#this one got long oopsies

[cedarsmoke4]

“Ethan Win— uh, I mean, Peter Parker…”

Sometimes the silly idea is just too perfect to ignore😂

No-glasses versions and detail shots below the cut⬇️

[zaacoy]

happy freenoodles friday! The silly husbands again because they are soft :3

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[3-aem]

is there anything a beginner should know about having a cat? i was never allowed any pets growing up and wanted to get one once i'd moved out (but i'm also a little terrified of just how small kittens are compared to humans)

i am most definitely not the one to ask bc ive had him less than a year and i know for a fact he is more baby than most cats are.

i personally just binge watched cat rearing videos for a few weeks but once u get one ur gonna realize that every cat is kinda different but they all bite and scratch u no matter what and u just have to

[junkissed]

THE TUMMMY VEEEEEEINS i just whimpered out loud. need to suck him off so bad feeling vampiric feeling mosquitotic 💤

member — junhui x gn reader genre — smut, it gets very soft n domestic word count — 800 warnings — handjob, oral (m receiving), no physical description of reader notes — MOSQUITOTIC MSHJDNEHDND ur so right tho i need to slurp him up like an insect!! anyway this wasnt supposed to get this long but if you havent noticed i really like jun so. what can i say. tagging @lovelyhan because this is what i meant when i said i love jun the same way you love jeonghan hehe

imagine laying down with jun and just running your hands along his tummy and tracing each and every vein with your fingertip and feeling how soft and smooth his skin is and how firm his abs are.

imagine pressing your hand flat against his stomach and making him shiver with how deliberate your touch is yet how gentle you are with him and it's cold and light but the pressure makes his whole body heat and you can feel how warm his skin is under your palm and he's already getting hard from how dangerously close your hand is.

imagine hearing the little sighs he lets out, seeing him close his eyes and his bare chest moving up and down with each little breath he takes as your fingers follow his veins lower and lower and lower and-

imagine taking his cock in your hand and holding it, your touch still so gentle and light as a feather but he still gasps and pushes his hips up unconsciously, begging for more stimulation, but you loosen your grip and let his cock rest against your palm, tracing the thick vein along the top with your thumb, putting just a little bit of pressure, stroking him slowly and carefully as if you were petting a cat.

imagine watching his abs tense up and his stomach muscles contract when you grip him a little tighter, watching his head roll back against the pillow to expose his neck and his adam's apple that dances and bobs with every ragged breath and choked whimper that leaves his beautiful parted lips as he begs you for more, harder, faster, tighter, more, please, and you ignore his pleas in favor of tracing the ridges of his cock once more, determined to memorize every inch of him so that you could recognize him from the veins on his cock alone, feeling every single bump and groove and vein he has to offer because no one has a cock as good as his, none as perfect as his, none as unique as his and you tell him so, because you have to make sure he knows you appreciate all of him because it's him, whether he's inside you or in your hand or in your mouth, you love all of him and you wouldn't want to know anyone as intimately as you know him.

and once you've thoroughly memorized him with your hands, there's only one logical next step, memorizing him with your tongue. imagine wrapping your lips around him and starting at the tip, working your way down slowly, letting your tongue wander over every part of him, mapping out his body with your mouth just like you did with your fingers, taking your time, not caring about the spit that falls from your lips and pools at the base of his cock and makes a mess everywhere, because by now he's moaning so sweetly and the mess is the last thing on his mind, he's not holding back any sound, he's not filtering the words of praise that spill out of him, he loves you, he loves your hands, he loves your mouth, you're always so good to him and he loves you so so much.

imagine the sheets curled around his fists as he struggles to stay still but he can't because you feel too good, you feel too perfect, how can you even be real because you're so good to him, you must be some sort of dream.

imagine the sweat pouring from his skin, his body shaking and convulsing and you're barely even moving and barely even touching him but it's so much, it's too much, he can't help it and oh fuck please please please he's so close and-

and you don't tease him for cumming so fast, you don't scold him or punish him or overstimulate him like you've done many times before, you just lick the trickle of cum from your lips and sit up to kiss him, holding his face gently, the same gentleness that you held his cock with, the same gentleness that you hold his heart with, because he's so precious to you that you can't imagine why anyone wouldn't want to hold him and touch him and trace every vein like you do.

you can't imagine how anyone could not love him like you do, but that's okay, because he's all yours, so you don't need to imagine anyone else. all you have to imagine is him, right here, laying next to you, his breathing finally beginning to slow as he kisses you again and again, because he couldn't imagine how anyone could not love you, but it doesn't matter because you're all his and he doesn't need to imagine anyone else, either.

i hope you enjoyed this!! if you did, consider reblogging or leaving a comment or an ask :) it shows me this is something people want to see more of, and knowing people like this makes me want to write more of it! thanks for reading!!

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[bitter-hibiscus]

Hey hi you have piqued my interest and I would love to hear your thoughts on Jason and Roy's interaction in New Titans #20-21 :)

OKAY OKAY OKAY!!! SO THOSE ISSUES ARE SO SO SO IMPORTANT TO ME BC THEY SET THE FOUNDATION OF JASON'S RELATIONSHIP WITH AUTHORITY HERO FIGURES AND. ROY IS PRETTY MUCH THE ONLY POSITIVE ONE

Sorry for rambling about more than just Roy and Jason but I had to set a foundation for my points.

The only three people who actually speak to Jason at any point for more than a single line in those issues are Donna, Hank, and Roy.

Donna, as is plainly stated in the text, is not actually talking to Jason, but to Robin, and she expects him to act exactly like Dick Grayson does.

In the beginning of the story, this isn't particularly an issue, since Jason is very excited to be included and Donna isn't actually putting any kind of pressure on him. HOWEVER, as issue #20 progresses, it becomes really, really serious. Particularly in this scene:

Donna, who up until this point Jason generally worshipped in that way children always do, just showed him she's not only capable of extreme violence against her teammates, but also willing to completely leave the people depending on her behind. (I may not be the biggest Donna lorehead but I'm pretty sure this isn't something she does often. It is, however, what Jason sees her doing, and that's important.)

Jason, kindhearted, boneheaded Jason, immediately calls her out on this. He trusts that Donna is a capable and trustworthy hero and team leader, but the image of a perfect heroine has been broken.

Donna puts almost the... complete opposite kind of pressure on Jason that Bruce does. Bruce has trained Jason to obey, and to try and force him into a leadership role while three of your teammates are literally unconscious is, to say the least, stress-inducing to a little kid.

(oops, the Donna part got long. I have a lot of feelings about them, okay?)

The second person who interacts with Jason in those issues is Hank, who is, you know. Hank.

The first thing he says to Jason is mocking his age, which Jason seems to be pretty self-aware of in a negative way, being the only child in a group of 20-something-year-olds.

Then, he actively stops Jason from joining a fight and doing his part as a Titan:

It's the polar opposite of how Donna treats Jason in this issue. Hank sees Jason as incapable and unfit for being a Titan. It's both demotivating and incredibly insulting, especially when Jason was trying to do the right thing.

So we're 0 for 2 for grown-up superheroes being dicks to Jason.

Enter Roy Harper, stage left.

Roy is the only member of the team to both acknowledge Jason as a teammate and still speak to him like the child he is without being patronizing or mocking, despite his conflicting and complicated emotions on the mission they're going to, because Cheshire. He keeps himself friendly and inviting to Jason, forces himself to joke around, because Jason is a child who shouldn't be responsible for Roy's Whole Ordeal.

He actively humors Jason's worship and wonder of superheroes, but still jokes around with him like Jason is an equal and not a kid he's babysitting.

He offers Jason company and empathy, and encourages him to share his view of the situation, once again treating Jason as a team member worthy of being listened to, but not particularly of being in charge of anything. Jason, for his part, pays attention to what's happening with Roy, and expresses concern over what Roy's feelings on the situation might be.

(long pause to admire how beautiful Jade looks in this story. anyway)

This scene is also really important, I think. Not only for the obvious reasons of Lian Being Revealed, but because even though Roy is reeling from the knowledge that he has a child, he still has space in his thoughts to care about Jason and want him safe. Even though Jason's attempt to lighten the mood was... less than optimal. Lol. I love him so much

Jason is there for what some may argue is the biggest part of Roy's development as a character, and even though he's secondary to everything that's happening, Roy still considers Jason an important part of the situation. He still takes Jason into account, despite desperately wanting answers from Jade.

I have nothing to say about those panels but look at them. my babies. jason is so so worried. his new friend is not ok and he cant help :(

TLDR: Jason's interactions with most adult heroes are.. pretty bad, (Not all. Shoutout to my men Joey Wilson and Garfield Logan,) but Roy is a major exception to that rule. He's compassionate and funny and a hurricane of emotions, and he's the first adult outside of Batman and Nightwing to canonically show Jason a little bit of kindness. While not in any way backed by canon, I do think that Jason's interactions with Roy filled him with determination to be a good hero and earn other people's trust. Those two issues have very small interactions, but I do believe they're some of the most important pieces of original Robin Jason content, largely due to Roy's presence.

[destinedhope]

part 2 of warriors headcanons because i realized i did forget some so more word vomit from me i guess. dont worry this one wont be nearly as long as the last one.

warriors is about 16 when the war of eras begins and about 19 when it ends, somewhere between 22-26 when meeting the chain(depends on the au tbh)

warriors is the main medic of the group, while he was very skilled with a sword and in magic weapons and does like the thrill of fighting to a degree, his main focus was learning field medicine, he wanted to help people in other ways then just fighting, tho he was never skilled at healing magic that way he is with combat magic, something he does get mad at himself for sometimes

warriors era is the one directly before wilds, the first calamity just hasnt happened yet but it is in warriors future, maybe shortly after or a few years after the chain parts ways, sheikah tech has been in the works since before the war of eras even started they just didnt start building guardians and divine beast until part way through/after the war, warriors does have a slate that he uses but he left it back in his era as he felt he didnt need it(he regrets this as his fire rod is in it along with his self care items and a majority of his medical and sewing/mending/knitting supplies,he vows that he will bring it along next time they make it to his era)

i also think that all three timelines did eventually merge back into one about a few centuries or so before the war of era, which is why even though they surprised to see people from the past they still know who they are/or connected too, and might be why cia/lana was a guardian of time in the first place, to make sure the merging went smoothly

he has burn scars on most of his left arm and side, while not as bad as wilds scarring, it does still bother him from time to time and makes it harder for him to tell if hes been injured in those areas

on a funny note he doesn't just get flustered around men only if they're attractive but also if they're genuinely just nice to him, because of this he did get flustered because of twilight and sky before realizing who they were and how they were connected to him, something he is deeply embarrassed about later and that the rest of the chain do tease him about occasionally(though they do worry a bit that he got that flusted just because someone was nice to him)

during the war besides being close to mask/time and tune/wind i think he was actually close friends with both midna and marin, being the only other ones close to his age, they had regular vent/shit talk sessions in down time, usually making ravio/whatever poor soldier babysit mask and tune

i do subscribe to the headcanon that he might be a decendent of twilights line and maybe wilds ancestor, but while he can absolutely tell time, twilight and wild are all related he doesnt really realize he himself is also related to all three, in fact most if not all of the group dont put it together that he is and i dont know weather i want them to or not, it has potential to have either a lot of angst or a lot of humor

[dnkinktober]

Hi, I noticed that the last prompt of the 19th changed from "spit" to T4T. Love T4T but I was planning to submit something for spit... can I still do that? Is it on a different day that I'm just not noticing at the moment?

hello lovely anon. you have made me realize something important.

long story short, i accidentally posted an older version of the prompt graphic for the current pinned post. the original prompt graphic contains some edits. this is why the prompts are different.

i will be updating the pinned post to revert the prompts back to the originally posted graphic. i apologize for the confusion! below, i'll list the correct prompts for the days that differ:

10. blood • lingerie/panties • hair (pulling)

12. bondage • masculinization • mirrors

13. murder • creampie • food play

14. blackmail • age difference • toys

19. power imbalance • omorashi • spit

24. primal • mutual masturbation • porn

27. biting • incubus/succubus • S&M

28. free use • possessive • sounding

and remember: all submissions will be accepted until 11/3. so please take as much time as you need and have fun :)

-dnkinktober daddy

[skitskatdacat63]

2005 Australian Grand Prix[Redux] - Giancarlo Fisichella, Rubens Barichello & Fernando Alonso(my personal post-race highlights)

[daseiins]

WHY is scarlet tangled in a toxic situationship with the Old One get her out of there!!1!

(i am actually so intrigued i dont think ive seen anyone write a situationship between oldie and a The Wizard char. consider this an invite to ramble abt her)

THANK YOU FOR ASKING I LOVE TALKING ABOUT THIS

i don’t have 100% of the details flushed out but in scarlet’s canon, the summit actually goes well and she has a chance to work with the old one on a way to travel to and from earth!

scarlet ends up getting incredibly comfortable, opening up to the old one and answering his questions about being bartleby’s scion over games of chess (that he typically tends to lose)

there’s definitely some kind of sexual tension between them. spending hours in a lab together tossing witty banter back and forth with more ease than breathing tends to do that, though.

as they’re incredibly close to finishing the portal to earth, the old one just…. vanishes. scarlet doesn’t hear anything from him for weeks, until a letter arrives from him, thanking her for her time and the valuable information she gave him, and how her contributions will help lemuria for centuries to come.

but basically scarlet’s just really lonely and gets a little bit (a lotta bit) manipulated and she takes the break up so hard she cuts off all her hair and swears off dating men forever

im in a toss up of if i want her to have a rebound with the OG lemuria scion bot or if i want the scion bot to just be like. her. like what if ur ex(?) built a robot that looked exactly like you that was the heart and soul of his most prized work. what if.

but yeah after oldie she dates mellori and they live happy ever after <3

[cepheusgalaxy]

Happy STS! What would your OCs be like as magical girls?

Oh that's a nice one!

Ceres would be the main one. Her color would be pink. Meine would be blue, Alisson would be yellow, Yuri would be orange and Dimitri would be purple.

I think their powers would be based off like, objects? I had an idea of putting some symbolism in the story for them so this will do. OR we could just do a 1-1 and have Ceres's power rely on copying + adapting her friend's powers by herself (like that fifth ace girl from glitter force doki doki), Yuri would be fire-based, Alisson would be ice-based (i know she's yellow but shhh), Meine's would be some sort of analytical power (like see the stats of their opponents?? It'd be fun) and I'd want Dimitri's to paralel Ceres's so perhaps it can copy the powers of their enemies instead of their allies.

Their little Creature would be a duck-cat-thingy. And also their transformation would be dependent on a piece of jewel. Like, I can't think of similar examples, but those sorts of uniforms that are compressed into one little bracelet so they press it and Turn Into it? The jewel is magic and if they have it they can do the magical girl transformation. Meine's would be one of those tie jewels, Alisson's would be a ring, Ceres's would be earrings, Dimitri's would be too, and Yuri's would be a hairband/hairpin.

[kade-is-here]

I love your stimboards so much :D Since you made an Eve Cooper one, you should make an Adam Turner one to match!

Thank you for the kind words! <3

HtB Adam Turner Stimboard, Requested by Anon!!!

TW for sharp animal teeth, unsettling imagery, and Scopophobia!

Safe /srs

Length: ≈ 2 min 20 sec

Requests are still open! :] If you see your GIF in here, please feel free to DM me for credit or removal! <3 /gen

Three notes and I’ll make an updated m!Cesar Stimboard /gen

[anomallis]

what if they kissed ( I know I’m late )

From x

The inventor was rather invested in his notebook , making observations of the people in the pit as he always had . Pieces of paper shoved into its various pages as he leans himself over the edge of the railing from above . Watching the crowds flood in - clamoring to get to the front to make their bets , buy tickets , or already get drunk . His nose wrinkled at the smell of alcohol , only to feel the presences of the much larger press itself to his back . His muscles tense for a moment , the large calloused digits of the Vastayan running itself over the silken fabric that decorated Viktors body in replacement of the shredded blanket that he commonly was seen in. He found himself leaning back into the touch - eyes half lidded as he hummed pleasantly to welcome the touch . Something that he hadn't become used to until recently - since Sett himself was a rather touchy man and left barely any room for Viktor to voice his grievances of personal space .

" Careful now , if you keep doing this someone will see you being rather soft to me ." His hand reaches up , fingers gently touching the cheek of Setts face - which rested on his shoulder . The rumbling purr of the vastayan resonating deep within the heralds core as Sett pulled him closer. " Sett ?" he says rather confused as the grip becomes tighter , worry on his features before hes spun around to meet the rather flush face of the Boss - Alcohol on his breath as he leans close to Viktor . His nose wrinkling once again as the hot thick smell of whatever he drank assaulting Viktors face with each exhale that came from the much larger . " Now - you know how I feel when you d - "

Lips were seized, the Heralds hand coming up to the others chest to try and push away, only to be crushed further against his body. It was a rather feeble attempt to push Sett away , not as if he hated the action. More of he knew exactly what type of taste was going to assault his mouth as soon as the others large tongue invaded his mouth . He grunts, brow furrowing as eyes close. Pressing into the rather messy kiss as clawed calloused fingers held the back of his head. Weaving within brown locks of hair to keep him in place as his breath was filled with the scent of alcohol. The bitter sting of the liquid in his mouth , dancing on his tongue and searing his nostrils. Finally , he was relinquished from Setts lips , tongue quickly sliding over his lips to break the trail of saliva that connected their rather messy shared affections . Inhaling deeply as he finally allowed the chance to bring fresh cool air into his lungs . His half lidded eyes watching the Bosses golden eyes glint with amusement as he cleans his own mouth with his forearm . His ears that Viktor admired barely having any control on the top of his head , flopping around with every sound that came from below them instead of their graceful swivel . " You're a rather needy beast aren't you ?" Viktor says teasingly , amused even , hands finding themselves on Sett this time to push him away from the railing away from prying eyes . " Come here , the people don't need to see their boss in such a state ."

[mixmangosmangoverse]

Man that post referencing the Giver just gave me intense flashbacks please let me adapt the book again please I would do a great job it would be animated and abstract and weird but also down to earth I wouldn't shoehorn in action and romance please I've loved this book since I was 11 Hollywood please please plea-

[scover-va]

Personally choosing to hc that the random-ass springlock suit in Sister Location that somehow sucks even more ass than Fredbear and SpringBonnie was bc William tried to build basically SpringBonnie 2.0 in his own way (which includes making a completely different, more complex, and more dangerous springlock system just to be different from henry) bc he didnt wanna give up the theatrics of his silly yellow rabbit. It then proceeded to bite him in the ass and also in the Everywhere Else

[cathalbravecog]

Do you have any good pictures of cathal that could serves as a pfp? (totally didn't spend like 20 minutes trying to find a good cathal picture and haven't really found any)

I have a few screenshots I've used as PFP's before or considered using! I have a whole folder of just random Cathal screenshots for this purpose so you know how it is. (Most of these are just from the Lunch Break animation becauseHis Happy Smile :] )

And honestly if you ever want some edit or whatever if I got the time feel free to ask as well!

And some renders from the WIKI that are easy to edit with (On the bottom one of them was cropped by me in the Valentoon's day card before we got official renders accessible on the Wiki - they're basically the same one, except one has a sandwich!)

Actually, I have just a crop of their head, so you can slap any flags behind a happy Cathal :] (Their antenna are even up high!!!)

If my art was more pfp usable (NO WACKY AHH BACKGROUNDS) I'd suggest that as well - but my Cathal drawings are often really personal to me and I'd just prefer if nobody used those. Though, if anyone wants to use my art for avatars just ask me about which piece and how you can credit me and whatnot!!!

I also have this upscaled version of the art from somewhere???

And some silly ones for last! :]