and walked away before he asked to marry her or to live with her.

It seemed like he blinked, and suddenly a half hour had gone by. She was no longer in her seat. Harry frowned at the empty spot as he picked up her empty plate but found a note tucked underneath it, a page pulled from her notebook. Her handwriting was pretty, not quite calligraphy, but not quite print. A half-cursive, half-print script. It made him wonder if she designed her shop’s sign on her own.

Thanks for the offer to help! Sorry I had to leave without saying goodbye. Here’s my number, just give me a ten-minute heads-up when you’re coming over! Have a nice day, Harry :) - Peach

*

On the opening day of her shop, she had homemade muffins on display. It must have taken her ages to make them in her oven. Only a dozen at a time. Harry wished she had asked, and he would have lent his oven to her. Or even offered to help her make them. But why would she ask?

Harry rolled his eyes at her pancake order. And the omelet she wanted. It was half (literally half) cheese and half veggies but only if they were cooked separately. Really it was just two small omelets put near one another. When she explained it two more times, she finally drew a picture of two little rectangles in her notebook with arrows pointing to where the ingredients were supposed to go and slid it across the counter to Harry so he could see what she really meant. “Do y’have a thing against mixing your foods, Peach?”

“It tastes better that way.”

Maybe if Harry wasn’t so grumpy he would have found it a little funnier than he did. Maybe he would have even laughed and not snorted the way he did as he headed to the back kitchen. “Lemme guess. Y’eat milk and cereal separately too.”

She laughed. A gorgeous sound. Like a bird call made specifically for Harry. He shouldn’t have thought that way. She didn’t owe anything to him. She was lovely and sweet—a peach. Harry was sour and undeserving of someone so lovely. “Very funny, Harry.”

As lovely as she was, Harry couldn’t imagine going through the kind of heartbreak he would suffer because of her. It seemed inevitable that it would happen. Harry was too guarded, too grumpy. Louis tried to tell him it didn’t have to be that way, but it wasn’t something he could wrap his head around.

*

For the next several years, that was how their lives connected. Harry would make fun of her meal choices; she would try to steal the cream and sugar from behind the counter. The town loved their little businesses.

On Wednesdays and Fridays, she had story hour for the little ones. Harry had seen her dressed up as princesses, a mouse, and even a caterpillar. In the summer, she was sure to stock the shelves with summer reading books. When students had issues with their schoolwork, they checked in with her after school before emailing their teachers. Before major exams she held review groups and by year five, she had so many flashcards and quiz reviews for them that the principal asked if she would just teach. Teachers gave her the test reviews that were done in class.

But her shop was her pride and joy. Finding a book that a non-reader liked was like Christmas for her. Helping gift the perfect book on behalf of someone else was too. Or ordering a book series that she never would have thought of that was suggested by a little one was one of her favorite moments.

It was an amazing business, and it was almost entirely because of her.

The younger kids flocked to her when she walked through town giving her hugs and telling her all about the sticker chart, they were close to filling out (a five-dollar coupon for any book if they read ten age-level books). The older students went to her for dating advice, university application advice, and her shop was one of the most coveted jobs in town.

Honestly, Harry felt jealous he couldn’t work at The Open Book right along with her.

She worked nearly every day. At least popping in to make sure things ran smoothly. Harry knew the way small businesses worked better than anyone. It was nearly impossible to leave them alone. Even when you trusted another person.

Harry remembered the first day he laid eyes on her. The first day he made a fuss about her pancakes, and he had since lost count of how many pancakes he made for her after six years. On her birthday, he stuck a candle in them. Every spring and fall he cleaned her gutters.

He checked her pipes in the winter, even when she wasn’t home to let him in. “Y’shouldn’t leave your house unlocked,” he reprimanded when she entered her own house unphased by his presence.

“Edith or David are always home, they would call if there was a problem,” she shrugged kicking off her shoes and hanging her jacket up on her coatrack.

“Anyone could just walk in, Peach.”

“Exhibit A?” She gestured to him, and he rolled his eyes. “Do you want some water?” She asked, holding a bottle out to him. “You didn’t have to come check; I would call you if there was a problem.”

"I was over this way," he shrugged taking the water bottle from her.

"Do you want to stay? I'm going to order pizza," she yawned. "I'm too tired to cook."

Harry was terrified if he stayed he would never leave. The invitation wasn't that serious but it felt like it was. "M'good."

"Well then it's your fault when I eat an entire pizza on my onw."

He smirked, rolling his eyes. "Y'sure?" He asked.

"I'll even order a salad," she smiled sweetly. "Thank you for looking at the pipes."

"They look like they were replaced."

She shrugged. "Maybe the Holliston's replaced them," she suggested pulling out the pamphlet for the nearby pizza place from the drawer in her kitchen. Harry frowned. He wouldn't need to come check on them in the winter and that kind of saddened him. "I'm a plain person," Harry thought she was anything but plain. "I like cheese pizza. Do you want anything on yours?"

"I like peppers and onions...but y'don't have to--"

"That sounds yummy. I might try a slice," she smiled and dialed on her phone. "Could you look at my bathroom sink? The facet kind of leaks," she explained while skimming over the menu again. "Hi could I place an order for pick up?" She asked and walked toward the living room with a basket of laundry on one hip.

Harry felt it was a little too domestic, but he liked it way more than he could admit.

Louis was going to love it.

*

When it snowed, he shoveled her parking spot and cleared the store front walkway before he cleared his own. She thanked him profusely when he arrived at her house. But she wasn't actually at her house. There were footsteps leading from her own driveway, un-shoveled, because she was next door at Edith and David’s being sweet and kind to the elderly couple with inches of snow on the ground. Harry hurried after her, there to help.

They worked in silence scooping snow out of the way from front step to car and the rest of the driveway. “Where do Alice and Ed live?” She asked him to pause for a short break while shoveling.

“Uh... across town. On Second Street.”

She frowned. “Do they have neighbors to help shovel?” She asked.

“They’ll be fine, Peach.”

“But people over the age of forty-five aren’t supposed to shovel. They could have a heart attack,” she explained, and Harry could hear the worry in her voice for an elderly couple she hardly knew.

Harry sighed, looking at the too sweet girl for her own good. “We can go there next, love,” he assured her.

“We?”

“I can shovel ‘em out myself if y’have something t’do,” he shrugged.

“No... no, it was my idea. But why?”

Harry swallowed feeling an overwhelming amount of emotions pulse through him. Happy, sad, nervous, everything. It was like each one was battling for dominance and he willed tears to stay away from his eyes. He wasn’t going to confess his love to her, he knew that. But it kind of felt like he wanted to.

But was it even love? They never really talked. He knew surface level things about her and knew how lovely she was sure. But was that enough to be in love? Harry wasn’t sure. He didn’t want to love her. It was a terrible idea to love someone in this too small-town.

“Y’jus’ really nice, Peach. I want t’make sure you’re okay. You’re nice t’me. M’not the sunniest person. Y’never seem t’mind,” he explained and continued shoveling as if he hadn’t said anything at all.

She was watching him as he continued, unable to move. “You’re nice too, Harry,” she promised. “I see it in everything you do for this town. All the little things. I know you replace the lightbulbs on the streetlights because Sutton is too lazy to hire someone. I know you donated money to the high school baseball team for new uniforms. I know you love this town quietly even if you don’t want to for whatever reason. I hope you tell me some time.”

He ignored her little rant because if Harry hadn’t spent the last few years building up blockers and blinders to those kinds of sweet things he would have been a mess of tears at her words.

She gave his arm a squeeze when they finished Edith and David’s driveway. “Thanks for helping. Are you sure you want to help with Alice and Ed’s? I could do it myself. I just need a ride since my car is blocked in. We can shovel mine later. If you don’t mind of course.”

He appreciated her not bringing up how he loved the town. “I don’t mind, Peach,” he promised.

She grinned and looked up at the sky. It had stopped snowing a while ago and the sky was bright blue. “Look how pretty the moon is,” she chirped pointing up. Harry nodded, watching her happy smile and astonished eyes like it was the first time she had ever seen the moon.

“Yeah,” he agreed. “It really is.”

--

general taglist: @justlemmeadoreyou @daydreamingofmatilda @sunshinemoonsposts @loving-hazz @likeapplejuicenpeach

@straightontilmornin @freedomfireflies @littlenatilda @kathb59 @babegoals

@angel-upon @lilfreakjez @mleestiles @ameliaalvarez06 @canyonmoondreams

@summertime-pills @daphnesutton @l4rrysh0use @perfectywrong @foreverxholland

@lovrave @st-ev-ie @pandeebearstyles @toosarcastic03 @luvonstyles

@tenaciousperfectionunknown @classychalamet @love-letters-to-uranus @emmaawbr @crossyourpeter

@kissinthekitchen @boopookie @stylesfever @indierockgirrl @michellekstyles

@just-another-reader1098 @hermionelove @tiredinwinter @whimsy-willows @hannah9921

@fangirl7060 @triski73 @vikiii07 @prettygurl-2009 @mads3502

@angeldavis777 @tchlamqtsgf @lizsogolden @me-undiscovered @you-sunshine

@rose-girls-world @claimingharrystigertattoo @inlikea-coolway @theseaview @lunaharrygurl

@emmie2308 @fruity-harry @somebunnybaby

I'm sorry if I missed anyone in the taglist. Please let me know if you'd like to join, if it didn't work, if you no longer want to be included, etc. :)

If you like this, check out my masterlist here

[hooffuloftootsierolls]

In light of the reveal of Abel's complete design, have this dumb doodle i made on magma a week ago based on an interaction my bsf @plushtoothpanic acted out while we were joking about Vivziepop's lack of diversity(the dog character is his sona).

Also, rant below involving Abel, I don't want this to become a critical blog since Hazbin has held a special place in my heart since 2021, but oh my God I am so sick of the shit that Vivzie is pulling

Making Adam white was already quite a choice, I had a pretty specific vision of a dark-skinned curly-haired man before his face was revealed. Although I had been expecting a biblically-accurate Adam, I didn't mind having him white as long as Eve wasn't made white as well.

Abel's design throws this out the window.

First let's focus on Abel being the child of Adam and Eve. This means Eve is white, and likely also blonde. Historically, the first humans were East/South African, and not white. Ok, well what about biblically? The popular depictions of biblical figures are mainly European interpretations from when Europe adapted the Bible and made all the figures pale, like them. It's more likely that the dark-skinned writers that originally complied stories into the Bible meant for the figures to look more like them. It would make more sense if one or both of them was dark.

Saint Peter is a whole nother' piss drawer that I don't wanna open, but whitewashing an actual human being that existed is just so gross.

Now, the other thing I wanna talk about that talks less about race and more about theories surrounding Abel being blonde... People were already theorizing that maybe one of the kids was Lucifer's spawn because of the implied affair with Eve. It wasn't the most popular theory but now it's making a comeback with the reveal of Abel's complete design.

I dislike this theory(besides the fact that it's just stupid) because

1. Cain is Adam and Eve's firstborn son. Abel is their second. Even if Eve and Lucifer had an affair in Eden, that would result in Cain, not Abel. Also we aren't entirely aware of Lucifer's powers involving entering the living world but I doubt he can canonically go there, or at least not after Adam and Eve were expelled from the Garden, since Hell was made as a punishment for him and any mortal that sins and I don't think he would be able to waltz back to Earth that easily. I suppose maybe they could be twins and Cain could just have been the first one born, but I don't think that's usually what "firstborn" implies, or how it's generally interpreted?

2. This is gonna look really bad on Lucifer's part?? Like, this implies that Lilith left Adam for Lucifer, then Lucifer got with Eve(possibly cheating on Lilith if she wasn't aware/didn't consent to the affair) and cucked Adam for a second time???? Lucifer would straight-up be getting the Stolas treatment where they keep making him more and more shitty then try to justify it anyways. Cmon guys.. I wanna be able to cheer for Lucifer too but he doesn't seem remorseful at all for anything he's done, more like he's been playing the victim for a decamillennium despite being a possible cheater and the one who destroyed Adam and Eve's life.

3. How would this be plot-relevant at all?? My closest guess is to make a disconnect from Adam like "oh he was never my ACTUAL father anyways" and also to try and make a bond with Abel and Charlie being blood-related so he would decide to side with her or something. Also on top of that I hate the whole trope of someone suddenly not giving a fuck about the parents who raised them in favor of their biological parents who didn't raise them. It's a dumb trope and if this theory is canon and they pull something like that.... ughh.

yeah. Overall, too many Aryans, pleasepleasepleaseplease pleaseeep please don't make Eve white even though I know they will anyways, and if that stupid theory is true then Lucifer is a snake-tongued, home-wrecking, unfaithful pile of shit that is disguised as a poor depressed dad that the fandom eats up and woobifies. Not that I don't want him to have flaws, but he doesn't seem very sorry for what he did(he has his whole snake and apple motif, that's like saying you feel guilty for a murder then using the hyper-specific murder weapon as your symbol) and also Abel being his son would be such an unnecessary plotline that would make him look soooo so so so so much worse because he wouldn't have much of a wholesome excuse for that.

The only good things I'm getting out of this are that I can post about Abel without having to tag it as leaks and also people are cracking jokes about Abel being the son of Lucifer and Adam

[kinghijinx22]

Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

[scariusaquarius]

rehab. 13.

Avenger! Bucky Barnes x Winter Soldier! Fem! Reader

Summary: While on a mission to find any more possible super soldiers that were a part of the Winter Soldier program, Steve and Bucky make a discovery in an abandoned HYDRA base that was cleared out a few years prior to their mission. They discover the Reader, a long-forgotten soldier that was still asleep within a functioning cryostasis pod; still awaiting orders. While Bucky isn't happy about it, he is put up to the challenge of helping to rehabilitate the soldier in Wakanda where she may be able to become a person again.

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A/n: Since the Avengers are all gonna be doing their own thing with each group, I want to make sure to include everyone and introduce the rest of the avengers! Also, if you enjoy my work, please consider buying me a coffee! If you would prefer to read Rehab on Archive, you may do so right HERE!

This is an au where Bucky joined the avengers but still rehabilitated in Wakanda (sometime before Infinity War [canon divergent cause NOPE]). I am NOT fluent in Russian, so I did use google translate cause I couldn't find a good translator that I trusted. If anything is wrong, PLEASE let me know!! Also, I tried to list as many warnings as possible so you know what the story will contain as chapters are posted. Stay safe!

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Genre: Slowburn, Enemies to Lovers/Friends to Lovers, Angst, Hurt/Comfort, Fluff, Humor, Drama, Dark Content Rated: Explicit Warning: Angst, Dark Content: Graphic Depictions of Sexual Assault, Blood and Gore, Mentions of Manipulation, Kidnapping, Canon-Typical Violence, Body Horror, Nonconsensual Body Modification/Scarring, Emotional and Physical Abuse, Mentions of Murder, Mentions of Suicidal Thoughts/Ideation, Graphic Depictions of Human Remains, Mentions of Sexual Coercion/Manipulation, Death, Misuse of Drugs/Forced Drugging, Self-Harm (Graphic Depictions and Mentions), Nightmares

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Author: ScariusAquarius

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rehab masterlist. chapter 10 / chapter 11 / chapter 12

There were voices all around her, some familiar and some not. As her head pounded with pain, the soldier was unable to open her eyes. They were so heavy, feeling as though they were like concrete weights stuck to her face, and there was a sicky sweet scent wafting into her nose.

There was an oxygen mask stuck to her face, and though the soldier wanted to tear it off, her limbs were too heavy to really move. She could hear the Fist of HYDRA speaking to someone, but she couldn't place it. All she knew was that he sounded young and sounded worried.

But why?

'Nobody would ever worry about you. You're weak. You're nothing. I don't know what Doris saw in you.'

Doris? The woman from her dream? Why was she relevant? The soldier tried to open her eyes again, but she was unsuccessful still. Her body was too heavy for it to be normal fatigue. They must be drugging her.

"What do you want me to do if something goes wrong?"

The younger man was speaking now, sounding nervous, and if the soldier listened closely, she could hear the boy shuffling from foot-to-foot with anxiety.

"I mean, if she's a super soldier like you, wouldn't she be able to break through the webs?"

"Aren't they supposed to be strong enough to hold two halves of a ship together?"

The young boy chuckled nervously, asking in a small voice.

"Please don't remind me about that. That was almost the worst day of my life."

The Fist of HYDRA just sighed before he stated.

"You'll be fine. With how much anesthetics she's been pumped with, I think she will be too drowsy to fight if she does wake up."

But that wasn't true. She was a machine. A soldier. It was in her nature to fight no matter what condition she was in. Failure was not an option.

Her fingers twitched slightly as she tried to regain movement, and it seemed as though the two men didn't notice as she began to become conscious and aware.

"Didn't Shuri state that she had removed the programming? What even is the programming? All I know is HYDRA is, like, the worst."

As the Fist of HYDRA began to go into depth about what the Winter Soldier program was and how they did the programming, the soldier couldn't help but to pause as her eyes fluttered open.

"-If you began to show signs that you were remembering your old life, they would put you in a Mind Chair and pump as much electricity into your brain as they possibly can without killing you to erase those memories."

"That's...that's horrible. I'm so sorry."

The lights above her were so blinding that she had to squeeze her eyes shut. They opened again, and she sluggishly began to move, ripping the mask off of her face. The young boy who had been speaking seemed to gasp and jump up from the fright, his red and blue suit almost an eyesore to her pounding head.

"Bucky!"

The Fist of HYDRA immediately stood up, hands in the air as if to calm her down, and she had to hold onto the side of the bed as her legs became jelly.

"Все в порядке. Ты в порядке."

She felt nauseous, bile swimming in the back of her throat, and she gripped the side of the table so tightly that she bent it within the shape of her grip.

Standing up carefully, there was a brain fog that was clouding her mind. Things looked too bright; sounds were too loud, and her head began to pound. She stumbled slightly as she stood up completely, and she hissed out.

"Нет!"

The soldier groaned and fell to her knees, and the Fist of HYDRA bravely came to her side, placing a warm hand against her back as he knelt on the ground beside her.

"Все в порядке. Вы помните что-нибудь, что произошло после моего ухода?"

For some reason that the soldier could not understand, tears began to fill her eyes. She looked away from the man with shame, whispering as her shoulders began to shake.

"Voices....people...places...Что вы со мной сделали?"

She looked back at the Fist of HYDRA and she became guarded when she remembered that the boy in red and blue was here as well. He was keeping his distance, his hands raised in a strange position, and the Fist of HYDRA said gently.

"Shuri got rid of the HYDRA programming...or, at least most of it, I think. You're no longer under HYDRA's complete control."

The soldier began to grow anxious and irritated, her hand shooting up to grip the Fist's throat as she hissed.

"Who am I if I am not HYDRA?"

The Fist was calm, his metal hand gripping her wrist tightly, and she knew deep down that she would not win a fight with the Fist of HYDRA if it came down to it.

She never could.

"If you calm down, I can tell you. We found you, (Y/n). We found who you were before you were with HYDRA."

That name. Why was he calling her that name? The soldier gripped his throat for another moment before her hand relaxed slightly, and she whispered in a broken whisper.

"Эта красивая женщина - я?"

The Fist of HYDRA nodded, whispering softly.

"Yes. The pretty woman from your dreams is you."

Suddenly, the faceless mannequins from her strange dreams began to morph into faces, a beautiful woman greeting her by the record player and an angry sneering man yelling at her to get out of his office. The soldier began to feel sick again, and she whispered softly, crying.

"I don't understand. I...I....I'm malfunctioning...my programming is flawed. I...I need to be recalibrated...reprogrammed. I don't want to remember."

In a bout of bravery, the young boy in red and blue knelt to the ground, asking her softly.

"How come you don't want to remember? Don't you want to know who your family is?"

"My only family is HYDRA!"

She threw a metal table at the boy, who yelped and shot out some strange substance that clutched onto the metal and stuck it straight to a wall. The Fist immediately stood up, standing in front of the boy protectively as he urged.

"It's okay. It's okay, we're not going to hurt you. Peter's gonna say sorry, aren't you?"

The Fist gave the boy, Peter, a firm look, and Peter looked sheepish.

"I'm sorry, I didn't mean to disturb you."

He then leaned in close to the Fist, hissing in exasperation.

"She just threw a whole table at my head!"

"At least it's not a knife. That wasn't very fun either."

Peter's eyes seemed to bulge out of his head, and the soldier shook her head as the pounding became worse. The soldier couldn't deal with standing anymore, so she sat down on a metal chair and clutched her head.

"(Y/n)?"

A strange feeling filled her, and the soldier looked up with confusion. Why did he call her that?

"Who is that?"

The soldier winced as the lights became unbearable, and the Fist of HYDRA looked at Peter, asking him gently.

"Can you turn the lights down low for her?"

Peter quickly jogged to a control panel on the wall, dimming the lights just enough that the pressure within her head lessened. The Fist of HYDRA carefully sat down in front of her, saying as he slid over a file to her.

"We found out who you were, (Y/n). We found who you were before you were HYDRA."

The confusion and fear spilled from her eyes as she stared at the file; stared at the pretty woman in the picture on the front, and she whispered brokenly; sounding unsure as the words sputtered out of her chapped lips like a desperate plea.

"Ты мне врешь. I was born in HYDRA. HYDRA is my only family."

The Fist shook his head before he sighed and chewed on his lip slightly, trying to figure out a different way to approach the subject before he asked the soldier.

"Do you remember what I told you before you were reactivated about how my name was given to me before I was with HYDRA; About how I had a family before HYDRA kidnapped me?"

The soldier was struggling to remember, bits and pieces of the conversation coming to mind despite the difficulty, and she nodded after a moment. The Fist replied, his expression calm.

"You had a family and a name too. You had a whole life before you were taken by HYDRA and made into a Winter Soldier. Just like how my parents named me James, your parents named you (Y/n)."

Peter asked, mostly to himself, though the Fist gave him a dirty look.

"Wait, your first name is James? Why do they call you Bucky then?"

"My middle name is Buchanan."

Peter made a face of understand, and the Fist rolled his eyes. Settling his attention back onto her, the soldier felt her body tremble uncontrollably as his body seemed to loom over her. In her mind, she was becoming a speck on the floor; an insignificant piece of trash that deserved nothing while the Fist seemed to grow a thousand times taller. His eyes were angry; his lips snarling, and the soldier began to cry; covering her face and whispering softly.

"Please stop. I'll stop remembering. I'm sorry. There are...flaws in the programming. I need to be rebooted. I must be punished."

She began to ramble, the words spilling from her lips despite the voice in her head yelling at her that she must not speak unless spoken to. She does not deserve to have a tongue in her throat for speaking out-of-line. She must shut herself up and if she cannot, she must utilize her surroundings.

"Hey, hey, slow down. Breathe, (Y/n)."

The name sparked so much confusion; so much pain within her pounding head that she could not help but to scream, lashing out and throwing her balled fists wildly.

"Stop calling me that! I have no name!"

Suddenly, that same sticky substance that had attached to the table was wrapped around her hands. The force of being hit with the web smacked the back of her hand against the wall, and she tried as hard as she could to pull away. However, she was still too weak; too panicked to think clearly.

She became frustrated and upset, kicking at the bed and screaming loudly as the flesh of her hand began to pull painfully; the web stuck on like glue. Despite the pain, however, she kept pulling her hand; even when the webs finally cut deep into her skin and blood ran down her arm.

Arms came around her, making her scream louder; fear running through her scrambled mind. This was it. She was finally going to be punished. She had been out-of-line for too long. She'd been remembering too long. They were finally going to put her in her place.

"Hey, it's okay! It's okay. Listen to my voice. Listen to me. You're okay. Follow my voice, солдат. Вы не в беде."

Tears streamed down her scarred cheeks, and the soldier was hyperventilating. She was still struggling, trying to break free of his hold, but he was much stronger than her.

He had always been much stronger. Much better. Everything that she could not be.

'You're despicable. Even the Fist of HYDRA would do better than this. Shall I call him to teach you a lesson?'

"Мне очень жаль. Прости, Кулак ГИДРЫ! Пожалуйста, не делайте мне больно. Я буду слушаться!"

Bucky swore his heart had never shattered so hard before in his life. He remembered when his mother had passed away; Rebecca too young to really understand what was going on and why their mother wasn't waking up. His father hadn't even been home that day; too busy working that Bucky had to run for a neighbor.

He remembered being scared; confused and distraught about his mother suddenly passing and the way he just couldn't understand why. Why did his mother die? Why did she have to leave them so soon? How was he going to take care of Rebecca?

That weight that had settled on his shoulders had eased when he met Steve, but that side of him that had been jaded by his mothers death and the world and the ignorance of how to care for another human being...it truly never went away.

To hear the woman in his arms plea for The Winter Soldier not to hurt her...it was almost akin to death.

"What on Earth is going on in here?!"

Shuri's voice trilled through the air, and though (Y/n) was still thrashing in his arms, Bucky let her go as his arms fell; too shocked and winded to be able to function properly. Peter took over, webbing the girl completely while giving Bucky a concerned look, and though his mouth was moving, Bucky couldn't hear a damn thing.

Please don't hurt me. Please don't hurt me. Please don't hurt me.

Fist of HYDRA. The Winter Soldier. That is who you are and who you will always be.

I'll obey!

Oh, god, Howard!

"James."

Bucky's head shook slightly as he was roused from his thoughts, and he was immediately aware of the lack of screams. Glancing down, he noticed that (Y/n) had been sedated and was completely out; webbed up and lying on her back on the ground. Her cheeks were wet, eyelashes dewed with tears, and Bucky could feel bile rising up in his stomach.

"James, I need you to focus on me, alright? Listen to me."

Shuri's voice was calming, but Bucky could only stutter out his words as the shock continued to blow through his body.

"I...I'm here. I just...I...I think I need a moment."

Bucky immediately made his way to the balcony outside the lab, breaking the door from how hard he had pushed it open, and when he got outside and around the wall, Bucky immediately braced himself against it and began to cry.

You can never escape HYDRA. Where one head falls, two shall grow back in its place.

You will always be HYDRA. Even if you escape, you will miss your time here. It will call you home whether you like it or not.

I don't care. He killed my parents.

He was hyperventilating; panicking. His hand was going numb; the tips of his fingers tingling, and he could feel the need to vomit growing. His skin was sheening with sweat, but Bucky only felt cold.

He felt the cryogenic frost crawling up his body and invading his ears and nose and mouth, and he slid to the ground, placing his hands over his head to drown out the sound of the screams; of Maria Stark's cries; of (Y/n)'s pleas.

"Um, Mr. Barnes?"

Peter's voice was gentle, though Bucky was still lost within his head. Peter shifted from foot-to-foot, unsure of what to do, so he just sat next to Bucky quietly. He stared at the ground and pursed his lips, a furrow in his brow.

Peter didn't really know how to deal with panic attacks. He could recite complex inorganic compound formulas like the alphabet and he could describe the Standard Model Lagrangian like it was another day...but Peter had never been good with mental health.

Hell, he wasn't really a star model when it came to mental health and had no room to talk, but seeing Bucky like this...to see that woman in the lab that had been so badly abused by HYDRA plea for her life...it was horrifying.

At least, it sounded like she was pleading for her life. Peter didn't really know any Russian despite Natasha teaching him a few words. Taking a deep breath, Peter spared a glance at Bucky, hearing the way his heart was starting to slow down a bit. He was patient, just sitting with Bucky quietly as the man began to come down from his panic.

Bucky's jaw clenched slightly before he looked down at the ground, wiping his eyes and cheeks, and he said softly as Peter glanced over at him with a caring expression.

"Thanks, kid. I'm sorry you had to see me like that."

Peter shook his head, replying carefully.

"Oh, it's not a problem, Mr. Barnes. Sometimes we...sometimes we need a friend, and sometimes we need to be a friend. It's what we do. We help people."

Bucky nodded carefully, muttering.

"I see why Steve likes you, kid."

"Captain America likes me? That's so cool."

Bucky snorted, and Peter chuckled in embarrassment. The boy then paused, looking nervous before he asked.

"Do you wanna talk about it?"

Bucky replied without missing a beat.

"Don't push it."

"Understood."

Bucky shook his head before he watched Peter get up and dust his suit off. Bucky was quiet, just observing the kid for a moment, and he turned his gaze away when Peter stated.

"I'll go back inside and check on her. I'm here for you if you need it, Mr. Barnes. Honest."

Bucky nodded, and he called after Peter before Peter could get into the lab again.

"Hey, Queens."

"Yes, sir?"

Bucky almost bristled at the way Peter called him 'sir' and instead retorted with a pointed look.

"It's Bucky. Mr. Barnes was my dad."

Peter smiled gently, nodding his head before he said.

"I'll make sure to remember that, Bucky."

-

STORY NOTES: The soldier has woken up despite the anesthetics going through her body, possibly due to her heightened metabolism adapting and gaining tolerance to the drug, and she is aware that Bucky and another person are in the room with her, who turns out to be Peter Parker aka Spiderman. They are conversing on what to do if she wakes up, and Bucky makes a comment about the incident with the ferry in Spiderman: Homecoming.

Peter then asks about the Winter Soldier programming, in which Bucky explains the process and what it was and how they would take the memories of their subjects if they started to remember their old life. At this time, the soldier finally gets up, and Peter alerts Bucky. While the soldier is trying to orient herself, Bucky tries to comfort her, but the soldier is unwilling to accept comfort.

The soldier asks what Shuri had done to her, and Bucky explains that Shuri had removed most of the Winter Soldier programming that it would no longer affect the soldier. The soldier is distraught by the loss of her HYDRA identity, and she makes a comment internally about how if she wanted to fight Bucky, she wouldn't be able to as she never could, implying that she knew Bucky when he was the Winter Soldier as well. Bucky takes that time to introduce her name to her and let her know that he found her previous identity.

(Y/n) becomes distraught, and though Peter tries to ask her about her feelings and family, (Y/n) lashes out and tells Peter that her only family is HYDRA. She lashes out, and Peter uses his web to detain her. She suddenly has a lapse in her memory when Bucky calls her by her given name, and Bucky tries to tell her that they found out who she was before HYDRA again. He shows her the file, and (Y/n) is perturbed by seeing a picture of the woman she had seen in the mirror.

Bucky reaffirms to her that her name is (Y/n) (L/n) and she had a whole family before HYDRA, and she begins to panic so badly that she begins to hallucinate. Bucky calls her by her name again, and the soldier finally snaps, trying to lash out at him again. She begins to have a meltdown, and though Bucky tries to comfort her by holding her, the soldier has an auditory flashback of when she was told she was going to be punished by the Winter Soldier.

She begs Bucky not to hurt her, that she is sorry and she will comply, and Bucky is devasted. He recalls how he had felt when his mother had passed away, and he relates the feeling to (Y/n) begging him not to hurt her to the feeling of death. Shuri comes in, asking what is going on, and Peter finally completely webs (Y/n) when Bucky becomes too shocked to keep a firm hold on her.

Bucky begins to have a panic attack and exits out of the lab, and Peter follows after him to make sure that Bucky is okay. Peter thinks about how he doesn't really know how to deal with mental health properly and that seeing Bucky in such a state of disarray and hearing (Y/n) plead for her life was scary for him to witness.

Peter chooses to sit with Bucky quietly, and Bucky is thankful. Peter reassures Bucky that he doesn't mind helping him and asks if Bucky would like to talk about it, and Bucky tells Peter not to push his luck. After Peter tells Bucky he is going to check on (Y/n) and calls him Mr. Barnes, Bucky tells him to call him by his nickname, implying that they have further their friendship. End scene.

TRANSLATIONS

Все в порядке. Ты в порядке. - It's okay. You're okay.

Все в порядке. Вы помните что-нибудь, что произошло после моего ухода? - It's okay. Do you remember anything that happened after I left?

Что вы со мной сделали? - What have you done to me?

Эта красивая женщина - я? - That beautiful/pretty woman is me?

Ты мне врешь. - You're lying to me.

солдат - soldier

Вы не в беде. - You're not in trouble.

Мне очень жаль. - I'm so sorry

Прости, Кулак ГИДРЫ! - I'm sorry, Fist of HYDRA. (This translated directly as "I'm sorry, HYDRA Fist")

Пожалуйста, не делайте мне больно. Я буду слушаться! - Please don't hurt me. I'll obey!

TAGLIST: @tilldeathripsusapart @vicmc624 @mgchaser @aash3 @samfunko @seventeen-x @valckenaux @babybeeelle @sc4rrc @cjand10

[shabadarada]

I may have a spreadsheet containing the names of almost 300 characters but iust because theyre named doesnt mean theyre actually relevant

[dovveri]

I know this request is soo Y/n-ish but if ever you can read this, please make a fic including Momo and Sana where they are fighting over y/n which is me but I prefer Momo more huehuehueheu thank yah love lotss!!

if i die young

synopsis: you're saved by someone at work that you haven't met before and you quickly become close. your roommate isn't too fond of this though.

warnings: mostly fluff but gets vvv angsty towards the end, mentions of death, implied sex, cursing, cheating but not really if you think about it, heavy grief themes, trying so hard to not giveaway the story in the warnings

w/c: 8.4k

a/n: GIGGLE im pretty sure this is not what anon had in mind but i struggled soooo much w this prompt bcs I CANT DO THAT TO MY BABY SANA but i got this wonderful idea while in the shower to punish anon for sending me this prompt that i agonised over for a literal month that does technically fulfil the requirements 😋 enjoy the read mwahaha (and sorry for any plot holes that may come up- come yell at me in asks i have sm love for this fic and id love to yap abt it if anyone notices anything silly)

♰˚☽˚｡⋆

"y/n right?"

you look up, smiling at the woman who's hovering over your desk at work, nodding in acknowledgement.

"i think the boss was asking for you."

you widen your eyes in embarrassment, scrambling up and grabbing the relevant files, "oh shit i'm so sorry i totally forgot! i'll be there in just a second!"

the woman giggles, "it's okay. i told her my dogs ate all of your work."

you pause, looking at her in horror, "i-i- you what?"

"trust me. she's met my dogs. she'll believe it. your meeting with her has been postponed to next week. i'm momo by the way." she smiles, holding out a hand expectantly.

you're still a little in shock, but you take it, noting the way her hands are soft against yours, she must moisturise. "o-oh. t-thanks i guess..."

momo grins, "see you around y/n."

and then she's off, aloof to her surroundings, you think it's kind of adorable.

you sit back at your desk, still a little flabbergasted at your interaction with the strange girl from work.

♰˚☽˚｡⋆

"sana! i'm home!" you kick off your shoes, placing them in their allocated slot on your shoe rack.

"kitchen!"

you frown, immediately worried when you hear that word. sana's notorious for her clumsy nature. when you first moved in together, it was essentially an unspoken rule that she was not allowed in the kitchen without supervision.

you quickly take off your coat, rushing into the kitchen.

nothing seemed to be off when you walked in, nothing burning, no alarms ringing, no funky smells that attacked your olfactory senses, you can only hope for the best.

"y/n!" sana's bright smile gives you immediate relief. you narrow your eyes, carefully stepping around the kitchen, looking for any signs of anything wrong.

"what are you doing?"

"making sure that everything is supposed to be where it's supposed to be and nothing is broken."

"why would anything be broken?"

once you're finished with your inspection, you turn to sana, zeroing in on her and grabbing her face with your hands, squeezing her cheeks together.

it's kind of adorable when she frowns, pouting and starting to protest, but you shush her, patting her down and inspecting her face to make sure she hasn't done anything to herself or hurt herself in any way.

"okay it seems like we're safe." you let her go but she immediately latches onto you, bringing you into a hug with an airy giggle.

"i'll forgive you for thinking i burnt down our kitchen."

you roll your eyes but return her hug, only breaking away when the doorbell rings.

"i'll get it. go clean up." sana smiles sweetly, patting your butt as she moves around you towards the door.

you roll your eyes, heading into your shared bedroom, taking off your work clothes and changing into a more comfortable set of sweats and an oversized t-shirt.

when you walk back out, you see sana's set up the dining table with takeaway.

"what's this?" you smile teasingly when you sit down.

"i wanted to cook but then i thought about the last time i wanted to cook and i decided to get takeaway for us instead." she grins, "see i'm responsible! can't believe you thought i'd try anything again after last time."

"i scraped some cheese off the ceiling the other day."

"aaaand now there's no more cheese on the ceiling! problem solved!"

you both laugh, and you help her set the table, opening the takeaway boxes and beaming at the smell of tteokbokki.

once you're both settled in across from each other, content with filling your mouths with fluffy rice cakes and spicy sauce, you talk through your days.

"there was this person i've never met before at work today."

"oh?"

"yeah she was a little strange, but she was really sweet. i had forgotten that i had a meeting with the boss today and she made up some excuse about how her dogs had messed with my work and apparently the boss believed it so now i don't have to get my deadline stuff done until next week."

"that's cute. did you get her name?"

"momo i think. sounds japanese, think you know her?"

"what because all japanese people in seoul know each other?"

"i didn't mean it like thattttt!"

sana giggles, "i know i know i'm just teasing. but no i don't know her. thinking about replacing me already y/n?"

you roll your eyes, picking out a fishcake with your chopsticks and popping it in your mouth, "just waiting for the lease to end so i can finally get rid of you actually."

sana feigns offense, "good luck finding someone else who wants to sleep next to your blanket stealing ass then."

"oh you didn't know? now that i'm working a real job i can actually afford to not have to share bedrooms anymore."

"why haven't you done it yet then?"

you blush, stabbing another rice cake.

sana laughs, bright and loud, "you looooooove sleeping with me admit it."

"absolutely not."

"you doooooo you do."

"eat your food sana."

sana's laughing and you can't help but smile. her laugh was always infectious, it was the surefire way to make your day better when you were feeling a little down in the dumps, she was the epitome happiness.

♰˚☽˚｡⋆

it's a few days later when you bump into momo again.

normally you make your own food to bring for lunch but today, sana had woken up sick so you had spent the morning making sure she was okay and calling in sick for her at work.

so now you were stood in line at the cafeteria, wondering just what was taking the line so long to move, your break would probably be over by the time you got to the front of the line at the pace it was going.

"i'm sorry ma'am for the last time you can't pay for your food with vouchers to baskin & robbins! if you don't move along i'll have to call security so please-"

"no you don't understand! i was told that i could use these anywhere when i won them!"

you try peeking over the shoulders of annoyed corporate soldiers and you're surprised when you catch a familiar head of raven black hair at the front of the line.

you quickly push forward, excusing yourself as people look at you in irritation.

"momo!" you call out, shoving aside a 6 foot man with blue eyes that probably worked in the finance sector.

momo turns to you, looking a little frazzled with various coupons in her hands.

"hey! what's up?" you're a little breathless from pushing in line.

she pouts, turning back to the cashier who looks like he's about to start balding from stress. "apparently i can't use these vouchers that i won at drag bingo last week."

you grab the coupons and inspect the terms and conditions. "momo these are only allowed to be used at baskin & robbins."

"but they said i could use them anywhere!"

"at any branch sweetie. not literally anywhere."

"oh... i didn't bring my wallet." she frowns, pocketing her coupons again.

"it's okay i got it." you quickly pay the cashier who looks relieved to finally get the line moving again. you pick up her tray and gesture for her to follow you to an empty table.

"you didn't have to do that y/n!"

you shrug, sitting down and sliding her tray over to her. "it's no biggie. you kinda rescued me earlier in the week anyway. i hadn't actually finished all the work i needed to get done before showing the boss. i woulda come up with some shit excuse for not finishing it so you saved my ass."

"oh don't worry about that. mina and i have been good friends since our days in dance school together, she may be a scary boss but she's a real nerd outside of the workplace."

"oh? i didn't know boss myoi could dance!"

momo happily opens her sandwich, taking a bite and speaking with her mouth full, "you can actually find her on youtube. she was a pretty famous ballerina back in the day. woulda made it big if her parents didn't drag her back to run this company."

"and you?"

"what about me?"

"you dance?"

momo laughs, "yeah. i spend most of my spare time in the studio. unfortunately it doesn't really pay well. i was going to be evicted until mina was sweet enough to offer me a job here so i can afford my rent and continue doing what i love so i owe her a lot. oh speaking of- you weren't able to get any food! here-" she slides over her salad and soup.

"oh no no it's okay-"

"please just take it. it's not much anyway, i'll still have to come up with something to pay you back."

"you know what? those baskin & robbins vouchers. do you have anyone to go with?"

momo looks up at you from her sandwich in surprise, "no i don't."

"you free after work today?"

"i was just going to head into the studio but i could free that up."

"great. i'll see you in the lobby at 5 then. we can head to that store in gangnam, the one where you can taste test like all the flavours."

"really?!" momo's eyes brigten, "i've always wanted to do that but no-one's ever wanted to go with me."

"well perfect! sounds like a plan then!"

you grin at her excitement. you were always a little more than awkward, sana was the one who found it easy to go up to anyone on the street and befriend them. it was a little harder for you to make friends, you were lucky when sana found you interesting enough in your first year of college to strike up a conversation, and then find you interesting enough to keep coming back until you were inseparable and moved in together to save money on rent. you haven't really needed anyone else aside from sana since then, but momo was different, you felt an instant connection with her that you haven't felt since sana. she intrigued you, and you wanted to get to know her better.

♰˚☽˚｡⋆

you're laughing at momo's face when she cringes in disgust.

"eugh what is that? that was disgusting!"

"i think it was like pikachu something something." you manage out between laughs.

"eugh pikachu guts and blood for sure. i never thought pikachu would taste like banana and vomit."

"i can't believe you just ate pikachu! he's such a little cutie surely he can't taste bad!"

"oh yeah? you try it-" she's spooning a bit of the vile yellow coloured ice cream and shoving it into your mouth while you're still vulnerable from laughing.

the first hit of banana on your tastebuds has you coughing immediately. and now it's momo's turn to laugh at you, it's a bright, almost wheeze-like sound, you think it's cute.

"okay yeah- we need to ban the killing of pikachu- this shit should not be served-"

"i'm glad you're on the save pikachu agenda as well then. but there's no way we are finishing that one."

"we don't have to. these were technically free anyway because of your amazing bingo skills after all."

she giggles, "okay but i'm still going to see if we can get replacement flavours. i wanted to try that gone with the wind flavour as well anyway."

you wish her luck as she slides out of the booth, bringing your tray of tester ice-creams with her towards the counter and waving down an employee.

you turn on your phone, scrolling to your messages to find sana's sent you a few unread texts.

bestest friend in the world🐿️💜: u coming home tn?

bestest friend in the world🐿️💜: don't ignore me y/nnnnn

bestest friend in the world🐿️💜: am i eating dinner on my own? 😞

bestest friend in the world🐿️💜: u better be safe idiot if ur not home by 10 i'm calling the police and filing a missing persons report

you laugh a little at her messages.

y/n: don't call the police! i'm fine! i'm just out with that coworker i told u about a few days ago. the one who saved my ass w my boss. i'll be home afterwards don't wait up!

momo's coming back before you can see sana's reply. you slide your phone back into your pocket, grinning at her, "what abomination have you brought back for us to try this time?"

momo places the new tray down, "i kinda forgot most of the names but at least the colour palette this time looks a little more edible."

"really? this neon green looks edible to you?"

"hey! a lotta green flavoured foods are edible! most vegetables, apples, green tea, mint... besides there's no way anything here will be worse than pikachu guts and blood."

you scrunch your nose a little when she slides in next to you, "i wouldn't want to try a vegetable flavoured ice cream anyway."

"you're just a hater." she's grinning when she spoons out a bright pink ice cream and pops it in her mouth.

you scoff, "am not!"

"suuuuuure. i actually know this place that does this incredible carrot ice cream. you can prove you're not a hater if you come and try it with me next week. there's a new branch opening on friday."

"alright. it's so on."

you spend the rest of the night laughing and poking fun at each other. you got along really well with momo, it felt so easy to connect with her. your levels of awkwardness rubbed off on each other perfectly. you enjoyed hanging out with her, and you're glad work seemed a lot less lonelier now.

♰˚☽˚｡⋆

it ends up being really late by the time you get home. momo and you had decided to go for a round of karaoke after ice-cream and the mix of soju and trying to scream to reach the high note in twice's i can't stop me meant you had lost track of time. it was okay though because it was the weekend tomorrow so neither of you had work.

you slip off your shoes in the dark, careful not to make too much sound that could wake sana.

you're tiptoeing into the living room when the lamp light suddenly turns on, and sana's sitting on the couch with her arms crossed.

"you're alive."

you giggle a little at sana looking alike to an evil villain waiting for you to come home. she was much too happy-go-lucky to pull it off.

"what's funny?"

"noooothing."

she frowns, "are you drunk?"

"maaaayyybee."

sana stands up, walking past you and into the kitchen, you follow her like a lost puppy.

"drink this." she pushes a glass of water into your hand, watching you expectantly until you get the message and bring the cup to your lips.

"all of it."

you groan, gulping down the water, and cringing at the fullness you feel in your stomach from all the liquids sloshing around.

sana sighs, rubbing her forehead. "i was worried when you didn't return my texts y'know."

you frown now, realising sana was actually a little annoyed. "i'm sorry. i should've texted you i'd be home late."

she softens, always so forgiving, "it's okay. did you have fun?"

you grin dumbly, nodding, "momo's soooo funny."

"momo?"

"the coworker i was telling you about! she tried to-" you hiccup, "she tried to pay in the cafeteria today with baskin & robbin vouchers and held up pretty much the entire building. i paid instead and we went out and used the vouchers after work, theeeeeen we did karaoke!" you giggle, remembering the day you've had.

"oh..." she's frowning and you can't understand why so you poke her forehead, trying to undo the frown on her face.

"why are you sad?"

"i'm not."

"you're something."

sana rolls her eyes, grabbing your hands to stop playing with her face and leading you towards the bathroom. you're easily distracted, humming a silly tune that's come to mind while she sits you down on the toilet and starts wiping your makeup for the day off. it's a little more complicated when she tries to take your contacts out because you can't stop giggling and blinking but she manages in the end, making you rinse some mouthwash instead of brushing your teeth because she could tell you were falling into the sleepy stage of being drunk.

she's pulling you up and leading you towards your shared bedroom now, putting you to bed and then sliding in next to you, reaching to cover the blanket over the both of you.

you yawn, turning to face her and knock your foreheads together gently, but when you feel the wrinkles still there you open your eyes. "why are you still frowning?"

you can feel her immediately try and relax, "'m not."

"you were."

"ugh just go to sleep y/n. it's late and i'm tired." she's turning around and shuffling away from you which is weird because she was always the one who cuddled and latched onto you before bed.

you miss her warmth immediately, inching towards her and draping an arm over her midriff, entangling your legs and pushing your nose into her hair. "'m sorry."

she sighs against you, grabbing your hands and playing around with your fingers. "it's okay. just don't forget about me yeah?"

"how could i forget about you?"

"goodnight y/n."

you want to ask her more, but you can feel your eyes growing heavier, letting them drift shut, dreaming of ice-cream and cuddles.

♰˚☽˚｡⋆

it became a regular thing.

momo and you would hang out after work every friday, she was quickly becoming one of your closest friends.

one night, when you're spread out on a picnic blanket on a hill a little bit away from the city, counting the stars, she asks you, "are you seeing anyone y/n?"

you look at her surprised, "no. why?"

"why aren't you seeing anyone? surely it's not because no one's asked you out before. you're gorgeous and fun to be around. is it because no one's been good enough?"

you blush a little at the compliments, turning to lay back down and stare at the sky, "i think i just haven't been ready for a long time."

"ready?"

"for a relationship. i told you about my best friend sana right?"

momo hums, coming up on her elbow to peer down at you while you try and make out the various constellations in the night.

"once i found her, it kinda felt like everything was okay, like i never really needed anything more. i know a lot of people centre their lives around romantic love and finding their soulmate and whatever, but i've never been like that. with sana, everything was enough. i felt like if i wished for anything more it might disrupt that."

"is sana seeing anyone?"

you chuckle a little, thinking to sana's past romantic escapades, "she's tried but nothing's really worked out. i think we feel the same in that way. that as long as we have each other we don't really need anyone else."

there's a contemplative silence for a bit while momo studies your face. you let her, comfortable enough with her that it doesn't feel awkward even when it is silent. you connect the stars in your head, smiling when you realise you've made out the capricornus constellation.

"what about me?"

the words are spoken softly into the night, you almost don't catch it, but fate would have it blown softly your way, tickling your ears with the question. "what do you mean?"

"you say you and sana don't need anyone else. how do you feel about me?"

you sit up a little then, leaning back on your elbows as you avert your gaze from the arrowhead-like collection of stars to eyes that shine just as bright. "you're different. you're the first person to come into my life since sana that i've felt... like we were meant to meet y'know? all that soulmate stuff and whatever may be cringey but it's nice to believe in. sometimes i think there are just people that i'm meant to meet, and people that i'm not. and fate brought me you."

momo's leaning forward, her eyes drifting down to your lips, her next few words come out in a whisper, "so if i did this..." her eyes flicker back up to yours, letting you pull away if you wanted to, but you find yourself fixed on her lips as well. so when she closes the distance between the two of you, pressing her lips against yours, just barely there, you sigh into her. the smallest brush of your lips together has you feeling light-headed and hazy, she breaks away from you all too quickly, eyes filled with wonder. you can see the reflection of the night sky in her eyes.

you smile softly at her, lips still tingly from the brief kiss.

"if i did that... would that feel like i've disturbed the equilibrium you've found with sana?"

you shake your head gently, "no. it feels just right actually."

when you lean in again, it does feel just right, like the stars have aligned for this one moment. like everything that's happened to you in life has lead you to this.

♰˚☽˚｡⋆

someone else didn't feel that way.

she's sitting on the couch, up late again. it was becoming more and more often that she would find herself waiting up for y/n to come home.

she hears the telltale sign of the door unlocking and you stumbling in blindly, trying to adjust to the darkness of your apartment and slipping your shoes off to place carefully on the shoe rack next to sana's.

you're kind of expecting sana to be standing there waiting for you when you come back.

"hey sana. i'm home."

"late."

"yeah i was out with-"

"momo."

"yeah..." you rub your neck shyly, heading towards the kitchen to get a glass of water. she follows you wordlessly.

"is something going on between you and momo y/n?"

you raise an eyebrow, swallowing the water in your mouth before answering, "would it be a problem if there was?"

sana frowns, "no but... i just thought you'd tell me is all."

"i do tell you everything sana. every time i come home late i tell you what we've done. it feels like you don't really want to hear it most of the time though."

she pouts, "i do! i do want to know what's going on. i'm sorry i just... i told you i just don't want you to forget about me."

"and i won't sana. i could never forget you, i don't know why you worry about that." you step up to her, cupping a cheek and tilting it up so she's looking at you.

her eyes are slightly shiny and you suddenly feel terrible for making her wait up for you all these nights, "i just- ever since you started hanging out with her, i feel like you've had less time to spend with me. and i know! i knew eventually you'd find someone to spend the rest of your life with i just- i just didn't know it'd be like this and i wasn't prepared and i don't want to lose you yet-"

"woah! woah woah woah slow down! sweetie what? how long- how come you've never told me this before? i've always felt that- and i told momo this- but i've always felt that i never needed anyone else but you! i always thought that we were the ones that were going to spend the rest of our lives together, you're the only one i want to spend the rest of my life with. you'll never lose me sana i promise and momo- look just because i don't need anyone else in my life aside from you, doesn't mean it's that terrible if there is someone else that makes me happy right?"

"but- don't i make you happy?"

"oh baby you do, you do, you make me so happy." you brush a thumb across her cheek, "look how about i set up a meeting for you and momo to meet. it's about time anyway and i really think you'd get along really well if you got to know her."

she sniffles a little, thinking it over, before finally nodding albeit with slightl hesitance.

you grin, pulling her into a hug and she laughs against you, "you better be paying though."

you laugh as well, overjoyed your best friend was going to meet your... anyway, it didn't matter. sana was just happy to hold you and be close to you, letting her anxieties around you fade into the back of her mind.

♰˚☽˚｡⋆

"i'm so sorry momo she promised she'd be here." you sigh in frustration, picking up your phone again to check if sana's replied to any of your messages or calls.

momo smiles kindly, "it's okay. she's probably just caught up in something. don't worry about it!"

"eugh yeah it's just really annoying because we already rescheduled this twice and now she's just not even showing up. wait... do you think something's happened to her? she's not normally bad with replies- oh god what if something's happened-"

"y/n! it's okay! she's probably just somewhere with bad reception right now. i'm sure she'll get back to you soon. should we order first? get your mind off things?"

you sigh, flipping your phone over, not wanting it to distract from the date you were now on with momo. she smiles gently, taking your hand and squeezing.

"yeah that sounds good. have you had a look at the menu yet?" you glance over at the waiter who had seated you, whispering to his coworkers with a sour look on his face, probably from the fact that the two of you have been sat here for almost 40 minutes and only picked at the starter breads and water.

the rest of dinner goes by smoothly. momo is able to distract you from your thoughts about sana and you're thankful for that. being with her was easy, fun. you don't think any of your previous relationships held a candle to momo, and you've only known each other for maybe a month or so.

dessert comes and she's telling you a funny story about how her dog boo had pooped on a guest dancer at her studio and he had to clean it up, only finding out afterwards that his name was also boo. she had apologised profusely and was very embarassed but he was nice about it and had jokingly offered to babysit her dogs anytime.

"speaking of my dogs, i was thinking... do you maybe want to... come over after dinner and meet them?" she's blushing, twirling her fork around and stabbing small pieces of the cheesecake in front of her, eyes avoiding yours.

you beam, "of course! i'd love to!"

"really?" she looks up at you in surprise.

"yeah! i gotta put a face to these little demon dogs you're always talking about."

she whines, "they're not that bad i swear!"

"you know i heard that pets actually take on characteristics of their owners..."

"... what's that supposed to mean?"

"nothing." you tease, pretending to go back to your food.

she kicks you under the table playfully, pouting. you laugh at her, finding her adorable, spooning some of your gelato up and offering it to her. her expression changes immediately when she opens her mouth, accepting the bite with a hum of satisfaction and a grin in thanks.

after dinner, you decide to walk back to momo's since she didn't live too far from the restaurant you had eaten at.

the night air is cool and refreshing, and you don't hesitate to slip your hand into momo's as you stroll along the streets. it's not too busy in this area so you can enjoy the little sounds of the creatures of the night scuttling around in the trees and on the ground. you glance over at momo who has a soft smile on her face, swinging your hands gently with each step, her face adorn with the subtle glimmer of the moon.

she catches you staring, and turns to you with a grin, "something on my face?"

you smile in return, "maaaybe something just-" you step forward, leaning in and hear her breath hitch just slightly when your eyes drop to her lips, you kiss her sweetly, 2 seconds maybe, and then you're breaking away, "there."

she's blushing, and you have a stupid grin on your face like the lovesick fool you are.

"romantic." she rolls her eyes at you, continuing your walk.

"i'll get you flowers next time."

"i'm allergic."

"chocolate then."

"i was joking i'm not allergic but now that you offered, i'll be expecting both."

"what?!"

she laughs, cackles really, her nose scrunches in the most adorable way, hand tightening around yours.

by the time you walk through the door of her apartment, you're a little tired but in the best way possible. the kind of tired where you know you're tired because you've just had the most fantastic day.

the dogs greet you at the door with excitement, panting, tongues out, jumping at momo's legs as soon as she enters. she laughs and bends down, petting them and cooing.

"so this one is dobby, he's a little shyer but he's a sweetheart once he warms up to you. and this little rascal is boo." she points out the two dogs and you bend down, reaching out a hand and letting them sniff you while momo stands up and takes off her jacket, placing it on the coat hanger.

"hiiii nice to meet you boys, i'm y/n, momo's..." you look up at momo, a little hesitant.

she raises an eyebrow at you, crouching down so she's eye level with you again, the dogs between the two of you, thrilled at the attention they're receiving. "girlfriend?"

you beam, giggling and leaning in to kiss her, "girlfriend."

she grins as well, standing up again and heading towards her kitchen, dobby follows her but boo continues to lick at your hand.

"want anything to drink girlfriend?" you can hear her teasing lilt from where you are.

"i'll have whatever you're having girlfriend."

“soy sauce okay then babe?”

your heart stutters at the term of endearment, completely disregarding her drink of choice. “i-i u-um y-yeah!”

you stand up and follow the sound of her laughter into the kitchen, boo pattering along behind you.

"i'm not sure if i want to kiss you if you're the type of person who drinks soy sauce y/n."

"what?! i don't do that!"

"not what i just heard."

you gape at her, but she giggles, coming up to you and planting a kiss on your lips. you can vaguely feel the wag of the dogs' tails at your feet, wondering what exactly their mom's doing letting someone else lick into her mouth.

she breaks away with a sly smirk, "still kissed you."

"uh huh-" you quickly reattach your lips, addicted to the taste of her, the way her lips move against yours, how she smells so close to you, the way her hands grip your shirt tightly, pulling you into her when you push her against the kitchen counter, trapping her against it.

it suddenly gets a lot more serious when she nips your bottom lip softly, and you let out an uncontrollable, but very real moan, and you have to break away painfully.

"my room?" momo breathes against you, your foreheads placed against each other's, sharing the same airspace.

you bite your lip, exactly where she had sunk her teeth into only seconds prior, watching the way she stalks your action like a hawk, "mhm."

and she surprises you when she picks you up easily by the thighs, and you yelp, wrapping your legs around hers and feeling her grin into the next kiss she lands on your lips, navigating her living room and into the bedroom, closing the door behind the both of you so her dogs wouldn't be privy to the sights of you coming apart under your new girlfriend's tongue.

♰˚☽˚｡⋆

the next morning, momo kisses you awake with the smell of breakfast wafting into the bedroom. you blush at the sight of her only in an oversized tee, the marks on her thighs reminiscent of your activities the night prior. she doesn't fail to tease you at the red pigment blossoming on your cheeks, pointing out your own marks on your neck and chest.

you spend the morning cuddling on the couch, watching reruns of glee and feeding each other the waffles momo's made for breakfast, stealing kisses in between each bite, the dogs playing around on their own, sometimes hopping into your lap to nose at you or momo, asking for pets and pats.

you smile dreamily as you unlock your door, remembering your time with her, how she promised she'd buy a new toothbrush for you if you promised to come over again, which you did of course, that was obviously a given but you adored her asking.

you step inside finding it quiet. when you place your shoes next to sana's spot on the shoe rack, you realise she's still home when you thought she was meant to be working.

"sana?"

there's no response, so you drop off your things, entering your living room and finding she's nowhere to be found. you frown, heading towards the kitchen, then the bathroom, and finally your room with the door ajar. you peek inside and find a lump under the sheets, her blackout curtains still tightly shut.

you tiptoe inside, hovering over the bed and peeling back the duvet a little to see if she's still asleep.

you don't expect her to yelp, pulling the duvet back and burrowing deeper into the little nest she's made. you hear the telltale signs of her scrambling to cover up the fact that she was crying.

"w-what are you doing here?" her voice is croaky, shaky, you sit tenderly on the side of the bed.

"this is my home."

there's a sniffle, and then "people come home and sleep in their own beds. you didn't."

you sigh, trying not to get frustrated, "sana... you didn't turn up yesterday. and you never called me back or returned any of my texts."

"my grandma was sick."

"is she okay now?"

"y-yeah."

"was she really sick?"

"...no."

you hum, placing a hand gingerly on what you deduct to be her arm.

"i'm not mad."

"you shouldn't be."

you raise an eyebrow, "you stood us up."

"i had my reasons."

"and what were they?"

she sighs under the covers, then suddenly she's whipping them down and leaning into your space, planting her lips on yours.

you're stunned for a second, 2 seconds, and then she's pulling away, and burrowing back under the covers. you barely caught a glimpse of red cheeks and red eyes, your lips tingling from the press of her lips.

it's too late to pull her back out when you come to your senses, touching your fingers to your lips still in mild shock.

"i-i- s-sana i-"

she sighs exasperatedly, "is that reason enough?"

"w-why didn't you tell me?"

"because you were all over this new girl! you barely had time for me anymore!"

"what- that's not- how long have you felt this way sana?"

she groans, shuffling a little, "i don't know. i just know i didn't like it when you started seeing momo."

"so all that about not forgetting you..."

"well yeah... i think i've always liked you. i was just never threatened by someone else taking you away, even with all your past partners you've never- you've always come back to me."

you sigh frustratedly, running a hand through your hair trying to think what exactly this meant for you. "i'm with momo."

she scoffs, "i know."

"we slept together last night."

"... like in the same bed? yeah we sleep together too."

"no like- like slept together slept together."

there's silence for a bit, you can hear the breaths of the both of you, the wheels in her head turning.

"... you've slept with other people before right? what difference does this make?"

"i think i really like her sana."

she sits up then, hair a mess, skin blotchy, eye bags present, but her eyes are fierce. you're hit with a sudden wave of nostalgia. you really hadn't seen sana in so long. seen her smile, heard her laugh, ever since you started going out with momo she started acting weird and you knew why now, but she was right when she said you had pushed her away because of it, preferring to bask in the new romance momo offered you, avoiding dealing with the complicated feelings that arose when you thought about sana. you missed her.

"if this is you rejecting me just come out with it. stop beating around the bush and say it. say you don't love me like i love you."

"... you... you love me?"

she rolls her eyes impatiently, a crease forming between her eyebrows that you want to reach out and smooth out of habit, "yes."

"i-" you can feel tears welling up, you don't want to choose between your best friend and your new lover. you don't want to lose sana because of this.

sana notices because she notices everything about you, and her eyes soften, wanting to touch and comfort but resigning to fiddling with her fingers instead.

"just go." she says softly after you're unable to form words for the next minute.

"no but i-"

"i'm tired y/n. just go." she's turning around onto her side, preparing to lie down and curl up again, but in the spur of the moment, you grab her wrist, pulling her into you and kissing her again.

she lets out a sound of surprise, eyes widening, but lets you kiss her.

you're not even sure what you're doing, all you can think is you can't lose sana. not like this. not when the entire future you've planned out in your head includes her. not when she tastes like the saline of the tears streaming out of both of your eyes, that and a hint of something that was uniquely sana. not when you both still had so much life left to live together.

all of this remains in your mind when you follow her tear tracks, kissing her neck, her shoulders, down her chest. you can feel her still crying even when she sucks new marks into your skin, right next to the ones momo's left on you last night. the both of you don't know what this means, just that it's the end of something, and you were both going to make the most of it.

♰˚☽˚｡⋆

"so how's sana been?"

"huh?"

"your best friend y/n. was everything okay after she wasn't able to make dinner last week? you haven't talked about her much since then."

"oh. yeah she's alright." you're not really sure if she was alright actually. you haven't seen her since the two of you slept together. you woke up to an empty bed, no note, but all of her things were still around so you know she hasn't run off to another country or anything.

"that's good. is there anything you wanna talk about?"

"what do you mean?"

"you've just been a little distant since last week. is it- do you regret- do you still want to be together?"

you look up from pushing your food around your plate, surprised at the vulnerability in momo's voice.

"no- i mean yes of course i still want to be together! i'm sorry i've been off i just-" you sigh dejectedly, "there's something i need to show you after work today."

"oh?"

"yeah... it's not... it's not anything you have to worry about, and i think it'll explain a lot, but it's also pretty heavy so i understand if you don't want to-"

you're cut off when she grabs your hand, squeezing it gently and smiling, "i'd love for you to show me. i'm just glad you're not breaking up with me one week into the relationship." she jokes a little, trying to lighten the mood, and you smile, grateful for her, but feeling your anxieties pile up knowing that you were about to reveal something to momo that no one else except sana knew. if you wanted this relationship to work though, you needed to do this. you couldn't start this relationship off on the wrong foot, you wanted to do this right.

♰˚☽˚｡⋆

your grip on momo's hand is tight, but she doesn't complain, squeezing back every few minutes to remind you that you weren't alone.

after work, you had driven both you and momo to your destination, a park a little out of the ways. the drive was quiet, momo didn't mind though, humming softly to the music on the radio and staring out the window, glancing back at you every so often. you parked, stepping out of the car, already doubting the decision of coming here.

there are a few other people in the park milling about. momo smiles politely at an old couple who break away from a hug to nod greetings at you. you barely notice them though, your tunnel vision and your thoughts becoming louder as you get closer.

you pull along momo who's holding a large bunch of flowers that you had stopped by at the florist on your drive to pick up.

you spot her then. avoiding eye contact as you get closer to her.

then you're standing in front of her.

"y/n."

momo lets out a little muted gasp behind you, but you squeeze her hand, focusing forward.

"sana."

"i see you've decided to forcefully make momo and i meet like this."

"i didn't have any other option."

"there's always another option y/n."

"not when it comes to you sana."

she tilts her head, "what is that supposed to mean?"

you shuffle your feet a little, "you know what it means."

she sighs, stepping closer and cupping your cheek. "why are you crying?"

you're surprised at her statement, the hand that's not holding momo's coming up to wipe hastily at your eyes.

sana's hand drops along with her face. "i thought you said you'd never forget me."

"and i never will sana."

"what's this then? it feels an awful lot like goodbye."

you can't contain the tears streaming down your cheeks, "i could never say goodbye to you sana."

sana's crying now too when she looks up, "don't then. don't say goodbye. say you'll pick me. say we'll stay together for the rest of our lives, like we promised when we were kids. say you love me y/n."

"i-i- i can't sana! i can't do that!"

"why not?"

"because- because i still have the rest of my life sana."

she sniffles, wiping at her eyes. how you wished you could see her smile just once more.

"i guess this is it then."

"no. no this isn't- i told you sana i'll never forget you. you'll always be with me. everything i do i'll always think about you, every new person i meet, every new life stage i enter, i'll think about you. i- i- i loved you sana."

then sana's in your arms, crying into your neck while you hold her, sobbing nearly hysterically, clutching onto everything, a film roll of memories playing behind your eyelids, of the first time you met, the first kiss you shared drunk at a college party, the times you'd piggy back sana from the library to your shared apartment after attempting to pull an all-nighter, the time you first signed your lease together, the time she squealed and brought you into a hug after you got your first job, insisting on a celebration, every single birthday, graduation, milestone, every single moment you've shared with her crosses your mind.

"i have to let you go now." you croak into her ear, voice still shaky and laden with emotion.

she's quiet for a bit, then she pulls back, eyes wet but smiling. she's smiling. oh god you've missed it. "i understand." she says against your lips, foreheads knocked against one another's. you close your eyes, committing to memory her smile, each line, each crease, you were never going to forget her.

when you blink your eyes open again, she's gone, the only evidence of her existence, the headstone reading:

in loving memory of

minatozaki sana

1996 - 2019

you don't even realise you're crouching in front of the headstone now, having let go of momo's hand long ago, until you hear a small rustle behind you and you look up to see momo offering the flower bouqet to you and crouhing down. you smile in gratitude, taking it from her and placing it under the letters of the headstone gently, rearranging to make sure it fit perfectly.

you speak up after a while, having left momo in the dark for long enough now. "it was a freak accident. she was coming home late after work because there was this kid in her class who's parents didn't come pick them up until way after school ended. she was in a rush because it was movie night. no matter how busy our lives got, we always had movie night, something that was stable when everything else in life wasn't i guess. didn't see the car coming. she died on the way to the hospital."

momo's quiet, placing a hand gently on your shoulder.

"i'm sorry i lied to you. i haven't- it's been five years since it happened, but i haven't fully moved on i guess. not until now. you know this is the first time i've visited her grave since the funeral?" you chuckle brokenly, feeling the tears well up again.

"and there's not even anything under here. she was cremated and her parents took her back to japan."

"that doesn't mean you can't still grieve here."

you sigh, "i know. and it's silly y'know? to think i'm still grieiving after 5 years. everyone else has moved on except me. i still- i still saw her everyday- in that way i wasn't lying to you. i just- after the accident and then the rush of the funeral, it all didn't feel real. i still felt like i was going home to sana, and to laughs and smiles and movie nights and cuddles. it didn't make sense y'know? i know death is natural and whatever but it doesn't make sense to me, how someone is here one second and then gone the next. i couldn't make sense of it. so i didn't. she was still alive to me. i still saw her everyday, still packed both our lunches, sent her off to work, took care of her when she was sick, i never got rid of any of her things because in my head she was still using them. she still has her place on the shoe rack at home, her clothes are still mixed in with mine, her expired skin products are still on the bathroom counter. i never- she's always been with me momo i-"

you start blubbering, words no longer making sense and you feel momo shuffling closer to you, wrapping her arm around you tentatively, and you turn and bury yourself into her, crying into the arms of someone physical. someone who was real, who was here in the present with you.

momo doesn't say anything, letting you cry, running her hand through your hair soothingly, letting you take as much time as you needed.

when your sobs subside the sun's setting. you sniffle into her, breathing in her scent, a new comfort to you.

"grief is a monster. not everyone gets out alive, and those that do might only survive in pieces. but it's a monster that can be conquered with time."

you chuckle a little into her. "where'd you get that from?"

"a book i read. summer bird blue. i can lend it to you if you want."

you hum, pulling away from her and wiping at your eyes, smiling softly, "i'd like that."

she smiles as well. "do you think she would’ve liked me?"

you turn back to the gravestone, the cold words etched in marble. "yeah. i think she would’ve loved you. i kept on telling her that y'know? in my head. you two would’ve gotten along famously."

"i'm glad." momo turns to the gravestone as well, "it's nice to finally meet you sana. i promise i'll take care of y/n. you don't have to give me the whole best friend speech about how you'll curse me for the rest of my life or anything. she's special, and i'm grateful you were such a good friend to her. she loved you a lot."

you sniffle, listening to momo talk to sana. when she's done, she looks back at you with a smile, her face illuminated with the golden-orange hues of the sunset.

"thank you momo."

"hmm?"

"remember how i was talking about soulmates? how i think there's people i was meant to meet and people i'm not? thank you. i think sana brought you into my life to help me get over this. i haven't- the last five years has just been me in my head, i've been on autopilot. you were the first person to change that. to make me feel like- like there was a little more brightness to life again."

momo's tearing up now as well, you'll learn that it's not very common that she cries. "i'm glad fate has led me to you then. and i hope you know this doesn't mean sana's gone. she'll always stay with you."

you look back to the tombstone longingly, "i know. i promised i'd never forget her. she will always stay with me."

momo leans into you again, and you rest your head on her shoulder, the cool breeze blowing against you softly, the sun setting behind you.

maybe momo was right. it took you five years, and it'll probably take you a lot longer, but you were going to get over this monster, and you were going to live out the rest of your life, like sana always wanted for you, not in-your-head-sana, the real sana that you're not afraid to admit is gone now, but will always stay in your mind, your heart, with your soul.

[prettyoddfever]

the "Ryho" mindset is still happening

I didn’t like how part of the fandom treated Ryan during the pre-split years. This might end up being a lengthy explanation but bear with me because it’s relevant to the modern fandom.

So it was a well-known fact in 2006 that Ryan was straightedge/sober (Spencer was too, but he got less attention from the media). Being straightedge kind of became part of Ryan’s image (here’s a random example) and a lot of fans really connected with that. Then Ryan got drunk for the first time at the end of 2006, and we started seeing pictures of him partying with friends in early 2007 before the band even went to the cabin. 

By summer 2007 Ryan was like a completely different person. I get that the drugs & alcohol probably helped him become more outgoing, but I also think he was just becoming way more confident & comfortable as he grew up. And SO many fans seriously hated the change. Fans still randomly criticized the other 3 guys, but that stuff seemed more like the regular small complaints that happen just for the sake of complaining when people are bored (ex: Jon’s beard existing or vanishing). The stuff about Ryan was very different in tone and there were some consistent themes throughout the last half of 2007: Ryan was too in love with Keltie, he dressed like a hippie now, and he partied a lot. Basically, he was changing. He was no longer the same person that he was during the Fever era.

It honestly seemed like many fans were angry at this new version of Ryan for taking the old version away from them, as though they had some sort of ownership. There was tons of drama over the fact that we were seeing lots of pictures of Ryan partying with various friends (some of whom posted detailed stories about their nights or how drunk everyone was). Some fans said Ryan was a hypocrite or a liar and tried to make him out to be an alcoholic, as though he’d personally betrayed them by destroying who he was "supposed" to be.

However, I think most of the complaints were actually rooted in something bigger: Ryan looked happy.

I felt like a lot of the younger fans had latched onto the idea of a shy, wounded guitarist who needed to be saved or *understood* or whatever… you know the cliche I mean??  That was the vibe that the media sometimes tried to give him during the Fever era, so even they knew it would sell! But now Ryan was partying a lot with a wide range of friends, was dating Keltie, had completely abandoned his Fever-era aesthetic, and seemed to be closest with Jon in 2007 instead of Brendon. He was “destroying” the static image of Ryan that fangirls had taped onto their bedroom walls.

I remember a decent amount of fans actually admitting that they wished Ryan would go back to being depressed. Like they literally wanted him to be unhappy & unsure of himself because they liked him better that way. Others accepted that Ryan was changing and were happy for him, but still thought his bitter lyrics were better. And then even if other people wouldn’t admit that they were clinging onto an old version of Ryan, their main criticism still seemed to revolve around the fact that Ryan was living his life, having fun, and being different than he was the previous year.

I saved one fan’s post because it summed up some of the complaints this year:

The nickname “Ryho” really took off in late 2007.

Obviously a ton of fans loved Ryan (and the kids who were bashing him still claimed to love him too). The petty criticism just became annoying to me. People slammed his new clothes, his new hairstyles, the way he carried himself or talked, his weight/body, his “creepy” fingers, and the “girly” things he told Kerrang he liked (pumpkin spice candles, vanilla milkshakes, his puppy, and Titanic). Even the kids who used to love Ryan’s mild arrogance were now holding it against him. A lot of the fans who were criticizing Ryan in the last half of 2007 jumped right back to being his “fans” once the Pretty. Odd. era got going and things were interesting again, but I guess it shouldn’t have been surprising that so many fans were able to easily switch to bashing Ryan once again in spring 2009 when he was changing yet again. It’s like they were so focused on what Ryan wasn’t doing that spring (ex: recording the third Panic album) that they couldn’t see or accept what he was doing: building a whole new life for himself in a completely different music scene with the new crew of friends he’d been hanging out with for a while (Alex Greenwald’s scene).

One of the things that stuck out to me in late spring & summer 2009 was how many fans felt rejected by Ryan (and Jon). Those fans had basically idolized prior versions of Ryan and were hurt to slowly watch him destroy all of that as they realized he didn’t want to be part of the machine of the music scene that the fandom still loved. That hurt translated to them lashing out in anger.

So you know how I mentioned that in 2006 part of the fandom liked the idea of a shy, wounded guitarist who wrote bitter lyrics and needed to be *understood * and saved? And they resented Ryan for destroying that concept in 2007 and taking away the Ryan that they loved? They wanted to view him as a static character and couldn’t accept that he’s a constantly-evolving human. This is still happening today. Some fans are still upset that the version of Ryan that they want was taken away (ex: Ryan left the Fever era behind, left Panic behind). Except now instead of resenting Ryan for the choices that he made, some modern fans have rewritten the past to blame external forces like Brendon instead. I've been trying so hard to wrap my mind around this for a while, so here's my take on it... keep in mind that this is just my own observation/guess. Ryan isn't very visible now, so people are free to project a lot onto him. I think that by blaming Brendon (who is the visible one left), people can still happily view Ryan as a helpless victim who needs saving, and never feel rejected or betrayed by his choices... then it's like Ryan didn’t actually want to leave them, and could still be the person that they need him to be. Idk I'm still trying to comprehend what happened to the recent fandom tbh.

I'm absolutely not saying that all of Ryan's current fans are like this!! It's just that some little bits I've seen are concerning because they essentially take away Ryan’s agency & erase him. Even on a smaller scale, I've still noticed how some modern fans focus heavily on stories that dramatize Ryan's pain & portray him as a passive victim, regardless of whether those stories conflict with reality. Like why exactly is that angle a priority? Some examples:

Camisado is for dancing

the "funeral picture" isn't real

Lollapalooza was a fun show

June and July are different months

Ryan participated in the stage gay

some of the Ryden stuff could probably qualify too

Keep in mind that I'm saying this as a fan of Ryan. I am genuinely happy to see that he has so many newer fans! But sometimes I'm a little concerned that patterns might be repeating and maybe some people are more focused on their own creation of a character/image than an actual musician who has had many many phases.