#this part was unbelievable

[preciouspatriots]

THEY’RE I N S A N E FOR THIS. this storyline has actually caused me irreparable damage and it’s all their fault.

[pierregaslays]

believing that liam’s family should be allowed to grieve his loss and not supporting an abuser are two things that can coexist btw

[captainmaxatx]

Logan and Wade almost always do the nasty with the lights out and Wade is a little disappointed but he gets it and he resigned himself to a lifetime of dark sex long before Logan came along, sucks to know that your partner doesn’t want to look at you while getting down to business but its something Wade can live with.

Meanwhile, after a long day of stupid big bright lights Logan loves to have the lights out when making love with Wade because there isn’t any extra light bugging him and his natural night vision means he can see Wade perfectly, just the way he likes it

[zoe-oneesama]

They almost had her, all on their own, yoooooou-!

Episode 48 Part 13 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47

Ko-fi | Patreon

[ninja-knox-ur-sox-off]

Repress It, Mk!

Mei and Red Son wouldn't be his backup singers (because they support going to therapy) so he had to improvise. He's fine, all good all the time all good

[lukashaa]

The bachelor slaying 💅

Based on this one photo from the olympics. Work

[luxris]

“c’mon crosshair, get in here!”

my piece for @thebadbatchzine! clone force 99 family photo 💀✨

[redactedshapes]

Saga was beginning to see why Casey disliked the woods so much.

-

this was supposed to be a quick painting to soothe the soul - I always forget how difficult painting is :')

Commission Info

[sawtrap]

Click here & whatever Pokemon you get is now your new favorite no matter what!

No rerolling unless you get a pkmn you're already obsessed with! Do you like your new favorite? 😌

[brighteuphony]

I am currently outside Saeko's house, humbly offering my hand in marriage, please and thank you. But now I'm incredibly intrigued how Sakura found out about this mysterious lady, doubly so when you consider why Saeko accepted her as a student; did Enji have a hand in both, by chance?

Saeko is a complex woman with complex wants and needs. But she also really likes to be flattered.

[poorly-drawn-mdzs]

MDZS Disco Elysium AU part 2 - Psyche Skills

Part 1 - Part 3

[the-one-that-weeps]

I find it a little poetic that, usually, plays have 5 acts, but isat has 6. And the sixth one is responsible for breaking the cycle. Like telling the viewer that "hey, it's not over. Your life isn't theatre. So go out and live."

[tinyclowndancer]

(x)

[olivexing]

Aughgf I’m playing with the concept of power dynamics switching in g/t but I’m too shy to post it

[spaceratprodigy]

✨❤️ Faith and Max | [ 🔍 AU ] ❤️✨

In my heart, I have but one desire And that one is you No other will do

Commission Info | Ko-Fi | My Links

[sarucane]

Ed Teach's Stories

From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.

This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.

In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.

And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.

At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.

So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.

All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.

What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.

The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.

Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?

Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair

But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.

In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.

Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.

In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.

And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.

Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.

Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.

And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.

Sometimes, it means understanding. Means acceptance, safety, connection.

From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.