#this was a difficult palette to work with

[aucatgirl]

[other-floret-friend]

A slightly sillier HDG musing while I'm listening to Casiopea and have been struck with a lightning bolt of inspiration from on high.

Y'know how it's not uncommon for the Accord to mention stuff about Compact propaganda? I can't help but think that must be... difficult to actually make, partially because of floret involvement, but also because of the Affini genuinely struggling to work out exactly how to make the results palettable for the intended purpose.

Picture the scene. A film set of sorts, scaled to Affini-size - and while everything's being managed by Affini, the pedestal in the centre has a little step-stool behind it, atop which the "presenter's" floret is stood - slightly hazy-eyed, a silly grin on her face, looking and waving into the camera.

The camera crew have already failed a couple of takes from some of the operators cooing things like "Gosh, she's so cute~!" behind the scenes, and it's kind of messing up the recording quality, but finally - a quiet take! Her Affini explains what the tape's for, and gets her floret to say the single line she was told to remember...

...and she's forgotten it. So, she ad-libs, in her mindhazed state, and starts rambling almost incoherently about her favourite floret-cut game, and how she's been working on building a lovely little farm and it's got lots of pretty flowers that kind of remind her of Mistress, and that Mistress is super pretty and she feels a little hazy when she looks into her eyes, and then looking upward to see that loving, adoring expression looking right down at her...

The footage is barely usable. Sure, it's broadcasted anyway - the whole thing was far too precious to be hidden away in a film vault somewhere - but it's not exactly comprehensible.

Oh well. Better luck next time. :)

[glassladyoftheopera]

In Stars and Time as a Musical Follow Up: Costumes

Okay, a topic I may have enough thoughts on to make a full post about; costumes! (and a little bit stage craft in some places.)

This is mostly about what people would do if they wanted to actually put on a live version of this, versus treating it like a concept album. I am however going to mostly ignore cost restraints outside of like, truly ridiculous stuff.

So first, some general notes.

The color palette: we will still have all of the costumes and sets be in grayscale, with the red used in the 'say it's name' and Act 5 sequences probably mostly being done through lighting. We will not have the actors use skin paint though. I'm not that mean. The audience can buy the idea that the world is meant to be black and white just fine without it.

Materials: I would avoid overly synthetic looking fabrics to maintain the 'vaguely fantasy medieval' vibe, but I wouldn't worry about using actual natural fabric. Comfort and cleaning are higher priorities.

Ensemble: Not much to say about them! Just that the production would have to be careful to make sure everyone is in truly neutral grayscale and not let too warm / cool of grays slip in.

Okay, let's talk characters.

Siffrin is tricky basically every option for interpreting the cloak has it's own pros and cons. Having sleeves means better movement options for the actor, but they only show up in a handful of images in the game. Full poncho means we get Full Triangle Vibe, but it would hamper movement a lot. Cloak with a pinned closed front means we see more of the rest of the costume more often, which I wouldn't mind, but it does break up the classic triangle silhouette. It's honestly still my pick though. Then there's the eye patch. I know some shows just give characters eye patches, and as long as you're careful staging the dances it will probably be fine? But I assume semi-mesh eye patches for performers are a thing, so I'd try to find one of those. Lastly, hat. It probably couldn't be as absurdly big as in game without casting major shadows we don't want on Siffrin's face, so they'll need a slightly narrower brim and we'd keep the hat pinned in a more back position.

Mirabelle's outfit probably wouldn't need to change much, but her little fingerless gloves would need some reinforcement at the top to keep them from falling down her arms. There's also the matter of her needing to have her sword with her most of the show; it might need to be a little smaller than a true rapier, but Shakespeare shows have duels and such so we can make something work.

Odile wouldn't be particularly difficult to costume as long as you don't make her sweater / jacket too heavy and put some straps on her shoes. Fake glasses aren't hard too bad, but some rigging in the back to keep them on will be helpful.

Isabeau I'm sorry but your sleeves have to be a little less gigantic, it will get in the way of the audience being able to read your gestures / get caught on stuff. They can still be long and loose though. Also, in real life the stripes on his pants being that wide could be an issue in terms of reading where he is on stage with the set / looking kind of goofy, so I might make them just a bit thinner.

Bonnie... I do not know how to make your weird pillow hat work in real life. For most game accurate version you'd have to make it completely from scratch. Something like a beret in terms of construction but... big. And probably held up internally with stuffing and wire. The alternative would probably be a big sunhat, and if you want to include Bonnie getting a new hat just slightly redo that scene to find something else that's similar.

Heck yeah its time for Loop! Now, we're definitely not doing a full star head, that wouldn't let the actor do any of that good emoting. But! I think a lower face mask could still work. You might have to hide the actor's mic under there to make sure they could be heard, but it's definitely possible. They would definitely need a custom wig for spikiness, plus a star-like head piece to top it off. Now the rest of it... I mean, you could go full body suit. I'd probably do that as the first choice, though maybe adding a wispy loin cloth or tie around the middle for modesty depending on your performer / venue. But! Different productions could get really creative with it, as long as the base still has them black and covered with stars and there's the star in their chest. Add in some specific design quirks that are only elsewhere found in Sif and The King's costumes, but just tiny little detail type things? Chef's kiss.

Speaking of the King! He unfortunately does need to be Very Big, but thankfully Broadway shows can pull that off! Something similar to the Wizard head in Wicked could work here, where only some parts of the set piece move (mechanically or via puppetry) and the actor is a voice over. The hair could be a mix of practice and projections. The tears that show up in the fight would probably also need to be projected. The hard thing would be getting it to disappear quickly enough. Maybe the last bit before the loop resets is always in front of the curtain? Could be cool. A less well funded production would probably have to either use mostly projections or re-work to use less moving parts.

Last up Euphrasie! Since she has a long dress getting her some extra height wouldn't be too hard, and she doesn't have to dance or anything so that helps. But! She does need to do the Act 4 finale dramatic kneel down, which is harder to work around. If we cast a tall actor and just use lifts in her shoes, it could work. She wouldn't be as super tall as she would be if we used hidden stilts, but I like the image of her cupping Sif's face, it goes all the way back to the comics, I gotta keep it.

What about y'all? How would you dress everyone? Any little details you'd want to see? And tricks to deal with the problems I thought of? Have fun!

[lou-bonfightme]

"I sign all my work, tch," Lou said, clicking his tongue.

"No, I cannot." The palette was destroyed, all the time he'd spent delicately balancing the colours ruined. He was going to have to start all over again--which would mean that things would dry unevenly. Though, he was only just touching pieces up, so it should not be so difficult to continue later.

"The paint is water-based." At first, he was slightly preturbed by the astute question, but then he remembered Sebastian's occupation. Which, while not as...refined as his own, would allow him to know the significance of the difference.

"Acrylic."

@sebastian-morey

Splattering in the New Year || [Open]

[artem1sc0re]

Was practicing with Posca pens so wrench screenshot redraw ദ്ദി( ｰ̀εｰ́ ) .𖥔 ݁ ˖

Initial sketch:

Screenshot:

[good-beans]

Do you love the color of the Mahiru?

To complete my set with Yuno and Fuuta 👍 Huge thanks to @waivyjellyfish for sharing your character color reference, it was a godsend for this lol ✨️

[jitteryjive]

i still haven’t shared the lore of fitzroy & foster (the new OC universe) but since everyone knows my two favorite dorks i will share this concept if they were toons in F&F instead of crime express!!!

[sandcastle-art]

can't sleep. remembered that i never draw WhereWolf playing drums even though it's his job and also the entire reason he exists as a character.

[earthdoves]

And you did some damage so I'm making you pay (You may think you're winning, but checkmate)

@f1blrcreatorsfest sprint 1: driver duos - eastern

[dymeon1]

Saint

also something made in process

[misteriouschum]

I love all these color swaps you did!

First you did Capsaicin with Caviar, then Dark Cacao Dragon Lord with Capsaicin, now how about you try Caviar with Dark Cacao Dragon Lord?

(You can wait until next week or longer, you decide when to do it, I'll be patient)

i’ll do it :) i’m finishing another color swap rn so i’ll do it after that

[illegiblewords]

A few style sets I tried setting up! Some have existing aesthetics they fall into, some don't.

[loveletterworm]

ive been trying to come up with a different design for the player character in Picking Up Flashlights Off The Ground Simulator but its really difficult because i'm just trying to replicate the simple beauty of an amongus but have to take a bunch of extra steps because an amongus already exists.

I hate this stupid cat thing it looks stupid. And ugly. I hope it never knows happiness.

[alt0stratuscloud]

There's a new form where the spots are red that shows a bit better that they're meant to be fabric! Still not exactly clear What the fabric is, but I hope this helps regardless!

I want to draw king! Foolish but I have no fucking idea what’s going on here. Like is his chest and pussy out to the world?? Does he have just shoulder pads and that purple shall thing??

[la-pheacienne]

I'm reading the lord of the rings and I'm once again amazed at how... good most characters are. Like, they are genuinely good people. They are a bunch of kindhearted, gracious, caring people, coming together under adverse circumstances and trying to figure things out and find a solution and support each other through it all. Like Frodo and Sam meet Faramir and Faramir is a bit suspicious at first and kind of implies Frodo may be a spy, and then when he hears his story and he's like Frodo, I pressed you so hard at first. Forgive me! It was unwise in such an hour and place. And this blows.my.mind. He wasn't even particularly mean or threatening to him in the beginning, he's just such a kind, considerate man, recognizing the kindness and honesty of another man. And they're all like that. Even Gollum starts slowly changing (for a short while) when he encounters Frodo because that's the thing about kindness and humility and grace, they are contagious. They transform people, even a creature like Gollum cannot be immune to that. Like, you may consider all this simple and basic and I get it but, hear me out. It is quite rare to see that in modern media and it is also pretty difficult to pull off in a way that is not corny and simplistic. It is mind blowing that you actually don't have to present the entire palette of human cruelty and vice in order to tell a compelling story, contrary to popular belief. Lotr does the exact opposite, and it is just beautiful and it warms my heart. Especially taking into consideration tolkien's pretty grim growing-up experience, him being a double orphan without a home, raised between an orphanage and a priest and having no family apart from his brother and then the war and then he almost dies and then he's poor as hell and then a second war and it all makes sense somehow. He writes to his wife who is also an orphan two days before the marriage "the next few years will bring us joy and content and love and sweetness such as could not be if we hadn't first been two homeless children and had found one another after long waiting" and, yes, yes! The love and sweetness just radiate from his work, the entire lotr series is a little radiant bubble of hope and love and grace that he imagined in his head to deal with a dismal reality and then he just gave that to the world, and isn't that what imagination and art is all about after all?

[readwritealldayallnight]

Yours, Mine, Ours

Simon ‘Ghost’ Riley x Reader

wc: 1.5k words

warnings/tags: fluff

“So did the other two actually say no or did you just never invite them?”

“‘Course I invited them, you asked me to, so I did.” Simon replies with ease, keeping his eyes fixed on the road ahead of him. “They’re smart lads, lovie, they knew to say no all by themselves.”

You shake your head at him in disbelief but the smile that’s been plastered across your face ever since the two of you pulled out of your flat’s parking doesn’t budge. Simon’s been driving for a few hours now, and as stressful of an experience as that is alone, you’re too excited to mind the long journey in the car.

Simon is on leave for the next two weeks, something about Price having to attend a funeral following a death in the family, and deciding that everyone on the force was due for a bit of time off. Seeing as the Captain was going to be preoccupied during his time off duty, he had asked if Simon wouldn’t mind checking in on his house for him, making sure things were alright. He’d even offered for the two of you to stay in the guest room for the duration of their leave.

Simon had explained how Price knew that the two of you were living in a small flat in London, and apparently his home was in a beautiful, forested, isolated area which meant he had essentially no neighbours, something he also knew would appeal to Simon. He offered for the two of you to stretch your legs out there at enjoy the property, including the privacy that came with it.

Wanting to be polite, you’d told Simon he should extend the invitation to Soap and Gaz, thinking they might enjoy a nice, quiet stay-cation as well at their Captain’s place away from it all. It would appear your lover had different ideas in mind however. Though you couldn’t blame him entirely, the thought of having the cozy cabin all to yourselves was certainly more appealing.

Every which way you look outside the car, your vision is filled by endless blurry trees as you zoom by, the colours of the leaves having finally changed into the warmer, more vibrant colour palette that came along with the autumn chill. If the drive up to his property was any indication of how beautiful the area really was, then you were in for quite the treat.

Entranced by the beauty of the landscape in comparison to the city lights you’ve grown so used to, you fail to notice the glances Simon keeps sneaking your way, the smallest of satisfied smiles seemingly permanently etched upon his face beneath his balaclava. He was grateful that after explaining the situation and Price’s generous offer to you, you had been too excited to ask many questions, instead getting a jump start on packing a duffel bag or two.

You were one of the most intelligent, clever, curious people he’d ever known, and it was normally quite difficult to get anything by you. He was therefore feeling rightfully proud of himself as he drove you nearer and nearer to the home you believed belonged to his Captain. In actuality, there was no funeral for Price to attend, the sergeants had certainly not been invited along on your getaway, and the home you’d be staying in wasn’t Price’s.

It was yours.

Yours, and Simon’s.

The two of you had been living in that shoebox of a flat he’d considered as ‘satisfactory’ when he was only staying there as a bachelor, for far too long. As ideal as the location might have been, there simply just wasn’t enough space for two people to live together, even considering Simon’s absences for work and that fact that when he was home, you two were essentially always on top of one another anyways.

You’d both been searching for a new flat for what felt like ages now, none of the places you visited feeling like the right fit. Simon would be weary about a certain neighborhood, you’d be concerned with the lack of any balcony or outdoor space, he’d ignore the price tag that felt your eyes bulging, and you’d shake your head as you walked through doorways that had him needing to duck down.

Little did you know, Simon had been doing his own house hunting, outside of the city. You had told Simon you were fine with staying in London, understanding that it’s convenient to have everything near by. But Simon didn’t want to give you just ‘fine’. He wanted to give you a home. The home he intends to spend the rest of his life with you in, plans on carrying you over the threshold in your wedding dress, hopes to carry sleeping newborns in their car seats through the door.

For months now, Simon has subtlety been learning more about what that home looked like to you. He’d look over your shoulder as you scrolled through Pinterest, casually asking if you could show him your boards, you know just for fun, and paid very close attention when you showed him the one named ‘future house’. On his phone, he had a list a mile long in his notes app, from secretly writing down every comment you made while watching your home reno shows. He’ll casually ask you what you think of the houses you drive by, jotting down your answers in his mind, remembering likes and dislikes.

He believes that like you, it’s the people filling the home that matter more than the structure itself, as proven by the way you continue to put up with his minuscule flat. He knows you mean it when you say you’re alright with another flat. But he has the money goddammit, he has the means to do this for you, and when the listing came up for a home in what you’d revealed as being your ideal area to settle down in one day, the house resembling the amalgamation of everything he believed you’d described as being your perfect place, he knew he had to put an offer in.

And if there ever was anything about the house you didn’t like or wanted to change, he’d gladly do it for you, no questions asked. You want to paint the bedroom? Just tell him what colour you want. You want to change the railing on the wrap around porch? He’s on his way to the hardware store already. You need him to dig a stump out of the backyard to make room for your garden? Sit back and enjoy the show lovie, he’s on it. And when the time comes to build a crib? Well he may as well baby proof the whole house while he’s at it too.

He’s pictured your reaction a thousand times over in his mind. He imagines you’ll maybe give a small gasp when he turns the corner of the long driveway and you first see the cozy, two-storey home, surrounded by never-ending foliage of red, orange, and yellow leaves, the time of year perfect for appreciating autumn in the UK, as well as the privacy the tall trees grant you. He thinks the first thing you’ll comment on will likely be the windows, an item high on your priority list he knew to adhere to.

He imagines you kicking off your boots as you step through the door, pace quickening to explore every room, spinning in the kitchen as you joke about how jealous you are of Price. He pictures you groaning with envy when you spot your dream master bathroom, insisting to Simon that since you’d been tasked with checking in on the home you may as well see every room, right? He plans to explain away the obvious sparseness of the home as the Captain not having lived here long, as being very non-materialistic after all his years in service.

He’ll continue to play along for as long as he can, part of him knowing that you know him well enough that you’re likely to catch onto his deception at some point. However he hopes that before you start rummaging through kitchen cabinets and find them empty, too empty even for an absentee captain of a homeowner, that you’ll mention something along the lines of wishing you could stay here longer. That’s when he plans to slip a key into the palm of your hand, revealing that you might be able to stay longer than you believe.

The small piece of metal that’ll unlock the rest of your lives together, sits heavy in his pocket, in contrast to the light feeling in his heart when his hand reaches across the dashboard to grab a hold of yours, knowing that the content, lovesick smile you offer him is likely stretched across his face as well, staring right back at you.

Though you’re unaware that Simon is currently driving towards your home, and not away from it, you’re gently stroking the scarred skin across his hand, feeling as though your home is sitting right next to you, holding your hand and your heart at the same time.