#this really feel like one of the most critical piece of lore

[roachymochi]

Thinking about the "flesh melding harmoniously with others" bit of lore about Marika's people. Thinking about how all demigods host outside flesh in their bodies :

the omen twins with the horns, and cursed blood

Godrick with the grafting

Rykard with the Snake

Malenia with the rot

Godwyn with the tree, and the death root, and the mermaid thing

Miquella merging his cocoon in the haligtree

Thinking about twins, empyrean, and their other half : people used to point out that every demigods came in group of 3 : Gowdyn / Mogh / Morgott, Ranni / Radhan / Rykard. But Miquella and Malenia were only two. What if St Trina was the third twin, merged with Miquella in utero ? And she could only be "awake" whil Miquella was slumbering in his cocoon.

Thinking about Millicent, and the Valkyries, and all the flesh and blood that Malenia lost to the battle of Caelid. What if the valkyries were born from Malenia's body part, merging with the rot and soldiers' corpse to birth whole new human being ?

[valentine-cafe]

˖⁺. “ professor's pet ” : 

﹙ top uni professor male reader x bttm bratty nerd hyrbid ﹚.𖹭 ݁

. . . rishen 781 x male reader !! 🍒 : ﹙ peppy nerd  ˖  brat  ˖  mantis-moth-spider hybrid ˖ hero character﹚

you've always had a soft spot for mr herrera. boy-genius and all. but there is something about the way he looks at you. speaks to you. one day - when he corrects you rather smugly during a lecture. you cannot help but decide to remind him who's the one with the phd. 

﹙ cws ﹚: explicit content ˖ prof/student ˖ rough sex ˖ brat taming ˖ classroom sex ˖ oral ˖ handjob ˖ use of boypussy | wc : 1.0k 

﹙ receipts ﹚: i've been wanting to write this piece with rishen for a bit because come oonnnn

꒰  other treats : guidelines ˖ m.list ˖ characters ˖ our lore  ꒱

he’s your favourite student. but oh do you hate him. those pretty doll eyes that greet you in combination with a bright smile whenever he enters your class. earlier than anyone else, as always. the way you have to look for mistakes in his exam papers. yet most importantly - that innocent way he has at correcting you in the middle of a lecture.

you would call yourself a modest man. one who can accept criticism. but it was different when it came from him. mister herrera. the pretty, preppy nerd of uni who just had so many different ways of making your heart stutter. the brat.

“Oh, I meant no disrespect, professor.”

Those thick lashes batting will be the death of you. Combined with those glossy lips you yearn to drown in?

He’ll make you lose your job. Surely.

“Really?” Is all you can muster, leaned against the edge of your desk. Anything to sate the burning desire in your palms to wrap around his throat.

“You know me, Sir. I am the most earnest.”

Earnest indeed. Earnest in how he presses up against you. Earnest in the way his hands slide onto the desk on either side of you. In the way his head tilts up so that his curls fall from around his face and he smiles oh. So. Sweetly.

“Forgot my assignment sheet.”

His murmur is all you can imagine the sweetness of his lips before he’s off again. How unprofessional.

Like the throbbing bulge in your trousers.

“Such a pretty boy,” you tut over him. One hand yanking on his curls while the other pistons behind him. Fingers curling into spots that nurse out whimpering moans and bucks of his hips against your desk. He’s spilling all over your test papers.

you tried with all your might. but it wouldn’t take long before you have him bent over your desk in the week to come. finally feeling the soft flesh of his thighs under his skirt. finally seeing the way his maroon eyes roll back as you finger his tight little hole.

“How can you be this tight? No one treating this darling hole right?”

“P-Prof - ah - Sir-!”

you quickly found out that he loves to fuck his hips back into you. especially when you got him full of your cock. the noises he lets out. what a dedicated student he is indeed. bouncing his pretty ass back onto you.

“Can you give me the answer now, boy? Hmm? Correct me now?”

well, until you’re shoving his head into the desk. holding him down and pounding his poor thighs into your desk. murmuring rough little degradations to his ear. making him cream all over the wood.

Your cock snaps into that one spot. Rough hands pulling his soft hips back. The wet plapping of his skin fills the classroom. If it weren’t for your hand wrapped firmly around the underside of his jaw - his moans would surely spill all the way down the hallway.

“A-Angh! Ah! Hng- S-Sir - siiirr - ‘m s- so - sor- fuck -!”

You palm along his dick. Stroking it into another squirt as you sneer into his reddened ear.

“Asked you a fucking question, pretty. Where’s that smart mouth of yours?”

through further escapades, you learnt that the most satisfying thing of stuffing him full is when you have fucked him dumb. with eyes rolled back and lips parted. unable to murmur out a single thing other than spluttered drool and a whining - “p-pro-prof-s-s-si-ah!”

another thing he is so earnest at? sucking your cock. you’ve had him under your desk more times than you can count. his glossy red lips wrapped so skillfully. eyes full of tears as your flex fingers into his curls and force his head down further. choke him all the way to your balls. until he’s whimpering. crying.

you always make it up to him by letting him bounce on your dick after. leaned back into your chair as he grips onto your shoulders and shows you that he’s more than just a pretty nerd. he always takes it so well.

amongst various other acts that are sure to get you fired once someone finds out - you must say that your favourite is when he calls you in the middle of the night. grinding into his pillow and pleading that you come up to his dorm and fuck his ass full.

“H-Hngh - an- p-please sir - fuck-!”

of course you do. you’re a good professor - after all.

Your hips drive his into the sheets. Pressing him down in his favourite position: prone bone. It gives you the perfect opportunity to bruise his soft skin with your merciless thrusts.

Rishen’s face presses into the pillows. Hands tightening around the softness as the headboard slams against the wall. His moans pouring through dorm room.

“Can’t even wait for after class tomorrow,” you grunt into his ear. “Jus’ need a cock filling you constantly huh pretty boy? Yeah? Yeaah,”

You rise up if only to crush him with your hips. Slamming into his quivering form with purpose. Stress from endless marked exams taken out on his supple flesh.

“Constantly need your physics professor’s cock pounding at your pretty boypussy huh? Fuck.”

He’s so small beneath you. So full of your cum. So fucked out.

You can’t help but grip his hair. Steer his crying face more into the pillows and plough him sore. Anything to see the way he’ll prance on into class with scarlet heels and a bit of a limp.

“S-Siiir - si -hiir - I-I - I can’ttt - dios-”

His whimpers are sinful. All of this is.

But you will risk you job for it any day. Any day if it meant having the little bratty nerd under you and hiccupping your name.

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[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[dunmeshistash]

in regards to skin tone variation in DM, i do think a lot of it is colorism/racism too. theres a few characters of color, but not many (just like how theres some fatter characters, but none of them are main characters (even senshi & other dwarves arent really depicted as fat)).

ryoko kui has surface representation for these people, but it lacks much substance, and the brown characters she does draw arent given brown facial features, and are almost always colored with very ashy skin. a lot of them just look like a recolored white person (especially cithis, kaka, & kiki). her random portraits of characters who dont actually appear in the series otherwise tend to be much better about this, but the actual characters that show up and play a part all seem to suffer from this issue.

im not saying kui is like, super-duper racist and we all need to stop reading DM etc etc, but i think its important to recognize and point out everyday/usually-overlooked colorism & racism when we see it, and i know im not the first or only person to point this out about her character designs. if she can draw fat people and actual brown people as part of the portraits, why cant she or wont she do the same for any of the featured characters in the series?

(i know the orcs are fat, but its not a good thing the only consistently fat people are the ones who are a fantasy race based off of violent racial stereotypes, who are also pig people, while none of the main cast of "real" humans are fat except *maybe* the dwarves, who still have small waists and flat stomachs, and the lord of the island, who is depicted as corrupt & decadent)

Well yeah.

I'm just a lore blog so I don't like to get too into real life issues or make assumptions about how the author feels about these subjects. What I talked about on the skin tone post was assumptions as to why she thought it would be important to show skin tone variations on certain races as a character design choice. (In the sense that her character design is very purposeful)

I realize some people over praise Kui's designs when most of it is pretty safe for what it is, but even if it's just a step closer to better representation it's something that's rare to see in anime. So I understand why some people get so excited about it.

It is important to realize this isn't the ideal either (Dark skinned characters with the same features as the others, mostly well build characters on the thinner side) but I personally don't like to criticize these type of stories on what it "could/should have been".

As someone who is fat and not white, I'm happy we get some diversity in dungeon meshi. I hope this opens up the possibility of better character design in the future even if what we got now wasn't perfect.

It shouldn't be the case that this piece of art filled me with so much joy I teared up cause I had never seen someone with a similar body to mine drawn with so much respect and objectivity. But unfortunately that's the world we live in and I don't think it's wrong to be happy for what we get for now while acknowledging it's not perfect and that it should be better.

I'm also super happy the anime chose to make the dark characters even darker.

[genericpuff]

Why is the art so unappealing in lore Olympus now Persephone looks like a highlighter and maybe it’s just me but the proportions like the fingers in arms are soul over the place I don’t think they used to be this bad. Am I just looking at it with nostalgia or am I crazy ?

Honestly, nostalgia does play a huge part in it, even to this day there are times I look back on old S1 panels and go-

Actually here's a great example that literally just happened yesterday in the ULO Discord that nearly had me on the floor LOL This is from Episode 70:

Like I didn't even believe that that was real until I was told what episode it was from and I was just. Astounded and flabbergasted. The over-shading of the blanket that just makes it look like a really bad edit. Insane.

And yeah, there are a lot of old panels that hit different now that the rose-colored glasses have been removed, crushed, and thrown into the trash compactor.

I think that's why it makes it all the more amusing when people come into my inbox and ask me "wait, why did you like LO to begin with?? It's always been ugly as shit, I think you're just romanticizing it" because like... there's something to be said about art and subjectivity, even if something is ugly to one person doesn't mean it isn't beautiful to someone else. It's why I try not to be too mean towards the fans of this comic for still enjoying it, because while I definitely have strong opinions about how "LO has gotten worse" and what kind of following Rachel has cultivated (cough cough), there are also just as equally valid arguments that LO has never begin good to begin with that I can't necessarily disagree with now that I'm looking back on it with a more critical eye.

That said, there's tons of media that I enjoy that is objectively awful. Like y'all, you don't need to take my opinions about a dumb pink x blue fantasy romance comic seriously, I like Starfox Adventures-

Like yeah it's a badly made rushed piece of shit that was developed right on the ass end of Rare's glory days and was really an original IP (Dinosaur Planet) that got Frankenstein'd into a Starfox game so it could "sell better" for Nintendo, but I don't give a fuck, I love Starfox Adventures and some day I wanna be in the top 10 speedrunner leaderboards for it, which I know doesn't mean much because no one is speedrunning Starfox, but I do and no one can take that away from me dammit-

Anyways. Lore Olympus has, in many regards, always had "bad art". But "bad art" can and should still be enjoyed by those who find joy in it.

And in LO's case, the world it existed in when it launched was a lot smaller than it is now - more specifically, the world of Webtoons. We can look back and see how 'bad' LO looks and reads now because there are genuinely way better comics surrounding it. It was unique and refreshing and experimental back then... now it's just "that stupid blue and pink comic for horny teenagers".

In most cases I would consider that "cringing in hindsight" feeling a good thing because normally it means something has grown and that it seeming "bad" in hindsight would mean that it's outgrown itself and moved onto bigger things. But LO has the more unique problem of "its current stuff is shit and it's making us want the old stuff more, even if the old stuff wasn't good either". In that regard, LO is closer to being like Harry Potter. Remember when The Cursed Child came out at the height of Rowling being exposed for being a TERF and even people who liked Harry Potter didn't like The Cursed Child because it was just objectively worse overall (with or without Rowling's bullshit attached)? It made a lot of people go back and re-read / rewatch Harry Potter with a more objective lens and go "wait a minute guys, I think we only adored these books so much because we were 12 when we read them". Often times it's the good memories we have surrounding certain things that make us have the opinion about them that we do.

Of course, LO is definitely not as politically weaponized as Harry Potter is, so that's where that comparison ends. But my point is that LO is definitely in a situation where it's been riding off the same privileges it had back in 2018 - having an 'experimental' art style while also utilizing tropes and characters that were VERY popular at the time (remember that 2017-18 was when Tumblr was at its height of H x P "Hades was a chill accountant guy who wore socks and sandals and didn't cheat on his wife like Zeus did" fantasizing) - and thinks that those same tricks and tropes will still work today.

Because of this, the art in LO really, really hasn't aged well, even the stuff that we look back on fondly. But I think it's the panels that we specifically think of when remembering "old LO" - the ones that stuck in our memories the most - that are the ones that make us miss or just not care about the panels that don't look good (the panels that make people question why we ever liked it to begin with).

We liked it because of how it made us feel to look at panels like these-

Those genuinely wonderful panels that we think back on the most don't exist separately from the bad panels, they exist in spite of them. Even if we can look back on panels like these and pick out problems in the lineart or the proportions or the color travelling outside of the lines, that can't and shouldn't change how those panels made us feel at some point or another. And that's why when people ask me "why were you even into LO in the first place" I don't have any one answer, because I can't fully explain how something made me feel to justify why it's good to someone who can see from the outside - without rose-colored glasses - that it evidently isn't. It's very much a "you had to be there" type of thing.

Unfortunately, nowadays even the 'best' LO panels in S3 still don't come close to what the S1 panels accomplished - because for many of us, the rose-colored glasses are gone, we can't appreciate the good among the bad because we know now how bad it truly is and so the good just feels like wasted attempts at trying to recreate something it can no longer be. It "came back wrong" so to speak.

LO came back just regular. But our journey to resurrecting it changed us to such a degree that even its closest intimacies are now foreign to us. Sorry dude.

This is still probably one of my favorite panels out of the entirety of S3 for being as close to "old LO" as I've seen since S2, and even it feels like a mistake, an accident, how could a panel like this exist in S3 when so much of it is a dumpster fire? It's like a flower growing in the ruins of an apocalyptic wasteland.

But wasn't that always the case? Isn't that 'always' what LO has been, since the very beginning? A poorly cobbled together mess of writing and panels that, every now and then, manages to leave an impression that makes you feel something? Did we ever truly know LO? Or have we just been relying entirely on an idea of it that we've built up in our heads that when it does do exactly what it's evidently always done (even if not made apparent until looking back on it in hindsight) we think it "came back wrong"?

[deviouscrackers]

MY opinion on todays TSAMS ep

Going to try and keep this constructive, because criticism without offered solutions is just dumb. (Got a bit long, sorry)

(I've had to use data to watch it since my wifi isn't existing for some reason (like everything is working but for some reason it ain't showing up on the connect list).)

Todays TSAMS episode... hm.

What did I like about it? Well, I liked Dark Sun pressuring Sun, the desperation in Sun's voice and his reluctance to kill Nexus at first. I liked how Moon came rushing in, and the fact that both him and Solar were willing to die to protect Sun. Nexus's scream was pretty good too. I think Reed and Davis did pretty well acting-wise.

(I can't comment too much on the exact dialogue, since I had to rush through and conserve my data.)

All in all, a solid episode.

Where the episode falls flat, at least for me, is that it's very noticeably lacking something.

Ironically, it's also very similar to why I no longer watch TFF Fnaf, even though the potential of Bryan's character rotates in my brain like it's in a microwave.

Today's episode had too much buildup for what ended up being. I'm not purely talking about Nexus's death and the months of buildup, I'm talking about from a viewing stand point as well.

The "marketed appeal" (I dunno what else to call it tbh), of this particular episode set was that it was a three parter halloween special/arc finale that had the last part premiering.

The first part, The Halloween Party, did very well with the collab, the way the events took place, the editing was good... it was very solid, and I enjoyed it. It got me interested in what was to come, got me wondering who took Moon, what's going to happen next?

The second part was also excellent. Goliath versus the Dragon was a thrilling addition and Ruin helping Moon nicely showed off his character. The way Nexus yelled when he realized what had happened, nicely done too. I left that episode wondering what would happen to Ruin, who would win the dragon fight, will Sun and Moon find each other in time, will Sun's trance come into play at any point in time?

The last episode did not deliever on what the first two episodes were bringing up. The dragon did not come back, and with what Dark Sun said about not wanting to see Sun again, it most likely won't. Sun and Moon did find eachother, but it wasn't all that impactful? It felt more silly than anything else.

After writing this all, I realize what exactly I felt was missing.

The episode felt like filler, almost?

Throughout Dark Sun's regular antagonist position on the channel, and specifically near the end, after the dragon had been revealed, it felt like he had a plan. Something cooking up in the background that involved all these complex pieces. And in a way he did, but it wasn't satisfying. What was the point of the dragon? What was the point of asking Ruin how long? What was the point of all of that, if he's just going to leave? Dark Sun did almost nothing, and while I want to believe that all of it was because he that "data", he went about it in such a stupid way!

Nexus's death, while well acted, also just wasn't satisfying either.

I think ultimately, the disappointment I feel with the episode is a result of things feeling rushed, underdeveloped, or just not elaborated on. Nexus felt uncared for as a character and I think the story could've done without Dark Sun. It could also be that we just haven't seen everything that's too come with the story yet, and there's loose ends or extra stuff to be told. I want to continue watching, because I enjoy TSAMS, and I'm a huge fan of Davis and his va work.

Because I don't want to sound like all I'm doing is complaining, I want to offer a solution.

I think, something that's bogging TSAMS down as a whole, is how often it's being posted and how that really spreads the story thin. Three times a week with one "lore" episode per week would work well. Yes, that mean less daily views, but it could potentially boost the lifetime of the channel for a while. It'd be easier to catch up when a viewer has fallen behind and allow the episodes, both gaming and story, to breathe.

At the end of the day though, I don't know how the channel works, I'm not a va for the channel, I don't work for them. This is just my own opinion on it and if I write anymore I will begin rambling on about why Season 1 of TFF Fnaf was peak and the others weren't (jokes but I do think both TFF Fnaf and TSAMS have a lot of similarities when it comes to the writing issues).

Anywyayyyaahha Happy North Hemisphere Halloween, losers :P

[maxdibert]

tbh call me weird but I actually forgive anything Snape did, my baby can do no wrong. Called Lily a slur? Not his fault, he's a baby. Joined the DEs? He was just being a silly lil boi. Bullied students? Why were they bothering my angel

From my genuine moral perspective, I truly think that nothing he did was that bad. I do understand, however, that his path to redemption was something he needed in order to forgive himself because, from his perspective, he saw that he had messed up a lot and needed to redeem himself in some way because the guilt was just too much. I also understand that some people might feel highly triggered by his behavior throughout the saga and can't stand him, find him unbearable, or can’t forgive him. I mean, I get it all, and I think it’s legitimate.

However, if you ask me personally, not in a critical way, not analyzing the character, but me as I am, if I think Severus was a good person, I would say no, but then I’d ask, who is really a good person? I mean, most people are a piece of shit to some extent. And, honestly, I’ve forgiven characters for much worse things. I’ve overlooked Jaime Lannister throwing a kid off a tower and leaving him paralyzed, I’ve forgiven Silco for being a kind of Pablo Escobar who plunged his city into a drug epidemic, I’ve forgiven Sofia Falcone for killing people who had nothing to do with her personal revenge, or Penguin for being basically a Silco who exploits vulnerable kids to get what he wants. I’ve forgiven Crocodile from One Piece for trying to build a mafia to economically and socially destroy an entire kingdom just for the pleasure of getting rich, just like I’ve forgiven Donquixote Doflamingo for being a dictator, and I’ve forgiven Itachi Uchiha for killing dozens of people in cold blood despite his intentions. I don’t know, I’ve even forgiven Azula for being a psychopath capable of killing her brother. What I mean is, I like and overlook a lot of shit from characters who are objectively worse and have done objectively worse or morally questionable things than Severus. For God’s sake, Severus Snape is a morally ambiguous character in a saga for kids and young teens, he’s literally a baby compared to any morally questionable character in a lore for an older audience, his sins are laughable. I mean, what did he do wrong? Call a girl a slur who ended up marrying a bully, knowing beforehand that he was a bully? And so what? I’m sorry, but Lily Evans has zero moral grounds to complain about anything when she knew James spent years bullying people just because he felt like it, and then she goes and marries him. Who the hell does that? If Lily Evans came to me after marrying that jerk to give me a moral lecture, I’d slap her across the face. There’s only one thing I hate more than overly moralistic people, and that’s moralistic people who are also cynical. Then what did he do? Join some kind of extremist cult because he was a vulnerable teenager who didn’t see any future for his life anywhere else? Ooooh, how bad. And then what? Be a nasty teacher? Jesus, I’ve had horrible teachers, and compared to them, Snape was a fucking junior. He was a Junior in Asshole Student, I swear. I’m sorry, but I don’t justify his actions, they just seem like nonsense to me. If there was a meeting for morally questionable characters, dark gray to almost black, his peers would probably laugh at him for literally not having done anything even a fifth as bad as they have, lol.

[raven-at-the-writing-desk]

Hey!! I really admire your writing so I thought that maybe you could lend me a hand w smth... Do you happen to have some tips or exercises to get out of a writing block?

Or well, idk if I'd call what I'm struggling with that- is just... Whenever I try to write stories, my brain just isn't capable. Like. I know what I want and I know how I want it to sound but words just don't come out and if they do they don't feel good at all. And I /was/ able to do it before. It's like a part of my mind got blocked. I was reading your Miss Raven lore and what she studies while trying to create her UM made me think of this problem I'm having- the part rediscovering a part of oneself that was lost... or something like that.

So I thought that maybe you knew of some exercises or just... Something? Anything? If not I totally get it tho- sorry for rambling

[Referencing this series!]

Hello, hello!! ^^ Thank you for complimenting my writing, your support's much appreciated! I hope you can continue to enjoy my work~

I think I understand what you're going through. Gosh knows how many pieces I have on the backburner... but never enough time or motivation to finish them all. Having ideas is the easy part; actually fleshing out those ideas into fics is tricky, especially since we creatives can easily be our own worst critics. I'm pretty finicky with my own action scenes, dialogue, and emotionally intense moments and have to edit, revise, or completely rewrite them multiple times until it's sounding the way I want it to. Writer's block gets to us all sometimes. It's a natural part of being a creator so don't be shamed or worried!

abldsbuaodadfjnla It's interesting that you mentioned Miss Raven's struggles when describing your own. When I was in the process of writing her saga, I wanted her problems to be relatable and meaningful to others in some way. I'm glad that it happened to help you identify something within yourself 😃

Here are some of the things that I personally do to get out of writing slumps. This is what works for me, so I cannot guarantee that they will also work for you--but hopefully this at least gives you some kind of starting point!

Take a walk! Touch grass! It's good to get your mind off of creating and just... take a breather. You'd be surprised how refreshing it is to get fresh air and sunshine. Who knows, you might also see something on your walk that inspires you.

Take a nap! If you have an interesting dream, write it down. It could become a cool idea somewhere down the line.

Talk to a friend; it helps to have a new perspective to bounce ideas off of.

Read a book! Sometimes getting a sense of how someone else shares their ideas can inspire you to work on your own style.

Use another hobby as a creative outlet. For me, that's scrapbooking/journaling and baking. Don't set limits or rules, let yourself work at your own pace and have fun.

Start small, like writing some dialogue exchanges or a sentence or two.

Do writing or character prompts. You can find prompts of your own or use a website to generate random combinations.

Another exercise I like to do is writing a short story based solely on a random image. You can find images yourself or have a friend hand you one. It helps stretch the creative muscles!

The most important thing is to allow yourself the chance to rest and recover! No one can be a content making machine 24/7; that’s not what humans were built for. Be kind to yourself!!

Good luck with your writing~ ^^

[fountainpenguin]

🌃 City Lights AU 🌃

Fairly OddParents: A New Wish

An FOP series with a focus on exploring characters, relationships, and Dimmadelphia as a setting. Draws largely from "A New Wish" canon, but not beholden to it.

#ridwork guides

What Is City Lights AU?

An FOP: A New Wish-inspired series centered around character relationships... Namely, friendships, adventures, and traumas regarding the humans in A New Wish (alongside studies of Cosmo, Wanda, and Peri as they adapt to life in Dimmadelphia). Magical lore and Fairy culture exist in the background, but are not the focus.

🌃 City Lights AU follows an internal canon. While not necessarily compliant with A New Wish, all pieces within it are compliant with each other. They may build on each other to create larger storylines. You may also like Off the Rails: my AO3 series for misc. FOP AUs (Ex: Random one-shots based on A New Wish that don't comply with City Lights).

AO3 Series: City Lights AU

Blog tag - #City Lights AU

Tone

Mostly Angst, Drama, Romance, and Fluff.

Think "We talk about Dale's trauma, Dev's sadness, and Peri's stress, but we also see Cosmo and Wanda or Hazel's parents flirting while Hazel has a great time with her friends."

Pretty up and down, back and forth, like the show itself.

Characters

Heavy focus on the A New Wish cast. Limited appearances by OG series characters. The ones most likely to return in this AU are folks like Goldie Goldenglow and Sammy Sweetsparkle (Classmates of Poof and Foop in the OG series).

- Peri goes by Poof in backstory 'fics since Cosmo and Wanda seem to hear his new name for the first time in "Battle of the Dimmsonian." (Same deal for Foop-Irep). - Foop's alt personality may be mentioned by the name of Hiccup, as that's his name in Cloudlands AU.

Potential appearances from my existing OCs like Anti-Marigold (Goldie's counterpart), Finley (Pixie kid attending Spellementary alongside Poof and Foop), or Anti-Coriander (Foop's betrothed in Cloudlands AU), but maybe not! We'll find out together.

Most notable OC for this AU is definitely going to be Ed Leadly's daughter, Hadley, whom I set up with Dale back in 2018 (Cloudlands AU) and I think it's really funny to keep that canon in City Lights.

If Anti-Cosmo and Anti-Wanda appear in this AU, they'll be referred to with those names since that's how their voice actors are credited at the end of "The Battle of Big Wand."

Timmy, Chloe, Kevin, Molly, Tammy, and Tommy will likely appear, but I don't expect them to be a focus. Time will tell.

Ships

This AU is not specifically Devzel-oriented, but not in an anti-Devzel way... More like "We don't have time to unpack whether or not they'd work together" / "What do you mean- SWEET GOODNESS!!"

I'm not opposed to Devzel, but there's a very specific story beat I feel is a dealbreaker for both of them. We'll find out together! Leave comments as I post works in this series and share whether you think they can work it out :)

Cosmo/Wanda - Retired, mostly chilling, very much love their son and definitely very good at being human.

Dale/OC - Hadley Harrington comes out swingin'! (Cherry lemon ship tag, my beloved...)

Peri/Goldie Goldenglow dating drama that's remarkably less traumatizing than it is in Cloudlands AU, but not necessarily... great. Mostly Peri groveling for her to take him back because I think it's funny if the kid who had everyone fawn over him during school because he was popular ends up struggling with relationships he has to put effort in <3

Mark/Vicky because I love them and I am not taking criticism at this time. You can pry them from my cold, dead hands.

"Are you going to bring their child OCs over to this AU?" - I... don't know. I think it would be hilarious. So, probably! In Cloudlands AU, she joins Mark on Yugopotamia as queen, but I'm equally fascinated by the possibility that Mark left his royal life to stay on Earth, which I think is 100% in line with his character. I'm into it. Let's do it.

Jorgen/Tooth Fairy - I have kid OCs for them that are very far-future in Cloudlands AU, but due to the way Fae age in City Lights, I think I'll bring them in and let them be baby... Italy and Fang, my beloveds...

Angela/Marcus because I think they're cute :) Probably nothing super focused on them, but they sure do exist.

I'm sticking with my Cloudlands AU ships of Timmy/Molly & Chloe/Kevin; they presumably live in Dimmsdale. Kevin and Molly are step-siblings in this AU too.

Leaning towards Irep/Sammy Sweetsparkle dating life fluff/drama because I want to :) Not sure if that's present-day or in their past. That said, we also might not go that route. We'll see!

Honorable mention to Dev and his many squishes. I don't think he knows what's going on either, but I support him.

Setting

Largely takes place in Dimmadelphia with references to Dale, Cosmo, Wanda, Vicky, Crocker, A.J., and others having Dimmsdale history. Some 'fics take place in Dimmsdale.

Fairy World, Anti-Fairy World, and Pixie World may make appearances, and so could alien planets. However, this AU centers around humans and is mostly grounded in Dimmadelphia... hence the title City Lights!

This series will follow a specific AU timeline, meaning birthdates will be picked for some characters. They might be contradicted in future seasons, but this is an AU, so that's fine.

Is It For Me?

- Pieces can range from G to E (Childhood silliness vs. trauma vs. Dale having a very hard time working up the courage to father a kid).

More info in the AU Notes and Warnings section under the cut.

- Heavy focus on Dale recovery, Cosmo and Wanda settling into Dimmadelphia, Hazel adjusting to moving (and occasionally reflecting on her past), Dev's upbringing, and Hazel's interactions with her godparents and friends.

- If you like 'fics that feel like grounded-in-reality character studies and lean into trauma, you might like this series!

- Limited exploration of magic and Fairy World. For now, this AU uses the same magic system and Fae culture vibes I've already made for Cloudlands AU - Click the Keep Reading for details - but I don't plan to delve into it. It just exists as a backdrop.

Major Themes

- Trauma!! How it haunts you... Letting go... Oooouggggh.

- Relationships! Growth, strain, ups and downs, self-care, break-ups, meltdowns, humility, forgiveness, toxic co-dependent friendships that haunt you long-term... The usual.

- Emphasis on friendship, family, adventures, and kindness... and the unbearable lightness of being a child in Fairly OddParents media.

Nobody has ever been okay in this show or any time after I've gotten my hands on them, but it's fine; that's just how it is, sdklfj...

Plot Highlights

- Dale and Vicky were friends when they were kids... Little by little, their dynamic starts to shift.

- Dale and his betrothed work through courtship and married life... also, Dale works through trauma. Newborn Dev is here too.

- Cosmo begins training to take over as Keeper of Da Rules after Jorgen. Long road ahead, but whatcha gonna do?

- With Cosmo's new position hanging over their heads, Cosmo and Wanda retire from godparenting. They enjoy a 10k-year vacation and settle in Dimmadelphia... disguised as humans and struggling to pass. I hope they pay rent.

- Peri vs. his strained relationship with Goldie Goldenglow.

- Hazel's early explorations of Dimmadelphia and friend-making.

- An exploration of the Peri-Dev dynamic during the 4.5 months between "Lost and Founder's Day" & "Operation: Birthday Takeback."

- Whatever Mark and Vicky are up to. Probably being their flirty, violent selves... Mark adapting mostly well to human life except for when he isn't. Actually, the same could be said of Vicky.

- Background Timmy/Molly and Chloe/Kevin married lives. Shout-out to Timmy/Molly still together because I love them and refuse to divorce them in more than one AU sldkfj.

- Probably not a lot of Hazel content at first, but I'll plan more for her when we find out if we're getting a Season 2. Leaving myself wiggle room for now.

Ongoing?

This AU guide was posted in September 2024 and this AU is very new. Works will be posted over time.

No update schedule- Just wherever the vibes take us~ But my plan is to post the story beats in the Dimmadome arc first (in the "50 Words" style) and then we'll circle back to "present day." In other words, we're gonna hit the ground running, fly through the timeline until Dev's an adult, then loop back for more detailed 'fics and fluffier childhood days :) You'll find out where we're going and then we'll work through how we got there! I post FOP 'fics on Fridays (if I have something to post; any AU)

Related

Relevant info for anyone interested in subscribing to some or all of my FOP 'fics on AO3:

🌃 - City Lights AU - All works for the AU described in this post. 🖤 - Off the Rails - Collection for misc. FOP AUs. This includes works that draw from A New Wish lore, setting, or characters, but which are not compliant with City Lights AU. 🚂 - 130 Reasons Why I'm Fairy Trash - Large one-shot collection focused largely on the OG series. Mostly adheres to Cloudlands AU canon, but other AUs appear as well. 🌈 - Rainbow Train - All-encompassing series for any FOP works that are not in 130 Reasons Why I'm Fairy Trash. ⭐ - Subscribing to both 130 Reasons and Rainbow Train will cover all my FOP 'fics (All AUs).

You can also subscribe to my AO3 directly if you want to. My AO3 is multi-fandom, so the above are the series I suggest looking into if you're only interested in my FOP 'fics. You can do whatever you want forever.

Warnings, notes, and explanations below so readers can learn more about this AU. Don't like? Don't read.

Dead dove warnings, so prepare yourself mentally. I am once again exploring child trauma in 'fics for the show about child trauma and bad decisions.

�� Take a Peek

New here? You might like to start with these:

- "You Deserve It" - Dale - freshly escaped from Vicky - attends a fancy dinner party with his dad... and reunites with fellow rich kids from his childhood.

- "50 Words of Dale and Hadley" - 50 prompt snippets about Dev's parents (before his birth).

- "50 Words of The Dimmadomes" - 50 prompt snippets about Dev's early upbringing.

- "An Old Wish" - Dev, Peri, and a series of comedic magical attempts to win Dev's parents' love (including time travel, memory manipulation, and raising the dead).

These 'fics are early in the timeline and fairly tame :) At the time of scheduling this, they're unrevealed on AO3, but will be up soon.

Start Reading

Recommended ways to get into the full AU

🌄 First Written - "50 Words of Dev and Hazel"

51. Horror - Okay, so maybe that movie had been a little spookier than he'd prepared for... But even if flesh-eating mermaids haunted his dreams for a year, setting up that chocolate board, pillow fort, and brownie bar for his and Hazel's ultimate horror binge-watch was totally worth it.

50 scene snippets about a snotty rich boy (self-improvement in progress) and an anxious newcomer to the big city (Livin' big and lovin' life) - Set during "The Treble With Rivals" and the week following.

OR, Dev and Hazel go to Tokyo, say hi to Dev's mom, and Dev picks on orchestra kids because #Band For Life.

(G - 5,000 words)

📅 Chronological Start - Lemonade and Papercuts

Dale backstory 'fic that alternates between his extreme childhood trauma and adulthood stress (Especially regarding business deals, his wife's pregnancy, and Dev's birth).

Click HERE for chapter summaries

Not yet written, but very likely E or Not Rated for excessive trauma, uncomfortable arranged-marriage honeymoon, the intimacy leading up to Dev's birth, pregnancy, and probably a childbirth scene. Will update info when confirmed! Btw, I'll be posting Dale's character profile on the sideblog soon- Both that and the summaries page are a great place to get "Who is City Lights Dale as a person?" vibes if you want to read my take on his personality, but don't want to read this intense 'fic. I expect this to be the most intense of my dead dove longfics in terms of upsetting or sensual content as this one won't have started on FFN (with its restrictions), and also... Look at him. He was just handed to me with my favorite trope in the world: "Overwhelming intimacy issues that make bedroom life a cesspool of nerves and doubt" <3 Cupioromantic asexual instinct to strip him to his bones and take his mind apart...

I don't recommend starting the AU with this 'fic unless you're ready, but it IS the beginning of the chronology.

There are several tamer pieces in City Lights AU that touch on Dale's past with Vicky and Hadley if you'd prefer to start there.

🗺️ Worldbuilding - So, You're Studying the Cloudlands...

A collection of worldbuilding and meta essays covering subjects like biology, culture, history, holidays, magic, maps, and a handbook on new godkid assignments.

I'm not planning to change my worldbuilding because it's very detailed and I don't feel like starting from scratch. However, City Lights AU is not likely to deep-dive into magic and culture. Because... the cloudlands are heavily featured in Cloudlands AU. We live on the ground now.

You may also like my @riddledeep blog, where I first posted this meta. New Wish short bios and full character profiles can also be found on the blog.

I'm currently moving lore posts from the sideblog to the guide linked above. This way, the content is backed up and accessible to those who don't use Tumblr.

📋 AU Notes & Warnings

Notable lore tweaks (i.e. not canon-compliant with A New Wish)-

- I've heard rumor that Dimmadelphia is "canonically" not in California. However, in this AU it is because there are many Dimmsdale characters and references (such as the sign pointing towards Dimmsdale, implying it's near). -> In the OG series, Timmy's parents seemingly went to Dimmadelphia to look for Timmy in "Channel Chasers" after he ran away from home (They went inside the Dimmadelphia Cable building), further justifying it being nearby. -> In City Lights AU, it's in California (but you still have to go to Dimmsdale to climb the Rainbow Bridge from the bottom, as we know from OG canon that it touches down there). - This AU will most likely be replacing Hazel's 1 million wishes in "The Battle of Big Wand" with a fairyversary plot, because it just makes more sense to me. - No pasta puberty. My lore is very biology-based, so insect people producing spaghetti from armpits doesn't work for me (Plus, that episode was rough on my hemophobia and it simply does not spark joy). -> In City Lights AU, Hazel had something else going on that fell halfway between human puberty and having a ton of magic in her, kind of like the Terrible Twos from the OG series. - Dale is trying to keep Dev alive. I'll probably keep the part where he knocked Dev over in "The Battle of Big Wand" because it's interesting, but I'm playing him with a "My son needs to be my heir" angle. He will still talk about loving boots more than his wife and son, but he sure doesn't want his heir dead. - "A child must always get what they want" is not in Da Rules. That's not a smart thing to put in the laws that hold the universe together… Why even have a rulebook at that point? - Minor detail tweaks for world consistency - Ex: The people who show up at the school concert or stand near kids in lines likely have connections to them; this influences family headcanons. -> Classroom has consistency - Ex: In the show, Kev tends to disappear so Dev and Hazel can be portrayed onscreen at the same time, but there's no need for me to do that in 'fic. -> I've seen a lot of cool Dev heterochromia headcanons, but in this AU, his eyes are consistently blue. My thought here is that Dev's and Dale's eyes look green under harsh yellow lighting, but blue is what I'm drawing/writing them with.

Morally gray characters abound - No one is "purely cruel" or "purely good." Since I expect to post a lot of Dale trauma content, I want to be clear that he will neither be portrayed as extremely abusive towards his son nor excused from his wrongs.

I'm playing Dale from a neglectful angle where he tends to assume Dev is doing "just fine." He doesn't go out of his way to cause harm, but we don't excuse the harm he does. There's a lot of "Hadley comforting and supporting Dale" themes because... she's his wife and she was there when he was fresh out of his abuse. Just keep in mind that even if Hadley and Dale think they're good parents, we know they're not.

Idealization of abuse & neglect - City Lights Dale cared a lot for Vicky, denied and excused a lot of what she did, kept hoping she’d change if he was "a better friend," and had a hard time adjusting to life after she stopped telling him what to do. He has to work through a LOT of trauma.

Also, general vibes of Dev looking up to his parents and making excuses for them. Lots of rose-colored glasses in this family... Dale definitely did the same for Doug and Pearl.

Themes of guilt and shame - Dale blaming himself for Vicky abusing him… Doug insisting his son keep quiet about his trauma lest people start to talk.

Shout-out to the au pairs beating themselves up over their failures in canon: a trait I will totally be expanding on in this AU. Dale, do you wanna talk about that?

Fairy & Anti-Fairy counterparts consider each other family. They colloquially refer to each other as "cousins," but biologically, they're the same person (one soul split in separate bodies, with many believing they'll reunite as a single person after death).

It's fair game for them to attend family reunions, remark that they're relatives, or reference their shared soul. If that's a squick for you, you'll also want to avoid my Cloudlands AU. Example one-shot - "Scarred" - Stream of consciousness narration where Poof discusses his social and mental relationship with Foop. This is Cloudlands AU, but these vibes apply here.

Peri is a gyne: a biological "queen bee" whose freckles and pheromones lure in drone Fairies (who require preening to stay satisfied). Will he find any of his own in this AU? I don't know... Maybe in this AU, Cavatina doesn't try to kill him. That would be fun!

For reference, H.P. and Big Daddy are gynes in my lore; Peri will have the same bulky shape when he's older. Why is he one? He's an insect person who ate too much jelly as a baby- That's biology!

"You're not gonna explore a different-?" -> No, Irep's still got his pilot stripes (i.e. mustache and goatee), so I have no choice <3 "But he doesn't show freckles-" -> They're still in the pale white stage (and Irep's will still be purple like Foop's are in canon). Peri is still young and his freckles won't darken until he's older.

Poor Peri has a stronger scent than other Fae due to those pheromones. Even humans can whiff him without much effort.

As a "queen bee," Peri is wired to fight other gynes to the death if he gets agitated and loses self-control. I don't plan to delve into this in City Lights since that's what Cloudlands AU is for, but it might be referenced now and then, especially since Goldie thinks it's hot.

In City Lights, he still grew up as Finley's roommate (with Finley the dominant one). Peri is under the usual gyne lore: drones are drawn to Finley over him, but Peri's pheromones start picking up when he's in a place where he's the dominant gyne... like the Dimmadome household. Unless Dale and Dev spook him so much that he stays submissive, which is very funny, actually.

Violence, threats, and spooks - Canon-typical threats and commentary of the villain variety, keeping in mind that I write semi-realistic physics which can make these things more upsetting than the cartoon.

- Vicky's many weapons. OG series confirms she's left scars all over Mark and he interprets them as courtship signs. OG series Vicky often threatened Timmy and others with blades. - OG series H.P. put shock collars on Cosmo and Wanda and thought shocking them even when they did nothing wrong was hilarious ("Wish Fixers"). - OG series Vicky ate meatballs while believing they were eyeballs and claimed a severed arm served for dinner was "been there, done that" ("Timmy's 2D House of Horror"). - Bad luck can get messy. In canon, stepping on a crack breaks your mother's back. People get roughed up. People may experience burns, scrapes, and general injury. - Harassment charges and potential jailtime (e.g. "What if Tootie never toned back as she grew up?" & "Hey, maybe there should be consequences to Dale stalking a little girl.") - Foop's always had a thing for poisonous spiders and flames

Grossness & Gore - Messy, but always for a purpose.

- Vomiting (Magical backup, pregnancy, allergic reactions, general sickness) -> It is very likely Dale will have an eating disorder (or more than one). Will edit with specifics when I've finalized plans. I've always played Foop's alt personality with body dysphoria and bulimia, but it's never been shown onscreen. we'll see what happens. - Yoo-doo doll damage (Limb loss, smacks, cuts, burns, bite marks, and similar damage that can be inflicted on a doll) - Unpleasant descriptions of decaying bodies and bones. - Heavily implied (and possibly portrayed in L&P) cannibalism (Would that be messed up if I took Vicky's "2D House of Horror" comments literally or what? why did she say she's eaten multiple severed human arms? hey. what. Am I supposed to be normal about that? When will I ever get that 'fic opportunity again.) - Some characters go hunting (For birds, big game, etc.) Other characters (like Chloe, the Pixies, Gary, and Betty) are opposed to hunting. -> Dale (raised by Doug), Hadley (raised by Ed Leadly), Timmy (Pappy & Timmy's Dad grew up in the woods and Sparky is a good hunting dog), and Chester are all hunters (In canon, Chester and his dad eat things they've hunted or foraged iirc).

Detailed discussions of trauma, neglect, child abuse, and misery - Especially regarding Vicky, Crocker, and their influence on other characters.

'Fics are tagged. Trauma is discussed much more in the 'fics with high ratings. Trauma is glossed-over, sillier, or not mentioned in Gen and T works for this series.

- Dale, Peri, Timmy, and Irep in particular have issues with Vicky (Weapons, yelling, bullying, etc.) but that's par for the course. - Peri's Hocus Poconos trauma, such as in a possible post-"Lost in Fairy World" 'fic where a nervous Peri hovers over Dev. - Canon-typical miserable children in the miserable children show.

Character death - I'm committing to my "Doug is dead and Dale misses him" theory. If that gets disproved in later seasons, that's fine; this is an AU.

- Expect a 'fic of Dale witnessing Doug's death. Even if he doesn't, Doug's absence will be mentioned multiple times. - There will probably be minor character (OC) deaths in high-rated 'fics. I've not finalized plans, but it's likely. - Other character may also be mentioned as dead (Ex: Assorted ancestors, Cosmo's dad... Big Daddy could show up and imply he's doing shady things). - Beyond that, I don't have plans to kill canon characters at this time. If I do, I expect it to be in a far future piece where characters are in their old age, or when Fairies have moved on and are reminiscing on the past.

Break-ups & strained relationships - Peri/Goldie are strained for sure. They have a very on-and-off dating life that plays into the popular kid vibes the OG series set up for their school days.

Things are tense, but less traumatic for those two here than in Cloudlands AU (We're not mirroring their dubcon arc over here- They have new young adult problems now like learning to live alone and cook real food)

- Difficult family relationships (Ex: Dale & Doug, Dale & Dev) - Potentially some Irep/Sammy (or Irep/OC, especially if I go the route of betrothal drama). Undecided! I write a lot of Foop/OC in other projects and I think I'd enjoy the Irep/Sammy character exploration. - I don't have infidelity themes planned, but it could be discussed (Ex: My lore is that Big Daddy had an affair with a non-fairy - hence Anti-Wanda's round ears instead of pointed ones - so there's that, but I don't think that will come up in this AU). -> Dale's wife is super paranoid that he'll cheat on her because he hangs out with a lot of rich and powerful folks who are nice to him... but I cannot express enough how spooked of people City Lights AU Dale is and how much he would Not Do That. -> Now that I think about it, I feel like Dev is the kind of person who would try to set his mom up with someone else. Maybe I'll write that. She's a happily married woman, but I respect the hustle.

Sexuality and Consent Themes (Ex: Aspec- or trauma-themed dubcon)

Dating life, married life, aphobia (especially of the internalized kind), and sexual themes... written by an aroace person who enjoys playing with the ideas of attraction, anxiety, and consent [in fiction]

-> Think "Dale trusts no one, but has a kid- Let's talk about it!" and characters with thoughts like "Oh, maybe I'm not as comfy with this as I thought. Good to know!"

-> Imagine internalized aphobia along the lines of "Some of these characters grew up in the amatonormative 90s or early 2000s and don't consider that not getting in a relationship (or not having sex / children) is a genuine option they could pursue, or that there's even a word for their feelings or lack thereof."

- I write a wide range of aspec characters who each have their own preferences (some interested in relationships while others aren't). If you want a peek at these portrayals, I discussed many of my asexual headcanons HERE. - As with all themes, do not come to this AU expecting everything to be hunky-dory. Author deeply loves being aroace, but we raise a glass to drama... especially of the "just realized I'm aspec and not necessarily at a good time" variety. lol.

- I don't have rape themes planned, but it's on the table as something that could come up. Ironically, I can confirm it won't be for any of the characters who have rape/non-con trauma in Cloudlands AU. I do not expect it, but I would hate to not warn and then have it come up. As always, AO3 tags exist for a reason and there's nothing wrong with not reading 'fics that aren't for you- No pressure!

Themes of childfree life - And steps taken to prevent accidental kids. Not described in detail, but very relevant to some characters.

Ex: Dinklebergs are big on childfree life, all male witches are infertile, my OC Finley will die if he loses that much magic, some characters just don't want kids.

Themes of memory, including memory loss or manipulation - Godkids losing memories, Dev and Dale after "Battle of Big Wand," and so on. Peri [Poof] never got to say good-bye to Timmy.

Timmy and Chloe do not remember Cosmo, Wanda, or Peri. They've grown up to live normal, happy grown-up lives. They're chillin' with their partners (Molly & Kevin, respectively). I'm playing this as a positive thing, but it's worth warning for those who don't like AUs where Timmy loses his memories. Alas... the average kid stays average to the end, and no one plays the game forever...

That's everything I can think of right now. This AU is still in the early stages, so things might be added later. Works will be tagged appropriately on AO3. Please let me know if you think of anything I missed!

You can create works based on this AU. Please cite me and/or the AU as appropriate (i.e. for things very specific to this AU). You are free to expand on ideas you've thought of thanks to my AU as a jumping off point. I'd love to reblog or link things to my AO3 works if I see them!

I write content with morally gray characters. Please don't portray my story events or worldbuilding out of context with intentional malice. As in, I request you do not post things created for the specific intention of bashing me or the AU

[benis-chillin]

IDW's Fang the Hunter and the failure of Neo-Classic Sonic

(In case you're stupid, this is an opinion piece made for discussion)

Greetings, boys and goyles. I'm Benis, otherwise known as Benis Chillin, Sonic lore enthusiast and fanfic writer. I say the latter part because I want people to know that I'm well aware that many of my criticisms are based in the fact that I'm a writer, and unlike most people, I try to run more by objective canon than my whims. I explain it more here.

And per those standards…The current state of Classic Sonic SUCKS.

Now, I am a Modern Sonic fan through and through. I LIKED the 4 main Classic games when I played through them, but Sonic Adventure was the one that truly hooked me in. The world established by that game, and the ones that followed, just have my interest more, and I would prefer things be made in service to THAT.

However, to the greater detriment of society, Sonic Generations happened, and Classic Sonic was reestablished as part of the brand after years of Modern Sonic being THE face of everything, with even collections of Classic games using Modern Sonic artwork. And with the environment of the internet in the 2010's, it's no surprise that they decided to let Classic be its own sort of "brand" with Sonic Mania(bleh)and Forces(less bleh).

But they had a fun spin on it: A split timeline.

As explained above, Classic Sonic was given his own little mini-continuity to run around in, which is actually a brilliant idea, from a brand perspective. Original Classic Sonic had the creative freedom to do whatever the heck he wanted to, since he was the main Sonic. However, new Classic material, or Neo-Classic material, as I shall now refer to it, if left in the main timeline, inherently has the “prequel” problem where things HAVE to have some kind of hook for it to really be worth having another branch of the brand available. I wouldn’t say EVERY brand has this problem, but even the most masterful uses of that format have to deal with the fact that the future is predetermined, and Neo-Classic Sonic material just does not have the leg room to work around that problem.

So, split the timeline, and just do whatever with it. It’s an AU, go nuts! Let a part of the brand reset and grow in a different way for that audience who isn’t into that Modern stuff!

And we had a promising enough start with the 30th anniversary comics! Full of interesting returns that you didn’t really see in the mainline books. Heck, we got an actual look at the design of Metal Knuckles, that was pretty rad!

Bark, Bean, and Fang also had an appearance that made their old Archie team somewhat canon, after they only appeared as illusions in Mania.  Sure, these characters were neat in the Archie comics, but getting a proper form of that in a continuity free of that Satam Stank was nice. This particular comic being a separate thing from my main love, while not diving into the weird stuff that would turn me off from it, inherently made the comic more interesting, even though I’m not much of a Classic Sonic fan.

And so this sentiment continued through the next specials, but something else began to shift on Sega’s side. The dumbassery of single timeline was stated to be the new status quo, and they started acting as such with new Sonic material.

Sonic Superstars came out, too, and my feelings on that are known. Now, after his appearance in the comics had been a bit of a treat, even if you didn't like him, Fang was in an official Sonic game again, with 3D renders to boot!

...But he was still the same jackass with barely any personality that he was before. Because Superstars was TRYING to be like 3&K with its storytelling, while lacking basically every element that made 3&K's storytelling work. Combine the lackluster story and music, both of which were caused by the idea of it being a Neo-Classic game, with the fact that the graphics were 3D, and now the question is being raised of, "Why wasn't this just a Modern Sonic game?" 

Cause from an outsider's perspective, it being a Neo-Classic game only served to hold it back in a ton of ways!

For example, the character of Trip. She seems well liked in the Sonic fanbase, but Sega's kinda funky with how they handle characters being both Classic and Modern. Sonic, Tails, Knuckles, Amy, Eggman, and Metal Sonic seem to be allowed to exist in both parts of the brand, but that's it. 

Knuckles Chaotix is said to be canon, but the Classic Chaotix are unlikely to appear anytime soon since Sonic Heroes soft-rebooted them. Mecha Sonic was allowed to appear in the Modern "Scrapnik Island" mini-series, but I suspect it's seen by Sega as a "modern reboot" rather than a character being allowed to co-exist between the two brands again. Heck, they didn't even have the guts to show the Classic versions of the characters during the flashbacks, even though logically, they were still referencing 3&K.

 So will Trip be allowed to appear in any meaningful way in the future? Probably not, the way things have been going.

So, if all Classic characters can only appear in Neo-Classic material, then the Neo-Classic material has to be as good as it can be, right?

Well, that's where the Fang mini comes in.

Written by Ian Flynn, who has very much been showing how utterly stretched he is across so many Sonic projects lately(even if I would still regard him as a fairly decent writer, just...Has his limits), the Fang mini is the epitome of BORING! 

The basic story is that Fang and his gang are seeking out, "The eighth Chaos Emerald," visit a few people who tell him it doesn't exist, and then Eggman sends him to deal with the Hardboiled Heavies going rogue.

Along the way, Fang is just randomly a dick to his friends, and they end up abandoning his ass at the end because this comic is, for some reason, a direct prequel to Sonic Superstars, and we apparently needed an explanation of why they weren't there?

If my summary didn't sound that bad to you, it's because you don't have to go through the grueling wait that being an IDW Sonic fan entails.

Seriously, the wait between issues of IDW Sonic has become a real problem the past few years. Ever since the Metal Virus ended, the main book has had a massive problem with pacing. 

And sure, there are arcs and ideas I like there, I AM a fan, but not a lot HAPPENS in each issue compared to earlier in the book's run. Even re-reading them, the pace is oddly slow for a book about a fast character, and the issue especially persists here...On top of the main book being paused for a bit so THIS shit could come out.

(Current arc is doing better, though, so hope they keep that up)

Issues 1&2 are wasted with Fang harassing Sonic and Knuckles for a bit that, guess what? Goes nowhere! And then we briefly divert to Fang and co. in a watery old Eggbase so Eggman can capture them and actually get the plot going…3 issues into a 4-issue mini! Then, we finally get to the main event, where all will be revealed! And…

It's the Warp Topaz from the main book. The Hardboiled Heavies found it in a cave, where nobody ELSE knew it was, so it can't be the source of the 8th Chaos Emerald rumors.

Like I told ya, that went NOWHERE!

So they fight the bland-as-shit Heavies, Fang adds the Warp Topaz to his hover bike thing, and the airship is wrecked, leaving Sonic and Tails to have no idea what just happened, their involvement being a complete wash.

And our story ends with Bark and Bean rocketing off in little hovercars that just raise the question of why they didn't use those when Fang threatened to kick them off in Issue 2, since he has no say in whether or not they launch.

I actually managed to ask Ian Flynn about this on the Bumblekast, and this was his response:

Worth noting that the final issue has an additional editor that didn't work on the previous issues. Not saying EVERYONE'S blameless in this, but if I had to choose a weak point…

This mini-series encapsulates every little issue the Neo-Classic line has had since they officially eschewed split timeline.

 It feels the need to go out of its way to explain shit that doesn’t matter, like where Bark and Bean were during Superstars, Fang having the Warp Topaz, but not using it during Superstars creates a gaping plot hole that will not wash away, and it not going away at the end brings up a lot of timeline issues that I can only hope that Knuckles special resolves! 

In fact, why didn’t HE get the mini!?

Even in his Classic state, Knuckles has a LOT more to carry a story with! From the secrets of his island, to the mysteries of his people(which Adventure and the Frontiers promo animation hinted at), to even just doing his own treasure hunts! Heck, you could even pin him against both Fang’s crew and the HBH, and you’ve got enough of a banger to hold 4 action-packed issues right there! 

But no! Instead, we get a book that seems written to depend on the personalities of the protagonists…When said protagonists barely have any personality.

Like, let’s consider Team Chaotix from Sonic Heroes ALONE. Vector is the loud, bombastic leader with a love of music, and true detective skills, as showcased by him figuring out that their employer was Eggman on his own by Rail Canyon. Espio is the disciplined, if a bit full of himself, ninja, taking down the bad guys with stealth and precision, while also being somewhat melodramatic. And Charmy is the excitable ADHD kid of the group who may occasionally want to go off-track and play around in the giant casino area.

These characters are simple, yet so full of personality that you immediately like them(unless you’re a 2010’s YouTuber). THESE guys can hold a narrative.

By comparison, what do Fang’s gang have after 3 comic appearances and Sonic Superstars?

Fang is a hired goon who has goons, Bean is “funny” bomb man, and Bark is the silent strong guy with a soft spot.

That is really it.

And this was FINE back when they were still in “Sega forgot us” territory. Being obscure oddities that we would rarely get in stories actually did a lot of heavy lifting for their more limited personalities. Despite what the current writers seem to feel about such limits, judging by Silver and Blaze's current "vacations" in the main book, characters being rarer can actually endear you to them.

But now, these guys aren't really that rare. In fact, I’d say they’re about equal to Team Chaotix in terms of mass media exposure within the past 5 years, and they’re considerably lacking in comparison. 

Hell, even compared to the characters created RECENTLY in IDW and the Modern games, they're pretty lackluster. Yet I'm supposed to care about these assholes just as much as those guys?

Which, really, is how ALL of the Neo-Classic media feels these days.

Look, I get that Neo-Classic Sonic media doesn’t want to step on the toes of Modern Sonic. I do. But I really think it needs a good shake-up.

Quit treating it like it’s this special thing, because it isn’t anymore. Find a more solid identity for this branch of Sonic if you want it to survive, cause THIS doesn’t cut it anymore.

AND ACKNOWLEDGE THAT TIMELINE SPLIT ESTABLISHED IN A MAINLINE GAME, DAMNIT! THERE’S A STORY IN UNDOING THAT! TELL IT, OR I WILL!

[women-of-malevolent]

I genuinely don’t mean this from a place of malice, and do think the podcast both has a history of handling its women characters poorly and would like if it were better in that aspect. But I don’t understand the specific criticism of the work having a running theme of “male characters uncritically sacrificing their daughters.” (Key word uncritically.)

The titular Bella episode directly forces Arthur to confront the idea that him and Larson are similar, that the callousness they showed to their loved ones is intentionally paralleled. I don’t think it’s something the story is unaware of, and I’d hesitate to argue that Arthur (or Daniel, later) is presented as being in the definitive right. (In this regard.)

I don’t think you have to love the prevalence of the concept in the narrative, but I do think some of your critique feels like you’re taking the worst interpretation you could from the story and arguing that because the characters themselves don’t actively stop the plot to condemn it (and honestly, they do sometimes) it means the actions are presented as wholly value neutral. Some of your analysis feels like you’re starting from a conclusion and working your way back.

I want to reiterate: I really enjoy most of your critiques, and it’s refreshing to have someone in the fandom both document female presence in the podcast and speak candidly about its flaws. I’d honestly love to know if/why you disagree, either with regards to intentionality or necessity of inclusion.

Hello! Thanks for writing in!

I'm not sure which post you're referencing where I said the daughter-sacrifice theme was uncritically portrayed? Because I don't think it is. The story portrays daughter-sacrifice as varying shades of terrible, graded according to intent. These less-than-ideal men keep hurting the women they should have protected.

My problem with the daughter-sacrifice theme is the same as my problem the rest of the show: it's exclusively about men. Daughters aren't people, they're glass sculptures for men to carry for 18 years, and what those men do with that piece of glass in that time tells you about the character of that man.

Who are Addison, Faroe, Emily, Samantha, Murdered Daughter Of A Senator, fuck even Sarah, if you take away the men who hurt them? Looking at just the text of Malevolent, none of the liveplay games lore or headcanons etc, there's little to nothing to these girls.

You're not invited to spend time inhabiting any woman's life like you are with Arthur (or John, to a significantly lesser extent). You can, and I do, but it feels like reading against the text because their lives are boring, horrible, difficult to parse, and they usually end in childbirth or femicide. It's fucking miserable!

The men are trapped in the same bleak, violent story, and a lot of them die graphically and onscreen, but most of them also get some combo of moments of triumph, personalities, voices, independence, quirks that narratively make that violence go down smoother. (Also smoother because there are so many fun and fascinating male characters)

Also, honestly, I don't enjoy how the theme is explored. It feels shallow and lame to me. I personally, as a listener, don't feel like this specific story has ~earned~ (in my personal, idiosyncratic, things-I-like-in-fiction, subjective assessment) exploring the horror of femicide when 1) there are zero normal, living female characters (Marie is very close, but no cigar); 2) all it seems to really say is basically… murder is bad (sometimes) (usually?) (sometimes, at least), and it's extra bad when men kill their dependent women?

Standard disclaimer that it ain't over 'til it's over, what we got is not great so far but it ain't over

Thank you again and I'd be so happy to continue this conversation if you want!

[aotopmha]

I hate that all of the fun adventure stuff in FF14 is so terribly paced.

(Spoilers for everything.)

I adored the underwater setting of The Ruby Sea, but it was right in the middle of another series of fetch quests after an overwhelming amount of them in the above-ground area of The Ruby Sea.

I adored Azim Steppe, but it was at the top end of another series of fetch quests right after anything in The Ruby Sea.

I adore Il Mheg, but it was much less economic with its storytelling than the zones before it.

All of ARR is a pacing mess, making you go to six different places once and then do it again instead of focusing on the zones one by one.

And this continues in Dawntrail. The entire first "half" of it has a much better structure than ARR, but I think each area outstays its welcome to some degree.

I love being in them, as I've said, they're some of my favourite zones in the entire game, but once again, so much of exploring them is just reading a expositional wall of text.

I think the Valigarmanda set piece is one of my favourite "adventure" set pieces of the game, and the Yok Huy are probably the most interesting specifically Turali culture out of all of the cultures explored in Dawntrail (so far) with all of their connections.

Why can't we have a story that is substantial all the way through, even during these slow and adventureous parts?

I've made a couple of posts about really enjoying just going on an adventure and just exploring a new land and our role as mentor/support in this expansion, but I have criticisms within this microcosm.

You can use the intro areas of a story to just go all in on fun character interactions and to make all of the relationships you play with substantial.

Aside from treading old ground with some of the themes, I think the expositional nature of Dawntrail is my personal second major criticism of it.

I feel like there are so many points where they could've gone the extra mile with character interactions, but they just didn't.

We're just "told" some of the fun moments we could've seen.

But then when we do actually get substantial character moments, they're some of the best moments in the story.

Even just making the different claimants interact with each other much more often would've already made a much more substantial substory that can stand and still be good on its own, not just be a lore seed, which you can turn back to when you need it later.

I think the Endwalker patch content actually did this balance pretty perfectly.

Some great character moments combined with exposition and learning about a new culture.

6.1 is still my favourite bit of "adventure" storytelling in this narrative because we got all of that together.

The hate for those patches can suck it.

It's such a prevalent problem with the writing of this story that I'm not sure it'll ever go away, but I sure wish it did.

It just desparately either needs more editors or a realisation that more words don't always make for a better story.

I'd be fine to get a shorter MSQ if every part of it was immediately relevant and meaningful.

[firjii]

The thing about Veilguard companion quests

Under a cut because of spoilers and mixed opinions verging on criticism.

I feel like a problem with some of the companion quests isn't really the content itself or the writing quality - I enjoyed them just fine and they're often a nice break - but rather the fact that some tempting lore morsels are rendered optional.

This isn't a new phenomenon in DA games and there are often practical reasons for it (namely that, yknow, some things are eventually a form of groundwork for subsequent games), but it felt unusually compounded to me this time in some respects.

Just as one example, we get some juicy confirmations about titans, with Lace Harding potentially right in the thick of things. I love Harding's return. So many of us wanted that and it actually happened. I love her banter and the fact that she's a romance option. I love that the same VA voiced her again and that her tone direction in most convos is still outgoing earnestness.

I also love her personal quest. Compared to elves, dwarven lore still hasn't been explored that much considering dwarves have been an established culture in the DA world since Origins (it's not that we have nothing, of course, but a lot has been focused on societal timelines). I don't even mind that, typical of both an ongoing series and the DA games, some important new questions were raised and not answered because that's just what long-term storytelling does.

What I do sort of mind is that like most companion quests in Veilguard, Harding's doesn't actually have much bearing on the main story if you don't take that route.

Just like the entire Descent DLC, titan lore was once again relegated to an optional novelty. Between Harding's quest and Solas's (mostly) secondary-objective memories, a hugely important piece of the puzzle that impacted literally the whole Dragon Age world is once again an optional novelty.

I don't have a problem with the content in the questline itself - quite the opposite. It's a decent mini story and an excuse to spend time with Harding. It's nice to meet basically any dwarves that aren't surfacers or Orzammar dwellers because we haven't really done that before. It's nice to take a manageable trip back to the Deep Roads.

It also sort of ends on a bittersweet or cautiously optimistic note and I like that a lot. Given dwarves' isolationist tendencies and population troubles, the plight of the dwarves can be argued as being at least as dire as the modern elves' (just much less public) so it's satisfying to see that what happens to Harding potentially might help her people in some way. In case you couldn't tell, it's probably my favorite companion quest in Veilguard.

But I'm so baffled why this wasn't a main quest. Literally the only thing they needed to do to make it more relevant to the narrative was to change how it appeared in your quest journal and add maybe another hour to mandatory gameplay time. Were they afraid of confusing new players with what might have been construed as a superfluous lore ambush out of nowhere?

Being a game dev can be a thankless job and it's well-established fact that BIoware and EA are no exceptions. I do feel the heart and soul and effort poured into companion quests, especially this one. I'm just a little puzzled about the presentation this time.

[danwhobrowses]

So I Finally Finished a Playthrough of Baldur's Gate 3

It's been months of playing over my holidays and the weekends, but I've finally completed my first playthrough of what was deemed Game of the Year for 2023.

As someone whose only D&D experiences come from the two movies (the bad one that traumatized me as a kid by killing Snails and the good one that deserves more love) and Critical Role, I didn't know much of what I was getting into, only my coworkers saying 'buy it, it's a masterpiece' unanimously when I inquired about it. Having no idea how to play or the lore, I was very much entering blind.

Continued down the Keep Reading

So, I'm sure we gotta get through the first set of questions so let's get to them.

What was your Tav? It took a long time to realise that 'Tav' meant your player character among fanpages, I can't tell you why it's Tav still, but I only pieced it together from Durge naming too. My Tav is Dec, short for December because that's when I started playing and I couldn't waste too much time on stream thinking up a clever name. He was a High Elf Guild Artisan, for Class I started as a Beast Master Ranger, ironic that Ranger is deemed one of the lesser classes among the community, I was adamant to not use archery at the start but by the end of it I was a Crossbow Expert. I went 9/3 with Rogue to get Assassin, but then respec'd my Ranger into a Gloomstalker, since I never really summoned the bear (probably should've learned from Sam's constant dissing of Trinket eh?) plus when I remembered Dread Ambusher it gave me 3 attacks on the first turn. He has combustible blood thanks to Araj and some tadpole powers after consuming them after the creche incident made him more open to trusting the Dream Visitor; Charm - which failed 90% of the time - Psionic Backlash, Favourable Beginnings and Luck of the Far Realms used mainly, I had Stage Fright and Force Tunnel but didn't use it, same for Cull the Weak. Likes to talk things through, especially with Persuasion/Charisma buffing invisible hats. Has the Duellist's Perogative Sword and the Swire's Sledboard Shield for Melee, and the AC bonus, plus the Armor of Agility giving him an evasive 24 AC with Advantage thanks to 20 DEX and the Cloak of Displacement.

You can't see his scar and tattoo too well from here but I had to show off his Black Furnace and Red dye on his armour it looks too good. Here's a better look of his face:

For his tattoo and scarring I like to think he got the tattoo after the burn, in some ways distracting it from the scarring.

Did you Save Scum? Don't Lie to Me! Yes and I'm not sorry about it. If you wanna invite me to a D&D table I'll follow the rules and how the dice lands but there's a lot more wiggle room there than in a game where there's finite dialogue options. I was also not going to sit there and let my companions turn against me just because the game fancied throwing continual Nat 1s or low rolls at me, nor would I let Omeluum die in the Iron Throne, or end up leaving the Mirror of Loss empty handed. I bought the game so if I wanna carve this experience this way I shall carve it this way, I get some people see the Morally Good path as boring for this kind of gaming but I like to be good, it feels good, and I want good things to happen for my allies, even if it means having to undo most of their religious indoctrination. But, it did take a while for me to start save scumming, really it was freeing Halsin that started it but it didn't become regular until Auntie Ethel. I only really did it for dialogue/lore expansion (or when there were two dialogue options I was between which I hoped would be interpreted how I expect it to) and for necessary buff rolls like the Mirror of Loss, but sometimes I did it to keep some key NPCs alive like Jaheira, who died at Moonrise the first time.

Who did you usually team up with? Kinda a harem squad since I had Lae'zel, Shadowheart and Karlach. I was very combat-oriented; Lae'zel adding support to Karlach's melee or Dec's ranged combat while Shadowheart made up for most of the magic with heals, summons and like 100 scrolls in her bag (Dec horded about 100 different arrows and poisons too, sometimes pays off). I respec'd her to Light Domain after the Nightsong stuff to fit her character and hair change - though I must admit I preferred the black hair - and gave her my Adamantine Splint Armour for defences plus the ring and Balduran's Helm for +5 healing each turn. Lae'zel was a Battle Master, clad in the Helldusk set, though I didn't use much of her Superiority dice moves; the enemies often made saves against it even with 18 strength (20 after the mirror of loss, and higher at endgame thanks to an Elixir of Cloud Giant Strength), I relied more on her brute force, plus reaction skills like Executioner and Sentinel, plus the Silver Sword of the Astral Plane. Karlach was a 9/3 Bear Heart Barbarian and Champion Fighter, I did respec her for the Feats but the Bone armour, Balduran's Greatsword and Brutal Jump also helped at times, plus the Gauntlets of Hill Giant Strength and the Amulet of Greater Health made her a high damage, near-200 Health-on-Rage machine (over 200 thanks to the +30 extra health at the final battle). I tended not to swap around a lot, I couldn't abandon my healer, loved Karlach's personality and I had sentiment for Lae'zel being the first person I encountered, she has the sad eyes too, but I did do some rare switching for personal quests. Initially I started with Astarion, but that's because of a misunderstanding of who Karlach was - more on that later - and it turned out that I wasn't doing much for stealth, I brought him for Cazador though, much like I brought Wyll for Ansur and Gale for the Book of Karsus. Later in Act 3 I played around with dyes and equipped everyone, out of fear that I may be sprung unprepared like with Orin - Halsin only had a torch - by all campmates joining the fight, it didn't happen but everyone at least looks stylish.

I go between whether I like Wyll's colours though, on one hand he looks like a Templar and the white would stand out in Avernus, other times he looks like a cosplayer XD Minsc and Jaheira needed no dyes the colours already suited well, but I do love the colours I chose for Astarion, Halsin and Karlach.

Who did you fuck? (romance) Probably would've been asked sooner but sadly Dec became an unintended bachelor, at least outside of the headcanon. He did share a night of passion with Lae'zel after freeing the Emerald Grove but it wasn't something he wanted to pursue further, our dynamic was more befitting of two soldiers, or at least a dynamic where we think we're the General and the other the Advisor. Had Shadowheart took 'later' for her drink offer as 'I want to see all the dialogues other characters have first' rather than a refusal there might have been a romance there, instead I feel we fell into a more sibling bond, she can be a bit too sassy at times in passing dialogue - I had hoped to see more development with her and Lae'zel eventually being friends. Wyll did his best to throw sad puppy eyes at me when I refused to dance with him but it just made things more awkward, Gale meanwhile probably was gonna make moves when teaching me the Weave but he was very hung up on Mystra for me to entertain it, I sat with him when he felt the mortal coil though. Astarion I think made a passing suggestion but nothing of substance, Halsin left it late after he got kidnapped by Orin - I didn't realise he had to physically join the party to be a part of the group until Act 3 - coming onto me right before I confronted the Brain which was quickly turned down. I believe Minsc and Jaheira are unable to be romanced atm, and I did not fuck the Emperor; it weirded me out that he just was there shirtless chilling next to my unconscious dream state. We killed Minthara, didn't know you could recruit or romance her in a Morally Good path. Which left Karlach, fuck did I want to romance Karlach, not for lack of trying either; but because when I met Wyll he was talking about killing her I immediately assumed 'oh Karlach must be that woman on the cover with him' (aka 'the bitch who could've been cool if she wasn't such a bitch' Mizora, who I also wouldn't have romanced given the option) and stuck a pin in it, I was also unaware that most Act 1 romance stuff would come to a head at the end of the Emerald Grove quest which I prioritized so I only encountered Karlach after I saved Halsin and the Grove, meaning I couldn't reach Dammon until Act 2. By then Karlach seemed to be locked out of romance, perhaps for another misunderstanding on my part too since I did upgrade her engine twice at Lost Light very swiftly, but it still was a knife to the heart after all that and the date at the circus that she called us 'just mates' to Fytz. All this and then they give us a better kissing patch ¬_¬

Yes so sad, anyway what about ~Astarion~? Astarion is popular, and I know why he's popular, and the scene of him killing Cazador was very well done...but Astarion for me though was just fine; I mean you guys see Karlach right? Part of the reason she stays my group was that I can't bear to part from her. A lot of the times my Morally Good options didn't align with Astarion's brand of pessimistic chaos, so he spent a lot of time in camp as I mispronounced his name until I heard it be properly said, which probably hampered his story a bit more, but we had a close enough friendship that he heeded my advice with the Ascension and the spawn, wish he reacted to me getting a painting of him since he can't see his reflection though, felt like something could've been done there. Jaheira was a fun personality too, angry old lady who says it like it is, kinda wish we had more to her quest, seeing her home and her interacting with her wards/children was interesting, Minsc was charming too in his simple way, would've been cool if he had more of a presence as well, like we could hear about Minsc and the Stone Lord in separate lights earlier in the game to build up to him. On that topic, I was surprised to find that there wasn't a companion for each role, I suppose there were constraints but Aylin and Zevlor both worked as Paladins, Alfira a Bard (though I don't think anyone would dare put her in the line of fire), I suppose there's little need for a Sorcerer when you had a Wizard or a Monk when you had a Fighter and Barbarian but it was strange, you get 2 Druids and your Ranger is built more like a Fighter or Barbarian (the latter I added to Minsc). I'd later learn that there was cut content for a halfling companion who was a werewolf, but I can see why that one was cut, with Chetney and all, but yeah not any halflings, Barcus could've been a companion even without the Artificer class, or a Dragonborn.

So how did your story go? Being the Morally Good Guy I was I went through most of the best options I could, but I also tried to avoid combat earlier on when I was struggling to work with it. I was friendly with the Goblin Camp for starters, since they thought I was with the Absolute and Dec is willing to put shit on his face to avoid conflict, it all went tits up after freeing Halsin and having to kill everyone but it may've had some benefit to how I could walk freely through Moonrise. Ironically it was the same with the Githyanki, friendly up until they wanted me to hand over the prism, though the Creche was a lost cause anyway, they're lucky I didn't ransack the place, could've gotten a lot of xp and loot there. I let Viconia live, so she can dwell on that burn Shadowheart gave her but oftentimes I was not so merciful, do wish I didn't kill that one Sharran with the letter of hating being there though, why'd you fight me girl? Same with the Bhaalist with the parents at Elfsong, and the goblin children, I was using nonlethal but arrows don't count as I'd soon learn. Allies were mostly good-to-neutral creatures like the Tieflings (though I wish I saved more, nobody told me about the harpies and I thought convincing Rolan to stay would mean the Grove not the Shadow Cursed Lands - also why send refugees who struggle with goblins through the SHADOW CURSED LANDS?) and 90% of the Ironhand Gnomes because fuck Wulbren - I didn't like Barcus too much at first, thought him rude, but when Wulbren didn't even show gratitude for his attempts I softened to him. Kindness made me quite the enemy to others however; the infernal naturally did not appreciate my deeds of pact breaking but saving the Duke anyway and pilfering the House of Hope, but to be fair Raphael (and his clear portrait of himself I clocked onto immediately when he was in his human guise to know he was untrustworthy) never repaid me in-game for 'killing' Yurgir, and Mizora would've squirmed a lot more in her Ilithid pod had it been a table interaction - though, the latter two were more than willing to help me with the Absolute, 'cept Raphael because he's dead - but in my defence I loved outwitting and being a sassy little shit to demons. Slaying the Chosen was a given, as a very Pro-Karlach guy I was never letting Gortash live, got the Father/Grandfather-Daughter set with Bhaal too. Killing the former Balduran was disappointing; as much as he was on my side he always felt like he had his own ulterior motives, he also had a superiority complex to him with his constant urging of being half-Ilithid; thinks it's not important that he's Balduran either, dismissing Ansur's legend until confronted by Ansur's spirit. Stealing the Orphic Hammer was an insurance policy at first, I could understand Voss' disdain for us using Githyanki Jesus in a box like a forcefield, but it's a shame that the guy who was all about trust decided not to trust me in releasing Orpheus; we could've stopped the brain together! Omeluum would've heard me out. I mean Orpheus was a bit salty but he at least was willing to negotiate and not immediately side back with the brain like a petty bitch. I'd say the gods have mixed feelings with me; friendly with Selune and Lathander at least, and whatever Withers is - though the guy roasted me about my love life. The rest either neutral or anti; Shar and Vlaakith (if you can call her a god) definitely hate me, because they're sore losers, think Myrkul and Bhaal likely hate me, Bane however seemed to respect game not sure how I feel about that. I don't quite like Mystra, think she's a bit extreme with her treatment of Gale, but I understand her role, valid god but shitty person. On the other hand I probably have Cyric's favour for helping the Strange Ox, which might be bad...but Milil was happy to be recognized.

In the end, most of the allies got to live somewhat happily; Gale got the orb out of him and became a professor, Lae'zel - having dealt the final blow to the brain - leads the charge against Vlaakith after Orpheus became a Mind Flayer and was mercy killed, Shadowheart has her family (Shar would've always been with her regardless of her choice), a bunch of pets and can maybe reminisce with Nocturne again one day, Jaheira and Minsc - once he survives Zhentharim execution, didn't realise I needed to have him talk to Nine Fingers - also can rest with her wards and probably share drinks with Nine Fingers until the next fight, Astarion sadly has no cure for vampirism but he is owning it and killing the right people (I like to think he'll get to see the sun again, maybe Omeluum and the Mycolids help), plus Halsin has a bunch of kids in Moonrise to look after, plus Thaniel, Oliver and a new Owlbear who I'd rather had left with Dammon given the option. Isobel and Aylin can settle down, Rolan runs the Sundries, Hope is free, Alfira and Lakrissa got their bard's school, Florrick and Ravengard resume leadership to rebuild, Dammon has his forge, Scratch found a new home in this Mindy (but I remain best master), Mol I'm sure will be running the Guildhall in a few years, Thrumbo has a shelter for his brothers, Mayrina will raise her son without the threat of a hag, Vanra won't become a hag (but does need therapy), and Arabella will probably be the next Withers after reading some more rocks. Yenna didn't seem to have an ending so I'll assume that she found a loving home too, maybe with Halsin or as one of Jaheira's wards, or maybe Gale wants a Sous Chef since she did bring her own carving knife if you didn't know. I wish Alfira got invited to the epilogue, god of song is fine but not the familiar face and it would've been cool for them to meet, nice to get a letter at least, and we'll have to visit Art's grave sometime. Surprised we got no word about Mizora, I didn't get a letter from Geraldus even though he survived, Naaber apparently had more in him after wanting to be a dog, sad not to get anything from Rolan, Devella (I know Valeria mentioned her but c'mon), the Gondians, Mol, Omeluum, or Aylin and Isobel from the epilogue, did we really need the ramblings of Ettvard? Plus the papers must've glitched they said Stelmane's killer was still at large? Post-credits scene felt a bit weak mind you, but guessing Withers is that old God of Death Jerghal? Least he's not a surprise villain to fight. As for me, well, I was never one to give up on people and neither is Dec, and thus Dec and Karlach brave Avernus to seek a fix for her infernal engine, punch a few demons and whatnot, Wyll is there too as the Blade of Avernus, a role he embraced twice after barely contributing to killing Ansur but that's more proximity. We'll chill in the House of Hope especially after her letter, but soon enough we'll all return to Faerun on a more permanent basis.

So you enjoyed it? Yes, very much. I did of course make a lot of mistakes though; kept forgetting about Dread Ambusher for one, my earlier failures at romance still stung, I think the game wasn't as welcoming to those unfamiliar to it. The dice did not like me many times, I once got a Nat 1 in a 2 DC with +2 bonus, I also have had several instances of back-to-back Nat 1s, even had 6 in two different streams. Combat was an adjustment period, I missed a lot of the time which was frustrating, or the enemy would make saving throws on my gambits, Karlach even got pushed into the abyss at the Temple of Bhaal, I was livid. I think I probably would've experienced more if the game established better that you can long rest as much as you like without turning into a Mind Flayer, because much of Act 1 was me reluctant to Long Rest because they say you can change 'within 2-3 days', as a result that affected some romance options too, nobody to spend the night with if there's no night, as well as other in-camp interactions - Astarion never tried to bite me for instance, and I'm sure Raphael would've arrived to reward me for killing Yurgir had we not dealt with a backlog of interactions. I remained quite the hesitant player too, I ignored Gale stuck in a portal for a while fearing some magical backlash was gonna vaporize me, oftentimes I expected worse than what actually happened. Graphically there were a few characters whose cheeks were being pulled to the far left side of the map which was weird, and some battles would have enemies who would just do nothing for their turns, and some areas didn't render quick enough to not be noticed, but it was small stuff in comparison, I didn't do much for camp clothes or dyes until late on but probably for the better since style should be for the final act. I also keep seeing stuff that I somehow missed in my playthrough; like there's an angry squirrel near the grove? A frog in Ethel's house? A bird who wanted help with the giant eagles? What? Where?

What was the most difficult part? Act 3 had a lot of tough shit going down, though one of my most memorable struggles was against Auntie Ethel in Act 1. Already deep in her domain at lv4 it was a rough run to start with, continually hit by Hold Person by her projections, only when I learned they were one-hits did it become a little easier, but without Extra Attack it was still difficult. After that combat was here and there, sometimes it was just the environment like being jammed in a pipe when fighting Minsc; Lorroakan was annoying, Grym I had to be tactical with the hammer, the Assassin at the Facemaker was quite difficult too because he'd Haste himself and hide. The Death Shepherds in the Mountain Pass were surprisingly difficult without the Blood of Lathander, much easier with its Sunbeam. The companion quest final battles of Cazador, Ansur and Viconia were each difficult in their own way; the former was most annoying because my party would be downed but the thrown healing potions weren't working (plus those downed members were the ones with Radiant damage and holy water), wasn't even Bone Chilled like with Viconia, Ansur was difficult because of his burst attack. Raphael hits fucking hard, but once I realised that Hope kept dying because she was getting backlash from dealing Radiant Damage it was just attrition and lots of potion throwing. Combat-wise I think the toughest battle was Cazador due to the glitch of thrown potions not healing, otherwise the toughest boss was Ansur. Overall the most difficult experience I found was the timed operations of the Iron Throne.

Will you play again? Most likely, which is something I don't tend to say so Larian did do their job well. Though I might wait a bit to play other games first and give Larian time to add more content and finer polishing, I think I'd have a better time with it the second time around, would definitely try to resolve previous wrongs or missed opportunities, though I doubt I'd look forward to everything there; killing the Goblin Camp was still difficult work, same with the Steel Watch and all the turn limit stuff, I'll at least wait until I have Extra Attack before dealing with Ethel in Act 1 and take more Long Rests, maybe rotate the party a bit more and try out some other classes - but you will pry Speak with Animals out of my cold dead hands! Learning later about there being a bunch of cut content would entice me to play a third time if they reach a stage where all the intended content has been added in, but there's not exactly a time frame for that or a clear show of intent so far, so we'll see in that one, for all that is cut it seems like the end product is the tip of the iceberg. Enjoyed the play, played for a long time, would play again: money well spent.

[ficticiousdelicious]

What does Fic think of Eustass Kidd and Trafalgar Law?

In relation to: Fic's Favorite Characters (2024)

This is relatively spoiler free but there might be some hints.

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Eustass Kidd:

In general I really enjoy Eustass Kidd's grumpy, rough attitude and intensity but also how he creates his own brand of chaos instead of just going with whatever other people are doing. RIP anyone in his way...they're all equally obstacles in his eyes. He's often an instigator and very push and shove. It's interesting how much deep trouble Eustass gets himself into for his behavior and then has to slog back out of it. He seems very proud and I like how in-tact his intensity still feels. I really hope they give us his full backstory in the manga and/or anime (there's a few SBS things about it already) and I'd love to see more from his awakened fruit because that version of it is so damn useful! 'Useful Eustass'...hmmm... Aesthetically Eustass is so eccentric and sometimes he looks goofy but other times he's just rugged and I dig it - from the hawkish eyes to the punk attire to the lipstick and nailpolish. My one and only real criticism is that his new arm often seems a little too clunky? Meh. Smol criticism. I like the state of that arm and the lore for it and especially how ripped they make Eustass for wielding the stuff he does. THE MAN IS LIKE...6'9"?! I think?! A f-cking unit of a guy and he brings the spice. I was more fond of Eustass's very first outfit but once they depicted him more in the newer black shirt with its deep v-neck and his pecs and shoulders showing (sans cape thingy) I was bowled over. And of course I'm glad they kept his goggles! T3T

Trafalgar Law:

In terms of Trafalgar Law his broody, cynical moods can be so icy and in that way weirdly refreshing I think (because One Piece is an otherwise rather bright and vibrant world, we need some shade to balance). How Law acts so high and mighty partly because he's older than many of the other pirates he meets...ppppffttt. So funny man. Yet when other characters poke at him and get him going Law can get just as goofy. It's nice to have some humor from him. ...and he seems to have a certain guilty pleasure that it seems like his serious nature demands he keep rejecting every time it's brought up. HEH. Law's twisted/dry sense of humor that comes out of nowhere is hilarious too. One of my criticisms for him right away though is that sometimes it feels like he's made into too much of a joke. I felt it mostly irons itself out without an issue as the series carries on though. Departing from funny, Law comes from a dark place that has clearly warped his way of thinking and life. His backstory is exquisite; it gave an excellent sense of how he got to be who he is in the series present day. I adore how he's strong of mind thanks to how some of that hardened him. I would enjoy seeing more of his fruit power - in any capacity, it's fascinating. Aesthetically...god, Law is such damn pretty boy. It's the whole look and how he behaves. He is full of sass to marry to his looks. Hell. Everything he wears (except maybe the white sleeveless shirt...) is so put together though. I'm sure his shoes destroy his feet but god, from the jeans to the jackets and button-ups the man. has. class! A CLASSY QUEEN. Finally, his tattoo design is, in my opinion, one of the best and most fitting designs of that I've ever seen on a character.

Similarities I Like [about Law and Kidd]:

Their names are really cool! Fun to say, fun to read, fun to poke fun at. I always end up spelling Eustass Kidd with two 'd's' because I feel weird about just one. I also, obviously, like saying 'Eustass' instead of 'Kidd' the majority of the time. It just rings better to me. Aside from that they really seem to care deeply about their crews and that warms my heart. For Law every time he lets Bepo get away with shit I'm there for that. BEPO IS SPOILED. For Eustass it's fun to see how much his rowdy crew admire him (and god does he seem to love it) but oh man...some of the stuff we get for Killer and how Eustass handles things just hits hard! Just for Eustass there was a small, quiet and unique scene at the very beginning of the anime episode 1112 that blew me away because it was such a rare side of him. It spoke volumes. I still can't get over how lovely that was (I wish there was a bit in the manga for it). We get a lot more scenes for Law so it's harder to think of one that is really rare, but perhaps the one in his childhood where he's happy because of a dork, YOU KNOW THE ONE. In terms of Eustass and Law in the same space well...it's amazing how many of each other's buttons they can push down with all ten of their fingers and toes. They just resonate chaos but cooperation is possible and both are interesting. They're also from such opposite climates man (I guess I like the juxtaposition of that).

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Shippin' the Dudes (LawKidd/KiddLaw):

I figure shipping them isn't for everyone but I personally love the idea of it because I feel like they have chemistry in their volatile way. A goth and a punk - even if it's less literal in canon settings. NEED I SAY MORE? I just love the subculture vibes and the potential for playful fighting and getting into trouble to go on adventures. Their potential is outstanding and their attitudes are fun to write (I actually wish I had more finished fanworks for them but that's a work in progress and I just need five more minds and a few more limbs to keep up with that). Eustass and Law can also have very believable serious tones for sincere storytelling - for when you want to yank on people's feels. :3

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All anime images here © One Piece - Eiichiro Oda

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@chromatic-lamina SO MANY THOUGHTS. HHNNNGH. If there's a specific curiosity I missed with this let me know! I was afraid it would be hell to read this in notes so I just moved it into a post and well...then it got even longer! haha

[defira85]

I have... thoughts about the first episode of the Veilguard podcast and I suppose one could call them critical but I'm having war flashbacks about the DA fandom in the 2010s so. This is going under a cut and I'm not going to tag it. Because I don't want to spoiler people but I also don't want to draw lots of attention

My biggest issue is that I don't necessarily feel like anyone on the writing team has specific experience with writing radio drama

Listen, writing specifically audio only narratives is a skill. It's a difficult one. It's not the same as reading an audiobook out loud, and it's not the same as listening to a recording of a live-play/improv group. It's not the same as a movie script. I've often thought that the closest comparison in terms of narrative structure and performance is live theatre, but even that has limitations to the comparisons

Exposition in radio drama is, by necessity, somewhat overstated. There's a lot of characters stating outright things that are happening, in order to convey that information to the audience, and sometimes that can come across as very... heavy handed. It's really hard to balance in a way that can seem like an organic conversation. They managed it relatively well at the start of the show when Nadia outright states that Elio has given her a ring - in a visual medium like a movie, we'd have a close up shot of the ring and maybe a close up of her shocked face, and they wouldn't need to explain it. But in the radio drama, we get the shock play out and then she confirms it's a ring thats upset her, because we as the audience need that explicit confirmation. It's the nature of the medium.

What isn't great, and this is where I think that it's obvious to me that the writers either aren't familiar with the medium or don't have a ton of experience with it, is the way that everything related to the conspiracy is laid out. Obviously, you don't want to info dump and ruin everything related to the conspiracy in the first episode, but it feels like this conversation happened at least 3 times:

"*gasp* what are you even saying?"

"... I don't want to talk about it."

"Oh, you never want to talk-"

"Now isn't the time!"

"It's never the time for you!!"

What did Neve know about the raid and what did she say to convince Elio? We don't know, it's more important to have five minutes of grunting as Nadia climbs walls. Did we learn some stuff about Nadia as a character through the grunting? I mean, some of her stuff with Vik at the start, I'd say yes, but then it just went on and on. Did Elio talk to Nadia about what Neve told him on the arguably days or weeks long trek from Minrathous south to the Silent Plains? We don't know, they had to have multiple arguments like the one above. Could some of it be solved by the presence of a narrator? Arguable. How did Elio know the chant to follow along with Solas immediately?

"But Defira, they can't drop all of their exposition in the first episode, they need to build narrative tension" I'm not really talking about the story so much as I'm talking about how it's conveyed, how it's presented to us as an audience and what they're choosing to offer as the most important pieces of information and world/character building in the limited time frame. Lots of screaming each other's names dramatically sounds exciting, but it doesn't tell me anything the 15th time around. Lots of grunting as they yell and run and fight over and over again and I start to tune out

What can I tell about this first episode? That they spent a lot of money on sound design, and it sounds crowded. Narratively, I have lore questions (complaints) but that's not the point of the post.

The actors were great. The music was pretty good, but was it really worth it forking out for Hans Zimmer? The sound design was messy and cluttered.

I don't know. I'll keep listening, and maybe the writing will improve. The story concept is exciting but the execution is weak

I did laugh at Solas immediately fucking up again though