#those who don't don't none of my business'
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You have a lot of followers who are going to feel like Nic and Luke lied to them when they finally realize that they aren’t together. But in fact they never did. You wrote fanfic and got people to believe in things that aren’t there. I’m pretty sure you know this deep down. Nic and Luke are not playing an elaborate game with us to keep their relationship secret. There are no NDAs (what would it even be for, what bad stuff does this girl have on Luke? what is she gaining out of it! Nothing.) And Jake is not a decoy. All is exactly what it appears to be. Two people in separate relationships. I wish they were together. Unfortunately they aren’t right now. Maybe they will be someday. But it’s not their fault and they aren’t tricking the fans. It’s time to start letting you followers know you might have been wrong this whole time.
If people feel like Luke and Nicola have lied to them, they need to go outside and breathe fresh air. I'm not responsible for people who blindly follow what I say - I've made it clear numerous times that people need to make up their own minds and form their own opinions. It's not my issue if they refuse to do that.
NDA's are not only because someone has "bad" stuff on someone else. NDA's serve many purposes but you're just using that because it fits your little tirade. I've never said anyone with a possible NDA has "bad" stuff on anyone - certain people think that's the case but I don't. I just think there are some contracts in play to ensure privacy.
You're speaking as if you know things to be true but that would be impossible unless you're part of one of their teams. Are you? My guess is no since you're writing anonymously into a shipper blog because you don't like I'm saying.
I won't be letting anyone know I'm wrong because I don't know that I'm wrong. None of us know if I'm wrong or right. That's how ambiguous this situation is for those of who bother to look deeper beyond surface level gossip rag articles with half the information incorrect and/or missing.
If you don't like what I have to say, block me. If anyone thinks I'm misguiding people, I'm flattered you think I have that much power over the people who follow this blog, but I'm pretty sure the majority are here because they've also noticed the same things I do. So sorry that you don't.
Mind your business while I mind my own.
Thanks for stopping by.
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Little Darling - a year later
A/N: Well I guess none of you were expecting more Little Darling - I certainly wasn't expecting to write any more! But here's a fluffy little bit for @fluffbruary - taking the prompt hands although I think that was for about 7 days ago!
Little Darling masterlist is here.
Pairing: Old Man!Elvis x OC - Tegan
Word count: 812
TWs: None! Pure fluff and a little kiss!
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Tegan almost falls into Elvis’ arms at the end of the training session, she’s so tired. She usually tries to keep a sensible distance from teacher, so she doesn’t get accused of getting special treatment by her classmates, but today’s lesson has been punishing. Probably her own fault for having a few weeks off really, having too much fun celebrating her anniversary with Elvis, but it’s really taken it out of her.
“Well done today, honey,” he coos at her as he leads her over to the bench at the side of the room. “Ya look beat.”
She groans, taking her belt off and looking about for her things. “Remind me to never take three weeks off in a row again.”
He chuckles. “My fault, Tegan bach. Takin’ ya away on fancy vacations.”
Pulling on her socks and shoes, she looks around as the hall slowly empties, students waving as they leave. Elvis waves back, dropping the odd comment about how well someone is doing, how their kicks are coming along nicely or that they’re really getting the hang of the kata they’ve been learning. Tegan smiles to herself. He always has a kind word for everyone, no matter how long they’ve been there or how terrible they still might be at karate. It’s one of the things she loves about him the most.
She leans her head on his shoulder as the last person leaves. “Mmmm. Yeah it was a good holiday though. I’d like to be back in the Bahamas right now.”
Elvis turns a little to press a soft kiss to her forehead. “Me too.”
Tegan sighs softly and closes her eyes for a minute. Her muscles are aching already.
Elvis looks down at her lovingly. He’s been thinking lately that maybe he should stop teaching entirely, leave the Karate schools to Lisa or someone who wants to manage them, and take Tegan away to live somewhere tropical and beachy permanently. He’s not getting any younger. The more he sits here, in rainy Memphis, the more appealing the idea becomes. His eyes drift down to her hands, both resting on one of his thighs, and he notices the cuts and bruises there. Scooping them up one at a time, he starts to press gentle kisses to her knuckles. Her eyes flutter open again.
“Oh!” She exclaims, softly. Not even realising her hands were damaged, she suddenly feels a little overwhelmed at his tenderness.
“Sore, baby?” He looks up at her with those beautiful blue eyes and she feels like she could melt right there on the spot. Idly wondering if she’ll ever get over how beautiful he is.
“Little bit.”
He smiles against her skin. “Am I helping?”
“Always.”
Finishing his ministrations, he carefully replaces her hands and then cups her cheek gently, looking into her eyes with a seriousness that makes her stomach twist.
“I know ya love ya job, an’ yer apartment,” he begins. “But uh… that vacation jus’ made me think… I'm gettin’ old, Tegan bach, an’ I don't wanna live out the rest a my days here,” he gestures around to the empty hall, “teachin’ like this. I uh… I wanna retire an’ take ya somewhere warm ta live. Nice beach somewhere.”
His eyes shift around nervously. He knows how much she likes her life now, and values her independence. But he's been thinking this way for a while now. The vacation had just solidified the decision.
Tegan bites her lip. The vacation had made her reevaluate a few things too. Part of her had been scared that despite everything they’d been through they wouldn’t last a year, and when they did and their relationship seemed stronger than ever, she had started to wonder just how long Elvis could keep up the travel related to managing the business. And how much she wanted to be away from him, insisting on keeping her job in case things went wrong.
“Yeah I do love both of those things,” she replies. His face falls a little so she continues quickly, “but I love you more, ‘raur. And if you want to retire and take me to live on a beach with you… I think I can probably manage.”
His lips curl into that cute lopsided grin and his hand slips to cradle the back of her head. “Are ya sure?”
“Am I sure I want to live on a beach with the love of my life? Yeah I'm sure.”
“Oh honey I love ya so much,” he mumbles, as he presses his lips against hers.
“I love you too, cariad,” she replies, a little breathless from the passion of the kiss they’d just shared. “I don’t want to waste any more time apart. Let’s go home and figure out which Caribbean island we want to spend the rest of our days on.”
Elvis chuckles. “I can’t wait, baby.”
Taglist:
Please let me know if you want to be added or removed:
@arg-xoxo @from-memphis-with-love @msamarican @blursedblegh @returntopresley @eapep @everythingelvispresley @i-r-i-n-a-a @sissylittlefeather @arrolyn1114 @jhoneybees @polksaladava @lookingforrainbows @jkdaddy01 @epthedream69 @lustnhim @elvisslut @pomtherine @that-hotdog @ladelinee @angschrof @fairybloodsucker @deltafalax @makethemorning @elviswhore69 @ilovequeen978 @wildhorseinkansas @pocketfulofpresley @dkayfixates @iloveelvisss @kxnnxy @presleyhearted @lvrdollep @nebulamorada @iloveelvis2 @18lkpeters
#elvis#elvis presley#elvis fanfiction#elvis fic#elvis presley fanfiction#elvis presley fic#elvis smut#elvis fanfic#elvis presely smut#elvis presley fanfic#elvis imagine#elvis x oc#elvis Presley x oc#bde#big daddy Elvis#old man Elvis
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Let's Talk About Playboy Rabbits!
Yes, they really did exist. Back in the 1980s, when Playboy Clubs were starting to lose business, Christie Hefner had the bright idea to introduce what would come to be known as the male equivalent of Playboy Bunnies—Playboy Rabbits—in order to attract female keyholders. They made their debut at the Empire Club, and they fit right in with the rest of the themed character costumes designed by Bunny June De Young.
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Top: Rabbit photo taken by Andy Warhol on the Empire Club's opening night. Bottom: photo clipping from a Newsweek Article.
In October 1985, The New York Times published a story to drum up interest a few weeks before the club had its grand opening. The following was said about Playboy's shiny new Rabbits:
"Rabbit Uniforms are still under wraps, but Richard Melman, who as acting director of the club division of Playboy Enterprises is opening the new club, said that the seats of the uniforms would be padded (for some reason), that Rabbits would almost certainly not wear ears and that the uniforms would be all-American, but sexy, don't worry."
Clearly, Melman had changed his mind by the time the club opened, opting to include one Rabbit costume with ears and a tail. He later described the uniform as "cute" when interviewed by the Chicago Tribune. "I mean, when you get the right guy, it works."
Otherwise, the standard costume for Rabbits consisted of a shirtless tuxedo and white cuffs with Playboy cufflinks to match the Bunny uniforms.
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Left: a Statue of Liberty Bunny, two Rabbits, and an Olympian Bodybuilder Bunny surrounding Richard Melman at the center. Right: photo clipping from a New York Post article.
But what did the Rabbits think of it all? To start off, a few of them were interviewed by the same news outlets for their thoughts on this new job opportunity. Their impressions were mostly positive:
"I always wanted to be first. I came to realize that I would not be the first astronaut or the first to hit 62 home runs. This is an honor." - Louis Affenito (first Rabbit hired) for The New York Times.
"A Rabbit projects an image of someone you would like your daughter to date. We don't want hardcore sex appeal but something more subtle. Like when you walk in, you look again." - Benjamin Lucas for Chicago Tribune.
"I wouldn't really classify myself as a sex object. Well, the more I think about it, I guess I would." - Greg Gunsch for United Press International.
I was surprised I was able to find some of the Rabbits' names. Not very many, considering there were roughly 35 of them working at this club, but eventually I came across more information after finding this image in my search:
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Hugh Hefner with Bunnies and Rabbits at the Empire Club. Note the variety in uniforms!
You see those guys on the far right in the first picture wearing vests? That would be Jeff Rector and his twin brother, Jerry. If they sound familiar, it's because they both made guest appearances on Star Trek. If they don't sound familiar, it's because they were buried under a bunch of chunky sci-fi prosthetics.
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Jeff and Jerry Rector as Tennis Rabbits. It was easier to find work if they played up the twin act. Also, probably the clearest photo of Playboy Rabbits available on the free web...
According to Jeff's autobiography that is currently available on Audible, numerous dancers from the nearby male strip club Chippendales applied for the job, but none were accepted. Playboy was looking for classy, attractive, "boy-next-door" types — about the same as the Bunny standard. He considered it an honor to be working as a Playboy Rabbit.
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Jeff Rector's headshot on the cover of his autobiography.
Because the club was waning in popularity and themed nights at other bars were trendy at the time, Jeff was allowed to suggest a handful of new ideas to renew interest. This included a "historical explorer" theme in which he wore an Indiana Jones costume and the Bunnies dressed up as jungle girls! Unfortunately, despite his efforts to liven up the scene, novelty clubs didn't have very long lifespans to begin with. Boys at the Empire Club were only able to enjoy their cottontailed fame for a little over a year before it ended.
During this time, the Bunnies and Rabbits ended up growing very close with one another. In Jeff's own words:
"We had become a family and the family was about to be split up. Where would we go? What would we do? How do you follow up a gig with Playboy?"
After a week of crazy goodbye parties, the Rector twins moved back to LA to resume acting work.
This marked the beginning of the end for Playboy Clubs. The Empire Club officially shut down in 1986, and other locations remained open for a few years, but the last U.S. Playboy Club in Lansing closed its doors by 1988. What a shame!
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"Another one."
The file is slapped on my desk, courtesy of Jack's hand. I do my best not to sigh, but some endeavors are honestly just doomed to fail.
"New recruit or job transfer?" I know I'll see the answer in the file, but if Jack's gonna be like that, then I can be like this. I don't even open the file.
"New recruit, asshole." Wow. Someone's in a bad mood. Wonder what crawled up his ass. Okay, fine, I open up the file this time.
Oh.
Oh...
You know, years and years ago, this might have been considered a conflict of interest. When there were enough people around, working jobs, that the work could be moved from an involved or easily affected party to an uninvolved one.
Maybe there was a reason for that.
"Hey, if you need to take a lunch break—"
"Don't. Just— just don't."
Well... what else can I do? I swallow up my words, nod, and look at the beaming face of Jack's niece again. Seventeen. Sweet girl. Her grades, like everyone else's, meet standards that might have been actually necessary so many years ago. Technology's moved forward. Life has moved forward. Humanity, as a whole, has evolved out of needing so many jobs that most of today's problems are manufactured. Enough to make people think about them but not enough to cause lasting damage to... well, anything if they aren't taken care of. And the people who skim the jobs we've given them? Nothing really happens. We make the fake problems go away one way or another, and nobody and nothing gets hurt in the process. No real loss.
It's busywork is all I'm saying. People like Sarah get to do busywork. The really exceptional people get hired here. Doing this. Keeping the world running on one side and keeping the population controlled on the other.
"All she wants to do is make a difference in the world." Jack doesn't have anyone else who can do this job for him. I don't think he'd want to, either. Once you know about how the world works, there's not really a way to unknow.
Well...
No need to tempt fate with thoughts like those. I go through Sarah's file.
"There's gotta be something else she likes." And there's lots in here. She's got friends. A robust social life. There are a few ambitions, but we can make some scenarios to fit and satisfy those.
But that's not the problem, and Jack knows it. I know it.
"How am I supposed to face her?" he asks. "She's going to come to family dinners, all smiles, talking about how much better the world is because of her and her coworkers and her friends. How much good she's doing for the world. How she's going to make it better for the rest of us, just wait and see. She's going to barrel headfirst into making humanity a utopia again!"
I'm smart enough to keep my mouth shut. Jack and I both know what utopia can do to people.
When Jack yells, I'm not surprised. His brother was never like Sarah. His sister in law was never like Sarah. As far as I know, nobody in his family has been like Sarah. Sweet. Determined. Good-hearted.
All determination and heart. None of the skill sets or natural talents we need in order to make her fantasy come true.
It would make a lot of sense to make Sarah a politician. Protected. Safe. Somewhere her ambitions can at least feel fed and her dreams feel real, at least.
Enough to make her feel proud. Worthy. Dignified. In this world where corruption is nipped in the bud and no one ever gets shot or goes hungry, a politician's job is easy, and the problems they deal with are minor.
But I know it would also be also enough to drive Jack insane. Meeting with his niece throughout the years, watching her be so proud of achievements that are real to her and hollow to everyone who knows. Hollow to him. It's a special kind of hell we live in.
One hell of a utopia.
In the end, Sarah will become a small business owner. We'll lay down the trail for her to run something that runs along the lines of 20th century ethical practices. She'll have her pick of products, and she'll run the operation in the best way she knows how. We can lay down breadcrumbs of opportunities and support the infrastructure and the product line from where we sit. She'll live a perfectly respectable life in her ethical and lovely shop for as long as she wants until she wants a transfer.
Maybe she'll be a politician then. Who the hell knows.
Not me, and not Jack, by the look of it. I look at him, and he glares back.
Yeah. Okay.
Jack slaps another file on my desk. This time, I just take it. There are some days where turnabout just isn't fair play.
In the near future, 85% of all jobs have been automated, and everyone's basic needs are met for free. You work for a secret organization that creates fake busywork jobs for the majority who aren't qualified for the few real jobs left, but need perceived meaningful labor to stay sane.
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I keep seeing posts about Louis being a very incurious person/vampire and I wanted to know if you agreed on that but more so where that comes from? Is it a that’s none of my business thing or a I really don’t care thing. Maybe it’s something else entirely. I feel like there’s a touch of Gabrielle in that… am I reaching?
Oh, I really disagree that Gabrielle's incurious, anon. I think she's one of the most curious vampires in the series, and if anything, I'd say that I personally feel the show's made Claudia a more curious vampire and a natural explorer to parallel her to Gabrielle, not Louis.
As for Louis being incurious - - I've seen a lot of those posts too (some of them are really funny!), and I think they're kind of true, but also not really? I think Louis' incredibly intelligent, and I think he actually has a pretty insatiable curiosity in certain respects. He reads a lot, and he reads broadly - from Charles Darwin to Edward Carpenter to Gustave Flaubert, Colette to - as eagle eyed fans noticed in the BTS shots - Simone de Beauvoir, and has obviously a specific interest in art, and I don't think you read that widely or engage with art that deeply if you're not a fundamentally curious person.
I think from a fandom standpoint that the theory comes from Louis never sharing Claudia's hunger to know about the vampire world, and his resistance to learning more about them in Europe, as well as Louis seeming to not have asked Lestat all that much (which I actually disagree with - he clearly asks Lestat a lot of questions throughout 1.02, and both scenes where Claudia asks Lestat who turned him I think imply that Louis had asked and been similarly shut down before) - but I don't know if I'd necessarily describe that as a lack of curiosity so much as a symptom of Louis' initial denial of his vampirism, and then his rejection of vampire society.
Louis doesn't see himself in other vampires. He denies his vampiric needs in Rue Royale, pretty clearly has an issue with the fact that Claudia takes after Lestat when it comes to both her efficacy as a hunter, and her embrace of her vampirism. He certainly doesn't identify with the 'Catfish-with-Teeth' that they find in Romania, and he pretty much hates the Coven, from the work they do, to the way they hunt, to the individuals within it. I think he feels detached / alienated from vampire society, and by the end of s2, I think he likes it that way. I talked about it a bit in my Byronic Hero post, but it's very common with this sort of character archetype to live either in exile, or in a self-exile, and Louis' both - he's cut out from the human society he wants to be a part of in New Orleans, and he chooses to remove himself from vampiric society in Paris.
And to me, that's what sits at the root of Louis' curiosity.
I think that he has an enormous amount of curiosity around the human society that cut him out - again, he's reading Darwin, Carpenter, de Beauvoir, he enjoys the human opera with Lestat, is following people around Paris trying to photograph them, engaging deeply with human art, taking fascinating human boys to fuck and eat in San Francisco - and a fundamental lack of curiosity in vampire society - he never really follows up with Lestat about vampires, is disinterested in Claudia's research, tries to pull the pin on their trip, doesn't want to engage with the Coven, hates the vampiric theatre, hates his own photographs of the vampires, finds Armand boring! The world's softest, beigest pillow!
Louis' fascinated by humanity and bored by vampires, and I do think that's partially a reflection of how Louis' internalised his' feelings about being rejected by one, and rejecting the other, just like I think his capitalist climb has been about gaining social power in a society that tried to disempower him. So yeah! I think he's curious, he just doesn't care about vampires, haha.
#gabrielle does live in a self-exile too#but i think she's very curious about vampire society#and i don't think she feels the same ties to humanity in the way louis does#like he keeps humans at arm's length a lot of the time but he still fundamentally wants to exist in human society in a way gabrielle doesn'#which you can see through all his businesses#if that makes sense#anyway off to yoga haha#louis asks#iwtv asks
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Valentine’s Day Letter
Batman,
I miss you.
It's the day of love. I love you. And I know you do, deep down, love me too. After all, we've already had so many dates, haven’t we? All those beautiful, twisted moments in the dark, just you and me. You don't really want anyone else around, do you? No one gets us like we do. Do you feel it, Bats? The pull? The longing? I know you do. This is our time.
Now here I am, under lock and key, oh so far from you. I’ve been here, waiting. Every hour, every minute, every second a tortuous reminder that you haven’t shown up yet, my dark knight.
I’ve got a whole list about all the things we could do together. A long list. But none of it’s going to happen unless you show up. We could talk, we could play, we could have a laugh! Just you and me. ♡
Always playing hard to get, aren’t you? I know you, Batman. I know you want to see me. You want to hear my voice, to look at me. I want that too. You and me, locked away together.
Be my Valentine, my forever Valentine.
Just come and sit with me. Talk about the old days. Let’s remind each other of all the fun we’ve had, all the beautiful memories we’ve created. I know you’re busy. Gotham, playing the hero... But who really needs all that? Forget about the rest of them. I’m all you need!!
It’s Valentine’s Day. Don’t make me wait forever. Just a little visit. I’ve been extra good. I’ve even prepared a special little treat just for you.
You know how impatient I get. You know I’ll do anything to get your attention. Anything.
I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU
I miss you.
Yours forever and always, Joker
#dc rp#☻#joker rp#joker roleplay#dc joker rp#dc rp blog#batman rp#batjokes rp#dc universe roleplay#dc roleplay#dcrp#batjokes
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I greatly admire Suzanne Collins goal to never explain any of her stories. She just drops them and goes.
#she leaves the rest of us to make an absolute circus out of it#Suzanne Collins#there was so much negative buzz when Ballad was announced and her response was 'no the ones who get it will get it#those who don't don't none of my business'#The Hunger Games#thg#Catching Fire#Mockingjay#The Ballad of Songbirds and Snakes#The Underland Chronicles#tuc#Gregor the Overlander#Fizzy talks#books
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Why are so many people on Tumblr/Twitter claiming Hazbin Hotel and Helluva Boss are bad shows??? "They're not mid shows guys they're just bad" can y'all give me one concrete reason they're bad besides debunked "controversies" or things that other people told you were bad about em?
Like I'm halfway convinced all of these people claiming these are such bad shows and are annoyed about em haven't actually watched them - "I don't need to watch a show to know it's bad" pretty sure you do if you want to have an informed opinion, that goes for everything actually.
If you're annoyed by the hype and the fan culture?? That's fine we all got our things but that doesn't make the shows themselves bad I think y'all just like having someone to poke fun of without feeling like a bully and honestly?? That seems like a miserable way to live.
#This is specifically about that mid shows post going around#What other people like and consider good/bad/mid is none of your business and not a reason to make fun of them#Y'all think you're being SO progressive and kind when you're still being cruel to people online for the smallest shit#You don't like it?? Don't interact with it just block and move on#You curate your own internet experience it's not that hard#I don't like rwby or one piece and those come up on my dash all the time it's so easy to ignore and move on#I don't call those shows bad because surprise! I've never seen them so I don't know!#hazbin hotel#helluva boss#Y'all claim cringe culture is dead but still mock people who like “cringy” stuff like any of this is gonna matter in five years#And mark my words I'm gonna get called cringe or some shit for this post#When y'all should be thinking about why you take joy from calling people shit on the internet like it's gonna make you happy#Years long mutuals of mine are even jumping on the mockery bandwagon!! I've followed y'all for almost a decade what is going on
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It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.
Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.
#BECAUSE I knew I really liked filming and editing things and doing set design and costume design (from having done little bits of that#here and there in media classes and my own stuff - i used to be a lot more into making videos than I am now). BUT I was always thinking#that a movie is WAAY to big and long. even a short film. So I was trying to think of ways I could still like#have the fun of scouting locations to film and dressing up actors and etc. etc. without it having to be a Huge Million Dollar Production#on tv show or movie level. SO then I was thinking about like... just doing commercials. Or music videos. Like shorter things where I still#get the fun of the filming and everything but it's less of an intensive long term project.#So there is an alternate version of me (I suppose if i somehow did not end up having physical and mental health issues#as badly somehow.. or like.. randomly came into wealth and was able to pay my way through a nice college despite missing#days constantly being out because I'm sick or something lol) that works in some corporate advertising office coming up with commercials#and directing or filming them or doing the sets for them or something in that general vicinity.#I also was considering being a corporate psychologist. or whatever its called.. oh from google:#''Industrial and organizational (I/O) psychologists study and assess individual group and organization dynamics in the workplace''#I don't think I even knew what the job entailed. I was at the time just thinking like.. the type of person that comes into a business offic#and gives everyone personality assessments or does MBTI or big-5 testing crap for whatever reason that some businesses get that#done for people. Really i just wanted to be in a Corporate Big Office setting yet still do psychology. Because I used to be really fixated#on living in a big city. Like the ideas of everything being walkable. picking up a coffee in the morning. walking to my job in a Big#Skyscraper Building. people watching in a huge hotel lobby for lunch. flying frequently (I love airplanes and airports aesthetically).#living in an apartment with a giant window overlooking the city. etc. etc. BUT that was before i had really BEEN to a city. Then I actually#hung around a city a few times and went places and I was like... AUGh... The Sensory Overwhelm.. cars people lights loudness noise scary#everything happening all at once. etc. etc. (though even when I wanted to live in a city i NEVER strove for the Night Life. when i say I#enjoy city imagery I mean like... in the day time. Many people who like cities talk about The Night Life and post pictures of cities all#lit up at night and clubs and dancing and restaurants. none of that EVER appealed to me. perhaps a sign I am not a real city person. Like#I am NOT standing in a crowded bar full of loud people in the middle of the night lol.. get AWAY from me!!) but I do adore the#architecture of like bright white clean sterile modern spaces like huge airport lobbies or malls or etc. I think thats what reminded me of#city and what I liked about the idea of that life. Like I always LOVED the layout of schools and hospitals and trainstations and public#transport in general. Though even then I knew enough that I would not be a good architect/city planner. so I guess my adoration for those#spaces was merely to be channeled into LIVING there. but then I realized I didn't even really want to do that that much. I mean I still#definitely aim to live NEAR a city. like the little areas outside of it. I would never live in a rural place 4 hours from anything. I liter#ally just COULDNT since I need close access to hospitals sometimes lol. But I used to want to live in the CENTER of citites like high rise#condo. and now I'm like.... eh....... perhaps a smaller quieter walkable space nearby lol.. ANYWAY.. alternate me in my Business Suit eheh
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Why do u draw?
oooooooo [rubs hands together] a fun one that probably isn't that deep but i'm going to take way too seriously!
so the short answer is fun, but i can never just say one sentence and be done with it soooo i elaborated and wrote a whole essay below. sorry not sorry
anyway if you didn't want my origin story no shame in that, it's not gonna be on the quiz, just keep scrolling :P
to cover all my bases let me start from the beginning and work my way forward...
i think pretty much all kids draw at least a little just because they can, but the thing that really inspired me to take art seriously was the great abundance of cat animations on youtube in the early 2010s... warrior cats amvs mostly, but also artists like bani the kitty and splashkittyartist! you can really see these inspirations in my early digital art hehehe (see below by attle b. age 8)
from then until about age 14 art was just... my thing? i did it pretty much everyday, probably couldn't have imagined life without it... i think back then my motivations were more inline with your typical social media artist motivations... get better, be seen, and maybe make a career out of it? never made it that far though because ehhhh life has different plans i guess
i fell into an art slump in the middle of high school for a variety of personal reasons i won't get into, and as such i had to give up my dreams of creating art as a job
as sad as that was in the moment, it forced me to change my outlook on the whole ordeal in a way that i think was ultimately healthier for me.
that brought me to where i am now! since i have no goals beyond keeping at it as a hobby, i do it simply because i enjoy the process, the product, and i feel like it lets me connect with my interests in a way i otherwise couldn't.
it's a fun way to express love for the things i care about, and while i still enjoy honing my skills i don't feel the same pressure to be perfect that i used to which is really freeing!!
so in that sense it's intrinsic motivation that makes me draw what i draw... however, the amount of art i put out and the polish i give it is definitely motivated by the eyes i have on me... while i'd still be drawing the same things if no one was watching, i would not be putting nearly as much effort into it, nor would i be doing it as regularly, so i do thank you guys for keeping me on track there <3
that's it i think? i could get into the philosophy of it, but i'll spare you that... okay thank you for letting me yap!!! ^-^
#of course while i mainly do art for myself i have been considering commissions#bc i also enjoy seeing other people's original creations and ideas and working with those!!#it still fits into my reasons for making art because in those cases i feel it's almost a love letter to art and creativity itself#like art fight was pretty much the only time of year i actually rendered art during that aforementioned art slump#and ik it wasn't to get art for ME bc i made filler ocs for it i didn't give a shit about with the sole intent of giving people options LOL#but i also don't think i could do it for free anymore? not with my lack of time and the amount of people who could potentially want it#BUT none of that MATTERS if i can't get off my ASS and make an info sheet and a paypal and figure out prices and UGH!!! business stuff :(#me chat.#ask response#long post
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anyways sometimes i wonder if i'm meant to be connected with people. don't get me wrong i appreciate my friends, but like my quality of life wouldn't go down too much if i hadn't met them. i like digging information out of people. they lose a lot of appeal once i know too much about them. i don't really have any kind of interest in pursuing any kind of relationship with people, romantic or platonic. i could take people or leave them. dunno
#they're playing ahead by a century on the radio and it's great#i love the colour of that one. it's pretty much just a night sky. the instrumentals are a dark blue and the white stars#and his voice is a lovely green that makes me think of the northern lights#i know i talk shit but i don't think i could leave canada for good#might head further north eventually but i'll stay in the country#dunno i got some synesthesia that only shows up sometimes or some shit idfk man#though rn i am bitching about none of them understanding the situation from our (mine and my brothers) side#like yeah i know you guys have jobs.#are you trying to search for one for yourself?#while helping your parents business because if that goes under we're ROYALLY fucked?#while worrying about a buddy of yours genuinely going missing?#i'll b real he was a huge help by the end of that job once everyone else who liked me left#anyways#no? none of those apply? then shut the fuck up about us getting the dates wrong. we gave#god fucking dammit im trying to type and hit the wrong button im going to fucking make a bed with the fishes#yes we got the dates mixed up. cope. bitch. we have actual real life problems to deal with.#sorry our shit got in the way of your plans. i guess. still don't see why i had to apologise but maybe im just a genuinely shitty person#one self centered motherfucker#anyways thats my word vomit for the night. might delete l8r. dunno
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the number of posts that go around the batfandom that can basically be boiled down to "people aren't writing about the character I want them to write about so I'm gonna shame them"
good lord
#i've never seen this in a fandom before#all those posts that are like 'you don't want jason todd you want helena bertinelli or jpv'#like do i? do i really?#or do YOU just want more fics about helena but you can't be bothered to write them yourself#so you're gonna try and make the people who ARE writing feel bad for liking jason#i guess it's something about the unique structure of a comics fandom#where there's decades and decades of canon that the majority of the fandom isn't diving into#it lets people more familiar with the comics use them like a weapon#but it all boils down to entitlement#if people aren't writing enough helena or jpv or bette or duke or cass or or or#write it yourself#let people write what they wanna write it's none of your business#sorry but i've just seen so many of those posts recently and it's so? obnoxious???#no one needs to justify why a certain character doesn't appear in their fics#or why they focus on a certain relationship to the exclusion of others#no one's getting paid for this!!!! let people have their fun!!!!!!!!#lol apparently i feel very strongly about this i don't remember the last time i posted a rant. don't even remember my tag for it.#amy talks
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.
#it's so weeeeeeeird to get my parents' feedback on my songs#they're both very artistic types and i always enjoy sharing my music with them#and they tend to give extensive and always-positive feedback. which is. great?#but also they both have this weird habit of assuming that every narrator of every song is always 'in the right'#and should be respected and agreed with and supported#which... kind of makes me feel like they're assuming every narrator is me?#and that's very unsettling bc most of my fictional narrators are uh. lol. Not Great People#ranging from just kind of weak and craven and avoidant (see: the narrator of a certain recent song)#to full-on violent and cruel and fucked-up in the head#ffs i wrote a song recently from the POV of a creep who fixates on a woman he's never met#and eventually murders her (before which he may or may not have raped her. the lyric is intentionally ambiguous)#like... most of the time i thought it was pretty obvious that i'm telling a story with my songs#but either i'm really failing at accurately portraying all these flawed characters#or else my parents have some other reason for constantly reacting to every song narrator#as if said narrator were Not To Be Criticized#my mum described the narrator of this certain song as 'fearless and self-confident and in control'#and i was like... are we referring to the same song?#the one where the narrator is in a super toxic relationship but just pathetically runs away from their reality#instead of ending the relationship and getting their freedom?#the one where - despite feeling trapped by the other person's love#the narrator is also kind of shamefully addicted to being the worshipped idol on a pedestal?#none of that sounds like those positive-coded words you used#but maybe she assumed the narrator was me and therefore didn't want to say anything negative?#(in which case AARRRRGHHHH how do i make people realize that songwriting is ART NOT AUTOBIOGRAPHY???)#or maybe she visualized herself in the place of the narrator?#(in which case: oof. oh dear. but i suppose that's none of my business. i'm not a therapist)#i just get very tired of my parents' inability to accept the existence of bad things in the world sometimes#but i know it's my own problem: i can't assume people will always 'get' what my lyrics are about#once you put your art out in the world you have to accept that is not entirely yours anymore#people will take it and make it their own until you don't even recognize it anymore
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happy pride y'all i'm the vague approximation of a person piloting a broken down meatmech they/them engaged to a he/they lesbian on manitizer and i'm here to make it everyone else's problem
#rendom thoughts#pride#hope you have good genders and nongenders and attractions of various flavor and other queer identities that are none of our fuckin business#genuinely mean it hope you all have a good time#to all my guys who kinda feel like girls sometimes but are too tired to#to all my girls who just cannot be fucked to shave#to my guys just starting to get body hair for the first time#To those who are so outside of attraction that you reject labels about it#to the people still figuring it out#to the people -still-. still fucking figuring it out.#to the people who haven't started figuring it out at all yet#to the people that have it all figured out#to the people who don't care if it's figured out or not#to the people who have identities shaped by trauma#to the people who couldn't even do it right when they thought they were cis#to intersex people#to bi girls that become pan girls that become ace women that become nonbinary lesbians#to the dykes that become boys that become men that become the fathers they wish they'd had#to those of us who made it#to those of us that didn't#and especially to all the ones who are still trying to make it through#You're loved. You will be loved in the way you need#You may think no one will ever see the parts you say you miss and still think you're worth it but i promise you they are out there#whatever way you need to feel seen#to feel happy#someone is out there for you#yes sexually if that is what you need. yes romantically if that's what you need. even the queer platonic relationships#for my aro/aces who genuinely do not need anyone and really wish people would stop assuming they have to have that kind of attachment#for my aro people who are not ace and really wish everyone would stop assuming they were#and everyone else
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Currently whack-a-moling some really rancid stupid hateful thoughts I keep having
#nattering about nothing#the thoughts in question:#'people who consistently buy lottery tickets and scratch tickets are morons'#'if they're broke and buying them then they're especially stupid'#'I am smarter and more financially responsible bc I don't buy those '#like bitch shut up#literally no one cares#it's none of my business what other people do with their money#who tf am I to judge people#I'm not better just because I don't gamble#let people enjoy things damnit
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Chapter 2 of Blurr storyline >:D
“Actually” says Swerve ”I'm an alien.”
“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”
Part one
Holy shit I actually managed to finish it…..Oh. My god.
Under the cut⤵️
Is it stupid to miss someone who doesn't even exist?
Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?
For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.
Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.
It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.
Wait, hell, not days. Cycles.
His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!
But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.
Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.
He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.
Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.
Swerve isn't sure he wants it to pass.
He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.
So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.
That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?
Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...
His small persona wasn't important enough for anyone to notice his disappearance.
Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?
Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.
Swindle would probably get upset about the money he'd lost.
It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!
People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.
In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.
He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.
Most of his memories are occupied by--No. Frag.
Don't think about Blurr, don't think about Blurr, don't think..
He's thinking about Blurr. A lot.
Blurr occupies a surprisingly important role in his comatose dreams.
In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.
Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.
Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.
But that's not quite true, Swerve thinks.
Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.
Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.
Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.
Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.
Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.
Uggh.
The doctor was wrong. These thoughts don't go away. These memories don't dull.
Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.
When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.
When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.
The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??
Freaking cursed.
Jazz looks puzzled by his reaction, but all Swerve can think about are two things.
One, if Jazz is here, does that mean everything else was real, too???
Two - holy shit, Jazz is tiny.
It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.
If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--
He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?
He's going to get sick.
He needs to talk to Jazz right now.
____________
Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.
They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).
“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”
Jazz frowns
“Oh. I’m sorry to hear that.”
He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.
“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”
Swerve mentally crosses his fingers.
“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”
Jazz looks at him with huge eyes before switching to English in surprise.
“Mech, what the hell?”
“...And we lost him...” finishes Swerve with a sad smile.
Before thinking for a bit, and adding.
“I'm going to show you a trick I can do.”
And then projects his holoform onto the table in front of him.
This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.
Prowl looks confused.
Jazz looks absolutely frantic.
“SWERVE????”
Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?
Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.
Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.
“Dude, I'm not complaining but what...how???? You just kinda..."
Swerve laughs and twitches his eyebrows playfully.
“I still speak English, you don't have to torture yourself with Common.”
“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”
There is a polite click of the vocalizer resetting above their heads.
“I” Prowl says “very glad you two are happy but I'd like some explanation”
Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.
Although Jazz doesn't seem to feel the same way?
“Short version - I sleepwalked my holoform to another planet.”
He pauses dramatically.
“The long version is...”
Jazz raises his hand
“What's a holoform?”
Swerve sighs.
“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”
Jazz whistles impressed. And then immediately turns back to Prowl
“Have you been able to do that all this time too?“
Prowl hums
“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”
Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.
“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”
Jazz laughs
“Dude. So you're telling me you were basically sleepwalking the whole time?”
“ I was.”
Prowl frowns.
“But the range limit of the holomatter generator is only four hundred miles...”
“.... I had a lot of practice...”
Jazz claps his hands.
“You learned a whole other language! Got an ID!. You had a job!!!”
“I got carried away,” Swerve admits.
Jazz scratches the back of his head, still looking very amused
“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”
“Two. And I failed my driver's exam.”
“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.
Swerve blows the hair out of his face
“Says you who retook the physical several times. You couldn't pass the "being human" exam.”
Jazz just wheezes incoherently in response. Prowl looks alarmed.
“Don't worry, that's him getting excited. So...where have I been...”
Swerve nervously shoves his hands into his pockets
“...Do either of you two know where Earth is?”
Prowl twitches his door wings
“No. Since Jazz was teleported we don't have much clues.”
Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.
He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.
He's thinking.
Oh hell, yeah! I knew it wasn't a dream!
Then he remembers the mess he left behind.
Oh, no, it wasn't a dream.
Jazz puts a hand on his shoulder.
“Swer... Swerve? Dude, are you okay?”
“Ah frag..” Swerve says weakly ”it wasn't a dream.”
Jazz looks...puzzled.
“Is that bad?”
Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...
“It's...complicated.”
This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...
And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...
Hahahahah oh fUCK.
He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.
It's also probably too late.
But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.
And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.
Jazz glares at him with a worried look on his face
“ That expression you have...”
Swerve puts the smile back on his face.
“I need to get to Earth.”
___________________
Swerve is not an idiot.
Or maybe more accurately an idiot, but with several degrees.
He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.
Ask the Quintessons. Or look for it himself.
The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.
He just needs to do some preliminary reserch.....
Jazz, now back inside his Mech looks doubtful.
“You're not going to die suddenly and for no reason, are you?”
Swerve laughs.
“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”
“It's not harmful?”
Swerve makes an uncertain gesture with his hand...servo.
“If I have enough fuel. And an additional connection to an external generator.”
Jazz tilts his head
“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”
Swerve bites his knuckles.
“ I have some unfinished business?”
“Pshhhh you sound like a ghost.”
Swerve only laughs in response.
_______________
Concentration is tricky.
Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?
Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost
Shit. No. Earth. Think Earth.
What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.
He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.
The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.
After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.
He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--
Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.
This is the place where he was last.
He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.
Blurr is not here. The place where his Mech was lying is empty.
Which means he was at least found and dragged out. Dead or alive.
Swerve's bites his knuckles. Okay.
All right.
He's got things to do.
_______________
He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?
He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.
He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.
Breaking the rules feels...it's exciting.
All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...
He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?
The answer is probably none.
Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.
A degree in spying on the Quintessons' ships wouldn't hurt him either.
Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.
Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.
Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.
Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.
It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.
He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.
It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.
Blurr's name isn't there.
So his smug, shiny ass must be around here somewhere.
He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.
That's...something's wrong.
He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”
Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.
“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?
Uh-huh....... Uh-huh.Okay.
Give me half an hour...okay, yeah.”
This is it, Swerve thinks.
He shrinks himself further and teleports under the collar of Swindle's coat.
He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.
He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.
Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.
Shit. Shit. Shit. Shit. Shi
Blurr looks like a mangled corpse.
Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.
Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.
Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.
Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.
“'Got bored without me Swindle?”
Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.
“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”
Blurr wrinkles his nose.
“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”
Then he stops talking for a few seconds and raises an eyebrow curiously.
“You wouldn't have come here in person just to say that. Why are you really here?”
Swindle adjusts his glasses
“Have I ever told you why I made the contract with you?”
“Because you like money” Blurr says without hesitation.
Swindle lets out a quiet chuckle.
“Fair point. But money wasn't my only priority.”
He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.
Goes back to his seat.
“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”
He raises his hand when Blurr rushes to say something.
“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”
Swindle sighs and adjusts his glasses again
“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”
Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.
“But you... found a way to change that, didn't you?
Swindle rubs the bridge of his nose
“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”
Blurr blinks.
“Why are you telling me all this.”
Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.
“You're that shield right now, Blurr. You can't leave.”
Blurr's eye widens
“Is that why you insisted on ‘befriending’ me with all those bullshitters?”
“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”
Blurr runs his fingers through his hair
“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”
Swindle puts his hat back on.
“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”
The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.
Swindle puts a hand on his shoulder.
“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”
They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.
Swindle moves his hand away and gets up from his chair.
“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”
Blurr smiles sourly.
“My lawyer is going to charge you such a handsome sum for that stunt.”
Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.
“We’ll see about that. Seriously though. I need you there.”
Blurr bites his lip.
“I..don’t know...”
Swerve...doesn't know what to think of that.
Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.
Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.
The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.
The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.
Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.
Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.
Ah, damn it.
Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.
And now that he knows where to look, he sees things he'd rather not see.
Blurr ... is crumbling.
Swerve doesn't know all the details and consequences, but that incident did leave a mark.
But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.
He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.
And continues to act like a jerk of course.
The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.
Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.
When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.
Or when he develops that stupid habit of leaning his elbows on people standing next to him.
It's the model behavior of a rich, spoiled brat.
It's also an inconspicuous way to stay upright.
Employees say “that dumbass has never heard of personal space.”
Investors say, “I think he likes me.”
Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”
Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.
Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.
On the other hand, without Blurr, everything is going down the pit.
Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.
Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.
Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.
Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.
But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.
It makes a difference. Small one. But still.
It turns a disembodied imaginary “combat units” into a tangible person.
From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”
More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?
There have been two fronts here all this time, Swerve realizes.
While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.
After another conference, Shockwave stops Blurr in the hallway.
“Good show.”
Blurr laughs. Soundly and proudly.
“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”
Swerve, hiding on the ceiling again, snorts.
Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.
“It must have been hard getting here with your injuries.”
Blurr shrugs and lazily turns his head around distracted.
“It's just a few bruises here and there. Not the end of the world.”
Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.
“Of course it isn't. But hardly good for your career.”
Blurr freezes.
No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't
“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”
Blurr makes an indifferent face and tucks his hands into his pockets.
“Like I said. Not the end of the world.”
Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.
Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.
“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”
Blurr visibly shivers and looks away.
“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”
Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.
“It may not be the end of the world, but it is the end of you.”
He writes a set of numbers on the same page, tears it off, and hands it to Blurr.
“You are broken. I can fix you.”
Blurr frowns, but takes the piece of paper.
“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”
Shockwave tucks the notepad into his pocket.
“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”
Blurr flinches.
“I don't need your help.”
“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”
...
“By the way, you might want to wipe the blood off.”
Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.
____________________________
Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.
Holy shit...
Jazz pokes him gently on the forearm
“Are you alive? You've been gone for like quite a while...Did it work?”
“Hey Jazz” frowns Swerve “what do you know about Blurr?”
Jazz laughs
“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”
Swerve sits up and rubs the back of his head.
“Ah...”
“So it worked?”
“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”
Jazz rubs his hands together happily.
“I'll take it.”
Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.
He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.
He has eight fingers again instead of the human ten. Huh.
Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.
Left to himself.
He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.
....
Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?
He looks at Jazz and Prowl.
“You two get along really well.”
Jazz chuckles, sitting on Prowl's shoulder.
“Right now, yes. But we got on each other's nerves quite a bit when we first met.”
Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.
On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.
_____________________
”Are you a ghost?”
Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.
He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?
“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”
Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.
Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.
“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”
Blurr squints amusedly.
“You can walk through walls?”
“Uh, I can teleport into the next room?”
He backs up his words by making himself disappear and reappear in another corner of the room.
“Cool!” says Blurr cheerfully.
Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.
“ Show me more?”
“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”
“Wooooo look at you, you're like an action figure~”
Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.
Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.
“They really drugged you huh?”
“It's not the drugs” snorts Blurr ”...it's my eye.”
He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair
“... depths Per…percen.. ah, shit. I can't tell how far away things are.”
Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.
"If you can't tell how far things are, how are you going to drive?
Race???”
He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???
Blurr drops his hands back on the blanket
“I won't.”
He freezes when the all too close fireworks rumble outside the window. Then points to his head.
“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”
Swerve sits down quietly cross-legged on the blanket.
“Well...at least you're alive....”
Blurr shakes his head.
“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”
“...”
“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”
Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.
Blurr frowns and leans back against the pillow, looking up at the ceiling.
“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”
Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.
“Hey, don't say that. I think what you're doing is great.”
“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”
Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...
Swerve folds his arms awkwardly across his chest.
“I can be mad at you and think you're cool at the same time. I'm a multitasker.”
“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”
Swerve stiffens.
“I...Wwhat?”
“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”
He's silent for a couple seconds before he hesitantly continues
“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”
Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.
“Actually” says Swerve ”I'm an alien.”
“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”
Swerve wants to run around and bang his head against the wall.
Instead, he gets up from the hospital bed. Carefully.
“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”
“You'll tell me later?”
Swerve hums quietly and pulls the curtains all the way closed.
“If future, sober Blurr would want my company.”
---------------
Jazz looks at him. Very intensely.
“Are you going to tell me who this mystery person you keep coming back to Earth for?”
Swerve snorts.
“What makes you think it's anyone in particular?”
“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”
Swerve crosses his ..metal arms over his metal chest.
“Is it that big of a deal? He thinks I'm a ghost or something.”
Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.
“Sooner or later, he'll put the facts together~” says Jazz in a chant.
Swerve laughs.
“That's unlikely. He's got a pretty bad memory.”
_______________
His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.
He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.
They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.
Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.
Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.
Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.
Pharma smiles sweetly and reaches out for a handshake
“Mind some company?”
Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.
“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”
Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.
“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”
Blurr, to his surprise, backs up his act almost instantly
“Really? But I thought there was nothing to take from the old models?”
“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”
Pharma tilts his head
“Can it wait? We were actually talking here!”
Oh no, thinks Swerve I'll show you who's talking.
“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”
“What do you mea...”
“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.
“No I'm just...”
“I had a better opinion of you, to be honest.”
“I...” opens his mouth Pharma “...WHAT...?”
Swerve shakes his head.
“And I thought his profession was to help people, can you imagine?”
“Wh..”
Blurr rolls his eye.
“Any idiot can get an important position these days.”
“Wait..”
“Tell me about it. Especially doctors.”
Pharma looks like he's about to start pulling the hair out of his head.
“Can at least one of you shut up??”
Swerve adjusts his cap in a businesslike manner
“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”
He raises his eyebrows knowingly
“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”
Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.
“…..Wha....there's rumors?”
“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”
He leans in conspiratorially, effectively pulling all of Farma's attention to himself
“So if I were you, I'd stay out of any more things you don't understand.”
Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.
“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma
Swerve shrugs.
“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”
Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.
A quiet cough sounds behind Swerve's back.
“So. Should I be worried about Norman's health?”
Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.
“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”
Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.
Blurr snorts one last time, cutting off the laughter.
Then he reaches out his hand to him.
Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.
Swerve, not expecting this, freezes with his hand outstretched.
Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.
Ugh, and how to explain it all to him....
“Uh...you...uh...probably don't remember me. I...it's...”
Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.
“You're real???”
Swerve awkwardly waves his hands in front of him
“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”
Blurr shrugs.
“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”
Swerve twitches.
“Third??? How are you still standing???”
He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.
“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”
Blurr laughs quietly.
“I'm glad you're back.”
_____________________
He wakes up in his quarters and can feel his face burning.
When he goes out to get the energon, Jazz throws him a look.
“Is something wrong? You're all kinda...shaky.”
“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”
Jazz smiles
“ Oh, I went crazy when I found out. But we figured it out.”
“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”
“Worried about what your human friends will think?”
Swerve swings back and forth on his heels
“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”
Jazz frowns
“No offense, but keeping secrets isn't your strong suit.”
“Haha” Swerve waves his servo “ Watch me.”
#maccadam#tf mecha universe#blurr#Swerve#mecha writing#mecha kef writing#mecha bs writing#if you saw any mistakes - no you didn’t#it’s six am I need to go to bed but I wanted to post it before my brain shuts down completely#mecha pilot jazz au#jazzprowl#jazzprowl happens on the background lol#Swindle#two nano seconds of Vortex#Shockwave#Pharma
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