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#this song hurts my feelings
surburbanlegend · 4 months
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i look in people's windows :'(
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niceboyeds · 2 years
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“and i’m sick of waiting patiently for someone that won’t even arrive”
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ilostyou · 1 year
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love me like you did!!!!!! love me like you did!!!!!!!!!!!!! i’ll give you anything!!! i’ll give you anything!!!!!!!!!!!!!!!!!!!!!!!!
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sevensjesper · 1 year
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modern!aegon would cry to 'difficult' by gracie abrams at 3am after he realised he actually had a problem. it would be the moment of realisation he's needed for the longest time but it finally clicked and it felt as if his entire world had fallen apart. NO actually this song is the reason he realised he had a problem and that he needed help. ACTUALLY give that song to aegon in the show rn. HE NEEDS IT. that man needs it.
'I wake up invisible I'd be someone no one knows I guess I'm just difficult, difficult' aegon coded.
'I've been drinkin' And stayin' up too late, relivin' bad decisions' also aegon coded.
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hinamie · 2 months
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色彩 [Shikisai]
#my art#jujutsu kaisen#jjk#itafushi#fushiita#yuji itadori#megumi fushiguro#fanart#jjk fanart#megumi#yuuji#finally...some not angst.....#im worried out of my mind fr these two right abt now but we cope we cope :)#i woke up early n rushed to render this bc im leaving 2 catsit today n wont b able to spend every waking hour drawing like i have been#almost uploaded it without rendering megumi's ear and frgetting the sukuna scars so im sure ill find something i missed once i hit post smh#this pose fought me also >:( sighs why when i try to do not angst they do not want to cooperate . do they prefer being hurt#anyway !!!#i dont think any1 Listens when ppl put song links in the caption but if anyone is curious ! colours/shikisai galileo galilei#SO themcore im unwell i say that a lot but i mean it every time#speaking of colours i Love how these turned out but they ended up being a lot more cohesive than i intended GKHSDFK#wanted to have yuuji in warm and megumi in cold but that appears to have blended everywhere but their uniforms Oops#sighs these 2 and their sun/moon imagery r my cause of death. i die thinking abt it#resisted the urge 2 have a lmhs caption but let it b known. i amn Thinking it.#anyway i say ill b away from my drawing tablet but i fully plan 2 uber home one of the days so i can draw#i cant b slacking now the itfs reunion is nigh and i feel nauseous abt it i need to channel the nervous energy#have sketches.......just in case....but we dont Talk abt just in case >:(#itfs nation hold strong <3
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rambunctioustoons · 6 months
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touchy feely fool
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tubbytarchia · 8 months
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Somewhere in the woods, a moth tires of seeking light
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ghost-proofbaby · 2 months
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SO SCARLET (IT WAS MAROON)
CHAPTER TEN: RIGHT WHERE YOU LEFT ME
DID YOU EVER HEAR ABOUT THE GIRL WHO GOT FROZEN? TIME WENT ON FOR EVERYBODY ELSE - SHE WON'T KNOW IT.
☆ pairings: rockstar!eddie munson x fem!reader
☆ warnings: no use of y/n, strong language, angst, minors dni
☆ WC: 5.9K+
☆ A/N: lyrics used towards end of the chapter belong to the following sleep token songs (in order of appearance) - chokehold, ascensionism, and take me back to eden. 10/10 recommends listening to them <3
thank you to my love @hellfire--cult for the divider!
masterlist
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When you wake up, you’re shocked to find cold sheets beside you. 
Your hand stretches out on instinct, joints cracking as you barely slip into consciousness, and it’s the one thing capable of jolting you awake. These aren’t your sheets (they’re too nice to be your sheets), this isn’t your bed (there’s a cologne across the fabric that no longer stains your own mattress), and the bed is cold. Not even whispering of the warmth of who should be in bed with you, no trace of him having been tangled up with you the entire night to be found. 
Eddie had been here. You know he had been here. Last night couldn’t have possibly been a dream, or a hallucination, or some cruel twisting of reality done by your brain out of the terrible yearning that is bubbling back up to the surface of your chest. 
He had been here. And now, he’s gone. 
It reminds you too much of those mornings you’d awake while he was on tour. The mornings you’d roll over in a shared bed, only to find the other owner was still a country away. Mornings where you took your coffee cold and alone, and took your updates from some online source posting blurry photographs of the man you were waiting up on rather than from his own two lips. 
Bile almost rises in your throat until you properly sit up, and you properly remember. 
Eddie. Kisses. His guitar. His song. Whispered falsetto of taking aim, painful words about the way love is a weapon. 
You weren’t stupid. You weren’t dense. And Eddie Munson was a rockstar, not an actor. 
The room is still dreary, faintly lit with the wisps of daylight peering through the curtains over the window. You can’t tell if it’s stormy out, or it’s early out, but neither really matters. Neither really explains why you’ve woken up in a bed alone, after a night of playing pretend. 
Eddie’s lips, trailing down your skin. Eddie’s hands, bruising your hips and holding you to him in all the ways you begged him to. Eddie’s legs, entangling with yours beneath sheets he used to not be able to afford and blankets that kept the rest of the world as far away from the two of you as possible through the night. 
You swear, for just a moment, your back is still warm with the imprint of his chest curling against you. 
With every movement you make, you wait for Eddie to magically appear out of thin air. To jump up in front of you, to smile at you with that toothy grin and greet you with some ridiculous good morning. You keep waiting as you kick off the covers, and as your feet meet his cold floors, and as you make your way to the unfamiliar bathroom attached to the bedroom. 
Waiting, waiting, waiting. 
You sort of fucking hate waiting. Especially when it came to Eddie.
There’s no sign of him in the apartment. It becomes clear once you’ve brushed your teeth, almost hesitating to use the toothbrush available until you realize how ridiculous that would be. He had his tongue down your throat last night, amongst other places – he could bare for you to borrow his toothbrush just this once. You make your way out of the room, down the hallway, to the kitchen. 
Nothing. No Eddie. No breakfast. No reminders to call Matt and no ambulances on speed dial. 
You feel like a fool. 
“Talk about karma, hm?” you mumble to yourself as you lean against his kitchen island, staring at the fridge, weighing your choices. 
You could stay, make yourself breakfast, enjoy the luxuries at your disposal. 
Or you could leave. You could get out now while he’s not here to stop you, erase the night from your skin and memory. There’s still time to pretend that none of it ever happened. There’s still time to scrub the stain he’s once again left across not just your skin, not just your mind, but your entire existence. A newly reopened wound, and you still had time to make amends and stitch it right back up. No blood stains necessary this time around. And things were always easier the second time around, right? 
Wrong. 
Something keeps you rooted in spot. Maybe it’s the nostalgia, wrapping its way up around your bones. Maybe it's the wishful thinking, the smallest of hopes that Eddie will eventually burst through the front door and wash away the doubts. 
Or maybe it’s the post-it note that you’d initially missed, barely clinging to the surface of the fridge as it leaves behind a sticky residue. 
Went to the studio, I’m in trouble with Matt :( Help yourself to anything in the apartment. If you leave, just make sure to lock up behind you. I’ll text once I’m done. 
It’s written in messy penmanship, the font of someone in a rush. The phrase ‘if you leave’ is only slightly neater, as if written slowly and given more thought than anything else said. 
As if Eddie might have hesitated, for just a moment, at the thought of you leaving once more. 
You’re probably imagining things. You’re probably making up that difference in your mind, projecting onto what you want him to feel so desperately. It shouldn’t make a difference in if you stay or if you go. It shouldn’t. 
And yet, it does. 
The hours pass by slowly. Morning bleeds into the afternoon as you keep yourself entertained and take Eddie’s encouragement in full stride; you make yourself a decent enough breakfast from what food he does have in the fridge, and you almost make a note of scolding him for having little to nothing in there. But then you remember that it isn’t your place anymore, and your toast is nearly burning, and so the mental note of any slaps on the wrist is pushed away. You wander about the living room, taking in what photos he does have displayed. There’s not much – a few awards, some nice recounts of the band’s successes, but nothing that is Eddie. No photos of Hawkins. No photos of friends. No photos of Wayne. You hadn’t realized just how empty, how vacant, the place had felt until you properly inspected it all. 
There’s only one trace left behind of Eddie. The man you once knew and loved, not Eddie the Rockstar. Eddie, the caring best friend. Eddie, the doting boyfriend. Eddie, the one you’d once spent all your days weaving a future with, threads intertwined and dreams perfectly aligned. 
A single photograph of just him and Gareth. Or at least, what’s been framed to appear to be of just him and Gareth. 
Eddie, front and center. Gareth to his left. At a quick glance, it seems like one more homage to the band, maybe even to his friends. 
It’s more than that, though.
Your hands can’t work fast enough as they grab the frame, not even thinking clearly about how Eddie might feel if you rip the back off the nice piece of memoriam. Your heart is racing out your chest, breaths starting to come out in harsher and harsher puffs as you struggle to flip the clips and remove the backing cardboard. 
You find exactly what you knew you’d find. Exactly what you’d dreaded you’d find. 
Yourself, staring back at you. 
Creased over so purposefully, the section of the photo containing you has been prestigiously folded to appear as though you’d never existed. You, with a fool’s grin and eyes squinted out of appearance. You, hand on Eddie’s shoulder as you’d lifted yourself up dramatically on your tippy toes, body full of pride beyond the point of containment. 
A version of you that you can remember crystal clearly. 
“Wait, wait!” you had squealed, the stick of beer on concrete floors meeting the rubber sole of your shoes audible as you’d ran across the bar, “Don’t you dare take that photo without me, assholes!” 
You’d nearly slipped in a puddle of only God-knows-what as you’d made it to where the boys were gathering, but Eddie’s hands had already been there to catch you before you’d met an untimely demise. 
“Woah, woah, woah,” his face twitched with concern, but his smile wasn’t fading, “Trying to kill yourself there, Sugar?” 
“No, I’m trying to get into the photo with my favorite people,” you’d corrected, looking around Eddie to shoot a smile Gareth’s way, “Gotta make sure they don’t forget me in the history books in ten years, when they put you guys’ into the Rock and Roll Hall of Fame.” 
Gareth snorted immediately, shaking his head, his own head of curls bouncing with the movement, “Right. I’ll believe it when I see it.” 
Eddie’s hands left your waist, leaving you to bounce on the balls of your feet as you looked back to Jeff still poised with a camera. “Don’t be such a pessimist, Gar.” 
“Don’t call me Gar.”
“Oh, I’m sorry. Should I use the full nickname? Would you prefer Gare-Bea-”
“Okay,” Eddie cut you off with impeccable timing, putting his hands out between the two of you, “Can we not kill each other after we’ve just played our biggest show yet?” 
Biggest show yet, indeed. Everyone had come out to show love to the boys you’d been rooting on from the hot floors of garages for several months at that point. More than just a few drunks being forced to listen to the live band playing at their favorite joint, and more than just a few friends who’d spared their evening to show support. 
Everyone was there. The bar had even made an exception for a few of the boys in Eddie’s Hellfire club, and that alone had already gone to Dustin Henderson and Mike Wheeler’s heads. 
“She’s right!” Dustin added without any prompting, standing to the side and looking just as giddy as you did, “You guys are gonna be goddamn rockstars!” 
“Language, Henderson!” Steve Harrington scolded, scowling at the younger boy, “Jesus, we let you guys come to a bar one time to support Eddie, and you immediately start acting up-”
“Can we please just take the photo?” Jeff waved the camera as he looked between you, Eddie, and Gareth, “Please?” 
Surprisingly, every single person listened. 
Gareth resumed his cool-guy position, clearly trying to not show just how excited he was. Arms crossed as he didn’t move any closer to be more fully in the photo, offering the limited effort of leaning in. 
You knew he was just playing it cool. You’d seen the smile light up his face, even behind the drumset, the moment the boys had seen how large of a crowd they’d garnered. 
Dustin jumping up and down beside you, waving his hand, trying to just get a glimpse of his blurry palm in the shot. 
No one could even be mad at him, the air was too thick with excitement. He was only exerting it the way all of you craved to do so badly, guided by his youth and genuine love for his friends – his mentors. 
And then there was you and Eddie. Eddie wasn’t hiding his joy at all, those dimples you so adored in full throttle as he looked at the camera with starry eyes. All that hard work, all those late nights, finally beginning to come to fruition. He didn’t have to say it – you knew. You knew he was beginning to see the shape of a rockstar forming that you’d always been able to view. Seeing himself in the spotlight that you’d always shone on him, blind faith and all. 
He was proud, and you were prouder. 
On your tippy toes, hand curling around Eddie’s shoulder like an anchor as your chin tilted up and your teeth flashed to the camera. You probably looked ridiculous – you felt ridiculous. But there was no time for some elegant pose or faux cool act like Gareth or Jeff. You were bleeding out all your pride and all your happiness, and it was all for the warm body beneath your palm. The boy you’d be holding dearly when it was all said and done at the end of the night, letting him collapse into your solace as he giggled and muttered his disbelief at how well the night went once you were both safely back in his bed. 
“Say cheese!”
Jeff was all but ignored, only Gareth loudly proclaiming the word through gritted teeth. 
You squeezed Eddie’s shoulder a bit tighter, and he smiled a bit wider as you whispered, “I’m so proud of you, Rockstar.”  
You didn’t realize you were crying until the first tear drops onto the photo, narrowly missing your overly exuberant face and landing instead on the back of the part of the photo unseen from this point of view.
The part that was on display. The part that Eddie would let the world see. 
The tears can’t become more; you can’t let them. You weren’t going to break down in sobs in the middle of Eddie’s apartment. Not after the night before, not after what felt like the precipice of progress. Not after the beginning of what felt like a peace offering. 
Closure. You were both so close to closure, and yet had never felt further. 
Instead of putting back the backing of the frame like you should, you pull out the entire photograph, slowly unsticking it from the glass so you can unfold it to witness the entire picture. You thought it might feel wrong to see this version of you standing beside that version of Eddie, but it doesn’t. If anything, it makes the burn of nostalgia worse. 
The night before, Eddie had asked you a question. 
“Do you know how many times I played this moment back over in my head?”
And you didn’t know. You never found out, never bothered to ask him for the answer. But you couldn’t but wonder if he knew how many times you’d played moments like the one in this photograph back, over and over in your mind, until it drove you to madness. Just how many late nights in that lonesome apartment, haunted by the memories, it had finally taken before you’d had no choice but to move. How many breakdowns had been spurred on in public when you’d heard his song playing in a gas station, or you’d seen a magazine that he’d occupied the smallest corner of the cover of. 
How many times, during those moments, you’d thought back to nights like the one in this picture, and wished you could go back. 
Even now, even with progress on the horizon, you want to go back. Everything in you screams for this time rather than the present. You want small crowds in the Hideout and an overly hyper Dustin Henderson to annoy you all. You want Eddie kissing you in the bar’s bathrooms, everything reeking of stale beer, and you want the only interruption to be the others banging on the door to let you know it was time to go, not Eddie’s cell phone ringing with a call from his agent. 
You want, and you want, and you want. 
For an innocence neither of you can return to. For a life both of you left behind in ashes. For a love that had seemed so infinite, not as though it might be a momentary time bomb waiting to blow. 
You want to take past you by the shoulders, and shake her so hard that there’s a chance she’ll listen to you when you demand she just enjoy it.
Enjoy all the late nights spent in diner booths with all the boys, none of them witness to the pathway of a heart that Eddie’s thumb is drawing on top of your hand. Enjoy all the grand firsts, and enjoy how everything feels like the ends and beginnings of your world when you’re that young. Enjoy Eddie while you can, even when he annoys you, even when he finds a way to get perfectly on your very last nerve. Enjoy it. 
Because one day, it would all be gone, and you’d be crying over a photograph in the apartment of the man you once thought you were going to marry. 
Now is the time to stop. Now is the time to put the photo back, gather your things, then leave. Put away the shovel and walk away from the grave of the past. 
You can’t do it. 
It turns into some wild scavenger hunt, lacking in guidelines and etiquette as you search through the rest of the apartment. Not truly snooping, but certainly scouring every corner for any other possible remnants of you. Small markings, brutal stains. Proof you weren’t the only one left maimed at the end of the day. Proof you weren’t the only one stained. 
Nothing else is found, because nothing else in the apartment is seemingly as personal as that one photograph. 
You’d noticed the apartment was barren, but hadn’t taken the time to see just how far the emptiness went. His living room, his kitchen, his bedroom – not a single sign of the Eddie you once knew. Only the new Eddie. The Eddie with awards, with a reputation, with adoring fans. 
The Eddie that you couldn’t tell if you really cared for all that much.
The first sign of life only creeps into your vision when you crack back open that door to his makeshift studio. Guitars he once only spoke of owning, a keyboard that tells you he’d finally taught himself how to play piano rather than only speaking about it as a one-day, notebooks and loose-leaf pages scattered across the coffee table that’s situated in front of the comfortable couch. 
It reminds you of the coffee table back in the Munson trailer. Of his desk, back in Hawkins. 
There’s no sporadic Hellfire campaigns across the pages, though. No small doodles in the corners of the crumbled pages. 
Your curiosity gets the better of you as you take the same seat you’d occupied the night before (or technically, the earlier morning). No guitar fills your lap – only the weight of the first notebook you could get your hands on. He’d told you to help yourself to anything in the apartment, and he’d never said that the studio was explicitly off-limits. 
There’s rings of coffee stains across the front of the notebook, half the pages visibly used from the side while the rest stay pristine and uniform. Before you can overthink it, you’re flipping the cover of the spiral notebook open, holding your breath as you read across the first line of penned words that you find. 
When we were made, it was no accident. 
Lyrics. They’re clearly lyrics. You keep reading, out of order as your eager eyes drink it all in. 
I’d turn my walls to gold to bring you home again.
You turn the page. You refuse to linger. You refuse to over analyze. 
MAKE IT REAL. ‘Cause anything’s better than the way I feel right now. 
The first three words are angry, aggressive, large. Screaming off of the page. And the remaining ones are small, almost cursive as they flow together like a whisper. Like the writer couldn’t handle telling the world something so vulnerable, so loudly as he had his demand.
Below, a phrase takes up an unexpected amount of space, circled around several times, a few stray question marks penned around the edges.
Diamonds in the trees, pentagrams in the night sky.
You recall all of Eddie’s doubt when you’d interrupted him writing a song last night. The muttering to himself, questioning what the words might even mean. It seems that was not an occurrence saved solely for you – it seems, when he’s been left to his own devices, the process always remains. 
You turn the page again. 
This time, you’re met with the largest conglomerates of lyrics yet. Spreading across the available lines preset for him, but also spiraling about the page. Written in the margins, forced to fill the gaps between the lines. There’s a sinking feeling in your gut before you even read the lyrics, based on the title alone – Take Me Back to Eden. 
I dream in phosphoresces, bleed through spaces. See you drifting past the fog.
You’re holding your breath again. 
I’m a winged insect, you’re a funeral pyre. 
Your eyes wander further down the page. 
I need you to see me for what I have become.
The word become is angrily underlined, over and over, until the pen had torn through the page in the slightest. 
Something rises up within you, and in a panic, you jump to the bottom of the page. 
I guess it goes to show, does it not? That we’ve no idea what we’ve got until we lose it. 
The first fatal blow – you can practically hear Eddie’s voice singing the line to you. 
And no amount of love will keep it around, if we don’t choose it. 
Another blow. Flashes of simpler times. Times when Eddie was yours, when the world didn’t lay claim to him the same way your own shaking palms would. 
No amount of self-sought fury will bring back the glory of innocence. 
It doesn’t matter how small he’s written it. No matter how tiny and insignificant he attempted to make the line, it cuts deeper than any knives that have ever passed through your flesh before. Deeper than the knife of losing him, so terribly slow. Deeper than the knife of hearing Corroded Coffin in public for the first time, playing out of someone’s car on the street as they listened to the Alternative Rock station. Deeper than the knife of burying his mother’s ring at the back of your closet, no longer yours to wear but somehow still yours to keep. Deeper than the knife of seeing him sitting there, in your office, completely unaware for the first time in two years. 
You slam the notebook shut before you can end up bleeding all over the pages, tears gathering once more and wounds all ripped back open mercilessly. 
The glory of innocence. 
All the reels of memories that had hit you as you’d held the photo in the living room come barreling back, striking you down, hitting you exactly where it hurts. 
Because he had felt it too. He had experienced it too. 
The nostalgia, the want for the past, the need to go back in time when things were simple – innocent. When the stakes were low and love was more than just a ghost wandering through your graveyard in passing. 
Self-sought fury. 
All the headlines, all the self-destruction. Every news article that had chipped away at the great Rockstar’s reputation. It hadn’t been the Eddie you’d known, just as you’d immediately thought; it was a new version of him, a new shell of him, seeking out damage wherever his furious hands could grasp it. 
But you’d never self-imploded. You’d never gotten your fury out, never got to kiss strangers in bars or destroy hotel rooms to move past all that you had lost. You’d been sitting in silence, a brewing pique that you’d let fester for far too long. All the hurt, all the fury, all the heartbreak. 
You didn’t have songs to write about all that. You didn’t have notebooks filled to the brim with those emotions. 
All you had was a shovel, and a deep hole inside yourself that you never thought you’d excavate again. Deep, russet brown eyes that had once lit the pavement for your future, now patronizing your past from the grave. 
A grave you hadn’t been digging alone, apparently. Worlds apart, and you two still had been seemingly in sync with the murder of who Eddie Munson once was. 
But the grave is excavated now, and you don’t think too much as you all but sprint out of the room, a clear destination in mind, that damn notebook in hand. 
Google is your greatest friend, your greatest tool, in the end. 
You don’t have the right connections at first. No numbers saved in your phone that you could call for the information, no emails beyond Matt to reach out to. And if there’s anything you’ve learned in working in a business where emails were the sole form of communication, it’s that no one would reply to you as quickly as Eddie had been. 
You didn’t have time. So you decided you’d already crossed a line, and you’d scoured the address of the recording studio that Corroded Coffin uses. 
You’d almost lost hope until you’d seen a paparazzi photo of him leaving said studio. Most news outlets had clearly been paid to keep hush about the location, but some were still the scum of the Earth, and some had left behind evidence. It took more effort on your part than expected, and more scrolling through fan forums than you were proud of, but you’d found it. 
You’d found the address where you would find Eddie Munson. 
Hell hath no self-sought fury like a muse scorned, you suppose. 
That’s what had hurt the most. In hindsight, you’d always known he’d write about you one day. He was an artist, and he had always pulled inspiration from his real life experiences. You’d just always been under the assumption that when the day came, the words on the page may be a happier tune. Something softer, something less hurtful. 
He wasn’t even insulting you, but it certainly felt like he was mocking you. 
You’re blinded by pain as you storm through the front door of the surprisingly small studio, finally feeling the need to lash out after two long years. Two long years of silent misery, silent suffering. You’re no longer the same person who had taken the cowardly way out. There is no instinctive running away from this, no gathering up your existence and disappearing from his life. 
This time, you want to fight. You want to scream at him all that you had felt as well. You wanted him to know the damage done, whether it was the right response or not. 
It probably wasn’t. And there was probably something to be said about the fact that this time, you were willing to fight with him over it. 
“Good afternoon, ma’am,” a young receptionist greets you from the front desk, “Do you have an appointment?” 
“Nope.”
She doesn’t deserve your venom, but she’s getting it straight out of your clipped tone regardless. You’re not here to play niceties with her – you’re here to see Eddie. 
She’s clearly taken back from your straight-forward answer, “Oh, I see. Unfortunately, the studio is currently occupied, but we can-”
“I know the studio’s occupied,” you reply blandly, eyes looking for the elevator, “I’m here to see the bastard currently occupying it.” 
“I- excuse me?” 
You spot the elevator, feet working faster than your mouth as you start to walk over to it, “I said, I’m here to see Eddie Munson. I know he’s in the studio currently, I know him-”
“I can’t let you do that.”
“You’re not really in the business of letting me do anything-”
“Ma’am.” 
You hadn’t noticed the security guard until his hand comes down on your shoulder. The receptionist girl is wide-eyed, looking nervous enough that if you weren’t in the middle of your own spiral, you might feel bad. 
“Let go of me,” you shakily demand, standing still under his hold, “I just need to speak with Ed-”
“No one goes in there without permission from the band or their management,” the man gruffly replies. He may have a good foot on you in height, and the stretch of his muscles beneath the plain black t-shirt might be impressive, but you’re almost convinced by the adrenaline racing through your veins that you could take him. One swift kick of the legs, and you could get to the elevator – you could get to Eddie.
Fight with Eddie. Call Eddie out for all the pain he’d let fester within you for far too long. Probably not even realizing you were calling yourself out in the same breath. 
“Then fucking call them,” you snap, reaching up to swat away his hand, “Call them, and tell them my name-”
“We’ve been given strict instructions to not interrupt them-”
“I could give two shits if we’re interrupting!” you finally yell, fulling tearing yourself away from the strange man’s grasp, “Fucking call Eddie, and tell him-”
It’s the sudden call of your name that breaks the tense moment entirely. Not Eddie’s voice, not even Matt’s voice, but a different voice from your past that has hardly changed.
Standing before you is Gareth Emerson, almost looking entertained at the current exchange happening. 
“She’s with us, man,” he chokes out, clearly holding back laughter as he locks eyes with you, “I can take her back up.” 
“Are you sure?” the security guard presses, looking at you with narrowed eyes, “If this is some insane groupie, Matt will kill me if-”
“I’m not a fucking groupie!” 
You have no reason to be so angry, so defensive. But you’re already a wounded animal, and you’re primed to bite at the slightest inconvenience. 
The wounds of the past are gushing, and being reduced to nothing more than an insane groupie is salt in the blood. Callous, burning, hurtful. 
You’re not just a groupie. 
“She’s not a groupie,” Gareth echoes after you, and his words are far more effective. The guard takes a step back, and Gareth finally lets out a snort that he tries to cover with a cough, “C’mon, Hellfire. Let’s take you upstairs before you burn this whole place to the ground.” 
You swallow down any shock at the old nickname, and you rush to join Gareth’s side, being sure to knock an elbow into his side on your way past him. 
“No one even calls me that anymore,” you mutter, still half-angry, guns still ready to begin blazing in Eddie’s direction once he’s in your sight. 
“Maybe that’s because you haven’t been around the only people that did call you that,” he points out, tone entirely unaffected by your elbow.
“You guys didn’t trademark Hellfire.”
“No, but we sure as Hell made a name for it back in Hawkins.” 
You two stop in front of the elevator, and neither of you make a move to press the call button. You’re all deep breaths, trying to settle yourself as Gareth continues to stare at you. 
“You haven’t changed one bit, you know.” 
His words have you looking up sharply, brows crinkling as you let them sink in, “Excuse me?” 
“I thought you might have changed,” he says, face softening, “You know, the years and city changed you or something. But you’re still… still that same girl we knew. All fiery, always ready for a fight.” 
His last sentence is laced with a bit of sarcasm, some light-hearted joking you hadn’t realized you missed until you’re face to face with it. 
You swallow hard, and you know your own face melts to match his, “That… I… I have changed. That guard was just being a dick.” 
“He was doing his job.”
“Yeah, well,” you sigh, feeling the wisps of fury slip out of your grasps. You almost feel like a toddler, prepared to stomp your foot just to emphasize a losing argument. “He should do his job worse.” 
“And you say you’ve changed,” Gareth teases, bumping his shoulder to yours, “Bullshit, Hellfire. You just let the suits at your job get to you. Maybe you should stick around this time, remember who you were.” 
The words shouldn’t make your chest tighten, but they do. 
Who you were.
Leaving behind Eddie meant more than just leaving behind a failed relationship. It meant leaving everyone. And that included Gareth. That included the version of you that you’ve missed so terribly today that you’ve gone grave-digging, pulling back all emotions to the service. It’s not just anger, it’s not just nostalgia. It’s something deeper and something you can’t erase. A stain on the deepest parts of you that you can’t rid yourself of, even if you’d wanted to. 
Neither of you have pressed the elevator button yet. 
It’s impulsive, but there’s a decision to be made that you won’t overthink. You’re brimming with impulsivity anyways, “Give me your phone number.”
“What?” 
“Give me your number,” you repeat yourself, already digging out your cell phone as you balance Eddie’s notebook in your other hand, “And I’ll stick around this time.” 
You don’t necessarily mean it in the same way he implies, but you mean it in the way that counts. 
You hand your phone over to his waiting palm, and for a moment, it feels like a weight has lifted. 
Even if it all burns down with Eddie. Even if you find the closure you’ve been so desperately seeking out with him, it doesn’t mean you have to leave the others behind. People like Gareth, like Grant, like Jeff – there’s still room for them, somewhere in your new life. You had grown up together practically, at least during the years that had counted, and there was no need to erase them from your history. 
You could find a way. You had to find a way. 
Compartmentalize, rationalize. Justifications and explanations were plentiful. You would find a way to meet the you that once existed and the you that was left behind in the rubble, somehow, someway. 
When Gareth hands you back the phone, there’s a smile twitching in the corners of his mouth, “We should meet up for dinner sometime. I know the rest of the guys, Jeff and Grant, they miss you. And we know this killer pizza place.” 
You don’t fight your returning smile, “Yeah. We should. I think I’d really like that.” 
“Right,” he claps, looking around to clearly see if the guard and receptionist are still watching. They’re momentarily distracted, it seems, by some sort of delivery driver, “Well, I’ll leave you to it. Our studio’s on the third floor.”
“Wait,” his finger has already jabbed at the call button, the sounds of an elevator creaking on its quick descent to you sounding from behind the metal doors, “Aren’t you coming back up with me?” 
“Oh, God, no,” Gareth’s nose scrunches, and his overgrown hair bounces as he shakes his head, “I think I’ve had just about enough of Eddie for the day. The rest of the guys left about an hour ago, anyways, and I’m guessing you two might want some privacy?” You nod at his questioning tone, “Perfect. Then, in that case – third floor, like I said.”
“Thank you, Gareth,” you blurt out, fighting down all the nostalgia. Part of you is aching – part of you just wants to see the other boys again, no longer needing the fight with Eddie, “I- I missed you guys too, for what it’s worth.” 
“We know,” he jokes back, although there’s something in the way he says it that makes you think that maybe they didn’t know that. He finally glances at the notebook in your hands that you’d nearly forgotten about, lively eyes turned simply sad. “Just go and give him Hell, yeah? You’re not the only one who's lost themselves.” 
There’s no chance to ask what Gareth might mean as a ding sounds and the doors slide open. The boy that you have genuinely and sincerely missed nods his head, signaling for you to get in, and you do just that. Mentally preparing yourself with one last gulp of air, one last look at Gareth, before you ready your boxing gloves once more. 
You’re not the only one who's lost themselves.
The doors slide shut, and you punch the button for the third floor. 
eddie's taglist:@capricornrisingsstuff @thisisktrying @mediocredreams @vol2eddie @corrcdedcoffin
@ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87
@thebook-hobbit @babez-a-licious @eddies-acousticguitar @aysheashea@kellsck
@cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking
@witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore
@mikiepeach @ali-r3n @hawkebuckley @alwaysbeenfamous @darkyuffie-blog
@vintagehellfire @lilmisssiren @elvendria @loveryanax @stylexrepp
@princessstolas @fangirling-4-ever @eddiesguitarskills @babez-a-licious @josephquinnsfreckles
@writinginthetwilight @trixyvixx @kittydeadbones @munson-addict @bluejeangenies
@cryingglightningg @joannamuns9n @missmarch-99 @rhirojo @findmeincorneliastreet
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sakuraspoke · 2 months
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31 days of ghost // day 4 - favourite song from: infestissumam ⸸
He is divinity omniscient Seeing the world revolve with spite The surge of humanity oblivious To the divine whom bringeth light Let there be night Weave us a mist, fog weaver Hide us in shadows, fog weaver Come, mist eternal Come, mist eternal Come, secular haze
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unganseylike · 7 months
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“Love Like Ghosts" // The Raven Cycle
When your true love is destined to die, is already dead, or will always be leaving. And other moments of ghostliness. 
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uhbasicallyjustmilex · 3 months
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🤎
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luobingmeis · 1 year
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my jgy thoughts have been expanding and adapting and roiling and toiling etc etc etc and all of it is coming down to me affectionately marveling at this character. he’s cut-throat. he’s cunning. his kindness leaves lasting impressions. his mercy is what predates his demise. he’s one of the few cultivators who helps those in need. he will sacrifice them if it benefits him. he loved. it didn’t last. it killed him. it orchestrated his downfall. he’s a genius. he’s paranoid. he compartmentalizes. he splits the world into who he would sacrifice and who he would not. people he loves and people he would sacrifice are not mutually exclusive. he’s filial to a fault. it was all for his mother. he is a study in assimilating to survive. the results vary. he manipulates the herd mentality to his benefit. it is turned against him. he is killed for the one thing he didn’t do by the one person he wouldn’t sacrifice. it is still somehow better than what the hive-mind cultivation world would have done. i love this tragic kaleidoscope of a character.
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wodania · 6 months
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i did a thing
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feroluce · 6 months
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Lucid Dreamer (1/2)
part 2
Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!
But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.
He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.
And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.
…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.
Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-
Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.
Gepard goes back home. He waits.
The uneasiness doesn't leave him.
"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.
"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.
"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.
Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."
Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.
"…I'll be back in one more week."
Gepard jolts awake in his cot, mouth dry and eyes bleary.
The hell.
The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.
Gepard doesn't know if he wants to dream more, or less.
He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!
Gepard falls asleep late that night, unable to settle. He dreams again.
He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.
He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.
He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.
"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.
"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.
"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.
Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."
Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.
Something is wrong, something is really really wrong.
Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-
"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."
Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.
"Wake up."
Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.
He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.
And he waits and he waits and he waits.
No one he recognizes appears.
#sampard#gepo#hsr gepard#hsr sampo#gepard landau#sampo koski#honkai star rail#hsr#blood#my fics#lucid dreamer#there was more to this but it didn't feel right included here so part 2 tomorrow maybe?#I just think Penacony being the land of dreams presents some FASCINATING possibilities like showing up in other people's dreams#the end of masquerade duet killed me just beat me dead#Sampo going through all this trouble just to protect Belobog...#poor Ray got such an earful that night haha#In the Penacony dreamscape someone can change their appearance however they want but I think in this case where one of the dreamers AREN'T-#-on Penacony it would take more concentration to keep that illusion up#and if someone were say. hurt and badly bleeding. it would start to fall apart eventually as they lost their concentration.#but oh my heart#Sampo being away and missing Belobog so badly he shows up in his friends' dreams just to do the same mundane shit they always do...#He probably showed up to everyone#he sat around and kept Natasha company in her clinic. he pestered Seele until he provoked her into asking Bronya on a date.#he played one last song with Pela and Serval. he told them he'd always kept his old bass guitar.#he took Hook out on one last joyride on his scooter and he even let her sit up front and steer like she'd always wanted.#and he stood around to shoot the shit with Gepard#he got to go do things like run domestic errands together with him. as if they could have been something more than what they were at the en#it was nice to get the chance to do all that#it was nice
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wavesoutbeingtossed · 4 months
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Ocean blue eyes looking in mine -> promises oceans deep but never to keep
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pinkgrapefloyd · 5 months
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daniel larusso & terry silver / the smallest man who ever lived
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