#this was a fun anatomy study

[metrixnos]

So we have techno in a suit... But how about techno in a dress? (Pretty please with a cherry on top)

Here you go anon :D

[greykolla-art]

Hey look at these familiar faces!😈💚

My anatomy studies developed into missing Hazbin Hotel, so here's a little treat from my sketchbook.

I don't know if I'm coming back to the fandom or just visiting. But it was nice to draw my crazy kids again.😘

[waltzing-rats]

Psps you should draw Musashi bench-pressing Mob

Finally getting to these! :D Thank you for this ask it was so fun!

[navyinks]

I'm in the process of putting together a character design portfolio and a friend suggested that I can recycle some old work. So aside from the obvious Dandelion Children project, I suddenly remembered some Silmarillion character designs I did over the years. At the time I felt they were kinda meh but looking back now they would really slap with a teeny bit more work.

Beleriand Feanorians

Nolofinweans

Pirate AU (commission)

Unnamed wives of Maglor, Caranthir, and Curufin

Valar designs inspired by Okami

[goobobbers]

i shine only with the light you gave me

[kikker-oma]

Hello and welcome all to my latest 9 Part series of drawings to help me study for my class😊

Today's drawing is for Wild, who is showing off his lovely (and hardy☠️) digestive system! It works so hard to digest even the most dubious of his culinary creations lol

[honeyhobbs]

Recovering from my monthly art slump

[peapodsinspace]

Fmab doodles & memes

[Image ID in alt text]

The brainrot is real

fullmetal fans I do art requests btw wink wink

[plutonious]

experimenting with colors. again. for the billionth time. trips and dies

[starrjoy]

Life update. Probably the last I’ll do for a while

Unfortunately, my little family is still not doing great. The economy is rough, so jobs are pretty few and far between. Commissions have been our only source of income for the past four months, and that’s barely been enough to get by. On top of that, my health is pretty bad, so I haven’t been able to manage my usual turnarounds. It’s all very tiring. We have leads and interviews coming up, so we can only hope things will get better soon. I’m not giving up hope that we’ll get through this, but the exhaustion is setting in.

On top of that, I’m just not all that into Sonic anymore. It’s hard to lose a hyperfixation, especially one that has brought me so much community and joy for so long. I’ve just simply lost touch with the fandom, and I don’t find myself as excited as I usually would be for upcoming events. The ending of Prime and the Knuckles series just really took it out of me lmao.

Because of that, I’m sad to say I won’t be working on Pandora for the foreseeable future. I’m not going to promise I’ll return to it since there’s simply no way to tell, but I want to thank everyone who has supported me through its 100+ pages. I learned so much from making it and have definitely developed as an artist and writer throughout the whole process. It’s sad to say goodbye. Hopefully soon I’ll have the time and energy for bigger and better projects, but for now, I’m going to rest.

If you’d still like to support me, please check out my ko-fi. I’ll be uploading more personal wips there soon, as well as recent commissions. And of course, comms will be open again as soon as I finish this last batch. I’ll still accept Sonic comms, but please know I take all sorts and am definitely down to stretch my creative abilities :]

That’s all for now <3

[eclypseaf]

>:3

[smile-files]

i am the world's leading henryologist. here is some of my research

[brainsqueals]

Oomfs liked this so I made it P1 x P3 if you squint

[sarquarium]

post-work doodles of teh critter

[rui-drawsbox]

thought about incubus baxter a little too much and accidentally made an au oops (nsfw doodles under the cut)

i thought about making cove the angel first but mc and cove ARE a pair and shouldnt be separated jdasfhksa

people say the little curch near the sea has been really loud the lastest nights 🤔

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.