#this show's like a crime drama but some of the hints may or may not be figments of a character's imagination
Explore tagged Tumblr posts
Text
It's Destined With You day and I want confirmation for whether Shin Yu's under a spell or not at this point
#destined with you#i want proper confirmation give it to meee#but lord knows i'm so monogamous with my dramas and can't let a mystery go that i'll still tune in to find out#even if they drop the bomb during the second to last ep#this show's like a crime drama but some of the hints may or may not be figments of a character's imagination#tune in for more of the drama that may be fantasy-or-psychological-thriller! nobody knows for sure!#bo ah and rowoon mentioned a daughter in a bts clip#👀👀👀#so they had a daughter during their past life together? interesting#assuming the past life isn't just from shin yu's dream#at this point i assume everyone's a witch but we'll see
15 notes
·
View notes
Text

@mashumaru I hope you don't mind me answering your question here? There was no way this was fitting in the comments section. 😅 So these are what I'd call more Sunday afternoon murder mysteries then gritty crime dramas, as that's what I'm mainly watching at the mo. But if you'd like some darker recs, just let me know.
Anywho...
Midsomer Murders
The ultimate Sunday afternoon watch. Murder most foul, represented artistically in the form of a cream tea. Starring Inspector Barnaby(s), the most teddy bear men ever to exist. Every episode will include chocolate box village eye porn. Murder weapons have included but are not limited to: a cheese wheel, drowned in chocolate, a headless horseman and a steampunk werewolf. It sounds ridiculous but once you start, you won't be able to stop. I promsie you. The horrors: 0/10, though may leave you with a life long phobia of morris dancers and village fetes.
The Morseverse (Endeavour/Inspector Morse and Lewis)
Ah Morseverse, my beloved. The English academic elite does crime. Oxford is it's own splendorous character, with every episode crammed full of towering libraries, awe inspiring architecture and fanatically manicured, college quads. A must watch for those whose hearts belong to dark academia. Endeavour and Morse are set in the 60s/70s and 80s/90s respectively. And follow the same character, Endeavour Morse, from brilliant, blue eyed, troubled twink to brilliant, blue eyed, grumpy old man with a definite alcohol problem. (Never play drink along with Morse, it's a surefire way to get alcohol poisoning.) The baton is then passed to his sergeant, Robert Lewis in Lewis, set in the relative present (as of this post). The relationship between Inspector and Sergeant is what ultimately makes these series, be it Fred Thursday and Morse, Morse and Lewis and Lewis and James Hathaway. And you'll come to treasure them. Be prepared to leave these series with a well earned fictional degree in classical music. Murders CAN and WILL be based on obscure, literary references. The horrors: Well it depends.... I'd say Endeavour is the darkest, Lewis is the lightest with Morse settled nicely in between. If you finish this series not wanting a Jaguar Mark II, you did it wrong.
Vera
Vera Stanhope, my northumbrian queen, my geordie goddess. A middle aged plus woman, with no makeup (or two f*cks to rubs together) decked in a brown hat and mac and driving the world most beaten up land rover.... Owns everyone. And it is sooo satisfying to watch. The scenic southern eye candy of the two previous recs is replaced with the wild, isolated landscapes of the North, very much reflecting our DI. She's joined by sergeant dark and dishy and the ever more put up Kenny Lockhart, as well as host of others. But what really makes this series is Vera herself. As equally formidable as she is kind hearted, with no hint of glamour. She's the kind of female representation we both need and deserve. The horrors: Vera passive aggressively calling vicious murderers 'pet' fixes all world problems. It's scientifically proven.
Things you may have heard of:
Sherlock Holmes, the Granada edition starring Jeremy Brett. No finer Sherlock has ever graced our screens to this day (And yes, I will stand and fight for that statement.) One of the most loyal adaptations of the books ever made.
Poirot, staring David Suchet. No offence to Kenneth Branagh (Your Henry V got me through high-school English lit sir). But David Suchet is THE Prirot for me. Another loyal book adaptation. Over a 25 year period Suchet lived and breathed Poirot and it shows.
If anyone's got any other recommendations please feel free to add them on. I know I've missed a ton! Anywho, I hope that helps me dear. 😁
#midsomer murders#endeavour#endeavour morse#itv endeavour#itv lewis#inspector morse#Vera itv#vera stanhope#granada holmes#hercule poirot
91 notes
·
View notes
Note
Regarding queerbaiting: Sherlock is one of the more famous examples, and the tumblr drama surrounding it is an... interesting story that I think is worth knowing if you want to understand the queerbait allegations.
The show, made and set in the 2010s, liked to poke fun at John Watson for being a straight man shacking up with another single dude. The show's creators -- one of whom is a gay man himself -- were born in 60s, so I see these jokes as two guys who were adults during the height of AIDS and Thatcherism taking delight in the fact they're now living in a world where queerness is largely accepted and somewhat normalized. A straight guy being forced to constantly defend himself from nonchalant assumptions that the man he's living with is his gay lover is funny when he's not in any danger of being hate-crimed over it, right?
(I'm not a fan of the joke personally, but I get it.)
They really liked this stupid joke though, so they used it again and again and again, to the point that young fans started to become convinced it was hinting at something. I can't blame them: there was even a lesbian character who fell for Sherlock and explicitly compared herself to John as someone who wasn't into men and yet was just so spellbound by this one special detective boi.
It was pretty lesbophobic imo, which should have been a massive red flag as to how the showrunners really felt about queer characters...
...But where the show went from annoying to actively hostile was the mystery of how Sherlock survived his apparent death at the end of season 2. The showrunners swore up and down it was solvable... and then when the next season aired, the "solution" was "lol who cares how he did it, this is a ~*character driven story*~ and only stupid obsessed idiots would want to solve the mystery. 🤣🤣🤣"
Make no mistake, they singled out the mlm shippers specifically for mockery -- there's a group of Sherlock Holmes conspiracy theorists in the show who argue over a theory that Holmes and Moriarty staged the death together and then kissed about it. (The viewer is clearly meant to laugh at this.)
Some of the Johnlockers on tumblr refused to believe this was happening to them and doubled down and convinced themselves there was going to be an amazing Johnlock plot twist at the end of season 4. My understanding (which might be wrong, I wasn't in the fandom) is that this contingent was largely composed of naive queer teenagers who blindly trusted a handful of influential adults who insisted that the show was deep and clever and didn't hate its fans.
So I can definitely sympathize with the folks who fear Byler is just queerbait. This too is a mlm fandom made up of naive teenagers trusting the adults who swear that the secret gay plot twist is totally gonna happen this time, trust me bro it's not called Surface Things.
And, look. I think it's very sensible to be skeptical of random strangers on the internet who insist they have the answers, no matter how authoritative they might sound. Keep on doing that, folks. 👍
But I think that principle applies just as much to the "this is just like Sherlock" doomers as it does to the "anyone who thinks Byler won't happen has no media literacy" lot. Yes, it's always possible that the Duffers were queerbaiting us all along... but the way Sherlock and Stranger Things approach queerness truly is like night and day.
Huh, well, if what you say is accurate, then it sounds like the Holmes writers were just jerks overall. I can see the joke, as you explain it. I may not think it appropriate to make it a running gag, but it's good for a chuckle or two. If it was truly presented as a joke, then it would be on the fans for misinterpreting it, but I don't know enough about how it was presented to know how easy it would be for fans to make that conclusion.
To me, it only makes it more apparent that things on Stranger Things are "night and day," as you put it. Will's feelings, and Robin's, for that matter, are not treated as jokes. They're treated as dramatic, emotional parts of their individual arcs. In Will's case, his happiness is linked to his relationship with Mike, which is complicated by the fact that he doesn't think he'll get to have a romantic relationship with him, or at all really.
I prefer to think the Duffers are better than whoever was responsible for what you described. While it all remains to be seen, they deserve the benefit of the doubt, for now.
35 notes
·
View notes
Text
TV from the Period, Continued
TV shows didn't really try to appeal to children, as far as I can remember, so it was nights of watching whatever was on, because you had two choices: either this or the other channel. Plus, at the time, it was expected that the adults would pick the show. I remember watching lots of crime dramas. Magnum PI, CHiPs, The Fall Guy, etc. When I was older, The Cosby Show was the best thing on TV.
But, the most amazing thing as a kid were the Special Presentations.
Edit: my photos didn't make it, so it appears that I was talking about Tom Selleck, I was not. Sorry Magnum. I will fix the photos tonight or tomorrow.
If you saw this guy, you were in for a nice time. Not to be confused with "A Very Special Episode," which meant some lame thing where they had your favorite TV characters talking about something really depressing or scary, also known as an “After School Special,” though a lot of times those were not filmed with known characters, just really lame low budget deals. The most famous example of this is where a character on Saved by the Bell was taking diet pills (so excited and so scared). Definitely worth a watch.
I actually didn’t see this at the time, and only learned about it as an adult. Two TV stations. If Clown does “A Very Special Episode,” I will die.
So, Special Presentations were your really good things. It meant either you were getting something you didn't see a lot (Miss America), a once-a-year treat (Wizard of Oz), or cartoons (Holiday Specials!) I remember how excited we were to have the Wizard of Oz every year. It seemed random when it happened, but I’m sure there was a schedule that I wasn’t aware of as a kid. I don’t think we even got the TV guide. However, there were TV listings in the newspaper.
Once a year treats included things like "Circus of the Stars." I had forgotten about it until I googled Special Presentation to get that graphic. Actual TV stars would learn to do circus stuff, like trapeze. I am going to drown in nostalgia. Here's a later one in 1992, (Downtown Julie Brown!) with Weird Al, because Weird Al is synonymous with TV. Apparently.
https://www.youtube.com/watch?v=J8CTEEOMLgE
It's a massively different experience to have such limited access to shows. I do think that having such limitied access created a shared lexicon for Gen X, as we largely relate to each through pop culture--movies, tv, introduction of VCRs and home video. We even get oddly nostalgic about commercials, since I guess a lot of us were kind of raised by tv and the characters that existed within.
It is a very particular feeling, these rituals providing a window to a moment in time. It is almost tangible, but indescribable. I think Clown is very close to capturing that here, and may do it before the end.
All this to say that the shared culture of tv during this period created a very specific way of thinking about it and excitement to these references. Holiday specials, very special episodes, feature presentations and annual tv events were such a big deal and it is neat to see it replicated, but i think it can also give us some hints as to what we can expect.
9 notes
·
View notes
Text
“You know, you’re not alone. I have my own…”
Five months ago, NCIS: Origins viewers were left hanging with that incomplete thought, wondering what Field Operation Support Officer Mary Jo Hayes was about to say next after probie Leroy Jethro Gibbs made clear that the loss of his daughter was too fresh for him to help watch over a young girl.
When CBS‘ already-renewed freshman drama resumes its season this Monday at 10/9c, you will get that answer — though it may not be quite what you predicted, and it is delivered in a wonderful episode that also illustrates exactly all that Mary Jo does at NIS, and how her work has incredible ripple effects.
TVLine spoke with Tyla Abercrumbie about finally getting to shed light on the NIS Camp Pendleton office’s “HSIC” (Head Secretary in Charge).
TVLINE | It’s been a minute since Episode 4, where we got this half of a half of a hint that Mary Jo has something in common with Gibbs. Is it finally time to learn some things about the “HSIC”? Yeah, it has been a while! And it’s nice because, like you said, it was a little hint dropped that most people probably forgot about it, and then you get to this episode and you’re like, “Oh, now I see.”
TVLINE | Had you been asking the showrunners, “When’s it all going to come out?” I actually knew when it was going to come out; they told me that it wouldn’t air until around March Madness. Now, as a person that doesn’t follow March Madness, I was like, “Well, when is that?” [Laughs]

TVLINE | Had you been fully debriefed on what her backstory would be? Or was there anything in this script that surprised you a bit? There was a lot that surprised me in this script. And no, I hadn’t been debriefed on the backstory, but I did have a really wonderful couple of conversations with [showrunners] Gina and David, where we talked about what we wanted to do with Mary Jo and what I wanted to see in this character. You don’t always get such a luxury, because people have their ideas and you just show up and say the words, but this was a really nice collaboration. We did talk about things that we wanted, I wanted, for her. I wanted to show that she had family and friends that were from her world that reflected her, meaning from the African American, Black, community that she has outside of work.
TVLINE | Yeah, we get a glimpse of a dinner party she hosts. Yes, and we get to see Hattie [Hoskins] from Episode 4, who plays Millie. You see that she’s building community, that people don’t just leave her life but become her family. I also wanted to deal with giving her real issues that are outside of [the office] and the victims of crimes, that she had something else. They took that and ran with it.

TVLINE | A lot of Mary Jo’s workplace dynamics have focused on her and Franks (Kyle Schmid), and to be sure, it’s a wonderful thing they have going. But were you excited, in this episode, to really get some scenes with Mariel [Molino’s Lala] and Diany [Rodriguez’s Vera]? I was, and we all said that. We were like, “We want more of these, where the girls just connect and bond as women and coworkers.” It was really nice because I’d watched them work, I admire their work. They’re both so talented, and they really helped, in my scene with them, to move the moment emotionally forward because I now know them as people, and not just as characters. You always hope your scene partner is listening while you’re talking, you’re listening while they’re talking, but when you know the people you’re working with and you feel that honest energy, it’s really nice. And it showed.
TVLINE | Meanwhile, Mary Jo’s scenes with her assistant secretaries are like the comic relief of the episode…. They are! I love those two characters because they’re there and you don’t really see much of them, and so they create this comic relief. But at the same time, you see Mary Jo kind of in charge of two tiers of people. You’ve got the agents who are independent of her and doing something totally different, but then you have these young ladies who will probably run an office someday.
TVLINE | Is this another NCIS: Origins episode that tugs at the heart? It tugs at the heart a couple times, for a couple reasons. Not only is it written and performed lovely, but it’s also for anyone who has been enjoying Mary Jo and her quips and seeing her as this really, really cool character, but wanting to know more about her, because they’ve fallen in love with her, I believe. I hope they love me! And I think that with anybody you care for, when you see them go through something, that emotion tugs at your heart. So, yeah, I believe this episode is going to do that to a lot of fans.
3 notes
·
View notes
Text
THE SIGN EPISODE 4 – MUCHNESS IN THE MIX (BUT THE NAGA AND GARUDA STILL PEEK THROUGH THE MUDDLE)
This episode of The Sign somehow managed to be a LOT and yet not quite enough (for me) at the same time.
After the languid pacing of Ep.3, set in far-off, semi-rural Nong Khai and punctuated only sporadically with moments of drama and foreboding, Ep.4 took a jarring tonal leap back into the darker, sleeker world of modern Bangkok as the boys got stuck into their day jobs as newbie investigators for a mysterious crime involving rape, abduction, torture, murder and media manipulation. 👀
Maybe it's just me, but the show is starting to show signs of having bitten off more than it can chew – with aspirations to being a fantasy, a procedural crime drama, a supernatural thriller, a comedy and a love story. Is it some of the above? All of it? At the same time? It's early days, but there are hints it may be going down the same meandering path trod by KinnPorsche, flailing in several directions on a whim. (At least KinnPorsche flailed with style, but I'm not sure The Sign has quite the luxury of a Romsaithong budget to ladle on the bucketloads of sugary gloss needed to make a ramshackle raft of uncohesive elements at least superficially appealing to the palate, if not exactly good for your soul.)
Don't get me wrong though. I think there is a place for the mixing and even blending of genres in media, and there is a long history of this in the Asian cinematic universe (what's coming to mind are Bollywood/Kollywood films in which a mafia tale can also be a love story and musical for example – echoes of KinnPorsche here, though most of KP's musical bits were tacked on in the after-concerts – and also Hong Kong movies of decades past where a martial arts movie could also be a slapstick comedy and nobody would bat an eyelid).
A culinary metaphor might be the easiest (laziest) way of making my point: the mile-long ingredient list and complex spicing of a curry may seem like you're inviting nothing but clashing and competition in the claypot, but careful dosing can stew them up into a sumptuous, unified result. And the myriad of ingredients in East and Southeast Asian noodle soups and flash stir-fries not only foreground contrasting textures and flavors in a single dish but actually celebrate them. Both approaches assert that artful assemblage and the right dosage can bring together disparate components (that might seem uneasy companions in their raw and uncombined state) to finish up with a whole that is greater than the sum of its parts.
I'm no media expert (necessary caveat inserted here) but I think The Sign needs quite a lot more finessing with all that it's taken on, and getting the proportions, mixing and balance correct will be the tricky bit given the wildly contrasting ingredients they've already added to the pot. I'm not convinced KinnPorsche got it right and I have concerns The Sign may slide down that slope too (if Ep.4 is anything to go by).
Even the acting is starting to betray the fact that Kruu A's assured directorial hand, so evident in the first three episodes, is possibly losing its grip on all the disparate threads and themes. (It's not too late for him to pull it back though, so I think the next two episodes or so will be critical to see if The Sign can live up to the promise of its first three episodes.)
I think this loss of control is especially noticeable in Billy's acting for Ep.4 – his thespian chops had been confident and dependable enough in Episodes 1 to 3 (even during the high tension fight scenes and especially during the quieter emotional interludes with Babe). But in Ep.4 he crossed the line repeatedly and was visibly overacting in almost every take. I'm guessing they needed to amp up the energy level of his portrayal since Phaya is supposed to be a hot-headed garuda after all. But I think the actorly resources currently at Billy's disposal don't quite allow him to pull off the bigger emotions and scenes with authenticity, not just yet anyway. (Babe showed characteristic restraint throughout though, and I thought he consistently did a good job.)
Unfortunately Billy wasn't the only one falling short in the acting department; the extras and bit players were also allowed to ham it up no end (yes, I'm sorry for the kid who was sexually assaulted, but the hysteria on display was jarringly and completely inauthentic, and drew more mockery to the predicament rather than sympathy, which is such a shame). 🤷♂️
Special mention also for the OTT expressions of the investigative group during each team meeting – they all appeared to be reacting exactly in unison to every turn of events, whether it was exaggerated focus on new findings, flinching in collective disappointment whenever their leads were thwarted, or looking around suspiciously and suddenly when it was suggested the murderer might be one in their midst. It looked far too much like a group of actors responding to instructions from outside in, rather than a team of individuals reacting from inside out, each with their own agency but choosing to align themselves as one. And this should have been weeded out by the director, since we know this team was largely able to deliver on the acting front in the first three episodes.
I stand with Inspector Akk whose confused expression in most of the group scenes seemed to be saying "What the hell is going on here?" 🤣
(above) "Inspector" Akk Akarat Nimitchai: "What is going on? Why am I here? Why did I listen to my agent? I am an Actor!"
Although this is probably just The Sign telling us that Akk knows more than he's letting on, and the newbies he's assigned are doing a far better job than he thought they would (and which is maybe not the desired outcome?). 🤔
Anyway the writers dialled back somewhat on the naga/garuda mythology in Episode 4 to shine more light on the NCIS-style criminal investigation, and this isn't doing The Sign any favors because the mythological themes roiling beneath the surface were what set this series apart in the first place and made it such a fascinating watch.
We still got to see some of it though. Whenever the naga and garuda's inner energies are especially stoked, the lighting often plays along (e.g., the brightly sparkling lights that accompany garuda Phaya charging up his batteries at Ep.1 [4/4] 14.20 and Ep.3 [2/4] 19.07, PhayaTharn's toilet encounter at Ep.2 [4/4] 9.12, the Mekong rescue at Ep.3 [2/4] 19.18, and Tharn's erotic dream of him and Phaya having shower sex at Ep.4 [2/4] 5.52). When it's fiery garuda Phaya and watery naga Tharn experiencing this together, the lighting dances between warm tones (suggesting the flames of the garuda) and cooler blues (suggesting the watery world of the naga).
I think that's why they made such a big deal with the blue and red lighting in this scene:
Phaya and Tharn have just survived an encounter with an armed and possibly insane killer. The flashing lights (blue for the marine naga, red for the fiery garuda) quite literally signal them recouping their respective beast energies after their near-death experience. (I also like that in the screenshot above, the light on Phaya is blue while the light on Tharn is red – each seems to be reflecting what the other is giving off. 👍)
There are also a few other examples of the naga and garuda dynamics in Episode 4, if we look a bit more closely.
Naga Tharn really had to fight to overcome his aversion to the flames in the abandoned mental facility (the Molotov cocktail is also I think a callback to the naga fireballs of the previous episode); garuda Phaya on the other hand breached the fire without a second thought.
But in hand-to-hand combat with the masked Molotov man (an agent of the malevolent naga out to get him and Tharn I suppose) Phaya is swiftly overcome – take a look at where they're fighting though (at Ep.4 [3/4] 12.25); it's a forest clearing right at the water's edge (with water being the nagas' stronghold, while it seems to weaken garuda Phaya's abilities).
When Phaya insists he and Tharn have dinner, it's at a hot-pot place (a culinary experience of both fire and boiling water at the table, another metaphor for the coming together of the naga and garuda). And the red and blue lighting of the restaurant also pays homage to the mythological pairing:
When Tharn is cooking breakfast for him and Phaya, it seems the sizzling on the stove is all it takes to remind him of his sex dream with hot-as-fire Phaya (although that is likely an induction hob though, not an open flame 🤣):
And when offered the breakfast, Phaya lets us know in no uncertain terms he prefers the more liquid option (just as his garuda self has chosen a waterworld naga):
OK so on to the most direct reference yet to the fantasy world-building in Episode 4 of The Sign – the visitation from the mysterious old woman spouting warnings and exhortations to Tharn and Phaya:
Her serpent bracelet and subsequent physical transformation show that she is most likely a nagini from Tharn's past life, come to warn the pair that the vengeful naga whom Tharn betrayed previously (see Heng Asavarid's interview spoiler here) is nearby and out to get them (remembering also that at least some of the nagas have the power to shapeshift).
My guess is her golden eyes and general coloration at Ep.4 [1/4] 15.40 are signaling that she's Wanwisa, Tharn's sister in his previous life as a naga:
Going off-tangent just a little, the mysterious gran/golden dragon lady is another example of a wise and mysterious elder popping into a Thai drama to dispense life-saving wisdom.
Not sure if it's enough to be a trope, but The Sign's psychic gran calls to mind a couple of other almost deus-ex-machina plot-helpers:
the loong with the time-portal crystal ball in Be My Favorite; and
the wise monk at the end of Nang Nak (the Sine Inthira version).
There are surely others (but I just can't recall them at the moment). I also can't help but think Uncle Tong in Bad Buddy fits this mold as well, because his wise, unworldly advice helped PatPran re-think and re-chart their lives (except that Director Aof had the good sense not to spring this sage and magical loong on us at the very last minute, and introduced him to us earlier in BBS Ep.6).
Anyway, on to Ep.5 of The Sign. I can't wait to see what's in store, and hope they can get the series back on track! 💖
#the sign#the sign the series#the sign episode 4#naga and garuda#billy patchanon#babe tanatat#phayatharn#billybabe
28 notes
·
View notes
Note
i don't like where these leaks are heading...especially the part where daeron would be cut from the show. they're going to divide his book plot between aemond and helaena which will validate #those shippers. i will be honest that the show did give hints to a romance between them, but when the alys leaked audition was released i completely thought they scrapped that idea entirely. this is a HUGE change so if this happens, anything can happen. the characters and the plot will be wildly different...most specially aemond. to me it seems they're cutting him to give way for helaena. and sure i agree that it would be good for a mother to get her revenge but aemond would be divided between harrenhal and the reach. this leaves no room for alysmond to develop or happen. it only opens up room for helaena to be the one who has some connection with alys if alys has seer powers too and not aemond. i now fear that they're really making #that ship to happen because it would give aemond and helaena a good reason to commit war crimes and the revenge on daemon to make more sense. another concern is that they'll cut alys and aemond's son because this would mean he already has son who died and was relevant for the greens motivations. they'll just exciuse it because everything ends with aegon the younger's coronation.
i hate thinking about this at all but those writers would like drama like this. i just hope those leaks are dead wrong but these leakers have been reliable thus far
Hi nonnie,
I'm at odds with most of the opinions expressed here. This will be a lengthy post, so buckle up:
First, I don't think the show provided any significant hints about the Helaemond ship. People are citing two instances to back up this claim - the first one is of baby Aemond talking about fulfilling his duty, had his mother betrothed Helaena to him instead of Aegon. The second one is in episode 9 where the older Aemond busts out this incredible line of dialogue: "I am next in line for throne. Should they come looking for me, I intend to be found." Both of these scenes were set up to establish Aemond's primary characteristics which alligns with him being duty-bound all while having great ambitions for the throne. Now, why would Aemond assume that he was next in line for throne when Jaeherys exists? And to that I offer *in D&D's voice*: AeMonD kINd oF fOrGoT aBoUt HIs NepHeWS!
It's a writing discrepancy and you will find many such inconsistencies throughout the series. Right from Laenor's age in episode 1 to episode 5, Alicent warning Aegon in episode 6 and then acting shocked when Otto says the same thing in episode 9, Luke acting self-conscious about his 'bastard' status in episode 8 only to laugh in the face of someone he maimed shortly after; and many more. Most characters have some major inconsistencies that can be attributed to post production rewrites and editing.
It's possible I'm mistaken, but it looks like people generally scoff at this ship beyond Twitter and Tumblr. On Reddit, the majority of comments are cynical or dismissive towards this pairing. Even those who think it might actually be canon have voiced their disappointment with the theory. In response to you mentioning the changes being made in the show, I completely agree - they are not favorable to TG fans. It appears that the narrative is now being heavily biased towards Rhaenyra's side, with the introduction of Dyana and the potential omission of Daeron from the storyline. None of these developments are positive!
Now with Daeron's storyline, I am sure it will be divided between Aemond, Gwayne and Cole in the chance that he is absent from the show. But I am confused as to which arc do you think will be adopted by Helaena here. I don't think they will have her fighting actively besides her brothers in the show either. They may have changed Rhaenyra's character development in Season 1 to make us think that may happen, but I am not sure about Helaena. She's a dreamer: she might serve a larger purpose later when it comes to predicting the Dance or even the possible demise of House Targaryen as they've already introduced Aegon's dream in the show. Other than that, I don't think she'll take part in any battle strategy.
Now this is obviously my point of view but once again, I am open to discussion. If anyone has taken the time to read through this post and wants to share their opinion, please feel free to contribute.
That's all! 🤗
#anon asks#aemond taragryen#helaena taragryen#alys rivers#nettles#daeron#alysmond#hotd discussion#hotd discourse#hotd season 2#hotd leaks#team green
24 notes
·
View notes
Text
Tusk 2 Headcannons/Shit I want to see because I'm about to gnaw my foot off.
(This is a bunch of stuff I've been thinking about— As well as some ideas me and my friend came up with. Fair warning this is a bit long.)
Wallace still being one of the main focus es, I really want Tusk 2 to show how he slowly becomes the new Howard Howe.
The movie only having two plots: The new protag and Wallace.
The new protag might be a detective or even a journalist that runs into Wallace and they manage to escape him. The movie could be them trying to find a way to stop him.
Wallace intentionally ripping himself from the suit, this probably has to be at the start of even a flashback. I imagine most of the walrus stuff is gone but I feel like either the tusks stay or they're taken out and he obsessively holds onto them like Howard and the oosik (I want him to keep the tusks they look so badass)
Ally & Teddy still being relative to the plot but they probably don't get a lot of screen time.
NO TEN MINUTE MONOLOGUES FFS
Guy Lapointe might be in this movie (depending on the whole Johnny Depp situation) but if he is I want him to be a lot more serious, he may even die in this movie idk.
Wallace has a partner in crime to help him out. Someone that may have been affiliated with Howard and might know medical stuff because Wallace probably knows nothing about keeping someone alive.
There is just a big ass room full of cages with the new monsters in them, kind of like those rooms with the birds.
Wallace has prosthetic legs but they're not fancy or anything. He would also be very clumsy walking around, stumbling, tripping and falling over a lot.
A bit of backstory of how Wallace got away, I imagine after tearing the suit he got removed from it and probably got sent to a mental hospital where he escaped (killing a few people in the process) this may be where the partner in crime comes along.
For some reason I'm imagining the partner in crime being played by Costas Mandylor AND I'M CRYING
Howard being given the Jigsaw treatment and being seen as this... I don't know, symbol?
Howard leaving a note for Wallace because he knew that if he survived, he'd come back for vengeance.
Wallace having some codename, similar to how Howard was referred to as 'The First Wife' I feel like Wallace will be called something like 'The Devil of the True North' or even 'The Devil's Pinniped'
Wallace just having a huge breakdown halfway through the movie where we can really see the trauma he got from the first. There are things throughout the movie that subtly foreshadow it; such as him smashing mirrors which symbolises his identity issues and how he doesn't really know who he is anymore.
Wallace either using sign language to talk or has some kind of device that talks for him. The ones mute people use.
The partner in crime maybe double crossing Wallace? 👀
Things mirroring the first movie, Wallace stitching someone in the exact same way Howard did it or him sitting on the rock by himself like in the first movie with him and Howard sitting together. The shots are completely identical.
The subject matter is being treated a lot more seriously, if anyone has seen Yoga Hosers you notice that the events of Tusk are talked about so casually. I feel like the authorities would've tried to keep the whole situation under wraps and hiding it from the public.
Tusk 2 being mainly a Horror/Drama, there can be a comedic scene or two but the sequel needs to be more serious for me.
Wallace having sympathy for the new monsters, I imagine he'll try to act cold but he understands their pain at the same time.
A random scene of Wallace just absolutely DEVOURING a giant burger, like Peter B in Into The Spiderverse. Cuz I know damn well he doesn't get fed enough at the zoo.
Wallace being an active menace throughout the entire film.
The protag trying to stop Wallace by reminding him of the person you used it be, "tHiS iSn't YoU pOoKiE."
Sorta hinting back to the scene where Allison talks about 'The old Wallace' and 'The new Wallace' I feel like he will say something like "The old Wallace drowned in that dungeon ___ years ago." Which is the point he embraces his new self.
Hang in is it a ten year time skip?? I feel like 3-5 years is better because there's NO way.
Wallace dying at the end of the movie. Let's be real he should've died in the first movie but he didn't and here we are now. I doubt the protag would do it— I actually think he'll end himself after realising the damage he's caused for nothing really.
HOPEFULLY ALL THE MONSTERS DIE AS WELL BECAUSE ISTG IF THE WHOLE CYCLE REPEATS ITSELF I'M GOING TO SCREAM.
Sooo that's my little dump, I've been dying to share my thoughts, I don't exactly have the highest expectations for Tusk 2 but I'm dying to know more.
#tusk 2014#tusk movie#tusk#tusk sequel#this better fucking happen#I'm so content deprived I'm about to chew my own foot off#I literally can't wait for 2024
20 notes
·
View notes
Text
Wednesday 2: everything you need to know

The upcoming TV show Wednesday season 2 is highly anticipated by fans, with production starting in May 2024 and an expected release date in early 2025. The show, a gothic fantasy drama created by Tim Burton, is a Netflix series that follows the Addams family's eldest daughter, Wednesday Addams, played by Jenna Ortega. The cast for season 2 includes Jenna Ortega as Wednesday Addams, Catherine Zeta-Jones as Morticia Addams, Luis Guzmán as Gomez Addams, and other talented actors like Billie Piper, Steve Buscemi, and Thandiwe Newton. The show's creators, Miles Millar and Alfred Gough, have expressed their excitement for the future of the series, hinting at a possible expansion of the Addams Family universe with more family members and spin-off shows. Season 2 is expected to delve deeper into horror elements, offering a darker and more action-packed storyline, with each episode potentially feeling like a standalone movie. Jenna Ortega has teased that the upcoming season will be visually striking and memorable, promising a thrilling and captivating viewing experience for fans. Overall, Wednesday season 2 promises to continue the dark and intriguing journey of Wednesday Addams and her family, exploring new depths of horror and storytelling.

The plot of Wednesday 2 picks up in the aftermath of the season 1 finale, where Wednesday Addams faces new challenges and mysteries. After solving the murders orchestrated by a Hyde monster controlled by Ms. Thornhill, Wednesday is confronted with a mysterious stalker sending threatening messages and photos, hinting at more trouble to come in season 2. The season is expected to delve deeper into the Addams Family Mansion, providing more insight into Morticia's role and wardrobe, while also exploring the supernatural world further with werewolves, vampires, and potentially new monsters for Wednesday to confront. Additionally, the show is set to offer more standalone episodes, each with visually striking and memorable scenes, promising a unique and captivating viewing experience for fans. As production for season 2 began in early May 2024, fans can anticipate a darker, more action-packed storyline with twists and revelations about the Addams Family and Wednesday's personal journey.
In Wednesday 2, it's expected that Tyler, the Hyde monster manipulated by Ms. Thornhill in season 1, will seek revenge against Wednesday Addams. The season 1 finale revealed that Tyler can still transform into the Hyde, hinting at his return in season 2 to confront Wednesday. However, the nature of Tyler's revenge plot is still unclear. Some theories suggest he may have a change of heart or that there's more to his character and the Hyde species than initially thought. The show could explore a more complex storyline for Tyler, rather than portraying him as a purely evil villain. Another potential revenge plot in season 2 involves Bianca's mother, who tried to get her to return to the cult Morning Sun in season 1. This storyline was left unresolved and could be revisited, with the cult potentially seeking revenge against Wednesday or Nevermore Academy. Additionally, Sheriff Galpin, who was demoted to a recurring role in season 2, may harbor resentment towards Wednesday for exposing Tyler's crimes. He could pursue his own revenge plot against her, believing she is as threatening as her family. Overall, while a revenge plot involving Tyler is likely, the specifics of how it will unfold and who else may seek retribution against Wednesday remain to be seen in the upcoming season.
6 notes
·
View notes
Text

Favorite Dramas 2023
I think I need to raise the grading curve on ratings over on MyDramaList and start relegating the "just fine" shows from a 3 star to a neutral halfway point of 2.5 stars. That goes to say this year I actually watched a good amount of "just OK"s, a lot of 3s as those currently stand. Which is fine! I mostly watch these to wind down after a day at work or get my mind elsewhere as I catch up during my lunch breaks, hence the easier pickings of comedies. (Though, crime, mysteries and hospital dramas never really interested me anyway.) But I did watch some memorable ones, and I jotted down thoughts on them below:

0.5 No Otoko (Sundays, 11 p.m.; WOWOW)
0.5 No Otoko is far from showy, very comfortable settling into its suburbia: it’s only in the last credit roll did the crew decide to flex, revealing the elaborate set they used to execute the one-shot takes in Masaharu’s home. Though, calling the show low-key would be to gloss over the huge attention to detail they put in to build the world. The episode that sold me on this was the one involving Bugranger, the fictional in-universe super sentai show. They filmed an entire opening sequence for the episode, and made up its own exclusive little dance — actually a key component to get Masaharu bonding with his nephew, and then eventually his sister’s entire family. The drama goes on ordinary yet never mundane, finding warm comedy in the most everyday scenarios, but also handling the heavy stuff plainly, like his niece reading back the sticky notes left by his mother in the past when he was a more severe recluse. In the spirit of the drama, I think it would be better said that it’s more than meets the eye.

Kashimashi Meshi (Mondays, 11 p.m.; TV Tokyo)
There were quite a few shows that I watched this year about the hardships in trying to create new, meaningful friendships in your late 20s. While Kashimashi Meshi isn’t explicitly about that compared to the few others, it still brings attention to the fact that a relationship like the one forged (rekindled?) by the show’s main trio isn’t so easy to come by. Because as incidental as their meeting seems, it still goes to show a chance to create and foster a connection isn’t to be taken for granted, a fact of post-grad adulthood written home from the pilot on: I understand the desperation in trying to keep company from Atsuko Maeda’s Chiharu, who quietly breaks down over dinner in front of her newly reunited college mates, revealing to be suffering from a debilitating depression while living alone after leaving a hostile workplace. Their initial interactions hint that they may have not been the closest of friends when they knew each other in school, yet it only makes it more worthwhile to see them deepen their relationship in a new form. I only hope there will one day be a dinner table like the one in Kashimashi Meshi I can join after a hard day at work.

Kinou Nani Tabeta? Season 2 (Fridays, 0 a.m.; TV Tokyo)
I recommend watching the 2021 theatrical release beforehand as a kind of prelude to the discussions that happen in season two. But even without the viewing, you get the point it’s trying to make pretty clearly as general anxieties about mortality looms throughout. These guys are entering their 50s after all, and the topics often comes up as mundane as Shiro’s own grocery-shopping and yet nevertheless just as crucial: I think about Shiro going out with his parents to check out cemeteries to store their ashes with the same demeanor as if they’re looking at apartment rooms for rent. The lightness actually makes it more real for me, especially as I have these thoughts kind of often.

Sexy Tanakasan (Sundays, 10 p.m.; Nippon TV)
One of my favorite episodes of TV this year was the show’s 8th episode revolving around what it really takes for get one’s make-up to not only look good but simply work for their preference. Of course, 23-year-old Akari’s own style is not compatible with 40-year-old Tanaka’s — it’s never one size fits all. You have to really study your own face and then visualize how you want to look; if you’re doing make-up for someone else, as Akari does, you have to really get to know the other’s person from the outside in. That’s a lot of work on multiple levels, and as much as make-up seems very interesting, I frankly have not had enough energy nor confidence to start doing the self-assessment myself so I can even begin experimenting on my own face. But that whole process, confronting your own reflection and putting in work to make your visualization of self-beauty come true, is embedded in the whole comedy of Sexy Tanakasan — albeit in the form of belly-dancing, though the make-up becomes more adjacent as the show goes along — to the point the men really become besides the point.

Nichiyo No Yoru Guraiwa... (Sundays, 10 p.m.; TV Asahi)
Nichiyo No Yoru Guraiwa.. maybe deals with the right amount of extremes and by that I mean it’s so extreme to the point the fiction becomes clearly obvious and you stop sweating about the details, like, say, the whole lottery-ticket wish fulfillment that drives much of the plot. Still, the show dumps so much misery to its main trio, and I am thankful to these three particular actresses for adding to their respective fatalistic characters a much needed levity. Because really, whatever they decide to blow their lotto winnings on, as long as the gang has an excuse to get together again and have a grand ol’ time, that’s all you can ask for. That anticipation to go out on a weekend after long days spent planning out the details with your buddies is almost too real, especially as the droning part-time grind can waste away the hope of a free weekend entirely. And of course, actually having available buddies to make those plans real after being robbed of the opportunity to befriend strangers in the past. It all started from listening to their favorite radio show partly as an escape from their humdrum lives; in the case of Seino Nana’s Sachi, being roped into attending the show’s fan event as a sub for her mother, the real fan. You never know what can happen.

Ranman (Every weekday, 8 a.m.; NHK)
I cried like a baby, internally, on the last episode as it delivered what the 6-month-long serial had been building up to practically since week one. As Sueko withers during her last days, Mantaro presents her with his lifelong gift: her name etched into history as the scientific name of yet another of the botanist’s newly discovered plant species. After pouring everything to support her husband’s dreams, she can now stay by his side forever, she says. You follow a man’s silly obsession, and he shows a life is defined by what we do with what we’ve been given, and, perhaps more importantly, what of us we leave behind and pass down to those who come next. It’s what started Mantaro’s whole journey: the memory of his dying mother, embedded eternally into her favorite flower, one of the few things he got to know about her while she was alive. I’m kind of weak for these kind of things, this want to preserve a loved one’s memory as pristine as possible. Mantaro did it for Sueko superbly.

Daga, Jonetsu Wa Aru (Sundays, 10 p.m.; Nippon TV)
If there’s anything to be gained from the life of the two comedians during their come-up, it’s that art — if you can classify the routines of Audrey and Nankai Candies as such — takes a painstakingly long time to perfect. And it takes even longer when their egos get in the way of the growth of their own craft: it’s hilarious seeing that both Masaharu Wakabayashi and Ryota Yamasato wrote themselves as the boke of their respective duo when they so clearly are the tsukkomi, and they stubbornly stuck to their desired roles despite floundering for several years all for the sake of being the star of their own comedy. But the dynamic only seems obvious in hindsight of the comedians they would eventually become, and sometimes you do repeat your mistakes over and over again until something spontaneously flickers a switch.
More dramas:
Paripi Koumei
Maikosanchi No Makanaisan
Oishi Kyushoku Season 3
Ichiban Suki Na Hana
Watashi No Oyomekun
Kocchi Muiteyo, Mukaikun
Hayabusa Shobodan
Pocket Ni Bouken Tsumekonde
2 notes
·
View notes
Text
Review: Destined With You (2023)
An instant classic...for some
Synopsis: Being a civil servant is not the easiest job, and for Lee Hong Jo, its only made worse by being transferred to a team that can't stand her. Her first assignment on this team is to demolish a centuries old shrine, which is held on the private property of Jang Sin Yu, a sharp lawyer haunted by a curse as old as the shrine. Her efforts surface a spell book with a mysterious past that only she can use. In need of a miracle, Sin Yu makes a deal with Hong Jo to use one of the spells on him, in a move that ultimately sets their fates in motion. Can love bloom in cursed soil, or will they be cut red-handed?
MZ Overall: 9/10, you had me at "I am Groot"
... aaaand absolutely not before "I am Groot." Seriously, I almost gave up on it early, thank god I didn't. When I saw the love triangle blooming I stuck around and am glad I did. If you are looking for a romcom that hits all the hallmarks (past lives, love triangle, jealous ex, etc.) you are in the right place. The leads have great chemistry, though it does feel like they are sometimes off in their own little worlds. Rowoon (as Jang Sin Yu) is great at playing a love-sick character, and Jo Bo Ah (as Lee Hong Jo) is the perfect ingénue AND doomed shaman--talk about range. Definitely give it a watch, this is easily one of my top favorites of the year (right behind Love to Hate You, of course).
MZ Review: Parks and Recreation, but make it a supernatural kdrama rom-com (no spoilers)
no one:
absolutely no one:
Jang Sin Yu: ThAtS A cRiMe!!!
Ok, I got that out of my system. This was my second Rowoon drama and now Netflix thinks he's the only guy I want to see on my screen. I'm not mad at that, but I do think if his role in this and Extraordinary You (2019) are any indication, I may need a little bit more time before I can handle the brand of lovesick desperation that he brings. Not a bad thing, but much like candy you can have too much of a good thing. I will be looking out for his stairs scenes going forward, in much the same way I have cataloged Hyun Bin's elevator scenes. (It's an art people!)
This show strikes a near-perfect balance between time spent on the side characters, developing the main couple, fanning the flames with the love rivals, and hinting at the past lives of this group. Seriously well done, I did not have any complaints in this area. Really my only gripes would be the first few episodes, which really tested my resolve on supporting womens' wrongs. If it were not for the next episode previews at the end, I would not have made it past episode three. After that, it's smooth sailing with lots of laughs, drama, and suspense as the many mysteries of the show unfold. Those first eps are why this only gets a 9/10 for me though. Otherwise, A+ work!
As I sat down to write this review, it occurred to me that the setup for the show was kind of similar to Parks and Rec, if you're mainly looking at the fact that the context for the show is a municipal parks department, leading to lots of outdoor events and internal politicking. It also works in the comedy department, because both shows had me absolutely ROLLING with laughter at the absurdity of some of the stuff going on. I cannot recommend this drama enough!
AC Overall: 7/10, could've been great but
It took me sooo long to finish the show, even on 1.5x speed (thank you, Netflix). And I was so excited at first! Like MZ, I thought the first few eps were...off, but once the show fully planted its feet I fell for the silliness, especially the supernatural love-spell aspect of the drama, and the stupidity with which those entranced acted "because of it". But the show ultimately became unbalanced, and the fantasy charm faded to reveal...a few thriller episodes within a cute and silly rom-com. It's not bad, just...took a turn I wasn't looking for at the time.
Honestly, its fine if you don't take it too seriously, and don't barf at cute moments like I currently do. Solid, just know what you're getting in to. It's definitely a cutesy rom-com with a dash of thriller and pinch of fantasy.
AC Review (with miiiinor spoilers):
It wasn't all bad! I cheeeesed at Sin Yu inadvertently confessing his "love" for Hong Jo against both of their wishes, and was curious about how Hong Jo's crush on her second lead Jae Gyeong would play out considering. It was a pretty unusual and juicy love triangle at first, especially with the fantasy aspect of Sin Yu's feelings...and possibly Jae Gyeong's...but somewhere they decided to ignore the whole love-spell part of the drama and Sin Yu just--accepted his love for Hong Jo? And Jae Gyeong barely put up a fight. And and I wasn't convinced Hong Jo actually had feelings for Sin Yu, I feel like he just wore her down with pretty words and concern. And and and I just kept thinking of Legend of the Blue Sea the whole time--much better fated love fantasy drama. But alas, I got too far along to just stop.
Hong Jo's character annoyed me quite a bit. She had a way of acting shy most of the time, but would suddenly talk with her chest at other moments...it's personal, but I really dislike the demure act when it's clear it's not real. But, Rowoon as Sin Yu made up for it in the beginning. The character was played and written well; we could feel the (delicious) inner turmoil when he recognized his feelings.
Overall, this was a drama-that-couldn't for me. But I must admit, the early, fun moments of Sin Yu fighting his inexplicable love for Hong Jo were classic in itself.
#kdramareview#kdrama#k-drama#k-dramareview#kdrama review#kdrama recommendations#destined with you#but seriously why did he just sit down and say “I AM GROOT” like that like be for real
5 notes
·
View notes
Text
Sherlock title sequence pt.1
Camera:
There are lots of camera shots in this title sequence that highlight key parts of the plot and tells the audience more about what to expect when watching the crime drama. These shots can include things like hints to the storyline and interests that the main characters have that give the audience an insight into their personalities. For example, the insert shot of the violin could be a character’s interest and allows the audience to understand more about the characters before the plot begins. This is similar to the insert shot of the door number, which can leave an audience wondering what importance it might carry. The establishing shots of London scattered throughout the title sequence help set the scene of the crime drama, which can suggest key locations that may have importance later. This could make audiences more intrigued as it gives them the opportunity to dissect what they are about to watch and excited to learn more about the plot. It might be comforting to some audiences (especially those who live in London) to watch the places they see day-to-day, but potentially uncomfortable for others because it means that stereotypes about the environment might grow, leaving a sense of inaccuracy in the crime drama.
Editing:
The editing is very fast paced and certain shots are lapped over each other. This can be interpreted to suggest the plot is just as dynamic as the visuals in the title sequence, therefore reflecting the chaotic/ fast paced scenery of London, where it is set. This can make an audience (specifically those who prefer to watch more complicated and dynamic crime dramas) excited to see what the storyline entails and if it has the same effect the title sequence does. In contrast, the transitions to the next shots/ next lap over are quite smooth, suggesting to an audience that although the plot has twists and turns and will play on your mind, the protagonists always find a way to fix it. This therefore links to my camera evaluation, which suggests that this title sequence teaches the audience what to expect of the character when watching the show. The difference between the speed of the London establishing shots and the plot shots in the title sequence help separate the two aspects of the crime drama (the setting vs the actual plot). This suggests that the crime drama highlights that there is always more to something than what the naked eye can see. For example, London can be perceived a certain way from the outside but has more dynamic aspects going on deep inside.
0 notes
Text
Five Interesting South Korean non fiction books
Korean Culture Dictionary: From Kimchi To K-Pop And K-Drama Clichés. Everything About Korea Explained! - Woosung Kang
“Before reading this book, you probably had some moments of curiosity in your life where you questioned certain things about Korean culture. Why is there a Pepsi logo on the Korean flag? Why do Korean kids in my class only have like… three last names (Kim, Lee, Park)? If you are a K-Drama addict, and even took the time to watch variety shows with your favorite idols, your thoughts and interest towards Korea may have grown even deeper! What does ‘Korea’ mean, and why do Koreans love kimchi so much?” (good reads)
Brother One Cell: An American Coming of Age in South Korea's Prisons - Cullen Thomas
“A memoir of a young American's life-changing imprisonment in a Seoul jail describes the inadvertent factors that contributed to his incarceration, his daily struggles at the side of fellow inmates ranging from human traffickers to jewel smugglers, and his observations about the differences between American and Confucian imprisonments.” (good reads)
Trail of Crumbs: Hunger, Love, and the Search for Home: a memoir - Kim Sunee
“Kim Sunée was three years old when her mother took her to a crowded marketplace and left her on a bench with a fistful of food. Three terrifying days and nights later a policeman discovered Kim, who was clutching what was now only a fistful of crumbs.Nearly twenty years later, Kim's life is unrecognizable. Adopted by a family in New Orleans, she grew up as one of only two Asian children in her community. At the age of twenty-two, she becomes involved with a famous French businessman, and finds herself living in France, mistress over his houses in Provence and Paris, and stepmother to his eight year-old daughter. But despite this glamorous lifestyle, Kim never really feels at home. Trail of Crumbs follows Kim as she cooks her way into many makeshift homes and discovers that familiar flavors are the antidote to a lifetime of wandering. Ultimately, it is in food and cooking that Kim finds solace and a sense of place.
Sensuous, intense, and intimate, this powerful memoir will appeal to anyone who is passionate about love, food, travel, or the ultimate search for self.” (good reads)
Court TV Presents: Murder in Room 103: The Death of an American Student in Korea--and the Investigators' Search for the Truth - Harriet Ryan
“Exchange student Jamie Penich left her small Pennsylvania hometown to see the world, but her journey ended with a brutal attack in a shabby motel room in Seoul, South Korea, where the raven-haired 21-year-old was found naked and stomped to death. Investigators zeroed in on soldiers, turning out barracks and trolling seedy bars for the GIs who partied with Jamie in the hours leading up to her death. But every lead produced only new mysteries. There were unbreakable alibis, a roommate who claimed she had slept through the crime, and lab tests that hinted at a secret lover. The investigation seemed destined for the cold case file until a high-powered American senator pressed for answers. Soon, a greenhorn detective settled on a shocking new suspect, a pretty blonde exchange student named Kenzi Snider. During an interrogation, the teenager confessed to killing Jamie during a lesbian encounter . . . but it was what happened next that was truly surprising. What really happened in Room 103?” (good reads)
Korea: Land of Morning Calm - Craig J. Brown
“Land of Morning Calm displays the rich history, diverse cultures and striking sights of Korea. Evocative text and stunning photos bring the Korean experience to life, giving readers a taste of what they can expect to see and experience in the "Land of Morning Calm".” (good reads)
0 notes
Text
Random thoughts about 6x13 before we can move on with life again
OMG. That whole episode was chaotic perfection!!! I really love those "filler episodes" that are just wacky calls, mingled with some domestic firefam shenanigan, a lot of Buddie goodness, and some heartfelt drama. Like, girls (gn), we've been FED this whole episode.
Here a not at all ordered assembly of what was going through my mind, watching the episode:
Human Calculator Evan Buckley
I do hope Buck gets to keep his math skillz a while longer. And I'd really love to see it come in useful on a more serious call, too? But oh well, a fangirl can dream. Chimney asking if he did math "in his head???" was sending me. Just like Eddie's facial journeys during the math homework scene. Like, he's such a muppet.
On a more serious note, I wonder what they are going to do with that, moving forward. They laid on pretty heavy with the whole theme of figuring out the equation (hence answers in life), missing the assignment, and how Buck's skills may only be temporary. So it might be that he'll lose his way again (the same way his math skillz may leave again). We'll have to see. But it's... intriguing.
Babytrap and Sugarbaby
Like seriously. They stole this straight out of fanfic, I'm not even kidding. Eddie is babytrapping Buck so hard, only to start hustling together with him, and Buck happily handing over the money. Eddie Diaz, I'm in your walls.
Love to see Eddie being like: I will use your abilities, for evil. This guy (affectionate).
For real, though. What is the point of all that if not to give those two a nudge in the right direction (aka each other's muscly arms and taut tummies)? Eddie taking out Buck for poker dates... Them doing crime together... Them doing homework over at Buck's apartment... Buck being alone with Christopher to make cookies for school??? What is even happening??? And what's the point if not the BUDDIE AGENDA???
Also, Eddie Diaz, wear some sunglasses, your hearteyes are showing. Geez, wear some protection, you freak.
The Man with the Answers
Speaking of which, Buck's journey this season has now taken him to the stage where he feels like he is the one having the answers he's been seeking for so very long. He began this season, reading self-help books and asking e.g. Hen for the right answers. After his coma dream, Buck figured out some things about himself. He learned to appreciate his inherent value and could let go of the ghost of Daniel haunting him ever since that revelation.
Which is to say: They're moving the chess pieces in the right position, for the strategy to fully unfold. And I do believe it is the Buddie Agenda, I do.
I think a big hint was Eddie telling Christopher that the point of doing the homework himself instead of letting Buck run the calculations is that this is what's for Buck in store as well. Buck will only truly learn and get those life lessons he's so desperately seeking if he's the one to find the answers. He can't rely on self-help books or the opinions of others. He has to figure out that equation entirely on his own. He has to figure himself out.
Details that pointed me in a similar direction:
Buck telling Eddie why he didn't just get more gas: Because figuring it out was "more fun". AKA the getting to the destination is actually the goal. Buck is already where he needs/wants to be.
Eddie pointing out that those "superpowers" aren't permanent: Which may indicate that Buck will find himself struggling further down the road. Once he doesn't have the answers anymore (or rather, has them, but doesn't know how to act upon them).
Buck asking Eddie if he thinks Buck knew math all along (which is why it's actually no secret superpower via lightning ex machina): Because yes, Buck, you knew all along how to solve the equation, you're just running the wrong calculations right now. But I have faith in you that you will figure it out. Maybe just use a different measuring system!
Christopher pointing out that Buck may get more superpowers the stronger he gets: Which may be the big hint that Buck can have so much more than he currently has (more powers), the moment he understands that he already has these things (the family unit with Eddie and Christopher). He just has to claim his winnings.
I tend to believe the upshot is going to be that Buck has the answers, he just didn't put them together yet. It's like he has all the puzzle pieces, but he has to stick them together to see the grander picture (the secret ingredient). And my guess would be that it's going to be the resolution of the sperm donor storyline as well. He's looking right at the solution, and yes, it's Eddie and Christopher. And it has been all along.
The Sperm Donor Storyline(s)
Speaking of which YET AGAIN, I do find it interesting that we got this donor parallel (or antithesis) with Nathaniel and Denny vs. Buck and Kameron's and Connor's baby. Like, they now established that Nathaniel will get to play some role in Denny's life, because that is what Denny wants.
Which makes it hard for me to believe that the writers will choose the same route for Buck, also for the plain reason that they seemingly put Buck and Connor on different trajectories. Whereas Hen and Karen had an agreement with Nathaniel to keep his distance, Connor keeps sending sonograms and what not. He involves Buck actively in this whole "process" or "experience", which makes for an entirely different premise of how they are going to negotiate Buck's future role in Connor's life as well as that of Kameron and the child.
Which is something I honestly didn't see coming, I'll admit. I figured they'd take the route that him and Kameron would rather try to push Buck away (while he'd try to push into their lives). Because they chose someone as their donor who's not as much part of their social circle as Buck may have been, back when he and Connor were still roommates. The point being: I thought the storyline was going to be that Buck has to (painfully) accept Connor and Kameron having chosen him as the donor also because he'd be "easier to cut out of" their lives (and that of their child by extension). But that's not the route they are taking thus far.
But in the light of how they chose to have Nathaniel interact with Denny, I guess it makes sense. Because that'd be repetitive, in a way. Which isn't to say that Buck won't overstep and try to insert himself more into their lives than he should. I actually believe he will (it's been foreshadowed with the baby cozy and all). But Connor actively involving him thus far gives me a different vibe from what I'd previously estimated.
I'm interested to see whether they wish to explore how hard they make it on themselves, by Connor having Buck be that invested. Even though the reality is that Buck's always going to be donor not dad for that child. Like, I see great potential there. Just like I see potential character development for Connor, say, in a scenario where he feels like he's not the child's dad or so. And how he may come to struggle with that (or may even project that on Buck). There are many paths this could go.
But to turn this back to Buck here, the Nathaniel-Denny-storyline fits in so damn neatly. And I personally hope we get that kind of antithesis by the end of the season (because I'd find that very neat storytelling, is all). Namely, that Buck will do the opposite thing and extract himself from the child's life, having finally solved the equation that his family equals NOT Buck + baby but Buck + Eddie + Christopher. Because that is the stark contrast with Nathaniel. He doesn't have the family Buck already has. So that'd be the kind of bittersweet finale to that storyline I'd love to see, personally.
The Wilsons and Nathaniel
I still love to see the show standing true to exploring the different shapes family can take, now also by adding Nathaniel to the mix, portraying the tough reality that comes with this. It felt very real to me, how anxious Hen and Karen were that their son was slipping away from them.
I also liked to see Nathaniel owning up to his actions (albeit belatedly) and apologizing for his irresponsibility, without demonizing him. That guy feels very alone in this world, it'd seem, and to seek out that connection with Denny... It felt very human. So I loved to see them making it out to be just that, people making mistakes, but those mistakes being motivated by love.
And I LOVED to see Toni's growth as a character. Like, she's really trying to be there for her family, she serves as the messenger between Denny and his moms. And now she's seemingly also part of the rules Hen and Karen are setting for Nathaniel and Denny to safely interact. I love to see her safeguarding her family by opening up conversation and accepting people for who they are and how they feel. LOVE TO SEE IT. LOVE IT.
Also, loved how the Wilson family seemed to visually match, when they went to see Nathaniel at the hospital. Like, we saw a lot of yellows and blues, which signified to me that they were being there as a unit. Which tells me they're gonna be alright. Or as Toni said, they just need to figure out the right way.
Chimney's Journey to Healing
First of all, loved to see his interaction with Denny and with Hen. He's such a supportive uncle and friend (note: VERY different from what we see Buck and Christopher doing this whole episode, coz Buck ain't his uncle!!!). Like, I loved to see how he showed understanding for Denny and even let on about his own troubled feelings about his father. Even though that must still be heavy on his mind.
I do find it interesting that Chimney and the Buckley children seem to follow the same path: Which is not to forgive their parents, but to choose to let that anger/grief not control their lives anymore. Chimney has a family of his own and it's wonderful. So him coming to terms with his troubled relationship with his father in an effort to embrace the future he has as a family father is great for him. I do hope it pans out like that.
It also shows how the next generations (Chimney, Maddie, Buck) try not to repeat their parents' mistakes by holding on to e.g. grief but to choose to move on and embrace the future instead. Like, Chimney recognizes his father's humanity, well aware that this man's not changed one bit and did the terrible things he did and still does not see his son for what his son sees him (a fallible human being)... it highlights the long way Chimney's come and the great person he's become. And that's owed to the family he's found and his own strong character.
Like, I love to see that we get different versions of breaking vicious cycles.
With Eddie and Ramon, they seem to take a different route, in that Ramon seems to show genuine interest in reconnecting with Eddie, trying to find a better way for them to be father and son again.
With Toni and Hen, we see a similar thing. They reached a level of healing. Also, in that, Toni is stepping in and actively supporting her daughter and her family.
But then we still got those absentee parents who are seemingly never going to get past themselves. Which I feel is... very real in that way? You will have those people in your life. Some of them may even want to change, but they can't, past a certain point. And buying your son a new couch won't mend that relationship because you still haven't taken full accountability for what you've done in the past. Showing up to one family dinner (and being an absolute pest about it) is not going to mend things either. That's as much the reality of troubled family relationships as are the examples where there is a moving forward, together.
3 Minutes and 17 Seconds
That one's still sending me across the universe, right into a black hole. Like, they are nudging Eddie and Buck in a certain direction, but neither one is seemingly ready yet to solve the equation. Eddie knows down to the second how long he lived in a world where Buck was dead. And he feels the need to point that out, unprompted.
I honestly thought they'd have Captain Mehta point back to the shooting regarding the matter. But again, I guess timing is of the essence (maybe also signified by Buck's and Eddie's fancy watches). But after they were told that Eddie was welcome back without Buck as his human calculator, maybe we will see a second poker scene to get us there?
Like, there is something very purposeful about bringing the actor for Captain Mehta back after he left acting, really. You wouldn't do that if it didn't serve a purpose, right? And up until now, I haven't seen it. So maybe Eddie will play poker without Buck. And then Captain Mehta will say something about the shooting that either we as the audience don't know yet (e.g. Eddie lied to Buck about how little he remembers and he's only ever shared that in the poker family) or Eddie doesn't know (what Buck was like after he got shot, something that Captain Mehta witnessed first-hand).
Performance Anxiety Underway
Something that struck me was that Buck was, on the one hand, rather confident in his abilities that he started to hustle with Eddie. On the other hand, he seems very unsure about them (and what they may mean, or if they're meant to stay, or if they've been there all along). It gave me similar vibes to Buck being unsure if something's wrong with him, when the doctors did more and more tests, without telling him what may be wrong with him.
We got a hint in the previous episode that Buck still has a way ahead of him in dealing with his trauma. Right now, he is more caught up in those "new sensations", and doesn't know how to move on with his life. At the poker table, I also had a feeling that there were those moments when he wasn't just confused (as he often tends to be) or putting on a poker face. I felt like he feels out of place in a way, like he doesn't yet know what to do with his abilities/with his life, after this event. He is still doing lists to be sure he's back to reality (back to life), after all.
Deep-down, Buck is immensely insecure. And the moment he felt like something he used to be confident about (his abilities to sexually please his partners) may actually hit closer to home than just... you know, ego. They played it for laughs, having him call the women he's slept with. But they might actually turn this around to be something more serious (i.e. a symptom for something else).
Like, Buck is hellbent on pleasing other people, so potentially not being satisfactory in bed may just be the kind of performance anxiety we may see in the next episode. It ties in with Buck's previous fear that his donation isn't good enough, so he spends weeks being horny and hangry thanks to green smoothies.
If I remember correctly from some of the interviews, Buck has no intention to dip his toes back into the dating pool and will basically have the shutters on for now... Which makes it unlikely for me that he's gonna start sleeping around, to be sure that he's good at sex after all.
But if it wasn't just for laughs, I could see the theme of "having the answers already" coming back into play here. Though I'm not sure how. There's just something to that theme of Buck needing his body to be functional, and how it may give him serious anxiety, feeling like his body isn't doing what it's supposed to do (or rather, what he always believed his body was supposed to do).
On a side note: Buck telling Christopher that he likes to measure everything to feel like an actual chef hit a similar mark to me. Like, Buck is overthinking things, which may make him miss the assignment for now. Buck seemingly feels like he's only pretending at things right now (which may feed into his insecurities, really), or like he has to seize control (measuring things, calculating everything, doing those lists, and texting Bobby). Like. There is something there. I just can't wrap my wee head around it just yet.
So yeah, I can very well see Buck continuing to have performance anxiety. And I'd love to see more of that, in all of its awkward facets.
Healing Starts in the Kitchen
Kitchens continue to be the places to be for meaningful conversations for characters, and it seems to be back in full swing for Buck and Eddie. Last episode, Buck found himself finally relax when he was at Eddie's (and on Eddie's couch, hopefully soon just on Eddie). The conversation with Eddie in the kitchen definitely helped him in some ways, but the road ahead of him is still long.
It's an interesting choice that we continue to see Eddie, Buck, and Christopher being this domestic in the kitchen/at dinner tables. Like, we started out this season with Bobby's infamous lasagna and Boggle, and now we're here for math and popcorn and more math and cookies.
Others have already pointed this out, but Buck learns to express his care by cooking for his loved ones (contrast that with takeaway for his parents and waffles for Taylor at a point in their relationship where they were basically done for already). So having him repeatedly cook for/with Christopher and Eddie is just SUCH a big thing, I believe. We're shown that Buck's not just the uncle to come pick Christopher up when Eddie's car's broke. He is alone with Christopher, baking cookies for school with him. He is not just a donor, not just legal guardian (AKA the backup plan) here. And I do believe that part of Buck's journey is going to be to figure out that part of the equation.
We've already established in previous seasons that Buck's apartment is a safe space for Christopher, and it continues to be a second home for him. In the same way Eddie's house proves to be the same for Buck (as we were reminded last episode). Which has me think that part of the equation for Buck is to fully embrace that, or rather, see it for what it is, namely his path to happiness that's been there all along.
Honorable Mentions
Here's a list of things that was sending me:
Everyone of the firefam is a himbo, except for Athena and Karen. Which drives the point home that they're the only ones with the brain cell. Like honestly, Bobby and Chimney instantly jumping on detective work like that??? Buck calling his past sexual encounters??? They're all himbos, your honor!
Denny, take your damn shoes off when you are in bed, you little punk!!! Your moms raised you better than that!!!
Hen at the hospital being like "My husband? The heterosexual audacity!" was everything.
Buck continuing to creep people out with random knowledge now fueled by the power of math. We stan a himbo icon.
Eddie interrupting Buck thinking about women he's had sex with, like "I did not take you out to sexy poker night for you to use your brain for that right now, you traitor!"
I guess RIP to a favorite headcanon of mine that Buck's gonna blurt out at some point that he's screwed with plenty of guys in the past. Because he specifically started to think about the women he's slept with, though the guy was talking about partners (gn), I believe. If the writers wanted to keep that door open, I guess he would've said people or partners or whatever, too. But I shall keep it for fanfiction purposes forever and always. Because that scenario is always sending me places.
Chimney asking if Buck did math, in his head??? No, Chimney, he did it in yours, now get the hell out of here.
Buck calling the women he's had sex with... oh, those phone bills. Also: We stan a himbo icon yet again.
Buck and Eddie, doing crime, dressed in blue and red, looking damn fine. I'm here for every damn second of it.
Christopher's sass being back in full swing. We stan the one true icon.
So yeah, that's it. For now anyway. I guess I'll ramble a lot more. But I rest easy in the knowledge that Buck and Eddie marrying in Vegas just became a possibility.
Cheers!
#buddie#buck x eddie#eddie x buck#911 spoilers#911 season 6#911 season 6 spoilers#evan buckley#evan buck buckley#eddie diaz#meta#kinda#it's more “in which I ramble and make it everyone else's problem”#but oh well#it's fun
38 notes
·
View notes
Text
Aberration - Chapter 1
MHA!Various x Fem!Reader
Thriller/Horror/Drama
Criminal!AU
Words: 2.3k
A/N: Yay, here’s the first chapter of my new AU! It might be a little slower at first but it’ll pick up the further we get into it. So I hope you like this!
Warnings: Yandere Themes, Mentions of murder, blood, felonies, bullying, swearing.
Disclaimer: I do not own the characters of MHA, just this story. In no way does this reflect the characters, writers or VAs of the show/manga. MINORS DNI.
~~~
Aberration Masterlist/Character profiles
~~~
In this world, mutations, renamed as ‘Quirks’, are abnormal. Only about 5%-8% of the world population are known to have these so called ‘Quirks’. You are a graduate of one of the most prestigious science tech schools in the country. You’ve been selected to work for a secret scientific research facility that houses some of the most notorious criminals in the nation. Besides their crimes, what makes these individuals incredibly dangerous are their mutations. After meeting these individuals, they seem to have taking a liking to you. That should make your research and search for the cure all that much easier…
Right?
~~~
Before you stands one of the largest facilities you have ever seen. You take a deep breath, attempting to calm your rapidly beating heart. Adjusting the strap on your bag, you make your way into the research center.
Upon entering, you gasp in wonder. The inside is huge, tall pure white walls that meet at a double paned glass ceiling. In front of you is a wall of security, stretching to accommodate the vast interior of the lobby. You walk up to the nearest security officer and give them your information. Thankfully, you were on a list and after checking you over, you're granted entrance to the building.
That's where you meet a man and a woman, both dressed in white lab coats and carrying clipboards. You bow your head to the two of them and they return the gesture.
"Ms. Y/N, I presume? My name is Shota Aizawa and this is my assistant, Momo Yaoyorozu." The older of the two speak.
You smile at the two. "Yes, nice to meet you. I'm Y/N, L/N, graduate of UA science tech. I am so happy to be here and look forward to working with the two of you."
The younger girl nods and smiles, gesturing behind the two of them. "If you would kindly follow us, we can get started."
~~~
"Ms. Y/N, here's the list of the inmates you will be working with from this point on."
Momo hands you a clipboard containing pictures and descriptions of each individual. Your eyes scan the information on the page in front of you, your brow raising with each word you read. "There is… quite a bit of information on these individuals."
Aizawa nods. "Considering how dangerous the subjects are, it's best to have every detail we can."
You internally cringed at the term 'subject'. These were criminals, yes, but they were still living breathing people. Noone deserves to be dehumanized, no matter the reason.
Shaking your head of those thoughts, you continue to look over the notes in your hands. One in particular catches your eye. " 'Multiple counts of 3rd degree murder by reason of insanity' and yet he's only deemed as a level 4 danger?"
The doctor looks over your shoulder at the character profile. "Ah, yes. Fumikage Tokoyami. He's an interesting one, to say the least." You wait for him to continue, but seeing as it doesn't seem like he will, you gesture for him to elaborate. "Tokoyami himself is actually fairly harmless and incredibly cooperating, which is why he gets a level 4 only. However…" Aizawa looks down the hall of the facility to a door near the end. "Dark Shadow is deemed a level 9."
Your eyes shoot up in shock. "Dark Shadow? A level 9? Explain."
"Dark Shadow is his mutation. It's a completely sentient being that he harbors inside of him. Highly dangerous, more so if there is darkness." He looks back at you. "I'll let him explain the reason why he was instituted. He always prefers to explain the story himself."
The more Aizawa explains Tokoyami's situation, the more your excitement builds up, wanting desperately to meet this man. This was such an interesting mutation and you couldn't wait to hear everything he had to tell you. You take a breath to calm your childish manner and clear your throat.
"If it's alright with you, sir, I'd like-" You look down at your clipboard once again. "'Inmate 06' to be the first one I meet with."
Aizawa nods and writes something down in his notebook. "Very well. Follow me this way please."
You follow the doctor down the long white hallway, your excitement growing with each step. Along the way, you notice each door on the facility that lines either side of the stretched hall. Each door had a narrow window towards the top and a small number engraved underneath. You don't take too much notice and keep following the doctor to your destination. However, an eerie feeling makes you freeze in your tracks.
You slowly rotate your head and look at the inmate's door you stopped next to. The color drains from your face as you see two ice blue eyes peering right into yours. It felt like your breath was stolen, a hint of fear and anxiety built up within you from this intense gaze. After what felt like hours, you snap your gaze back to Aizawa and Momo, who were standing in front of a door you were also supposed to be at.
"I would highly advise you to keep cautious while you are in this facility. While we keep all inmates in cuffs that neutralize their mutations, the technology has not been 100% perfected yet and parts of their powers may leak out. That is why we have additional precautionary measures in place for each inmate." Aizawa gives you an impartial look as you walk over. "Now. The only special precaution with Inmate 06 is the lights must stay on at all times. There are no light switches in his cell, so nothing should go wrong. But like I said, always stay cautious."
You nod your head at the doctor's words and turn to face the door. Aizawa places a hand onto the keypad next to the door, scanning his prints before buzzing and opening the door. You give the man one last nod before making your way inside the room. The room itself is bare. White floors, white walls and an equally white ceiling. Nothing was in there except a desk with a chair and a bed.
On top of that bed sat a young man with the body of a human and the head of a crow. Your eyes widen in awe at the beautiful being in front of you. Tokoyami tilts his head and gives you a curious look.
"Oh. Hello, there. I've never seen you before."
The deep voice of the man shocks you. You bow your head and give the bird man a smile. "Hello, Tokoyami. My name is Y/N. I'm the new scientist at this facility. I'm here to get to know and observe you all to help further our findings for a cure. I hope we can be friends."
Tokoyami blinks. "You want to be… friends? With us?"
"Yeah, of course. Why not?" Your smile never leaves your face.
"Well, maybe because we're all… felons? The greater majority of us being murderers?"
"I truly believe everyone deserves a second chance." You gesture to the desk chair, silently asking if you could sit. The man nods and you greatly take your seat. "Now, would you ever be so kind as to answer a few questions for me, Tokoyami? I would like to get to know you a little better." You take out your pen and notebook, opening to a fresh page.
Tokoyami nods again and you give him a smile. "Just a few standard questions first. Can you please state your full name, age and date of birth?"
"Fumikage Tokoyami, age 22, October 30th."
"What is the name of your quirk and how does it work?"
Tokoyami fiddles with the quirk-cancelling cuffs around his wrists at the mention of his quirk but answers anyway. "It's called Dark Shadow. It's a fully sentient shadow that resides inside my body. It can come out when I call call it or it can show itself on it's own. But it's always connected to me and cannot be separated. It…" Tokoyami takes a breath. "It gets stronger the darker my surroundings are. So the less light, the less control I have over it. If it gets too dark, it completely takes over me, no longer under my control."
The longer you listen to him, the wider your eyes get and the more they shine in wonder. "That is incredible! To have that kind of quirk is truly fascinating!"
Hearing your words of praise would have made Tokoyami blush, if he could. He clears his throat in embarrassment. "Why, thank you for those kind words. Though, I doubt having this...quirk, as you say, is all to be impressed about."
You shake your head. "You may not think so, but really, I've never seen anything like it." You excitedly write a few things down before making eye contact with him again. "Now onto my final question of the day. Can you please tell me the reason why you are here?"
Tokoyami stays silent for a moment, staring at nothing in particular, residing in his thoughts. You clear your throat and he looks up to you. You give him a small, comforting smile and it causes Tokoyami's heart to beat harder. For some unknown reason, he suddenly feels like he can trust you with anything.
"I've been charged with multiple counts of 3rd degree murder." He sighs, recalling that day. "I was invited to a college party on a date, by someone whom I had grown quite infatuated with. I never really was one to socialize and never really had any friends. But I really liked this person, so I went. At first it was going okay, nothing too out of the ordinary. Then, the host decided that playing truth or dare was the way to go.
So my date dragged me to sit down and join them. Every time I was asked, I always chose truth. And everytime, their questions were about my appearance, my mutation. Laughing at all my answers, mocking my looks, talking about how unnatural I was. The more they asked, the more my anxiety and anger built up. But my stubbornness didn't want to show any weakness, so I stayed.
Finally, I decided to just choose dare instead. At that point, I decided that nothing could be more humiliating than what they've already done." His sharp, red eyes flickered to yours. "Oh, how wrong I was. They dared me to go into the closet with my so-called 'date'. We were shut in and from then, they decided to tell me how this whole thing was a set up, just to humiliate me. That anyone with mutations like myself should just disappear because of how disgusting we are." He spits out that word like it was rotten food. "Remember how I said Dark Shadow gains control in the dark? Well, with my anger rising and the fact that it was almost pitch black in that closet, I lost control of myself and Dark Shadow took control of me. Next thing I remember, I was standing in the middle of the college dorm party, blood painting the floors, the walls, and the entirety of my class slaughtered."
You almost dropped your pen in shock but regained your composure. You give the poor young man a sad smile. He sighs and finishes off his explanation. "I was arrested and charged with multiple counts of 3rd degree murder by reason of insanity, considering I was technically not in my right state of mind at the time."
The two of you sit there in silence, basking in all this new-found information. You close your notebook and set your pen down, facing Tokoyami directly. "Listen to me. There is nothing wrong with the way you look or your quirk. Just because it isn't the societal norm, doesn't mean it's disgusting or wrong. Remember that."
Tokoyami blinks in surprise."Um, thank you." Those were the only words he could say, as how shocked he was at what you said.
You tilt your head and stare at him. "If I may ask, would I be able to feel your head? I'm very curious as to what your feathers feel like. It would greatly help my research as well."
"Oh. U-um, yeah. Sure."
You move to gently sit next to Tokoyami, so as to not startle him too much. You slowly lift your hand and place it on his head, eyes lighting up as you card your fingers through his feathers. "Oh wow, they're so soft!"
Tokoyami's heart speeds up, his feathers ruffling at your touch. He gazes at you with something akin to admiration. No one was ever gentle with him like this before. After another few seconds, you retreat your hand, Tokoyami almost whimpering at the absence.
"Well, I better get going. I have quite a few more things to do today before my shift is over." You gather up your things and bow your head at the half bird boy. "I greatly appreciate your time and look forward to our future sessions. Have a good rest of your day!" You smile at Tokoyami before heading back to the door and signaling Aizawa to open it.
"Goodbye, Ms. Y/N. I look forward to meeting with you again." Tokoyami watches you leave his room. Once you're gone, he runs his hand through his feathers, imagining they were your fingers.
As the door closes, you turn to Aizawa who gives you a disappointed look.
"What?"
"You touched the inmate. Why in the hell would you do that?"
You place your hand on your hip and give the doctor a stern look. "I was curious about his mutation and wanted to see how it felt."
He sighs and runs a hand down his face. "We try to avoid any physical contact with any of the inmates, as it may trigger something deep within them. Remember, Y/N. Every single one of these individuals are dangerous and unstable. Any abnormal behavior could result in catastrophic consequences."
You sigh and shake your head, giving him a chaste nod. "Yes, Sir. You're right. I promise to heed your warning and modify how I work."
The doctor looks satisfied as he turns on his heel and walks further down the long hallway. You quickly follow to keep up. "Now, on to your next subject. Inmate 04, Eijiro Kirishima." You flip the page of your inmate profiles to see a picture of a red-haired man. "He is of a higher danger level, so make sure to keep your guard up. And for the love of God, under any circumstances…
Do not touch him."
~~~
Taglist: @theblueslytherin @sterassion @somechick30003 @meena-in-a-nutshell @justtj-andnonumberspls @zombieonna @amajikiwife @yulifee @atexansadventureintokinkandlife @ep-ip-ha-ny @hcneymilkks @pastelmoonwitche @stayarmytinyzenmoa-l @railmeddy @unlimitedfirepheonix @confaegion @drownedbytears @burntcrips @silverqueenie @the-lady-writes-what @awkward-confused
[If your name is bolded, I was unable to tag you.]
#mha#yandere mha#yandere my hero academia#mha x reader#mha fanfiction#mha angst#yandere midoriya#yandere bakugou#yandere todoroki#yandere kirishima#yandere kaminari#yandere tokoyami#yandere shinso#yandere amajiki#yandere hawks#yandere dabi#yandere overhaul#bakuhoesdumbass#bakuhoes-dumbass
2K notes
·
View notes
Text
The First Two Weeks of Dream SMP Season 2: In Review
So two weeks of Dream SMP Season 2 have passed, and so far it’s been unlike any post-war period before. Far from being a peaceful lull, Season 2 has been perhaps the most chaotic, tension-filled, dramatic “peacetime” the SMP has ever had.
Let’s summarize!
---
Overall, the tone of Season 2 has been both similar to Season 1 while taking on some new changes. For one thing, there’s a far greater emphasis placed on lore, backstories and family dynamics.
Questions from the ridiculousness of Season 1 are being answered in Season 2, sometimes with some strange or cursed-sounding results. For example, the circumstances of Fundy’s birth were mostly a joke in Season 1 (I’m pretty sure they went literal months without even mentioning Sally’s name once), but now that there’s effort being made to explain it, as well as the birth of certain other Sleepy Bois, we’ve gained some...interesting...developments...*cough* Phridge *cough*
Since Season 1, Tommy’s become a Sleepy Boi and is therefore incorporated into the SBI family dynamic, especially now that Philza’s joined the server. Ranboo may or may not be Niki’s brother? Fundy and Dream are getting married soon, and Puffy and Niki have a romance as well.
New Members:
In one of the largest waves of new members in SMP history, several new people have been added to the server in a very short amount of time.
Philza
Captain Puffy
Connoreatspants
Vikkstar
Lazarbeam
Ranboo
---
Schlatt’s Funeral
Schlatt’s funeral, overseen by Badboyhalo, was held at the edge of New L’manberg. His organs were looted by the citizens. Everyone keeps hinting at possibly reviving Schlatt somehow. Currently, Schlatt’s remaining organs are kept on sale in Puffy’s L’Targay, a new structure on the server replacing Purpled’s Walmart.
Ongoing/New Building Projects
Some important ongoing building projects / new builds include: Karl’s Party Park, HBomb’s L’Cast, Vikkstar and Lazarbeam’s Boomerville, the Prime Path Shops, Purpled’s Skull Base, Awesamdude’s Place of Business, Punz’s house and Eret’s Museum
Important Plotlines/Character Updates:
Tommy’s done his best to make everyone on the server angry with him, which has currently led to the border skirmish plotline going on right now. He’s destroyed Puffy’s house, George’s house, griefed Fundy’s house and moved Ponk’s tower, leading to some animosity with all of them. His griefing of George’s house especially has led to Tommy being on probation. Will Tommy be exiled? Or will this lead to another war? L’manburg is looking awfully flammable right now.
One of the other main plotlines that’s been going on has been Fundy’s character arc with Wilbur. Now that Philza’s on the server, and Wilbur’s perma-dead and ghosty, Fundy’s family drama can finally come to a head and break some hearts. Fundy reprises his role as the “main character” of the story for this particular plot, something that hasn’t really happened since the Pet War. This arc started at the very beginning of Season 2 when everyone was rebuilding L’manburg.
Related is the arc of Ghostbur in particular. Wilbur’s stuck around after death, seemingly for some “unfinished business.” He doesn’t remember any negative memories, and continually forgets them whenever somebody tries to hold him accountable for his past crimes. Will Ghostbur ever settle his issues and gain a peaceful rest?
There’s been some talk of the Disc War Continuation in the future, especially concerning the Badlands. Skeppy still has one of Tommy’s discs, but who knows when that drama will sort itself out. Dream brought up the discs when talking with Tubbo about exiling Tommy. While Skeppy has one of the discs, Dream wants to put Tubbo in a tough enough position that Tubbo has to give Dream the other disc, which would put both discs functionally in his hands.
The Dream Team has been a lot more active on the SMP recently, which is interesting. George, the new king, is actually on the server! So far he’s mainly participated in multiple dress-up roleplay sessions, cosplaying Simpsons characters, Professor Snape, and Dream himself. Sapnap has streamed recently as well, continuing his ongoing relationship drama with fiancés Karl and Quackity. Dream has gotten himself into some shenanigans, including vandalism and muggings, and is currently reprising his role as the main Big Bad of the server. It’s almost strange seeing them so active on the server again, but a welcome change! Even Callahan’s dropped by to join in - the SMP’s funniest reindeer, everyone!
Quackity may or may not be possessed? Puffy’s mentioned that Quackity wants to bring back Schlatt, but Puffy is currently in possession of all of Schlatt’s body parts. She’s also mentioned that Connor is looking to revive Schlatt as well. Connor hasn’t gotten super involved in the storyline yet, mostly just vibing on his own, but perhaps he will eventually. Quackity has also taken the role of honorary vice president in Tommy’s absence.
Tubbo’s been acting a little strangely as well too, recently. While he’s been the most responsible president of L’manberg by far, he’s shown that he’s not immune to corruption, to the point where even Philza’s started questioning loyalties to L’manberg. Tubbo’s handling of the situation with Tommy shows maturity, but when he’s put between a rock and a hard place, what will come first? Tommy or L’manburg? And is Tubbo prone to the same corruption that Wilbur and Schlatt went through?
Meanwhile, Techno’s almost nowhere to be seen. He terrorized Fundy a bit at the beginning, and he’s logged on to say his own name of course, but besides that the Blade has been remaining as mysterious as ever. Wanted posters bearing his image have sprouted up all over New L’manburg.
One side effect of Fundy’s adoption plot is the plotline’s relation to Eret, who has been dethroned. Will Eret try to take power back from Dream? What will their relationship be as father-in-law and son-in-law, if the adoption goes through?
The newest members - Phil, Puffy, Connor, Vikk, Lazar and Ranboo, have all gotten started settling into the server. Who knows what their relations will be to the plots? Will they get involved, or stick to the sidelines where there’s peace?
So far, besides Phil of course, Puffy and Ranboo have been the most involved in the main plot. Dream seems to like getting into chaos on Puffy’s streams in particular, having her as a “witness” to his actions. Puffy is an agent of chaos herself and has unofficially “adopted” Dream as a sort of pet, driving her loyalties towards the Dream Team. Despite this, she has also been on a date and promised herself to Niki, who is of course loyal to L’manburg. If Puffy ends up siding with Dream, will Niki be able to keep her loyalty to L’manburg, or will she switch sides to be with Puffy?
Meanwhile, Ranboo has been suggested to be Niki’s brother and was an accomplice to Tommy’s crimes against George. Tommy defended Ranboo from consequence, but considering how short of a time it took Ranboo to get wrapped up in the plot, who knows what will happen in the future?
Vikkstar and Lazarbeam have also joined the SMP as a pair, and similar to Connor, they’re currently just vibing doing their own thing in a new town called Boomerville.
The Elytra Challenge should be happening soon? Maybe? Whoever gets the elytra will have a huge bargaining chip on the server, an item as valuable as the discs or Spirit’s leather. What that also means is, there’s the possibility of them also having a target on their back...
In Summary:
We really need that beach episode.
636 notes
·
View notes