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#those have been some eras
iammissingautumn · 2 years
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it’s called seeking support and being stronger.
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aleki-lives-here · 6 months
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beeduoo · 5 months
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originnssssss who remembers origins i Loved origins
#origins smp#i heard theres been like three failed origins revivals WHAT EVEN HAPPENED i was only there for the first one😅#beeduo#otubbo#oranboo#beeduo fanart#i rewatched some origins streams a little while ago oh my god theyre SO FUNNY#DUDE DOES ANUONE REMMEBER THAT ONE STREAM I COUDLNT FIND RHIS ONE STREAM#IR WAS LIKE THE ONE WHERE TUBBO WAS SINGING SUGAR BY MAROON FIVE and they were being really Funny thay shit h#ad me CRYING in 2021 Please i swear this happened imnot crazy but also they might have been separate streams actuallu i dont rememebr its#been wayyyyyyy too long#BUT IT HAPPENED I PROMISE Sorry i've been gone for a while ive been very busy lots of Things going on went to Six flags then jad a surprise#bday party then i had to buy shoes for prom then Go to prom and also i do figure skating and am out like every day idknt have Time im sorry☹#had a crepe yesterday it was sooooo goood im like learning to drive too that shit is boring as hell my dad kept gettign 😑 bc i couldn't stop#yawning DRIVING IS SO BORING its not my fault😭😭😭😭#ok what else ohhhh. y god i locked in SO HARD for this physics essay u guys dont even knowim getting ONE HUNDRED on that trust i just really#wanted to share ok i love you bge#WAIT ACTUALLT SORRU IM LIKE REMMEBERJNG THE ORIGINS STREAMS K WAYCHED#RANBOO WAS SO FUCKING FUNNT IN THOSE STREAMS TOO LIKE I REMEMBER NIKI WANTED TO SEE THEIR BASE and tubbo was like ooh maybe we can put like#water down here for you niki we need a water system and ranwas like Do we though?I WAD WAYCHING THAT .LIKE DAMMMNNNNNN OM LIKE GIGGLING WRIT#ING THIS RIGHT NOW I CAN HEARTHE CLIP HE DID NOTTT WANT HER IJNTHEIR BASE😭😭😭😭😭😭😭😭😭#I NEED TO FIDN THAT STREAM WHERE IRS LIKE TOMMY AND JACK A D FHEHRE LOKE TALKING ABOUT DUOS AND THEN JACK SAYS THE MOST OUT OF POCKET SHIT I#VE EVER HEARD LKKE I LITERALLU HAD TK PAUSE. H PHONE AND BURST OUR LAUHJIMG MY JAW WAS ON THE FLOORRRRR DO U GUYS R EME ER WTF IM TLAKING AB#OUT IDK HOW TO FIND THESE STREAMS Oh my god u really Had to be there early 2021 that was liye the funniest era of mt life i wlild be#Tearing up from lauhjimg every day I MISS WAYCHING STREAMS LIVE CHAT WAS SO FUNNY I wishe it was archivedI WISH MORE STREAMERS KEPT CHAT ON#SCREEN i defiently understand why most didn't like Wyd when chats annouing ad hell but also Me 3 years later is interested in what the pub#lic had to say.... ok Now bye
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ansburg · 3 months
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dazais-guardian-angel · 6 months
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kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....
#bungou stray dogs#been thinking a lot about chuuya lately (shocking for me i know (said with no sarcasm truly lmao it is rare for me))#cause of the 15 manga and also playing the fucking jeht quest in genshin impact ugh (where's the one dual genshin bsd fan who Understands)#but like this pressure has been building up for chuuya for so long due to being used and manipulated by all these people#first the sheep then mori then verlaine then still mori now#he was groomed since childhood just like dazai#but unlike dazai he didn't have an oda to help him get out of the mafia........ he's still stuck there#and his personality is different from dazai's. dazai was more self-aware imo (but still a groomed emotionally abused kid don't get me wrong#but chuuya's whole thing is needing to belong and wanting a leader to be loyal to but ending up in positions of leadership himself#which makes him feel pressured but he accepts and stifles any negative feelings just because he wants to belong#and all this crushed him with the events in the light novels and yeah he went through character growth but he's...... Still In The Mafia...#and that fucking scene asagiri added to the cannibalism stage play i don't think hardly anyone even knows about bc IT'S NOT DISCUSSED ANYMO#where mori emotionally manipulates him with the flags!!! and it deeply hurts him!!! and he presumably deals with that shit all the time!!!#it is WORRISOME. it WORRIES ME okay.#chuuya doesn't have anyone who can save him from the mafia (dazai is in no position to okay; it's all he can do just to try to save himself#and it's so so scary. it spells awful things for him.#didn't asagiri say he'd have a rough path or something??? and he added that fucking scene in the play!!! it haunts me!!#i fully expected this shit to hit a turning point in the meursault arc but we can't have nice things i guess#and as for kunikida a;lskdfl (took me this long to get to him oop) literally the ending of Entrance Exam (the novel) is just#One Big Foreshadowing for Kunikida's downfall#he's compared to the azure king for a reason. Sasaki saw the azure king in him for a reason. it's fucking worrying!!!!!#there hasn't really been anything like that since in the manga (just like for chuuya lol ugh) but he's TERRIBLE at coping with his trauma#and it only gets more apparent once shit hit the fan in the doa/hunting dogs/meursault arc#it's not good!!! i'm worried for kunikida too!!!!#even if the manga isn't focusing on this these worries are always in the back of my mind man#both kunikida and chuuya are doomed to hit some kind of breaking point eventually and i await those moments with dread yet anticipation#i want dazai to be able to save kunikida from the despair being too good a person brings the way he couldn't save oda#and chuuya.... if we get a scene with him & mori mirroring the one in dark era where dazai finds out that mori orchestrated the kids' death#oh man i think i'll fucking die (give it to me i need to cry)
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dolokhoded · 5 months
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hi. my friend sent me this
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the korean means "one, two, three! hello, [this is/we are] d12ciples!". i just need other people to look at it
d12ciples. goodbye i love this. boy band !
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seaweedstarshine · 4 months
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RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)
#canonically psychotic = he canonically has psychosis. (not in the ableist way in that hes evil. which he is. lemme enjoy problematic rep)#Gabriel Summers#art by seaweed#words by seaweed#X-Men Red#the Gabriel hate during the Krakoa era pffffft. was 100% from ppl who didnt read the Rise and Fall of the Shi'ar Empire#“he attacked Storm” hes also a genocidal dictator who tortures ppl for catharsis. drunkenly coming at Ororo is the least bad thing he did#“he's a douche” mother of all understatements. now get this man back w his boyfriend who he forced to be his best man under pain of death#Gabriel fans LOVE that Ororo beat his ass. he deserved it. it was a fake discourse made up by a certain segment of goddess!Ororo fans#I say as an Ororo fan! Shes my fav A-list x-man🥰 yes Gabe was at a mental low but Ororo didnt know that. that was Scott's responsibility.#psychotic Emperor Vulcan is what we call a problematic mentally ill villain trope. I love him SO much. (okay lets talk)#we don’t know much about his childhood but we do know he spent 2 years in a fugue state after escaping slavers when he was like ten ):#as an “adult”-ish he's uh “mentally” 15 or sumn according to the calculations claimed to him by his hallucination of his actual child self#and apart from THOSE hallucinations. he’s very paranoid to the point of killing his advisors because he becomes convinced-#that they’re plotting to kill him. they aren't. he relies on Calseye to ground him thru his paranoia. and then of course in the Krakoa era#he believes his energy constructs of Petra and Sway who drink with him till he blacks out every single day are real. he isnt consciously#creating them; but he sees them- and bc he’s a godlike mutant his subconscious makes his hallucinations visible. making everyone uncomfy#Charles tries to use telepathy to FORCIBLY reality check him. which of course triggers his trauma. and GABE is punished for it?#(oh plus our finding out Gabe got brain surgery done on him by some gods outside the universe offpanel. he never does well with tampering)#and now the writers who pushed Hickman out (also RIP Sabretooth & the Exiles. RIP Hellions) want us to be SAD Krakoa is gone?#yes Gabriel is the mentally ill villain trope. but Krakoa never cared for mutants who couldn’t fit in. who were traumatized. disabled. etc#Alex OF ALL PEOPLE should understand that. ALEX should’ve been there for Gabriel. (why wasn't he. did he hold a grudge for past torture.)#Alex also w Murder-Enjoying Disorder but it was actually treated as an illness and those in authority presented as wrong for excluding him#instead of helping him. which v flawed but Hellions was one of the best mental illness comics? like Zeb Wells was conscious of the genre#but Gabriel was just… cast out. for panicking when his prime traumatizer Charles invaded his mind. he deserved help too#and all because his family were annoyed at him for drinking all night and throwing up and passing out on the floor? for being delusional?#And like- all of the summers brothers are nd (Scott's brain damage; Alex's dissociative episodes; Gabriel's psychosis)#I have nothing to say about Adam X ((I highly doubt he's neurotypical and/or mentally healthy)) ((nothing to say abt him tho))#and Gabes paranoia is 100% rooted in his issues of being made to feel like an outsider. like YES the obvious MUTANT identity but also#he thinks his father abandoned him to be a slave. he's not Summers enough for Scott. hes not Shi'ar enough for the Shi'ar
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canichangemyblogname · 7 months
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I watched all eight episodes of season 1 of Blue Eye Samurai over the weekend. I then went browsing because I wanted to read some online reviews of the show to see what people were thinking of it and also because I wanted to interact with gifs and art, as the series is visually stunning.
Yet, in my search for opinions on the show, I came across several points I'd like to address in my own words:
Mizu’s history and identity are revealed piece-by-piece and the “peaches” scene with Mizu and Ringo at the lake is intended to be a major character reveal. I think it’s weird that some viewers got angry over other viewers intentionally not gendering Mizu until that reveal, rather than immediately jumping to gender the character as the other characters in the show do. The creators intentionally left Mizu’s gender and sexuality ambiguous (and quite literally wrote in lines to lead audiences to question both) to challenge the viewer’s gut assumption that this lone wolf samurai is a man. That intentional ambiguity will lead to wide and ambiguous interpretations of where Mizu fits in, if Mizu fits in at all. But don't just take my word for this:
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Re: above. I also think it’s weird that some viewers got upset over other viewers continuing to acknowledge that Mizu has a very complicated relationship with her gender, even after that reveal. Canonically, she has a very complicated relationship with her identity. The character is intended to represent liminality in identity, where she’s often between identities in a world of forced binaries that aren’t (widely) socially recognized as binaries. But, again, don’t just take my word for this:
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Mizu is both white and Japanese, but she is also not white and not Japanese simultaneously (too white to be Japanese and too Japanese to be white). She’s a woman and a man. She’s a man who’s a woman. She’s also a woman who’s not a woman (yet also not quite a man). But she’s also a woman; the creators said so. Mizu was raised as a boy and grew into a man, yet she was born a girl, and boyhood was imposed upon her. She’s a woman when she’s a man, a man when she’s a man, and a woman when she’s a woman.
Additionally, Mizu straddles the line between human and demon. She’s a human in the sense she’s mortal but a demon in the sense she’s not. She's human yet otherworldly. She's fallible yet greatness. She's both the ronin and the bride, the samurai and the onryō. In short, it’s complicated, and that’s the point. Ignoring that ignores a large part of her internal character struggle and development.
Mizu is intended to represent an “other,” someone who stands outside her society in every way and goes to lengths to hide this “otherness” to get by. Gender is a mask; a tool. She either hides behind a wide-brimmed hat, glasses, and laconic anger, or she hides behind makeup, her dress, and a frown. She fits in nowhere, no matter the identity she assumes. Mizu lives in a very different time period within a very different sociocultural & political system where the concept of gender and the language surrounding it is unlike what we are familiar with in our every-day lives. But, again, don’t just take my word for this:
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It’s also weird that some viewers have gotten upset over the fact women and queer people (and especially queer women) see themselves in Mizu. Given her complicated relationship with identity under the patriarchy and colonial violence, I think Mizu is a great character for cis-het women and queer folks alike to relate to. Her character is also great for how she breaks the mold on the role of a biracial character in narratives about identity (she’s not some great bridge who will unite everyone). It does not hurt anyone that gender-fluid and nonbinary people see themselves in Mizu's identity and struggle with identity. It does not hurt anyone that lesbians see themselves in the way Mizu expresses her gender. It does not hurt anyone that trans men see themselves in Mizu's relationship with manhood or that trans women can see themselves in Mizu when Mama forces her to be a boy. It's also really cool that cis-het women see themselves in Mizu's struggles to find herself. Those upset over these things are missing critical aspects of Mizu's character and are no different from the other characters in the story. The only time Mizu is herself is when she’s just Mizu (“…her gender was Mizu”), and many of the other characters are unwilling to accept "just Mizu." Accepting her means accepting the complicatedness of her gender.
Being a woman under the patriarchy is complicated and gives women a complicated relationship with their gender and identity. It is dangerous to be a woman. Women face violence for being women. Being someone who challenges sex-prescribed norms and roles under patriarchy also gives someone a complicated relationship with their identity. It is dangerous to usurp gender norms and roles (then combine that with being a woman...). People who challenge the strict boxes they're assigned face violence for existing, too. Being a racial or ethnic minority in a racially homogeneous political system additionally gives someone a complicated relationship with their identity. It is dangerous to be an ethnic minority when the political system is reproduced on your exclusion and otherness. They, too, face violence for the circumstances of their birth. All of these things are true. None of them take away from the other.
Mizu is young-- in her early 20s-- and she has been hurt in deeply affecting ways. She's angry because she's been hurt in so many different ways. She's been hurt by gender violence, like "mama's" misogyny and the situation of her birth (her mother's rape and her near murder as a child), not to mention the violent and dehumanizing treatment of the women around her. She's been hurt by racial violence, like the way she has been tormented and abused since childhood for the way she looks (with people twice trying to kill her for this before adulthood). She's been hurt by state-sanctioned violence as she faces off against the opium, flesh, and black market traders working with white men in contravention of the Shogun's very policies, yet with sanction from the Shogun. She's been hurt by colonial violence, like the circumstances of her birth and the flood of human trafficking and weapons and drug trafficking in her country. She's had men break her bones and knock her down before, but only Fowler sexually differentiated her based on bone density and fracture.
Mizu also straddles the line between victim and murderer.
It seems like Mizu finding her 'feminine' and coming to terms with her 'female side' may be a part of her future character development. Women who feel caged by modern patriarchal systems and alienated from their bodies due to the patriarchy will see themselves in Mizu. They understand a desire for freedom that the narrow archetypes of the patriarchy do not afford them as women, and they see their anger and their desire for freedom in Mizu. This, especially considering that Mizu's development was driven by one of the creators' own experiences with womanhood:
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No, Mizu does not pass as a man because she "hates women" or because she hates herself as a woman or being a woman. There are actual on-screen depictions of Mizu's misogyny, like her interactions with Akemi, and dressing like a man is not an instance of this. Mizu shows no discomfort with being a woman or being seen as a woman, especially when she intends to pass herself as and present as a woman. Mizu also shows the women in the series more grace and consideration than any man in the show, in whatever capacity available to her socially and politically, without revealing herself; many of the women have remarked that she is quite unlike other men, and she's okay with that, too.
When she lives on the farm with Mama and Mikio, Mizu shows no discomfort once she acclimates to the new life. But people take this as conclusive evidence of the "only time" she was happy. She was not. This life was also a dance, a performance. The story of her being both the ronin and the onryō revealed to the audience that this lifestyle also requires her to wear a mask and dance, just as the bride does. This mask is makeup, a wedding dress, and submission, and this performance is her gender as a wife. She still understands that she cannot fully be herself and only begins to express happiness and shed her reservation when she believes she is finally safe to be herself. Only to be betrayed. Being a man is her safety, and it is familiar. Being a boy protected her from the white men as a child, and it might protect her heart now.
Mizu shows no discomfort with being known as a woman, except when it potentially threatens her goals (see Ringo and the "peaches" scene). She also shows no discomfort with being known as, seen as, or referred to as a man. As an adult, she seems okay- even familiar- with people assuming she's a man and placing her into the role of a man. Yet, being born a girl who has boyhood violently imposed upon her (she did not choose what mama did to her) is also an incredibly important part of her lived experience. Being forced into boyhood, but growing into a man anyway became part of who she is. But, being a man isn’t just a part of who she became; it’s also expedient for her goals because men and women are ontologically different in her world and the system she lives under.
She's both because she's neither, because- ontologically- she fits nowhere. When other characters point out how "unlike" a man she is, she just shrugs it off, but not in a "well, yeah, because I'm NOT a man" sort of way, but in an "I'm unlike anyone, period," sort of way. She also does not seem offended by Madam Kaji saying that Mizu’s more man than any who have walked through her door.
(Mizu doesn’t even see herself as human, let alone a woman, as so defined by her society. And knowing that creators have stated her future arc is about coming into her “feminine era” or energy, I am actually scared that this show might fall into the trope of “domesticating”/“taming” the independent woman, complete with an allegory that her anger and lack of human-ness [in Mizu’s mind] is a result of a woman having too much “masculine energy” or being masculine in contravention of womanness.)
Some also seem to forget that once Mama and Mikio are dead, no one knows who she is or where she came from. They do not have her background, and they do not know about the bounty on her (who levied the bounty and why has not yet been explained). After their deaths, she could have gone free and started anew somehow. But in that moment, she chose to go back to life as a man and chose to pursue revenge for the circumstances of her birth. Going forward, this identity is no longer imposed upon her by Mama, or a result of erroneous conclusions from local kids and Master Eiji; it was because she wanted people to see her as a man and she was familiar with navigating her world, and thus her future, as a man. And it was because she was angry, too, and only men can act on their anger.
I do think it important to note that Mizu really began to allow herself to be vulnerable and open as a woman, until she was betrayed. The question I've been rattling around is: is this because she began to feel safe for the first time in her life, or is this part of how she sees women ontologically? Because she immediately returns to being a man and emotionally hard following her betrayal. But, she does seem willing to confide in Master Eiji, seek his advice, and convey her anxieties to him.
Being a man also confines Mizu to strict social boxes, and passing herself as a man is also dangerous.
Mizu doesn't suddenly get to do everything and anything she wants because she passes as a man. She has to consider her safety and the danger of her sex being "found out." She must also consider what will draw unnecessary attention to her and distract her from her goals. Many viewers, for example, were indignant that she did not offer to chaperone the mother and daughter and, instead, left them to the cold, only to drop some money at their feet later. The indignity fails consider that while she could bribe herself inside while passing as a man, she could not bribe in two strangers. Mizu is a strange man to that woman and does not necessarily have the social position to advocate for the mother and daughter. She also must consider that causing small social stirs would distract from her goals and draw certain attention to her. Mizu is also on a dangerous and violent quest.
Edo Japan was governed by strict class, age, and gender rules. Those rules applied to men as well as women. Mizu is still expected to act within these strict rules when she's a man. Being a man might allow her to pursue revenge, but she's still expected to put herself forward as a man, and that means following all the specific rules that apply to her class as a samurai, an artisan (or artist), and a man. That wide-brimmed hat, those orange-tinted glasses, and her laconic tendencies are also part of a performance. Being a boy is the first mask she wore and dance she performed, and she was originally (and tragically) forced into it.
Challenging the normative identities of her society does not guarantee her safety. She has limitations because of her "otherness," and the transgression of sex-prescribed roles has often landed people in hot water as opposed to saving them from boiling. Mizu is passing herself off as a man every day of her life at great risk to her. If her sex is "found out" on a larger scale, society won’t resort to or just start treating her as a woman. There are far worse fates than being perceived as a woman, and hers would not simply be a tsk-tsk, slap on the wrist; now you have to wear makeup. Let's not treat being a woman-- even with all the pressures, standards, fears, and risks that come with existing as a woman-- as the worst consequence for being ‘found out’ for transgressing normative identity.
The violence Mizu would face upon being "found out" won’t only be a consequence of being a "girl." Consider not just the fact she is female and “cross-dressing” (outside of theater), but also that she is a racial minority.
I also feel like many cis-het people either ignore or just cannot see the queerness in challenging gender roles (and thus also in stories that revolve around a subversion of sex-prescribed gender). They may not know how queerness-- or "otherness"-- leads to challenging strict social stratifications and binaries nor how challenging them is seen by the larger society as queer ("strange," "suspicious," "unconventional," even "dishonorable," and "fraudulent"), even when "queerness" (as in LGBTQ+) was not yet a concept as we understand it today.
Gender and sexuality- and the language we use to communicate who we are- varies greatly across time and culture. Edo Japan was governed by strict rules on what hairstyles, clothes, and weapons could be worn by which gender, age, and social group, and this was often enshrined in law. There were specific rules about who could have sex with whom and how. These values and rules were distinctly Japanese and would not incorporate Western influences until the late 1800s. Class was one of the most consequential features to define a person's fate in feudal Japan, and gender was quite stratified. This does not mean it's inappropriate for genderqueer people to see themselves in Mizu, nor does this mean that gender-variant identities didn’t exist in Edo Japan.
People in the past did not use the same language we do today to refer to themselves. Example: Alexander The Great did not call himself a "bisexual." We all understand this. However, there is a very weird trend of people using these differences in language and cultures across time to deny aspects of a historical person's life that societies today consider taboo, whether these aspects were considered taboo during that historical time period or not. Same example: people on Twitter complaining that Netflix "made" Alexander The Great "gay," and after people push back and point out that the man did, in fact, love and fuck men, hitting back with "homosexuality wasn't even a word back then" or "modern identity didn't exist back then." Sure, that word did not exist in 300s BCE Macedonia, but that doesn't mean the man didn't love men, nor does that mean that we can't recognize that he'd be considered "queer" by today's standards and language.
Genderqueer, as a word and as the concept is understood today, did not exist in feudal Japan, but the people did and feudal Japan had its own terms and concepts that referred to gender variance. But while the show takes place in Edo Japan, it is a modern adult animation series made by a French studio and two Americans (nationality). Mizu is additionally a fictional character, not a historical figure. She was not created in a vacuum. She was created in the 21st century and co-written by a man who got his start writing for Sex in the City and hails from a country that is in the midst of a giant moral panic about genderqueer/gender-variant people and gender non-conforming people.
This series was created by two Americans (nationality) for an American company. In some parts of that country, there are laws on the book strictly defining the bounds of men and women and dictating what clothes men and women could be prosecuted for wearing. Changes in language and identity over time mean that we can recognize that if Mizu lived in modern Texas, the law would consider her a drag performer, and modern political movements in the show creators' home country would include her under the queer umbrella.
So, yeah, there will also be genderqueer people who see themselves in Mizu, and there will be genderqueer fans who are firm about Mizu being queer to them and in their “headcanons.” The scene setting being Edo Japan, does not negate the modern ideas that influence the show. "Nonbinary didn't exist in Edo Japan" completely ignores that this show was created to explore the liminality of modern racial, gender, class, and normative identities. One of the creators was literally inspired by her own relationship with her biracial identity.
Ultimately, the fact Mizu, at this point in her journey, chooses to present and pass as a man and the fact her presented gender affects relationship dynamics with other characters (see: Taigen) gives this story a queer undertone. And this may have been largely unintentional: "She’s a girl, and he’s a guy, so, of course, they get together," < ignoring how said guy thinks she’s a guy and that she intentionally passes herself as a guy. Audiences ARE going to interpret this as queer because WE don’t live in Edo-era Japan. And I feel like people forget that Mizu can be a woman and the story can still have queer undertones to it at the same time.
#Blue Eye Samurai#‘If I was transported back in time… I’d try to pass myself off as a man for greater freedom.’#^^^ does not consider the intersection of historically queer existence across time with other identities (& the limitations those include)#nor does it consider the danger of such an action#I get it. some come to this conclusion simply because they know how dangerous it is to be a woman throughout history.#but rebuking the normative identities of that time period also puts you at great risk of violence#challenging norms and rules and social & political hierarchies does not make you safer#and it has always been those who exist in the margins of society who have challenged sociocultural systems#it has always been those at greatest risk and who've faced great violence already. like Mizu#Anyway... Mizu is just Mizu#she is gender queer (or gender-variant)#because her relationship with her gender is queer. because she is gender-variant#‘queer’ as a social/political class did not exist. but people WE understand as queer existed in different historical eras#and under different cultural systems#she’s a woman because queer did not exist & ‘woman’ was the sex caste she was born into#she’s also a woman because she conceptualizes herself as so#she is a woman AND she is gender-variant#she quite literally challenges normative identity and is a clear example of what sex non-conforming means#Before the actual. historic Tokugawa shogunate banned women from theater#there were women in the theater who cross-dressed for the theater and played male roles#so I’m also really tired of seeing takes along the lines of: ‘Edo Japan was backwards so cross dressers did’t exist then!’#like. please. be more transparent won’t you?
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safyresky · 20 days
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Grand Tour
Part I
"Pygmys."
"Pygmys?"
"Pygmys. They're fascinating little creatures!" The Prince tapped the glass of the jar he held in his hand. A fluffy little spike ball jumped a bit, spindly legs going wide as it ran all over the jar. "They travel in a big cloud and wreak havoc. They don't mean to, of course. They're just surviving. As we all are. But they do have a tendency to clump and stick to things and they do not come off that easy. We don't have these at the castle! The name is most definitely localized. It'll be exciting to study these closely and—"
"WAIT. THEY WHAT?"
The Prince frowned, turning around and shouting back at the farmer's fields. "THEY STICK."
"OH. WELL THAT EXPLAINS A LOT." The other Prince came around the corner of the farmer's shed, hopping on one foot, covered in pygmys. "Great news, Pyros, Jeremiah. I think I got them all."
"And they're going to eat right through your armour, Blaise. Marvin's going to kill you, you know."
"Not if my twin brother helps me out before then!"
Pyros tried very hard to look stern. He really, really, did. But they'd been travelling cross country for almost a month now and he was feeling quite good being away from home and Blaise looked really very funny with that monstrous big grin of his and he was going to be able to study a creature he could never get his hands on all cooped up inside the castle, so the smile did not slip out so much as it did explode across his face. He laughed to himself, waiting for Blaise to hop right beside him before summoning his staff. Mumbling to himself, he drew a few shapes around his brother, tapped the jar-ed pygmy with the top of his staff, and, once the jewel glowed, tapped the tip of Blaise's armoured foot. The Pygmys flew right off him.
"There we go! Better?"
"Much," Blaise grinned, summoning his own staff. Quickly drawing a circle in the ground he struck his staff in the middle of it. The Pygmys suddenly stopped bouncing around and were pulled into the circle, light stretching up around the perimeter and successfully trapping the sticky little fuzzy creatures within.
"Hmm. Nice. Think that'll hold for the night? I should be able to figure out how to dispose of them by the morning."
"Yeah, it'll hold. And we could always just. Y'know. Relocate them. We don't need to destroy them."
"Blaise, they're pests."
"Maybe they're useful somewhere else! Away from the crops and groves and what have you—"
"AHH! Your HIGHNESSESS!!"
Pyros looked appalled. "Is he calling the both of us? Really?"
Blaise snickered. "Hey, Marvin!" he said, eye contact with Pyros unbroken.
"No no no no NO don't you HEY MARVIN me, Prince Blaise. LOOK at the STATE of the two of you!" The angry drow thrust his hands out at them, face a deeper than usual shade of purple as he caught his breath. "Your armour is COVERED in some sticky substance and WHERE are your surcoats? Tippet? Robes?" He whirled, glaring at Pyros now, arms on his hips. "And YOU, Prince Pyros. WHERE is your ARMOUR?"
Both boys protested, both insisting they did not need the bits they were missing.
"Look, Marv, I've got the armour and Pyros has the robes and surcoats and royal colours so I think we're fine. I mean, between the two of us you have a whole dressed prince!" He grinned, throwing his arm over the drow's shoulders and bringing him in close.
The drow gulped, ducking a bit to avoid the fiery mess that was Prince Blaise's hair. "Your parents will have my head if I don't keep you shipshape and safe and that INCLUDES properly armed AND clean!"
"Marvin, please," Pyros said, raising a hand to placate. "Between the two of us, we'll be fine. We're both nearly masters at the warlock craft—some of us more so than others—and we do have our innate summer sprite lineage at our disposal as well."
"Which some of us excel in, more so than others."
"More so than others—"
Blaise stuck out his tongue with a very immature mlem.
Pyros returned the favour in kind, with a MLEM of his own.
"BOYS! This is really very unbecoming of the both of you—"
Pyros rolled his eyes as Blaise waved carelessly in the air with a very passionate, "Pish, posh."
"What? Pish posh?" Pyros looked perplexed. "Really? Where on Earth—"
"Winter."
"Of course."
"What? It's a fun turn of phrase!"
"You know, you are smitten with that season—"
"BOYS."
"Marv."
"Marvin."
Marvin closed his eyes for a moment, pinching the bridge of his nose. He inhaled deeply. Exhaled. Pressed his fingers together one by one before opening his eyes. "Prince Blaise. Prince Pyros. I really must insist—"
"We're fine, Marvin! Really. Look, I'll clean the sticky off in a snap!" And he did just that. Blaise snapped his fingers, the sticky residue left from the Pygmies peeling off of his armour and disappearing into thin air, the armour itself looking freshly polished. "Boom."
"You still aren't wearing—"
"And I'm not going to! Just like Pyros isn't going to wear the armour!"
"It'll only impede my evening's work."
Marvin wrinkled his nose. He looked like he wanted to protest. "Fine. If you insist."
"And oh but we do!"
"Really and truly. I assure you, we will be just fine. You're dismissed, Marvin."
"Yeah, go enjoy the sights! We don't get to go out often, y'know."
Marvin's nose somehow wrinkled even more. "Very well."
Hands still clasped, he turned on his heel and headed back towards the royal entourage, immediately barking orders and dispersing them throughout the town.
"He's going to kill us."
"Oh yeah. One of these days, for sure. But that's a problem for later! For now, you've got fuzzballs to study, and I've got several other tenants to check in with. Unless you want to join—"
"Absolutely not, thanks. Jeremiah, if you wouldn't mind directing me to your local castor? Prisma, I believe is the name?"
"Sure, your highness. Big tower up the street. Very purple. Can't miss it."
"Much obliged. Blaise, I believe we'll have to stay overnight."
"I'll get Marv on it."
"Shout if he tries to kill you," Pyros said, heading down the path.
"He'll shout louder!"
Pyros laughed, turning at the gate and heading up the street.
Blaise watched him go, chuckling to himself. "Ah. I'd say poor Marv, but he makes it too easy. Anything else you need our assistance with, Jeremiah?"
"Well, there is one thing. It's not so much an assist more so as it is a concern. I'd take it to an audience day but uh, I don't often make it up your way."
Blaise smiled warmly. "Sure. What's up?"
"Well, ah. Your Majes-ah, Highness. Sorry, sorry. I mean no offence, I just—the titles—I—"
Blaise held up a hand. "Don't worry. Just Blaise is fine."
Jeremiah paled. "Are you certain?"
"The only people who care about titles are the King and Queen and Pyros and Marv and they are all not here so yes, I'm positive."
The magibean gulped. "Well, ah, Blaise." The corners of his mouth twitched; Blaise grinned. "I hope you don't take offence to this—"
"Why would I?"
"It's about her snowiness. I don't want to impose or, or suggest anything bad or untoward or—"
Blaise tensed. "Is she okay?"
"Ah, I imagine so, yes. I've not heard anything otherwise. It's just...the crops have been freezing."
"Pardon?"
"Every morning I've woken up and the crops have been lightly frosted. I would've attributed it to the East's natural tendency to frost over, on occasion, but that seemed illogical given the time of year...and then I saw her."
"Who?"
"The Season."
"Winter."
Jeremiah nodded. He wrung his hat in his hands, swallowed with an audible gulp. "Um. Every night. Around the same time. She appears just on the edge o'er there," he gestured vaguely to the farthest reaches of his fields. "She lingers for a bit. And then leaves. And every time I go out afterwards, everything is frosty. And it lasts through to the morning. It melts with the sun, but the frost isn't good for the crops and I can't afford any loss—"
Blaise held up a hand. The farmer stopped abruptly, his heart racing, breathing heavily.
"Have you talked to her?"
"Talked? To a SEASON?" Jeremiah blanched. "I'm just a mere farmer, I could never—"
"She's very friendly. Frosty exterior aside."
"Well, Prince Blaise, if it's not out of turn for me to say...you can interact with her. I cannot."
"Why not? I'm sure she'd stay and chat. She's one of Mother Nature's seasons, she won't ignore you if you have a concern—"
The farmer cleared his throat. "Castes, Your Majesty. Ah, Highness. Sorry."
"Blaise. Just Blaise."
"Right. Well. Being what you are—"
"A sprite?"
"A prince."
"Oh! Oh. Right."
"You travel the same circles as her, as it were. It's normal for you to just. Walk up to a season and talk to her. But not for farmers like me."
Blaise's shoulders dropped. His hair died down. "Oh."
"I'm sorry, Blaise, I didn't mean to—"
"Ah, don't worry about it!" He perked back up, the brief moment of sadness gone as fast as it came on. It was enough to give Jeremiah whiplash. "Every night, you said?"
Jeremiah nodded.
"Perfect. Tell you what. If you wouldn't mind running over to Marv and letting him know as fancily as possible that Pyros and I have decided to stay the night here, and to make preparations. Y'know. Station guards wherever, find us some nice lodgings—"
"Oh! Okay, sure! So something like," he cleared his throat, straightening his posture and holding his hat behind his back. "The Princes have decided to stay overnight. Prince Blaise has asked me to ask you to make whatever preparations you see fit to, and to procure lodgings for them for the night. Like that?"
"PERFECT! Thanks, Jerry." Blaise clapped his arm, grinning. "And while you do that, I'll gather up the rest of the Pygmys for Pyros, and tonight I'll stake out your fields! If Winter comes by, I'll talk to her and see if I can figure out the frost for you."
Jeremiah brightened. "Really? You'd do that?"
"Of course! Why wouldn't I?"
"It's just...you're so hands on! The King isn't. We usually have to wait a few days before the appropriate measures are taken for various issues. You and your brother tackle them right away! It's not—it's unexpected. And, um, to besmirch the character of a Season in front of a royal?"
"Besmirch?" Blaise laughed. "Nah, you're just concerned, is all. And I appreciate you telling me. I'll get it sorted, don't you worry. I'm sure it's nothing."
Jeremiah nodded. "I'm sure you're right."
---
Lodgings set for the night and Pyros hard at work with the local castor, Blaise set himself up at the farthest reaches of Jeremiah's fields, watching the sun fade and the night creep in. The sky was clear as can be, a crisp chill in the air if his visible breath was anything to go off of.
Stars shone brilliantly. Blaise lay between the wheat stalks, hands behind his head, watching the stars as the night grew later still. Hair out, he was surrounded by darkness, enjoying the rare moment of silence and beauty.
Sure, they had stars at the castle. But it was never completely dark. There were always lanterns lit and soldiers marching about, armoured heavily compared to Blaise. There was so much world beyond the castle, and he loved the quarterly outings the King and Queen had the pair of them undertaking, despite knowing full well the reasoning behind it.
After all, he and Pyros were approaching eighteen-hundred. They were well past the age of majority and neither ruler had deemed who would be next in line yet, and it was coming up fast. It was obvious to him that they were trying to keep the two of them out of the way of their decision making. Especially with how Pyros kept asking. And how he himself kept not asking. In fact, Blaise was avoiding the topic entirely. It was clear as the night sky to him that they'd been sent out to give the King and Queen a break, or to test the pair of them, or maybe even both.
He tried not to think about it too much; tried not to bring it up. Pyros got all weird about it, and he'd missed his brother lately. See, going into the advanced studies with the Queen had been...
Intense.
Yeah.
It was intense.
Pyros had doubled down his already double-downed practise and study routine and they didn't get to hang out as often anymore. Not until they'd been assigned to do these outings. And Pyros had been all weird at first, but as their time out grew, his weirdness seemed to disappear, and things felt almost normal which was a very nice change as things were feeling very not normal back at the castle as of late and Blaise Did Not Care For It.
Deep breaths, he told himself. We're not home right now. We're out and about. Just enjoy the night. And also maybe keep an ear out, like you told Jeremiah you would.
His breathing evened out (he hadn't even realized it'd started speeding up) and he cast his gaze back up at the sky, watching the stars twinkle as the planet turned, the cosmic dust coming into view high above him. He sighed, smiling up at the sky, when suddenly a pale, round face obstructed his view, white tendrils of hair framing her flushed cheeks, blue eyes lit up.
"Beautiful night, isn't it?"
"It just got even prettier, if you'll believe it."
She snorted, her head snapping back up—but not before Blaise caught the silly little grin. With one of his own, he sat up, staring up at the season before him.
"Ever the flatterer."
"You love it."
"I don't recall saying that."
Blaise smirked, bringing up a knee. He rested his elbow on it, holding his head in his hand. "You don't need to."
A delicate hand came up, blocking her mouth as she let out a little laugh.
Armour clanking, Blaise stood up, blinking briefly when he realized she was a lot farther down than he remembered.
"Why are you so small?"
She snorted. "I believe it's because you have gotten tall. Er. Still. I'm going to throw out my neck at the rate you're going, Blaise—er, your highness."
"No need for that! It's just us, Winter."
"Oh! Good! In that case!" She shifted, adopting her regal stance, folding her hands in front of her dress. "Blaise. What on Earth are you doing laying in the fields this far east and this late at night?!"
"Waiting for you, actually."
The Season flushed, her posture relaxing. "Oh! That's sweet. Unless I'm in trouble, of course." She paused for a moment, curiosity overtaking the flush. "You'd sneak out for me?"
"I mean, if you asked, probably! But I'm not sneaking around. It's, uh, the quarterly check in."
"Already?"
"Well, it has been three months since the last one."
"Good heavens. Time certainly flies, doesn't it?"
"It would seem so, but you know, I've never asked. Does he?"
"You know, I'm not quite sure! I've never thought to ask either. Perhaps Mother knows?"
"Maybe. You should ask her."
"I'll forward that to management. Right! Now then! You haven't answered my question. What are you doing laid out in the fields this late at night?"
"Waiting for you."
She blinked, dumbstruck. "You were serious?"
"Well, yeah!" Blaise chuckled. He ran a hand through his hair, sparks trailing behind him as it lit up. He took a moment to admire the way the firelight played on her face. There were angles at play, breaking through the childhood roundness. He wasn't the only one who'd grown, it seemed.
"Blaise? Earth to his highness? You there?"
"Yes! Right." He cleared his throat. "Jeremiah—the tenant who lives here? He had a bit of a concern he brought up earlier today when we rolled into town. Apparently his crops are frosting over every night, and though it melts during the day, he's concerned about the long term exposure effects. He thought it was you doing it. Says you've been stopping by every night?"
"Indeed I have! But not for the reason he thinks. Actually, this is great timing because I have a concern to raise with you."
"Oh?"
"It's about Jeremiah's crops. They're frosting over!"
Blaise snorted. "You don't say?"
She nodded, giggling quietly to herself. "Come along, your highness. I'll show you. Right this way!" And without waiting for him to reply, Winter grabbed his hand and led (dragged) him to the corner of the field Jeremiah had pointed out earlier that day. She pulled him down, the pair squatting in the stalks, staring at the wheat. She let go, keeping her hands above her shoulders and maintaining eye contact. "See how my hands are way up here?"
Blaise nodded.
"Right. Well. Look at the wheat."
Blaise did, and immediately found himself frowning as frost crept over the sheaths, tickling the very tops of the plants and settling in for the night. It stretched on, right through the entirety of the field. He glanced back over at Winter: hands still up; no obvious magical signature showing. He felt the magic in the air around them. Her magical signature was not pulling at the threads.
It wasn't her.
"So that shouldn't be doing that."
"What's worse is it won't listen to me."
"What?"
"Watch."
Winter stood up, the heads of the wheat tickling her elbows. Her hands took on a white glow as she pulled them back, and the frost stayed perfectly comfortable on the spikes of the wheat. She gestured towards it violently, the white glow gone, the most frustrated pout on her face. "See?"
"That's really weird. I thought all frost and snow and wintry stuff listened to you?"
"Ah, but even we seasons have our limits. Sometimes nature takes its course and we let it do so. Mother Nature says that perhaps this is one of those times; perhaps nature is trying to tell us something."
"So why doesn't she just tell you straight up?"
"I think she's using it as a lesson. Anyway, I've started my nightly rounds here every day for the past few weeks, trying to see if I can make the frost go away, but nothing I do seems to work! So I looked closely at the pattern, and though the frost is mirroring the shapes of the wheat, there's a slight little group of curls that look quite similar to the pattern that usually resides within the frost in the Snowy Lands to the North of here."
"But it would only be doing that if the crops were on Northern holdings."
"Precisely. I think the current land holder is committing a spot of encroachment. I haven't had a chance to look further into it, but given the facts..."
"It seems likely the land Jerry's using for this year's harvest is actually in the North and not the East."
"Exactly. And I don't think Jerry knows this! I think the Lord here is trying to keep it on the down low." She squinted for a moment. "Leo? Zeo? Neo! That's the one. Bit of a prick, if I recall correctly."
Blaise snorted. "Checks out. He's always complaining about his holdings when we host court." Blaise rubbed his chin. "If he's trying to gain more land, he'll want to do it quietly and carefully. The royal surveyors are the best at their jobs. It would take quite a bit to trick them."
"Precisely. And! We are fairly close to the border right now! The town beyond here is a hub where denizens from both the North and East meet up, do business, and so on. If you played your pieces right, it could be a fairly easy point to start growing your holdings illicitly. Especially since the North is so sparsely populated."
Blaise continued to rub his chin. "That's a hefty accusation."
"Indeed. But it has merit. If you look at the other half of the field, the one that's closer to his farmstead, the crops there are all fine. Not a single bit of frost on there."
"Hmm. Interesting." Blaise stopped rubbing his chin. "I suppose I should go take a look." He smiled softly at her and held out an arm. "Walk with me?"
Winter blinked up at him in surprise. "Oh! Ah, certainly."
She carefully grabbed his arm, her cool touch frosting the burnished metal of his armour. Careful to weave between the rows (least they accidentally crush the wheat), they made their way over to the other side of the fields, where sure enough, not a smidgen of frost graced the stalks.
"See?"
"Huh. That's...okay. I mean. It's not okay, obviously, but I didn't think "land stealing conspiracy" would be on the list this fast."
"But you expected it?"
"It wouldn't of surprised me. At any rate, I'll have to work on this after the check in." He rubbed his chin again. "And I'll have to figure something out for the short term."
"Perhaps, in the interim, there's something I can do to help? I'm sure one of my sisters can move the wheat consequence free while you get this sorted. This way Jeremiah doesn't have any loss? Lady knows what Neo would do if he knew we were on to him."
Blaise's hand stilled. "Oh? You think your sisters would be able to do that?"
"Oh, please. They have this very strange soft spot for me. They would quite literally do anything for me."
"Even Spring?"
"...sometimes. And if not, I can be, ah, very persuasive."
Blaise laughed. "I believe it. Are you feeling okay?"
"Quite all right. Why do you ask?"
"Your hair is melting."
She flushed, her free hand reaching up and touching her very thawed roots. "Oh! Well. That happens sometimes."
"Oh?"
"Yours is literally on fire. And I've been near you for a good moment now."
"I see," Blaise replied. (He did not, in fact, see).
"I'm sure you do. Now, you don't think it's too late to talk to Jeremiah, do you? I'd like to apologize to him and let him know one of us seasons will be on it post haste. He and his family are probably asleep, though, aren't they?"
"We'll go take a gander. He said he'd been seeing you these past few nights, so I wouldn't be surprised if he was still up."
"Very well." Winter tightened her hold on his arm. "Lead the way."
Seconds after they came into view of the small house, Jeremiah popped out the back door, clicking it shut quietly behind him, candle in his hand. "Your Highness! And Your Snowiness!" Frazzled, he bowed twice, his hair nearly catching fire.
"Oh, no need for formality, really. It's much too late in the night for that. And pardon my intrusion. I hope I didn't wake you?"
"No, of course not your, uh. Season-y-ness."
"Just Winter is fine, please. Don't fret. Sorry for the crop fright. I've touched base with Prince Blaise," she gestured towards him, as though her hand wasn't still looped around his arm. "And we think we've figured out the issue. It's all a little hush hush right now, and we'd both appreciate your discretion."
"Of course. Whatever you need."
"Now! In the interim! About your crops! Unfortunately I cannot control the frost that seems to have made itself cozy in your fields. But! My sisters can control the wheat! I'll talk to them and we'll be by in the next week or so to move the crops over to a portion of land that is not being assailed by frost."
"Oh, well, that sounds nice and all, but the unplanted fields are to remain fallow this year, y'know, to replenish the soil and the. And the like." He scratched the top of his head nervously.
"Oh, I'm familiar with the idea, yes. Of course, my sisters are more well versed in it and my mother is, of course, the expert. We can take care of replenishing the soil just this once while we work on the frosty problem back there."
"Really?"
"Of course! Our duty is to maintain balance and help the people, sir. You are one of those people."
"But I'm just a farmer—"
"Ah, pish posh! You are a denizen of Crystal Springs same as any of us, castes be damned."
Blaise guffawed. Jeremiah blanched.
"Does that work for you, Jeremiah? And would your highness be alright with this arrangement?"
"I believe Jeremiah's fields actually supply the castle, too, so yes, absolutely. This'll give me some time to confer with the King and Queen and see if we can get to the bottom of the land issue."
"Then that's settled! Jeremiah, I will be in touch. You best be off now. It's late and you have kids, do you not?"
"Yes ma'am. Two. Very little, quite rambunctious. Give the wife and I a run for our money some days."
Winter laughed. "Then you best be getting some rest. Worry not." She placed a gentle hand on his forearm. "The Seasons and I will take care of your crop issue, okay?"
He nodded, stifling a yawn. "Yes ma'am."
"And really, just Winter is fine. Now then! Off you go!"
Nodding once more, Jeremiah turned around, letting out a proper yawn as he made his way back inside the house. The pair waited for a moment until the final light glowing in the back of the house went out.
Winter hummed. "That takes care of that, then."
"You are a very impressive woman. Have I ever told you that?"
"Haven't the foggiest," she lied, smiling up at him coyly. "I do apologize for taking charge their, ah, your highness."
"Pfft. Don't! Please. I…it’s nice to not have to be all formal and what have you. Can I escort you anywhere?"
"No, I best be off. I've only just started my rounds, you know! There's a whole half of the globe waiting for me tonight beyond these healing waters."
"Globe?"
"Yes. My job takes me all over it, Blaise."
"Huh. I guess it would, wouldn't it? I just...I never really thought about it, you know?"
Winter watched as Blaise looked thoughtful. Smiling to herself, she let out another little hum, tugging on the arm she still held captive. "Perhaps I can escort you to your lodgings for the night?"
"Oh, no need! But I'd ah, appreciate the fine company on the walk."
"Lead the way, then. And do elaborate, if you please."
"Elaborate? How?"
"You've never thought of the world beyond Crystal Springs? Ever? At all?"
They took the path that Pyros had trodden hours earlier, heading straight into the heart of the town instead of hanging the left to the tall purple tower in the distance, where the windows glowed with light, magic sparking right out the chimney. The Royal Guard patrolled the street, local guards in tow the closer they got to the centre.
"No. Never."
"Not ever?"
"Well...okay, maybe I'm a bit of a liar. I have thought about it. But I've been taught all my life that it's unsafe, y'know? As most of the people are taught. That ordibeings would hunt us for our magic again the moment we left the safety of the Springs. So I try not to think about it, and I try to enjoy the cross-continent trip here every time we're sent out. It's nice to remember that there are places, beautiful places that exist outside the castle walls. To remember why Pyros and I are doing what we're doing."
"And even more beautiful places exist outside the continent! Beyond the oceans and the icebergs. There are a whole different set of stars on the other side of the globe at night! It's amazing. It's beautiful."
"And dangerous."
"Sometimes, yes. But not as bad as it was during the Wild Magic era. Most ordibeings have their own set of beliefs and their own versions of magic; they don't really need ours. Oh, they have stories, of course. But to them, they are simply stories and I'd wager that were we to venture out of Crystal Springs...we'd be okay. I mean, my sisters and I are! So is my Mother, and we're out of the continent nightly practically! And the Legendary Figures, they're all quite all right, the ones who roam about."
"Yeah, but they're Legendary Figures!"
"So?"
"I mean...they have more power at their disposal; they don't need to worry when they go out. But we do. That's why we were brought here, right?"
"So the history books say. But that's the thing, Blaise. It's history. We're very stuck in some ancient ways here, when you think about it, and I know you do."
He was silent as they approached a cozy main street, taverns and inns still lit up for the night, though the music had ebbed and silence had descended.
"Look, Blaise. I go beyond the Springs and I'm not a Legendary Figure."
"But you're a season."
"And technically, so are you, you know. We're the same type of sprite! Seasonal as opposed to elemental."
"I know, but I wouldn't want to step on Summer's toes. I wouldn't be allowed to."
"Says who?"
"Who do you think?"
Winter scoffed. "Ah, they're old. Very stuck in the old ways. Sometimes I think that's a bad thing."
"...Sometimes I think so, too. I mean. Mom and Dad are all about power and they interlink it with safety all the time! And when we're out here, I don't have to think about all that! And Pyros stops thinking about it too and it's kinda nice, you know? I mean, they've been here and in power for thousands of years. To think the world is still the same is...insane!"
Winter laughed. "Tell me something, Blaise. Would you still sneak out for me?"
Blaise blinked. "Oh. Most definitely. Between you and me, your snowiness," he leaned in, close to her ear. "I hate being in the fucking castle all the time."
Winter laughed. "I can't believe the magic let you get away with that!"
"I'm that passionate about it! That's why I love these outings so much! I'm not in the castle and," they came to a stop, Blaise spinning her about as the guards in front of the nicest inn in the sector stood to attention and dutifully looked away. "I get to see lovely people like you."
"Well, maybe you should accompany me out one of these days."
"Out like out out? Like out there?"
Understanding the sudden need for less words, Winter nodded. "Oh yes."
Blaise paused, fighting back a grin. "I think I'd like that. A lot."
"Oh, brilliant!" Clearing her throat as the guards shifted, Winter stepped back. "Thank you for the escort, your highness," she said, dutifully casting her eyes down and curtsying most graciously.
"Of course, your snowiness. It was my pleasure," he replied, placing his arm across his chest and bowing back. "Be safe tonight."
"Of course. And good luck on your travels."
Nodding at one another (and biting back grins something fierce), Blaise watched as Winter turned on her heel expertly, fully thawed tresses bouncing about. She nodded most graciously to the royal guards (the few that had been giving the Prince a moment of privacy as best as they could clanking as they stood to attention, scrambling to salute) and disappeared on the spot, the smattering of snowflakes left in her wake drifting down his way.
He gazed goofily up the street, maybe for a bit too long, only coming to his senses when one of the guards beside him cleared his throat. Straightening up, he waved (the guards happily standing down) and walked up the path and into the inn as regal and posh as possible, only dropping the act and grinning to himself when he closed the door to the inn shut behind him.
"And at what time do you think this is? And looking like THAT?!?!? And WHAT is IN your ARMOUR?!!"
Blaise frowned in quite the over-dramatically grotesque manner, one eye squinting in distaste as he plucked a tiny bit of wheat out of his couter. He held it up in front of him, Marv an angry purple blur behind it.
"It would appear to be wheat, Marv."
"And why is there wheat in your armour?"
"Because I was doing my do diligence and investigating a wheat problem in the fields."
"Hmm." Folding a napkin, he got up gracefully, surveying the prince with an unamused look. "And are you sure you acquired it like that? And not, per chance, tousling around in fields with a certain high ranking season?"
Blaise glowered. His hair burnt taller and hotter. He flicked the wheat away, approaching Marv at his full height. "I would appreciate it, Marvin, if you would refrain from using such crude language when talking about any of the seasons."
"And I would appreciate it if you made it easy to be your steward."
Blaise rolled his eyes, hair dimming. "I'm not the one you should worry about, Marv." He stepped around the drow, heading towards the stairs. "You and I both know that." He paused by Marv's table, grabbing a bun from the small bowl of bread in front of him. "You're not staying up to wait for him, are you?"
"Indeed I am."
Blaise snorted, half chewed bread going flying. "He's not coming back here for the night."
"I beg your pardon?"
"He'll spend the night with the castor."
"No he will not."
"Yes he will." Blaise spun on his heel, clanking up the first two steps. "So you MIGHT AS WELL get some sleep. You're so grouchy when you don't."
Marv's undignified yell gave Blaise great satisfaction as he bounded up the stairs, polishing off his pilfered bread and ducking into his room (one of two heavily guarded doors). He chuckled to himself, throwing off the armour (the burnished metal casually floating itself into a neat pile) and the layers underneath until he was left in nothing but his briefs. He slid into bed, arms behind his head as he thought of the world outside the healing waters and well beyond the floating icebergs.
---
The morning dawned bright and early, as it was wont to do in the early fall. Outside, the grass was crisp; a fresh layer of frost slowly melting as the sunlight hit it.
Up and at 'em and fully armoured once more, Blaise bounded down the stairs, barely able to withhold his snort when he saw Marv snoring at his table, head on his arms. Carefully, he pried a napkin out from under the bread basket, conjuring a pencil and writing something down very fast. Satisfied, the pencil disappeared and Blaise crumpled the napkin in his fist, sliding up to the counter top and clearing his throat.
Marv shot up. "Gah! Your Highness!"
"Morning Marv! I guess he didn't come in last night, huh?"
Marv cleared his throat, stepping up and righting his table. With a wave of his hand, his robes straightened themselves out, his hair looking less bedhead-y and nice and neat. "I am…unsure."
"Mm. That checks out. Ah! Tilly!"
The barkeep let out a meep, rushing to curtsy. "How can I help ya, your highness?"
"I was just wondering if there was a washroom I could use down here." He glanced over at Marv surreptitiously. The Drow was distracted, talking to Kira, the chief of security. With a flick of his wrist, Blaise slid the crumpled napkin towards the barkeep, glancing down at it and back up at her.
Catching his gaze, she reached out and uncrumpled the napkin. Her eyes skimmed the words quickly, brightening as she finished reading the hastily scrawled message. "Ah! Of course! It's just behind the staircase! There's a hallway. Make a right, and it'll be right on the end."
Blaise grinned. "Thank you, Tilly."
She bobbed her head. "Of course!"
Chuckling to himself, Blaise grabbed the crumpled up napkin, crushing it up in his palm and reducing it to ash. He followed her instructions, grinning when he turned the corner and sure enough, there was the back exit, door wide open as staff brought in the groceries for the day.
Excusing himself politely, Blaise scrambled around the staff, ignoring the scrambly bobs as he looked up and down the street for any sign of his counterpart.
There was none.
Avoiding the front of the inn, Blaise put out his hair, blending in with the crowd as best as he could and reaching out with his mind.
He was close. Just coming down the path and turning towards the main street.
Blaise rushed past the taverns, turning up the street (briefly skidding), relieved when he saw Pyros coming down the path. His gaze was intensely focused on an object in his palm as he headed down the way, looking very, very dishevelled.
Hey. Hey. Hey. Look up.
Blinking, Pyros looked up, making eye contact with Blaise, who was grinning maniacally and waving boisterously, in Pyros's very humble opinion.
I didn't realize you could wave as loud as you could speak.
Blaise laughed, bounding up the street and coming to a stop beside Pyros, turning on his heel and falling into step. I am a sprite of many talents! He smirked, his hair lighting up with a soft whoosh. We have a problem.
We do?
Well, you do. Blaise cleared his throat, pointing to the bottom corner of his own mouth. "You got something there. What is that, Jam? Jelly? Ketchup? Dye?!"
"I've yet to wash up. Figured I could do that in whatever rooms Marvin secured for us and have a nice breakfast before getting down to business."
"Not to be confused with the business you have obviously already gotten down to."
Pyros glanced down at his outfit. It was...wrinkled; dishevelled. The, uh...dye (lip paint. It was 100% lip paint) was smudged on his face AND his hands, he realized, and Lady only knew where else! His outfit was covered in magical residue and glitter that seemed very not magical. "Okay, and? What's your point?"
"Marv knows you didn't come in last night. Your royal hinny is screwed and not in the fun way I imagine it to have been last night."
"I would appreciate it if you didn't imagine my royal hinny in any capacity whatsoever."
Blaise snickered. "It's not literal."
"Good."
"Thankfully! My royal hinny is very clever and very suave and snuck out to intercept you which thank the LADY I did because voila!" Blaise snapped his fingers, and Pyros was suddenly looking as pristine as he would've had he gone home and done his morning toilette before emerging for the day. "All fixed up, and now it'll simply look like we are walking back to town together, having gotten up to none shenanigans whatsoever last night."
Pyros flashed him a wry smile. "Really? None shenanigans? From you?"
"None whatsoever."
"That'll be the day. And oh, there he is. Right on time."
"Brace yourself. I already had my lecture. He's had all night to think of yours."
"WHERE have you BEEN!" Marv marched down the street, three guards behind him, Kira at his side. "I turn around for one second and you disappear—"
"Very unwise, Blaise."
"And YOU! I leave you alone for a night and you DON'T come HOME?!"
"I was busy!"
"Yeah you were. Grrrr—oof."
Blaise rubbed his stomach as Pyros retracted his arm, standing at full height and looking down his nose at Marvin. "As you were well aware, Marvin, we had a sticky—" (a pause for Blaise's snort and another whack, on the chest this time) "—situation to find a solution for. And since Blaise requested it to be non-lethal, it required a bit of an…intense magical research session."
"You could've sent a letter! A scry, a fireball literally ANYTHING! You are a prince! The both of you! If something happened to either of you that would be very very bad all around."
"Ah, please. We can handle ourselves."
"And if anyone did anything to Blaise short of killing him, they'd give him right back. Ten minutes, tops."
"They'd give you back in five."
"Is that a challenge?!"
"NO! There will be NO challenges of this particular sort!" Marvin pinched the bridge of his nose. "I am just looking out for the two of you. And if the both of you MUST mess about in the evenings at least elicit some decorum and for Goddess's sake let me know."
"Mess about?" Pyros raised an eyebrow at Blaise. "None shenanigans, eh?"
"None whatsoever."
"Hm. How's Winter doing?"
"Very well, thanks."
"Lady help me. At LEAST you are presentable, Prince Pyros."
Blaise flashed him a smug look. Pyros sighed. Thank you.
His twin grinned. Anytime.
"Feel better, Marv?"
"There is nothing short of an overnight stay at the springs that could make me feel better."
"We'll add it to the itinerary for you. So! Pyros! How'd it go?"
"Very well! We managed to isolate the sticky bit of the pygmys and extract it from them, reducing them to harmless little fluffy. Things. As for the sticky secretion, Prisma had the delightful idea to isolate it and use it to make a new kind of adhesive. She wants to test it first, so we only have the one at present.” He lifted the object in his hand—an unmarked tube. Also slightly covered in glitter. “She'll be joining us shortly to do just that."
"Where is she now?"
"Placing little sticky absorbing devices across town. This way, should the pygmys start secreting once more, the devices will use the magic we imbued within them to take it right off and store it."
"And the pygmys?"
"Can now bounce around no more harmful than, say, a tumbleweed or Blaise when you wake him up too late in the day."
"Hey!"
"He's right, your highness."
Blaise made an undignified sort of moaning and or groaning sound in his throat. "Whose side are you on here, Marv?"
"Mine. And it is a lonely, fruitless side, let me tell you. Now then. We've much to discuss and itinerary changes to make so, let's go eat and then go about our day. I shall have a setting put out for this castor of yours, Prince Pyros."
"Very good."
"Shall I set one for her snowiness, Prince Blaise?"
Now Pyros grumbled while Blaise held back a snort. "No, no. That, uh, won't be necessary. She'll be coming by at a later date to touch base with the tenant whose fields are frosting over. She's, uh, not joining us for breakfast." He scratched the back of his neck, sheepish.
Pyros smirked. “You’d like that though, wouldn’t you.”
“Immensely.”
“Shame we can’t switch.”
“Alas! She is a season, not a talented castor.”
Deciding against chiding the pair of them for their silly little banter, Marvin pressed his fingertips together. "Hmm. Very well. Come along, you two."
Clapping, Marvin set back towards the inn, hands behind his back, head held high. The detachment of guards that had surrounded him now surrounded the Twin Princes, ushering them forward while preventing them from backtracking or making any other attempts to escape and or engage in tomfoolery, as it were. After all, they had a schedule to keep. Rounds to continue on and issues to address. Being behind simply would not do. Not for Blaise, not for Pyros, not for Marv or any other members of the royal detail that'd been sent out to keep the peace, as it were.
---
Days later the Twin Princes found themselves once more shut into their carriage, both boys looking out the window with similar, thoughtful frowns. The carriage rumbled on, rain splattering the rooftop as the sun shone brightly.
Thoughts in faraway places well beyond the sun showery path before them, Blaise let out a melancholy sigh.
"Hmm. That's not good. You're usually rearing to get to the South."
"I do love me a good beach."
Pyros smiled to himself, glancing back out the window. Thunder rumbled in the distance.
He could ask mentally. Didn't even need to ask; could just pop on into his head and figure it out for himself. It's not like he blocked his end of their connection; neither of them did.
But it was a lot more fun to outright ask.
"Hey, Blaise."
"Mm."
"What're you thinking about?"
Success! His twin smiled through the hand pressed onto his face, the severity dropping and revealing the more carefree brother he was used to. "Land disputes. You?"
"Pygmys."
"Pygmys?"
"Pygmys. See, here's the thing." He leaned forward in his seat, hands folded between his knees. "The word pygmy is just that! A word! It usually denotes something smaller than the regular. And they used it to describe those small fluffy things."
"What would you call them instead?"
"Hmm. Don't know. Fluffs? Fuzzes? Fuzzies? Fuzzballs? Furries? Furbies?"
"I don't like that last one."
"Nor do I. Furby sounds like it could be a curse word. Like, a good and proper curse you'd cast, not a cuss word." He paused briefly, taping his nose. "Now, here's the thing. If the word pygmy denotes a smaller version of something, it begs a question."
Blaise dropped his hand from his face, giving Pyros his full, undivided attention. "Go on."
"If these pygmys are called that by the locals simply because they are small, is there a bigger pygmy? A giant pygmy to rule them all? A fuzzball the size of both of us?"
Blaise laughed, a right and proper loud laugh. "Maybe that's why they're so sticky? Maybe it's because they stick together and make a big ol' clump of fuzzball and THAT'S the one fuzzball to rule them all!"
Pyros lit up. "Ou! I didn't even think of that possibility! Now, IF that's the case, where is it? Where does it reside? What does it want? And should we find it?"
"Or will it find us..."
Now Pyros found himself snorting, the pair of them laughing up a storm to out storm the sun shower outside.
The carriage rumbled on, bringing the princes closer and closer to their next stop, their laughter echoing about the entourage. Guards perked up; Blaise's horse whinnied happily, trotting up to the window and trying his best to shove his little head into the carriage with them.
On the covered seat of the carriage, Kira chuckled, elbowing Marvin gently.
"You gotta admit. It's nice to see the two of them getting along and in such high spirits."
"Kira, if I admit that, I am sure it will be my downfall. I have a reputation to keep, you know. Lady only knows what'll happen if I destroy it. All my credit!"
She laughed. "Of course, of course. Goddess forbid."
She looked away, smiling to herself, because even Marvin could not hide the slight smile their jovial (and, quite frankly, very unbecoming of their station, if you asked him) hooting and hollering brought to his face.
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pardonmydelays · 2 months
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AHHHHHHH GREEN FOLKMORE DRESS
hsehuehdheuduhebe GREEN FOLKMORE DRESS INDEED, I LITERALLY DIED CAUSE YOU GUYS WERE MANIFESTING AND IT WORKED!!!
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I think that perhaps the funniest thing about me is that I have had a lifelong special interest in LOTR and yet I have drawn maybe ten pieces of LOTR fanart in my whole entire life
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samgatinho · 3 months
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woahhh i just realized that a bunch of art i liked was yours and just old so i didn't realize and like wow you've imporved. like your old art was amazing but your newer art is even better :O
waaa thank you!!!! :⁠-⁠D
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doodlingwren · 3 months
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Ok, back to girlblogging eheh (๑•̀ㅂ•́)و✧
#wren text tag#like I said I got busy with my finals and I still have to take 2 exams in a week or so#and I know I could have been online in the time being#sadly I got ill and had to take antibiotics for the third time since the beginning of this year 😂 didn't feel like being silly#or drawing stuff in general sorry 🙏 mostly I tried to get better#there's no way I will have to postpone those finals#very funny how this month I wasn't online all the things happend#final chapter of StS: ND is out and oh boy#they announced a new Lady Oscar anime and * Oh Boy *#also a new Magic Knight Rayearth might drop in some time (oh boy but we will see)#oh yes I think Lore Olympus should finish soon bc I remember reading the announcement some time ago#and Roll20 got hacked again I'm 😐😐😐 can you please stop getting hacked I don't want my email full of spam again 😊💖#btw I haven't read the latest chapter of ND yet. I think I will wait until it gets published in italian (hopefully 🙏🙏🙏)#tho that doesn't mean that the second I logged in I saw 300 posts abt it 🤨 lol I cannot escape spoilers I guess#but IDK guys... I've seen some reviews and I had a “is this a jojo reference” kind of moment that I cannot explain#well I have the vague feeling of knowing how to explain it but also I will wait until I've actually * read * it#yeah now I will go to check my inbox byeeee 🏃‍♀️🏃‍♀️🏃‍♀️#I never get tagged in anything but for reasons I was? Obv when I was in my sickly victorian child era and I couldn't do anything for it#Wren arriving late to the party once again lmfao 😂
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threewaysdivided · 4 months
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Hobson Heckled into Historical Haute-Couture
Continuing the Dan Jones & Dragons gala parade with Hobson, the Flower Crowns' oft-harried Halfling Warlock (played by the ever-wholesome Dan Floyd). Is he trying to massage away the realisation that letting his literally-half-brained patron choose his gala attire might have been a mistake? Is Valse giving him a headache over something else entirely? Did he use Detect Magic in a room full of powerful items and accidentally flash-bang himself? Yes.
More Flower Crowns Gala Outfits: Morenthal | Gelnek
As always, design talk under the cut:
But before that, a short story: I've been following Dan's content on Youtube for... oh jeez, that sure is almost a decade now, both on his current New Frame Plus/Playframe channels and back when he was the primary founder and narrator for EC. His old games education videos helped me get one of my earliest jobs in project work and introduced me to a bunch of media production concepts (like scope management) that would go on to inform some of my own storytelling analysis posts. It was a startling little moment of artistic ouroboros to realise I was mentally running through key points from Dan's own Pose Design 101 video as I was drawing his DnD character. Never expected things to come full-circle like that, but if you're seeing this, Dan: here's to you 🫡 If you're not Dan and haven't already, do go check out his stuff - it's all super well-produced, informative, funny and he's just an overall stand-up guy.
Now: onto the tiny little nerd and his passé party attire
This was a really fun costuming challenge, with a bunch of interesting curveballs thrown in the mix. Unlike the rest of the Flower Crowns, Hobson didn't choose his own party outfit: it was picked out by his patron after Valse kibbitzed him into giving up and letting a heroism-obsessed Fey call the shots. Dan cited Valse as having the fashion sense of Stede Bonnet-as-depicted-in-OFMD, briefing a vaguely 19th century-style outfit that had frilled sleeves and 'would have looked gaudy even when it was in fashion a century earlier'.
Actually dating his outfit was the first challenge. D&D settings are kind of an anachronistic uchronia, with classic swords-and-sorcery fantasy campaigns potentially pulling inspiration points from anywhere across the Arthurian era up to pre-war modernity. Which leads to the question: how do you make something seem dated in a setting where most everything looks vaguely ye-olde-fantasy? The other challenge was that, IRL, the 19th century (i.e Victorian era) was when menswear started taking on a lot of the shapes that would eventually become modern suit and top-'n'-tails fashion. Since Trilby was already going to be wearing classic top-'n'-tails formalwear, I decided to set Hobson's style earlier in the 1800s-1820s and pull in some 18th century Stede Bonnet flourishes to visually set them apart. This article provided some great reference images, and once I hit on the figured silk waistcoat I knew I had a potential starting point.
Colour-wise, I stuck with the burgundy-and-gold palette the Dans gave Hobson in his official gala stream art, since those looked good together and matched up with Dan J's tendency to draw Hobson wearing greens/earth-tones and Valse in reds/jewel-tones. The combination is a lot more colourful and richly saturated than is typical for this style of Victorian-adjacent clothes, which felt appropriate for Valse's gaudy tastes.
Fabric-wise, I figured a fun way to gaudy things up even further would be to lean into the silks and satins that were fashionable at the time, but make all of his outfit shimmery rather than just a single feature piece. As a bonus, silk and satin clothes tend be hot, inelastic and have horribly itchy seams if worn unlined, which felt like exactly the kind of thing Valse's all-form-no-function sensibilities would inflict upon the small, long-suffering fellow. Both these fabrics also have a habit of behaving hideously and ripping themselves apart when worn wet, which makes this a great outfit to, say, accidentally fight an Aboleth in. Poor Hobson.
Some other details, just for fun: 1. Hobson's sketch layers include a drawing of his un-removable cursed left bracer. He's pulled the frilly, puffy sleeve over it but you might spot hints of the shape and the gem if you squint. 2. The reference waistcoat I used had floral embroidery on it. Had this actually been a Hobson outfit, I would have converted them to his garland flower (Forget-Me-Nots), but since it was a Valse pick I decided to make them Senaliesse chrysanthemums; a flower given out to friends of the Feywild's Summer Court as a sign of protection and favour. (It also adds extra layers to Pocket mistaking Hobson for a denizen of the Fey, which is fun).
Close crop on the details because I'm very happy with how they turned out:
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#my art#Dan Jones and Dragons#DJ&D#The Flower Crowns of E'lythia#Hobson Bunce#Hobson (Forget-Me-Not)#A Party to Forget#Very fun challenge to communicate the character of someone posing in an outfit defined by a different character's style sensibilities#After so long learning from Dan's content it was really nice to end up using some of those lessons to draw his DnD guy#Albeit somewhat ironic as Hobson's pose is the one I've been the least confident about to date#Dan J. was *very* kind to Hobson with his official gala art#I have been less kind but considering what the 1800s had to offer I could have done MUCH worse to the poor small man#Me and my program's airbrush tools got VERY well-acquainted rendering all that silk and satin#Valse very nearly bedazzled the poor fellow#Pretty funny that my motivation with designing Gelnek's outfit was: this could be fashionable#And then with Hobson's it was: this could ABSOLUTELY be worse#Luckily Trilby was there to stave off the impending threat of a 1800s beaver hat and wasp-waisted jacket combo#In my earliest concept sketch he was going to be wearing some Elizabethan/ Shakespearean-era nonsense#which very much would not have been a good time for him#Another challenge with trying to put Hobson into something unfashionable is that Dan J drew him real cute with nice eyes#He could be wearing a potato sack and he'd still have terminal baby disease#This man's smallness absolutely destroyed me mentally (in the best way)#I put him next to Morenthal in a to-scale drawing and spent the next 30 minutes being VERY NORMAL about it#DnD#D&D#Halfling#Warlock#fanart#3WD
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junotter · 6 months
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sometimes researching for avatar redesigns has you 6 layers deep into the Japan's Meiji era allies wiki
#im trying to mess with some of the stuff that feels weird about the ways the fire nation is depicted idk#like i do not feel optically it is good for like them to be so heavily based on japan's imperialist actions#while dressed in clothes that come from places japan colonized#but i dont want it to just be solely japanese though i did draw zuko and azula in hakama but its largely cause i wanted to draw hakama#and like the only place with strong japanese influence being kiyoshi island and my own frustration with the modern day samurai depiction#i think fundamentally it isnt a choice that had as much thought as i am putting in put into it but it does raise an eyebrow for me#anyway i think keeping the thai influence is fine despite the brief invasion japan had into thailand due to thailand then allying with japa#and further allying with the axis due to allying with japan#ugh and ive been told not to think this much about it because its fiction but its also fiction so so so heavily based on real places#and when you base fiction on real cultures you fall into some unintentional pitfalls#i also fucking hate the royal fire nation robes they look so meh and the most costumey out of everything in the show#they look like heavy blankets despite being a supposedly hot nation#theres ways to have heavy robes (heian era japan) but they look like i make them out of fleece and velvet blankets#back to kiyoshi island i think the really only aesthetically japanese reference in the show being an island of noble warriors is lame#plus over done#it feels like nowadays theres a lot of people who get all whiney about people saying fire nation is based off japan#but like dude the creators in the comics and korra like go even more into the japanese influence and clearly it was the original intentions#also i do think you could do some pretty interesting world building by having say there be an older cultural influence on kiyoshi island#from the fire nation especially if the place is established as a central port area then you tie in some okinawan or even hawaiian reference#and gives an explanation that makes sense to why kiyoshi stands out from the rest of the earth kingdom you have long term cultural trading#and it establishes interesting relationships even pre kiyoshi time thereby drawing back onto some real historic references#cause for awhile ryukyu china and japan used to be this trading triangle which could explain some of these various influences going on#i think you can get a really interesting harmony when you create the fire nation out of a mix of japan and thailand#i mean both have these floating buildings due to living on some pretty wet lands and theres harmony in that mix#god i did see one person go like “fire nation is more based on china because theres a lot of red and red is important in china”#my brother in christ red is also important in japan#red is important in like many many asian cultures#i mean of course a lot of that importance stems from china and cultural exchange with china but idk kinda silly to say with your whole ches#like if you want to bring china in then the dragons are the biggest thing like sure some mythos has dragons in japan#but a lot of those comes from china in some way
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zincbot · 1 year
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ngl i love the naruto fic trend of 'kakashi goes back in time and has to try to fix everything'
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