#this was super fun to write btw!
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jellicle-chants · 2 years ago
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28 with bomba
"We're not having this discussion again, Dem. You need to get going. Now." She glanced around the corner. Besides the shimmering reflections of lampposts against the rain-soaked street, nothing moved.
"I told you, I'm not leaving you behind!"
Bombalurina looked over at Demeter, wet to the bone and shivering like a leaf caught in the wind. She knew the other queen would probably hate her for this, possibly forever — but she didn't care. She turned back to the street, eyes downcast.
"Bomba, please, please"—she grabbed her roughly by the shoulder, pressed up against her back, let the words leave her mouth in a hiss—"I can't let you do this."
"Then don't. Just walk away, don't look back, and blame me for whatever happens afterward." She leaned backward into their desperate embrace, trying to memorize each awkward point of contact, every shuffling limb. "All I care about is that you're safe."
Demeter pressed her face into the crook of her neck. Bombalurina could feel her breath as she spoke. "What about you?" All of the fight had left her voice; it was more of a plea than a retort. "Promise me you'll make it out. It doesn't have to be tonight, just... I need to hear it."
"Dem." Bombalurina's ear twitched. She stepped backwards, nearly causing them both to trip.
"Bomba, what—"
"I saw him. He's just around the corner." She turned around again, catching Demeter's gaze for a moment. "I'll try. I promise."
She nodded once, jaw clenched tight, then ran off, quickly disappearing into the cloudy night.
Bombalurina sighed, then settled back into the shadows, ready to pounce. He'd need a few scars to remember her by once she made good on her promise.
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inkskinned · 3 months ago
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we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.
"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."
i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.
you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"
i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.
what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.
i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.
"don't make a big deal about this," you said.
this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.
"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.
you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."
the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.
afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."
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onionninjasstuff · 1 year ago
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this is part one! | next
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greenglowinspooks · 1 year ago
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(DCxDP) The obligations of a rogue versus those of a parent
Tw: vivisection mention (not in detail), bad Fenton parents
Will be crossposted to AO3 eventually
(Pt. 2 here) (Pt. 3 here)
(Masterlist/subscription post)
It was a dark, cold, miserable night, and Scarecrow, Jonathan Crane, wanted nothing more than to be home, covered in blankets with the heater set to max as he worked on his most recent strain of fear toxin.
Instead he was at the docks, standing in as backup for the Penguin as he made a deal with some sleaze-bag smugglers. Something about some sort of body armor for his hired help. Crane hadn’t really paid much attention to the Penguin’s words, only caring enough to show up because of the reward.
But honestly, he couldn’t care less about the money at this point.
He was cold, and miserable, and his leg hurt something fierce (he’d had chronic pains ever since being mauled by Killer Croc some time ago), and he was so, so close to a breakthrough with his new toxin, and he really couldn’t stand the Penguin anyways. The only thing keeping him there was his reputation as a rogue.
Just as Crane was deciding that the whole ordeal wasn’t worth it, he heard the sound of a chase a few blocks down. With a deep, heavy sigh, he moved from the wall he had been leaning against, looming in the alleyway as he waited for the potential threat to reveal itself.
A few moments later, a boy came careening into the alleyway, sliding to a stop when he noticed the Scarecrow, his eyes growing impossibly wide. Beneath the mask, Jonathan grinned.
The boy swore, loudly, glancing between Scarecrow and the exit of the alleyway. As the echoing sound of footsteps grew closer, he chose to face the way he came, turning his back to Scarecrow.
What an idiotic way to get killed. Either the boy was a complete and utter fool, or there was something out there worse (to him, at least) than the Scarecrow.
Jonathan Crane tilted his head slowly, considering. He could just cut his losses and leave, Penguin be damned, or he could stay and see what had the boy so spooked.
Eventually, unfortunately enough, his curiosity won out. He shifted, bringing a hand to his side where he kept several canisters of fear toxin.
Crane had to bite back a groan when the boy’s pursuers entered the alleyway.
It was those damned idiots in white suits.
They had been tailing him for weeks now. They were easy enough to fight, but they were annoyingly persistent, and always seemed to have a way to find him. (Not to mention, the Riddler had strong opinions on their outfits, and if he had to hear the white-suit-in-Gotham rant one more time he was going to throttle him.)
Led by the men in white was a woman in a teal hazmat suit. Jonathan had seen her around, too, though less frequently than the others. He had honestly assumed that she was just a new C-tier rogue and avoided her like the plague.
Her eyes went wide as saucers when she saw Jonathan standing a few feet from the boy. No one moved a muscle.
“Danny,” the woman spoke softly. The boy, Danny, flinched, glancing between her and Scarecrow, “come on, we can talk about this. Your father and I only want to help you.”
He was running from his mother?
Scarecrow paused after that revelation, choosing to fully take in the boy’s appearance.
He was lean, almost gaunt, and wearing clothes several sizes too big for him, probably stolen. His entire body shook, from fear and cold both, and he clutched his stomach with one hand. At first, Scarecrow assumed that it was due to being out of breath, but as he looked closer he could see blood staining the dark fabric of the boy’s shirt.
He was injured, underweight, and running from his parents.
Something that felt a lot like rage swelled in Jonathan’s heart.
“Danny, you don’t get it! We’re so close now. We can fix you, and then we can go home, and everything can go back to normal,” she said, smiling in a way that was clearly supposed to be reassuring. She took a few steps forward, the men behind her clearly readying their weapons.
The boy backed away from his mother, inadvertently coming closer to Scarecrow.
He glanced up at Crane again, his blue eyes shining in fear, but not of him.
Sickening. Sickening.
In one fluid motion, Jonathan grabbed the boy by the wrist, pulling him behind him, and threw a large canister of fear gas into the group who had been chasing him.
The liquid in the container turned to gas as soon as it broke open, billowing out and filling half of the alleyway with a thick yellow smog.
The boy gasped, pulling his shirt over his face in a pathetic attempt to filter out the toxin. It would have to do, though, Scarecrow thought, rushing forward to force the boy’s aggressors to breathe in the gas.
The fight that the men put up was pitiful. The few individuals who didn’t breathe in the toxin immediately were clearly unused to fighting hand-to-hand, and dropped like flies in Scarecrow’s wake.
Just as the men began to spasm and shout in their terror, as if on cue, the familiar wail of police sirens reached the Scarecrow’s ears.
He heaved a heavy, irritated sigh, fingers twitching for a cigarette. He was trying to quit as of late, but he felt that after today, he might deserve one.
Though now was not the time to be thinking of cigarettes.
Jonathan approached the boy, mindful of any signs he might run off.
The boy didn’t seem to notice his approach in the slightest, just staring at the woman in the jumpsuit as she writhed on the ground.
Right. That would most likely be traumatic for a child to see, wouldn’t it?
Scarecrow moved in front of the boy, blocking his line of sight. The boy looked up at him now, his face completely blank.
“The police are on their way,” Scarecrow spoke, his voice low. The boy didn’t acknowledge him in any way.
“You don’t want to be here when they arrive, do you?”
After several moments pause, the boy shook his head slowly. He looked numb.
Dissociation, most likely.
“You’ll come with me, then.”
It was a statement, not a question, but he waited for the boy’s response regardless. As soon as he nodded in agreement, Jonathan lifted him up, carrying him out of the cold, miserable alleyway.
Scarecrow paused briefly to warn the Penguin of the incoming officers through the comm he had been given, and then he was off, weaving through the streets and alleyways towards his getaway car.
The drive back to his safe house was quiet. The boy didn’t look over at him once, instead opting to stare out ahead of him.
Luckily, they were able to make it back without detection. Jonathan ushered the boy into his small apartment, sitting him down on the dingy couch that had come with the lease.
“Wait here, alright?” Jonathan said, the boy nodding once in response.
With that, he retreated into the small kitchen, looking for some sort of warm beverage.
It was nearly three in the morning now, so coffee was out of the question. He was completely out of the hot chocolate he had bought for whenever Eddie or Harley came over for a visit, so that was out too.
He supposed the only option was his chamomile tea. Did teenagers like tea? He supposed it didn’t really matter, the kid was on the run from his parents in the house of a Gotham rogue. Surely he had bigger things to worry about.
Jonathan made the drinks quickly, leaving the kitchen with two mugs in hand. He gave one to the boy, who looked up at him in surprise, before settling into his own seat.
It was an incredibly comfortable old leather armchair that he had gotten some years ago and stubbornly held onto ever since. He usually had one of the rogues he was at least somewhat friendly with pick it up when he entered Arkham.
Whenever Eddie and Harley were over, they would call it his old man chair, and he would tell them to leave.
The two of them sat quietly for a while, drinking their tea slowly. It was clear that the boy was leaving whatever headspace he had slipped into, becoming more alert (and uncomfortable) by the second.
“So,” Crane began, pausing before speaking more quietly when he saw the boy flinch, “you knew them.”
It was not a question.
The boy nodded, curling in on himself. He held the mug close to his chest, no doubt soothed by the warmth.
“They’ve been following me around for some time now,” Crane continued, “and you’re going to tell me why.”
The boy looked up at him, a pained expression written all over his face.
“You won’t believe me,” he murmured, curling up even further.
His clothes were soaked. Jonathan should have put down a towel before letting him sit down.
“Sure I will,” he said, ignoring the blood and water seeping into his furniture.
The landlord would not be happy.
“It’s gonna sound crazy.”
“I’ve been to Arkham.”
The boy paused, before mumbling something quietly.
“Again? I couldn’t hear you.”
“I said,” the boy huffed, quickly changing his tone when he remembered who he was talking to, “they…think you’re a ghost.”
“A ghost,” Crane repeated flatly.
“I told you it was gonna sound crazy!” The boy protested, before wrapping his arms around himself.
“Well,” Jonathan hummed, “it’s not the strangest thing I’ve heard in Gotham. Explain it to me.”
The boy paused, glancing up at his face, no doubt looking for some sign of mockery. He found none.
Then, he opened his mouth, and explained everything he could.
Ghosts, the portal to another world, the GiW, his parents. It was all incredibly far-fetched, but also far too consistent to be made up on the spot, and Crane could tell that the boy genuinely believed what he was saying.
“…but, if you don’t believe me, fine. I know it probably sounds stupid and fake,” he mumbled, looking away.
“I’ll believe you for now,” Crane said. The boy whipped his head up, staring at him in shock.
“If I do trust that what you’re saying is true, though, then why do I show up on their equipment as a ghost? I’m not dead, and never have been.”
“Um,” the boy hummed, looking somewhat nervous. Understandable, really.
“Well, have you by any chance been involved in any lab accidents recently..?”
Jonathan Crane froze, his face dropping. The boy noticed his change in demeanor, flinching slightly.
“Penguin,” he hissed out, his voice slightly inhuman. “Cobblepot, that motherfucker.”
“Wait—calm down! The angrier you get, the easier you’ll show up on the radar!”
Crane glared down at the boy, seething with rage. He once again flinched, looking away from him. With an extraordinary amount of effort, Jonathan slumped back down in his chair, breathing deeply in an effort to calm himself.
When he cracked his eyes back open, the boy was openly staring at him, curiosity written all over his face.
As soon as he noticed Crane looking back at him, he glanced away, straightening in his seat.
“Well, you’ve given me a lot to think about. In the morning, we’re going to discuss this in a lot more detail,” he said, standing up with slow movements. The boy stood as well, hands clasped together.
“For now, though, you’re going to let me take a look at that wound of yours, and then you’re going to take a shower and go to bed.”
The rest of the night went rather quickly.
The boy was rather hesitant to show him his wound, instead assuring him that it had been properly sewn up and that he was fine. Crane was having none of it, though, and gave him a once-over just in case.
It was, very clearly, the kind of cut used during an autopsy. Danny didn’t offer any information, so Crane had to assume that he was either back from the dead, or he had been vivisected. Either was possible in Gotham.
At the very least, Danny hadn’t lied about the stitches, and the wound was already beginning to heal.
With that, Danny showered quickly (he leapt out with a shriek the moment the hot water ran out), and went to bed in borrowed clothes without much complaint.
Thus, Jonathan was left with cold water for his shower, and slept on the still-damp couch so that the boy could have a bed to sleep in. Somehow, he found that he didn’t mind as much as he thought he would.
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yurozo · 4 months ago
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resident evil (university au headcanons)
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a/n: this is purely based on the beginning of my last year :( feeling bittersweet
chris redfield: a third year sports medicine/kinesiology student. if you're looking for someone who almost always has a water bottle full of creatine in his bag, chris is your guy. he's never the type to dress up, especially because he insists on 8am lectures to 'increase his productivity', so he's usually in sweatpants and under armour compression shirts. he joined the rock climbing club at claire's insistence of getting involved around school, but is unfortunately still getting the hang of it. it's hard to lift all that bodyweight, so the majority of the time he just hangs there. has very little social life. he'll go to a party, drink a single beer, then leave. turns women down because it would mess with his schedule. he's paying a lot of money to be there, and save for a bit of attitude towards his professors, he takes his studies seriously. diet-wise, this man preps like a mfer. protein peanut butter shake at 7.30 am no exceptions, within a 20min time limit of his workout. the dorm fridge has an ungodly amount of boiled eggs. toxic trait: does that white man hand raise when he has a question, and usually only thinks about what he's going to say after his hand goes up. jill valentine:
sociology major, criminology minor. has her schedule perfectly planned out so nothing is before 10am. she can and will ignore chris' pleas to meet her on campus beforehand, usually preferring to go for a coffee before a lecture. is never seen without some source of caffeine in her hand. jill isn't a huge fan of sociological theories, instead choosing to focus on the statistics aspect of it.
her dorm room is an absolute nightmare. there is not a single space on her floor that is not covered in clothes, but has no shame in bringing people over despite this. she'll just kind of awkwardly shuffle them away with her foot to make a pathway.
isn't part of any clubs, mostly because she can't be fucked for that kind of socialization. people always hit on her during class anyways, so it's not like she's hurting for company. she usually hangs out with chris or claire on campus, goading chris into doing something with her or letting claire drag her along into studying. toxic trait: has a windowsill full of empty monster energy drinks. leon kennedy:
a math major, criminology minor. has absolutely handed in multiple sheets of homework with tear stains in the corners. for how nonchalant he seems to be on the outside, he really does take his studies seriously, and always shoots for a perfect gpa. he's primarily seen haunting the third floor library, always looking like he's in a perpetual state of agony.
despite all the silent attention he gets from people during lectures, he does not entertain it whatsoever. the man is there to learn. he has one class with jill where they sit in complete silence together save for a couple of witty jokes at the professor (or other students) expense. the professor both loves and hates him. he's a frequent visitor of office hours, but his assignment is always printed and crushed in his fist. he's had a few short-term girlfriends in university, but nothing long-term. he firmly believes that he has rizz, but he does not. most people just let it slide because he has that attractive weird aura around him. toxic trait: unironically shushes people during a lecture. claire redfield: engineering major, communication minor. another person who takes her studies fairly seriously. the fortunate thing about claire is that she doesn't particularly have to try, the good grades just descend on her from the heavens. it makes chris furious. however like jill, she is not a fan of mornings and is usually seen frowning angrily at the board.
has a friend with a house off campus to store her bike so she can fix it up on her days off, using her engineering notes of course. she's part of a few clubs, but isn't fond of being part of leadership or anything. claire goes purely for the vibes.
goes on a couple strings of dates with guys, but always refuses to go out with people from her classes. she's seen it crash and burn so many times that she's not doing herself. will, however, recommend other people to her brother. toxic trait: pulls up to campus at 9am with the loudest motorcycle engine known to man, and always slams her helmet down on her desk when she sits down.
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beatcroc · 2 years ago
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there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y
hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]
#ramble after realtags yeag. shoutout to serrangelic btw suggesting the silhouettes thing bc i would have Died otherwise#pizza tower#peppino spaghetti#fake peppino#gustavo and brick#arting#pizzaposting#so anyway i think fake peppino has like. a general awareness that he is supposed to Be Peppino and that he was Made to do that#and likewise he does generally try to...do that. the thing he does NOT realize is hes like really goddamn bad at it#not to be mean but like...c'mon. they are pretty distinctly different kinds of guys even beyond the physiology yknow.#he's neither on-brand nor fooling anyone dsjdsjjkgfsd. BUT!#since the rest of the cast generally likes him [at least as I play it] he thinks hes doing just fine#he's like 'oh they r happy with me so i must be getting a good grade in being peppino :)'#so getting told that 'yeah you actually really suck at that but that was never the reason people liked you'#and told that by og model peppino no less--yknow THE guy he's supposed to be living up to#who's already a bit intimidating for that and who ALSO totally wrecked him TWICE in the tower#making him acutely familiar with just how formidable the guy is and how much there IS to live up to....#it's a Moment for sure. not really a sad or hurt one though. just... contemplative.#thinking abt people liking him for being the guy he's already naturally been being even though that guy is Not Peppino#i don't think he's gonna be super broken up about realizing he has a bad grade in peppino given everything else hes got now#nor do i really think he cares enough to go like reinvent himself or whatever after the fact#he seems to b pretty clearly having fun with it already so i think he just keeps doing that#and in some cases he still has the pre-installed peppino traits/instincts like to cooka da pizza. and that's fine#is this projection. yes. but if youve been following me awhile you know most of my character writing is ghdhfdgf#gonna kinda expand on all this in the gerome one which is...one after next. itll be a bit but man.#anyway peppino will never admit to anyone and especially not himself that he's gotten a little attached to the guy. hee hoo#pep tends to be kinda surly but he certainly has his ways of showing he cares. all of which are on display here#''that thing is not my son'' says man currently watching thing's antics with the 'bemused dad' arms crossed pose. yeah ok buddy.#gus is totally onto him already but hes not gonna say anything.#if u read all this ur prize is not having to go decode fp's rot13. his lines are ''meant to be you...?'' and ''wrong question.''
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skyloftian-nutcase · 2 months ago
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My brain: What if we mix multiple people’s Hyrule Warriors AUs together?
Me: Say no more
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Three HW AUs!
Hyrule Dragon Warriors by @skyward-floored
Love at Twilight & Link Between Links by @smilesrobotlover
Imprisoning War & Golden Mercy by me
Close ups and thoughts under the cut!
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I think Power is good with kids and doesn’t know it, and he wants to look out especially for Mask because he’s so young and in this mess. Mask loves playing with Power’s earrings, so he never takes them off ❤️
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Tune’s big brother senses are tingling. For all of them, really, even if he doesn’t know Mask and Power’s stories quite like he knows Warriors.
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Considering Midna in Smiles’ AU has to contend with people trying to hurt her kid because he’s half Hylian, I’m pretty sure she’d relate to Impa’s plight and try to be supportive of her ❤️
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Poor Impa and her baby boy, it’s all so complicated 😭
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Power trying to figure out how the frick Impa got together with a lizard and made a normal looking child, and trying to figure out how a weird imp got together with a Hylian is giving me life 🤣🤣🤣
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Power is good with kids and I think he could have fun with Kori 🥹 Also free therapy for Power lol
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Seeing how Warriors is deeply hurt by parents who seemingly didn’t want him might touch a nerve with Power, who is terrified to even acknowledge he has a child given his circumstances. Also he carries guilt for leaving his world to investigate the strange dark portals while his wife was in labor. And, well, he already has issues.
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Ganondorf with the full Triforce and thousands of years to marinate in losing his family would 100% use it to secure his kid and keep him “safe” by his definition… mainly by brainwashing him until he can destroy Hyrule and actually talk to him.
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reverbtunes · 2 years ago
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pepero with skz (1)
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➤ summary : playing the pepero game with your best friend; what could go wrong?
➤ pairing : skz hyung line x gn!reader
➤ genre : fluff!!!! and some mutual pining sprinkled in there as well <3
➤ warnings : food (the pepero itself), hints of alcohol in minho’s
➤ word count : 1.2k (250-400 per member; sorry that some are a bit longer than others, i get carried away)
➤ requested !
➤ a/n : thank you so much for the request, they are always so fun to write ksdjkds your brains 🤌✨ flustered hyung line we love it 💪 i was originally supposed to write for all 8 of them, but finals start from tomorrow </3 and i didn’t want to keep anon waiting so! also didn’t want to make this too long kdsjnj the maknae line will be coming as soon as possible <3 stay hydrated!! lowercase intended !
➤ part 2 !
➤ masterlist !
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bang chan !
so maybe this was a bad idea, but it might just be too late for thoughts like that. the common, casual, college party game was definitely not meant to go this far. and he was definitely not supposed to be this close to you, his best friend. the feelings had been buried and they were supposed to stay buried. but now, as he looked at you with the chocolate stick hanging out of your mouth, waiting for him to bite the other end, he could practically feel his years-long crush bubbling back up. 
“channie? you still there?” you asked teasingly, snapping him out of his nervous daze.
he slowly leaned forward and bit the end of the pepero, and started inching closer to you, taking gradual, small bites. he glanced at your lips and immediately looked back at the stick, flustered by the slight smirk on your face as you bit through your end. at this point, your lips were so close to each other that he could feel your cool breath mingling with his. 
just as he was going to break it, you muttered, “we’ve come this far, don’t back out now.”
hearing your comment, chan could practically feel his brain short circuit. all common sense flying out the window, he planted his lips on yours, breaking the pepero mid-kiss. he could hear his friends cheering around the both of you, but it all faded into the background when you kissed him back. he smiled into the kiss, not being able to hide his ecstasy as you giggled against his lips.
the kiss was short and sweet, just like your pepero; be prepared for many more to come.
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lee know !
minho knew he was doing something wrong when he agreed to come to one of your friends’ parties. he knew it when he drank his fifth shot. he knew it when people started offering to play games; starting off safe with pictionary, charades and escalating to spin the bottle. he was on a roll that night, winning almost every game, and even managing to avoid kissing anyone for spin the bottle.
but lucky streaks had to end eventually.
this wasn’t how it was supposed to go. he really, really liked you. everything about you, from your pretty eyes, to your cute nose, to your dazzling smile. the way you could make his day better just by existing; with a simple text or call. the way you remembered every little detail about him.
he was biding his time with his confession, wanting to make sure that you liked him too before making any sort of move. he wanted to do it right. 
but here he was, in front of you, sitting cross-legged with a pepero stick in his mouth, biting along his end as you bit yours. oh yeah, he sobered up real quick, with you so close to him, nibbling on until only a tiny piece of chocolate was left between you two, your lips brushing his.
abruptly breaking the stick, you leaned in and whispered in minho’s ear, “friday at 5, our cafe?” 
his head shot in your direction, meeting your eyes that had a glint of mischief and hope in them. a smile slowly spread across his face and he replied warmly, “it’s a date.”
you grinned. that’s my minho. 
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changbin !
how do you always find yourself in these situations? it isn’t that hard to understand - changbin is your best friend. he respects and loves you as a best friend. oh, you have feelings for him? suck it up, buttercup, they can’t ruin your friendship.
but, god, was it hard to ignore your crush when changbin invites you to the gym, when he cooks for you, when he comforts you on your bad days, and laughs with you on your good ones. yes, you were down bad, and fairly so.
maybe it was wishful thinking to hope that changbin would be your friends-to-lovers, your one and only, yours.
but you were certainly not thinking when you agreed to play truth or dare with your friends on valentine’s day brunch, knowing very well they’d been waiting for you and changbin to get together for the longest time.
“alright! y/n, we dare you to grab a pepero and do the challenge with changbin!”
certainly not thinking.
after many protests from both sides, you and changbin finally agreed to do the challenge, in exchange for ice cream later. you sat opposite one another, your elbows resting on the table, as one hand found its way to changbin’s, seeking for comfort. in the blink of an eye, changbin took a huge bite of the stick and landed his lips straight on yours.
your eyes widened in shock. before you could even react, your “best friend” pulled away and looked at you, mistaking your frozen state as rejection.
“i am so sorry y/n, i didn’t mean to-” changbin started before you pulled him forward by his collar and kissed him, one hand clutching his shirt, while the other was still intertwined with his. your friends cheered, shouts of “finally!” and “it was about time!” falling on your ears. 
maybe valentine’s day miracles are real.
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hyunjin !
hyunjin just knew he looked like a boiled tomato, shriveled up and red. burning red. he did not know how he managed to keep his cool when you hugged him, when you pouted as he teased you, when you called him at three in the morning for a drive. the universe tested him everyday, but he managed just fine; just so he could see that smile of yours the next day. 
but pepero was just pushing it. he physically could not be that close to you and be normal about it. he just couldn’t.
but i can’t back out either that’ll seem lame??? hyunjin thought.
y/n has literally seen you cry over dog pictures, i think we’ve gotten past ‘seeming lame’. another voice in his head said.
he was a hopeless romantic and this was his moment. then why was he so nervous?
“hyunjin? we don’t have to do this if you’re not comfortable, it’s just a game,” you said worriedly, going to put the chocolate back in its packet, before hyunjin’s hand shot out and stopped you.
“no, um,” he paused a little, taking a deep breath, “it’s okay, it’ll be fun!”
he hoped he gave off an excited vibe, and not a ‘terrified for my life’ one. 
he bit one end of the stick, as you started nibbling the other, going slowly to give him time if he wanted to back out. he knew what you were doing, and his love for you shot up; more than he could have ever imagined. he knew if he didn’t take advantage of this opportunity, he wouldn’t ever make a move on you.
the closer you got, the more sweaty his hands became, the more his heart raced. you stopped just when there was a small piece of chocolate left, enough that hyunjin could bite more, but he’d risk kissing you. 
composing himself, hyunjin took the bite. his lips barely touched yours, a feather-light kiss, so delicate that you wouldn’t have even felt it, if you hadn’t been aware of every centimetre of your body when your best friend was around. 
it was a kiss of uncertainty, of foreign lands, of unknown concepts, but somehow you knew. you knew in the way hyunjin grasped at your hand when he pulled away; you knew that you would explore these foreign lands together. you weren’t alone.
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airenyah · 12 days ago
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A LOOK AT STYLE'S JOURNEY | Ep 3
(Overview |Ep1+2 | Ep4 | Ep5)
I really wanted to drop this before Episode 4, but the thing is I really really really struggled with this episode. The first two episode were very clear to me, so clear even that I managed binge-write my first post within a single night after having spent the previous night rewatching the episodes and taking notes. I kept asking myself the question "Style does this and acts like this, but why?" and quickly found my answers. But looking at episode 3? I really struggled with the "but why".
But let's get into it anyway. Not that I finish this post only when the final episode drops lol.
~~~ Spoiler warning for episode 4 ~~~
To recap: when we last saw Fadel and Style together in episode 2 Fadel ambushed Style in the locker room and basically declared war on Style. Style launched counterattacks. They did not part on the best of terms.
Pronoun situation: In my first meta post I kept up with their pronoun use on a scene by scene basis. This time I won't do that, because they consistently use the rude guu/mueng pronouns for each other throughout the entire episode without any significant pronoun changes.
No. 1: RAWR
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The very first sequence at the heavy metal bar is where my first problem already arises: I am undecided on whether Style went there on purpose to find Fadel or if he went there of his own accord to have fun and just happened to run into Fadel completely by chance. Because you could make arguments both FOR and AGAINST Style showing up specifically for Fadel.
AGAINST: Style does look kinda surprised when walks up to Fadel. When they're chatting by the counter Style says he's here all the time (which is something he doesn't say about the running track or the gym – two spots that we know he only went to for Fadel). We also don't get to see Style looking at the notebook like we do before he bugs Fadel at the running track for the first time or later in the episode when he shows up at the support group meeting. What's more, Style doesn't really attempt to stick to Fadel no matter what until Fadel either physically gets rid of him or just walks away. Instead Style leaves of his own accord to have fun with people who aren't Fadel and also seems perfectly content to do so.
FOR: When Kant looks through the notebook in ep2 after Bison hands it to him we can see that the bar is in there. So Style should know this bar is one of Fadel's go-to spots. Style could be feigning surprise when he walks up to Fadel to make it look like a chance meeting and he could also be lying about being there all the time.
Whether or not Style came to the bar in order to seek out Fadel specifically or not, when he walks up to Fadel and sits down next to him it's all in a friendly manner. His behavior has an air of Oh hey there person that I know, let me say hello! to it.
Style is once again trying to involve Fadel in an amiable conversation despite their confrontation last time they saw each other. Or maybe he's trying to involve Fadel in an amiable conversation because of the confrontation last time they saw each other. Style's friendly approach makes it clear that he's not holding any grudges about it. Fadel is not up for a friendly conversation, though. In the scene by the counter he says a total amount of two sentences to Style (or even just one, if you don't count the "no" as a single sentence). Style tries to get Fadel to socialize, to get Fadel to come out of his grumpy shell and go dance with him a little bit, to loosen up and scream a little bit. Fadel won't budge. So Style gives him his space and walks off, but not without inviting Fadel to follow him just in case Fadel miraculously changes his mind. After Style clinks bottles with his (new?) friends he looks back at Fadel and nods at him before getting busy with his friends.
I want to talk about that nod for a quick moment. Because as an introvert who tends to be quiet and shy in a crowd (especially a crowd of strangers or people I don't know well) I have my fair share of experience of being alone in a crowd. And I adore that Style is making contact with Fadel again, even though he already walked away and their conversation is actually over. As I've mentioned in some tags before, some of Style's core personality traits really remind me of a dear old friend of mine. We had a time in our late (ish) teens where we'd hang out at our youth leader's flat every day. My friend and my youth leader would often play Magic: The Gathering, which is something that's really not my thing and so I'd be "left out" that is I'd be chilling next to them doing my own thing or just watching them, not understanding shit. They'd be in the middle of a game and my friend would sometimes randomly look up and nod at me like that or he would pull faces at me or do some other random shit to communicate with me for a second before focusing back on the game. These small gestures were something I always really appreciated because they made me feel included, even though I had no interest in the game and couldn't really be part of it. The way Style nods at Fadel reminds me of that. He's making contact with Fadel across the room, involving him, including him. It's a nod kind of like Hey, I see you. And yeah, Fadel doesn't really want to be seen, except deep down maybe he does.
Which brings me to the choking scene. Style is having fun with his friends (or random people he just met??). He spots Fadel, excuses himself and walks over. Almost as if he saw Fadel standing there all on his own and decided to talk to him because "You're supposed to have fun with your friends at a place like this". As if he doesn't want Fadel be all alone. So he walks up to him and starts another conversation. We get another confirmation that Style isn't holding any grudges about their confrontation in the locker room, because he actively teases Fadel about it. I'm not even sure Style is purposefully being flirty here, I think he really is going more for a playful callback to the locker room confrontation, mixed with a challenge of "So? Are you gonna go rough on me again? I dare you to do it again!"
What's more, I think at this point his brain is set to I must hit on him, so I must drop flirty shit whenever possible. So when he says Fadel looks sexy, while there sure is some truth to it and he certainly finds Fadel sexy in general, I don't think he really 100% means it in that specific moment. It's almost more as if he's saying it out of habit, just for the sake of dropping flirty shit and compliments at any given opportunity.
All in all, that night at the bar Style isn't really being annoying or flirting with Fadel on purpose. He spends the night trying to make friends with Fadel again, trying to make amiable conversation, trying to involve him in friendly banter, trying to genuinely connect with him. As if to get Fadel to open up and come out of the shell that he has deeply buried himself in. And I think what this interaction also shows is that Style is starting to have positive feelings towards Fadel. It's the beginning of Style genuinely liking Fadel more than he dislikes him. Style is slowly starting to worry and to care about him.
No. 2: The Best Way to Burn Calories
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Now for this scene we know for a fact Style is here for Fadel specifically. Once again, Style blurts out flirty shit and once again it doesn't sound entirely genuine as if he actually means what he says. Kant has sent him on a mission to hit on Fadel, but Style still hasn't quite figured out how to get through to him. Fadel continuously ignores or even blocks Style's attempts to make friends with him or to genuinely connect to him and the flirting also doesn't seem to be working. (Oh, Style. If only you knew just how well your genuine flirting at the gym worked on Fadel 🤭)
Style knows very well that Fadel is annoyed by him (Fadel even explicitly tells him that it's a bad morning if he sees Style). And I think at this point Style has decided that if he can't be a positive presence in Fadel's life he'll simply just be a negative presence then. Since that will still bring him closer to his goal than being no presence in Fadel's life at all would bring him. So he just shows up, bugs Fadel to remind him of Style's existence and also drops flirty shit at any given opportunity while he's at it regardless of whether he genuinely means what he says in that moment or not. And while I'm sure there is some truth behind Style's words, I think a lot of the flirting really is more of a routine now, a habit. Since that is what he was hired to do after all.
Side quest: Body and Heart
One thing this scene touches on is that Style definitely isn't in it just for sex alone but that he desires an emotional component as well: he explicitly says he wants Fadel's body AND his heart. As I said, I don't think Style really meant the flirting here, but I do think there is some truth to his words, namely his desire to not just have meaningless sex but to also be in love.
I think, unlike Kant, Style actually isn't too big on casual one-night stands. I think he enjoys flirting around, because Style is an attention hoe, but if I had to guess I would say most of the time he doesn't end up actually sleeping with anyone. Style is charming and I think he has a lot of fun with flirty banter. And he definitely loves the attention: in episode 1 he clearly enjoys it when the girls are admiring his waist that he proudly shows off at the bowling alley, in episode 2 he gives Fadel permission to look at his naked body, and then later in episode 3 he also looks very happy and satisfied after those girls call him "hot" when he's dropping of the car keys at the host club.
Style loves the attention, he enjoys the flirty banter, but I think sleeping around no strings attached isn't truly his kind of thing. We get another hint of this in episode 1 when Kant claims "[Y]ou’re in no position to call me out when you’ve been playing around just the same". Style replies "I don’t know what you’re talking about" in a disapproving tone and with a skeptical face.
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In fact, in Thai he says:
อะไรของมึงว่ะ [àrai - kŏng - mueng - wâ] what - of - you - [rude particle]
I haven't checked this phrase back with a native speaker yet, but I've often heard it in the sense of Wtf is your problem? or Wtf is up with you? or Wtf are you talking about? To me, the English subs sound almost more like Style is deflecting Kant's statement while in Thai to me it feels like Style is actively disagreeing with Kant's words (feel free to correct me on this if I'm wrong @happypotato48 🙏).
Like, Style clearly doesn't approve of Kant's accusations and immediately goes attention seeking to highlight that that is what he's all about:
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Going with the crop top shot specifically because I'm SURE some of you will really appreciate it lol
The literal translation of what he says here is actually more like "I'm just checking my rating":
กูก็แค่เช็คเรตติ้งกูเฉยๆว่ะวะ [guu - gôr kâe - chék - ret-dting - guu - chŏiie chŏiie - wâ wá] I - only - check - rating - I/my - just - [rude particle]
Style wants eyes on him, not hands, and he wants to be rated the hottest person in town by everyone who takes just one single look at him, thank you very much.
What's more, right before this exchange he also tells Kant to quit his one-night stands and get a real lover, so we know Style is very much team "having a boyfriend is a good thing". Style not being too big on meaningless one-night stands will also be reflected later in episode 3 when Style tells Fadel " What kind of man do you take me for? I might look like I play around, but I’m damn devoted to love. I want to date*" when he complains about Fadel ditching him right after their hook-up as well as in episode 4 when Style tells him "I'm not just anyone. I need clarity" when Fadel points out "Some people [have sex] countless times and never called it anything" after Style asks what their relationship is now that they've hooked up twice. We see it also in the way how enraged and genuinely hurt Style is in episode 4 after the stunt Fadel pulls in the kitchen. For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.
Kant may claim Style plays around just like Kant does, but the thing is that night at the bowling alley? It's Kant who finds himself someone to spend a fun night with while we see Style leaving the bowling alley all by himself without his own hook-up. You could even make arguments about how Style doesn't actually like doing the pursuing and much rather prefers to be pursued. But more on that later.
*(Actually, literally he doesn't say "I want to date" but "I want a faen" -> confirming once again Style is Team Steady Boyfriend)
No. 3: Sweet Meat
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Just like in the scene at the sports field right beforehand, Style continues to be an annoying presence in Fadel's life, if he can't manage to be a positive presence. For this scene he even turns up his annoyingness level a little more than at the running track. What's very interesting here compared to the meat stall scene from episode 2 is that here in episode 3? Style doesn't give a shit that Fadel turns away and walks off without buying anything. In episode 2 he was very quick to yield in order to keep Fadel from running away, but this time Style doesn't care that Fadel just ditches him. When Fadel has gone, Style immediately hurries after him. He's already got his next move planned.
No. 4: Burger Burger Burger Burger
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I think Style tries out a different strategy here: maybe if he helps Fadel, Fadel will finally soften up to him. What's also interesting is that every word out of Style's mouth suddenly sounds a lot more genuine now compared to what he was spouting at the running track or at the market earlier that day. And I think it's because he (thinks he) is helping Fadel.
Style likes to help. We see this in the way he agrees to help his best friend by hitting on some weirdo guy (yes, of course he's also getting a car out of this deal, but I think part of the reason why he agrees to the deal is also because he genuinely wants to help Kant find love), we see this in the way he immediately takes orders from customers no questions asked in episode 2 right before he meets Bison, and we'll see this even later this episode when he throws himself into the fight despite having no fighting skills whatsoever, just because he thinks three against one is unfair and wants to help.
And if we go back to the thought that maybe, just maybe, Style actually doesn't like to pursue others then it's no surprise that his words here suddenly sound a lot more genuine now that he (thinks he) is helping Fadel compared to his half-assed attempts at flirting earlier that day on the sports field and at the market. Helping people is Style's thing. He's back in his comfort zone which means now he can be much more sincere in his words and his actions again, because there is less of a need to pretend to be a type of person that he just simply is not.
Which also results in Style being much more playful again rather than annoying. For example, when he calls Fadel a "good-looking chef" and shoves him with his his gigantic burger bun. Or when he teases Fadel about being shy. Or when he asks Fadel "You hungry?" after they end up on the ground. This time I actually believe Style's words. Where the flirting at the running track and the teasing at the market felt more like a task where Style was mostly just saying words to get the job done, now that he's back in his comfort zone it sounds like he actually means everything he says again.
There is also some sort of sincerity to Style's desire to help. Fadel, however, does not want Style's help and tries to send him away. Style reminds him that Fadel should probably be making burgers instead of wasting time arguing with him and also points out that Fadel's own brother, who is supposed to be here helping him, is nowhere to be found and that he, Style, is in fact right here by Fadel's side helping him, supporting him. I think Style is being a little overly dramatic when he says "All I ask from you is a little decency" in order to get Fadel to soften up at least a little bit and to get him to accept Style's help, but I also think Style does genuinely desire at least some form of recognition for his support as well. But Fadel won't budge and once again just abandons him.
No. 5: This Is A... kitchen
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Trouble arises at the diner and once again we see that Style likes being helpful, because he rushes into the kitchen, immediately ready to help serve the customers. And this time his desire to help is real. It might also stem a little from his desire to fix things, because it is his own fault that the restaurant is overrun and so part of him might want to make up for that, too. What matters, though, is that it's not just another attempt at getting close to Fadel like earlier when he was promoting the restaurant. Fadel blocks him once again, but Style insists. And I think he really hits the nail on the head with this:
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I haven't yet looked at Fadel as closely as I have at Style (oh how I wish I had the time, though *cries in university student*) but I do think that this is ultimately something Fadel will be forced to learn over the course of the series.
Anyway, Fadel tries to send Style away again, but Style refuses to go and lists a number of arguments as to why he should in fact go serve tables instead of going home. He ends his arguments by telling Fadel to learn to accept help and then then determinedly tells him that he'll go wait the tables himself. Once those words are out of his mouth he looks at Fadel almost with a bit of a defiant expression on his face as if he's waiting for Fadel to object again.
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But this time Fadel says "Fine, you can wait the tables" and Style nods and raises an eyebrow in surprise and happiness, like Wait?? I can?? For real?? You're actually letting me?? I don't have to fight you some more?? You're not throwing me out again??
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When Style goes to change into the uniform right there in the kitchen, I don't think he's doing it to be flirty or anything like that at first. I think in the heat of the moment he genuinely forgot that changing rooms (or in this case, bathrooms) exist. I think he wanted to follow Fadel's order as quickly as possible so that he could start helping as quickly as possible. That is, until Fadel tells him off and sends him to the bathroom. Style responds by playfully teasing Fadel about being shy. Style is in an excellent mood now because it's one of those rare occasions where Fadel accepts Style's presence rather than trying to get rid of him. And while I do think Style changes in the kitchen anyway in order to tease Fadel, I don't think he's necessarily doing it to tease Fadel for sexy reasons but rather for playfully petty reasons. Because Fadel keeps scolding him and yelling at him and when Fadel tells him off for changing clothes in the kitchen, Style does it out of spite. Like Oh, you don't want me to change in the kitchen? Well, in this case i DEFINITELY have to change in the kitchen, then. I will say, though, that there is definitely a little bit of an Oh, you're NOT shy? Well, prove it, then! in there as well. But I don't think that this thought is Style's main focus here, because apart from this one look that Style throws Fadel right after he's pulled his shirt over his head...
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...from what the camera shows us he seems more focused on the clothes and the action of changing them rather than on Fadel's reaction to him getting naked:
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We, the audience, were shown Fadel's reactions to Style getting undressed and I think if Style had taken note of these reactions, the series would have made a point in showing us that Style notices Fadel's crisis. And our chatty cat here would have 100000% teased Fadel about it. What's more, Style has no idea just how much of an effect his naked body had on Fadel back at the sauna. Style has absolutely no idea that Fadel went and fantasized about him afterwards. So Style does not (yet) know that his naked body is one of the strongest weapons he currently has in the fight for Fadel. So Style does not (yet) realize that he could be using his body in a much more deliberate manner. And I don't think he realized it in this scene either, because as I said we would have been shown his discovery. So Style leaves the scene none the wiser, but eager to help and absolutely stoked that Fadel actually lets him for once.
No. 6: Death by Spatula?
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Unexpectedly, Fadel drops lore of himself and I think that piques Style's interest because Fadel almost NEVER drops lore of himself. Pretty much all the things Style knows about Fadel are things he got from other people (like all the information in the notebook) or things he found out by himself (either because he's picked up on them in all their interactions so far or because he actively did some research like when he looked up Fadel's name). There are only two other instances where Fadel himself revealed something about himself to Style:
When Style finds him at the gym, Fadel drops that he doesn't like it when it's crowded and that this is why he likes going to the gym at night.
When Fadel tells Style that he runs a burger joint in the "sensitive nipples" scene and also mentions that he does everything by himself. Although this incident barely counts, because Fadel didn't really give this information voluntarily but was instead kind of forced to since Style had found the pin of his restaurant.
Usually, Fadel refuses to reveal anything about himself. But now Fadel is overwhelmed by the many customers and in his stress he lets slip that he doesn't need money and that he only runs the restaurant for fun. When Fadel then also claims not to be rich, Style immediately finds it sus. Lucky for him, though, he won't make the right guess until later in the episode and so he manages to escape being prematurely murdered with a spatula. But Style doesn't know that.
Instead, Style just got a lot more intrigued by Fadel. This is one of those incidents that make Style want to get to know Fadel out of his own curiosity and not because he wants to help his friend and is getting his dream car as a reward. Style is starting to take a genuine interest in Fadel as a person and his positive feelings towards Fadel grow.
No. 7: First Bites
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When Fadel wordlessly hands Style the burger it's the first time that Fadel is actively reaching out to him. Reaching out to him in a friendly manner that is, not to ambush him in a dark locker room and start a fight. And Style is absolutely delighted that Fadel is finally taking a step towards him instead of walking away from him like he usually does. And Style being Style, he of course has to immediately make a big deal out of it: "Are you finally folding? Was it because of how hard working I am? You like me now, don’t you?"
Actually, I wanna take a little detour to the language side of things again. The English translation has a question tag only on the last sentence, but in Thai Style actually uses question words that give a sense of "right?" or "isn't that so?" at the end of every single one of these questions.
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นี่มึงเปิดใจให้กูแล้วใช่ป่ะ [nêe - mueng - bpèrt - jai - hâi - guu - láew - châi bpà] [interjection] - you - open - heart, mind - to, for - I/me - already - right?
I actually really like the expression he uses in Thai: he says เปิดใจ [bpèrt jai] which consists of the words "(to) open" (เปิด) and "heart, mind" (ใจ). To me, that gives me the feeling of Style not just asking Did I manage to win you over? but more of a feeling of You are finally opening (your heart) up to me, right? You are finally letting me in? which I think is a much nicer image in regard to Fadel's character and Fadel and Style's relationship.
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มึงเห็นความขยันความตั้งใจกูแล้วใช่ไหมล่ะ [mueng - hĕn - kwaam kà-yăn - kwaam dtâng jai - guu - láew - châi măi - lâ] you - see - diligence - intention, determination - I/my - already - right? - [particle]
I don't know if others feel the same way, but in the English translation the "hard working" part mostly makes me think of Style working hard with helping at the restaurant before this conversation. A more literal translation of what he says in Thai would be "You've seen my diligence and determination, haven't you?" and I'm sure he's actually more referring to his determination and relentless efforts in getting close to Fadel.
I just really like the way Style phrases all his questions here in Thai. Fadel has enclosed his heart deep within him in very thick and high walls and no one gets access to it. And Style's task isn't that he has to get Fadel to simply just fold to him, surrender to him, but what he actually needs to do is to search for a way to reach Fadel's heart. His options are either to tear down Fadel's walls by sheer force or to somehow get Fadel to trust him so much that Fadel will willingly unlock and open up the doors leading to the depths of his heart. And it's like Style is asking You're finally letting me in, right? You're finally recognizing my diligent efforts to reach you, right? You no longer hate me, right? You like me now, don't you?
And I don't think Style is necessarily flirting here and means to ask if Fadel likes him romantically. On the surface, yes, he is definitely also asking if the flirting (attempts) have worked and if Fadel is starting to fall for him. But I think a lot of this is also about how he has on multiple occasion now tried to form a genuine connection with Fadel. Just in this episode alone we can see it in the way he asks Fadel if he likes heavy metal at the heavy metal bar and then tries to get him to socialize, tries to include him. We can see it the entire time at the restaurant just now where he's voluntarily helping because he genuinely cares. There are even more instances in the first two episodes, which I talk about in my first meta post of this meta series. Style has tried to bond with Fadel multiple times now but Fadel has always blocked his attempts and I think a big part of Style also wants to know if Fadel is finally starting to have at least friendly feelings towards Style. That Style is finally going from being an annoying presence in Fadel's life to being a pleasant presence in his life.
But Fadel shoots him down. "Don't get your hopes up. This is your wage." (Fun fact: in Thai Fadel actually tells Style not to เวอร์ [wer], which is a slang word coming from the English word "over" and, if I remember my Thai friend's explanation from a month ago correctly, is used to indicate that what someone is doing/saying is "too much", so what Fadel says here could be taken as "don't exaggerate" or "don't be so overly dramatic" or "don't be so hyped")
Style immediately complains that the burger is too little of a wage, but also won't let Fadel take it away from him again, insisting on eating it anyway. It might not be much of a wage, but that burger is important to Style. When Fadel sends him home, Style dramatically laments being exploited and thrown away. I think this is yet another one of Style's attempt to get some friendly banter out of Fadel. But Fadel isn't having it. Fadel makes it clear that he wants Style gone asap and Style is annoyed that Fadel keeps making him leave. I think Style is genuinely enjoying hanging out with Fadel at the burger joint and also genuinely wants to stay. His positive feelings continue to develop.
Special shout-out also to the way Style loudly goes "Mmh! Mmmh!!" while chomping down on the burger to make sure Fadel knows exactly how much he's enjoying Fadel's food. Which isn't just food in this instance, no, the burger also stands for an unspoken thank you for helping me and symbolizes the first time Fadel has actively reached out to Style on his own and done a nice thing for him. Style is making sure Fadel won't miss just how much he appreciates this gesture.
No. 8: A Fly on the Wall
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Oh, how desperately I wish we knew at which point of the conversation between the brothers Style came in exactly! This is going to drive me insane, because I have no idea just how much of the conversation Style overheard, which unfortunately is important information for the interpretation of his interactions with Fadel from this point on. Most of all I really NEED to know if Style happened to hear this specific line:
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Fun fact: in Thai he doesn't actually say "you wanted to rely on" but he says (ที่)มึงจะไปอยู่ด้วย [(thêe) - mueng - jà - bpai - yòo - dûuay] which should translate to something like "(that) you were gonna be with" or "were gonna live with" (disclaimer: I didn't double-check this with a native speaker) which sounds much more like a serious relationship to me rather than when phrased as "dude you wanted to rely on". And we'll get the confirmation of an ex-boyfriend later in the episode.
Now the question is: DOES STYLE KNOW ABOUT THE EX-BOYFRIEND NOW?? DOES HE KNOW FADEL WAS IN LOVE BEFORE?? PLEASEEE I NEED TO KNOW 😭😭😭
In my quest to find an answer to these questions I did come across a strange background noise that comes right after this line, though. A background noise that could very well be interpreted as Style sliding open the door. So for the sake of my own sanity I'll go with Style only having heard this part of the conversation for sure:
F: Why did you bring this up? K: I just want you to tell your brother how pipe dreams always end. In this line of profession, no one waits for you.
This is yet another incident that gets Style genuinely curious about Fadel, about who he is exactly. Style will certainly be wondering about what that profession is from now on. And he will certainly be wondering about what that profession could be after he watches Fadel beat up three grown men like it's nothing. And he won't know that he will have hit jackpot with his guess.
No. 9: Private Show
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Where the masturbation scene from episode 2 confirms that Fadel feels genuine physical/sexual attraction to Style, this scene confirms that the feeling is mutual on Style's side of things as well. Style, too, finds Fadel's body hot. What's more, he never stops looking at Fadel. And not just at his body, but throughout his fantasy, Style is always searching for Fadel's eyes. In fact, he rarely takes his own eyes off of Fadel's face, and when Style does direct his eyes somewhere else it's always only for a very short moment. I think this once again shows that Style desires an emotional connection next to a physical one as well. Sex isn't just sex to Style, he wants more with it.
It is said that eyes are the windows to the soul, so another reason for the intense eye contact could be that Style also wants to stare deep into Fadel's soul to get to know him better in a quest to find answers to who this mysterious person really is. Because by now Style is genuinely curious. He has genuinely started to care.
Remember how I mentioned that arguments could be made for Style actually liking being pursued more than doing the pursuing and that I would get into this later? Later is now.
At this point I want to plug @clemelntine's extremely interesting perspective on the two sexual fantasies that we've gotten so far and what that means for the storage room hook-up. I'm not gonna reiterate everything, but I do want to pick up on what she says about Style specifically:
No matter how much he annoys Fadel in the day to day and how much he seems to take the upperhand in those interactions, when it comes to sex he likes in the idea of letting Fadel do what he does/wants.
In Style's own fantasy, Style is sitting back, he's letting Fadel take the reins, do the work. This is also in line with @secriden's excellent meta on Style's true desire being to be pursued, which I also really encourage you to read. Again, I won't repeat the entire post, but she highlights how Style will downright create opportunities for Fadel to lay his hands on him and how "every single time Fadel even shows a HINT of wanting Style, he immediately falls pliant, like he can't wait to let Fadel take the reins" (quoted from @secriden). And we see this desire in the fantasy too. Style imagines Fadel being the active one while Style gets to sit there and enjoy. Our little attention hoe here likes it when people are actively after him.
I was struggling to really make sense of Style this episode. In the first two episodes, whenever Style was being annoying there would be some sort of trigger for it. I was confused especially in the beginning of this episode, because I didn't understand how and why Style would go from trying to genuinely bond with Fadel at the heavy metal bar to being annoying at the running track and at the market when nothing seemed to have triggered it. I could tell Style was being annoying on the sports field and at the market, but I really couldn't figure out the "but why?" of it all. But if we look at his behavior through the lens of "Style actually prefers being pursued over doing the pursuing", I think it makes more sense. Style prefers for others to put in the effort of pursuing and now that he's forced to do the pursuing himself he doesn't really know how to go about it, especially when the person he's trying to woo has walls high up to the sky and continuously shoots him down. Style shows up and drops flirty lines but he doesn't even really mean them because he doesn't actually want to do the pursuing. The inauthenticity in his insistent approach is what makes him annoying in those scenes. And it's also not what works on Fadel – it's when Style is being genuine that he actually reaches Fadel, like when he was helping him wait tables (which Fadel recognizes by rewarding him with a burger) or when Style was being playfully flirty in the sauna (which results in Fadel fantasizing about him at night).
No. 10: Mark Style Down As Scared AND Horny
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We will later learn that Style doesn't believe Fadel about needing more money for the restaurant and was just acting stupid to gain Fadel's trust, but when I first sat down to take notes for my meta I wasn't sure if Style was being entirely accurate/truthful when he said this, since he witnessed Fadel taking on three grown men only after that whole conversation about the restaurant. So why would he feel a need to gain Fadel's trust before that? At first I thought that maybe Style did believe Fadel for a moment there, especially also because he presented Fadel with an excuse as to why he was working there right away and then also sounded a bit too sincere when he offered support to Fadel. However, on second thought I'm now thinking that maybe he really does distrust Fadel's claims from the start.
Outside the host club Style approaches Fadel and I don't think it's with the motivation to flirt with him but rather to find out why exactly Fadel would be here stripping for some ladies. It's a bit odd that he immediately offers Fadel an out of "You need the money for your restaurant, right?" when he's trying to get answers, but maybe this clumsy approach at digging for answer is already part of Style playing dumb on purpose to gain Fadel's trust. But why would he need to gain Fadel's trust when he hasn't even seen yet what Fadel is really capable of?
While it is true that up until the "why are you working as a stripper" conversation Style hasn't witnessed the real danger that Fadel poses, there've still been enough incidents to make him suspicious of Fadel. It already starts right during their first meeting when Fadel won't let Style get near his car. That's weird, Style finds it weird. Next thing Style knows is that Fadel also doesn't have any papers for said car which is very odd again. In episode 2 Style gets a little hint of Fadel's dangerous side when Fadel ambushes him in the locker room. In episode 3 he learns that Fadel opened the burger place just for fun rather than to earn money and that apparently Fadel isn't rich and yet somehow still has the resources and the time to run a whole restaurant for fun. Shortly after that he (likely) overhears something about a "profession" which clearly can't refer to the profession of being a burger joint owner. Style has enough reasons to be suspicious of Fadel, even before he witnesses Fadel's badass fighting skills. Style has reasons to gain Fadel's trust and to stay on his good side, especially since Style himself is hiding ulterior motives and can't risk Fadel getting suspicious of his own true intentions. So Style plays dumb, offers Fadel an out, and when Fadel takes that out Style raises his eyebrows and hesitates for a moment like Oh, okay. We're going with the lie, then, before he offers Fadel support.
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The conversation gets interrupted by those three men looking for a fight and for the first time Style gets to see just how dangerous Fadel can get when he wants to. This is where Style truly realizes that something really is very, very OFF about Fadel. It's no longer a joke or a gut feeling, no, this is confirmation that something here is incredibly shady. And Style wants to get to the bottom of it.
No. 11: Hit by Apollo's Ball of Prophecy
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There've been a few incidents that got Style curious about who Fadel really is behind his thick walls and his tough exterior, a few incidents that got Style curious about Fadel's lore. But watching Fadel take on three grown man without any major problems and having them run away in fear was the last straw. Style's motivations officially change. Getting Kant's car is less important now than finding out the truth about Fadel. Style definitely exaggerates a bit when he says that Fadel must be some kind of hitman, is being dramatic as usual. It won't be much longer until Style finds out that Apollo has actually hit him with the gift of prophecy.
No. 12: Rise Up
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Style is determined to find out more about Fadel's life and promptly shows up at yet another location he knows Fadel will be at. I'm not sure Style was aware this meeting was gonna be about grief and loss before he arrived and saw the sign. At least from the notebook it's hard to tell because the drawing only shows a group of people sitting in a circle of chairs with the caption "rise up". That could really be about anything. For me personally, my first association (especially in combination with the words "rise up") would be a Christian bible study group, although I doubt that Style, having been raised in a predominantly Buddhist country, would necessarily have this specific association with that image and those words, too. Point still stands that nothing about this image strictly points to loss specifically. (Technically we could say that since there's no address in the notebook, Style might have googled "rise up" in order to figure out where to go and seen on the website that it was a meeting for grief and loss. However, as we didn't actually get to see Style do any research and find this information, I'm just gonna run on the assumption that he genuinely didn't know and that maybe he got the address via Bison or something. Or maybe he actively stalked and followed Fadel, idk.)
Style stops in front of the sign, double-checks that he's at the right place, and then nods in determination, kinda like alright, let's do this, then, before he enters.
Another reason why I don't think Style was aware what this group meeting was gonna be about before he arrived is the way he's kinda confused when the group leader asks him to tell his story. The group leader elaborates ("Something you’ve lost, or the changing point in your life.") and Style, who was looking at the group leader while listening to his explanation, turns his head to look at Fadel right after the group leader says the word จุดเปลี่ยน [jùt bplìian] (= changing point). He stares at Fadel as if he's wondering Did he lose something? Was there a changing point in his life?
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Style can't dwell on it for too long, though, because he has just been asked a question and now needs to come up with a cover story.
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And this is where Style really starts to get out of line. He dishes out a story about some dog, which I don't really want to get into right now since at the point of me writing this we're only 4 episodes into the series and who knows, something might as well happen later down the line that could recontextualize Style's story (looking at you, Boonterm mention! 👀), but I think it's safe to say that Style isn't too involved in his story emotionally. When he cries, the crying is cringe and it's NOT because Dunk is a bad actor (far from it!!) but rather it's because Style the character isn't taking himself seriously here. This is also highlighted in the smug look and nod he shoots Fadel in the middle of his crying performance:
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His behavior is very disrespectful, but I don't think he's being disrespectful on purpose. I think this is another one of his idiot boy moments where he is just really fucking stupid. Style is impulsive and doesn't think things through a lot and I think in this scene he is also so absorbed in his goal of getting to the bottom of Fadel and his mysteries that his tunnel vision on his goal prevents him from realizing the effect his actions can have on those around him, the consequences his behavior could bring. We saw it before that Style sometimes doesn't see things as much of a big deal as they actually are when he doesn't think much of texting while driving (as elaborated in my ep1 meta). Besides, his behavior has worked out pretty well for him all episode, with the worst consequence being Fadel simply just walking away from him, and Style even got to celebrate small victories like when Fadel made him a burger. So why would Style be changing his behavior now? There is no reason for Style to act differently, and so he continues to bug Fadel as usual and it genuinely doesn't occur to him that his behavior could be disrespectful or out of line.
Maybe if Style had had more time to dwell on the thought of Is Fadel here because he's lost someone? he might have realized that the situation was a lot more serious than he had originally thought and that his words/actions were gonna be out of line and that he shouldn't have been doing this, but alas that is not what happened. He didn't have the time and so he immediately gets distracted fabricating an elaborate story to answer the group leader's question and doesn't spend a single one of his brain cells thinking about his behavior and its consequences. He will soon learn about the consequences, though, because Fadel is seriously pissed now.
No. 13: Giving You What You Want (But Is It?)
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Fadel is pissed and goes to confront Style in the privacy of a random storage room. Style is obviously lying to Fadel through his teeth. I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now. We know for a fact that Style is lying when he explains that he found the support group via the internet, that meeting Fadel was a coincidence and Fadel doesn't buy it either. What we, the audience, also know but what Fadel doesn't necessarily guess is that Style is also lying about how he is hitting on Fadel because he likes him and because he wants him. "Nothing more than that" he says, but as the audience we know that this is also bullshit because we know he was specifically sent by Kant and that a car is waiting for Style when he succeeds. What we also know, though, is that Style is definitely physically/sexually attracted to Fadel, so when Fadel offers to hook up with him, who is Style to say no?
I think this nc scene surprised a lot of us because it didn't go the way most of us were expecting it to go. As has already been pointed out in various posts by various people, Style is surprisingly passive during the entire act (at least, that we get to see). They have next to no eye contact, Style doesn't initiate a single kiss and barely touches Fadel except to hold him and to run his hand through Fadel's hair. But why is that?
Many a thing has already been said about this scene and about the characters' motivations and I don't think there is one specific interpretation that is the One Truth. I think many truths exist in this scene at the same time and there are many factors as to why the characters were acting the way they were acting. Emotions are complicated and sometimes you can have many of them simultaneously.
An interpretation that I haven't seen floating around yet is that part of Style's passiveness could also stem from the fact that he was caught off-guard. I don't think he was expecting Fadel to go Alright fine, have me, then. In fact, I think when Style told Fadel "I like you" and "I want you" those were mainly empty words again. Because this time he didn't seek out one of Fadel's usual places in order to to hit on him, but because he wants to find out the truth about Fadel, wants to figure out the reason why Fadel is so shady. But then he ended up pissing Fadel off who then promptly started a fight with him and Style needed to cover up his own intentions when he threw those words into Fadel's face. Style says "I want you", but he doesn't actually mean it in that moment and his actions do not reflect the I want to bang you sentiment at all either. We've all seen the sauna scene, we know how Style behaves when he actually wants to get into Fadel's towel pants. And this isn't it. So when Fadel suddenly and uncharacteristically does let Style get into his pants gets into Style's pants, I think that throws Style off and he momentarily doesn't know how to respond to the situation.
Plus, as @nnnn99999 writes in her meta, there is also the emotional disconnect. At this point of the story, neither of them is in love with the other just yet. Yes, there is mutual physical attraction and yes, by now Style has taken an interest in Fadel beyond the car, has started to develop positive feelings for Fadel and has at times actively enjoyed interacting with Fadel, but they still have their own motives and intentions and emotionally they simply just aren't quite on the same page yet. Style desires both body and heart, but both of their hearts simply aren't properly in it just yet. I don't think Style minds hooking up, he's definitely consenting to it and also enjoying it, but it's just not quite what Style dreams of, not like this. In a way, yes, it actually is what Style has dreamed of because his fantasies of Fadel doing things to him rather than him doing things to Fadel are now becoming reality, as @clemelntine beautifully explained in her meta, but in the real situation there's one important detail missing from Style's fantasy: the intense eye contact. In addition to Fadel's body, Style also wants that emotional connection. We've seen this times and times again whenever Style has tried to make friends as well as to genuinely bond with Fadel, and this desire extends also to the sex.
And lastly I want to leave you with @braceletofteeth's excellent tags on this post, which is something that I think also factors into why Style goes from being proactive to being passive in the blink of an eye:
#Fadel said he would give himself to Style #and Style let him do that #he barely touched Fadel except to hold him and caress his hair #he reciprocated the kisses but did not initiate them #he didn't try to take any more of Fadel than what Fadel willingly gave him #[head in hands]
During the entire nc part I kind of get the sense like Style is waiting. Waiting to see with a certain curiosity what Fadel will be doing next, what Fadel wants to do next, ready to happily take up whatever Fadel offers. Style is letting Fadel control the situation completely and doesn't push him once.
No. 14: Kiss or Slap?
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Once again we see that Style isn't too much of a fan of casual hook-ups. And while I do think part of his motivations for saying the things he says and for trying to stop Fadel from abandoning him again is because making Fadel his boyfriend specifically rather than just hooking up with him is his goal here after all, but I do think that Style isn't lying this time. He's just a bit too annoyed when he asks "What kind of man do you take me for?" for it to be an act. I think he is genuinely offended that Fadel would think of him this way. And I think he's genuinely a little upset and hurt that Fadel is perfectly happy to sleep with him and to ditch him immediately after. We get foreshadowing to Style being very much Team Anti Hit-and-Run in episode 1 when he tells Fadel "It ain’t like me to hit and run" in the context of an actual car crash and earlier this episode when he laments "Oh, the nature of man. He will exploit you and then throw you away". Style is very much not happy with this turn of events and it's not purely because he hasn't yet completed the mission Kant has sent him on. We also get another hint of Style looking for a connection in his hook-ups in the way Style is looking at Fadel when they're getting dressed while in contrast Fadel has turned his back to Style completely, avoiding eye contact and avoiding any interaction:
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Another thing that I want to point out is that Fadel says "I gave you what you wanted" and "We agreed on it" when Style tries to stop him from leaving. However, they didn't exactly agree on anything? Fadel started kissing Style before they could even come up with any terms and conditions and the thing is when Style said he wanted Fadel, he never said he wanted Fadel only once. And he also never said he wanted Fadel to run away immediately afterwards.
So Style puts up a fight. He firmly stands between Fadel and the door, blocking Fadel's way. Fadel threatens to punch Style if he doesn't move but Style refuses to stand down even though he knows very well from personally witnessing it that Fadel is perfectly capable of punching him if he wished to. Despite that, Style is not scared of Fadel. I think Style takes Fadel's sudden willingness to sleep with him as a sign that Fadel has finally developed some sort of positive feelings towards Style after all, too. And Style is confident enough about it that he trusts that Fadel wouldn't hurt him. When Style says "You like me" I don't think he necessarily means it in the sense of you're in love with me or you're crushing on me. I think he's calling out Fadel's change of heart (that is negative feelings turning into positive feelings) and is making it very clear just how confident he is about Fadel not hurting him. I'm not scared of you. I've become a positive presence in your life now. You wouldn't dare to injure me. It's a counterattack to Fadel's threat. But Fadel's trauma runs deep. And so he punches Style because giving him a bit of a beating is still better than risking to face the consequences of what might happen if he lets anyone get behind those thick high walls. And he punches Style also a little bit to put him in line for his cockiness.
And also, I may be a Style apologist and a Style enabler, but after that shit Style pulled at the group meeting that punch was totally deserved.
Please don't expect me to write a proper conclusion bc my brain is absolutely fried now bye <3
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cxtangerina · 5 months ago
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k2 is such a funny ship to me, like it's just plausible enough to be kinda sorta realistic if you squint and pray and look at it sideways, not quite a crackship but not able to get off the ground as more than a particularly popular rarepair either. they had, like, one big episode together back in season 3, a handful of major moments over the years that people hold onto with an iron grip, and basically nothing else outside of a plethora of fantastic fancontent and dreams.
i think i like it for the exact opposite reasons that i like kyman, actually, they sorta stand as complementary ships in my mind. where k2 barely has any actual basis in canon & comes heavily from fanworks and speculation about how well the characters would match each other, kyman is practically canonical, at least when it comes to cartman's feelings, and is at least regularly joked about and referenced in-show. personally, i also tend to see k2 as a ship that is kinda miraculously requited, whereas kyman is usually stuck in unrequited hell, which...
...well, this gets into more specific character analysis, but a big part of this is that i tend to see cartman as having very fucked up views of both romance & sexuality that have especially interesting implications when you consider him to have a crush on kyle, specifically.
on the one hand, i think his cupid self is evidence enough that he has a very fairytale, idealized view of romance, based more out of the hollywood movie image of what love is supposed to be rather than anything in reality. south park adults being utter fucking idiots 99% of the time means that most, if not all, of the kids don't have a lot of good role models to base their actions off of. i'm not gonna talk out of my ass about childhood development more than i understand it, but i don't think it's too controversial (?) of a take to claim that kids understand & learn about the world through watching it just as much as interacting with it, particularly when it comes to their own parents.
cartman is a piece of shit, and while a lot of that comes from him and his own bigotry, he's still ultimately a kid in show and you can trace where some of his worst traits originate from in the people around him, even if he makes the personal decision to push it as much as humanly possible. i think the trend in recent seasons for many adults to try and at least appear more pc only makes this more obvious, actually (coughcoughrandy), though talking about that is maybe biting off a little more south park politics than i'm willing to chew for this particular post.
point is, cartman as a character in particular does not have a lot, if anything, to base his idea of what a healthy, happy romantic relationship looks like, which isn't only because liane is single though that may be a major contributing factor. love isn't work to cartman, it isn't about the maintenance of a relationship or communication or all the more realistic and slightly less pleasant parts of loving someone that hollywood doesn't find dramatic or interesting enough to show. rather it's a fantasy, something that happens to people that they have no real control over. i wouldn't be surprised if he believes in soulmates or love at first sight, even if the likelihood of him admitting that out loud isn't especially high.
on the other hand, i think his view of sexuality is greatly influenced by not just liane's sex work, but the way she is slut-shamed and treated like garbage by the rest of the town for it. i tend to view cartman as having a very transactional, cynical view of sex and sexuality, where sex is only used for personal gain (whether that be money or power, likely at the expense of someone else/the submissive party), and sexuality is an inherent character flaw, a weakness that must be overcome unless you are able to twist it and use it for your own (material?) benefit- see the streaming wars & cartman wanting his mom to seduce a rich man for money as a recent example of this.
it's a running gag in TFBW that cartman uses douchebag catching their dad fucking their mom as a tragic backstory, and doesn't seem to understand how reproduction actually works even when kyle basically says it straight to his fucking face. even as a joke, there's still a lot of underlying truth behind why he would believe this. cartman is aware of his mom's sex work, even if he may not want to fully admit/believe it, largely because of situations where he's specifically getting shit for it. he knows he has a father, and that he is (in)directly responsible for said father's horrible death & consumption, but he only really cares about that insofar as it means he's half ginger. sex has only ever been presented through its most vicious power dynamics to him- why would he see it as a good thing, as something that could ever be loving, especially when contrasted against such an idealized, purified view of romance?
(you could also extrapolate from this how cartman associates sexuality & romance with femininity & his brand of sexism to get some particularly delectable transfem cartman ideas, but i digress.)
ANYWAYS. this is all to say that cartman having a crush on kyle (or anyone, really, but kyle is obviously the most emotionally volatile example) instantly pits those two conflicting views against one another, like he wants something that he doesn't even think could ever exist: a happy, healthy romantic relationship, where sex is just a normal thing that they can choose to do or not. this is where a lot of kyman angst comes from for me, with cartman either trying to stuff that round desire back into the square hole of how he views the world, or having his ideals fall ever further apart when the feelings are unrequited. and, on top of that, none of this being actually said out loud because communication is impossible.
this is why i always see kyman as making each other worse, especially if they actually manage to make it into a romantic relationship. i simply Do Not see kyle being a patient enough person to help cartman work through the intricacies of all of his expectations and idealized fantasies and internalized fears surrounding such mutually screwed views of romance & sexuality- on the rare occasions that kyle does show some interest in romantic relationships it's usually pretty centered around himself, and to be frank i only see his interest in romance going down as he gets older.
i've heard some people talk about kyle before like he's the "moral compass" of south park or whatever and while that may be true by the end of the episode, one of the things i like most about him is the fact that he struggles so much to get to the best conclusions. this is kind of getting back into the k2 side of this analysis, but where kenny manages a much more effortless selflessness, even pushing it to the point of being both a strength and a flaw when kenny stops caring about himself for the sake of others, kyle is a lot more self-centered than he cares to admit and it influences a lot of his attempts at being a good person.
this is both my favorite aspect of kyle, that he really has to put in the work to be the good person that he wants to be, and also the primary bad trait that i think cartman brings out of kyle. by being such a notoriously horrible shithead, he gives kyle the perfect target to unleash his annoyance on, getting him so caught up in arguing and proving himself to be the better person that kyle forgets to actually listen to the people that he's supposed to be standing up for. cartman is a fantastic troll and, at least in show, kyle definitely has not learned to stop feeding him argument fodder yet.
sidenote: about kyman entering a romantic relationship... wasn't sure where to add this, but it's for this exact reason that i also see kyman (or this version of kyman where cartman gets worse with age, rather than better) only actually happening in the universes where kyle has lost all other meaningful connections, to the point that feeding a troll to get off on an argument is the best possible option, even if he's old enough to know better. especially if he's old enough to know better.
again, k2 is the opposite of this for me in that i see kyle & kenny as having a lot of potential to bring out the best in each other.
if kyle's worst trait is that he gets too caught up in his own feelings & desires to truly be the good, selfless, thoughtful person that he wants to be to actually do genuine good for the sake of others, kenny's problem is that he skews too far in the opposite direction. i kinda already said this, but to state it outright: kenny's biggest strength and his biggest flaw are the exact same, that he is selfless to a fault, to the point of consistently putting other people's safety and happiness above his own when he thinks it would be of help the majority/the people he loves. this was the key kenny trait that was established by the end of BL&U, and it has only gotten more prominent in the years since with his mysterion persona.
it is in this way that kenny both stands as someone that kyle can look up to & admire for how effortlessly he dedicates himself to the people he cares about the most, but also, simultaneously, as someone that kyle can take care of himself and offer the same help back to. and i don't even think kenny needs to say very much out loud to push kyle towards a lot of these conclusions, he kinda just has to exist and be noticed and kyle has the intelligence to figure it out himself, to recognize the shit that kenny puts himself through and his (usually) quite noble reasons for doing so, and want to offer him the same love and care and dedication that kenny never allows himself to have.
really, the difficult part of this is being noticed at all in the first place. again, i said earlier that k2 is kinda "miraculously requited," in my mind, specifically because the aspect that's missing in the show and almost always must be provided by fan content for k2 is that spark/push forward that gets them close enough to start talking and for kyle to notice kenny in the first place. it's just lucky that's one of my favorite things to figure out and write for those two, hehehe.
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thenamesapollo · 2 months ago
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APOLLO!!!!!! DROP AN INFODUMP ABOUT YOUR NIGHTMARE....AND MY LIFE,,.,,IS YOURS...,..
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OKAY ummm um um fucking um!!!
nightmare's one and only dream was to become an actor!
or at least, become whatever that mettaton guy is, cuz that guy always seems on top!!
he wants to be someone famous on tv!! someone everyone knows and watches (and that gets a lot of money)!!
he really wants to be on tv. in fact, 'tv' consumes almost his every thought, sometimes he acts like he genuinely believes he's being broadcasted when there's no cameras around.
and also, he actually did achieve his dream! ...sorta. it was such an awful experience that he doesn't want to be part of a set ever again........
he was treated so badly on set that in a sort of 'payback' response, he started seeing everything as a giant set and him as it's star.
(his castle having a giant star at it's top wasn't just for show.. hihi..)
being 'on the top' is all that matters to him, more than money, more than people. and he's willing to destroy life long friendships, a whole ass marriage, but also himself to get there.
fun factoid for u : nightmare has three exes that hate him ₍⁠₍⁠ ⁠◝⁠(⁠ ゚⁠∀⁠ ゚⁠ ⁠)⁠◟⁠ ⁠⁾⁠⁾
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autisticrosewilson · 4 months ago
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Okay okay, but what if- Talia is the doctor that Catherine goes to when she starts getting sick. Maybe Jason is interning at the same hospital Talia works at (she moved to Gotham for Bruce but they're...not working out) when it starts getting bad and so he brings Cathy to the best doctor he knows. Technically, Talia is supposed to do any of these procedures for free. In fact she could get very fired for it, but she's the best damn doctor in Gotham and her work son needs help. So she agrees, and it's a very good thing because without intensive treatment Catherine would certainly suffer until the gruesome end.
Well, they go through with the treatment, and somehow manage to hide it all from the higher ups (likely with bribery), and Talia starts getting to know her patient. Catherine is...a lot. She's sharp and clever and sweet. She used to bring coffee and pastries to share for lunch before she was confined to her bed. She likes braiding Talia's hair since her own is too brittle to touch these days. Sometimes she asks Talia to do her makeup, to make her look a little more alive than she feels.
Talia thinks they both know that the treatment isn't going to work for long, at most Talia can keep her on enough painkillers for it to be painless but time is running out. The most Catherine can hope for is making it to Jason's graduation. Sweet, worried Jason who visits Catherine as often as he can, diligently doing his homework at her bedside as if he can rush his graduation anymore than he already has. Maybe he knows that she doesn't have much longer too. Catherine hopes so, because she can't bear being the one to tell him. Talia thinks it might ruin her as much as Jason if she has to tell him their Cathy has a scant few months left.
Ra's doesn't mind sharing for a good cause, the pit is constantly regenerating itself after all, it's not like he's really losing anything. But Gotham isn't exactly known for birthing people who are pure of heart, he fears what a corrupted soul might do to the pit. He demands to meet the woman Talia is so insistent on saving. He knows better than most that his daughter's heart can be soft, often for people who don't deserve it. It's that same love that stole her away to the cursed land to begin with.
And Jason insists on coming with, naturally. So for the first time in months Catherine is out of bed to go on what might be her last trip if this experimental, vague cure doesn't work. Her last trip as her if it doesn't work as intended. She's nervous, and not just because she's never been on a private jet before. She agrees that Jason can come but she refuses to let him in the room. She doesn't like the sickly green glow beyond the door and she won't risk him getting radiation poisoning,nor worse.
Ra's as it turns out, is far more interested in Jason than Catherine when they get there, which Talia is hardly surprised by. Damian is still a baby, just beginning to toddle around and while he just adores his grandfather, babies aren't the best company. The fact that Jason is a humanities buff and a child prodigy certainly helps. Talia hardly has to convince him of anything, he's ushering them into the basement before the week-long trip has even reached the third day.
He insists he be the one to conduct the procedure, however. Jason and Talia are left to sit on the stairs at the end of the hall as Ra's wheels Catherine into Lazarus room.
Talia has to put her full weight into holding him when Catherine starts screaming.
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gingermintpepper · 5 months ago
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One of my favourite little things about Apollo is how casual his and the Fates' relationship was.
Now, this isn't to understate how grave the Fates were in any way, as a matter of fact, it's written multiple times about the complex interplay between the Fates and Zeus (Stobaeus even wrote that the Fates were given the seat closest to Zeus' throne so he could better give counsel on all things from their machinations)
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Indeed, even Zeus was beholden to them and even though the Fates usually left things up to natural course (and Zeus in his position as Moiragetes - that is, the Leader of Fates could even intercede on these events, even interrupting when a someone was set to die) in a lot of ways, there are many, many things that even Zeus could never interfere with, things that were above even the King of the Heavens. Some really good examples are things like Persephone's Abduction which the Fates ruled as necessary for the propagation of the seasons and his marriages to Themis and Hera.
By all accounts really, the Fates were incredibly stern, incredibly grave deities who presided over law, order, birth and death and even worked with the Furies to punish those who broke the sacred laws!
And then you have Apollo who was also known by the title Moiragetes (In Delphi, there were only two Moirai depicted and in place of the third was Zeus and Apollo Moiragetes according to Pausanias) but who did things like, checks notes, send the Fates to be the midwives of his paramour Evadne when she had to deliver his son alone in secret (by the way, he also sent the actual goddess of childbirth to help. The Fates absolutely did not need to also be there, he was taking every precaution:
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and get the Fates drunk so they would agree to save his bestie Admetus' life:
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Keep in mind btw - this con Apollo pulled for Admetus was multi-layered and even included getting Heracles to wrestle Thanatos and keep him still so Apollo could proceed to help Admetus cheat Alcestis away from Fates when Admetus expressed regret for making his wife die in his place:
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And I cannot stress enough that Apollo faced zero consequences for this nonsense. NONE. The Fates weren't even cordial with other Gods - they're almost never referred to directly, they were often depicted apart from other deities or described as old, ugly and unable to walk (though, generally speaking they were artistically depicted as young maidens!) and apart from comforting Demeter by going to personally explain what happened to Persephone in some versions of the story, they didn't really get humanised the way most of the other gods or spirits did. Usually they're referred to euphemistically, or someone will speak distantly about a prophecy they once heard was designed by the Fates but Apollo? Apollo knew the Fates! He was good friends with the Fates! And I think it's even cooler when you consider that both instances of Apollo showing off his Fate's Favourite privilege have to deal with birth (of Iamus) and death (of Alcestis/Admetus) which were the two points most deeply associated with the Moirai and why there were usually depictions of them as a pair over that of a triad.
(Excerpts sourced from Theoi, Aeschylus' Eumenides, Pindar's Olympian 6 and Statius' Silvae; though just a note, one instance of the Fates' involvement with Apollo is misquoted on Theoi - that is the Fates being present for Apollo's birth, that's actually a misinterpretation of Evadne's birthing of Iamus.)
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aspynnwoofs · 2 months ago
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Um. hi. your fanart of Marcy waking up from a nightmare is probably my favorite piece of Amphibia fanart ever. curious what was going through your head when you made it. also what are your headcannons/thoughts about The Core, Marcy, what she experienced while under its control, and its lasting effects on her?
holy shit dude, thanks? i don’t know what i did to deserve all this nice stuff you’re saying, but thanks. also the tags on the reblog were not aggressive or mean or anything, they actually made me super happy to see! i’m really glad you like it.
coming back after writing all the stuff, there’s a lot so i’m putting a ‘keep reading’ thing. seriously there’s so much
what was going through my head… hm. it’s like, i imagine Marcy having lots of nightmares about things that happened to her, or things that could have happened, stuff like that. i’ve read a lot of fanfic so now i really like the idea of her clutching her shirt when remembering being impaled. or even just for comfort, to know that her weakest point is covered in moments of terror. also she’s crying. sobbing. the only times she recovers quickly after bad nightmares is when she’s with the others.
i really like the idea of the Core not only sticking her in a box in her mind, but also showing her things. like to keep her from trying to get out. can’t resist if your mind is shattered and devoid of hope! anyway i mean like using the illusions to show her various things, situations, people. more peaceful ones where she’s with her girls, only to realize they aren’t there. terrifying ones where they make her live through her worst memories, her betrayal (of her and by her), her death, her torture and possession. twisted situations where Anne and Sasha proclaim that they can’t be seen with her, they can’t trust her, even hate her for what she’s done. sometimes the Core sticks her in unending darkness so they don’t have to think of anything, or if they’re focused on something else and need her out of the way (this is where the thing about being unable to sleep or feel safe in complete darkness is from). sometimes they’ll make a fake scene where it seems as though she is being shown what her body is doing, she can see through her eyes, and then she hurts people. kills people. sometimes it will be real, but she doesn’t know that, and she will still hurt people. when whoever in the Core in charge of her is feeling particularly cruel, they’ll do a simulation of her being saved. rescued. freed. forgiven. she’s finally with her girls. but. she isn’t. she’s still here. of course they didn’t save her, why would they? she’s a horrible person, and she did so much unforgivable stuff? why would they ever want to save someone like her? (shit this is long, yeesh. well i’m having fun soo-) sometimes Anne and Sasha kill her as she’s possessed, because she needs out of the way, and her life doesn’t matter anyway. sometimes they free her and then take their fury at her out on her by hurting her.
recovery from that is incredibly hard. when she’s rescued, she doesn’t believe it. firmly denies it, hides from them, tries to keep them from hurting her, curls into a ball and refuses to acknowledge them. because they aren’t real, they aren’t. hasn’t she been through this enough? it takes the others a while to convince her she’s in reality, and that yes, they do really forgive her. she’s actually completely free.
later in life she has trouble discerning reality from her nightmares. she has insane trust issues. she can’t walk, not by herself. she’s terrified of fire, because fire is what impaled her, killed her, and fire is the color of the eyes that haunt her. a small zap of static electricity is enough to send her into a flashback of her possession, of the chair, of fire and lightning and code flowing into her, burning burning burning. once someone tried to calm her by grabbing her wrists, which only sent her further. the cuffs. they chained her down. she can’t move she can’t move! the color orange makes her nervous, if there’s too much of it she half convinced they’ve taken over somehow and tinted her vision the color of her nightmares. (looking at this you’d really think i’d be able to write something. i should write something) sudden complete darkness, such as someone turning off a light without warning, has her half believing whatever just happened wasn’t real, that the Core got bored and stuck her in the darkness. sound and small lights can help her come back to reality. sound because the Core wouldn’t let sound into their void, that would defeat the point! and small lights because if it all comes back quickly it just means the simulation has been turned back on. better to show her something small but concrete. Anne and Sasha have gotten really good at realizing when she needs a reality check, and then knowing her to ground her. (btw she doesn’t move away because i need her to have a support system. she might actually go crazy if she’s separated from her friends) ( whAT THE FUCk-?? this is so long! i need to wrap up! holy shiiiit) Marcy likes to hold their hands to help her remember where she is. physical touch is very grounding. the Core could never get it right so it’s even more so. after some nightmares she flinches from touch, so other things are needed, but once she’s returned from the hell in her mind she needs touch. sometimes weighted blankets help to ground her when she feels as though she might almost float away, sometimes they chain her down and trap her beneath the weight of all her mistakes.
there’s probably more, but if i kept going i’ll just have written a whole ass fic in an ask answer. hope you liked it! if not idk what i can give you (you’ll like it, because it’s great)
i don’t think i’ve ever written things out like things before, i should do that more. it helped to have specific questions, so thanks man i guess? heh.
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skitskatdacat63 · 9 months ago
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"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias
+ Seb not getting what he ordered
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+ the usual
Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!
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Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;
The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.
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I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.
He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.
Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.
Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.
Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.
I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.
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twentyfivemiceinatrenchcoat · 10 months ago
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Ari :(( thinking about suguru again I fear,, when am I not,, thats not the point,, but thinking about you getting an injury maybe breaking an arm or something and he’s so worried. Doesn’t want his baby hurt :(( frets and freaks out like not really freaks out cause I think he’d be calm but he cares. Wants to know how it happened and if you’re in pain. If someone else caused it he’s out to kill. You ask him to sign your cast and he almost sobs. Doesn’t let you lift a finger. He never lets you lift a finger but even more so now. Helps you shower or take a bath and is just so careful. Loves to wash your hair for you. Puts in effort too to learn how you do your hair. Helps you get dressed even if you’re like I can do that >:(( cause he doesn’t want you to overwork yourself. Helps you carry things. If you came to him crying when it happened his poor heart would shatter. Getting a cast to match his eyes :((. He wouldn’t like that you’re hurt but I think he’d like taking care of you more. Like he understands you wanting to do things for yourself and thats why he never pushed before but now he has a reason to push. Complaining about how you look with the cast thinking it makes you look ugly or something and he’s instantly like. Take that back. Take it back. Cause you’re cute always don’t you see? He just wants to nurse you back to health. He loves you so much.
:((((((( REMMMMMM R U GENUINELY OUT TO GET ME WTF ……… this made me so sniffly i love him so bad 💔💔 (this got long also oops)…
no bc rem as literally always we’re holding hands and our brains are syncing …. i can’t tell you how many times i’ve daydreamed abt this exact scenario LIKE IT’S SOOOO PERFECT FOR HIM and you literally described it so well i wanna cry …. there’s fluff potential and there’s angst potential but more than anything it’s just a whole bunch of hurt/comfort and you alr know what that trope does to me 😔😔
but gosh….. he would just be. so so worried and doting :(((((( and he would feel so guilty :(((((((( like no matter how you got the injury i feel like he would blame himself for it. for not being there or not watching over you enough. even if you tell him that it wasn’t his fault…… and then he overcompensates by coddling you even more than usual…… T—T ”doesn’t want his baby hurt” hhhhhh sugu viewing his s/o as his baby specifically makes me lose it like he’s sooo serious abt being your caretaker….. it’s his job to protect you and he failed……. :((( poor baby would beat himself up over it so much 💔💔
frets and freaks out like not really freaks out cause I think he’d be calm but he cares. Wants to know how it happened and if you’re in pain. If someone else caused it he’s out to kill. You ask him to sign your cast and he almost sobs. (…) If you came to him crying when it happened his poor heart would shatter.
☹️☹️☹️☹️ OUR BABYYYYY no bc i think he would absolutely panic but he’d do it silently…. you’re so right rem………. you’re sniffling and trying to explain what happened and he’s trying not to push you but he’s just so so worried and he needs to know what’s going on to feel okay again :((( needs to know what happened so he can figure out how to proceed. bc his chest just feels so tight and he knows it’s not going away until you’re smiling again.. sob.
AND OH BOYYYY if someone else caused it……………. yeahhh he’s out for Blood i fear. even if it was an accident i think he would hold everyone except for you accountable. your friend convinced you to pull a risky stunt? he subtly tries to steer you away from their company (if you stay friends he’s civil but prefers not to interact with them at all/only smiles at them coldly if he has to). you fell while rock climbing bc the safety gear wasn’t tight enough? he’s calling everyone involved just to make sure you get compensated. goes full karen mode honestly like he is speaking to the manager today. the ceo. the Man in Charge. and god forbid if someone like.. directly hurt you…… idk if suguru is the type to beat them up for it (he’s 100% tempted though) but at the very least he’s making sure they never get close to you again. files a restraining order and everything. obviously sues them too. i feel like he would work with law in a no curses au so it just makes sense to me yk??
WAIT ALSO asking him to sign your cast :(((( that’s so CUTE and him almost sobbing….. rem……. i love him so much my heart hurts. you ask him to do it all smiley and happy and he gives you a smile in return but it’s just a little wobbly. writes his signature while you’re all :33 but then you look up and his eyes are glassy…. and if you point it out he just sniffles and apologizes…… 🥺🥺🥺 he’s a baby. our baby.
Doesn’t let you lift a finger. He never lets you lift a finger but even more so now. Helps you shower or take a bath and is just so careful. Loves to wash your hair for you. Puts in effort too to learn how you do your hair. Helps you get dressed even if you’re like I can do that >:(( cause he doesn’t want you to overwork yourself.
T—T remmmm….. you’re gonna be the death of me i swear like these hcs are all SO cute. he’s the only Man ever. ohhh he would be so so gentle like it’s actually insane :(((( cradles you in the bath….. smiles when you get all relaxed and sleepy but then he glances down at your arm again and goes all :c bc he just hates this so much. not taking care of you but just. knowing that you’re in pain….. i think he feels very intense physical discomfort so he just tries not to think about it and puts his all into tending to you instead. wraps you up in a fluffy towel and dries your hair and clothes you in his big cozy hoodie.
i think it could get a little frustrating bc he really would straight up baby you. which i would eat up personally but it’d also be a little overwhelming. he doesn’t give you much of a choice though bc he’s so intent on making his baby feel better :((
aaaa now i’m just imagining you getting a little hissy at him…. bc he’s coddling you to the point where maybe you feel a little disrespected? like he just insists on feeding you or whatever and it’s cute at first but then it’s like…. i have hands. but anyway i think it would break his heart if you got mad at him :((( he doesn’t want to make you feel incompetent but if he’s not taking care of you constantly he feels a little like his heart is about to burst….. sigh. i just feel like this would be hurt/comfort from both sides tbh 💔
He wouldn’t like that you’re hurt but I think he’d like taking care of you more. Like he understands you wanting to do things for yourself and thats why he never pushed before but now he has a reason to push.
AAAA AND THIS!!!!!! SOOOO TRUE SO REAL he’d definitely feel guilty and he’d hate seeing you hurt but i agree….. he would absolutely love a chance to pamper you. once he gets over the initial shock and panic and discomfort and you’re feeling better i think he’s almost kinda smug abt it . bc now he has an excuse to carry you around and help you with putting on your shoes and … idk i think he would just feel so useful and needed. he feels guilty abt being pleased bc you’re in pain :(( but like… a part of him is for sure jumping with joy at the chance to spoil you the way he wants to.
Complaining about how you look with the cast thinking it makes you look ugly or something and he’s instantly like. Take that back. Take it back. Cause you’re cute always don’t you see? He just wants to nurse you back to health. He loves you so much.
😥😥😥😥😥😥 i cried real tears. i know i’m just picking out literally every single part of your ask atp but it rlly did make me insane ok ……. ”take that back. take it back.” I SCREAMEDDD YOU GET HIM LIKE NO ONE ELSE DID YOU KNOW THAT…… he’s SO genuinely offended on your behalf he’s like how DARE you say that about my baby >:(( and it’s like. suguru i AM your baby. but he doesn’t care at all he refuses to hear you out. just reassuring all around!!! ”cause you’re cute always don’t you see?” T—T he loves you so fervently… you’re the cutest person in the world to him….. he’s so Good. sigh.
so anyways this did something to me tysm for the food rem my dearest <333 gonna daydream abt this forever and ever you’re so sweet for sharing this with me it’s like we’re having a sugu meal together :33 i love hurt/comfort w him more than anything else on the planet hhhhh….
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