#this story might kill me

[theresidentaliennerd]

Oops, I got writers block. Have a random snippet

Approaching the settlement the next morning, Kaikro felt small. It was huge. While it lacked the technology to be a proper city by Kaikro’s standards, he was still awed by the designs. Tall towering buildings that seemed too fragile to exist on a death world reached for the sky mingled with wide, black roads and monuments. It was busy, it was hectic, and it was more alive than Kaikro could’ve ever imagined! The humans rode in strange vehicles with wheels or walked on narrower white roads. It was a strange sight.

Stranger than the busy, seemingly disorganized nature of the city and the odd vehicles was how no one reacted to the chill in the air or the rumbling sounds coming from the sky other than an occasional glance upwards. Kaikro wrapped his tail around him as some of the scientists looked at their datapads with concern.

“Temperature is dropping. We should retreat for now. By my calculations, we’ll soon be in the danger zone.”

“Barometric pressure is falling as well. I am not sure what this indicates on this world. I do not like it.”

As a unit, the researchers quickly packed up what little equipment they had begun to set up and headed back to the ship. As they hurried back to the safety of the ship, precipitation began to fall burning any exposed skin it touched. Kaikro’s eyes widened in horror and fascination before he commed back to the rest of the crew. “Kaikro to Med Bay, we have six researchers with corrosive burns from the planet’s precipitation. We are on our way back to the ship now, approximately two kilometers away. Over.”

“Xerinn to Kaikro, heard. We will be ready and waiting. Over.”

“Quickly,” Kaikro said through gritted teeth as he urged his crewmates forward. “We need to reach the ship and get medical attention.” With a nervous glance, he assessed the five others. All were injured and the precipitation burns were getting worse as it poured down in river falls. Goddess, please, I beg of you, protect my crew from this.

[serenacypher]

So, instead of drawing for the last couple of months, my brain has decided to spit out 13 long-ass chapters of a fanfiction I'm not ready to start posting.

The reason?

This fic is gonna be at least 30-40 chapters long and I want to get to the actual meat of the plot before I actually start posting chapters. I haven't even had the main pairing actually meet each other yet! It's still just set dressing, world building and plot set up!

But I want to at least get the story over half-way done before starting to post so I'm not tempted to leave it on a cliffhanger like I do whenever I try writing a long fic. I don't want to start something this big and then leave anyone who's loving the fic hanging, ya know?

But I'm sure it looks like I've died to anyone who happens to watch this blog lol.

[youchangedmedestiel]

Imo the best ending to Supernatural would have been to just stop with them alive on a random hunt or them finding jobs and living the life they just wanted or whatever.

And then the story just fucking STOP, because Chuck is not here anymore, so they are no longer part of a story they are finally free. And we could still write and read fanfic about how they live after they won.

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[ladyddanger]

thinking about the events of the dsmp hundreds of years later being just a bunch of stories.

In a village nestled between tall pines children play Manberg Vs Pogtopia, the names of nations and reasons for war long forgotten as they hit each other with sticks and tackle their friends to warm summer grass.

When their mothers tuck them in that night they tell them stories of a snowy wasteland, so ancient it still holds the scars of long wars forgotten. They tell them of the wasteland’s inhabitant, the greatest warrior this world has ever seen. His name is lost to history but warriors still pray to him on the eve of battle and tie ravens feathers in their hair in his honor.

If the children misbehaved that day their mothers tell them a different story, one of a masked man who steals bad children and drowns them in the sea.

There’s a crater a few miles east of the village in the middle of the marshlands up by a glittering ocean. The crater is so deep that you can throw rocks off the edge and never hear them hit the bottom. Legend says that once upon a time the goddess of death had a son who walked this earth and when he died in her rage and grief she tore into the city that once stood there with her bare hands and ripped it from the earth leaving nothing but a crater behind.

On long sunny evenings in the inns that dot the coastline bards tell stories of a cursed city of gold and glass buried in the heart of a desert where it snows. They whisper the city is full of riches but nobody who looks for it ever comes back.

On stormy nights the Bards tell a different story, a story of a town that sits over a slumbering god. Strange things happen there. Red vines sport up over night. If you listen closely, the people say you can hear them talk. Everyone there has red eyes and cold cold hands.

If you start at dawn and ride in the opposite direction of the carter you can reach the vault before nightfall. The locals claim it used to hold a faceless god guarded by a king but time has weathered the vault’s defenses and the towns children dare each other inside its walls, running though the tight passages.

An old fairytale says if you follow a small barely visible path from the doors of a vault beyond you’ll reach a forest full of trees so overgrown they block the sun. The fairytale says if you walk to the heart of the forrest there’s a prince sleeping there, nestled in the flowers and weeds. The fairytale says his true love and his knights are long dead. The fairytale says he dreams the whole world in existence. The fairytale says a lot of things but nobody really believes it.

[donelywell]

It'd appear that all of these Sonadow fan kids made you all forget about THE Sonadow kid!

[gay-jesus-probably]

Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.

First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.

And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.

And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.

Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.

Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.

TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.

...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.

There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[khattikeri]

i don't think enough people talk about how the backbone of nie huaisang's plan hinged heavily upon jin guangyao's low birth, and the jianghu's willingness to dogpile on such people.

nie huaisang is upper class. he's specifically stated in the novel as behaving more like the idle rich than like a distinguished second young master of one of the five great cultivation sects, but he's still an heir by birth. even if nie huaisang had been more openly caught, who would do anything to him?

wei wuxian notices that bicao's testimony was bought with a few shiny baubles— that nie huaisang was the one who bribed her with a nice bracelet for her testimony. he intentionally kept his own sect half dead, barely afloat for years, just to keep up the guise of an incompetent loser!

but the only actual consequence he's faced for such poor leadership that probably hurt a lot of common folks in his territory over 13 years is that people think nie huaisang is an annoying, useless crybaby. nie huaisang has a level of protection from consequences that jin guangyao had to fight much harder for (and that jin guangyao ultimately never truly got).

nie huaisang knew his own class and social position extremely well, and he knew how most people of that position behave and think. he was more than willing to use this in his revenge.

we know lan wangji is the type to use his wealth and position to do good for others. nie huaisang is the opposite— he's the type to use his wealth and position for himself and his own personal goals.

and this wasn't just something that started after his brother died! avoiding responsibilities, never carrying his sword, ignoring the fact that he wasn't honoring his sect or ancestors the way others wanted… his underground ring of selling porn as a teenager even got him out of the worst part of the wen indoctrination camps, because he bribed the wen cultivators overseeing everyone else.

my point is, nie huaisang is self-aware enough to know he doesn't really ever do the "right" thing! at no point in the story does he delude himself or others with grand ideals of how one ought to behave. he doesn't care.

unlike almost every single other upper class cultivator in the story— jiang cheng, jin zixuan, nie mingjue, lan xichen— who all think of themselves as righteous in a way, who are always able to justify their thoughts and actions, rarely if ever able to conceive of those thoughts and actions as flawed or wrong... nie huaisang KNOWS his own selfishness.

like lan wangji, nie huaisang recognizes that his class can easily be used as a shield to do whatever he wants. while lan wangji at worst uses this nifty privilege to silence people he doesn't like, refuse to explain himself in inconvenient situations, and bring wei wuxian along with him everywhere, nie huaisang uses it to shirk his duties for decades and tear jin guangyao apart in revenge.

jin guangyao being the son of a prostitute automatically amplifies bad rumors around him. bringing to light his incestuous marriage and the gruesome way he murdered his upper class father, however deserved, is obviously going to impact him in a way that someone higher class wouldn't be as hurt by. combining that with a final lie to get his sworn brother to stab him in a flash of doubt, and well...

is that good or righteous or just? no, of course not. nie huaisang doesn't spend any time pretending that his actions were conducted based on morality, or that he "had no choice".

nie huaisang just wanted to destroy jin guangyao, and damn did it feel good to finally do it.

[deep-space-lines]

ultrakill self insert because i am cringe and i am free <3 what i wouldn’t give to be a heavily armored mindflayer with a rapier. women want me everyone fears me. ultimate gender goal. why can’t i be her

they mostly hang out in wrath to look at the fish. probably died very quickly due to being distracted by (you guessed it) looking at fish (and bringing a sword to a gun fight) (she’s not as cool as swordsmachine, she isnt getting away with that)

[starry-bi-sky]

Childhood Friends Au: Danny's in Gotham Again

when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime

A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 

Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 

“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   

His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 

They’re still not sure if they should let him go. 

In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 

He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 

His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 

When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 

Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 

Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 

The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 

It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 

When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 

“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 

His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 

It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 

His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 

(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 

(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 

(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 

(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)

(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)

(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)

(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)

(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 

(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)

(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)

He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”

Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 

“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”

“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 

Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 

(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)

(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 

(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 

“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 

He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 

He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 

Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 

Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 

He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 

(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)

(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 

Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 

Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.

He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 

His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 

“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 

Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 

Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 

His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 

Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 

“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.

Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 

When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 

Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  

The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 

Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 

It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 

He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 

Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 

Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”

“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 

“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 

Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 

While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 

“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 

“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 

“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 

Tucker and Sam look like they’ve both swallowed a lemon.

“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 

He can hear the disapproving hesitance from where he stands. And he ignores it. 

Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 

His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 

Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 

He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  

(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 

He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 

Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”

Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”

Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 

It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 

The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.

When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 

“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 

Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 

Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 

“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”

“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 

When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 

Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 

It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 

He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 

Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”

He gets a pair of laughs for his efforts, and Danny grins wider. 

Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 

The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 

It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 

There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 

Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 

He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 

Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 

Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”

Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 

It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 

The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 

If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 

He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 

He presses the circle again, and the pinboard reverts back to its original blank state. 

-----

Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself

you can find this on ao3 or on tumblr 1 2 :)

[ebbpettier]

what do you mean with your hc that simon was always a dragon?

okay so this is one of my deepest most self indulgent headcanons because i'm gay and i think he deserves more and sharper teeth but it's extrapolated from a bunch of different details in the series: 1. we don't know what kind of blood davy used in the ritual. lucy couldn't identify it, but it almost definitely wasn't human. killing a dragon is one of the worst things you can do in the WoM and i really think davy isn't above that, at this point. (in terms of what i think the ritual entailed, i don't think he would have killed an adult dragon, either. a son for a son.) 2. simon's false feather wings dissolved in a bloody mess, but his dragon wings did not. iirc, he also had to wish for them, and penelope pointed out that this is fundamentally Not How Magic Works 3. penny also theorized that simon was actually turning INTO a dragon at the moment he got his wings, unless i'm misremembering again? its been a while since my last reread of the series and i have a memory disorder bear with me 4. "you don't kill a dragon unless you're trying to open a portal to hell" davy what did you do. DAVY, WHAT DID YOU DO. 5. once magic stops working on simon at all/after he loses his magic, the wings don't disappear, which makes me think they weren't powered by magic in the first place; they were just a part of his body. 6. margaret almost immediately (probably falsely but still) identifies him as a Kitten. she straight up thinks he's a baby dragon. maybe he smells like one, or feels like one, but i feel like she would be the most qualified to like ... tell? simon insists he isn't, but she seems confused and even a little put off when he tries to say he isn't just a lost dragon-kit. 7. when he's going off his magic is described as very blistery and prickly and black and red, and he glows and smokes and smells like a forest fire. dragon coded as fuuuuck 8. i think it would fucking rule I've never quite decided if i want it to be dragon ancestry, or if he's some kind of changeling via the ritual*, or something else, but the reason i draw the sword of mages with a fancy hilt shaped like a dragon is because i also headcanon that it looks different for everyone who wields it. (in my Baz Is The Heir AU: he summons it as a spada da lato, light as a feather with a handguard that curls like fire in a windstorm, inset with little sapphires) and simon's just ALWAYS been that dragony. i want him to grow more teeth, and they keep growing so he either has to accept them or have them pulled. i want his nails to be hard and sturdy as iron and he just never notices because he's always used them as tools, and he thought everyone's were like that. he bites them off because they break clippers. i want the red scales around the second set of deltoids (the ones on his wings) to start slowly creeping down his back and over his shoulders over time. because i think it would fucking rule. *i subscribe to this one the most, tho. makes sense. also i feel like the mage WouldTM.

[gravelsong]

So that's where Rumble went

[comikadraws]

Whats tobirama's beef with the Uchiha?

An Analysis of Tobirama's Prejudice

EDIT: If you have headed here via another user's post, here is a note. That user has never interacted with me. They clearly also haven't read any of my previous or linked posts, as far as I can tell. They simply just blocked me and then made that post to harass me afterward - completely out of the blue. My post has since been edited to better combat bad-faith takes and bullies like her.

Oh boi. More Tobirama. Once again, I am probably biased but these are my thoughts on him.

First of all, the guy definitely had beef with the Uchiha Clan, but I personally find the "racist" allegations he often gets to be... difficult, to say the least (not that I necessarily disagree with them). It is just that there are some very oversimplified, black-and-white takes out there with zero nuance.

Not that I am necessarily better but I'm definitely trying xD

Tobirama's Prejudice

Tobirama doesn't "hate" the Uchiha Clan but considers them to be a danger to Konoha. That is because

The Uchiha were more loyal/attached to the concept of "clan" rather than the concept of "village" (which stood in conflict with one of Konoha's main philosophies). Hence Tobirama sees them as "rebellious".

The Uchiha are more likely to lose themselves to intense hatred (aka "Curse of Hatred"). And, in the world of Naruto, hate is one of the main motivations of war, ever since the Warring States.

Combine that with the several bad experiences Tobirama and other Senju have had with the Uchiha (centuries of recurring battles, the death of Kawarama and Itama, Madara leaving the village) and you can see why Tobirama would think the Uchiha Clan is dangerous. Beyond that, Tobirama's character actually makes a lot of sense - more so than if he didn't have any prejudice. The prejudice he has is realistic.

He also personally does not believe that he "hates" the Uchiha and describes his bias as "caution".

The Racist Allegations

As I have already covered in this post about the Curse of Hatred, there might be parallels to our world's definition of racism, but Tobirama is not intended as a racist by Kishimoto.

What is important to understand is that perceived themes of racism in fantasy settings (where made-up races can have all sorts of magical differences between them, even those that are undesirable) do not equal actual racism in the real world (where racial differences are purely cosmetic) and often make for a bad analogy.

What I have also covered in the same post is that the Curse of Hatred very much does exist and Tobirama was right to assume that there is something "wrong" with the Uchiha. (For all of you not interested in reading, the TL;DR is that Zetsu's been manipulating the Uchiha for centuries, hence the illusion of a "curse")

Whether his theory was correct or not, however, is up to the audience's interpretation. The problem here is that Kishimoto never contradicted Tobirama's theories and also that they were presented and treated as exposition by the narrative. I am basing my own theory specifically on the exposition given by Hagoromo (chapters 670-671) and Zetsu (chapter 681) who are both relatively reliable sources and seem to imply (emphasis on "imply") that the Curse of Hatred mostly just affects Indra's reincarnates rather than the entire clan (again, reference to my other post because it has nothing to do with Indra specifically but rather just with Zetsu being manipulative).

Not that Tobirama could reasonably know about that detail, though. What he saw instead were centuries of war and Madara's defection, leading him to believe that there must be something influencing the Uchiha's decision-making. (And yes, assuming that my own interpretation about Zetsu is correct, that would make Tobirama a racist as his theories are not based on fact).

Systemic Oppression of the Uchiha?

Another misconception that people apparently have is that Tobirama ostracized the Uchiha Clan, which is untrue. Yes, the guy was horrible, was far too wrapped up in his own trauma, and should not have become Hokage. Not even because I think he was a bad leader necessarily but simply on principle.

That being said, the Uchiha were not being purposefully isolated from the rest of the village. The police force is neither entirely comprised of Uchihas nor are Uchihas forced to join the police. Instead, it is implied to be a choice in the manga.

Somebody else pointed out Orochimaru mentioning that the Uchiha had their clan compound near the prison. But this is not a criterion of ostracization. All the other canonical information we have on the Uchiha's supposed ostracization is based on Obito, who is famously a liar and not a reliable source (therefore it is up to headcanon).

Tobirama also practically gave away permanent leadership of the police. The police are part of the executive branch in any government, just like the military or, in this case, the ANBU - with the only difference being that the police don't require Hokage orders for everything they do. The Uchihas working at the police are in a position of power rather than in a position of suppression. It is also implied that they are able to arrest anybody they want (except ANBU members) without a warrant (again, emphasis on "imply" because the context implies that arrest without a warrant is possible for all non-ANBU citizens).

Keeping this in mind, the establishment of the Uchiha Military Police Force was (most likely) indeed a gesture of goodwill and trust. It was not a slight and it was not an attempt at ostrachization. If anything, it shows that Konoha (and by extension, the police) was corrupt and abusing power on a regular basis (though that is not the point of this post but yes, Konoha's politics are no unchangeable gospel).

There are more misconceptions about Tobirama that are often twisted to fit people's agenda, but I'll leave it at that for now.

My personal conclusion is that Tobirama might fit our real-world definition of "racist". But that heavily depends on your interpretation. Either way, Tobirama was a product of his times.

[nocturnalazure]

[irrealisms]

i lied lol im also dropping some s4 thoughts. i've been doing some thinking about s4 vitalasy & zam recently (when am i ever not thinking about s4 vitalasy & zam) and fairy tales . from vitalasy's perspective they're in the crane wife story, or a similar story. from zam's perspective they're in bluebeard. in both cases you've got one partner keeping a secret in a secret room, and as soon as it's discovered everything collapses and they can't truly stay together anymore. but in the crane wife the secret is self-sacrifice and in bluebeard the secret is hurting others. (notably these are also both gendered--the self-sacrificial victim is the wife, the murderer is the husband. and in lifesteal they're obviously both men and are not playing out traditional fairy tale gendered dynamics lol. this is part of why there isn't a clearcut answer to which of them is right about which story they're in.) either way there is a question hiding in the margins: if the secret is never revealed, will the wife die or will they stay together happily? we don't know. they don't either. they have to open the door. this is how the story goes. there is no version of the story where they don't open the door. the important thing is that the one you love has a room they are hiding from you, with a secret that they know will tear the two of you apart, and you enter it anyway, and things are never the same.