#thomasin

[limeshade]

Wouldst thou like the taste of . . . butter? A pretty dress? Wouldst thou like to live deliciously? Yes. Wouldst thou like to see the world? What will you from me? Dost thou see a book before thee?

THE WITCH (2015) Written and directed by Robert Eggers

[chippedcupwrites]

You sliced me loose and said it was Creation. I could feel the knife. Now you would like to heal that chasm in your side, but I recede. I prowl. I will not come when you call. SPEECHES FOR DOCTOR FRANKENSTEIN (2012), writ. Margaret Atwood

[gachahugs]

working, clothed, sleeping, evil

[atomic-chronoscaph]

Anya Taylor-Joy - The VVitch (2015)

[apoloadonisandnarcissus]

“The VVitch” (2015) and “Nosferatu” (2024) Are More Similar Than You Think

Robert Eggers made “The VVitch” and then thought: what if Thomasin and Black Phillip/The Devil had an demonic sexual love story going on? Time to make my own version of “Nosferatu” (the first script is from 2016).

This man is really out there making historical horror movies about ostracized women making pacts with the Devil.

“Wouldst thou like the taste of butter? A pretty dress? Wouldst thou like to live deliciously? […] Wouldst Thou Like to See the World?”

“You are not for the living. You are not for human kind. And shall you be one with me ever-eternally. Do you swear it? […] As our spirits are one, so too shall be our flesh. You are mine.”

How these films are similar:

Both Thomasin and Ellen pray for something at the beginning of the film, and the Devil answers: Thomasin asks for forgiveness and guidance, Ellen prays for companionship and tenderness;

Both Thomasin and Ellen are ostracized in connection with their womanhood and sexuality: Thomasin is growing into a woman, and Ellen has “hysteric fits” with strong sexual undertones;

The Devil (Black Phillip and Orlok) essentially kills everyone around them, until they are the only left, to force their hand into accepting him (a bit different in “Nosferatu” because it’s a remake);

Both films have a pair of children which are “foreshadowing bombs” in the narrative (Mercy and Jonas in “The VVitch” and Clara and Louise in “Nosferatu”);

In both films, the Devil offers something tempting to both these characters, which they accept: Black Philip promises freedom and knowledge, and Orlok promises eternal passion and sex;

Both pacts involve blood sacrifice and death to seal them: in “The VVitch” Thomasin kills her mother, in “Nosferatu” Ellen kills herself alongside Orlok.

Thomasin was accused of being a "witch", a “whore” and having a pact with the Devil by everyone around her, until she actually did at the end. Ellen is also seen as “deranged”, “diseased” and often compared to supernatural beings ("changeling girl", "sylph", "fairy", etc.) until she becomes just that at the end, too. They are both the Devil’s concubines.

“I’m that very witch. When I sleep my spirit slips away from my body and dances naked with the Devil. That’s how I signed his book.”

Thomasin taunts her sister, Mercy (“The VVitch”, 2015)

In another post, I already explored which demonic figures Ellen and Orlok are meant to be in this adaptation: Babalon and the Beast.

There I saw a woman sitting on a scarlet beast that was covered with blasphemous names and had seven heads and ten horns. The woman was dressed in purple [lilacs] and scarlet [blood], and was glittering with gold sunlight precious stones and pearls [sunlight]. She held a golden cup in her hand, filled with abominable things and the filth of her adulteries. The name written on her forehead was a mystery: Babylon the great, the mother of prostitutes, and of the abominations of the earth.

“Scarlet beast” = Orlok, a vampire

“blasphemous names” = names of the Devil

“Seven heads” = heptagram, the seven-pointed star (Orlok and Babalon’s sigils)

“Ten horns” = ten lilac flowers

“Golden cup” = it’s the Holy grail = womb

“Filled with abominations” = sex with Orlok, necrophilia

“Filth of her adulteries” = she’s married to Thomas before God, and she’s defiling that vow on their marriage bed

“She [Babalon] rides astride the Beast; in her left hand she holds the reins, representing the passion which unites them. In her right she holds aloft the cup, the Holy Grail aflame with love and death.”

Aleister Crowley, “The Book of Thoth”

In some occult circles, this “Beast” is the Devil himself, which makes me ask: is Orlok the Devil?

Not only he’s referred as such several times in the actual film, but also the fact he was one of the Solomonari, a dark wizard, in life, a servant and a student of the Devil. We are told “the Devil preserved his soul that his corpse may walk again in blaspheme.” So… who’s actually walking in that corpse? Orlok’s soul or the Devil? Being a servant to the Devil is being a puppet to the Devil, essentially. This is pretty much what the abbess says to Thomas: it’s the Devil that makes Orlok’s corpse walk.

In another post I already talked about how Orlok prepared his own physical death, because the book containing the “maiden’s sacrifice” was found by Von Franz in Knock’s office, his fanatical servant, which is shady to say the least. The Devil is a deceiver after all (as Ellen herself accuses him of being), so making the heroes believe they are beating him while doing exactly what he wants them to do, it’s not far fetched, and even rooted in religious belief.

Why would Orlok want to die in the physical world? Because he wants his spirit to be set free, he doesn’t want to be trapped in a freaking rotten corpse, which explains why he tells Ellen she’s “his affliction”; she’s the one who trapped in that physical form when she awoke him, probably. He wants to return to spiritual form, and wants to take Ellen with him; which explains their covenant, and their blood sacrifice at the end to seal it. And Ellen was also fully aware of what she was signing for, she knew what her physical death would mean (being forever joined with him in hell, or the Underworld or whatever “celestial sphere”), and that Orlok would die too (obviously).

[escapismthroughfilm]

⋆˚｡⋆.⋆˚｡⋆˚｡⋆ The Witch (2015) dir. Robert Eggers⋆˚｡⋆ ⋆˚｡⋆⋆˚｡

[swdefcult]

[ikvgai]

[vanalex]

Credit: drea.d.art | IG

[dead-dog-dip]

watched The Witch tee hee

[profoundstarfishmusic]

Corruption Outfit pt 2

[shesalittlelost]

All the takes around Nosferatu will start to make sense when you realise that some people still think that Thomasin's ending in The Witch is empowering and liberating.

[gachahugs]

magdalyn, thisbe, calliophe, and thomasin

[prplocks]

♡☆♡ the witch wallpaper

reblog if you save ▪︎

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[apoloadonisandnarcissus]

How do you feel “The Witch”, “The Lighthouse”, and “Nosferatu” are connected?

Robert Eggers: I have a primal narrative that comes out. It's not something that's designed, it just sort of happens. Everyone likes to die naked and insane…! I'm interested in folklore, mythology, fairytales, and archetypal stories.

The Allure of the Macabre: Robert Eggers Talks ‘Nosferatu’ - Script Magazine

[horrorsmashorpass]