#though also: what's more realistic for a straight white man who is going through some shit than for him to cling onto some girl ?

[chaoswillcalmusdown]

i feel like everyone's watching the bear s2 hating claire meanwhile i'm here like 'hmmmmm interesting that carmy is trying to have a normal relationship with a girl who def knew michael and reminds him of a life 'before' shit happened and when things were nice and easy'

[korkiekenobiconfirmed]

I'm on a roll with the s/j/m hatred tn so I'm going to compile a masterlist of all her shitty lgbt/poc representation and why it sucks booty cheeks. it should be noted that none of this is meant as shade on any of the characters themselves... I actually happen to like quite a lot of them

EDIT: there are some nice additions to this post in the notes you can check out

LGBT rep

Aedion (Bi/Pan)

Literally known as “Adarlan’s Whore” (a nickname that references both his allegiance to the king and his tendency to sleep around)

His only same-sex relationship is with a vaguely-mentioned unnamed lover from the past (it’s not even said straight-up that they’re a man, but I’m assuming they are bc they’re mentioned to be a commander of the Bane)

He’s shown being attracted to women and only women for two and a half books. He’s a womanizer retconned into the slutty bisexual stereotype

His liking men & women is compared to prostitution

It’s insinuated in koa that he slept with an ex while he and Lysandra were fighting (because the cheating bisexual trope is such a new & creative one!)

Helion (Bi/Pan)

He’s always trying to have 4somes with three of the main characters

Realistically he’s probably one of the most powerful/interesting High Lords but this gets sidelined in favor of him flirting with eVeRyOnE

All we really know about him is his name and the fact that he’s a bit of a manwhore… very 2-dimensional

He has an affair & a child with a married woman… just the Slutty/Cheating Bisexual Trope (Volume 2) :/

Mor (Lesbian? Possibly bi?)

She’s never shown in any real relationships (with men or women)

She had tragic off-screen relationship with a mortal queen a few hundred years ago

We get literally no hints that she’s gay throughout the series, she just randomly mentions she likes women at the end of book 3

She gets no happy relationship, she stays closeted to spare Az’s feelings (as though he’s not a grown ass man), she’s retconned into her sexuality most of the way through the series… just shitty shitty rep all around

Hasar (Lesbian)

She’s a villain, and a shitty one at that

Lesbian rep from a side character in one novella that half the fandom didn’t read? What’s even the point?

Thesan (Gay)

A very minor character & his unnamed “lover” who serve no narrative purpose whatsoever… thanks for nothing sarah

Emrys & Malachai (Presumably gay)

Oh look! More minor, background mlm that might as well not exist for all they do for the story :/

They are cute though, I’ll give them that

POC rep

Nehemia

First (and only) black main in ToG

She dies to fuel the white protag’s character arc… a very tired trope

She was actually a pretty well-written, likable character up until her brutal murder, which made it that much worse to hear about her organs strewn all over the room

Sorscha 

Described as “plain” (particularly in contrast to the white women like Aelin & Lysandra)

We know she’s POC because of where she’s from, but the way her features are described suggest she could still be white

Dark hair, gold eyes, “tan” skin

She really just fawns over white-boy Dorian every 2 seconds before dying a violent death to fuel Dorian’s arc…

…Aaaand I’m sensing a pattern here

Nesryn

Much of her character (especially in QoS) is reduced to her beefing with Aelin (and thus being villanized by the narrative) because of jealousy over Chaol 

Simply described as having “tan” skin (again). I think sarah is allergic to calling people brown

She is also described as plain compared to white protagonist

She has a (presumably middle eastern) family that only wants her to stay home and be a baker/someone’s wife

Yrene 

Once again very racially ambiguous to the point where she could even be white, with “tan/golden” skin, golden hair, and golden eyes

She almost immediately ties her literal life force to a white man she hated like a month ago. Seriously, can WOC not fawn over a hunky white man for once?

She defeats erawan in the end — considering she’s been a character for such a short time, this just feels more like a deus ex machina the anything really set up by the plot

Helion 

Not going to fully rehash what I said above but generally… he has great potential, but is basically not a character

Tarquin 

He’s portrayed as very nice and reasonable, if young and naive, yet he literally only exists to get manipulated/robbed by the main characters

He seems like such a sweetheart. He deserved much better than Riceman and Feyrug doing him dirty like that

I’ve heard rumors of a High King/Queen F*ysand plotline in later books…if that happens, Tarquin will likely be bending the knee and forgiving the people who fucked him over just a short time ago

Lucien

He’s described as very caring and loyal (yay!) which seems to always get him taken advantage of (damn!)

He’s portrayed (especially in ACOWAR) as someone we’re supposed to dislike when all his actions are perfectly reasonable

He’s literally retconned out of being white when it’s revealed Helion is his father instead of Beron. I’ve seen ppl get mad at “white-washed” fan art but it’s hard to expect much else when his original character description was straight red hair, amber eyes,  and “tan” skin (holy shit agAIN)

The people of the White Fangs from TOG

They’re described as having black hair, black eyes, and “tan” skin

They live isolated in the mountains (away from civilization) and are described as “savage” and warlike, always raiding villages in the mountains and stealing women away from their homes… 

Cain, who’s from these people, dabbles in dark magic/religion nobody else understands

This is feeling, intentional or not, like a horrible Native American caricature. Idk maybe that’s just me

[daniclaytcn]

You do have valid points about some of the things in the 911 fandom fanfiction (like the blatant racism, the poorly concealed character assassination, ect) but also... Things like people having Buck call Athena Mom is literally harmless?

The 911 fandom is fucking rabid when it comes to fanfiction. Nothing is ever good enough. If its not 100% character accurate and realistic its a weird piece of shit that shouldn't be read. Fanfiction absolutely has to be this perfect, no-nuance, straight-from-canon content and frankly I'm sick of it.

And don't say that's an exaggeration, because your own posts repeatedly assassinate fanfiction for not being canonised. And often over stupidly small things like the Mom/Dad thing.

I call my best friend's Mom 'Mom.' She's a mother figure to me. She approves of it. My mother approves of it. Its a fucking moniker that presents a person's relationship and bond with another person. Its not that deep.

Let fanfic authors in the 911 fandom breathe, please. Do you know how fucking horrible it is looking through 911 tags and all you ever see is people bashing fanfic and edits and creators? The ratio of content praise vs content dragging is ridiculous and its not even over valid things fandom racism. Its stupid shit like someone deciding to go a little OOC and embrace a familial dynamic with Buck and Athena.

Literally get over yourself. Its pathetic.

well if you even bothered to read anything i said; i was specifically criticizing fic writers that have athena's only purpose in fics be to baby buck and treat him like a child, but go off i guess? yes, it is fucking weird when people write their relationship to be like that, because not only is it just not OOC, it's always done in a way that feels utterly demeaning to athena and her entire character! yes, it is that deep; when fic writers make it abundantly clear that the white man is the only character they're capable of writing in a nuanced and understanding way; while the other characters are reduced to racial and/or misogynistic stereotypes! eddie is the aggressive mexican man who drops a spanish word every other sentence, chim is a bully and an abuser; hen, athena and carla, the black women, are there to stroke buck's hair and call him 'baby'; maddie is either turned into buck's personal bodyguard, or is blamed for being a victim of domestic violence. ana was often written as an aggressive, evil woman; while taylor, a white woman, is written as buck's mean bi bestie. you know very well that what i said —while poking fun at athena being called 'mom' in fics—was talking about so much more than characters being OOC, so don't act deliberately obtuse.

also, i don't know where you're getting this idea that i regularly criticize content creators in this fandom. i have often defended them from the entitlement people have, both in private and on main; i hate how this fandom takes them for granted. but i will also not hesitate to call out the racism i see, for fear of hurting people's feelings.

i've said this before, and i'll say it again. if you feel this threatened and called out by POC in fandom talking about racism; you're simply telling on yourself. there's no reason for you to come and be this aggressive and rude in my inbox, acting as though i personally attacked you; if there wasn't any truth to what i was saying, with regards to you. so, it sounds like you, my dear friend, are the one who needs to get over yourself.

[frank-a-mori-son]

“Extremely detailed character sheet template”

Character Chart

Character’s full name: Frank Daniel Morrison Reason or meaning of name: The name Frank is after his Grandmother, Francesca and Daniel is his Fathers name. Character’s nickname: Killer, Frankie, “Hey asshole!”  Reason for nickname: First for obvious reasons, second also, last one is just heard enough for it to be. Birth date: February 14th 1977

Physical appearance

Age: 19 years old How old does he/she appear: he could be confused for someone down to the age of 16. Weight: 65 kg/ 130 pounds Height: 173 cm/ 5′8′’ Body build: Lithe but athletic Shape of face: Heart Shaped Eye color: Brown Glasses or contacts: None, but he’ll need it once older Skin tone: White with neutral undertone Distinguishing marks:  2 visible facial scars, beautymark under right eye Predominant features: Large neck tattoo Hair color: Brown Type of hair: Straight Hairstyle: Currently an undercut Voice: Tenor voice Overall attractiveness: He’s got rouge-ish charms, so pretty attractive Physical disabilities:  Hypermobility in his joints, unknown condition. Usual fashion of dress: Pretty casual, borderlining grunge and punk rock Favorite outfit: band tshirt, faux leather jacket and jeans Jewelry or accessories: He’d love piercings but has none, always wears some type of gloves.

Personality

Good personality traits: Resillient, loyal, brave and charismatic Bad personality traits: Bad temper, snarky, self critical Mood character is most often in: Agitated Sense of humor: Dick jokes and slap stick Character’s greatest joy in life: Making decisions for himself Character’s greatest fear: Becoming his parents Why? Due to how they ruined not only their lives, but that of an innocent child too. What single event would most throw this character’s life into complete turmoil? At this point that has already happened, making a grave mistake with unthinkable consequences...  Character is most at ease when: With people he trusts/cares about or if completely unnoticed Most ill at ease when: Overwhelmed by attention from strangers, feeling judged by peers. Enraged when: Made fun of, harrassed, hit or when someone he cares about is hurt. Depressed or sad when: Thinking of past mistakes, regrets and worrying about present/future. Priorities: Himself and those closest to him Life philosophy: Enjoy while it lasts, they or you won’t be around forever. If granted one wish, it would be: Freedom for those he cares for. Why? They do not deserve to be trapped in this realm, but he feels he does. Character’s soft spot: Quentin, Susie and dogs. Is this soft spot obvious to others? Quentin is very obvious to most Greatest strength: His will to keep fighting Greatest vulnerability or weakness: His own mental health and trauma Biggest regret: Dragging his Legion down with him Minor regret: Failing at ending himself Biggest accomplishment: Accepting his own sexuality Minor accomplishment: When he made it onto the basket ball team Past failures he/she would be embarrassed to have people know about: The one time he got himself roofied on accident Why? he was trying to impress some older kids and failed badly. Character’s darkest secret: The fact he killed someone. Does anyone else know? His Legion and Quentin knows

Goals

Drives and motivations: Motivated to keep himself and those he cares for safe in the Entity realm. Immediate goals: Spend as much time with his boyfriend as possible, get many smooches Long term goals: Somehow, find a way out of the Entity realm. How the character plans to accomplish these goals: He has no idea, but he knows he can count on Quen to help How other characters will be affected: Hopefully, it’ll be a positive effect

Past

Hometown: Calgary, Canada Type of childhood: Rough and unstable Pets: None First memory: Being locked in his bedroom, the stench of sweetened smoke coming through the door crack and loud angry shouting from below. Most important childhood memory: His Grandma coming by on Christmas morning with a gift for him Why: because it was the first time he got a gift for xmas, it was sadly also the last time he saw his Grandma. Childhood hero: He really looked up to one specific foster dad, a good man. Dream job: Veterinarian  Education: High School Dropout Religion: Christian but not practising Finances: Shaky at best, below poverty line.

Present

Current location: Ormond, Canada Currently living with: Foster dad, Clive Anderson Pets: None unless you count house flies Religion: Agnostic Occupation: Unemployed Finances: None existing. 

Family

Mother: Lorraine Beatrice Morrison Relationship with her: Strained, disconnected Father: Daniel Patrick Montgomery Relationship with him: Tense and disconnected Siblings: Step-sister, Step-brother (both Fathers side) Relationship with them: None, he doesn’t know about them. Spouse: Quentin is his boyfriend Relationship with him/her: Good! very good, they’re very much in love. Children: None Relationship with them: Nothing Other important family members: Grandparents (Mothers side) who are still alive and miss their grandson.

Favorites

Color: Red, black and green Least favorite color: Pink and yellow Music: Death metal, Rock, Punk, retro Food: He’ll eat pretty much anything, has a huge sweet tooth Literature: He’s not a fast reader, so he doesn’t read. Form of entertainment: out with friends, listening to music, exploring and sports. Expressions: “Well, fuck” and “heck!”  Mode of transportation: Other people’s cars, otherwise, his own two feet. Most prized possession: His faux leather jacket, as it’s bought with money he earned honestly. 

Habits

Hobbies: Basket ball, art and climbing Plays a musical instrument? No, but he would’ve loved to learn Plays a sport? Basket ball! How he/she would spend a rainy day: Probably at a friends house or at their usual hangouts. Spending habits: he spends very little money as he rarely has some, but he does shop lift often. Smokes: Yes Drinks: Oh yes Other drugs: Usually just weed, though he has tried a few other things once or twice. What does he/she do too much of? Getting in trouble, drinking and smoking What does he/she do too little of? Eating, sleeping, bathing, just generally taking care of himself. Extremely skilled at: Most physical activities Extremely unskilled at: Reading, writing, maths....  Nervous tics: Foot bouncing, pacing, lip biting Usual body posture: Looks relaxed, but shoulders tensed. Mannerisms: Talks with his hands a lot Peculiarities: He’s a basic bitch in secret, he likes the big ass, sugary, cllorful and extra frappes but he’ll get them in secret like they’re illegal. 

Traits

Optimist or pessimist? Pessimist, or realist as he would say. Introvert or extrovert?  Ambivert! He can go both ways, depends on situation. Daredevil or cautious? Daredevil!  Logical or emotional? A little bit of both, though most often ruled by emotion. Disorderly and messy or methodical and neat? More like Disorderly neat, he doesn’t have enough stuff to make a mess and though he doesn’t enjoy it, he’s often the one to do dishes and laundry at home. Prefers working or relaxing? He really likes relaxing, but if he’d like working if he got a job he enjoyed Confident or unsure of himself/herself? He’s faux confidence most of the time. Animal lover? Yes. Very, very much so. Especially dogs.

Self-perception

How he/she feels about himself/herself: he considers himself damaged, unworthy and incabable of love. One word the character would use to describe self: Survivor One paragraph description of how the character would describe self: Out loud he’d call himself “a badass free spirit”  What does the character consider his/her best personality trait? His ability to get up even when knocked down. What does the character consider his/her worst personality trait? His insecurity What does the character consider his/her best physical characteristic? He thinks he’s got a pretty nice bod, all things considered. What does the character consider his/her worst physical characteristic? His scarred hand, his big ears and his slight buck teeth. How does the character think others perceive him/her: As a bad boy, rebel, problem child and misfit. What would the character most like to change about himself/herself: Many things, though he really like to be taller 

Relationships with others

Opinion of other people in general: They just want something from him and they’ll leave once they’ve gotten what they wanted. Does the character hide his/her true opinions and emotions from others? Often until he trusts them, then he’ll start opening up. Person character most hates: Clive, his parents, Ghostface Best friend(s): Julie, Joey and Susie Love interest(s): Quentin Smith, but Steve is handsome too. Person character goes to for advice: Depending on what it is, Quentin or Susie Person character feels responsible for or takes care of: Susie is like a little sister to him Person character feels shy or awkward around: Jeff, it’s all very complicated Person character openly admires: Jeff, again, complicated Person character secretly admires: David. He’ll never say why. Most important person in character’s life before story starts: Nobody. After story starts: His Legion and, the light of his life, Quentin.

Snatched from here

[loveatfirstwriteblog]

A Complete Analysis of Harry Potter

Like a lot of kids, we probably grew up on Harry potter. We were obsessed and rightly so. The universe created in the world of Harry Potter was, and is, a hugely successful one because of the fact it gave kids a world where magic exists! It seemed to be a great world to live in and it made even better with the fact that it included elements of empowerment, Whether it be showing girls can be just as successful if not more in various pursuits(Hermione), or the fact that even if you have a history of bad events, you can have a good heart(Hagrid), Harry Potter teaches us a lot.

JKR has written a mind-blowing plot in a world of magic, wizards, witches, wands, potions, friendship, love. Our inner-five-year olds--and actually most of our young adult selves too--jumps around excitedly at the beautifully penned words that creates an exit out of this world and into one where magic does exist. 

As you get older, though, you begin to think of Harry Potter in a more critical fashion. The thought of “oh my god, it’s magic” no longer completely overrides my mind, but more of “but what are the laws regarding this? Can people just do this whenever they want? Are there no ethics?” 

No matter how much we’re going to expose the flaws and plot holes in HP now, we’ll always love the books--we grew up on them! But some things just niggle you as you get older, and that’s what we’re going to be focusing on in this post.

Something I adore about the HP books is that everyone, including the “good guys”, has flaws. Harry has a “save the world alone, do first, think later” complex, a driving force that makes him go save Sirius, Ron is very, very insecure to a point where he ditches Harry twice, probably when Harry needed him the most, Hermione is a judgemental, narrow-minded nag (her thoughts on Luna, divination, Trelawney, basically anything that doesn’t fit her black and white world), Molly Weasley is misogynistic and blatantly favourites her children—probably being one of the main factors behind Ron’s insecurities, Arthur is condescending towards Muggles and makes several comments you cringe at while reading the books as a young adult/adult, Sirius, Snape, and Lupin still haven’t let go of their childhood grudges and hatred, etc etc etc. 

These flaws are what make these characters so three-dimensional, so layered, so human. But the problem was, most of these flaws are never intentionally acknowledged. And honestly, that could have been such a good character arc, because the main characters are mostly students. No student is the same through their teenage years—they change, they evolve, they get over their flaws, they try to better themselves. I would have loved to see Ron becoming his own person, Hermione opening her mind up a little, etc. 

Neville is not one of my favourites, but I love his growth and development, from someone who was scared of his potions professor to a man who faced down Lord Voldemort. Ginny Weasley could have had character development, from the trauma she went through in second year, but that was never written in.  She went through this terrifying ordeal when she was only twelve years old, and jump to a year or two later and she’s absolutely fine, with no transition from her trauma whatsoever.

Some of JKR’s characters are brilliantly written and fleshed out, but some of her others lack the structure and complexity that usually comes with being vital to the plot—Ginny Weasley for one. Her internalised misogyny also plays a huge part in the way her female characters are written. We see this again in the case of how she wrote the character of Ginny. 

Ginny Weasley is not a favourite of ours (if you don’t know that by now). She feels a lot like a convenient male daydream—when she waits for Harry to notice her by dating other guys, gets annoyed by Hermione “not knowing quidditch”, etc etc—and fits the “not like other girls” archetype too much, almost like she was made for it (hint hint). She’s portrayed to be strong-willed, spunky, and independent, and I love the idea, but I really don’t see it. To me, she’s a very shallow character, the least fleshed out one. 

Just like James Potter wasn’t necessarily redeemed just because JKR said he was, and Ginny isn’t interesting just because JKR writes that she is. 

Hermione also fits the archetype, but she’s JKR’s self-insert, so we really can’t say much about that. 

To make things worse, Ginny and Hermione are pitted against each other in a very subtle way. Ginny is the sporty, pretty, flirty girl who’s never single from book 4. Hermione is the not-conventionally-attractive, nerdy girl who’s had a few dates here and there but never a relationship. They’re very different characters (the only thing they have in common is the archetype) but they’re against each other in the defence of Harry. 

Another place where JKR’s misogyny shows up is the way other girls are written. Lavender Brown is shown as vapid and immature, just because she likes clothes and boys and didn’t know how to handle her first relationship. Cho Chang is perceived as shallow because she’s emotional. Pansy Parkinson is seen to be throwing herself at Draco Malfoy. The Weasleys hated Fleur because she was beautiful and sexy and French, and that was ever really resolved in the end (Molly accepted her, but we never got Ginny’s and Hermione’s opinions again). You see where we’re getting at? The typical “girly girls” are portrayed as insipid, shallow, emotional, and boring, while girls like Hermione and Ginny are seen to be fun and multilayered. 

The problems with Harry Potter don’t just stop with non-fleshed out characters. There are plot devices that go unacknowledged, issues like blood purity—which is the basis of Voldemort’s tyranny—are never really resolved, huge Chekhov’s guns that aren’t fired. 

A common misconception, which if cleared up could probably expose a load of problems in wizarding society by itself, is that the wizarding world is racist. It’s not racist. Muggles and Muggleborns are not a different race, they’re a different class, at least according to pureblood wizards. Mudblood is a classist insult (a direct reference to nobility blueblood and aristocracy).

Another factor that wasn’t talked about but made the HP world so complex and realistic is the inherent classism in every single pureblooded wizard, including the Weasleys.

 The “Light” wizards all operate on the notion “at least I don’t kill or torture Muggles”. The Weasleys refuse to talk about Molly’s squib cousin who’s an accountant, the Longbottoms were so desperate for Neville to not be a squib they nearly killed him trying to force magic out of him, Ron makes fun of Filch for being a squib, thinks house-elves are beneath him, and confounds his driving instructor in his mid-thirties, the ministry workers kept obliviating that muggle at the quidditch World Cup, etc. 

This could have been a metaphor for how small prejudices and microaggressions (kind of the wizarding equivalent of white privilege) enable discrimination and murder, if JKR had actually acknowledged it. 

The parallel to Nazi Germany is very twisted and definitely shouldn’t be taken too far, but the Nazi ideology grew on the basis of everyday antisemitism, “that’s not that bad” little things. Voldemort’s circle and army grew because the wizard superiority complex festered and blew up in some people, egged on by a deeply classist society. 

Ultimately, Harry Potter has very, very shoddy worldbuilding, the kind of worldbuilding that’s obsessed with answering the “what” of the wizarding world, rather than the “how” or the “why”, which is strange, considering that fantasy or dystopian-era novels’ driving plots and conflicts are usually answering the questions the worldbuilding raises--The Hunger Games and The Shadowhunter Chronicles are two of the best examples of brilliantly written YA fantasy and dystopian novels. 

In HP, however, the main plot just avoids the questions the worldbuilding brings up like the bubonic plague. 

Voldemort’s agenda is built on prejudice towards Muggles and Muggleborns, but the plot just validates the negative perception of them—at the end of the day, being a wizard is what’s special. The Statute of Secrecy is the foundation of the main concept—blood supremacists believe wizards shouldn’t be hidden away—but only vague, barely-there answers are given to why it exists (a Chekhov’s gun that was never fired). 

There are love potions that function like date rape drugs (even Harry was given one by a girl who wanted him to ask her out), potions that force people to tell the truth, potions that literally let you disguise yourself as another person, but the ethics are never talked about, and the laws are so lax that three twelve-year-olds broke them and were never caught. 

But at the same time, the worldbuilding is so authentic, because it transforms the wizarding world into straight-up fridge horror. The everyday horrors are just accepted and rolled with. A corrupt government, constant obliviation of Muggles, slavery that isn’t even talked about. These things aren’t obvious to us as readers, or to the wizards as characters, because they match up to the real world, which is filled with things that are horrifying if you dig deeper. The multiple, normalised forms of abuse, police brutality, the violence in prisons that nothing is done about, the glaringly obvious cultural problems we have with consent, etc. 

The abusive authoritative figures in HP, like Rufus Scrimgeour, Cornelius Fudge, Dumbledore, Umbridge, etc, are so authentic because real-life politicians and people in high places of power behave that way, and their abuse is excused. 

The wizarding world is just like the real world. Corrupt, prejudiced, messed up, but if you’re privileged, or at least have certain privileges, you’re probably not going to notice. The ultimate problem is that the plot doesn’t acknowledge a lot of fridge horror things are messed up either, which is why it miserably fails. 

[azucanela]

Hey, can I get an Bakugou/Shouto/Shinsou hcs where they have a crush on their classmate that haves an astronomic quirk? I had seen an artwork where the guy is just like an universe force full of stars on his body and I've just had this idea. I hope you having a good day✨✨✨

REACTING TO S/O WITH ASTRONOMIC QUIRK [GN HEADCANNONS]

ft. bakugo katsuki, shinsou hitoshi, todoroki shouto

SUMMARY: in which Y/N has an astronomic quirk and the boys can’t help but fall for her. 

WORD COUNT: 2.3k

WARNINGS: mentions of threats, fluff, really pg tbh

A/N: there is a total of two gifs for shinsou hitoshi that exist so for the sake of fairness we shall move away from gifs! also i hope you have a nice day too bb <3

BAKUGO KATSUKI

the volume in this bus is

astronomical.

okay but fr you have an astronomic quirk that essentially allows you to do anything in relation to the universe, so you’re out here making black holes with your hands and shooting out some cosmic energy at your opponents, your lil super weapon is a supernova

whenever you use your quirk your body literally glows, like it looks like a galaxy on your body, your skin literally looks straight out of a photo from NASA, its almost as if your hair becomes a liquid as it floats into the air, defying gravity, wisps of energy occasionally coming off, speaking of defying gravity you can fly because gravity happens to not exist in space um float float woo 

moral of the story, you are POWERFUL, scoring in the top five amongst your class, depending on your control over your quirk and creativity, you may have even outdone katsuki

he hates you for this, and despises you because you’re just so good at being a hero, and yet everyone is still a student. unlike him you hopefully have your emotions in check, and are far more capable of social interactions, which are very important as a hero! for rescues, and interviews, and team ups! collaboration is key.

as he grows as a person, he also grows out of this mentality of despising those who are better than him and instead begrudgingly seeking their assistance to improve. so congrats, you earned his respect! you are one of few that his managed this task!

he just kinda forces himself into your life, not that you mind, but it is a little random when he just kinda plops down beside you during lunch and starts eating, looking at you as though he’s daring you to say something

you just raise a brow and move on, continuing to speak with your friends who remain baffled by his sudden presence

katsuki is gonna be asking you to train 24/7, he wants to improve his skills and you are one of few he considers worthy, you don’t mind because he’s also talented and your quirks are pretty well suited for each other in combat practice

realistically you could just suck him into one of your black holes but he doesn’t need to know that

anyways during one of these training sessions, after a while of actually getting to know you and stuff it just kinda hits him that you look really ethereal when you’re using your quirk, and wow you are beautiful

and now he’s been hit in the face by one of your cosmic blasts, and he is cursing and you are apologizing, coming over to his as the stars on your skin fade and your hair returns to normal

katsuki is BLUSHING as he realizes his mistake and he is desperately hoping you did not notice why he screwed up, swatting you away as you attempt to help him up from the floor, the remnants of your quirk’s glow still in the training room

he was here to be a hero. not to have stupid crushes.

you are definitely his first crush oh god. this boy is an emotional mess, he’s never felt like this, he never had the time or the desire to feel like this, katsuki has always felt like nobody else could keep up with him so why should he like anyone?

until someone could keep up with him, that someone being you

he likes you oh no. oh no. oh no. panic is all that is katsuki bakugo and he’s going to try and storm out but you’re like omg what the hell man???

everytime he sees you, especially when you’re using your quirk, he’s gonna get all blushy, and everyone is gonna notice how flustered he is, they’ll catch on pretty quick

accidentally stares at you in class and it frustrates him to no end when he begins to focus again and realizes he allowed his gaze to fall onto you

“you’re staring again bakugo 👀”

“SHUT UP.”

when you two start dating he’s gonna want to ask you to use your quirk when you’re alone just because he wants to admire you and how pretty it looks, but it is going to take a LOT of bullying and pushing to get him to reveal this

let him touch your starry skin he’ll be freakishly calm, and his touch will be so gentle because it is just so pretty and its you and it seems really out of character for him but your quirk is just so coming because at the end of the day it is you

moral of the story is stars calm our boy baku

SHINSOU HITOSHI 

the only person who hasn’t seen your quirk in action because he doesn’t get accepted into the Hero Course until later on. but he’s probably gonna see it for the first time at the UA Sports Festival.

you two are friends already! you wormed your way into his life, initially to his dismay but now he likes you as a friend, thats about to change

you probably just started sitting down at lunch with him randomly and he got really confused and you just kinda shrugged and were like, “you have nice hair.” 

that was it.

in all honesty, the purple color of his hair lowkey reminded you of your own quirk and you kinda just wanted to meet him and that’s what you did, after a while of hyping yourself up and backing out several times

regardless, it became a daily thing and you found yourself determined to befriend him, and you did! it was lovely, he was slowly accepting you and everything was going great, he was finally talking about stuff with you during lunch and he’d wave in the halls and woo!

anyways, the UA Sports Festival, you’re like the only person he knows so he’s paying attention to the festival purely for you, even when he gets eliminated

you’re about to go up against bakugo and allow me to explain some of the other wonderful parts of the universe

a wormhole = a white hole and i think its still rather theoretical and not proven but right now in this instance they are definitively real! so you can teleport with you quirk basically! not that anyone knows this because you’ve been saving this lovely ability

there is also black holes but that is a little excessive for a festival, and cosmic blasts, but bakugo has blasts of his own so

shinsou is watching and then you begin GLOWING AND HE’S SO SHOCKED MAN, like your skin looks like a picture of the galaxy, and your hair is glowing and floating in the air, hands sparking with wisps of energy radiating off of you 

its beautiful, you’re beautiful, bye bye platonic feelings, shinsou just fell in love by accident

he probably liked you already but it took this moment for him to realize that he liked you. 

shinsou is watching in astonishment as a white hole opens up in front of you, bakugo blasting forward at an incredibly quick rate and shooting through the hole, just to end up outside the arena

that’s the story of how bakugo almost killed you on camera and you won the sports festival :D shinsou thinks you are so COOL but he’s gonna be really nonchalant about it and be lowkey when he asks you about your quirk

tbh he’s gonna be bashful, but he’ll ask for a demonstration of your abilities because he really just wants to see that again, and when you say yes he’s pretty ecstatic though he isn’t expressing it.

“hey.. why didn’t you tell me about your quirk?”

“you never asked”

“would you mind uh..”

you’re looking at him like what you want boy

“would you mind showing me your quirk?” the words come out quicker than he’d wanted but you don’t seem to notice

“sure! right now?” 

you two are in his room and he doesn’t know why but seeing your body begin to glow, beautiful stars lighting up your skin, it feels rather intimate, and he finds himself blushing

you’re giving him a demonstration of your other abilities but he can only really focus on just how pretty you look because WOW

in general, he’s gonna try to catch glimpses of you using your quirk as often as he can, though it is difficult since you are in different classes 

when you two start dating it’s probably around the time he gets accepted into the hero course, and he feels like he’s behind so naturally he asks his girlfriend and best student in the class for help training!

get’s distracted the first couple of times he sees you use your quirk in class, but he manages to get over it after a while, mostly

not ashamed to blatantly stare at you in class, because you are his girlfriend and he is VERY proud to say that

TODOROKI SHOUTO

welp

this boy

is probably an astronomy nerd, idk why but i can see it, he just knows an odd amount of things about the universe and stuff or anything astronomy related

where’s this constellation? oh ask shouto for some reason he knows

honestly though, he had a lot of tutors growing up since he spent most of his time at home “training” with his father, shouto didn’t go to school and was instead taught by these tutors, and astronomy happened to be a very prominent subject

due to his blunt personality, he’s the only person who is gonna outright say that you look really beautiful when you use your quirk, and everyone is gonna think they’re hearing things, but he has no shame repeating it when asked

you’re blushing this time around ma’am

like you’re all demonstrating quirks as Aizawa pretends to determine if you are going to get expelled or not, and you kinda just begin to glow, your skin looks like the literal galaxy and your hair is glowing a variety of colors, becoming an liquified thing as wisps of energy radiate off you and yoU’RE JUST FLYING ACROSS THE FIELD WOW

space has no gravity because people go float, this is why you also float, but it is a controlled float! you also have cosmic blasts, a funky black hole, a white hole that definitively exists in this universe, yeah astronomic quirk looking good rn

“that’s incredible.”

“im sorry what did you say?”

“her quirk is very impressive.”

later on probably after the two of you are slowly befriending each other, shouto finds you interesting and he wants to learn more about your quirk, and he thinks you would be a decent training partner seeing as the two of you are at the top of your class, so he starts associating with you

and associating with you becomes sitting with you during lunch, sharing his food, studying with you, training with you, he’s spending a lot of his time with you and the entire class notices because shouto is normally way more withdrawn what is this??

its not until one particular training day that uraraka wonders if the dekusquad should get involved, you’re using your quirk and she, todoroki and the others are on the sidelines just watching as they wait for their turn to spar

shouto is staring at you, eyes wide, mouth open with wonder and he just says, “wow. that’s beautiful.”

uraraka is like DID I HEAR YOU RIGHT HAHGAS

he likes yessir, that is a gorgeous person that i simp for look at them glowing so pretty yes yes

idk who approaches who first, either shouto is so confused by this weird feeling he gets whenever he is around you and starts avoiding you, opting to visit midoriya since he’s knowledgable and asks what is wrong with him. or uraraka insists on an intervention since homeboy is clearly in love with you and someone has to tell his deku smh

once he realizes he likes you hes probably gonna be quiet about it for a hot minute, and you find his silent behavior odd because to everyone else he’s like this, yes, but with you he tended to talk more and now you’re like??

shouto is trying to figure out what to do about this situation because this was an ACCIDENT and he does fear losing you since you are like the only person he considers a friend at this point.

you confront him and he’s kinda like, “apparently im in love with you.” he cracks pretty fast about whats going on and he is really upfront with you and you’re just like WELP

thats how you start dating icy hot :)

only one that is not ashamed to ask you to use your quirk because PRETTY SHINY WOW gorgeous just art. definitely takes time to just stare at your glowing skin, connecting the stars with his fingers in astonishment he’s gonna tell you how pretty you are 24/7 even if you don’t use your quirk because you are just that beautiful

loves telling you random astronomical facts, tries to see if the things he learns can be used by you since your quirk is based off space

accidentally finds astrology and is now lowkey obsessing over zodiac signs and nearly got his ass beat by bakugo because he had a temper tantrum and shouto was like “this is just because you are an Aries.”

power couple woo

you aren’t just his world, you’re his universe <3

[manifestoonmoralmanlove]

What will be in my bag? Pre-ordered Manga. Straight and Lez edition.

Here’s a list of English-released manga I’ve currently got on pre-order, and manga series I ordered before but won’t be continuing with the series.

As a note: Some of these titles have been released but I have not received them yet due to a issues with covid backlog effected how things are released.  I personally find that if you pre-order it tends to get you manga quicker.  It seems there is more pressure to keep up with the new release schedule than chip away at the backlog.

I’m starting with the stuff I’ve already read some of and confirmed enjoyment, then stuff I’m shooting in the dark for, and finally series I have tried recently and have discontinued.

Heteros

My Androgynous Boyfriend

Story & Art by: Tamekou      Publisher: Seven Seas

It is rare for straight shit to end up in my library but My Androgynous boyfriend is an exception that will surprise no-one since it’s pretty queer adjacent.  This story is mostly a couple being lovey-dovey between jokes about sexuality and gender but (so far) isn’t problematic at all.  The female lead is quite enjoyable as she’s well-balanced and has agency throughout. There’s even ace representation! It’s very low-stakes, wholesome, and sweet so far. (Volume 3 is set to release in November.)

My Excitement Level: The gentle about to sink into a bubble bath variety

Yuri/Lesbian

Even Though We’re Adults

Story & Art by: Takako Shimura  Publisher: Seven Seas

Takako is also the creator of Sweet Blue Flowers and Wandering son.  I have dipped by toe in to both those series.  I overall find their writing kinda meandering and tepid (might just be me) but technically pretty solid.  I am hopeful for this series since it features adults....if the title didn’t make it obvious.  I was intrigued by the one character being married but the man finding out about the affair quickly and reacting more realistically and interestingly than the average male love interest in a Yuri.  I also found myself relating at bit to Akari’s angst about being unlucky with relationships with women.  I also do enjoy the artwork! This one is the most likely of my followed series to be dropped at some point. (Volume 2 of this manga was set to release in June this year.)

My Excitement Level: Cautious Optimism

For more click the jump!

Kase-san and Yamada

Story & Art by: Hiromi Takashima  Publisher: Seven Seas

This is a series I keep going back to.  While it is the very typical low-stakes bubbly, cutesy School age Yuri...it is a very good version of that.  Just warm bubble bath vibes. (Volume 7 is set to release in February of next year.  I think it was originally supposed to be released this May but was bumped back.)

My Excitement Level: The gentle about to sink into a bubble bath variety

NOW ONTO THE SERIES I HAVEN���T READ BUT I’M TAKING A CHANCE ON!

Adachi and Shimaura

Art: Moke Yuzuhara Story: Hitoma Iruma  Publisher: Yen Press

This, as I understand it, is a slow-burn romance about two delinquent girls.  I have heard good things about the novel and the anime series!  However I prefer manga to novels and don’t have a funimation account so I went to snag it in manga form. (Volume 1 was set to release in February this year and 2 in September)

My Excitement Level: Cautious Optimism

The Girl I want is so handsome!

Story & Art by:Yuama     Publisher: Seven Seas

The premise is a young lady has a crush on a handsome older girl who’s oblivious to her advances.  When she tries to confess she instead gets roped into being the club manager of the basketball team that her crush is a part of.  So it feels like it may end up cycling through 2 jokes and be so deep in the stereotypical manga bullshit you can easily-predict its beats volumes in advance. HOWEVER that is also a premise that is similar to Monthly Girls' Nozaki-kun which is legitimately a hilarious series. Also I fucking love butch/stud/masc-presenting women/AFAB people.  So I’m willing to risk “The same Anime bullshit” for good jokes and a cute lezzy romance with a beautiful butch.  (Volume 1 is set to release of December of this year.)

My Excitement Level: Pretty nervous actually.  I hope it works out!

Monologue Woven for You

Story & Art by: Syu Yasaka     Publisher: Seven Seas

A woman gives up on a career in theater gets tangled in a relationship with a woman passionately pursuing theater.  Since it is set between college age women, and appears to be about more personal and mature themes I am interested. (Volume 1 I BELIEVE is supposed to be released in February of next year.)

My Excitement Level: Cautious Optimism

Mizuno and Chayama (No page yet so far as I can tell.)

Story & Art by: Yuhta Nishio     Publisher: Yen Press

Two daughters of feuding families meet in secret.  This is by the same author of After Hours.  I read a bit of After Hours and found it fine but boring since it seemed without conflict.  Conflict doesn’t seem to be in short supply with a story like this!  While I enjoy the sugary-sweet high school lesbian romances...those are not in short-supply. So I am always hungry for something darker, meatier, more mature. (Volume 1 is set to release next February) 

My Excitement Level: Cautious Optimism

5 Seconds Before The Witch Falls In Love

Story & Art by:  Zeniko Sumiya     Publisher: Seven Seas

It appears to be a playful fantasy about a Witch and Witch-hunter who’s antagonism turns romantic.  This may end up one note and stupid...but I’m always hear for queer romances set in high-fantasy and I haven’t read a Yuri where rivals turns to lovers. (Volume 1 is set to release next February)  

My Excitement Level: Low-key

Catch These Hands! (No page yet so far as I can tell.)

Story & Art by: Murata     Publisher: Yen Press 

A former delinquent runs into her high school rival.  After losing a fight to her she agrees to her terms...her terms being to go out on a date with her.  I mean the title alone makes me want to pick it up!  It may run afoul of bad anime humor, but I’m hoping with the fact that it’s full of gay adult delinquents that it’ll be a little different.  (Volume 1 is set to release next February)  

My Excitement Level: Medium-key

Series I have discontinued:

I’m in love with the Villainess

Art by: Aonoshimo  Story by:  Inori   Publisher: Seven Seas

A woman gets reborn into her favorite Otome game but she wants to romance the villiain!  I had heard a ton of great things about the novel but I picked up the manga version. (If the novel is totally different I can’t speak to it.)  For me, the writing is ham-handed, the jokes flop 90% of the time, and the fact the lead’s only personality trait seems to be ~obsessed with a bully~ really dampens this title.  Her advances are so aggressive and unwanted I honestly started feeling bad for a spoiled rich bully.  I will say it’s saving grace is the fact that the lead is masochistically into the villainess’ tsundere abusiveness. For me I hate tsundere romances if framed like, “I like you DESPITE your insults.” It is only tolerable if it’s instead, “I like you cause you tell it like it is. I’m a dirty little pig. Please step on this bad little piggy!”

Our Teachers are Dating

Story & Art by: Pikachi Ohi      Publisher: Seven Seas

Well one reason I stopped the series is that cover you see up there.  The sex in this series is fade to black but FOR SOME REASON the 3rd cover has them both butt naked.  But on a less superficial note, the story is about two teachers who start dating.  And while cute at points, I was just underwhelmed.  I think a part of it, is the fact that this behaves like a stereotypical high school romance...and while set in a high school...these are grown ass women not 15 year olds.  So I have less patience with the, “Gosh when will I get to kiss my girlfriend?” bullshit.  I mean, I would hesitate to call it bad...but it’s just not a good version of it’s brand of bullshit.

Breath of Flowers

Story & Art by: Caly                       Publisher: Tokyopop

Absolute train-wreck, this is hands down the worst Yuri I have ever bought.  The story is nonsensical and all over the place.  There is a love rival who’s trying to break the two of them up so she can get with Gwyn...but then switches mid-gear to put in a lot of effort to bring them together intentionally...but she also still wants to hook up with Gwyn...it’s very ????????????  The main conflict of Gwyn is hiding their gender so they can play basketball on the boy’s team (not well explained) is built up hugely and resolved with a hand flick.  There is a melodramatic moment where a school nurse says more or less, “GIVE IT UP YOU’LL NEVER BE A BOY!” And it’s like “OH SHIT! The fact that Gwyn is on the basketball team is cause he’s a transboy trying to live life as a boy! Oh gosh it makes so much more sense now!”  But the author seems to not even know that trans people exist cause the story bumbles along as if that scene never happened.  The closest we get is at the end Gwyn is like, “Look I’m learning to do make-up on myself to make you happy lawl!” Which is I GUESS supposed to be, “NO NO DON’T WORRY ALL OF GWYN’S GENDER STUFF WAS JUST THERE TO MAKE THE MAIN CHARACTER SEXUALLY CONFUSED WHEN SHE DISCOVERS GWYN’S TRUE GENDER!  HER TRUE GENDER IS 100% CIS WOMAN CAUSE SHE DID MAKE-UP ONCE! IT’S FIIIIIIIIIIIIIIINE!” Like whaaaaaaaaat?  And it ends on a very random scene which doesn’t really fit in with the rest of the story.  Ugh just very bad do not interact!

A White Rose in Bloom

Story & Art by: Asumiko Nakamura    Publisher: Seven Seas

At an all girls catholic school a young woman falls for a mysterious foreign student.  I grabbed this cause it’s gay and I overall like Asumiko Nakamura’s work (she also does Doukyusei, double mints, and others.)  However I was just not grabbed with this title.  I just felt like I wasn’t getting what was making the MC pants on head obsessed with Steph.  Also the lead’s mother tells her that she’s getting divorced and therefore will no longer have money to pay for the university and she’s framed like a super bad person for this.  Like I get why the MC (a teenager) would think that something like that is THE END OF THE WORLD! But I remember them really framing the mom like a selfish bitch for this...when like...it’s well established that her mom and dad’s relationship has been toxic for YEARS and that they TRIED SO HARD to fix it.  OH WELL!  This might be good but it just didn’t grab me in the 1st volume.

I’ll make a post on the BL titles later! Take care and Stay Rotten!

[freddiekluger]

please drop the essay length analysis Judas and Jesus (extra gay Swedish edition), O great and knowledgeable monarch of our times

alright, you ask i deliver! please excuse any typos, my eyes aren't exactly working rn

welcome to my probably super subjective but correct analysis, aka

Judas Was Right and Jesus Was A Victim (At Least, In Swedish)

Before we get started, a couple points: i’ll try to avoid comparisons to other specific productions, i’ve only seen the other recorded 2012 british version which i didn’t like for reasons including but not limited to the amount of white people with dreadlocks. Also, my understanding of swedish is limited to a couple words and phrases, so most of the lyrics i reference will be english subtitles from Ola Salo’s swedish translation and therefore might not be the most accurate !

There’s so much i could cover in this, but for now i’m going to focus on how jesus and judas are portrayed in the 2014 swedish arena tour of Jesus Christ Superstar (JCS) starring Ola Salo as Jesus and Peter Johansson as Judas, along with how this production more implicitly views god. 

From the opening number, translated into swedish as En Dimmig Himmelsdröm (A Foggy Heaven’s Dream), Peter Johansson’s acting and semantic differences in the lyrics present us with a deeply sympathetic portrayal of Judas. Looking purely at language, the english equivalent Heaven On Their Minds instantly paints Judas as much more of a faithless doubter- lyrics exclusive to the english version like “all your followers have gone blind / too much heaven on their minds” and “they think you’re the new messiah / and they’ll hurt you when they find they’re wrong” strongly enforce Judas’ main motivation for his actions being that he has less belief in Jesus and God’s plan than any of the other disciples with strong statements judging the other disciples for following him and claiming that Jesus ISN’T the messiah. The swedish translation doesn’t paint exactly the same picture- the focus of Judas’ number becomes his fear for Jesus’ wellbeing, not because he isn’t the messiah (the production remains fairly ambiguous on this point), but because Jesus can’t cope. The root of Judas’ concern comes from fear for Jesus’ wellbeing, and the disciples are referenced as regularly misunderstanding and wilfully twisting Jesus’ words. The swedish equivalent lyrics for the above examples are “they say, “jesus is god’s son” / but you know how people can change” (judas isn’t concerned with truth, just the danger that jesus will be in if the tide turns), and “the kingdom of heaven is within us, that’s what you said / bu they sew it, stitch by stich into some kind of foggy heaven’s dream”. Judas is showing that he HAS been listening and cares for Jesus’ teachings, but ‘they’ [his disciples] are turning them into something else entirely, and Judas’ worries that the support of the masses is fragile at best- the lines “and everything you say gets twisted by your lackeys / it will be anything but what you’ve said”  and “you are being used by people who want you in their battle” reinforces this again. When combined with Peter Johansson’s tough but tender performance, in which he dances between disdain for Jesus, the institution, and affection for Jesus, the man (an important distinction), Judas is the harsh realist doing his best to look out for the man he loves. The way he takes Jesus hands and looks at him with love and urgency straight away establishes that his motivations are pure- Judas is doing what he thinks is best, even though it feels like no one will listen to him. 

That was long, but En Dimmig Himmelsdröm is the perfect character introduction for Judas. He’s not totally unrecognisable, still delivering digs about ‘Jesus, the little carpenter’s son’, his manner is still rough and at this point we’re not sure whether or not the claims he makes about the disciples have any truth to them, BUT we can also see how much Jesus means to him, an important point that give context to the intensity of their future arguments and really makes the whole story much more heartbreaking.

This brings me to Ola Salo’s Jesus. Delightfully camp and queercoded, Judas describes him as being caught up in his own magic and mystery and buckling under the pressure, and he’s not entirely wrong. Throughout the first act, Jesus basks in the luxuries that being messiah can give him (the oils Mary paid for using disciple funds that were supposed to go towards helping the poor, him absolutely thriving in the shopping cart in What’s the Buzz?), and is shown actively avoiding any reminders of the seriousness of his position. He’s sick of the disciples asking him for a plan, he chooses the comforting Mary, who’s theme consists of telling Jesus everything is okay and he doesn’t need to think about anything, over Judas, who is less perhaps ‘cosy’ but is actively trying to warn and protect Jesus from an awful fate. During The Temple, he starts to crack as he’s overcome by the followers begging him to make him well, fear in his eyes as he raises his arms while frozen on the spot trying to avoid being devoured by the frenzy in desperate need of a messiah. Judas’ point about Jesus buckling under the pressure is starting to look more and more reasonable, and the dashes of showbiz campness add to the sense that much of Jesus is a persona constructed for the masses to give himself enough distance to prevent him from being crushed by the weight of God entirely. Jesus, the institution, prances around, lays his hands on his followers, and projects an air of easygoing calm. Jesus, the man, is scared and alone, and Jesus, the man, really comes out in Last Supper, but before we get there, I want to circle back to the Jesus/Mary/Judas thing.

Jesus, Mary, and Judas are presented as a love triangle: so much so, that Judas seeing Mary sing of her love for Jesus (I Don’t Know How To Love Him) is actually played as the inciting incident that sends him to the pharisees. Judas, the picture of the jealous lover, storms onto the scene, breaking them up and attempting to kiss Jesus, who instead shoves him to the ground in disdain. Judas, who is perhaps a little controlling, realises that any influence he had over Jesus has gone, and it’s likely a combination of jealousy and the knowledge that Jesus won’t stop that prompts him to head to the pharisees. In his meeting with the pharisees (known in english as Damned For All Time, although that phrase doesn’t appear once in the swedish), Judas’ expresses outright that “I’m the one who sees / Jesus, he can’t handle it anymore” “the truth is that this hysteria is making him lose control”, once he can get past explaining how much this plan of action feels like a last resort. He never even verbally or physically accept the pharisees’ offer of money, he denies it twice before it is eventually thrown over him after he reluctantly gives them the date and time to find Jesus- we never even see him pick it up, unlike other productions which show Judas grabbing for the cash and place a higher emphasis on Judas making sure he ‘won’t be damned for all time’, painting Judas as far more self serving. When it comes to Jesus, Judas is active- he’s running around trying to help, caressing him, embracing him, grabbing his hand, kissing him. They share countless moment of intimacy, especially at the start, establishing the fondness between them instead of instantly jumping to their conflict. When it comes to Mary (and admittedly, this is partially because she’s a secondary character- don’t get me wrong I still love her and Gunilla Backman does a brilliant job), she’s much more passive. Other than the much more gentle kisses in I Don’t Know How To Love Him and her penchant for dabbing Jesus’ forehead, she’s mostly just ‘there’. She cares for Jesus after the fact, and even when performing acts of intimacy like the oil and the kiss, she maintains a lot of physical distance- her songs touch on this as, much like Jesus (admittedly for different reasons), she actively distances herself from feelings to protect herself, so naturally she literally places distance between herself and the object of her love.

This brings me back to Last Supper, Gethsemane ( I Only Want to Say), and the kiss of death that broke all of our hearts. Throughout this segment, this is when Jesus, the man, really comes through, and it’s devastating. In Last Supper, he properly expresses the sheer amount of loneliness he feels, reiterating how he feels everyone will forget about him once he’s gone, and doesn’t really care about him as a man (”for you, my blood is not worth more than wine / for you, my body is not worth more than bread” “you will have forgotten me as soon as i give up my life”). This devolves into the disciples fighting each other and, you guessed it, ignoring him. For the first time, Jesus meaningfully lets out his anger, and as it turns to Judas, Judas does the same. Because of the set up of their complicated romantic relationship and the stakes involved, the amount of personal attacks and anger that comes out of Jesus and Judas’ repeated fights (which get physical) make complete sense- Jesus’ frustrations come from the fact that his entire fate has been predetermined and to him, Judas is just another instrument in the ways he’s been controlled (both with Judas being his betrayer, but also the way that Judas’ constant advice and interference with Jesus’ life (most obviously, the mary thing) are acted by Ola Salo as becoming increasingly frustrating to Jesus)- these frustrations are directed at their real cause, God, in Gethsemane. Judas’ frustrations come from the fact that no matter how hard he tries to help Jesus and keep him safe, Jesus keeps rejecting his efforts resulting in “all that we’ve built up [being] destroyed”- Judas’ heart hasn’t just been broken by Jesus rejecting him romantically, but on every level. Here, he’s actually shown to be the disciple most passionate about helping people practically and long term, being the only one concerned about Mary taking money which was supposed to help people, manipulated by the pharisees with the promise of doing good for the masses, and criticising Jesus for how they could be doing so much for people, ending his part of Last Supper with “every time i look at you i ask myself why you let all your things go so wrong? / all i ever wanted was to help you”. 

This is also the point where Judas’ claims about the disciples are essentially confirmed, and this productions intent to portray Judas as more of a tragic hero become absolutely clear. In the english version, the disciples chorus remains virtually the same each time it appears, generally being far too calm considering their leader is about to die, revealing their aspirations to be apostles, and their intent to write the gospels to be remembered. the swedish translation still achieve this, but with variations from chorus to chorus it becomes much more poignant. i’m just going to stick to ttwo, which are choruses 1 and 3. In chorus 1, lines roughly translate to “i’ve always wanted to be an apostle / life is so nice when you’re saved/ then when we’ve got time we’ll write the gospels / then everything will be the way we want”-  the apostles declaring that life is so good when you’re saved supports Judas’ opening statement that they care more about some idea of heaven than anything else, not to mention ignoring the absolute horrors that Jesus will have to go through to be saved, while the final line about the gospels introduces their intent to change whichever details they need to make ‘everything the way we want’: once again, exactly what Judas warned us of in En Dimmig Himmelsdröm. In chorus 3, taking place after Judas storms out for the last time, these lines change to “never really liked that judas / never saw what jesus saw in him / then, when we’ve got time we’ll write the gospels / and we’ll angle it so he gets all the blame”. Judas as a sympathetic character is confirmed here, as the disciples straight up admit how they don’t like Judas anyways and intend to write him as a villain (also inadvertently admitting that, since they have to write the gospels to make it look like only Judas’ fault, Judas isn’t really the sole one responsible for everything that is to come). It’s deeply unsettling, and for me was the point where I really began to question how good any of these disciples were, and by extension, how good is this production’s God if his truly sanctified followers are acting like this?

Jesus vents out all of his anger and desperation in Gethsemane. He acknowledges his own powerlessness and begs him to change the plan, but with the dark stage and no response (along with Ola Salo’s spectacular acting) it becomes clear that if anyone is there, they’re certainly not listening (”you, who have all the power / can you please change the plan / for i can already feel the pain burning in me”). It’s worth mentioning that a lot of the imagery in this swedish version is much more intense than the english, both in this song and the production as a whole. Jesus plainly calls god “thoughtless”, begging to understand, and it’s that this point we realise that he agrees with much more of what Judas has been saying than he’s been letting on- Jesus’ faith appears to be the only thing keeping him from listening to Judas and running away. Judas’ messages about people misunderstanding Jesus’ words also come out (”you care that everyone sees / but not that anyone understands”), and his eventual agreeing to die is played less as an inspiring act of faith, and more an act of desperation as he realises, he realise has no other choice. In this song, we see just how much of Judas Jesus has valued and taken on board, and that his air of carefree aloofness which frustrated Judas was, as we’ve already touched on, a complete act. The line “might as well finish what i’ve... what YOU’VE started” is absolutely miserable, reinforcing one of the major themes of this production: the idea that Jesus and Judas were both just ordinary men tormented by futures defined by forces out of their control. Just as Jesus has absorbed Judas’ logic, as an audience so we have, and it’s difficult to view the rest of the play’s events as anything other than an immense and unnecessary act of cruelty.

we’re almost done i promise!

Even knowing what Judas has/will do, Jesus still greets him with love. Judas, still under the impression that Jesus will be okay and that he’s doing what’s best, approaches him with the utmost tenderness, and the kiss is a beautiful signifier of two things. For Jesus, the return of his love for Judas shows his realisation in Gethsemane that Judas isn’t the one who’s sealed his fate and has only being trying to help, it’s god himself who has decided Jesus’ future. For Judas, the kiss shows that despite all of the anger and frustration that has been pouring out of him, he truly does love Jesus, and the way he cradles the scared and alone Jesus to his chest afterwards shows just how much he wishes he could be the one to help him and keep him close. Even with all their arguments and dysfunction, here Jesus and Judas find comfort in each other, and it almost seems like everything will end up alright. It’s in this moment that Judas and Jesus are most identifiable not as enemies, or as villain and hero, but as archetypal lovers from a Shakespearean tragedy. Neither of them set out to hurt each other, but through miscommunications, their own flaws, and external forces (both natural and supernatural), their love is simply never to be. Furthermore, in the following torture and spectacle, everything that Judas predicted for Jesus is about to come true. Another detail I find interesting is the way that Jesus and Judas both sport black nail polish, leather pants, and similar length hair: along with just looking cool as hell, the similarities really reinforce how close they are and how much they influence each other- it feels like a contemporary version of carrying a cameo or a lock of your lover's hair with you, a way for 'star crossed lovers' to keep a piece of their beloved no matter what.

The disaffected persona of Jesus, the institution, comes back as he’s taken by the authorities and subsequently insulted, degraded, and whipped. Also the swedish version of The Arrest, when the chorus starts singing questions, contains this dick joke and I think we all deserve it: “why were you dating a whore? / talk about a huge magic wand!”

Skipping forward to Judas’ Death, this is where both his character and the production’s conception of god beautifully (and miserably) align. When Judas runs to the pharisees, minor semantic changes (along with the genuine concern and great acting from Peter Johansson) reinforce that this Judas genuinely didn’t know that Jesus would be beaten and sentenced to death the way he has been, and Judas’ concern regarding how things look is played less as ‘oh no people will hate ME!’, but how having sentenced the man you love to death is one nightmarish thing, but for everyone to think you did it knowingly and willingly and then congratulate you for it is unthinkable. Where the english shows Judas’ attempting to evade responsibility for Jesus death, the swedish is more focused on Judas’ guilt, horror, and regret. The english “I’d save him all the suffering if I could / don’t believe our good / save him if I could” is swapped in swedish for “If anyone should die here I should / don’t say I’m good / better if I died”. While the english statements are somewhat empty (sure, Judas says he’d save Jesus’ suffering if he could, but he can’t so we’ll never truly know) and are still focused on Judas’ attempt to construct himself as a good guy, the swedish translation has Judas admit his guilt (even if it’s not really his fault), and make the promise of “better if i died” which, given the name of this sequence, he later delivers on. When english Judas sings “Christ, I’d sell out the nation / For I have been saddled with the murder of you”, swedish Judas sings “Jesus, I’ve been deceived / because of my act your blood’s now being spilt”, and instead of ending this first section with “I should be dragged through the slime and the mud”, swedish jesus returns to the theme of character assasination with “i will be cursed as the one behind your murder”. 

The swedish translation of the next rework of I Don’t Know How to Love Him also places much more emphasis on Judas’ genuine romantic love for Jesus- we’d be here for hours if i listed everything but here are a few key contrasts. The english has Judas sing “I don’t know how to love him /  I don’t know why he moves me”, whereas the swedish has Judas crying while singing “how do I show my love / all I want is to be close to you”. Along with acknowledging Judas already loves Jesus, the entirety of this segment is shifted from Judas singing about Jesus in the third person ‘he’, to a direct address. Judas isn’t performing his sadness, or venting his emotions, he’s emitting one last desperate cry to the man he loves as he sobs on a stage completely shrouded in darkness, and it’s devastating. Peter Johansson lets his voice run raw as he’s belting, and interrupts lines with sobs, and this Judas answers the question of “do you love me too? do you care for me?” with a quiet “no”- Judas is about to go to his death convinced Jesus must hate him, just as Jesus will face his knowing his love inadvertently put him there.

We finally reach Judas’ actual death, and the production’s far more ambiguous (if not negatively geared) depiction of god comes to a head. Judas’ screaming at god the moment he realises that his god essentially forced Judas to be the one to kill Jesus (an act of ultimate cruelty given their love) comes across as horrifying in it’s validity, unlike in other english language productions where it follows the more common characterisation of Judas being an unbeliever who can’t take responsibility for his own actions. When he spits on the ground, screaming “you have murdered me!”, we can’t help but agree- Judas was trying everything he could to stop Jesus from dying, and yet here he is. Most notably, Judas doesn’t set up his own suicide- a noose literally descends from the heavens, already tied, and Judas is literally trapped between the edge of the stage, and the symbol of death behind him. Much like he didn’t choose to kill Jesus, Judas has no choice in his own suicide- it’s suggested to merely be another part of the plan god has for him, and Judas raising his arms to form a crucifixion pose before he finally turns and jumps, disappearing into the depths of the theatre as the rope trails down (somewhat evocative of a leap to hell), highlight the sick joke. Much like Jesus begging in Gethsemane, a plea with god that in anyway implies fault or cruelty is met with silence followed by a death sentence. 

When Judas reappears to the broken and bloodied Jesus in Superstar, he appears as more of a twisted hallucination than the literal spirit of Judas. He’s the opposite of everything he was in life, draped in colour, surrounded by red lighting instead of the signature blue, his hair quite literally let down, joking and dancing. Despite singing about him, Judas virtually ignores Jesus for the whole song except when he’s taunting him, snatching his hand away after a broken and desperate Jesus reaches out for the image of his beloved (refuting Judas’ belief that Jesus would die hating him), along with the swedish additions of Judas repeatedly addressing him as “little Jesus”. Where the living Judas was serious, sometimes harsh but always well intention, often paying more attention to Jesus than he received, this Judas is the opposite: light hearted but cruel, not caring about Jesus one bit. It’s somewhat an inversion of the beginning of JCS, where the tormented Judas was constantly reaching out to Jesus, and often met with scorn and insult (see: most of their arguments, this line from Everything’s Alright: “the thought is beautiful but quite unrealistic / yes, even quite stupid”). As the song goes on, and even as Jesus is crucified, the victorious scoring of the Superstar theme ends up reinforcing the cruelty and questioning of god distinctive of this production: Ola Salo’s Jesus is one of the bloodiest Jesus’s (Jesii?) I’ve been able to find, with blood covering his torso, his arms, and all over his face, not in passive dribbles, but violent ‘swooshes’ spreading out from his eyes, emphasising the fear and pain contained within them. As the music suggests how great and wonderful Jesus’ death is, the images straight out of a horror movie before us don’t seem to match up: as both Judas and Jesus question, if no one is understanding what Jesus is saying, why kill him? instead of making a point, you’re ensuring that the falsehoods continue to circulate, unless spreading the true message isn’t really the intent at all. or, simply that Jesus was wrong: his interpretation and teachings of god were far too kind and practical, and the true god really is the one that he briefly saw in the garden of Gethsemane, and that Judas saw before his death- a cruel and vindictive god using them for his own sick purposes. If you're a strong Christian, I'm sure you could watch this production and still believe that God was right (although I think Jesus and Judas being in love counts as blasphemy), but I think in doing so you'd lose part of what makes this production so hard hitting and, as i keep saying, devastating.

that’s pretty much it for this one! i feel like jesus and judas as a queer couple is less significant to this production than the fact that it’s specifically jesus and judas that are in love - they don’t face explicit homophobia as such, although i do think the paratextual and historical associations of queerness (both with them each looking visibly queer, and them as a couple) adds a beautiful dimension by subverting the standard christian teaching of Jesus’ sacrifice as “a love that changed the world” and making the love that truly could have been transformative (and was, to a degree) the love between Jesus and another man, not to mention the way in which queerness is often viewed as radical perfectly upholding the ‘radical’ views of god and the story of Jesus shown in the production. Why wouldn’t the love between two men be the love which has us questioning god, faith, and that which many of us have been taught since birth? Ola Salo has talked about how he’s able to be positive and negative towards christianity, along with how he wanted Jesus and Judas to really represent two sides of the same coin (’faith and intelligence’), and being bisexual along with having alluded to being raised christian (not to mention Breaking Up With God, a song by his band The Ark), it’s not surprising he’s managed to present such a nuanced and layered interpretation of Jesus Christ Superstar that even me, a trans exvangelical, can fall in love with.

UPDATE: @bands-and-hobbits has just let me know that Ola's dad was a priest! Apparently he's said that he liked the organs and the music, but that was all when it comes to christianity, which (when combined with Ola stating in interviews that the JCS soundtrack has been one of his favourite albums since he was 14) makes a lot of sense about the level of familiarity he had with the text giving him confidence to go in and make changes to really capitalised off of some of the themes that are hinted at in the english version- you have enough information to understand how everything works together, but aren't so dedicated to preserving belief that you feel you can't improve/change things (and my god are we glad he did)

[tiifalockhart]

Freckles

Pairing: Zack x Sephiroth

Word Count: 2k

Warnings: None

A/N: This is for a dear friend of mine’s birthday <3 Happy birthday Ana, I hope you like your gift!! Inspired by her obsession with Sephiroth’s tiny freckles in AC <3

Masterlist || Ao3

A secret that Sephiroth somehow managed to unintentionally hide was the fact that he had freckles. 

The moment Zack realized it, it was like he fell in love all over again. 

It wasn’t an easy task to get close to Sephiroth, both emotionally and physically. Sometimes, it felt like you were speaking to a brick wall whenever you came into contact with him. He was formal and polite... That was about the best most strangers could describe him as. Sephiroth didn’t really open up to anyone, and anyone who wanted to try had to work very hard for it. There were very few people he naturally bonded with... One of those people being the “puppy” of SOLDIER.

Realistically, Zack was the only one close even to get a good look at Sephiroth’s facial features. The silver haired SOLDIER rarely let someone get close to him, even if they dared to. Most people were simply too intimidated to look him in the eye. 

Zack knew Sephiroth’s face like the back of his hand (mostly from the many hours he’s spent admiring and kissing it). He knew the way his cat-like pupils reacted to the lighting of the room, the way his face would get a pink tint whenever Zack said something mildly inappropriate. He knew the way Sephiroth would apply his mascara to hide his white eyelashes or the slight pout that would form on Sephiroth’s lips whenever Zack would take too long to join him in bed. Zack even knew the curves and strong features of Sephiroth’s face, his fingers trailing along with his cheek and jaw bones seemingly unendingly. The most enchanting part of Sephiroth’s facial features would be his tiny freckles that decorated the top of his cheekbones and nose. 

Sephiroth’s freckles are an easy feature to miss. No one knows where they came from, especially since none of Sephiroth’s supposed fathers or mothers had freckles. Perhaps it was from the sun from his many missions, but the rest of him never seemed to adopt this same tan (imagine the tan lines, though). It was a mystery for sure, but Zack hardly gave a damn about where they came from. 

The puppy’s favorite pass time quickly became kissing or counting Sephiroth’s freckles. Zack would squint and attempt to count them from across the room as if it was some kind of a game. Lazard definitely wasn’t seeing things when he saw Sephiroth’s cheeks turn slightly rosy from Zack’s gaze during a meeting one day. 

Every other day,  Zack would happily hold Sephiroth against his chest and recount his freckles, especially during their slow days. Zack continued to make ridiculous claims that Sephiroth had somehow developed yet another freckle. Most conversations went about the same. 

“Forty-five.... Forty-six.... Forty-seven.... Oh?....” Zack counted off as he examined Sephiroth’s face. The silver haired male was currently napping beneath him, lulled to sleep by Zack’s hand running through his hair. He nearly jumped out of his skin at Zack’s loud and dramatic gasp. “You have another one!! Forty-eight freckles!” He cheered. 

Sephiroth’s frown quickly turned into a pout as he sat up, removing himself from Zack’s lap. “You’ve interrupted my nap... Again.” He muttered, a sigh of defeat leaving his lips. “And I don’t have another freckle.” The SOLDIER added, moving over to the coffee machine and preparing for the evening. 

“You definitely have a new freckle.” Zack insisted, a proud smirk on his lips as he admired his boyfriend from afar. Sephiroth couldn’t help the sigh that escaped his lips. He knew better than to deny Zack, considering that Sephiroth never actually developed more freckles. Zack, frankly, was just terrible at counting them and would recount the same few freckles over and over again. 

...And Sephiroth had a lot more than just forty-eight freckles.

After a quick glance in the reflection of the metal in their microwave, Sephiroth let out a satisfactory hum. “It seems that I do.” He agreed formally, his straight face breaking as soon as Zack’s arms wrapped around him again. 

“Told ya.” Zack purred, that same proud grin decorating his lips. Sephiroth’s cheeks heated up at the touch, causing him to stubbornly look away.

“Don’t stare at me like you did the other day again during our meetings. Lazard asked me about the other day... I had to come up with a weird excuse.” He explained, handing Zack his overly-sweetened coffee before making his own bland and bitter black coffee. 

“Weird excuse?” Zack asked, pulling away and not really bothering to hide the smirk. “What did you manage to come up with? It’s not every day someone sees the hero himself blush.” He teased, replacing the ever-growing smirk with his coffee mug. 

“I... Do not wish to talk about it.” Sephiroth replied, looking away as he sulked. The images of Lazard’s disapproving gaze slowly changing into a knowing smirk will haunt Sephiroth forever. Zack could only let out a hushed chuckle as he shrugged it off. 

“I’m sure you’ll be fine, big guy.” He answered, reaching up to ruffle Sephiroth’s hair. The first class SOLDIER glared at Zack, an obvious gleam of playfulness in his eyes. 

Sephiroth ran his fingers through his hair, fixing the mess that Zack had made as he examined the younger. “It seems you wish to run more laps today, Zack.” Sephiroth quipped, causing the younger to raise his brows in surprise. 

“Hey, who told you that you could go all ‘Big Boss-man’ on me?” He complained. Apparently, it was Zack’s turn to pout as Sephiroth moved on from the kitchen, heading towards his bedroom to change. 

“I did. I hope you’ll be dressed before me... The track is looking quite lonely today otherwise.” Sephiroth continued, a smug glint in his eyes as he disappeared into his bedroom. 

Naturally, the two of them ended right back in the same spot later that night. Zack was cradling a sleepy Sephiroth, his fingers threading through his silver hair. Sephiroth wasn't much of a cuddler, especially with people who happen to be younger than him. Zack was very.... Proud, to say the least. It isn't just anyone who can make the top SOLDIER melt under their touch. Not even Genesis or Angeal had the same experience as Zack did. Zack definitely took this as a blessing and an ego booster. 

As much as Sephiroth dreaded it, he would occasionally feel the gentle brush of Zack’s free hand against his cheek as he once again counted the freckles on his face. Eventually, Zack will move on, Sephiroth thought. He will soon.... Right?

Sephiroth ended up being very wrong. How was he supposed to reject those heart-wrenching and cursed puppy eyes? Eventually, the counting exceeded past just counting. It grew from simple admiration to kissing. Sephiroth’s face would always end up with a slight pink tint by the time Zack moved on from decorating each of his freckles with two kisses each. 

This obsession also resulted in... Weird nicknames. Sephiroth, admittedly, wasn’t quite sure how he felt about most of them. They ranged from pretty normal names to something he would name a dog. For example, “Speckles” was certainly somewhere in that grey area. Over time, Sephiroth found himself growing more and more used to these... “Nicknames,” even responding to those that sound absolutely ridiculous.

Any time Sephiroth would come home to Zack, a bright grin was always present on the younger’s face. It made his heart swell... The thought of someone caring about him enough to be excited to see him every waking moment. “Good evening, Zack.” Sephiroth greeted somewhat formally, still adjusting to the whole ‘boyfriend’ concept.

Zack looked up at his lover. “Evening, cupcake with sprinkles.” He chimed, catching Sephiroth off guard. The silver haired male stopped in his tracks, slowly turning towards the other. 

“...What did you just call me?” He questioned, a confused and slightly bewildered look in his eyes. Sephiroth swore he had misheard Zack.

Zack laughed quietly and pushed himself off the couch, giving Sephiroth his greeting kiss. “Cupcake with sprinkles?” He replied, the statement sounding much like a question. “No good?” Zack asked, grinning at the older SOLDIER. 

Sephiroth, attempting to suppress the red color on his face, looked away. “It’s quite... Unique.” He answered, attempting to salvage Zack’s feelings. “However, you have come up with better in the past.” He continued, pulling away and stepping into his bedroom, beginning to change. 

Zack leaned against the door frame and raised a brow, crossing his arms as the smallest smirk formed on his lips. “Oh yeah? Like what?” He hummed, a somewhat teasing tone to his voice. Sephiroth’s mind began to swarm with the many, many terrible names Zack managed to come up with. Don’t get him wrong, he found it quite endearing... But at the same time, it was just downright weird stuff sometimes. 

A stifled cough left Sephiroth’s lips as he searched for an answer, before sighing in defeat. “...I thought freakles was quite unique and amusing.” He confessed, rubbing the back of his neck as he slid past Zack. 

Zack’s eyes lit up with admiration and interest, he obviously wasn’t expecting that answer. “You liked freakles? Out of every other nickname I’ve ever come up with?” He questioned, a hint of surprise in his voice. Sephiroth sighed in defeat as he grabbed some leftover food out of the fridge. 

“It is certainly better than ‘cupcake with sprinkles.’ I am not a cupcake, Zack.” Sephiroth explained, attempting to bite back the smile that was fighting its way to his lips. “Freakles was... Witty. I liked it.” He explained, crossing his arms as he turned towards Zack. 

Zack raised a brow and nodded lightly. “Who knew you liked dad jokes so much?” He retorted playfully, winking at the older. Sephiroth scoff as he watched his food spin in the microwave. 

“I only like them because you never stop telling them.” He pointed out, raising a brow. “You’re worse than Angeal’s old jokebooks.” The first class SOLDIER teased. 

Zack pouted up at his boyfriend, crossing his arms stubbornly. “I think you meant better?” He argued playfully, his voice holding an astronomical amount of sass. Sephiroth merely rolled his eyes and grabbed their food, placing it on two plates for them both. 

Eventually, this obsession Zack had developed moved onto simple admiration. Zack constantly had eyes full of love for Sephiroth. It was absolutely adorable to some (like Angeal), and really gross to others (like Genesis). The puppy would get in the same pose every time, his chin would rest on his right palm, his lips would curl into a pleasant smile and his gaze would hold love in it, as if he were falling in love with Sephiroth all over again. There was a point in time where Zack was no longer afraid of people finding out about their relationship. Hell, what is there to be afraid of? 

Sephiroth could always feel Zack’s gaze on him, but it didn’t bother him. He had grown used to his unreserved displays of love. PDA had never been something that Sephiroth was fond of, but he would let Zack get away with a lot of it. Most of the time, Zack would pepper kisses along his freckles. Other times, Zack would simply hold his hand, looking like he was the proudest SOLDIER out there. Sephiroth... Admired Zack for his explicit nature when it came to love, he personally could never imagine being so open with the public in such a way. In some weird manner, this open display Zack constantly put on was some version of security for Sephiroth. Surely this meant that they were in it for the long run? Sephiroth wasn’t going to complain, he loved Zack and wanted him to know it at all times as well. 

So, from the moment they started being more open about their relationship, there was hardly ever a moment in time where Sephiroth felt lonely and unloved. Zack was always by his side, giving him words of encouragement and kissing each of his freckles. Sephiroth couldn’t ask for anything better at this point. He felt safe knowing that he won’t ever lose Zack.

...And that his crazy nicknames finally stopped.

[mindibindi]

Beyond disappointed in Ted Lasso. What were they thinking?!

The writing is a complete betrayal and insult to Rebecca’s character and Hannah’s skills as they’re being seriously underused. It’s also insulting Sam’s character.

Hoping someone pulls Rebecca’s head out of her ass tbh. Sam shouldn’t be getting caught in the crossfire of her looking for romance. I know he showed up at her doorstep but she still should’ve turned him away, and not even messaged him in the first place.

Hey, I'm with you, Anon, though we do seem to be in the minority. Sam is definitely not blameless here, he is also in the wrong. But if one of them is more in the wrong, it is Rebecca. I can't speak to whether her head has left her arse as yet because I have quit watching (at least for now). I hear she called it off with Sam in the most recent ep, though not because of any major crisis of conscience or because anyone in her inner circle expressed any reasonable reservations in response to her bad behaviour. And to be honest, I'm not sure we should need to hope and pray that Rebecca's precocious god-daughter, her slimy ex-husband, or the brutal British press will act as a moral compass on this ill-advised relationship. Both Rupert and the press have been set up to some extent as the villains of the piece. And a 14 year old should never have to school her elders on what is and isn't acceptable. Nora's needs have already been neglected by Rebecca for far too long.

If a moral position is to be taken on this, it needs to be taken by the show (because stance matters) and/or by its characters. But the show has for the most part depicted this relationship as ill-advised but ultimately hot, sweet, funny and romantic. As for the characters themselves, Sam has shown at least once that he has some moral backbone but seems to be adorably clueless when it comes to fucking his boss who keeps trying to set boundaries with him. Meanwhile, Rebecca's whole arc in s1 was about learning not to misuse her power for her own selfish ends. In season one, she misused her power within the club in order to exact revenge. In season 2, we have seen her misuse her sexual power, though I still cannot see to what end. I'm a bit at a loss as to what exactly she gets out of this 'relationship' but then I'm a grown woman so I have absolutely no interest in sleeping with a Harry Potter enthusiast barely out of his teens. I couldn't think of anything less sexy and more ick. I was certainly hoping for better character development for her this season.

As to what the writers were thinking, obviously I was not in the writer's room, but I would guess that they were thinking that any drama is good drama, people are stupid and fan devotion will trump any meaningful critique. In other words, they were thinking exactly how every other television writer thinks, despite the fact that this show posited itself as 'not like other TV shows'. This, to me, is where the blame really lies. Not with the characters or with the actors who are doing their best to sell this ludicrous turn of events. It must be noted, however, that both actors were completely blindsided by this relationship that had supposedly been so cleverly foreshadowed. Newsflash: if the people actually living these stories did not see this coming then you haven't foreshadowed shit. Sure, there were a handful of people that paired Rebecca with Sam but this does not constitute proof either. Fans have free-range to imagine and re-imagine characters. In some cases this may extend to imagining relationships between characters who have barely, if ever, interacted. There may be little to no evidence that these characters have even clocked each other's existence and some fans will still ship it. The existence of a handful of shippers does not legitimise such a problematic and divisive plotline making it onscreen.

But wait!, you might argue, this may not be a case of a popular show seeing just how far they can stretch fan devotion. This may not be a case of fan service to a handful of shippers. After all, the creators mapped out the entire three-season arc of Ted Lasso before they even pitched it to Apple. This was their brilliant plan all along! To which I would say: then maybe they should've rethought their second act based on people's strong reactions to their first. Ted Lasso was touted as the show we all needed in 2020. The writers and creators have all marveled at the chord it struck considering it was conceived prior to the pandemic and all the chaos it wrought. And while there is something to be said for having/sticking to a creative vision, there is also something to be said for being flexible and responsive to your audience and the cultural zeitgeist with which you're engaged. Season 1 of Ted Lasso told its story so gently, without creating distrust, division or unnecessary anxiety. It did not treat its audience like a gaggle of stupid lemmings to be led over a succession of narrative cliffs. THIS is what I mean when I say the show has broken with its brand. And look, this whole dark forest thing would be okay if the narrative arc was as well-crafted as s1. Season 1 gave us meaning, cohesion, comfort, sense in a senseless time. It was an almost perfectly crafted season of television. And I kept the faith for 6 episodes, despite the first half of s2 being pretty damn wobbly. But the follow-up to this stellar debut has been less than extraordinary so yeah, perhaps they should've thought a little harder about what made s1 so special before throwing it all out the window.

But wait!, I hear the faithful say, you don't know how things will pan out yet! Wait until the season is over and everything will make sense! But -- wearily and once again, I say -- we should not need to wait until the end of the season to understand what the hell is happening. By this point (over halfway through the season and show) we should have a v clear idea of the show's themes and the characters' arcs. And tbf, from what I can tell there are some fab things happening in other aspects of the show that I wish I could watch and enjoy. But my biggest fear at this point is that they are going to use Sam to solve Rebecca's childlessness. That, like Rupert (because the parallel cannot be avoided), she will become pregnant with a young fling and the show's attitude to this relationship will ultimately be: oh well, it was a bad idea and didn't work out for them but it was all for the best in the end cos who can be mad about a cute lil baaaayyybbbeeee??!! If they do go down this path then I will definitely be abstaining from the rest of the show. I will simply recall my repeated viewings of s1 with fondness tinged with regret at just how badly they fucked up a good thing.

Ultimately, Anon, I think this may be a case of there simply not being a diverse enough perspective in the writer's room. I am not saying that every single woman or every single person of colour will necessarily object to this relationship. I am simply saying that women and people of colour will be more sensitive to the issues of gender and race that are relevant here but that have not been fully or sensitively acknowledged in the writing of this plotline. Neither am I saying that Rebecca is the first woman to sleep with a man much (much, much, MUCH) younger than herself or indulge in an ill-advised relationship. But the comparison with Rupert both works here and doesn't because Rebecca is not being written like a white woman, she is being written like a white man. Realistically, only a white man can engage in this kind of hugely imbalanced relationship seemingly without any major moral qualms or societal ramifications. Not to put too fine a point on it, but this kind of relationship is reserved for all the Bills and Joes and Brendans and Jasons out there -- not for the Rebeccas and definitely not for the Sams. We are way beyond the point in feminism where we believe that liberation is simply the right for a white woman to behave as badly as a white man. The truth is that whatever wealth, power and privilege Rebecca has, the rules are different for men and women. She will not be treated the same as Rupert if and when this affair is uncovered. She will be treated far more savagely than Rupert ever was and Sam will be treated far more savagely than Bex was. This is not an argument for the equal treatment of these two relationships. It is an argument against how the relationship between Rebecca and Sam has been envisaged, i.e. through the wrong perspective. In writing from a 'neutral' white male pov, the show has invisiblised all the many issues activated by this storyline and revealed a blindspot that was always there.

As much as I loved and still love season 1 of this show, it has definite blindspots when it comes to representations of race and gender. There are at least two moments in s1 that stand out for me as being so obviously written by a man. Not necessarily because of what they do but because of what they don't do: what is missed, absent, unacknowledged. I was willing to overlook such minor failings in a debut season for many reasons. But s2 seems to have exacerbated these minor flaws rather than correcting them. And here I can't help thinking of Tina Fey speaking of the diversification of the writer's room at SNL during her tenure as co-headwriter. This notoriously male-dominated environment only began to shift and produce better work when a greater diversity of minds, voices and persepectives was allowed in the room. In this richer environment, she notes, different jokes played differently. Different sketches made it to air. Different perspectives were represented and different performers were celebrated. I can't help wondering if this plotline would have made it to air if there had been a female writer, a writer of colour or both further up the chain of command to challenge the ideas of the straight white dudes in charge.

One of the reasons I didn't think Ted Lasso was for me was that it centred a straight, white, cis-het, able-bodied man who rose to a position he didn't earn. That is just not a pov I would normally choose for myself, especially now that there is such a rich array of alternative perspectives through which to view the world. But I think the show won a lot of females fans with its first season largely due to its portrayal of Rebecca. She is the first person we meet. She is arguably the protagonist of s1. And while she would have been figured as a villain in previous pieces, the show never took that stance with her (because again, stance matters). Other elements like the depiction of female friendships, all centred around Rebecca, made this show female-friendly viewing. But imo, the major reason this show won over female fans (this one, at least) is because, in this post-MeToo, post-TimesUp era, it stood up and said: domestic violence is not okay, we stand with women and all victims of abuse, we will defend you, we know words can hurt, we know it can happen to anyone, we know all about toxic masculinity, we do not take this lightly and we will support you in your healing. Needless to say, this is how women hope men will act when they speak of their most difficult experiences but it is not how they always do.

The shift away from Rebecca this season has however meant that the white male experience is more centred than it was in s1. Rebecca's journey to recovery, health and happiness has been trivialised and sidelined, reduced to a highly questionable sexcapade. Meanwhile, we get overwrought manpain at every turn. We get Beard wandering around London (no, I haven't seen it and no, I don't need to. We've all been raised on white dudes thinking they're genuises when they have a figurative wank all over our screens). We get NO queer represention at all. And the only other female characters on screen are in care/service roles to men. The father/son, mentoring and toxic masculinity themes are all still there but they're no longer balanced out by ANY other competing perspective. One of the reasons I was okay with Ted failing upwards in s1 was that he used his power and privilege to lift up others. He was the one in service. He used his enormous privilege for good, as anyone with such privilege must. (Admittedly, it could be argued that this is just another version of a white savior narrative).

My point here is that I'm not sure that peeking behind the mask at the sad clown is as revolutionary as some might believe. We love it because it's familiar. But this is a narrative with a long and problematic history. Do I believe in tearing down toxic masculinity in all its forms? You bet. Do I believe that patriarchy traumatises men as well as women and every other minority in existence? I mean...nowhere near as much, but absolutely. Do I believe in men expressing their feelings and going to therapy? Wholeheartedly. But I am also aware that 100 or so years ago, we were in a very similar place with our narratives. Everyone is looking for a recapitulation of modernism and frankly, this might be an indicator of just that. Whenever women and people of colour have demanded rights and recognition, there has always been a resurgence of tales about just how frickin' hard it is to be a white man. Minority genders and non-white people have never in western history been as visible or vocal as they are now. So forgive me (or don't, I don't care) if I critique a show not only for centering fathers, sons, boys and men but for blindly and boldly writing one of its only female characters and one of its only black characters as if their gender and race just do not exist. There are many other power differentials at play in this relationship, including age, experience, wealth and position, but race and gender are the two that patriarchy is most invested in invisiblising. So I don't care how brilliant they think they are, I will not trust the writing of a bunch of white dudes trying to tell me that race and gender are irrelevant.

[marvel-medigeek-fics]

Laundry Day

|| 1.6k || ao3 link ||

 Buck had overslept. Slept straight through his alarms, only to wake up 13 minutes before he needed to be leaving for work. Second time this week and, to matters worse, every single one of his LAFD shirts was balled up in the corner of his room. After pulling on the bottom half of his uniform, he sniffed the balled-up shirts. Rank, rancid, double rank, gag-inducing. The thought of wearing a disgusting smelling shirt made Buck's skin crawl, so he threw on a plain black shirt and hoped for the best. Hopefully, Bobby wouldn't see him before he could pull on an actual LAFD shirt straight from the dryer.

Buck pulled into the station's parking lot 11 and a half minutes later. He wiped a sheen off his temple and hoped Bobby wouldn't notice the stark lack of logo. He made a beeline for the dryer and grabbed one of the shirts from the pile in the basket. He hastily put on the first shirt that smelled like detergent, shoving his black shirt into his bag. Crisis averted.

Upstairs, Eddie, Bobby, Hen, and Chimney were deep in conversation about the "curse" a few days ago. "At least it's not like last time." Hen was saying. "Live power pole on one truck and the other one stolen."

"That was not the fault of the "curse", just an unlucky coincidence. The q word can't jinx you, it's just a word." Eddie shook his head, shoveling hot sauce covered scrambled eggs into his mouth. Chimney and Hen shared a look that said, 'He can not be serious.'

"Mhm. Just a coincidence." Buck raised his eyebrows, bringing the attention of his colleagues to him at the top of the stairs. "You wouldn't be saying that because the curse gave you a reason to ask out Christopher's English teacher or anything, right?" Eddie was smart enough to have his mouth full by the time Buck finished, as to avoid Hen's questioning eyes, Bobby's subtle brow raise, or Chimney's blunt questions.

"Is that why you said you had other plans?" Chimney almost threw his fork on the table in mock outrage. Hen rolled her eyes at Chimney's outburst. Bobby just went back to his eggs. Eddie just nodded and finished off his eggs, wiping the excess hot sauce off his plate with his last forkful.

"Good for you, man. We did save a life, you missed out." Chimney continued, trailing off as Buck moved to get a serving of eggs. No hot sauce, extra salt, extra pepper, extra garlic powder. And cheese. Lots of cheese. By the time Buck turned around, the entire table was staring at him. Their eyes moved from Buck to each other, having an unspoken conversation.

"What?" Buck quirked an eyebrow at their expressions. Bobby had his usual glint in his eyes, Chimney looked like he was about to explode, and Hen looked completely normal. Eddie, on the other hand, was staring a hole into his empty plate. The top of his cheeks were turning crimson, but no one was looking at him.

"Nothing. Eat your eggs." Hen shook her head and changed the subject. She'd seen the looks Buck and Eddie had shared, which were too intimate to be between two people who were "just friends". Also, Buck had a habit of watching Eddie's ass as he walked by him. So did Eddie. 'Watching his back' was their excuse.

--

“5 vehicle accident on South Seneca.” The words echoed over the intercom and every member of the 118 ran for the trucks. The day so far hadn’t been very eventful, and everyone was a little antsy. Squirrely, to be more honest. Eddie squirmed in his seat uneasily and Chim looked like he’d swallowed a lemon. Hen kept giving him knowing and pointed glances. Buck, on the other hand, was raring to go and about catapulted out of the truck as soon as it pulled to a stop.

The scene was messy with news vans, reporters and civilians surrounding the wreckage. The wind wasn’t helping, biting everyone deep. You’d think people wouldn’t be watching a car accident with that kind of weather. Luckily the police were already backing people away, and the 118 and the 223 could get to work extricating people.

In the middle, one car was essentially crushed from 2 sides after running a red light straight into the path of the three oncoming cars, hitting another on its way to a stop. Two of the cars were crumpled like sheets of paper, another was heavily dented by the force of getting t boned. The fourth car was barely scratched, with all the damage of a fender bender. The fifth car in the middle was smashed in both directions, with the passengers side door hit head on and the back seat drivers side in the same condition. The hood was rippled and smoking fervently. It looked awful, but it would still be flooding television stations on the 6 o clock news.

“Buck, Chim, we’ll check on the far side. Hen and Eddie, ditto.” The 118 moved quickly to the far side and immediately everything else was forgotten.

“LAFD, you were in an accident. Are you in any pain?” Buck and Eddie repeated each other, receiving vastly different answers.

“My daughters are in the backseat, Sophie who’s 2 and Marisella who’s just a baby. I’m fine. Check on them.” Said Buck, Chim and Bobby’s driver.

A baby wailed in the backseat, and the other girl, a toddler, was silently staring at these strange men. Buck raced around to the passengers side door, struggling futilely with the handle.

“It’s automatic.” The driver winced, springing Chimney into action to pry off part of the door. The door slid open on the other side and Buck immediately reached in and unbuckled the toddler from her seat. She seemed relatively unhurt, save a few bruises. Buck handed her off to Bobby and crawled to the other side for the baby, wailing profusely. He unbuckled her with the grace of an uncle who had been practicing and carried her against his chest, attempting to protect her from the wind, which was only getting colder.

Chimney was not having as good of luck extricating the father. The seatbelt was cutting a deep scar in his thigh and every time any thing would move blood would trickle out from around the polyester. Chimney very carefully slid a square of gauze under the belt and simultaneously cut the belt from causing more damage. Blood quickly soaked the gauze and Chimney maneuvered another piece to soak up the blood. “Hold this, sir, please. I’m going to place a tourniquet above your hands and you should stop bleeding.”

The fathers face was turning staunch white, and Chimney but his tongue. He’d have to work fast. And he did. 5 minutes later, the father was out on a stretcher.

In the next car, Eddie and Hen were dealing with an irate woman, who kept exclaiming she would be sueing. The driver, the state of California, LA first responders, God knows who else. She seemed unhurt, but was stuck on both sides. Her drivers side door was stuck, though not intruding on her seat. The rear passengers side door was the most realistic plan to get her out. Eddie climbed through that door and Hen attempted to coax her to follow him from her place just behind the drivers door.

“Why can’t you just remove my door?” She protested and both Eddie and Hen had to force themselves not to roll their eyes or snipe back with a comment.

“Even if we did, ma’am, there is still another car blocking us from getting you out.” Hen replied calmly.

“Tow it.”

“We cannot do that until everyone is cleared from the accident scene, ma’am.” Eddie said. “ please just come this way.” He offered his hand. She only relented after a sigh so loud it seemed painful and crawled her way out the door. Not even her blouse had a stain on it.

After she was escorted to the hospital in 331’s ambulance, hen and Eddie shared a look that simply said “some people.”

“I wonder if she’ll sue.” Eddie wondered when the 118 was headed back from the scene to the station.

“I doubt it.” Bobby said somberly. His voice changed slightly for his next statement. “ everyone is stable and south Seneca is open for traffic.”

—

“The 6 car accident on South Seneca that occurred at 4:37 pm involved 0 fatalities and no critical injuries. South Seneca was reopened for full traffic at 6:59 pm.” Pictures cycled the screen, of the cars, the 118s ladder and various other ambulances. Then there was Buck carrying the baby Marisella. The top of his turnout was peeking over his shoulder, protecting the child from the bitter wind. But the most interesting part of the picture was the name plastered on his back.

Diaz.

“Good job, Diaz.” Chimney clapped his hand on A bewildered Bucks shoulder. Both Buck and Eddie were turning red starting from the tips of their ears, and neither of them would live it down.

—

“Were you attempting to grab my shirt or was it just a lucky grab?” Eddie leaned against the door frame at the end of shift and stared at Buck who was pulling on a hoodie.

“In your dreams, Diaz.” Buck rolled his eyes and smiled into the locker, which was not unbeknownst to Eddie.

“Just in yours. Diaz.”

“Don’t tempt me.” Buck turned to see Eddie giving him a smirk. Oh what he wouldn’t give to wipe that smirk off his face.

[lunewell]

The Lunewell Saga - Natura: Chapter 1

Finally, finally I can show you guys a preview of the horror book I’m publishing in October (:. You can find chapter 1 below, and if you’d prefer, you can read it on ao3 by clicking here!

Chapter 2 is now out and can be found here (:

Enjoy!

Book Sumary:

Zarifa Birch, an antique shop worker with an unusual past, has made a home for herself in the sleepy town of Lunewell. Though the shop she works at is not exactly ordinary, with cryptid items and odd occurrences, she has managed to carve the normal life she always desperately wished for out of it.

However, all that comes crumbling down, as a woman from Zarifa’s past throws everything into chaos. Faced with unimaginable horrors, seemingly unsolvable mysteries, and returning repressed feelings and memories, Zarifa along with her coworkers, must find a way to return the balance- and escape the cruel hands of death in this eldritch horror mystery.

Chapter 1:

Thorn’s Antiques and Restoration, tucked away in the tall trees that encircled the small town of Lunewell, wasn’t the place where one would expect a woman like Zarifa to work. The building was merely a converted two-story brick house, though even then the antique shop itself only operated on half of the ground floor and the basement, and the employees could consider themselves lucky if even so much as a single soul wandered in.

  From an outsider’s perspective, it made no sense. Zarifa did not originate from Lunewell, had little to no interest in antiques, and had a Bachelor’s in English of all things, whose only tie with antiques was the pompous, ivory tower assholes pestering both fields. However, if said outsider were to ask Zarifa herself, or any other of the two working in the building, why she had this job, she would have said that it was the only path she could have ever imagined herself working.

  Though even she had to admit, for as much as she loved her job, it could sometimes be… tedious. 

  Very tedious.

“How many crates of… art did we receive again?” Zarifa asked, white patched ebony fingers holding one of the many, many paintings of eerily realistic human eyes shoved haphazardly in a box. The crates had arrived this morning, heavy and worn, and were sitting in the off-white ‘employees lounge’, that only equated to a singular desk, a sofa, a microwave that never heated all the way through, and two uncomfortable plastic chairs.

 “Only two,” Bruin responded, not bothering to look up from the wooden desk, where he had his nose buried deep in a black title-less book. Zarifa would have asked what he was reading, but stares through dark thin eyes and sighs had long taught her not to. “Bought in by an Anthony Bell earlier this morning.”

  “Thank you,” Zarifa said, giving Bruin a warm smile that didn’t go noticed. She then turned to her other coworker, who had been sitting sheepishly on one of the back-destroying white chairs. “Why do we have two crates of creepy eye-paintings, again?”

  “Okay there’s actually a good reason this time boss,” Grant said hastily, chestnut brown hair messy and glasses half sliding off his face, “I was taking a walk to that cosy little bakery- you know, the one owned by that very sweet elderly couple on the other side of town, which by the way makes cakes straight from the heavens-”

  “So you were walking to the bakery, and then?” Zarifa interrupted.

  “Oh right. I had walked a little ways from the house, when I saw a white van stopped up by the road with a man looking quite pissed off outside. I went up to have a chat with him and found out he was an absolutely fascinating art major named Anthony who had run out of petrol. To make a long story short, I invited him in for a cuppa whilst he waited on the towing truck, found out he was getting rid of these absolute gems, and bought them off him.”

  Zarifa and Bruin, who had finally looked up from the pages, both stared at him. Bruin was the first to break the silence; “you bought antiques from an unverified source, in a van out of petrol, who you also invited inside my home for tea?”

  “Hey! I pay the rent too!” Grant defended, “and besides, I got, you know, the feeling off him. There was already a description of the antiques inside the box, meaning they’ve been passed around a little. If you two don’t want them here, I can take them.”

  “We can keep them,” Zarifa decided, looking at the realistic paintings once more. They were all extremely similar, each one having a blue iris and white pupils. As she moved around the box, it almost felt as though they were all following her movements. She shivered and put the lids back on; “I’ll carry this down. Grant, go open shop, and Bruin, go register these in the system, please.”

  Grant gave her a mock salute, before trudging out of the door and into the shop room, whilst Bruin nodded and turned to the big, archaic box of a computer sitting on the desk. Zarifa stacked and grabbed the two worn crates, surprisingly light in her arms, and made her way to the spiral staircase. They were narrow, seemingly ever looping steps falling into darkness that made walking down them almost impossible. She had once tried to convince Valour to install some lights over the stairs, to reveal the actual length of them and to make sure Grant would stop tumbling down into the abyss, but she had only received a stern no and an icy glare that could kill. 

  So her only options were to walk down carefully, whilst gripping onto the wall for dear life, like she was currently doing. The stairs went on for what seemed like minutes, nothing in her sight as she was swallowed in complete darkness, with no way to judge her surroundings except her shoes hitting the steps. Finally, a flickering light made its way up the stairs, and she saw the start of grey concrete.

  To say the archival basement was lit, was perhaps a bit of an overstatement. There was precisely one dim and occasionally flickering lamp in the room, slightly illuminating cobwebs glued to the walls and dusted shelves of antiquities, but not much else. However, the room was like a scorching desert sun compared to the void Zarifa had previously descended. 

  Making her way between the shelves, past the bag of hand-sewn doll-heads, slightly cracked vases, and mirrors so ladened in dust that one couldn’t see the distorted reflection anymore, she found a small group of paintings. Paintings were one of the rarer antiques for them to receive, so there was plenty of space for the two crates.

  Before slotting them in, she opened them, quickly counting the amount. There were fourteen in total, seven in each box, all in a roughly similar condition and all painted in the same way. Oddly enough, there was no signature nor name, but there was a little slip of paper at the bottom. She picked it out of the crate, and stuffed it in the pocket of her blazer, before closing the lids again.

  Zarifa slid the boxes between a painting of a single red rose titled ‘Chaos’, and a two-hundred-year-old painting titled ‘A Girl in Field’ containing a suspiciously girl-less field. There had been a debate on whether they were all just missing her, whether it was a mislabelled piece, or if it was supposed to be some kind of metaphor, but seeing as it was hardly the weirdest thing in the basement, they had all just grown to accept it. She shivered once again, the basement giving the feeling of being watched, and grabbed the golden butterfly that hung around her neck. She fiddled with the wings, every touch calming her slightly as she began making her way up the stairs. 

  The ascent up the spirals always seemed to take a considerably shorter time, perhaps because the imminent danger of falling had disappeared. Zarifa was up at the top in the blink of an eye, walking into the lounge to see both Bruin and Grant inside. Bruin turned to her from the computer; “‘Antique Eye-Painting x14’ has been written on the document,” he informed. “Did we have any other information?” 

  “I couldn’t find any signature or date on the painting itself,” Zarifa said, reaching into her blue blazer pocket and pulling the paper with a heavy brown tint out, “but there was a note accompanying it. The paper looks old enough to consider it an antique, at least.” 

  “Well, go ahead,” Grant piped up from the couch, “tell us about dear Anthony’s creepy eye pairings.” Zarifa nodded, unfolding the paper as carefully as she could, and began reading.

  ‘The Grey Man’ by Elizabeth B.- 1885

  He is watching from the water. Watching with the trees.

  Tick. Tock. Tick. Tock.

  The Grey Man is knocking 

“Grey Man?” questioned Zarifa, “that’s not a reference to anything, is it?”

  “Not as far as I know,” Grant said, sitting up from where he had flopped on the couch, “help us out Bruiny?” She heard a sigh from the corner, and a slight grumble, but he did eventually speak.

  “The Grey Man isn’t a reference to any historical event, no,” Bruin began, “but it isn’t something we haven’t heard before. I believe it’s referenced somewhere in Valour’s notes”

  A heavy silence fell over them at the mention. “Oh no,” Grant began, “no, no, no. The weirdly detailed cult worshipping cows with inverting eyes was enough, and the murderous glare Valour gave me afterwards almost made me piss myself. I am not going through those notes again, I don’t want to be skinned alive by our own version of Leatherface.”

  “That’s a bit far, isn’t it?” Zarifa said, “We shouldn’t go around accusing her of being a murderer, just because she’s a bit…”

  “Mental?” Bruin quipped from the back.

  “...peculiar,” she settled on, “she’s a bit peculiar.” Zarifa knew, of course, that calling Valour peculiar was a massive understatement- and even calling it a massive understatement was a massive understatement, but she would not be the one to speak ill about her boss with a potential murder streak thank-you-very-much.

  “Need I remind you of that day Valour came covered head to toe in ‘red paint ’ that smelled suspiciously like copper?” Grant said, “she obviously did some serial-killering-“

  “Killering?” Bruin asked with a cocked brow, turning Grant a salmon shade of pink and bringing a bright smile on Zarifa’s face that reached her dark brown eyes. 

  Grant made sounds akin to a drowning man. “It doesn’t matter,” he finally sputtered out, “what matters is that our dear creepy landlord was covered in what was clearly blood, passed it off as paint, and we just acted like it was normal!”

  “I don’t like it either, but I’m not going to be the one to call her out. Besides, maybe it’s a good thing. At least the days here are... interesting.” Zarifa said with a smile. “If we stopped the weirder stuff from happening, these days would pass slower. Especially since we don’t have any custom-“

  The sound of the bell that hung above the door, a loud and horrid thing, rang through the building.  

  “You were saying?” Bruin said, looking as amused as Bruin could be. Meanwhile, Grant shot up like a puppy, sprinting in an unprofessional manner towards the counter. Zarifa joined him, though her walk was much more slow and graceful. 

  She crossed through the shop door, which always stood wide open nowadays, and turned the corner. However, she stopped before she could reach Grant, who was staring at the stranger as much as she was. 

  Now, what needs to be said and understood about Thorn Antiques Shop, and the town of Lunewell in general, was that strangers were one of the rarest sights. Sure, occasionally one could find one of the neighbours’ relatives, or a gang of cyclists and hikers, and even tourists that had gotten hopelessly lost, which was impressive considering landing in Lunewell was a skill within itself, though these were few and far in between.

  The customer, who was scanning through the shop with what Zarifa could almost call interest, didn’t look remotely like a relative, a hiker, a cyclist, or even a lost tourist.

  She was short, with strawberry blonde hair tied into pigtails by two baby pink ribbons, pale but warm skin that made the light freckles on her cheek pop, and a stark black leather jacket which was visibly well-loved. There was something incredibly familiar about her, though Zarifa couldn’t pin down exactly what it was. 

  The customer’s fingers trailed over one of the antique chairs, before she sprawled over the priceless thing like a rag-doll. The violation snapped Zarifa out of her trance; “Excuse me, miss, but you can’t sit in those chairs!” she informed the customer, her voice raising a pitch higher when the blonde started fiddling with a lighter suspiciously close to the fabric.

  The customer’s head snapped up like a predator hearing prey, and for the first time, Zarifa noticed the woman’s eyes. The irises were a bombastic explosion made of hues of bright green, though it was almost impossible to tell from a first glance, as the pupils were blown so wide as to make the colour but a ring around a black hole.

  There was both something incredibly dangerous about the way she stalked over, sizing her up with those void eyes, but simultaneously, something incredibly intriguing- dare she say attractive- about the girl that made Zarifa want to keep her eyes on her forever.

  “Waste of a good chair, really,” the customer began, leaning over the counter, “what the fuck kind of shop doesn’t allow you to test the chair before you get it?”

  “I know!” Grant exclaimed, turning to the dark-skinned woman. “That’s what I keep saying! How can I know if the chair is good if I’ve never tried it!”

  Zarifa shot a disapproving look at him, irritated that he would encourage this girl. “What can we help you with, miss?”

  “Oooh, miss.” the woman drawled, “I’m looking for a collection of very… special papers that I left in the hands of one Valour Thorn a few years back.”

  “Special?” Grant asked, a look of confusion passing over his face. Zarifa was sure she mirrored the same puzzlement, but the woman merely grinned- an expression that yet again invoked that familiar feeling.

  After a few seconds had passed, and it had been made clear that she would not elaborate, Zarifa grabbed the notepad and pen on the counter and asked for her name. Maybe she was registered somewhere in the frankly ancient system. Assuming they even had a sort of registering system. She had never been the one to handle the technical aspects.

  “Lottie. Lottie Rose,” she said, and Zarifa’s hand froze on the paper. She glanced back up at the blonde, eyes wide and mouth dry. Of course, how hadn’t she seen it earlier? The clothes, the eyes, the lighter everything suddenly made more sense as her memory flooded back.

  “Lottie?” she whispered, faint as the whispers of a breeze, and there must have been something in her tone, because the striking green eyes widened comically, before the blonde suddenly burst out into a tension filled laugh.

  “Should’ve guessed it,” Lottie said after calming down, “can’t be that many Southern old-book nerds with vitiligo around. You should get name tags, I would have recognised Zarifa anywhere.”

  Her name was said in a smaller tone, filled with… with something that melted Zarifa’s insides like molten lava. They stood there in silent pressure, eyes on each other but gazes not quite meeting. It was for the better, as Zarifa’s heart was hammering hard enough that she was worried her ribcage might break. Whether it was from fear or something much scarier, she couldn’t quite tell.

  Grant snapped his fingers, both of them practically sighing in relief as the tension lifted; “Oh”, he began, smiling widely, "exes or childhood friends?” And just like that, the tension was back to crushing. 

  While Zarifa wasn’t quite sure of the state of her own face, Lottie had gone a complete shade of tomato red. “We’re neither,” Zarifa squeaked out curtly, Lottie nodding frantically along. “Can you give me a description of the papers?”

  Lottie straightened out at the request. “Can’t miss them. They’re in an ornate wooden and gold box, with a leaf engraved in the front,” she said, “it’s locked, as far as I know. Don’t know where the key is, but that’s hardly a problem.” She made yet another predatory smirk. 

  “I-I’ll go look for the papers, uh, in the back... miss,” she pushed herself from the counter at an almost inhuman speed and paced into the lounge. On her way, she bumped into one of the chairs, toppling both herself and the object. The sound alerted Bruin, who looked at her quizzically.

  “Was she your ex?”

  “No!” Zarifa exclaimed exasperatedly, “Not every woman I know is an ex!”  

  “No need to get defensive,” Bruin said, flipping a page, “I was just wondering if Grant’s observations were correct.” 

  Zarifa took a deep breath. “Sorry about that. I suppose her visit just… surprised me.” she straightened the chair, and looked at Bruin, “You haven’t seen a wooden and gold box engraved with leaves around here, have you? I can’t recall it, but you’re usually the one sorting the items, so I figured you might have seen it.”

  Bruin hummed, putting down his book and looking pensively at her. “I might have,” he said, after a quiet moment, “though if we do- or did, at any point, it’s not anywhere in the basement.” He glanced up at the ceiling, before returning to the book.

  “I suppose it’ll be upstairs, then,” Zarifa said, with a heavy sigh, “I’ll make Grant call Valour, see if she can bother to show up from… wherever she’s gone.” And try to explain to Lottie that those papers might be inaccessible, she thought, but didn’t add. Lottie was a lot of things, but patient and calm, she was not. 

  As she made her way back to the counter, gripping the golden butterfly hung on her neck tightly, she tried to calm her heart and thoughts. A part of her still refused to believe Lottie was here, after all these years, in an antique shop of all places. It almost felt taunting, in an odd way. The life Zarifa had tried so hard to run from and avoid sneaking through the door, looking more dangerous and simultaneously more intriguing than ever.

  What life had Lottie led? What had happened since that last night? How did she know Valour? What did she want with the papers? All the questions buried themselves into Zarifa’s head, burning and begging for answers. And as Lottie, drumming her fingers on the counter as Grant rambled off about something, came into view, she realised what Eve must have felt like looking at the apple.

  Lottie perked up as Zarifa entered the room, though as her eyes drifted to the empty hands, her smile fell. “Thought I asked for a box,” she said, a raised eyebrow and mean glare that would have been intimidating, had Zarifa not had to deal with years of Valour, and not known that for her, Lottie was all growl.

  “We do, most likely, have the box,” Zarifa began in her most soothing voice, placing her hands on the counter, “but, it’s currently upstairs, in Valour Thorn’s flat, to which none of us has the keys.”

  Lottie sighed, in an exasperated and slightly overdramatic way; “‘Course you fucking don’t. Guess she hasn’t changed at all, still closed off, disappearing, and secretive.” 

  Pot meet kettle, thought Zarifa, though kept her cranberry painted lips sealed. “Grant will give her a call in the morning,” Zarifa said, pushing over a blank slip of paper which had Lottie R- half-written on it in quite nice penmanship. “Just write down your number, and we’ll call you when she arrives.”

  Lottie pulled the paper closer to herself, though made no move to write. “Think she’ll even show up?” she asked, turning to Grant, who smiled at that.

  “Valour actually seems to like me,” he said, proudly, “or, tolerate, at least.”

  “Huh. Didn’t know people still practised witchcraft around this part.”

  “It’s all in my muffins, cakes, and pitiable nature,” Grant said, only half-joking, “I’ll give you a taste one time if you decide to stick around.”

  Lottie nodded, before scribbling onto the paper, and sliding it back. It contained no number, but the name had been completed, albeit with a much sloppier if artistic handwriting. “I’ll know when she returns,” Lottie said, bouncing from foot to foot. There was a firmness in her voice, and she said it with such confidence that Zarifa almost believed her. Almost. “How’s the nightlife here? Worth sticking around for?”

  “Horrid, simply dreadful,” Grant butted in, before Zarifa had the chance to give a quick answer and an even quicker goodbye, “but we do have a lot of pretty places to take a midnight stroll. Trees are lovely here, especially now in the autumn.” He paused, a contemplative look over his face, “Come to think of it, I do know quite a lot of dealers around here that can hook you up, if you’re up for it.”

  “Grant!”

  Lottie chuckled, amusement painted in neon on her face. Seeing some of that flame inside her come to light filled Zarifa with a sense of joy, that she pushed down with a strength bodybuilders would be jealous of. 

  “Oh, I like him,” Lottie declared to Zarifs, jabbing a finger in Grant’s general direction. Her green eyes- which Zarifa had to stop looking at, traced down from Zarifa’s own eyes before landing on her neck. Lottie’s posture, previously energetic and bouncy, froze. “You kept the necklace,” she whispered, though the sound felt louder than all the explosions of the universe.

  Zarifa’s hand was instantaneously on the golden butterfly hanging around her neck, shielding it from the world. The metal felt cool against her skin, even if she could feel her racing heart where her hand rested. “Felt it was a shame to let it go to waste,” Zarifa murmured, technically true, “so I just kept it.” She shifted in the silence for a while, doing her best to ignore Lottie’s eyes glued to the necklace, before clearing her throat and putting on her best ‘professional’ tone; “Was there anything else you needed?”

  Lottie shook her head, leaning back from the counter and adjusting her leather jacket. “No, I’ll be back soon,” she said, before speeding towards the door. She knocked into the vases, making them wobble like jelly, before pushing the door open like she was assaulting it, and leaving nothing but the sound of a bell and the distant thrum of a motorbike. 

  “Lottie, huh,” Grant said, his tone dazed as though he was lost in a daydream, “she was certainly interesting. I’m a fan. Think we’ll see her around more?”

  “Hopefully not,” Zarifa said, running fingers over the butterfly, “hopefully not.” 

[kim-ruzek]

It’s been a week since the finales and while I’m over the moon about fire, I’m still so conflicted over pd, specifically Adam and how he talked to Kevin.

I know they’re brothers and the show will have them get over this, but if my white friend said what Adam did? I wouldn’t look at them the same way. I’d lose a lot of love/respect that I had for them.

And a lot of people (of a certain color) are saying it’s not a big deal because of the situation? But like those are his real thoughts, his filter is just gone. Maybe I’m just being too sensitive tho.

I’d love to hear your take on this. If your comfortable sharing it.

I've been thinking of this ask all day, of how to answer it. Because honestly, I have SO many thoughts on this, but I was debating if I should say them all or just sum up but I decided that I'm just gonna speak my mind!!

I, too, have a lot of complexed and conflicting thoughts over this. And I have to say, with stuff like this, with racial issues, you can NEVER be too sensitive.

Firstly, I agree. Kev and Adam are brothers, and the show will have them get over this, it wouldn't be realistic otherwise. But I really do hope they do it in a good, believable and decent way. Because I also agree with what you said about if my white friend said that shit? A little bit of my love and respect for them would be forever tarnished-- at least until I see some REAL improvement, which would take a minimum of a year to properly heal.

This fandom is a real good fandom, but yeah, I HAVE seen a lot of white fans not treating this like the big deal it is. The majority DO accept it's a big deal, but at the same time, they don't seem to truly get just how big, like how they think Kevin and Adam will have to move on from this is quite watered down.

Now, where I stand:

I watched cpd for Kim, Adam and Kev. I got into it for Burzek, and fell so hard in love with Kevin immediately. So when Kevin and Adam fight, I find it really hard because they're my boys! But it's necessary, and I think will help them become even more tight once Adam gets his head screwed on straight.

I do agree that they're his "real thoughts", but my take is that it's a little more complicated than that. Like Adam is a bit of a hothead, and that moment? He was more scared than he's ever been, and Kev, in his mind, is the only other person who loves Kim as much so when Kev did what Adam took as a "betrayal", Adam was angry. And that was shitty. And he should be accountable for that, AND for what he said.

But I think calling them his real thoughts is a little simplistic. They're thoughts that's going to be in his mind a lot, obviously, because Adam doesn't fully get this. So there's two layers to this:

One: People say things out of anger. I've got a temper, and I keep it under control obviously, but it's there, and when you're angry, especially betrayed and hurt, you just want to hurt people the same way you are. And when it's someone you really, really love? You say things you have maybe thought when you were a little annoyed but rationality won and reminded you it's a stupid thought, things that you KNOW will hurt.

And I think that's what this was. Obviously you do this, no matter what the reason, you need to fucking apologize and grovel. Like I'm not saying you shouldn't because I really don't think that. Especially as someone who's said really hurtful things out of anger, I PASSIONATELY believe that you should be held to a high standard about your actions. Because anger is not good, it's an ugly emotion, and you have to fight it.

Two: I definitely think those things are stuff Adam has thought before. I mean, thoughts in anger rarely appears out of nowhere, they're there in the background. But this isn't necessary a bad thing, or makes Adam a bad person. Like we ALL have less than nice thoughts, it's human nature.

And for Adam, he tries, he really does, but the man just Does Not Get all the deep complexities of the police reform. So I think his stance is, he doesn't get it, but he goes along. There's been those times he's argued, but I think most of the time when he's confused, he kinda just...has one of those thoughts but doesn't express it because he KNOWS it's more complicated than that, even if he doesn't understand it.

So when Kevin and Adam fought, Adam got ANGRY, because he felt scared and betrayed, and that's when he voiced all these thoughts he's thought before but kept inside because even though he doesn't understand why or how, he knows it's more complicated. But he was angry because Kim was in danger, and suddenly, it didn't seem logical or rational to keep by book.

Okay so now I've said that, onto what I think this means and how I want this go moving forward.

Adam was a jerk. What he said to Kevin was such a low blow, and things are going to be fractured between those two. And I think nothing Adam feels towards Kev has changed, but I do think they'll be that little emptiness in Kev, because hearing your white best friend say that? Ugh. Pain.

In a general sense, I think they'll be fine. But they can't be as close as they were, without Kevin feeling some sort of distance without any closure.

So in season nine, we definitely need our boys to have a conversation. And not just one, but several. And we need to see Adam make some actual changes to his beliefs. Not just half assing it bc he knows he's wrong even if he doesn't understand the complexities of why, but actually challenging his own beliefs and learning.

I think one of my main problems with this fandom (the white fans) is how much emphasis is put on both Adam and Kev seeking each other out to have a conversation. That's just wrong-- Adam should be the one. None of this, fixing this, educating Adam is on this is NOT in any way, shape or form is on Kevin.

What Adam said is hurtful, and I think Kevin still loves Adam, still sees him as his brother. But siblings don't always get along, or even like each other, even if there's that I'll-die-for-you love. And I think that's where Kevin is at. Adam hurt him, and that's gonna do some damage, and so even though Kev does understand, he's not gonna seek him out or try to fix it AS HE SHOULDN'T, because that onus is purely on Adam's shoulders.

Like. I think what white fans don't get is just how exhausting it is always having to understand, always having to be patient. Like yeah white people don't get the ins and outs like we do, so we're forced to always be understanding bc while we have to learn these things from our first days, they're just learning now. But it's exhausting, so that's why I really hope they have Adam seek Kev out, not have Kev approach him to talk about this.

(it's always why I love how they had Kevin full on yeet Adam, and beat the crap out of him. Poc always have been portrayed as patient when cruel remarks are hurled at us from people we love in anger, and I'm happy they showed Kevin snapping. Bc that was not on, and Kevin was just as worried about Kim, and Adam implying otherwise is wrong. It's also though why I also love that as soon as they were pulled apart, Kev stopped fighting/looking so angry quicker than Adam).

Like I'd be okay with Kev just saying, simply, to Adam "you don't ever say that stuff to me again." And that's that. But for them to actually have a conversation about this, has to come from Adam and HAS to start with an apology.

And Adam has to actively do better. Like no more just accepting things are different even if he doesn't understand, he HAS to learn everything, all the ins and outs, all the complexities, until he lives and breathes it as much as any white man can. Because I can't see Kevin having what was fracture ever feeling completely solid again without that.

And I do like that the show went there, because it's necessary and I think it's the best position for Adam to realise just how Shitty he was. Because Kim was found-- by the book. Like most of his anger was from how in the past, they've gotten their results by being off book, so I think in Adam's mind, he thinks that's the best way to secure safety. But it was by the book that found Kim, and I think that will really make Adam realise that these enforced policies DON'T make it harder to secure their own safety.

Also, Adam's presumably going to spend a lot of time around Makayla, and so forth, will probably get a lot of firsthand experience of seeing racism or it's affects. Like I know we wish he'd see if bc of Kev, and he does with a lot, just not other stuff, but it's different when you're seeing it through the eyes of a little kid, not a grown adult. And I think this will make Adam a lot more humble, which will help patch things up between him and Kevin.

And then there's Kim. People often forget how when you have multiple white friends, when you're hurt, your more knowledgeable friend steps in. Kim gets this stuff a lot more than Adam, even if she can never understand like Kev, and so I can COMPLETELY see her teaching Adam more stuff. Like because she'd want to help her boys, because Adam's a part of Makayla's life, because Kevin shouldn't HAVE to be the one to educate Adam, whereas Kim can bring him up to her own level, and that's when they rely on Kev.

So I think overall, I'm not that conflicted over PD because I'm really hoping this will spark deeper conversations and that Adam will grovel and fix his ignorant stances. And I hope to god they let Kevin heal and forgive in the way he should be allowed to.

I have a LOT more thoughts on this, including how I hate that they only show Adam's ignorance when a lot of the unit is also Not Great, and about partnerships and how Jay and Kev should be going forward. But this is getting really long now, so I won't delve into that or this any further. But I might, especially if it's wanted, because I have so many thoughts.

Also, thank you for sending me this ask!! I am ALWAYS comfortable sharing my thoughts on this fandom (about anything really, racism, sexism, ships ect) but especially the racism and the racial storylines and issues. Sorry it took so long to answer; I've been thinking on it all day, wanting to give you the best answer I could!!

[supercharmed-forever-mine]

Today I will be addressing SuperCorp and some of the issues that have been floating around about fandom. And I will be saying some stuff that both is for it and could be used against it even though I am ultimately a super big supercorp fan. Like it says in the tags you're free to express your opinion but they will not be changing mine but I am always open-minded to opinions that can actually be explained and eloquently expressed (receipt's needed) and aren't just basic. Also just so what is noted I have been a part of this fandom since the first episode I have literally shipped Kara with everyone from Lucy to Cat even James.But Lena has just stuck out the most for me but I'm Equal opportunity.

Number #1, Lena's character in no way shape or form has ever been xenophobic she has never once shown any hate towards aliens her problem with Kara in season 5 Wasn't because she was an alien it was because she was a "Super" like Kara could have been a flying purple fucking octopus from the planet of shzjxfdf and Lena wouldn't have gave two fucks but no she was a "Super"but let's dig deeper on that point if we really look at why she was mad it wasn't even the whole alien aspect it was because she wasn't told and no I don't think she's entitled to it but I do think it played into the fact of a trust issue she has with the fact that people would think she would be just like Lex if she had been told Sooner. Which is disproved in 5x13 (also personal note: I also think she wouldn't have reacted half as bad if Kara had just told her that night at game night or the next day when she wanted to probably still would have been pissed but not to the same extent). But okay with that being said I do disagree with the kryptonite entrapment torture scene and basically half the s*** she did in season 5 it was shown that she truly can tap into her Luthor side and be dark when wanted but fortunately she does always return to the light and in all fairness it has been shown several times that Kara has a dark side of her own that could rival the luthors.

Number #2, I do disagree with the abuse of actresses and actors just because of a ship and or character they play don't blame them it's just a job they have I think Melissa and Katie do a beautiful job of bringing Kara and Lena's characters to life couldn't imagine anybody else playing them.

Number #3, I also will say about the reason bombarding of comments on Nicole's social media at least I saw the video via tiktok in that video was fucking hilarious I love Nia, Dreamer,and Nicole in general she's funny and beautiful and is an advocate for everything good in life and well it is normal to even ask other actors if they have the scoop on anything it does not mean we need to be bombarding them in videos on something relating to their character or their love of something a simple comment or so maybe but what I saw NO.

Number #4, The William of it all well I think though his character seems like a nice gentleman he also seems to be bland as hell also I did not know he was a POC to be honest I thought he was a tan white man and we'll be doing further research on people in the future as I can learn from my ignorance also but unrelated I did not know that the woman who played Maggie was apparently just a tan white woman I thought she was of some sort of Hispanic descent but apparently not according to various things I've read on here tonight... But anyways back to William I feel like a lot of people might have perceived him as a white man therefore that might play into the whole scenario of people hate that they just want two white woman together when it proves if she was a man they wouldn't give two f**** about it whether that's true or not I don't know but mine two cents.

Number #5, I will never bash someone for being for or against a certain ship and or character and well I am allowed to certainly disagree with their opinion all opinions are valid because we all see the world a different way some see it bright and shiny and others like I'll admit myself see it through the glasses of trauma. And I think that's why we all have the opinions we do most of the time when you like a shipper character it's because you relate to them somehow even if it's the most minor thing to someone else it might be huge for you. You never know what the person on the other side of the screen is going through in those characters or ship or fanfiction might have literally saved their lives.

Sidenote: Like okay personal story I was been both mentally and sexually abused as a child so I relate to both Kara and Lena respective childhood trauma so that draws me to them. And I kind of see them both as the opposite attract trope (two side of the same coin) because well we never fully get over trauma Kara had a great support system with the Danvers whereas Lena didn't get that with the luthors I mean sure she had Lex at first but even that was only to a certain extent because of his psychopathy that was starting to manifest he couldn't perceive human emotions the same as Lena who in my opinion is just a big mushy nerd who can be a badass when needed as evident by the season 6 episodes after she's quit L-Corp she's constantly trying to help out inventing new stuff and she's wondering how Nia's suit works and it just shows that she just has a curious mind and also she looks happier even with the guilt she feels over Kara's phantom zone incident when Nia called her a part of the family that smile could lit up a city all she's ever wanted is to belong and I can relate to that therefore to her.

Number #6, I feel like this should have been addressed in earlier number but as far as sexuality goes I would want to believe Kara is pansexual because of everything I've ever read and saw I don't believe she perceived sexuality like humans do because of her Kryptonian upbringing for the first good chunk of the life. Like even though she says she's not gay in the first episode, A. It was the first episode so they didn't even know where the story was going in future seasons if they got them also that means maybe she just didn't perceive herself as the Earth's definition of gay. B. Even in the first season she made a comment about how she bought Lucy was gorgeous and hell she would date her. C. She made some comments about Irma and other woman that don't sound totally heterosexual and don't get me wrong women can admire the beauty and intelligence of other women without it being sexual but as a bisexual woman it just struck a cord in me you can tell the difference when it's coming from a straight woman mouth. Now on the subject of her and Lena strictly I do think there are instances of "queerbaiting"because just because you perceive they haven't been promised to us doesn't mean that some of us haven't picked up on things or the fact that they're simply queerbating because somehow they do hype up Kara and Lena to keep a nice chunk of the audience who ships them mainly those of the gay variety interested in the show which is also considered queerbaiting. Also the fact that they've been called sisters or family or my personal favorite "that's what friends are for"doesn't mean crap because honestly at this point the overuse of friends just sounds more like they're trying to convince themselves than us.*** Also I don't know about you but even on the basic level of things they've done I've never shown half those feelings towards my friends and the ones I have it's because I started to think of them as more than friends.

Now with Lena's sexuality no they have never shown her as anything besides straight canonically but don't get me wrong she totally sends off that college experimentation vibe especially with Andrea for some reason but that may just be me.

Number #7, my main point is let's just be kind to one another because guess what there is toxicity from every ship in a fandom there will always be shitty people on both sides and then there will be those of us who just want to see the characters together for one reason or another and yes I'm not afraid to admit that part of my reasons I want to see two gorgeous woman kiss sue me LOL.

Number #8, the conclusion of my rant is that how about we leave the hating to the ones who want to do that and the rest of us like adults or whatever your age is in the fandom that has any type of maturity behave because I truly do wish the best and in the end well I hope they end up together I'm realistic that they probably won't especially due to the CW Network motto of "homophobia and racism"because they've already broken up several good gay and interracial couples on that show. But at the end of the day my true wish is just that all of the characters end up happy and healthy.

Best of luck to all shippers out there anti and supercorp and or any other couple alike may we try to make it out of this with a modicum of sanity and even if they fail us we always have fanfiction thank you and good night.

[kingofkate]

Random Rant on Heart no Kuni no Alice (because I want to)

This is going to be stupid long, but I’m not sorry because I want to put these thoughts down.

Basically, this long rant is going to look at the three main games where Alice’s relationship with Peter White is explored: Heart (game 1), Clover (game 2), and Twin World (1.5?????). I’ll look at how their relationship is portrayed and the differences between them.

Let’s start with Heart no Kuni no Alice, the first game in the series. (I’ll be referring to the remake version that only focuses on the main story)

The story of the first game is the introduction to the series, and so Alice’s relationship (no matter who you choose) is pretty basic and there isn’t much story beyond her the romancing. This is most true with Peter.

The entirety of this game, and Alice’s relationship with Peter, is one long stream of Peter pushing Alice’s boundaries to see how far he can get. It’s actually a little scary looking at the way he slowly inches his way through the relationship.

It starts with Peter coming to Alice’s room on his breaks to rest his head in her lap. Even though she doesn’t like it, nothing stops him (she moves room and locks her door but he always finds her and uses a key to unlock the door). Then, he get’s her more comfortable with touching him and with the fact that he is a rabbit.

After it makes the move to them sleeping together (in Rabbit form), Peter starts only sleeping in human form. Once Peter has a nightmare.... uh.... bad dream, he hugs Alice, which leads to this becoming a more common thing. He starts kissing her. Even when she tries to get him to stop he tells her that if she doesn’t give him permission to kiss her, he’s going to do it anyway.

He does try to take it further, but thankfully Alice puts her foot down and he respects that... for a while... Outside of the bedroom, Peter starts trying to get her to advance their relationship status in front of others. 

Alice admits they are friends, which makes him happy, but he isn’t satisfied. He gets her to eventually admit they are “lovers” after pointing out that most people don’t make out every night with their “friends”. (somebody hasn’t heard of friends with benefits)

The ball comes around and the canon choice has Alice and Peter go back to his room for the first time. Peter admits that he hasn’t brought her there before because he was afraid that he would scare her away. He was probably right about that, since he proceeds to tie her to the bed and start getting freaky while telling her that HE is scared. Whatever.

Like everything else, this becomes the new normal for them and Alice starts spending more time in his room. This also marks the change in Peter from being unnervingly kind to Alice, to starting to torment her more. He puts this down to trying to get her to “stay”, as her return to her world is approaching. 

When the time comes, she does choose to stay. This leads to a conversation with Peter where he admits that he wants her to love him, a huge change to what he used to say. This brings him to tears as he realizes he has become “selfish” by wanting her to love him, even though he doesn’t think she can.

Spoiler Alert (wait why am I putting this at the end of the story?!) Alice already loves him, although she’s pissed at herself for it and refuses to tell him.

The story basically ends with them just deciding to go forward with the relationship and Alice will stay. The End.

I’m not going to talk more about the “No-stay route” where basically Peter just force kisses Alice anytime she asks anyone for information about the medicine Peter gave her at the beginning until she just decides they are dating.

I’ll analyze this more as we go through the second game.

 Clover no Kuni no Alice (game 2 I guessssssss?????)

This game starts much later after Alice’s decision to stay. It also goes off the assumption that Alice didn’t have a relationship in the first game and was just friends with everyone. 

Right off the bat I’ll say that I LOVE the progression of this game way more than the first game.

The game starts with Alice waking up to realize that both Peter, Ace, and Vivaldi are hiding in her bed. After a long confrontation they all say they were there to tell her about the country straight up moving from Heart to Clover.

They go to the assembly and after getting used to the new world, Alice and Peter (who are already friends at this point) go for dinner.

The second best thing here is that Peter is more chill and happy with them being friends, so the relationship doesn’t start outright. The actual best part of the game is that the relationship is defined and pursued entirely by Alice.

The starting of this relationship is Alice making the point that Peter doesn’t seem to treat her like someone who was “in love with her” would. The point even make more when he tried to kiss her but just ends up kissing her lightly on the cheek.

They start going to dinner because they have to eat and Alice likes having Peter along with her. At the castle, the story focuses more on Peter’s acceptance of her working as a maid (because he doesn’t understand her need to work) and his treatment of the other maids.

There is a great scene where Peter and the maids are arguing with Alice because they all want her to hit them (since they relate hitting with affection). When Peter insults the maids Alice hits him, which makes him grumpy. When she confronts him about it, he admits he wanted her to hit him for him, not to defend the maids. Peter actually understands that Alice was angry and they talk it through.

The two go to town and Peter shoots some guy for bumping into Alice. He then gets in trouble for not cleaning up the “mess” after leaving the man alive at Alice’s pleading. 

When Alice sees him later at the castle he runs from her. After a comical chance Alice gives up and sits on the ground, hitting her head lightly against the wall in frustration. Peter comes back to make sure she is ok.

He states that he suddenly felt nervous seeing her happy to see him and ran. They talk about it a bit. Alice tells him that as long as he respects her wishes, he can kiss her. They kiss. 

This is a HUGE change from the first game. 1) this kiss comes from a lead up and discussion of advancing their relationship and 2) Alice is the one who initiates it. They kiss more as the days go on, but Peter always asks first since he knows she is uncomfortable showing affection in public.

One time, when they go back to her room at the Clover Tower, Peter actually stops the kissing to talk with her about her past relationships. This is where it is revealed that he wants to kill her ex for breaking her heart, and also doesn’t really like her dad for abandoning her after her mother’s death.

It doesn’t take long after this for Alice to suggest they go on a date. This comes as such a surprise to Peter that he falls off the couch they were sitting on and goes into a panic. 

Some time passes and they go on an official date to a field to have a picnic together. Peter changes into a rabbit and they talk. Alice admits to Peter that she thinks she’s fallen in love with him. He is completely silent and changes back. Quietly, he asks if it’s ok for him to hug her (he’s asking permission still) and when she says yes she notices that he’s crying. He begs her not to run away from him. She’s not going anywhere.

But the game doesn’t end here. 

The rest of the game is them developing the relationship and dealing with the fact that Peter can’t accept Alice’s decision to keep working as a maid. She eventually asks if they should break up since he doesn’t like her job. He freaks out at this and threatens to kill the other maids if she does. They talk it through together and he relents and says he isn’t happy about her job, but won’t bring it up again.

After this nothing of too much note happens. The game ends (good ending) with them getting freaky in bed. And by that, I mean Alice says she wants to hurt him and Peter is like “yes, that sounds nice.” Then Alice says she won’t and he’s like well that wasn’t nice. And it ends with them in a relationship. 

The End.

Obviously the second game is a huge improvement on the relationship of the first game. Alice has been in Wonderland long enough to get to know the people and Peter has been friends with Alice long enough to respect her decisions. They spend more time developing their relationship in a more healthy and realistic way. I love this game.

BUT!

None of this compares to Wonderful Twin World, which is set in Country of Heart, but takes place after the end of the first game. And this game is just... amazing.

It picks up with Alice already in a relationship with whoever you choose. There is a strange storm coming that will change everyone in a random way that will end after the storm and they won’t have any recollection of what happened to them. And the whole story of this game is Alice working through the issues in whatever relationship she is in. No matter who you play, it’s great.

I particularly like Julius’ route, where Julius changes into a super affectionate man who is obsessed with Alice and acts like the boyfriend she wanted him to be. This helps her work through the fact that Julius is generally neglectful of her and doesn’t show affection often. 

Peter’s route is nice because it shows them sort of working through his anxiety of the instability of their relationship. While he starts off not worried about the storm, he goes through the steps to help Alice get more comfortable by taking her on fun dates.

When the storm comes the only change with Peter is that he can’t change into a rabbit anymore, and has no memory of being able to do so. At first he isn’t worried, but when they run into Eliot, who can now change into a rabbit, Peter’s anxieties start to show.

Alice always used Peter’s rabbit form as a way to destress after a long day (who doesn’t love cuddling a cute rabbit, right?). After having a dream where she spends time with Eliot in bunny form, she accidentally says her name in her sleep, causing Peter to spiral.

Instead of him going off the handle, they sit together and talk about his anxieties. He admits that though he is happy they are in a relationship, he doesn’t actually understand why Alice chose him. He’s constantly worried that she will change her mind. Now that he can’t become a rabbit, he wonders if she wouldn’t be happier with Eliot.

Alice handles this pretty well and tells him that she loves him for him, not just the rabbit form. And while it doesn’t fix everything, she is now aware that Peter has concerns about her feelings for him and she can make changes to improve things.

Once the storm ends Peter doesn’t remember anything that happened. The go to a church and Peter discusses his interest in getting married to Alice. She turns him down and he asks when she’ll be ready. It ends with her uncertain when that time will be.

-----

Basically, I love some healthy relationships. And I really love open conversation and respect in a relationship. The first game is somewhat excusable because it was the first game and the start of the series.

The fact that the creators improved on the relationships in the other games says a lot. 

The biggest problem I’ve always had with the first game is Alice’s unwillingness to set clear boundaries and the others willingness to just do whatever they want. That’s why I also really like Julius since he is the most adult of the lot and is too busy to treat Alice like garbage. He’s not great for a relationship because he’s so neglectful of her, but since he spends more time defining his relationship with Alice it’s fine. Basically, a relationship is fine as long as both sides set their boundaries and respect the other. This is why Twin World is amazing.

So many “dating sim” games don’t give the main character much of a personality. Alice is great that she has a personality and a clear set of standards. 

I’m not super happy of the exclusion of Peter in the remaining games and I would love to see him make a comeback now that the creators have developed further. 

The new game will be released soon and we will see if there is any conclusion to the series of not. 

So in summary: Peter in Heart --> Hot trash, Peter in Clover --> Good Bun, Peter in Twin --> Best Bun.

Rant finished, I guess.

[the-hidden-writer]

And Into The Fire

Chapter 13: A Small Confrontation

Summary: Months after the Mitchells saved the world, Linda gets a phone call asking if she’s seen two defective Pal MAX bots. Powerful people are after Eric and Deborabot 5000, and it’s up to the Mitchells to protect them.

Taglist: @squidsushi , @astro-aye , @shitmyex, @sharks-are-friendly, @snakeguy99

Check reblogs for AO3 link!

A Small Confrontation

Aaron held onto his Mom’s hand for dear life as she and Dad used tools from the kit in the car to smash the glass of the entrance to Pal Labs; a hammer in Dad’s hand and a wrench in Mom’s.

Aaron himself just brought his Number 3 Robertson Head Non-Slip Screwdriver. He kept it in his pocket though, so he could hold Monchi’s lead with his other hand.

Monchi didn’t seem bothered with them committing crimes.

As soon as the glass pane had shattered (which had taken a surprising amount of effort from all of them to achieve), they raced through the hole and into the building that Aaron had only seen on TV.

Mom had said that they’d have the element of surprise since nobody knew they were coming- especially so early in the morning. Judging by the number of people pointing guns at them, Mom may have been wrong.

He gripped her hand tighter.

“Where are they?!” Mom cried, making Dad wince.

“Calm down, dear.” He shushed through an obviously-fake smile that failed to hide his panic. “We can’t win a fight here, let’s try and settle this peacefully.”

Mom glared at him but didn’t argue.

“Ah! Mitchells!”

The three of them looked up to see a new figure emerge on the big glass balcony, the sound of her boots clicking against the floor loudly. Some of the gun-people moved aside to allow the tall blonde woman to stand at the very edge to face them.

“Enjoying your road trip?”

Aaron was now sure that they had no element of surprise whatsoever. Mom looked heartbroken and a bit terrified.

“Who are you?” She demanded anyway. “What do you want with the poor robots?”

The woman smirked and avoided the questions entirely. “Which robots would those be, Mrs Mitchell? The robots that tried to take over the world or the robots that legally belong to Pal Labs?”

“Dang it.” Mom hissed under her breath. Sometimes Aaron wondered if she would use curse words more if she wasn’t a teacher. She probably would.

“You don’t look like Mark Bowman.” Dad commented warily. “And since when did Pal Labs authorise firearms for their workers? Doesn’t seem that legal to me.”

The lady frowned then, and Aaron instinctively shrunk in on himself. There was something about her (the way she was reacting to their arrival and the way that all the people holding guns seemed to respect her) that made her seem very menacing.

She felt a lot like a villain from one of Katie’s movies, except without Dog Cop to come and save them and guarantee a happy ending.

“I’m Agent Jennifer Ward with the CIA.” She said, pulling out a badge from her blazer pocket and flashing it in their direction. “And my team and I are trying to prevent another robot apocalypse.”

She put the badge back. “There, I’ve answered your questions, now answer mine: What do you want with the robots?”

Aaron cringed as all three of them faltered, knowing the real reason would be unacceptable. Even Monchi let out a small whine.

But it was still the truth.

“They’re our family!” He blurted out. Mom and Dad both turned to look at him, shocked. Aaron felt a little guilty- he probably shouldn’t have said that.

“Family?” The stern-looking agent scoffed in disbelief. “You can’t be serious.”

For a moment, Aaron thought that his Mom was glaring at him for revealing their secret. But she slowly turned her head so that she was facing the agent, giving her the Mom-glare instead.

“He’s right.” She said confidently, making Aaron’s heart swell with love for his mother. “They helped us stop Pal and they’re ours now. So give them back.”

He noticed Dad shuffle backwards. Mom was losing her patience very quickly.

The agent seemed to think for a minute. “Well… I’m feeling generous so I suppose you can have one back, since it’s only causing us trouble. You want the whole one, correct?”

The “whole” one? What did that mean?

“What’s that supposed to mean?” Dad voiced his confusion. He and Dad were often on the same page with this sort of thing.

The agent opened her mouth to reply, but before she could there was a loud crashing noise coming from down the hall. Her brows furrowed as she leaned on the balcony to try and look down.

The Mitchells, standing near the entrance, could see much more clearly.

And the sight in front of them was the last thing any of them had expected.

Aaron was the first to react. “Katie!”

Katie raced toward them, looking completely dishevelled and with some sort of desperation shining bright in her eyes. A man was following at a distance behind her- but Aaron couldn't quite see who it was.

“KATIE?!” Mom and Dad shouted at the same time, their gazes locking onto their daughter.

What was Katie doing here?!

Monchi, overjoyed to see her again, started dragging Aaron toward her.

“Don’t trust them!” She cried. She then bent down to pet the over-excited Monchi as they reached her, and as Aaron was closer he could see the sweat on her forehead. She must be really panicked. “They’ve got the bots- they’ve taken Eric apart!”

“They. What.”

Uh oh. Whenever Mom used that tone of voice it usually meant…

Aaron turned to see his Mom’s jaw clenched. Her eyes were wide and unfocused as she glared somewhere in their general direction.

The bad guys had no chance.

The agent must have sensed that too, as she snapped out of her shock and calmly said: “Get them.”

Suddenly the building erupted with the sound dozens of pairs of footsteps that thundered toward them, and Aaron was terrified.

Robots coming after you was one thing, but that didn’t really feel real. Or just not as real as the very real people coming at him with very real guns.

He found himself frozen to the spot as he watched his parents race toward him and Katie.

“We need to get out of here.” Katie whispered desperately, as the attackers grew ever nearer.

“Mitchells! This way!” A voice called back from the corridor that Katie had come from. Aaron was too frightened to recognise it. He felt too scared to do anything and he could barely register what was going on.

Katie took Monchi’s lead from his hand and Dad scooped him up into his arms. Mom held his hand as they ran in the direction the voice had come from.

He clung onto his Dad like a lifeline. Even though he hated being picked up (he was way too old for that) it was just what he needed, and they knew it. He loved his family.

Mom’s hand only slipped from his when they turned a corner as they were running. Aaron twisted his head to properly see where they were going (rather than the people who they were slowly gaining on) and he caught a glimpse of the owner of the voice, Mark Bowman himself, rushing into one of the many white doors to their right.

“In here!” He cried, holding the door open for them.

It took a few more precious seconds for them to reach the door, which the five of them literally tumbled into. Dad tripped over Monchi’s lead, causing Aaron to fall onto the tile floor the second that the door slammed shut behind them.

He looked up with a wince, expecting to see his family...

Not four huge men standing right in front of him with red eyes and crazed smiles.

Aaron screamed.

“Woah, hey, it’s okay!” Mark Bowman said, appearing from behind the line of large men. “They’re not real.” He shoved a hand straight through one of them, and the way it emerged from its chest made Aaron’s stomach churn. They looked so realistic. “See? Just holograms. We’re safe in here.”

“How do you know?” Asked Katie.

“This is the only lab without cameras, so those doors are really tough to get into once locked to make up for the lack of security,” Bowman explained, “and it also connects directly to Lab 3 upstairs. Now my workers know this, but these agents don’t. We can escape through there.”

“Katie!” Dad huffed, still getting his breath back. “What are you doing here?! Are you okay?”

Katie let out a small, tired laugh. That must mean she was sort of okay, right?

“It’s a funny story, actually…”

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