#this was not prompted by anything in particular

[sometimeslwish]

Last night I thought: aphrodisiac with the boys. Now I gotta make this little prompt thing.

Now, before I start, this whole prompt post was inspired by @poisonf0rest and their fic, iicyify, so go give them some love.

Overall tags: Established relationship, aphrodisiac.

The rest of the tags can be decided by whoever uses the prompt for inspiration.

Xavier

You're fighting a wanderer and right as you land the final blow, it explodes. Naturally, Xavier tried to protect you, and now both of you are on the ground, inhaling whatever the fuck the smoke contains. It smells sweet, too sweet –which is weird for a wanderer– and you're even more weirded out by the taste.

"What the fuck?" You manage to say once the coughs have subsided, your body feeling tingly and warm.

Zayne

I was thinking "experiment and he offers himself" but then it would only be him under the effect and we want both of them, sooo...

You're in his apartment, tasting sweets from a new shop around a corner. There's a particular chocolate dessert that has your curiosity, the name is weird in a funny way; makes you think of aphrodisiacs. Zayne laughed with you when you made the joke, but now neither of you is laughing as you feel the effects of it.

Rafayel

This one is inspired on the "Tillandsia" text exchange.

"I got you a plant!" you say in lieu of a greeting, not even giving him a chance to say hello as you hold the plant up to his face in excitement. When he doesn't say anything, you get inside, holding the pot to you chest.

"It's not going to mutate like the last one, is it?" You laugh and set the pot near a window.

"No, I promise, it's not ugly either, you don't need to worry."

He did in fact, need to worry. Actually, both of you did, because a week later both of you are feeling weird. There's a sweet scent flowing in from somewhere, and it's driving you nuts; the more you smell it, the warmer you feel.

Sylus

You're in his office, both of you reviewing the gifts he received when you stumble upon a little box. When you open it, there's only what seems like a little perfume bottle and no note to indicate what it could be, no label on the little bottle, nothing.

"What is it?"

"I don't know, it doesn't say, looks like perfume." You answer before spraying some on your wrist.

Oh boy, you have no idea what you've just done.

[xvxblahhhxvx]

I wanna talk about Odasaku for a second, and his character arc in Dark Era

I love Odasaku, and one of the things I love about him is that he's not just there to be the friend Dazai loved and lost, he's a really deep character who grows over the course of the Dark Era novel, and he learns how to speak up.

I feel like his arc is mitigated in the anime, and I'm not going to be blaming it necessarily, it's just that a book written in first person POV is able to achieve a lot more depth to the MC over the anime , which is forced in nature to take a more third person, observational take to the character.

Dark Era spoilers, obviously.

The first thing I would like to bring up is Oda's personality, and for that, I'm actually going to start this analysis off with using a quote from Beast, of all things, because this was honestly the best description of Odasaku ever.

The best way to describe Odasaku's personality is obliviously perceptive. He's really smart, and somehow a complete airhead at the same time. When you read either Dark Era or The Day I Picked Up Dazai, you can sense this in an instant. How this pertains to his relationship to Dazai in particular is that he sees things. He knows that Dazai is hurting deeply, he's one of the only people who sees past the dark exterior and the child deep within, but at the beginning of the book, he won't say anything. He puts Dazai on this pedestal in a sense, and doesn't believe that his input is warranted, and he says nothing, even when Dazai is a walking cry for help. After listening to Dazai casually admit to a suicide attempt via banging his head against a hard tofu block without batting an eye, that's when Ango arrives and tells him off.

However, the conversation quickly shifts, and the matter isn't brought up again.

The next time someone tells Odasaku to speak up when he's summoned to Mori's office, and is greeted with a rather...bizarre scene. Still, he's a low-grunt of the Mafia, and Mori is the boss, so he lets whatever stuff is going on fly, until he eventually interrupts, ignores whatever was going on, and announces his presence. Which prompts the following conversation:

Still, it's apparent he doesn't take these words to heart, and continues to perceive almost everything, but never comments. However, something soon happens which brings to the surface just how deeply ingrained Oda's reticence truly is.

After Oda was chased by the enemy snipers, most of them had enough holes in them never to rise again. Until one picks up a gun and aims it at Dazai, the enemy executive, all other backup too far away to offer any aid. Instead of trying to avoid it or stop it, Dazai walks right up to the enemy and says , paraphrased "shoot me, please shoot me." The whole time, Odasaku's desperation is palpable, and unlike the anime, he attempts to stop Dazai from this blatant self-destruction by calling his name and then screaming it, thinking that he felt they were a million miles apart. After the ordeal, when Dazai faces his friend again, he offers all his excuses, how he knew the sniper would miss, but Odasaku wasn't satisfied. And this is where we get the first hint at how Oda really feels about this:

He wants to say something. He wants to punch him for the stunt Dazai just pulled, because he sees the truth. He sees the child inside of him. But once again, he's restrained by the apparent gap between them in rank and mind. Another important thing to note is that throughout the novel, Odasaku considers their difference in rank a bigger barrier than Dazai does. He makes comments about Dazai helping him, the low runt in the Mafia, but the executive doesn't care. Here once again, Oda is inhibited by this apparent gap between them, but this scene is also growth for him in the sense that he understands that there's a problem here. Earlier, he passively listened to Dazai speak of suicide, but faced with a barely disguised attempt, with the true demons inside of Dazai's mind, he wants to stop him, to reach out, to tell him that it's not ok. But he can't. Not yet at least.

After a later incident, we're given a flat-out description of Odasaku's philosophy, and why he chooses to remain silent. When the two of them are at the restaurant, discussing the enemy, and when Dazai realizes they might actually be a formidable opponent, he laughs, elated with the notion that perhaps he might be beaten. And that's when we get perhaps the clearest look into Odasaku's mindset:

There's a lot to unpack in this interaction: first, we see how much Odasaku truly cares for Dazai, how much he wishes he could rid his heart of the darkness buried deep inside. But the problem is, he believes he can't. He doesn't think he could do anything, at first, he's not sure what to say to him because what could he say? He doesn't think he can reach him. And then the all important line "What we see is everything, and everything we see, we ignore. All we can do is stand before the deep ditch between us and others and keep silent." The thing is, not everyone sees everything. He doesn't realize this. He's so oblivious, he can't even comprehend that he's more perceptive than others, almost like Ranpo when he was younger. He doesn't know what to do with the information he receives but to ignore it, as he says, to see the distance and remain silent through it. But still, he makes a halfhearted attempt to reach out, but is interrupted when Dazai's phone rings, and doesn't bring it up again.

The biggest turning point is the kids and Gide. Gide, who drags Odasaku, a character who seemed to have the healthiest will to live, into the darkness. By removing all his hope, his proof that he could one day write a novel and give up killing forever, he brings Oda down into the pit of despair that he lives in, the pit that Dazai lives in. Where the sun won't shine again, and all that's left is revenge and then death. This is where the tables turn, and now Dazai is trying to save Odasaku from that darkness that he knows all too well. He tells him useless platitudes, cliches that must have been uttered to him over and over that he knows won't work, but Dazai is desperate to save the one he's on the verge of losing. But Odasaku won't let himself be consoled, and he goes on the suicide mission to fight Gide. And only now, now that he's about to die, now that he's in this place of solitude and despair, that he reflects on Dazai and their relationship.

It's only at the end does Odasaku wish he would have said something. When he understands the darkness, he sees Dazai for what he truly is - a lonely, sobbing child. And it's only after this realization that he should have invaded the solitude does he speak up when Dazai arrives, and tells him to be a good man. Because he realizes that the darkness is going to overwhelm him unless something changes, and with his dying breaths, Odasaku gives over the advice that changed his life, not a way out of the darkness, but a way to brighten it just a little, and make living a little more beautiful. Something only he could understand, having tried to walk that path for himself. It can't be that it never occurred to him earlier that Dazai's mental health may have benefited from a...change in vocation, but he never thought it was his business to say anything before. But now that the darkness has consumed him, that's the final push for him to finally say something and reach out to his friend at the last moment before it was too late.

And though I don't think the anime did all of this justice, the parallels between these moments will always kill me.

[captainsophiestark]

Oblivious

Damon Salvatore x Reader

Masterlist - Join My Taglist!

Written for Fictober 2024! Requested by @elenavampire21 - hope you like it! Thanks for being patient while I got it done!

Fandom: The Vampire Diaries

Day Thirty-One Prompt: "It's always been you."

Summary: You've always felt like the lowest priority out of everyone in the Mystic Falls group, but Damon disagrees.

Word Count: 1,905

Category: Fluff, light Angst

A/N: That's a wrap on Fictober baby! Woohoo! And Happy Thanksgiving everybody!

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

I hummed to myself as I scanned my bookshelf, trying to decide which one to grab. Since moving into college at Whitmore, I'd mostly just brought my favorites, since I didn't have much book space to spare in my single dorm room. But bringing all of my favorites made it a little hard to decide what to read on any given day.

I'd just about made up my mind, actually reaching out to grab one when the door to my room went flying open, smashing into the opposite wall.

I whirled around, my fight or flight response kicking into overdrive as I tried to remember where the nearest stake was in my room. I'd been dragged into the supernatrual drama just by being tangental to a certain friend group in Mystic Falls, which meant I was on high alert for supernatural threats. This weekend in particular, everyone I knew was back in Mystic Falls for a visit and a party.

At least, they were supposed to be. As I whipped around towards the door, I came face to face with none other than Damon Salvatore.

My heart started a very annoying gymnastics routine. I'd had a crush on Damon for a long time, despite knowing all his supernatural secrets, but with Elena around he'd never bothered to give me the time of day. I'd made my peace with it, more or less, but suddenly finding him standing in the doorway of my room, his piercing blue eyes fixed absolutely on me, still sent my heart racing.

"Hey! What are you doing?" I demanded, fixing Damon with the fiercest glare I could muster. Probably not very fierce at the moment, but I did my best.

"You should really keep this locked," Damon drawled instead of answering me. I scowled as he closed the door behind him, then took a few steps closer to me.

"We're in a crowded student dorm hall. It's normally not a problem."

"Well, it's a problem now."

Damon grinned at me, making a point of flashing his fangs. My scowl deepened.

"Do you not have to be invited in to student housing?" I asked, trying to deflect and distract Damon from paying any attention to my heartbeat. His grin only widened.

"Nope. I've used that to my advantage many times."

I tried to keep a grimace off my face at that. I knew enough about Damon and his history to realize he was refering to past hookups as much as anything else. Not my favorite subject to get into with him.

I cleared my throat, trying to push the thoughts out of my mind. I met Damon's gaze again and raised an eyebrow, going for casual and just hoping I could kind of pull it off.

"Why are you here?" I said. "Aren't you supposed to be hosting a party in Mystic Falls?"

"Aren't you supposed to be at that party with me?" Damon asked, voice low as he took another few steps towards me. I let out a little huff and looked away.

"Believe it or not, I'm not in the mood to go running back home every weekend that I'm at college. I have work to do and people I want to spend time with this weekend, both of which require me to stay here."

Damon stepped even closer to me, getting in my space and moving to try to see my expression. When I continued to look away from him, he took my chin in his hand and turned me to face him. I scowled, but didn't pull away.

"I don't believe you."

"What do you mean 'you don't believe me'?"

"I mean, when you explained your reasoning to me just now, your heartbeat told me you were lying." I frowned, but Damon just leaned in a little closer, his grip still tight on my chin. "So why aren't you in Mystic Falls?"

I huffed and rolled my eyes, finally pulling back and out of his grip. He let me go, but took a few steps to follow me across the room as I walked away.

"I'm just sick of all the supernatural drama," I said. "It's been nice to be here, building something separate from which vampire we're trying to kill this week, or which werewolf is trying to kill us. I'm happy here, and I don't want to blow all that up by going home and finding myself in the middle of the supernatural drama again."

Damon hummed. Nothing I'd said was a lie, technically, so he couldn't call me out like he had earlier. I kept my back to him so he couldn't read it in my face either.

"I guess that's the truth," Damon said, his voice way too casual. "But I know you well enough to know it's not the whole truth."

I snorted, then whipped around to face Damon with a scowl.

"Why do you care? I gave you an explanation, and it's the truth, so it's all you're getting."

Damon shook his head as he stepped even closer to me.

"Not gonna work for me, sweetheart. I'm not leaving here without the whole truth."

"Why? Damon, seriously, why is this so important to you?"

"Because. Now are you going to tell me, or am I going to have to compel it out of you?"

He wiggled his eyebrows at me, but I just rolled my eyes.

"We both know I'm on vervain, so knock it off. Just go back to Mystic Falls. Flirt with Elena to mess with your brother, whatever! Just leave me alone!"

"I don't want to flirt with Elena," Damon said, taking another step towards me. His voice was low, and more serious than I usually heard it, as his eyes locked onto mine. "I want to flirt with you, no one else. It's always been you."

Everything about Damon's tone and body language told me he was serious, but I knew what a good actor he could be when he wanted to. I scoffed and rolled my eyes, crossing my arms and squaring my shoulders to face Damon.

"Oh please. It's always been Elena, from day one with you! And the handful of times it hasn't been Elena? It's been just about anybody else in our group besides me. Caroline, that reporter Andie, the vampire Rose who kidnapped Elena... hell, even Rebekah Mikaelson! But never once me, Day."

Damon's frown had deepend, and he actually looked a little wounded. He took another step closer, almost putting us chest to chest, and opened his mouth like he was going to speak, but I put up a hand to stop him before he could get a word out.

"It's fine, Damon. Seriously, it's not a crime for you to not reciprocate my feelings. And I'm not avoiding Mystic Falls all because of some one-sided crush. But, seriously. Bonnie, Caroline, and Elena were supposed to be in a triple together. Nobody even checked with me, if I might want to join them in a dorm, since we were all going to Whitmore. I know I got sucked into the group by accident and not really by friendship, but for fuck's sake, I've thrown myself headfirst into this world and trying to help you guys, and still, it's like I'm barely even present. So I decided to say screw it, and I've made a bunch of great friends here outside of all this vampire shit, and I'm happy with that. So just go back to your party and leave me alone. I'd say pass the message on, but I doubt if anybody else'll notice."

Damon's frown had been steadily deepening the whole time I'd been speaking, and now he looked truly upset. I'd confessed a little more to him in the heat of the moment than I'd been planning to, but my words were still true. Maybe it was time for a full break from the rest of the Mystic Falls gang, and maybe this was how I got it done.

"Are you... absolutely blind?" Damon demanded, reaching out to take my hands before I could stop him. "I'll admit, when I first met Elena, she looked so much like Katherine that I was a little hung up on her. But I got over her when I got over Katherine. All I've been doing since a few weeks after I met you is trying to flirt with you! You've always shut me down!"

"What? Damon, you're crazy-"

"I abandoned Ric at the bar to buy you a drink and play pool. I blew off Stefan to go to some stupid Mystic Falls festival with you. For god's sake, I even asked you on a date after your graduation!"

"No no no, that was playful flirting. And the date thing was to make Elena jealous!"

"The date thing was not to make Elena jealous!"

I laughed, mostly out of panic, shaking my head and stepping back from Damon. He didn't let me get far. He followed me across the room until my back hit the wall, and then stepped into my space again. I looked up at him with wide eyes, and I knew he could hear just how fast my heart was beating.

"Damon, come on. You're... you. If you'd had a thing for me for over a year, there's no way I wouldn't know about it!"

"That's what I kept telling myself," he muttered. The faintest possible smile made its way onto his face. "I'm actually a little relieved it turns out you're just oblivious."

I snorted, but my heart had picked up speed again, which honestly shouldn't have been possible. If Damon were lying... well, it didn't make sense for Damon to be lying. There was no reason for him to come all the way down here, especially while everyone else in our group was throwing a party at his house, all for a lie with no real motivation.

I searched Damon's face, this time without a scowl. He smirked back at me and let his gaze slowly, clearly wander down to my mouth. I laughed.

"You're serious, aren't you? You're telling the truth."

"Of course I'm telling the truth," he said. His voice was more sincere and serious than it had been since he'd walked into my room as the smirk on his face became more of a smile. Slowly, he let one hand wander down to rest on my waist. I bit my lip, considering for just a second, then surged forward and kissed him.

Damon wasted no time pushing me against the wall and kissing me back. I wrapped my arms around his neck, letting myself get lost in the moment.

"Are you sure you don't want to go back to Mystic Falls?" I breathed between kisses as Damon moved along my neck and jaw. "You're missing a party in your own house."

"I'm sure. I hid all my good booze before I left. And I hate to rub it in, but..." Damon pulled back just enough to look me in the eye and let a predatory grin spread across his face. "I'm pretty happy you ended up in a single dorm room right now."

I laughed, something I honestly never thought I'd be able to do about the way I'd ended up in this single dorm room. Leave it to Damon to find a way to make it happen, despite the odds.

It'd taken a lot more drama and heartache than it should've to get here. Still, as Damon wrapped his arms around me and pulled me tight to his chest, I got the distinct impression that it would be worth it.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen @misshale21

TVD/TO Taglist: @elenavampire21

[morlock-holmes]

I will also say, the vagueness of the term "AI Art" is, at this point, becoming actively misleading.

There's a sort of impression given off that you just type a simple sentence into a box and a picture pops out.

One picture I rather liked in the test was this one:

I particular, I like the extremely asymmetrical composition with the one figural bit being on the far left.

But the question I have is, how was that produced?

Because there are a number of possible answers:

The text prompt might not have mentioned anything about composition, and the AI model just happened to produce something I regard as interesting;

The prompter might have specifically directed the AI through the prompt, asking for, I don't know, "A woman on the far right";

The composition might originally have looked like this:

And the artist might have used outpainting to extend the side until the composition became more interesting;

Or maybe the opposite; it was a totally abstract picture and the artist used inpainting to insert a face.

I still haven't tried MidJourney yet, but even over the last year it has become significantly easier to art direct StableDiffusion, and especially to exert direct control over certain visual aspects, e.g. you can use lineart to direct the generation process in concert with a prompt.

At some point the process can get really involved:

Test a bunch of different models to get the look you want;

Use a 3d pose software to create a pose controlNet;

Use regions to block in the basic composition;

Turn that into a sketch or lineart controlNet and use that to control a different model;

Cut and paste new objects or use an image editing program to make broad corrections to the weird details and bad anatomy AI tends to produce;

Use image to image generation and inpainting to fuse those corrections in;

Repeat this a few times;

Use traditional techniques to do things like color correction, atmospheric perspective, add some bloom to lights, whatever;

Like, at some point the human being is starting to exert significant, direct control over a lot of aspects of the final picture, but in a way where the label "AI art" is still just as applicable as if they just typed a prompt and posted whatever came out.

Any sort of conclusions about AI art, and especially the future of AI art ought to really seriously take this into consideration, but in my experience they essentially never talk about this.

I keep saying it, but "AI art getting better" is basically synonymous with "Human beings exert more direct control over the final product"

Okay, guys, after reading a post by @centrally-unplanned I just took that ACX "AI Turing Test" that Scott Alexander did, and I am screaming, as the kids used to say.

You guys are way, way overthinking this.

I thought I would do better than average, and I guess I did; excluding three pictures I had seen before, I got 31/46 correct.

Not great if you're taking the SAT, but I feel like if I could call a roulette spin correctly 2 times out of 3 I could clean up in Vegas.

So, what is the secret of my amazing, D+ performance?

You have to look at the use of color and composition as tools to draw the eye to points of interest.

AI is really bad at this, when left to its own devices.

For example, here:

Part of the reason to suspect that this is AI is the "AI house style" and the bad hands that I literally only noticed right this exact second as I was typing this sentence. Even if the hands were rendered correctly, I would still clock this as AI.

The focal point of this piece ought to be the face of the woman and the little dragon she is looking at (Just noticed the dragon's wings don't match up either), but take off your glasses or squint at this for a second:

Your eye is being drawn by the bright gold sparkles on the lower right side of the piece. That particular bright gold is only in that spot on the image, but there's no reason to look there, it's just an upper arm and an elbow. The bright light source highlighting the woman's horn separates it out as a point of interest.

Meanwhile, the weird aurora streaming out of the woman's face on the left side means that it is blending in with the background.

In other words, the way the image is composed, and the subject matter suggest that your eye should be drawn here:

But the use of color suggests that you should look here:

That's a senseless place to draw the eye towards! It would be a really weird mistake for a human to make! In fact, I think there's a strong argument that the really close cropped picture of the face of the character is a strong improvement. It's still not a particularly good composition, but at least the color contrast now draws the eye to the proper points.

In fact, I would say that a good reason for my performance not being even better was this alarming statement at the start of the test:

I've tried to crop some pictures of both types into unusual shapes, so it won't be as easy as "everything that's in DALL-E's default aspect ratio is AI".

Uh...

So how about this one:

This is a lot better anatomically and in terms of the use of color and light to draw the eye towards sensible parts of the painting. The lighting makes pretty good sense in terms of coming from a particular direction and it also draws the eye to effectively to the face and the outstretched hand of the figure.

It's also a really flat and meaningless composition and subject matter that no renaissance artist would have chosen. What is this angel doing, exactly? Our eye is drawn to the face and hand, and the figure is looking off towards the left side, at, uh, what exactly?

But then I thought, "Well, maybe Scott chopped out a giant chunk of the picture, and this is just a detail from, like, the lower right eighth of some giant painting with three other figures that makes total sense"

This makes sense as a piece of a larger human made artwork, but if you tell me, "Nope, that's the whole thing and this is the original, un-cropped picture" I'd go, "Oh, AI, obviously.

All of the ones I had trouble with were AI art with good composition and use of color, and human ones with bad composition and use of color. For example, this one:

This has three solid points of interest arranged in an interesting relationship with different colors to block them out. I'd say the biggest tells are that the astronauts' feet are out of frame, which is a weird choice, and looking closely now, the landscape and smoke immediately to the right of the ship don't really make sense.

But again; I had to think, "Maybe Scott just cropped it weird and they had feet in the original picture."

Here's another problem:

StableDiffusion being bad at composition is such a known problem that there are a variety of tools which a person can use to manually block out the composition. In fact, let me try something.

I popped open Krita (Which now has a StableDiffusion plugin) and after literally dozens of generations and a couple of different models I landed on ZavyChromaXL with the following prompt:

concept art of two astronauts walking towards a spaceship on an alien planet, with a giant moon in th background, artstation, classic scifi, book cover

And this was the best I could do:

Not great, but Krita has a tool that lets you break an image into regions which each have different prompts, so I quickly blocked something out:

Each of those color blobs has a different part of the prompt, so the green region has "futuristic astronauts" the blue is the spaceship, the orange is the moon, grey is the ground and pink is the sky, which gives us:

Still way too much, so we can use Krita's adaptive patch tool and AI object removal to get:

I'm not saying it's high art, or even any good, but it's better than the stuff I was getting from a pure prompt, because a human did the composition.

But it's still so dominated by AI processes that it's fair to call it "AI Art".

Which makes me wonder how many of the AI pictures I called out as human made because one of the traits I was looking for, good composition, was in fact, actually made by a human.

[arkeusruin]

Aeon setting up a weird little quintosis trigger in dew's mind without him realizing and then when they're in band practice and Aeon does a little slide maneuver and something just clicks in dew's mind and he's just rahhhhh

[f0xx0rzz]

man. this website sucks. but all my friends are here.

[knuckleblaster]

[mirroredmasquerader]

This is one of the first few things I drew in color for this nonsense I think

[judasisgayriot]

[sad-endings-suck]

“Why would you even ship that character with anybody?! He’s basically irredeemable to me—“

TO YOU!! He’s irredeemable to you. But some of us are silly geese that like our men to be the sexy, sad, feral, pathetic wet cats that they really are deep down, because we aren’t allergic to joy.

Is that okay with you??!? Is that permissible in the eyes of the Chronically Online Board of Hypothetical Ethics and Human Resources for Fictional Characters That Are Not Real™️®️.

You can go enjoy your curated selection of stale two dimensional wonderbread men in the corner, like the misguided pitiful lost soul that you are. the rest of us will be enjoying ourselves as our pathetic wet rag himbos and twinks kneel on the ground and beg to taste pussy/cock so hard they nearly come, like real men. just as god herself intended.

[wimbledon2008]

buck and eddie are codependent freaks who want to live inside each others' skin. and it's the best thing that's ever happened on network tv

[rincewindsapprentice]

I hate how common zero-sugar things are, I hate zero-calorie sweeteners, I hate stevia, I hate monk fruit extract, why can't we just accept that things have calories and that sugar is fine in moderation

[elftwink]

used to be very confused by 5e players declaring that other systems were just too hard to learn and that's why they would rather beat the dnd system into the shape they want over choosing a system that already is in this shape. i would be like...harder to learn than fucking dungeons and dragons, a system with multiple 300 page rulebooks? but then i figured out they actually don't know how to play dnd and have never even opened those books and everything started making sense

[vonlipwig]

does anyone remember that, back in The Old Days of tumblr, there was this minor trend where people would somehow programme a fake 'ask anonymously' toggle into their askbox? so there was a spate of people who got caught trying to send anon hate but their urls were still visible, which caused an admittedly very brief lull in hate messages? i think we should do that again.

[goodtimeswithgrian]

every time one of my streamers talks about being fat and needing to lose weight on stream an angel loses its wings

[multi-lefaiye]

haha wow!! what a good post about misogyny and transphobia!! you're not about to recreate bioessentialism and slap a trans-friendly coat of paint on it though, right??? proving you have not actually deconstructed those ideas in your brain and still believe radfem-style gender essentialism... right??