Todas las veces que nos enamoramos/ In love all over again had me 😭 and 😂 and 😍 and 💔 and 🥹
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pygmalion and galatea for aroace people
you should tell your friends what I look like, riz gukgak.
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I'm sure you've seen that post about Gabriel finding out how V1 sees him, this post in case you haven't, it's pretty funny.
I was thinking though, what about the opposite of that? What if when V1 and Gabriel were in a safe space together V1 chooses to crank up it's graphics and look around. Partially since it gets a chance to actually look at how things are without having to worry about someone getting the drop on it in such an inefficient state but also so it can look at Gabriel in his entirety. A kind of love language exclusive to machines.
It's most likely that V1 probably wouldn't be able to articulate what it's doing to Gabe or that it's a form of trust/compassion, but what would Gabe think of it anyway?
GOOD POST....and yes i absolutely love this little thought...v1, as a war machine, likely doesn't even consider its capacity to have improved "eyesight" and would never otherwise utilize its higher resolutions. it's set at what it considers to be optimal, not only as it conserves its power properly but also because simplifying its field of vision is actually highly beneficial to the chaotic combat of hell. but being with gabriel makes it consider a whole world of things it never could before, its mind growing rapidly in unexpected trajectories and producing thoughts and feelings of a complexity far beyond what it was ever meant to be. and something like this, though it seems small or simple, is relinquishing its capacity to fight in that moment which should be against every protocol v1 has. yet gabriel takes its priority, overriding such concerns to be deemed more important...to be deemed safe from combat-readiness. it sees him in full clarity with a rush of its vents, hot air blasting through fans as gabriel as he truly is renders in its vision - the radiant gold of heaven, the pearlescent armor highlighted in luminous rainbows, gabriel himself gently lit from the inside in a form so solid yet gently shimmering as though on the edge of being a mirage. his wings and halo are unlike anything it's seen, light made manifest, air and glass melded together into brilliant blue hues that contain an entire spectrum within them when they shift - he is full of light and color, and all it wants is to process every pixel of him when it sees what's it's missed all this time.
gabriel is a bit worried at first, v1 going so still and so hot never being a good sign, but soon it's looking all around him in different angles, taking him in enthusiastically enough it's no longer too concerning just. unsettling lol it's hard for v1 to explain this to him when he demands to know what's gotten into it, but once it's able to offer a basic idea of how its visuals operate...gabriel is quietly stunned. v1 is so different from himself, from anything god had made, and he had never considered how it sees the world. how special it is to see it now, taking up so much of its capacity just to look at him, to know that it cares to see nothing else in its true reality but him. he even asks it if there's anything else they might look at, but v1 just flippantly shakes its head, that nothing else is worth the effort. what does it care about the world? and for gabriel, that's striking...to be the one thing in the world that v1 wants to remember in true detail, that he will stand out in its mind against a backdrop of polygons and textures clearly divorced from their realities. so he lets it take all the pictures it wants, and his wings show how they can change their color with a very true, very unique sense of love.
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I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)
hear me out: peter pan (2003) window scene
been staunchly avoiding typing too much on most of these but i have some thoughts about this one!
you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?
i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.
i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.
he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground.
you know i could see it.
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fyi the creator of blue eye samurai is a zionist. definitely shouldn't be supporting that.
I see people are making the rounds to stop the growing enthusiasm for the show. I get it.
Seeing Green's posts (via tumblr, since I don’t have twitter or X or wtv the fuck it’s called today) admittedly made me wince. I don’t agree with or support his views. I also feel their dissonance with the show’s blunt criticism of colonialism.
But.
This will be an unpopular opinion, but I don’t actually agree that condemning a show that has been made by a HUGE team of people, who are most certainly as diverse in their political beliefs as in their cultural backgrounds, because of one person’s few posts on social media is entirely fair or fitting.
Yes, he’s one of the creators, sure, his name is slapped onto the lid, but the show is not him. A show is never one person. AND I’m a Death of The Author believer besides, so. There’s that.
So I for one will keep on celebrating the show and what it stands for and the themes it explores, because I feel it’s important to have them out there. While also disagreeing with one of its creators’ views. After much thought, I’m comfortable with that complication. You, and many others, may not be. Which is fair. And I urge you to block the tag or unfollow me if the distinction makes you uneasy.
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It doesn't even matter that the movie revealed Mario's parents and family.
Because at the end of the day, the Bros do truly only have each other. Yes, they do have other family members to show them love - but nothing compares to the bond that these Bros have.
From day one of their lives, they have had each other to fall back on. They really are each other's other half. No other face, loving touch, or words can truly get across to them in the same way as when they do it to each other.
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"You're looking too much into Hadestown", they say. Sure but have you considered that the piano notes at the beginning of "All I've Ever Known" are repeated at the end right after Orpheus turns around, at the start of "Road to Hell (Reprise)"? It's played in a different rhythm, but the notes are exactly the same.
The motif of Orpheus & Eurydice's love returns after the inevitable tragedy to try once more. Because maybe it will turn out this time. Maybe he can finally take her home.
It was their love that moved the gods, it was their love that moved the audience; and now, after they lose each other forever, the piano notes tell us that they are going to fall in love again.
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I was left without a choice, and without a doubt - I finished this character design thingie @hedgehodgy, and I fear I will continue to be obsessed with arting for your fic.
And the rest of you! D'you love traumatised little guys!? Do you love angst and unresolved tension!? Do you like complicated yet endearing families dynamics!? Then Mercy Upon Ourselves is a MUST-READ for you, so go read it! It's good! Like 'stay up at night and think about it' good!
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I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.
What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?
In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.
So! If you have thoughts and want to share them! *gestures to the post!*
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truly not to be like this but mac demarco was one of the most joyous and beautiful concerts i’ve ever been to send post
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to me velvette doesnt lie about *being bisexual* for attention but she lies about being bisexual *for attention*. like admitting to being attracted to women would make her a dyke and manly and f/f relationships dont even count bc her internalized misogyny goes so crazy she subconsicounsly does not see women as full people and needs men to validate her own personhood, and since men hold most of the power, surrounding herself with men is in fact a means to power. so one way she feels she Can have sexual contact with women is through excuses: it's for attention, for convenience, as a power play. but never because of her own desires and it can never mean anything. can you imagine? two women in a loving relationship. who would want to see that?
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this was kinda the worst episode out of the entire series tbh simply because of the pacing. i liked the episode, but it was all over the place. they tried to tie in all the lose ends in 50 minutes, and that just wasn’t possible. louis being imprisoned, then released, losing his mind, recovering, AND burning down the theater and killing santiago, all in the span of like 5 minutes, the whole louis/lestat/armand scene, daniel exposing armand, loumand divorcing (that was so underwhelming, esp after 2x05, like, i needed these bitches to have a proper verbal argument, i needed them to be AT EACH OTHER’S THROATS), armand turning daniel (offscreen, cause they didn’t have time to get into all that, cause like… no way it was that simple lol there were too many devil’s minion hints throughout both seasons), louis flying to nola, reuniting with lestat (they have far too long and complex a history for it to be resolved so quickly, it would’ve been far more meaningful had it been done right), daniel publishing his book (compiling, writing, editing, publishing it AND selling 4-5 million copies must have taken a lot of time, so time jump, i guess?)… just by typing this out, it’s too much, way too much to cover in a single episode. the hectic pace left me unsatisfied and it also left a lot of room for plot holes (no more unreliable narrators now, cause the interview is done). idk i think they really should’ve split this into two episodes, at least. one of the things that i really admired about this show was the pace. in season 1, they managed to cover 3 decades in the span of only 7 episodes, while simultaneously showing us what was happening in dubai in 2022, and it never felt rushed. season 2’s pacing was still amazing and satisfying, up until this episode. idk man… i hope this doesn’t happen again, cause it really left a bitter taste in my mouth, and it was the finale, so my expectations were high.
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the funniest thing to me is when people (including the rest of the team!) misinterpret that scene in 2x15 of reid choosing hotch to mean that hotch is the member of the team reid likes the least. like, no hun. he chose hotch because he was almost certain hotch would understand a reference from a random conversation they had and would figure out where he was.
he literally trusts hotch the most to save him!
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if life was perfect there would be a tranquility base hotel + casino film. send post.
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im a eurydice = solas truther btw and ill die for my beliefs
be so serious........ and lavellan as orpheus......
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