#this one didn't really fit with a set it's just

[lufyuu]

,, Bloodstained Crown ''

Yandere emperor x vengeful ex-crown prince reader

Tw/s: obsessive love, kidnapping, heavy yandere themes, rough + shameless + clingy yandere, dubcon, voyeurism, cockwarming, sex in public, power imbalance, one sided enemies to lovers, mentions of killing/death, slight gore.

They never seem to stop, those clouds. Crying all day as if mourning something important. Their tears seem to wash away the thick red liquid on the dirty floor. It wouldn't have been possible if not for the roof of the manor being in shambles. "T-t-those damned Luminayres—", he coughs, and coughs, and coughs, almost reaching his limit and taking his last breath. The heavy rain drowns out the sobs of a young teen, clinging onto what little hope he had left. He was in utter shock, not even able to say a single thing. Nothing came out his mouth. Not even a single whimper looking at the dead bodies. Dead bodies of his parents, servants, everyone who had ever lived in that palace. Dead. In a pool of their own blood. No amount of apologies will stop this former royal from avenging them all.

Even after so many years. Perhaps even a decade has passed. You're determined to finish what they started. They made a huge mistake. They didn't check if you were already dead or not. The bullet that had been lodged into your arm is not replaced with a scar which is a reminder that no matter how much they tried to cover it up, you'll always be out for their throats. When the sun sets and the streets are empty, you look around for ways to get into the protected palace. Revenge really isnt an easy feat.

"[Fake Name]! Did I hire you to doze off or work?", a deep voice yells out from the otherside of the sunlit room. You wipe a bit of sweat off your forehead, "coming boss", you jog over with a semi clean cloth to where your higher up is. "This is very dirty, how do you expect our customers to like it?", he points at one of the many displayed weapons. You notice a few specks of noticeable dust, "my apologies boss, I'll clean it all up right away", you slowly and carefully brush off the dust off of everything to make sure they look good enough for customers to stop by and look at, perhaps even buy. Your salary here isn't worth the work you're doing but as long as you can keep a roof over your head and food on the table, you'll be fine. It's way better than being on the streets afterall. This is almost your way of moving on. Even if it's not affective in the slightest.

After dusting off most of the armour, the doorbell chimes. A man walks in wearing armour. Someone who works for the royal family that's for sure. The boss is almost taken aback but keeps his composure, "W-welcome honorable soldier!", he instantly lightens up, a huge smile on his face while you freeze in place, not daring to face the man who has just entered the shop. The soldier doesn't say anything, only looking around, searching for something. "Do you have a blade with a handle made out of gems? Specifically diamonds", the boss is even more taken aback, as if the shop has anything that valuable. "My deepest apologies honorable soldier, I fear we do not have anything that fits that description", he frowns, "do you take custom orders?", "y-yes but I'm afraid we don't have the gem—", the man is quickly sileneced by the soldier putting a huge sack on the ground, from a small opening, the diamond shines just enough for everyone to see, including you. "His Royal Highness, the prince will be needing this next week for his engagement, he will be personally coming to pick it up", with that, the soldier turns his heels and walks out the door, the bell chiming once more as he does.

Something about this ignited the flame in you once more. This may be your last time.

"This means more work for us", well, more of work for you. With your mind elsewhere, you almost dont hear his voice. When you realize he did say something, you give a quick nod and head towards the jewelry shop to look at some gems. Your boss didn't need to ask you too anymore, you already knew. You already know this street like the back of your hand. It was an easy task reaching to your destination.

"Mr Albert, can you help make a handle out of diamonds?", you ask as you step into the shop. Even if you didn't intend it, the two of you had became pretty close but you know that won't last long. "Of course [Fake Name]! What kind are they?", you hand him the heavy bag of diamonds, shocking him as the diamond shines brightly. "Whose are these?", "the prince's, it's regarding his engagement to the princess Elena", Albert is even more taken aback as he grabs one of the glistening diamonds with one hand while the other holds a magnifying glass to it. "This is really high quality..!", you nod, "so, how long will it take?", "perhaps 5 days if I rush it."

5 days.

5 days is all you have to prepare. This might be your only chance. Even if it's half a percent, you're willing to take that risk. This is an opportunity you've been waiting for. You don't even know if the prince will be there or not, it's just something you'll have to count on.

The rest of your work day passes by as usual, nothing out of the ordinary, nothing unique, nothing to really make you feel content with life. Though, how could you? Even after all these years, you haven't given up on what you've been seeking ever since you were just a young teen. Whatever it is, it's still near impossible to achieve in these circumstances.

You take a seat looking out to the ocean, the sun setting as you do. The view reminds you a lot of the past. The very distant and unforgivable past. The little boy who had accompanied you all those years ago. The perpetrator.

Enough of the past. You're here to enjoy the sunset and ocean breeze. You sit in silence, relaxing your body and closing your eyes for a bit. Unfortunately though, even when the atmosphere is relaxing, something about it does annoy you a bit, the sound of people murmuring as they walk behind you, on the road. You can smell something sweet and know it's from the bakery not too far from your seat. This area used to be quiet, nice, full of trees and grass up until people decided they needed more land to use for shops. Everything changes overtime, nothing you can do about it.

After just a few minutes, the sun has dissapeared from sight, the moon taking its place. It's an everyday thing, nobody finds it unusual. Once the sun is gone, the moon takes over.

You look around, some shops are closing down while others stay open for the night. That's when you decide it's time for you to get some rest. No use staying here and dwelling on the past. It can't be changed anyways. As you're getting up, a carriage drives right by you, you catch a small glimpse of who the carriage is carrying. A mere glance from their midnight almost black eyes makes you shiver. It reminds you of the ocean at night and something more. Though, you can't quite place your finger on what it reminds you of.

Those 5 days pass by painstakingly slow. Too slow for you who wanted to have the prince's severed head on your shelf right this moment. When the day finally came, you waited in the shop. Acting as if it was any other day. Well, it sort of was. The only difference being the soon to be murder weapon concealed under your clothes. Your foot tapped impatiently, wanting to hear the sound of the townspeople murmuring or giggling, causing a ruckus. It would more than likely indicate the prince's arrival. "[Fake Name] why are you tapping your foot?", your boss asks with an annoyed expression. He hates the tapping sound, it drives him crazy. Though, when you turn around, wanting to answer or apologize for the action, the door opens. "Pardon me, I'm here to pick up a custom order?", a sweet and grace-laced voice calls out from just a mere meters from you. "O-oh yes of course your highness!", the old boss scrambles to the back, searching for where he had placed such an important order. Meanwhile, you stared bullets into the royal. This was it. Your chance. Maybe even your last.

As the prince takes a couple steps to admire the shop owner's handiwork, you took this as an opportunity to get closer. "Hm? I'm alright you don't need to show me around", you glance at the entrance, a few guards stationed to keep the prince safe but you wonder, why aren't any of them by his side? That's a stupid thing to do. Leaving their one and only heir all vulnerable to any and all attacks. With a swift move, you grab your weapon and direct it to the prince's throat, pinning him to the shelf. "Oh?", is all he lets out. An interested and excited 'oh' . The blade stops just a fraction from his skin, leaving him unharmed. Even as you try to press the blade closer, aiming to slice his soft skin, your strength is no match for his.

"Your highness! Here is your—", the old man nearly has a heart attack on the spot, nobody would blame him if he did. "[FAKE NAME]!? WHAT IN HEAVEN'S SAKE ARE YOU DOING!?", his screams are loud enough to reach the ears of the guards outside, prompting them to turn around and look at whatever was the matter. With no hesitation, they burst into the shop, almost breaking the glass door. "Drop your weapon immediately!", one of them says while the others surround you. "Step away and nobody gets hurt", their tone intimidating, unfortunately or fortunately, not quite intimidating enough for you. "Agh, fuckers", you turn to the guards, letting the prince out of your sights for just a splint second. A terrible mistake.

With a swift move, your blade is removed from your hands. "No need to worry, I'm afraid our attacker here is quite inexperienced", you look back at the prince who now has an even wider smirk. Little do you know, he's also scanning your features, taking it all in. "Huh, your face is familiar, that attitude, not so much", you glare at the man nad try to punch him using your non-dominant hand which is also stopped by him. "Y-y-your highness! I am incredibly sorry for the trouble he has caused!", the old man is clearly referring to you, "rest assured he's never allowed to work or come near here ever again!", he's almost crying, trembling with fear as to what the royal family might do to him. The prince seems to be thinking as he pauses for a few seconds before his eyes lit up. With a firm grip, the royal heir clasps both your hands in one of his, making sure you can't make any sudden attacks on him. With the now free hand, he stretches it to the boss, "where's my dagger?", and just like that, the boss is scrambling to hand it over. Once the prince had it in his hands, he looked over at your puzzled and angry face. "Is it pretty?", he holds up the dagger to your face. You think he's about to stab you with it so you remain silent. "I'm Prince Vaelius if you haven't already known", he scans you, "and you are..[Fake Name]?", he seems unsure of it himself, wanting confirmation from you but you don't give it. "Fuck you and fuck your royal family bullshit", you spat out with venom. Most would be incredibly angry by now but not him. He finds it amusing how you have a vendetta against him and he doesn't even know you!

Vaelius takes a step, then another, and another towards the exit. The guards open the door for him, wondering what his next move would be. As the carriage door opens, you're thrown into it, followed by the prince who climbs in immediately after you. You try to kick the man but all that does is amuse the royal sicko. "Let me..off this dammed carriage!", you scream and try to kick once more, only for your ankle to be grabbed by Vaelius who pulls you closer. Your leg now sitting on his shoulder as the carriage moves slowly. "Your life's in my hands now, [Name]."

"[Name], meet Prince Vaelius", your mother, the Queen of Aldoria introduces you to the little boy infront of you. He looks about 10. Now why would you befriend such a young boy when you can play with others your age? "Go on, talk to his highness", she gives you a gentle push which makes you a bit annoyed. The little boy looks up at you, his midnight eyes almost glowing as he looks into yours. It's as if he's mesmerized by you. "H-hi!", his voice is still high pitched unlike yours. You're in your early teens so it's been a while since you've heard an annoying high pitched voice. Nonetheless, you have to be nice. "Hello, I'm [Name] [Last Name]", you reach out to shake his hand but you mom quickly puts your hand down, "it's impolite, give a little bow", she whispers in your ear to which you oblige. You give the smaller boy a bow, to which he smiles sweetly at. "Mn! I'm Vaelius!", he excitedly replies.

Arriving at the place you never thought you'd ever step foot in ever again, you feel a sense of dread wash over. However, this feeling was soon followed by anger and frustration.

The prince steps out first and holds out his hand, anticipating yours to grab his. Instead, you ignore the outstretched hand and get out yourself. Dusting your clothes as your feet touch the ground. "Are you repulsed by me?—", as he asks that, your hand grabs his collar, glaring at him, "I won't cause a ruckus as long as you keep your hands off of me", "but you're the one touching me, are you not?", he looks down at the hand on his collar which you quickly pull back, turning your attention back to the magnificent castle infront of you.

With guards surrounding the both of you, you are brought into the castle, the prince never leaving your side. As the palace doors open, there are already maids taking the prince's coat off, making him feel at home while you look at him in dissapointment. Does he not even know how to take off his coat? Anywho, you look around, taking it all in. It's been years since you've last been here. "Do you like your new home?", "home?", you instantly turn around and ask, the maids retreating to their positions. Vaelius waltz towards you, a cunning look on his face that makes you want to punch it off him, "yes, you're marrying into this family, [Name]", he takes your hand, "didn't I say not to touch me!—", Vaelius places a peck on the back of your hand, "you wouldn't want to dissapoint the entire empire, now would you?", his eyes show a glint of obsession, though it passes faster than it appeared. For some reason, you can't pry your eyes from the lovestruck prince. "What are you saying...", you're suspicious of Vaelius, just what in heaven's sake is he talking about.

Vaelius gestures for one of his servants to come over. She's holding a blade with both hands which Vaelius grabs, handing it to you, "this is for you, my dear fiancé", his voice alluring and almost commanding you to take the blade in his hands. Despite his warm smile, the air felt heavy with an unspoken tension. Neither one of you wanted to lose this unspoken battle. "Or shall I remind you of how you tried to hurt the one and only heir?", his eyes open to look at you with a fierce look in them, you feel sick to your stomach. You hate him, you hate his family but this might be your only chance in surviving and carrying out your revenge. Lose the battle but win the war as they say.

You grab the blade part, bleeding a bit as it slices into your hand, "then, I'll gladly accept, my prince", you look at him with glaring eyes as he stares back with a smile, "aren't you sweet? Come up with more nicknames before our wedding, won't you?", he gestures again to the maids and in a few seconds, those same maids are guiding you to your new room. Temporary of course. You'd be sharing the same bed as the prince soon, patience.

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗

"At least the room's nice", you mumble to yourself after seeing where you'll be sleeping for the next few days or weeks. The maids all exit the room, with one letting you know that if you ever need something, to just ring the bell near your bed. You try to take it all in. What you did, what you will do and what he will do. The prince is unpredictable, making you all the more uneasy and wary of him, but for now, you should just enjoy a lavish lifestyle. Just like all those years ago.

"The prince is a beauty isn't he?", your mother catches you off guard. The two of you are sitting on a bench in the garden while ththe prince is with the emperor, discussing a few things with your father. "What do you mean, mother?", you ask in return and she giggles, "don't think I haven't noticed your eyes constantly following his figure now", your eyes widen, face visibly flushed. You can't say anything or rebuttal her words as you know it's true. She notices this and turns to you, a sweet smile on her face, "you might as well ask him out now before he gets snatched up by a girl or perhaps another guy", she jokes but sees that your expression is uneasy, "sweetie, I don't care who you like, you're allowed to love whoever, I mean, you're a teen now! I'm practically a soon to be grandma", she laughs and you do too. The small blonde prince turns to look at you with a huge innocent grin on his face. Little did you know, the emperor had noticed this and glared bullets into you.

"[Name]~?", Vaelius calls out, leaning a bit too close to you for comfort. You throw him off of you immediately, knocking him onto the carpeted ground, "ouch!", he rubs the back of his head which had collided with the ground, something in you compells you to lend him a hand. So, you extend one for him to take and he does so. "Why did you sneak up to me like that!?", you ask, furious. He stands up, almost towering over you, you don't remember him being this tall.."I wasn't, you were just spacing out", he sighs, looking like a hurt puppy who got scolded at by its owner, "don't pull that face and why are you here anyways?", he perks up at the question, "well, you are my soon to be husband, it's only natural I'd introduce you to my father", "I've already met hi-", "no time to lose!", he drags you out the room and into the hallways.

"Father! Meet my fiancé!", Vaelius pushes open the giant door to the emperor's office where Emperor Adrien sat. "What do you mean, son?—", his words are almost cut off as you enter the room, looking like you've been forced to be here, "who is that.", the emperor rises from his seat, looking down at you but not his son, "my fiancé", Vaelius happily says, holding your hand up. "Vaelius Luminayre. What in the world are you thinking", his tone is calm but you can tell he's beyond furious with his one and only son. "I'm perfectly capable of choosing my spouse, am I not, father?", Vaelius is passive aggressive with his words, daring the emperor to oppose his marriage with [Name]. "And what about Princess Elena", he is glaring at you, as if decades of hatred is surfacing once more. You can only look on in silence as the argument between father-son is going on. "Oh, her? You can tell her family we won't be needing them anymore", Vaelius says as if it's the most obvious and easiest thing in the world, ignoring the fact that they had been engaged for half a year. The families had hoped for Vaelius to take her as his empress but now..things have taken a turn for the worse.

"Vaelius. You two will not have my blessing", the emperor thought his son would listen after his little threat but that was far from true. "I didn't come to ask for your blessing, father", Vaelius slyly says, you can almost see an irk mark forming on his cheek. Emperor Adrien is shocked by this response, "Do you understand that you WILL NEVER become emperor if you marry that wretched man!? Has he corrupted your mind!?", the emperor yells and throws a vase your way, only for it to be blocked by Vaelius, what have you even gotten yourself into!? "Keep telling yourself that, old man", the prince turns around, taking you with him and exiting the room as yet another vase flies across the room, hitting the closed door.

This was only the start of your new life.

After that incident, your life became...easier? Well, it was all thanks to Vaelius anyways. Somehow, a few days after Vaelius met with his father to discuss about the marriage further, the emperor suddenly approved of your marriage. With the condition that the marriage would have to be postponed until 3 months later. This was also an opportunity for you to get rid of the royal family and not be tied to them in any way. You just had to figure out when was the perfect time for your plan to be executed.

And that moment came sooner than you expected. It was midnight, you knew everyone in the palace, other than the royal guards, were fast asleep by this point. The palace eerily quiet, the atmosphere almost horror-like as you roam the hallways to look for the emperor's chambers. To your utter shock and surprise, two guards lay dead on the ground of their own blood infront of the cracked open door. "Holy shit..", you cover your mouth. Even though you had seen this countless times...this time was different, it reminded you so much of that night

You also wondered, who could have beaten you to it? With your curiosity growing with each passing moment, you decide to take a peek. Avoiding the blood and corpse, you look through the small crack of the door. Your stomach drops at the sight. The moonlight shines on the perpetrator's blonde hair, in his left hand, the head of the now dead emperor, a blade on his right. The floor and walls covered in blood, the perpetrator himself is also covered in thick red liquid. Your eyes widen as the man notices someone staring at him. He turns to smirk at you, revealing himself as Vaelius Luminayre.

"Come in, why don't you?", he beckons you in, your legs move towards him, obeying his command. Once you reached him, your legs give out, falling into his arms as the bloodied head drops onto the ground with a loud thud. "Well aren't you so sweet? Falling for me like this", your head rests on Vaelius' shoulder as he holds you by your waist. You're almost frozen in place seeing what the prince, no, your fiancé, has done to the emperor. "V-Vae...", "sshh", he hushes you, "I did this for us, [Name], you've wanted this from the beginning, haven't you?", he chuckles in a low voice, a terrifying laugh. "Now we can get married the second the sun rises, isn't that amazing?", he holds your hand and makes you face him, lifting your chin to stare into his eyes as his bore into yours. "I'll be yours and you'll be mine, how's that?", with nothing left to say, you nod in agreement, did you want this from the start..?

"[Name] I'm gonna marry you one day!", the young boy says while pouting. Another lady had been flirting with you prior before this and unfortunately the young prince had witnessed it all. He was not happy. "W-what!?", you're taken aback by his suddenness, "you can't marry me..!", you yell to which he pouts even more, "why? Is it because I'm not a pretty lady!?", Vaelius seems like he's on the verge of crying so you give in, "o-okay then, I'll marry you", his mood takes a turn for the better and he smiles, "no take backs!"

The Prince always gets what he wants. Whether that's the title of Emperor or your hand in marriage. Today marks the day he gains it all. Not only is he the emperor by law, you are also now the Imperial Husband. A title that will be bestowed to you in a couple hours time.

The wedding ceremony was nothing short of grand. Everyone was invited to witness their new emperor's marriage to the former Prince of the [Last Name] house. Most cheered for the couple while some were dissapointed. Oh the look in Princess Elena and her family's eyes, priceless in the eyes of the now Emperor Vaelius. The wedding itself was held in the Royal Palace. Usually it'd be held at a church but Vaelius wanted it to be even more grand so he chose his palace. You even had a custom made outfit fit for the occasion, a pristine white dominated suit with the colors of your house. This was Vaelius' way in honoring the late King and Queen of your kingdom. You hated him and still do probably but you can't deny that what the both of you had in the past, still remains in the present.

Even though you didnt know whether he had been involved or not, something in you wanted him to be involved in your family's massacre, at least then..you can avenge them still, with the former emperor dead and all. You can't fail them but, is it worth murdering an innocent man for? The man whom you had fallen for all those years ago no less. In this marriage, you can't tell if it's either unrequited or requited love.

"Your Imperial Highness..!", a commoner girl says as you and your now husband pass by the crowds of civilians. They're all begging to get your attention, screaming, calling out and even crying, all so that you'd notice them. Maybe theyre trying to gain your favor or maybe they simply find you captivating, Vaelius sure understands where they're coming from. He finds you absolutely irresistible and it would be natural for the public to be captivated by your beauty too. So long as they know their place in his empire. You turn to face the girl who called out for you, her face full of joy despite her shabby clothing and dirty appearance. Why was she so happy just to get a glimpse of you? You'll have to get used to this life now.

What you probably can't get used to is your new life with the Emperor Vaelius. The moment the two of you stepped into your new shared chambers, Vaelius wasted no time in pushing you onto the bed, "Vaelius! What are you doing!?", "we're married now, aren't we? Let's spend the first night like husband and wife", he licks his lips at the sight of you sprawled on the bed. He's been waiting all this time for your return and his want for you can no longer be suppressed.

Without a second thought, Vaelius attacks your neck, littering it with kisses and hickeys. The pain was bearable, but the way he licked you really did send shivers down your spine, this sensation is very new to you. Instead of pushing him off, your hands pull him closer, something compells you to. It's as if the you from all those years ago came back, wanting to hold the now Emperor Vaelius. You close your eyes in pleasure, containing the moans threatening to escape your mouth. "You like this, huh", he speaks against your sensitive skin, making you all the more turned on. "M..mhm", you manage to get out. Vaelius then pulls back, looking at your mesmeric expression. "My...beloved [Name]...", your name rolls off his tongue over and over again as if he's afraid of the possibility of not being able to utter that name anymore. "Never leave me again", it sounds more like a demand rather than a plea. Before you could respond, he took both your hands with his left, his lips pressed against yours while his right hand is wandering down to your pants. Stopping to unzip them. If this was any other piece of clothing, he would have ripped it open. But since it's your wedding outfit, he'd like to keep it intact.

With his hand rubbing your cock, you reach out for said hand, wanting it to stop as you already feel to much pleasure. Never in your life would you have even thought that your first love would be touching you like this, as your husband no less. "Hm? Do you not like it?", Vaelius knows you like it, he just wants to hear those words come out your mouth. "Or would you like it more back there?", his hand wanders towards your hole, a finger pressing on the entrance as you moan just by his touch. His finger stays firmly pressed against your needy hole for a few seconds, enough for you to whine, "Vaelius..just put it in already!", a command he obeys as he immediately inserts a finger into your hole, you close your eyes due to the unfamiliar feeling, it feels weirdly pleasureful. Something in you wants more, something bigger, but you dont voice that out. Though, you neednt say anything for him to know what you want. He pushes in a second finger in, making you cling onto him.

"..ah...NGH...!?", you almost let out a loud moan as you feel your protaste being stimulated, closing your eyes in the process. Vaelius smirks, enjoying the way you're turning into putty under him. He didn't say anything as you moan out. Though, it was clear just by looking at his face, that he was thoroughly enjoying the lewd noises coming from you. Without wasting anymore time, he removed his fingers from your hole.

You felt empty, until something else pressed against your wet hole. Fuck! He's huge..! was your first thought as you took a good look at his lubed cock. You didn't even dare to estimate the size of it, "it won't fit..", a reaction which makes the emperor chuckle, "your body was made for me, of course it will fit", before you could respond or let out a snarky comment, Vaelius thrusts himself into you, gripping your waist as he does. You arch your back, eyes widen at the sudden intrusion, "f-fUcK!", you yell out, "you're so tight..", Vaelius was clearly enjoying the way your hole clenched around him. You, on the other hand, wasn't used to this. Tears form in your eyes but they dont fall. When you look back at the blonde, his face is red, seemingly lost in thought himself as he stares at his cock halfway in your hole. You felt his grip tighten and without warning, he slams his cock as deep as possible inside your ass. You let out a loud scream-like moan. The pleasure and pain hitting you all at once, "my dick feels...so good", he leans down to kiss you. You moan into the kiss, him exploring your mouth with his tongue, making you a mess as drool trickles down your chin.

You were getting used to his size due to him staying still but then Vaelius suddenly pulls out, leaving only the tip inside before thrusting it all in. "Ack..! Ah!", you moan as he thrusts in and out, leaving almost no room for you to breathe as he part his lips from yours, focusing on pounding your ass and filling it up with cum. You on the other hand, felt your eyes rolling back, your whole face flushed as you had a firm grip on the bed sheets. Your moans became louder than before, turning your now husband even more. His pupils were practically heart shaped as he looked at your messy form being fucked so hard and rough you look as if you're losing yourself.

You could see and feel the way Vaelius thrusted his cock in and out of you, your lower belly bulging whenever he went all the way inside. This sight made Vaelius all the more horny. Soon enough, he felt as if he was at his limit, "I'm gonna cum...!", as he said that, you grew more aware of your own orgasm. The more he pounded your hole, the more you felt close to your climax. "Cum with me, darling..!", he said inbetween grunts and gasps. Your body convulsed as you let out your first load in a while. Not only that, but the feeling of Vaelius' thick and warm seed filling up your hole made it all the more pleasureful for you. Unplugging his cock from your hole, his cum drips down onto the bed but the both of you couldn't care less in this moment. Lost in each other.

After a moment of silence and rest, Vaelius was the first to speak, "how was it?", "...well it was my first time so—"You're a virgin??", "...", you gave no further comment, regretting ever letting those words out your mouth. This makes Vaelius laugh and blush, knowing he was your first love and the one who took your virginity, "then...I'll make sure your body gets so used to my cock that nobody else's can satisfy your needs, I've got to make a good first impression for you", he throws himself onto you, wrapping his arms from behind you as you face the other way, "just a warning though, I have many needs and wont stop once I start"

And oh boy was that true.

Not even a month later, and he's already bending you over the table. The official meeting table. With nobles around the both of you as he took the farthest and tallest seat. Well, at this very moment, he's standing as he has his cock all the way inside of you. Your face buried in your arms, not wanting to face the tense nobles. Some are even turned on by the sight of you getting dominated infront of them. But, if any of them stared at you for too long, two blades would come flying towards their eyeballs. Afterall, the only one who should stare at you is Vaelius. "Regarding these problems, whose idea was it?", despite his cock being warmed by you, his personality was far from it. He was cold by nature, only warm towards you. You breathe heavily, embarrassed to be seen like this. The once crown prince, heir to the Aldoria Kingdom is now being bent over by the Emperor Vaelius, full of cock as the man towering over you holds important papers, dicussing as if he's not all the way inside you right now. "I-it was mine, your majesty", Vaelius lets out a dissapointed sigh, even you knew what this meant.

In an instant, he sits down on his seat, bringing you with him. This makes his dick sink even deeper into your hole, grazing your prostate ever so slightly that it makes your hole clench, making him grunt. He was clearly unhappy with the decisions the nobles made under his father's reign. With a hand on your hips, he moves you nack and forth, grinding on his cock. Vaelius somehow doesn't let out a sound that would make him seem weak infront of these powerful men but you do. You moan into your own arm and writhe in his touch, his cock so deep inside and hitting your prostate so good. "What made you come up with such a stupid and revolting idea", even if you aren't able to see it, just by his voice, you could tell he had a sinister look on his face, looking down on the noblemen. "I-I apologize your majesty", you watch as thr powerful men infront of you scared out of their wits when face to face with Vaelius. Though, you didn't pay their reactions any attention as you were too busy focusing on Vaelius' big cock inside.

With his strong hand, he lifts you up until they can see his cock halfway in before pushing you back down on it, he repeats this over and over again. Some of the noblemen got hard but dared not to touch themselves, but especially to you. Less they had a torture wish. "...and you call yourselves powerful? Smart? Hah!", Vaelius lets out a sarcastic laugh, it was loud enough to make them all tremble. "Your majesty..we—", "Silence.", a single word and they all felt their bodies shivering. "Get out of my face. I'll give you all a week.", they knew what he meant by this, he was goving them mercy. All of them got up, synchronized, bowing and thanking the emperor for his mercy before scurrying out the door.

This leaves you alone with the angry emperor. You wondered what would happen to you. Of course, you should have expected to be fucked dumb. Vaelius knew how to hit your prostate just right to get you screaming and slobbering over his cock. He drops the papers on the ground as of they're useless to him and holds your hips instead. You're turned around to face him and your arms wrap around his neck, "your expression...so cute", you weren't given a chance to respond, as if you could in your condition. He lifted you up and down on his cock extra rough. Those noblemen pissed him off and you're the only person who can calm him down. Using your hole. The sound of skin slapping against skin filled the entire room. Even as it's air conditioned, the two of you sweat due to the intensity of it. Your prostate was basically being abused at this point, you couldn't think of anything but his cock, your brain all mushy now because of it.

Even as you came, he still continued his rough thrusts. Making you feel even more stimulated due to how sensitive you are after coming. "Take all of my cum inside, [Name], take it all..!", he says before coming inside you. Your head resting on his chest as he hold your waist. After a few minutes, he pulls out and helps you stand before bending you over the desk once more. "I love you [Name], please take all of me", in his eyes, the look of love and lust combined. The young boy, of whom you had once found annoying, has now become the man you despise. The one you wanted to rid the world of. Yet as fate foresaw it, he now stands as the dangerous emperor who has forcibly stolen your heart. But will you let him have it?

Took two months but here it is yall (Im so sorry😞)

[screamlet]

08x06 fix-it fic: break and be mended

not connected to that excerpt i posted before, just something completely different. 4.5k, read on the ao3

---

Another hospital room. Buck takes a deep breath and closes his eyes again, letting it out and hoping he gets back to sleep. It doesn't happen, though, because his brain catches up to his eyes:

Maddie, wearing a yellow paper hospital mask, a hand anxiously on her belly, sitting in the chair next to him with that too-familiar oh-thank-god-you're-finally-awake face… and Tommy leaning in the doorway.

He takes another deep breath and opens his eyes again.

"You're okay," Maddie says patiently, slowly, as Buck tries to slam the door shut or set the doorway on fire with his brain. "It's just the turkey flu, it hit you hard."

That breaks Buck's concentration. "Wait, is this a dream? Another coma dream? Turkey flu has to be something I made up."

Maddie raises her eyebrows and looks over her shoulder at Tommy before turning back to Buck. "Another one?"

"No, no, don't look at him," Buck interrupts. "He's not supposed to be here, not when I have turkey flu, not ever. He broke up with me, remember?"

In the doorway, Tommy shifts his weight from one foot to the other. He's wearing the dark blue LAFD t-shirt and pleated pants, a special Air Ops patch on his shirt sleeve. They always lurked under his flight suit, under his turnouts when they were on the same scene, but Buck didn't get to see them often. It was for the best, he thinks now, because the shirt fits perfectly across Tommy's chest and shoulders, the pants belted low. His shirt is tucked in better than Buck's ever is. He almost never got to see him like this so it feels like some new Tommy he's seeing, a Tommy that hangs around Harbor long enough to take off his flight suit but doesn't peel the rest of his work self off. He doesn't get off his shift, put the pilot away, shower and go home.

Buck looks away. He's looked too long.

"I'm actually here, you know." Tommy raps his knuckles on the door like that's proof of anything except a very strong poltergeist. "I can hear you."

Buck watches something that he hasn't seen in years sweep across Maddie's face (mostly her eyebrows, because of the mask).

She turns around and snaps, "I let you come within ten feet of my brother and you think bitchy fun Tommy was invited, too? He was not." Tommy looks shocked and abashed; Buck loves her so much.

"Why was he invited at all, Maddie?" Buck asks. "And you're both real, right? Like I'm not hallucinating both of you. Is that a turkey flu symptom? Can I have my phone? I need to look up turkey flu."

"It's a strain of avian flu, you just happened to get it from a turkey farm. Hen said you had a call to one of those last week," Maddie explains. "And you kept giggling when I said the words turkey flu so, you know, why not?"

"It's pretty funny," Buck admits. "Hey, why's he here?"

Maddie turns around and looks at Tommy expectantly. Buck still knows his face, still knows him, and can see the quip that wants to escape past his lips. He can see the work it takes to hold it back and look sincere, really sincere, for them.

"You collapsed at a scene and I flew you over," Tommy says. "I wanted to make sure you were okay."

Buck stares at him as he presses his lips into a fine line. "I'm okay. Thanks."

Tommy nods, then asks, "Can we talk? Alone?"

It's taken four months, almost as long as they were together, but Buck's finally hearing the words he's wanted to hear since Tommy walked out his door. I'm sorry, I was scared, I love you, yes let's take the next step together, from now on let's take every step together—that was Buck's first choice. Can we talk as a jumping off point for all those other things—that was Buck's second choice. Was.

Buck glances at Maddie and knows his face does something dumb. "I'll be outside," Maddie says. "And I'm not far, if you want me to throw him out." She looks over her shoulder at Tommy. "I'll do it."

Tommy nods. "Wouldn't doubt you for a second."

She squeezes Buck's hand and lingers for a beat, one long look at him like she's waiting for him to say actually, wait, don't, stay, but he doesn't. He hates that he doesn't. He hates that he wants to hear what Tommy has to say.

She and Tommy swap places; he takes the chair next to Buck's bed and she leaves, shutting the door behind her. Tommy doesn't see the way she passes by the window like a shark, watching, but Buck laughs. When Tommy looks back, she's gone.

"Your sister's changed a little," Tommy says casually. "Her sense of humor, I mean."

Buck licks his lips. "Yeah, well, when you were my boyfriend, you were her friend. Now you're neither."

"Yep, got it," Tommy says. He sits back in the chair, but looks so uncomfortable that someone would think he'd never sat in one before.

"Are you okay?" Buck asks. "Why are you here?"

"This chair is so weird."

"Tommy, what do you want to talk about?"

It startles Tommy, and it should. He only got soft and smitten, totally-in-love (even if he couldn't admit it out loud) Evan Buckley, cute and bratty Evan Buckley. He doesn't get that Evan anymore. No one has.

Tommy sits with his feet flat on the floor and his hands folded in his lap. He takes a minute, a long minute, of staring at the floor before he looks up and stares at Buck. "You asked me to move in with you."

Buck blinks. "I did."

"You asked me to move in with you."

"You said that. I mean, I said that, but you—"

"Evan," Tommy interrupts.

"I thought I was Buck now," Buck interrupts.

Bitchiness lurks on Tommy's tongue, but he holds it back. "You asked me to move in with you. Into the loft."

Buck tilts his head. "Yeah?"

Tommy shuts his eyes hard and shakes his head before he looks at Buck again. "Evan, I own a house."

"... okay?"

"Did you ask me to move in with you and expect me to give up my house?"

"What, no—" Buck says, then stops himself. "I don't—I didn't think—"

"Did you even think about that?" Tommy asks. "Like when you talked about moving in together, getting married, the future, all of that—did you even remember that I own a house?"

"You know," Buck interrupts. "Four months ago, you could have said, haha, wow, that's moving pretty fast, also I own a house, maybe when we're ready, we could move into MY HOUSE and make it OUR HOUSE, but you needed to run out the door so why would you say any of that?"

"Yeah! I was freaked out! Because here was this guy I—this guy I really liked, and he asked me, a 40-year-old man, to move into his loft?"

"What's wrong with it? Why do you keep saying it like that?"

"It's downtown! Downtown is loud and filthy and did I mention it's noisy? It was hell sleeping there in the summer because even with your central air, heat rises and it rises right into the bedroom. I saw your electric bill, Evan, it was unforgivable."

Buck wants to throw something at him. "And we could have been at your house, quiet and with better temperature control, but we weren't because…?"

"I'm just saying," Tommy continues. "Yeah, all that's true, but I realized you wanted me, wanted a future with me, and you didn't even remember that when I wasn't working or with you, I was at my house."

"I get that," Buck says. "Now how many times did we hang out at your house?"

Tommy sighs. "It's out of the way, your place was always closer to the 118 and to Harbor, and I kept—I was going to, okay? Like maybe after our anniversary, we'd take a week off together and we'd actually be at my house, or take a trip somewhere—"

"You got me basketball tickets," Buck snipes at him.

Tommy stops completely.

"For our six month anniversary, remember?"

"How the hell am I going to forget that?"

"You got me tickets to see the Lakers. Really good tickets."

Tommy rolls his eyes. "Alright, well, that's the last time I call that guy I know in the press office for anything."

Buck thinks he's getting closer to setting something on fire with his mind. "I hate basketball."

Tommy stares at him. "What the hell are you talking about? We met because of basketball."

Buck sits up so quickly and angrily he starts wheezing and that turns into a coughing fit. Tommy's immediately there, sitting on the edge of his bed with water, getting him to take a small sip as he rubs his back. When Buck realizes what's happening, he covers his mouth with his blanket and shoves Tommy away, coughing even more.

"Sorry, I was just—"

"I have turkey flu!" Buck yells through the blanket covering his mouth.

"The doctor said you're not contagious anymore."

Buck points at a small paper box across the room. Tommy, so put-upon, grabs a pale yellow mask and slips it on before he sits in the chair again. "Sorry."

"It's—" Buck halts because Tommy had grabbed two masks and was holding one out to him expectantly. Tommy motions to it again and Buck can see how he wants to make a bitchy comment about not having this conversation through a hospital blanket, but he doesn't. That's what makes Buck reach out and put the mask on. The icy fist around his heart thinks about melting.

"We didn't meet because of basketball, we met because of Bobby and Athena and the cruise ship," Buck corrects. "I wanted to see you again after that tour at Harbor but I couldn't think of another reason—"

"I gave you the widest of openings," Tommy interrupts. "Hello? Flight lessons? When you finally offered to buy me a beer, I almost dropped to my knees right then and there."

"But you never called me! You're the one who left to hang out with Eddie!"

Tommy throws up his hands. "Ball was in your court! Speaking of basketball."

Buck sighs, exasperated. "We weren't, like, running into each other, I didn't have a reason to call you—don't say the beer—so finally I saw Eddie was going to that pick-up game with you and I dragged Chimney along."

"Right," Tommy says. "And you played basketball with us. We kicked your ass in a way that made me think you were pretending to be bad at it to make me feel good or something? And then there was the whole thing with Eddie's ankle."

"I hate basketball!"

"You brought your own ball!"

"I same-day ordered a basketball so that when I showed up you'd be like, wow, that guy's ready for basketball, what a cool guy!"

"So you're mad that your basketball ruse worked on my dumb ass, and worked so well for six months that I got you Lakers tickets for our anniversary."

Buck's so annoyed that he put it like that. Maybe that's true, but he didn't have to say it. "I don't like basketball! It was a ruse but I didn't hide it after. You watched games with Eddie and I never came along because I don't like basketball."

"You said you wanted us to have our Eddie-Tommy friend time!"

"Why do you make me sound and feel like a five-year-old? Eddie-Tommy friend time? Seriously?"

Tommy folds his hands together like he's in prayer and shuts his eyes. "Okay, listen, I just. I wanted to get the house thing off my chest, alright? Because it's—it's bothered me so much."

Buck could argue about the basketball thing for about another 500 years, except that Tommy has said what he said. "Has it?"

Tommy puts his hands in his lap again, folded politely as he looks at Buck. "I meant what I said. You were so swept away in how new and exciting everything felt, that I felt like you forgot who you were talking to. Like… I'm not a guy who's going to move in with you. I'm a guy who has a house with a home gym and a car lift, and—and the winter was so mild that I put in this little patio space in the backyard. I bought furniture for it. I took this corner of my front lawn, too, and started to plan a pollinator's garden because they sounded really interesting after those three days of bee hell. Evan, I have a house."

"You keep saying that," Buck says. His ears are burning, but he's listening too intently to feel embarrassed about it (much).

"I freaked out, alright? Because I heard: give up your house to live in this downtown loft with a couch that has a faded but GIANT blood and placenta stain on the other side of the cushion, and then the words engaged and married got thrown in there, too? All in the same breath?"

Buck stares flatly, then nods. "Yeah. I get it. Sorry." He clears his throat and grabs his water before Tommy can offer it to him. He takes a sip, looking at Tommy before he nods at the closed door. "Are we done here?"

"And I'm not a gay rights hero," Tommy adds. "You said that, too." Tommy looks away, and looks so miserable. "I'm just a guy, Evan. I've been burned before by younger guys who thought I was everything that their first gay boyfriend should be, and then—and they didn't see who I was. It's always—" Tommy holds out his hands like he's balancing scales. "Not straight enough to fake a life with a woman, not gay enough to have a real life with a man."

Buck hasn't done this in so long that his throat almost aches with it. He sighs, pained and breathless, the word crinkling against the mask: "Tommy." He swallows again and asks, "Did you really think that was me?"

Another long pause. It ends with Tommy saying, "I thought you were too good to be true."

"I'm not, though, I'm—I'm just me," Buck says. "And I did have a lot to figure out, but not about you."

Tommy laughs suddenly. "Really? Because you forgot I was a homeowner and I didn't know you hated basketball. Did you even go to that game?"

Buck coughs. "I gave the tickets to Karen and she took one of her brothers. They're nuts about the Lakers."

"Huh," Tommy says. "Well. I'm not mad about that."

The two of them are quiet until Buck says, "Seems there's a lot of things we don't know about each other."

Tommy glances at him; Buck can see the shape of his smirk beneath the mask, and the very specific way it makes his eyes crinkle. "And just when we thought we knew everything about each other."

"Yeah, I thought that, too, and then you dropped that you were engaged to my first serious girlfriend at our six month anniversary dinner." Buck raises his eyebrows. "Do you land helicopters that smoothly, too?"

"I got you here, didn't I?" Tommy bites back, then catches himself with a laugh. "Okay. Fair point."

It's so easy, it's so easy, it's so easy, it's so easy and Buck hasn't had it easy for months. He hasn't had these quips, this back-and-forth, this person who got him until he didn't, who—Buck rubs at his eyes. Tommy made it easy. He made everything easy. Not perfect, not effortless, but easy. Easier.

"So, uh." Buck fusses with the blanket in his lap. "What have you been doing for the past four months? You, uh…"

"Am I seeing anyone?" Buck nods. "I was, yeah. Didn't last that long."

Buck can't help himself: "Neither did we."

"Ouch." Tommy looks back. "And you?"

"Yeah," Buck says. "I liked them but I broke up with them because it just—it wasn't going anywhere."

"And what's wrong with that? Staying in one place? Isn't that what you wanted for us?"

It's not, but Buck can't articulate it, so he says, "Do you think that's the same?"

A beat, and then Tommy says: "No. No, I don't."

"Tommy," Buck says quietly. "How many people do I have to be with before you decide I've figured it out?"

Tommy's eyes widen. "What? I never said that."

"Tell me what you said, then." Buck swallows painfully, that turkey flu kicking his ass harder than he thought. "Tell me what you meant when you said I didn't know what I wanted. Because I told you what I wanted. I told you I was ready for something and all the things we did together, I thought that you believed me. I guess you didn't, so tell me how many bodies it'll take before you believe me."

Tommy doesn't say anything.

"God, and you know what really sucks?" Buck asks. "That we were together long enough to talk about who we'd been with so we could get tested and be safe. We talked about all that, but I never told you how many times I'd had my heart broken and you never told me yours."

"Three," Tommy eventually says. "Shawn, who was like… all of 25. He was all-in, knowing for sure that the first time was the charm, and I was old enough and steady enough to be That Guy. I believed the hype even though I was barely out of the closet. I shouldn't throw stones at Abby's House of Himbos when I set up my own on the other side of town. And then there was Raúl, my Army buddy who came out to his family and immediately moved to LA to get away from them. Everything felt like a fresh start for him, but… not quite for me."

Buck thinks to ask, but Tommy beats him to it. "Do I need to say the third?" Buck shakes his head. "What about you?"

"Abby, and you." Buck looks at Tommy as he says, "It's not just ending things with someone because it doesn't work. It's heart break. Something's gotta break and be mended."

"I don't think I did that part. You've one-upped me there."

Buck wouldn't have believed that 20 minutes ago, but he believes it now.

"So Bobby's been there, watched me since I was Abby's himbo and helped me to grow into the person who wanted that stuff with you. Once he, kinda, told me that if I care about how people see me, then I haven't learned a damn thing," Buck says. "And that is and isn't true, here. I can't live hoping I meet people's expectations of what they think I should be. I want people—I wanted you—to see me as I am. I thought you did but you didn't, and I didn't either because I didn't see how scared you were. I've made my peace with that. We had something really special and made each other feel really good but, in the end, I guess we were saying all the right things to people we didn't know."

Tommy listens, considers, and nods. "Whole lot of past tense, there."

Buck glances at him and doesn't want to look away, but he does. He doesn't meet Tommy's eyes. He's scared, too. He's done enough today: said a lot of things he's been thinking about for four months and said them very calmly and thoughtfully, but this is gonna hurt. It hurt Buck to realize it and it's gonna hurt Tommy to hear it.

"You got what you wanted, right?" Buck asks. "You got to keep your heart, and I don't feel new and excited anymore." Buck inhales deep; it hurts. "I feel like I did before, like I'm short one piece of being whole. Now the ocean I have to search is so much wider and deeper. So thanks for that, I guess."

"Evan—"

"I let you into my family," Buck interrupts sharply. "Because I cared about you and because you fit. I fit because they're mine and that's my family I made, and you fit there right next to me. With us."

"You're absolutely right."

Buck watches him, tries to see behind the sunshine yellow and white mask on his face, but all he sees are his eyes that, like always, make Buck feel too much, like laser beams disintegrating him.

"Were you really that scared?" Buck can't help the way his voice cracks. "You were that scared of me?"

Tommy looks up again, lasers in place. "I was that in love with you." He shakes his head like he did that last night in the kitchen, and looks up like he'll tip the tears back into his eyes. "And those heartbreaks—you'd leave them light-years behind if I let you. You'd leave me light-years behind."

Buck nods, then says, "Could you leave, please." His wet breathing crinkles grossly in the mask. "Thanks for telling me all this, thanks for the closure, but I don't need to see what someone looks like after they've walked away from me."

"You collapsed at a scene three days ago and I was the closest pilot to medevac you here," Tommy says slowly. "You were delirious and told Shreya, Don't tell Tommy I'm sick, he doesn't care anymore."

Tommy clears his throat. "I do care. I never stopped."

Buck sits back in his hospital bed and pulls the blanket up to his neck, the only comfort he's got right now. "If this is a turkey flu dream, I'm gonna be so pissed at you, real you," Buck says.

Tommy laughs quietly, sadly, then hesitates for a moment. "Can I ask you something? Can I ask you the scariest thing I've ever asked anyone in my entire life?"

Buck doesn't move, doesn't breathe. "What is it?" he finally asks.

"Will you give me a second chance?"

Buck, hearing what he's quietly dreamed of hearing for four months, doesn't feel the euphoria he thought he would. He feels something else, though: a strange kind of wonder that someone wants him again. Again. He swallows hard, feeling the pain right in his turkey-flu-ridden throat. Someone knew him. Someone left him. Someone came back—came back for him.

Tommy left. Tommy came back. Tommy wanted him then. Tommy wants him now. Tommy's wanted him all along.           

Buck asks, "Will you invite me to your place more than once every six months?"

Tommy's half-smile is still wide enough for Buck to see behind the mask. It falls, though, back into something serious. "Will you forgive me when I'm not a paragon of queer virtue?"

"Will you believe me when I tell you I've fucked around and found out enough for a lifetime?"

Tommy raises his eyebrows ever so slightly. "Will you believe me when I tell you I've fucked around and found out enough for a lifetime?"

Buck thinks he smiles a little behind his mask, but it doesn't stay. "Are we gonna break up again?"

"I don't know," Tommy admits. "But maybe next time we can stop each other and hit the brakes. I love romcoms, but maybe we don't do that again: you don't propose fixing a problem with marriage and a baby, and I won't run out the door."

Buck raises his eyebrows, too. "Who said anything about a baby?"

Tommy sputters. "I mean, you were the one raising the stakes before."

Buck laughs. "Right, right."

The quiet stretches out between them. They look at each other and don't look away. The stubborn, proud, cocky side of Buck feels annoyed that this feels like—like he can't get out of this. Like all roads lead back to Tommy, like he doesn't have a choice. Like if he wants to be happy, it's with this person.

A part of him wants to run and throw himself into the hunt again. He wants to thrive in the search for someone who makes him feel that euphoria and fondness and love that he felt with Tommy. He tries to imagine someone else, some vague smoky figure that isn't Tommy's height, Tommy's build, Tommy's arms crossed over his chest and that tilt of his head. The problem is that Buck feels more looking at that furrow and arch of his eyebrows than he's felt for anyone he's met in the past four months, maybe even longer.

Not all roads lead to Tommy—only the ones he wants to take.

"Say it again?" Buck asks.

Tommy nods ever so slightly. "I'm in love with you." He pauses and a smile reaches his eyes. "I love you."

Buck can't help the way his eyes water; neither can Tommy.

"Ask me again," Buck says.

"Will you give me a second chance?"

"Yeah." Buck wonders if his own smile reaches his eyes. He hopes it does. "Yeah. Will you?"

Tommy chokes out a laugh behind his mask. "Yeah, god, of course. Of course. You sure?"

"About you?" Buck asks. "Yeah. I mean, I want to be. Don't make me regret it."

"Don't make me give up my real estate."

"Don't make me go to any sports events."

"Seriously? Not even baseball?"

"God," Buck moans. "The sleepiest one of all."

"Hockey's good."

"You hate the Kings."

Tommy scoffs. "Of course I do. You always hate your local teams—you just hate visiting teams more. Can't let management get comfortable."

Buck attempts to take a deep, exasperated breath, but he forgets that he has the fucking turkey flu. He chokes and starts to cough and wheeze, but Tommy's there again. He freely, lovingly pushes Buck further to the other side of the hospital bed so he can sit and take care of him: water, tissues, hand on his chest to steady him, eyes worried and on him.

"It's not official until you kiss me," Buck says. "I'm not contagious."

"I mean, not with turkey flu," Tommy says. "Your Buckness? That I'm not so sure."

"Don't call me that anymore," Buck says.

Tommy puts his cup of water on the table next to Buck's bed, then shifts so he and Buck are closer, face-to-face, head on looking at each other. "How'd you get even brattier in only four months?"

"How'd you forget I was this bratty?"

"At my age, well, everything's starting to go."

Buck laughs, then coughs and wheezes. "Stop making me laugh."

"How'd you forget I was this funny?"

Buck tilts his head. "I didn't. I didn't forget a thing."

Tommy searches his face, then cups his jaw with one hand. Buck doesn't lean into it, just lets Tommy hold him as he tips Buck's chin up ever so slightly.

Then Tommy kisses his forehead and his birthmark, and wraps his arms around Buck. It's the warmest Buck has felt all winter. It finally feels like spring.

---

read on the ao3

[makutaservaela]

A janitor/scientist bio-engineered a bunch of spiders, unleashed the spiders on an island, the spiders wiped out every living thing on the island, and then the dude renamed the now barren rock of an island after the spiders.

The one survivor of the genocide joined the CIA, was renamed "Survivor", and gets stronger the more pissed off at him you get.

Another janitor/scientist tried to science the Skeleton Orcs, gave them absurdly broken powers, and then got exiled for being a massive fuck-up. His name now means "Failure".

In the Skeleton Orcs species, the females are more aggressive. In the prominent Hobbit species, "female" refers to coding that makes one more passive. The main Skeleton Orc gang, who are males by their species rules, are never considered females to the Hobbit species despite the fact that they should be what the Hobbits define as "female".

Some of the janitor/scientists get flash-banged into blindness when they accidentally see Jesus disintegrate. They overcome this blindness by forcing brainwashed slaves to ride piggy-back on them and use telepathy to see out of the slaves' eyes. Two of the slaves are really into this, and after being unbrainwashed, one of those two throws a fit because she preferred the slave job.

There are multiple characters named after real people. One of those real people was the wife of the author.

There are two characters whose names are one letter apart, one of whom was made out of the other, but the similarities of their names is a coincidence.

There is one race of hobbits capable of being either sex. Despite that, the only blue one in the group is the only female.

The light-hobbits and their kin grow larger when standing in God's heart for no discernible reason. This happens to no one else except for one guy, which is explained in story into him just making himself bigger.

A character is killed and immediately replaced by an exact replica whose only stated name is that he is the replacement of the original guy. He's not a clone. He's a completely different guy who looks the exact same and has the same powers.

A guy repeatedly hypnotized his coworker until his coworker became mentally disabled.

A guy repeatedly lashed out at and physically disabled multiple of his coworkers, and they just kept putting up with his shit. They literally had entire rest of the planet to leave to, or multiple armies to use to gang up against him, and instead they all stayed in one place around him and ignored him.

While there is a system set in place to bring people back to life, one character was mauled so violently by sasquatch that it is impossible to revive him.

The lizard tiddy dominatrixes also have wigs and high-heels. They are capable of wearing masks that give superpowers, but would rather not because they are too vain to hide their faces.

Trying to kill yourself in front of your brainwashed friend is a surprisingly effective way of snapping him out of the brainwashing.

A hobbit broke into the CIA's bosses office and was rewarded with employment and a car with legs.

A guy capable of creating anything and who has the ability to teleport himself, other people, and large objects, had something stolen from his office by his janitor/scientist/bodyguard. He threw a tantrum about it and had the CIA murder everyone who knows where his house is, including their own staff, rather than the guy just building better security or moving his house somewhere else.

Cthulu traded bodies with some dude for a while. The above guy is capable of forcing them to swap back against Cthulu's will, yet somehow he still didn't even both considering a way to protect his own house other than whining the CIA into murdering a bunch of people.

A guy was supposed to be a doctor, but was so awful at it that he kept hiding his traumatized patients, and his home became the word for "hell".

Yaoi-Hands Sword-wielding Nerd Husband has an item that lets him open dimensional portals. He considers using it to drop kaijus on cities amusing.

One of the cities Nerd-Husband dropped a kaiju on was the brain of God. Despite dropping a kaiju on the brain of God, there is no mention of him facing any disciplinary actions for this, although he is punished harshly for selling himself as a bruiser to a gang for sentient drugs.

Nerd Husband later fell into a pool of sentient drugs and tripped out so hard he gained ethereal knowledge.

A hobbit has the ability to teleport by walking in slow-motion (granted the place he teleports to is in walking-access). Despite him and his ability being very prominent in the early story, the author of the books never was able to learn what was intended by this guy's power.

Two video games that introduce more lore fluidly to the story than most other media of that time are retconned out of canon.

Reblog with your favourite piece of Cursed Bionicle Lore.

[whore-ibly-hot]

"1-800-HANDY-YAN"

Yandere!Handymen (Tucker and Billy) x Fem!Reader

18+ Minors DNI

Warnings: Oral sex, yandere behavior, Dub-con, perverted thoughts, misogynistic comments (mostly tucker), class economic divide? Spying, obsession, stalking, double trouble yanderes, mention of female genitalia and breasts on reader

A/N: Yeah, maybe this is eight hundred weeks late, I got super motivated then super not. But trust me, this piece is 👌

Metal tools clink together, the sound of screws and the occasional drip of left over water fills up the space beneath the sink as Tucker works on the clogged drain.

"Wrench." He sticks his hand out of the cabinet and extends his fingers while his mullet-haired friend whose sat just outside. Bill hands him the wrench, sighing as he cranes his head to see around the doorframe and into the living room of this nice suburban home.

"Alright, gimme the bolt." The skinny wife-beater clad handyman asks his broad set and chubby friend. After a few moments, he calls again. "Bill, bolt. Cmon," He groans as he slides out from the sink cabinet and look at his distracted coworker. Smacking him upside the shoulder he shakes his head. "Get your fuckin' head outta the clouds, or I'll have your fatass get stuck up under this sink tugging on the hair and shit in here." He grumbles. "What the hell are you even-" He leans forward against the tile to see forward at what's captured Bill's attention, and then sighs.

"Stop looking at the homeowner if you ain't gonna do anything, Billy. You've got a limp dick crush on her, why won't you do anything about it, huh?" He nudges his friend. "She's always calling us for little home repairs, and she never has anyone over. I mean, her beds always made too." He whistles lowly as he sees you watching the TV in the living room, eyes raking over your tits and ass as he bites his lip back a bit.

"What does her bed have anything to do with whether or not she's got a fella?" Bill asks weakly, and Tucker rolls his eyes.

"Please, no one is ever here, and her bed isn't made. She's not exactly getting rolled around and pounded in it, is she? Shit, I dont even remake my bed after I jerk it."

Bill shushes him and shoots a panicked look back towards you. "She could hear you, just... don't talk about her like that. She's trusting us to be good to her house and to, uh, to her."

"Well-" As Tucker finishes up with the drain and reattaches the pipe, flipping the sink water back on and letting it run for a minute, he pulls out of the counter. "Why don't we let her know the jobs done, yeah?"

Walking into the living room, Bill has always tended to be quiet around you. You'd seen the scruffy men around the suburb you live in before, they appeared to be everything men. They work on plumbing, fix lights and wiring, mow lawns, and they got good reviews from your neighbors. It's obvious they don't really fit in in the neighborhood. The men are scruffy, usually in dirty clothes with unkempt beards and a beaten up old van. They're from the poor end of town, a rather rough trailer park. They are treated as useful workers, but poor company by your wealthy neighbors. Still, they've been nothing but nice to you, sweet even.

"Hey guys, is the sink fixed up?" You ask, perking up from your spot on the couch and casting aside the tv remote.

"Sure thing, jobs all done." Tucker sniffs, rubbing at his chin and putting a hand on his hip. "We figured it was a super quick job, so Bill suggested we give you half off since it didn't take the full hour." He nudges his friend, who seems shocked at his attempt to get you to speak to him.

"Y-yeah." He mumbles out, swallowing harshly. "Didn't want to charge you for anything extra." He explains quietly.

"Thank you guys, that's so sweet, but you dont have to do that." You sigh and out your hand on your hip. "Well, let me go grab the money I owe you." While you get up, Tucker makes himself cozy on the couch, spreading out like hes always lived here.

"So, missy. We've helped you out quite a bit, fixed things here and there, haven't seen a fella around." He says. "Surely you'd have an easier time fixing this stuff with a more permanent solution."

"Knock it off-" Bill spits under his breath, but his friend just smile mischeviously and sinks deeper into the fabric.

"Yeah, I just haven't met a guy I'm interested in." You explain, talking over your shoulder as you get the money from your bag. "Or any guys whove been interested in me."

"That can't be true-" Bill starts, his sudden outburst makes the attention in the room focused on him. "I just mean, you seem like a real nice lady, sweet." He explains, hands fiddling with the edge of his flannel top.

"That's really sweet, thank you, Bill." You tilt your head with a soft smile and he just nods in acknowledgement, blushing a bit. "What about you guys? You two have anyone special?"

Tucker clicks his tongue and shakes his head. "Hell naw, it's a bachelor pad in our trailer. I mean, we bring girls back sometimes, but you know-" he shrugs. "Bill's kinda hopeless with the ladies, and I'm never satisfied." He winks.

Sitting up, he puts his hands on his knees. "You know, you're a real nice gal, I mean, most people won't even look at us while we work, to busy keeping an eye on stuff and making sure we don't steal. So nice in fact, my friend here's got kind of a crush on ya."

Your eyes widen as your head quickly swivels to the now sheet-white Bill, his hands out in front of him as if to show he means no harm. "N-nah, it's not like, not like that!" He exclaims, looking mortified. "Please, Tucker's talking outta his ass, don't listen to him. Really, I have nothing but professional feelings for you." He says. Hes removed his hat from his head and holds it to his chest, both as a nervous movement and a stress fidget.

"He's lying. Everytime we come here to work, I practically bruise his arm trying to get his attention. He just sits and gawks. I'm being a good friend, telling him to man up."

You set aside your wallet as you slowly approach him, every step feels heavy as you walk up to the broad-shouldered gentle giant. "Is that true, Bill?" You ask. "Do you... are you really interested in me?"

He sighs deeply, refusing to meet your gaze. "I do. I'm sorry, I tried to keep things professional, and respect your boundaries." He begins to ramble as you smile a bit. "I mean, I-I support women and their safety, I know you put a Lotta trust in lettin' us into your home. I'm a feminine!"

"Feminist, stupid." Tucker snickers, and you shoot a warning glance at him. He puts his hands up.

"Its alright, Bill. You've been nothing but sweet and respectful to me, and you guys always come when I call." Crossing your arms, you rub just above your elbow. "Its been hard adjusting to the neighbordhood, people are kinda stuck up or unkind, but you're both so real. And sweet, and-"

"Extremely sexy, right?" Tucker coos, slinging a boney arm around your shoulder. Bill seems shocked at his friend sudden physical contact with you, a boundary he's never dared cross. "She's offering you a compliment, Bill. Come on, return it. Tell her all the nice things we've said about her, like how she's got a great rack." His scratch stubble rubs your cheek a bit from where he's stood behind you. "You really do have a great pair."

"I never agreed with what he was saying, I would never, um- talk about a girl like that, my momma would be so upset with me. Tucker was the one sayin' all that dirty stuff about you." Bill explains. "I would just say you looked prettier than a peach' and he'd make it all gross."

"So..." You grin a bit as your eyes slowly trail over his body and up to meet his gaze. He's trying hard to avoid yours. "You don't like the way my tits look?"

A wild, toothy grin flashes across Tucker's face, he knows where this is heading, and his friends reaction is even more amusing.

"No, I- I do. They look, they look great. Round..."

"Round? What the fuck is wrong with you, that's how you describe her girls?" Tucker shakes his head and turns back to you, his mouth close to your ear so he could whisper in. "Tell you what, before Billy-boy says something that dries out your puss, why don't we take this up to your room? I have the advantage of knowing the way." He ever so slightly grind the front of his jeans to your ass, the growing erection obvious. "Cmon baby, we're handymen, let me clean those pipes."

You immediately cackle and lean forward, gripping your stomach. Tucker looks confused and offended as he puts a hand on his hip. "Sorry!" You exclaim, still laughing. "Sorry, that was just such a stupid line, I'm sorry."

"It wasn't stupid, it was sexy." Tucker scoffs. "Really fucking sexy, you know how many panties get dropped at bars because of 'stupid' lines like that. Don't dance around it, if you don't wanna bone just tell me." You perk up at that, seeing a rare moment of insecurity in Tucker's face. Face flushed, he seems embarrassed, actually wounded. Bill moves to stand a little closer to him, trying to put a hand on his shoulder before it's swatted away with a quiet 'fuck you, don't touch me'.

"No, I... I do. I do, you're both attractive and I haven't had anyone in a long time. You've always been good to me, but I-" You sigh. "I dont know if I can be what you want? I'm not exactly a freak in bed, and I've never been with two guys before." You begin.

Excitement reunited, but still softened by that moment of vulnerability, Bill speaks up for once. "You're perfect." He says, steadying himself. "Really, you don't have to be experienced or nothing, I'm a big clutz but trying your best is what matters. And we'd go as slow or as gentle as you wanted. And as for two guys-" He sighs and swallows harshly. "If you just wanna do it with Tuck, I'll wait he-"

"No, no, it's not that at all. I'm getting caught in my head, I want this." You hold out a hand brush over his flannel shirt buttons, fiddling with one. "I want you. Both of you, as appreciation for how hard you've worked." Looking over at Tucker, you smile. "You seem the most eager to get started, why don't you lead? I imagine you know what you're doing."

"Damn right I do, sexy mama." He gropes your waist as he plants a feverish kiss on your neck. "Glad you're finally giving some attention to lil' ol' me. Go upstairs and get all pretty, lay that pretty body out on your bed while me and Bill pack up and grab a couple rubbers from the truck."

You quickly summit the stairs, and make the most of your time by stripping down to a simple pair of underwear, you didn't figure they needed to be impressed with any lingerie, and you could see Tucker getting annoyed and ripping one of your nicer sets when it came to untying ribbons. Sitting on the bed now, you can see them through the window loading up their. They seem to be loudly arguing about something, and you can't help but laugh. Eventually, Bill comes up.

"Sorry, we forgot we had another job on the docket, I didn't wanna cancel but Tuck is being a real hard ass about all-" He stops when he sees you, in nothing but panties, sat on the bed with a slight smile. You're skin all soft and bare, pretty lights outside dimming as it grows closer from evening to night. "Geez, um, you look beautiful." He mumbles, closing the door behind him.

You tuck your knees under your chin and look at him. "Thanks, that's so sweet. So, you guys are gonna stick around, right?"

Snapping out of his, Bill clears his throat and nods. "Yeah, yeah, Tucker's on a call out there rescheduling." He taps his foot nervously.

"Well, get cozy. Cmon, take off your boots and hat, I'm sure you're tired from working." He obeys quickly, eager to please. He stops after removing his hat though, and you furrow your brows. "Its gonna be hard for us to have sex if the rest doesn't come off too, silly." You tease, but his slightly sad demeanor gives you pause. "Whats wrong?"

"I just, I don't really know if you'll like what you see. Most people think of handymen and folk as all muscular, and I've got some muscle, but I'm not really anyone bodybuilder by any means. And I'm not skinny like Tuck, I'm-" His head fully tilts to the floor. "I'm a big guy. I don't want that to bother you."

You immediately shake your head and move to the edge of the bed, holding out a hand. He shyly takes it in his own, and you run a comforting thumb over it. "Nothing is wrong with that, Bill. I think you look plenty handsome, you look soft, and sweet. And everyone has some pudge." You put his hand on your stomach. "See, I've got a bit of a tummy, and sometimes I don't like my legs, but do you think that makes me less attractive?" You ask.

"I don't think anything could make you not look pretty." He admits, moving his hand to your shoulder.

"I'll undress you, how about that?" He offers no resistance, so you slowly undo his flannel shirt, eyes trailing hungrily over his hair chest and slightly pudgy stomach. "Very handsome." You kiss his collarbone and he sighs. He works on getting his jeans and belt off, before sitting beside you on the bed.

"Can I touch ya? I mean, feel up on your chest and stuff?" He asks. When you nod, his large, callous hands come to rest over your breasts, extremely gentle in their movements. "They're gorgeous, really. And I meant what I said, as much as I love the way you look, and how kind you are, I never said no dirty things about you. It was all Tucker, he' a horn-dog."

"Some men are like that, unfortunately. Hes lucky I think it's flattering when it's him." You chuckle, making Billy laughs as well as he continues groping, a little more confident as he tweaks at a pebbled nipple.

"He's always been a jackass, but he's just trying to seem tough. He really likes you." Bill begins to explain. "Tucker isn't nearly as upfront with his feelins' as I am, but I can't tell he likes you. He don't always stick to making dirty jokes about one girl, but you've been all the talks about lately. And he always beats me to the phone for work now, he used to always make me answer, but I know he's hopin' you'll call." He's clearly packing, and the sight of his erection makes your mouth water in anticipation.

"Hey, Tell you what. Tucker might be a bit, and I'm sure he'll want to be inside me the moment he gets through the door-" Bill laughs at that. "So why don't we get you feeling good first so he can have a go." Sliding off the bed, you put a cheek on his knees, hand on his hairy inner thigh as he swallows.

"Geez, you can do that, b-but only if ya wanna. I lost the remote one day, and they had this talk show with all these ladies in-in suits, and they said that blowjobs were demeaning-"

Ignoring his continuous, (if not sweet), ramblings, you tug at his boxers until his thick, leaky cock springs loose. "Shit, nearly took my eye out." You say, trying to lighten the mood. He's thick, a bright red tip and a firm base. His balls are large, but he did admit he was backed up. He's absolutely huge, you have to admit you're worried he's a choking hazard.

"I'm gonna start slow, yeah? Just kiss the tip?" You ask, and the flushed redneck just nods his head, eyes wide as he's looking down at you. You place a soft kiss on the leaking tip, making him suck in a breath as you slowly take it into your mouth to the back of your tongue. What you can't fit in, you work with your hand.

"Shit, am I too big?!" He asks when he hears you making a sloppy gag, but you gently squeeze his thigh to calm him. You just want this poor big man to relax. Humming a bit, the lights vibration seems to soothe him. "Feels, god, your mouth feels really good, missy." His hands grip the pretty floral sheets of the bed which he had admired so many time when working on your house. "You're so pretty, um, with me in your mouth, but also- I mean, you're pretty all the time, ah~"

He can't decide what's actually getting him closer to climax, actually getting his cock sucked, or just seeing you on the floor in front of him, so lovingly tending to him. Each movement is deliberate, and to feel like you care so much to do this, and act which the educated women on the tv said was degrading, means you must really care. He threads a shakey hand in your scalp, but not to tug or push, but rather to gently pet at your scalp. He lets out a groan which ends high pitched, adjacent to a whimper.

"So pretty. You're so pretty, m' lucky. Lucky you wanna... lucky you are making me feel good, s-shit." You can feel his length twitching in your mouth. "I'm gonna finish, I know it's early, sorry, m' sorry, I gotta finish. Pull me out, can I-" he rambling. "Can I finish on your chest, or I can go finish off in the toilet, or-" You just give him one last good suck, and with a swirl of your tongue you can feel a thick, warm substance filling your mouth. "Shit! Why didn't you, I didn't mean to, uhh~ fuck..."

When you pull off, making a shoe of swallowing, you might as well have taken a puritan to a strip club. Bill looks as if it's the most scandalous thing he's ever seen. Petting his limp cock slightly with your palm, you lean your head on his knee. "Was that good for you?" You ask, and he nods.

He's clearly speechless, and can't bring himself to say much about how good he feels. "It was good." He mumbles out. Biting your lip, you sit by him on the bed, hoisting yourself up. Now, it's your turn to feel unsure.

"Are you sure? You don't seem confident about that." You mumble, hand rubbing your arm. "I haven't given one of those in a long, long time. I'm sorry if it wasn't good. Was it cause you couldn't cum on my chest, I-"

"No, no!" He exclaims. "No, it was perfect, I'm just tired. 'Tuckered' out." He jokes, then clears his throat. "That was dumb. But, that was amazing, really, m' just not good at fancy words n' stuff." Taking a deep breath, he rather boldly puts a hand on your cheek. "Can I kiss ya? I mean, least I could do. I wanna show you really how pretty and nice I think you are, and that feels more proper than getting down there and kissing you on your-" He trails off, flushing again. "Unless you'd like that, I'd do it. It's the least I could mmph-!"

You press your lips to his, and as soon as he stops tensing you feel a large, calloused hand cup your cheek, practically palming your head. He's so gentle, as if afraid to break you. When you eventually break for air, he almost chases your lips. "I-"

"What the fuck!" Tucker stands in the doorway, hands on his toolbelt and hat turned back. "I take one call and yer' already all limp dicked? Shit, Billy, horny little fucker."

"Leave him alone, Tucker." You tease, leaning on Bill's shoulder momentarily. "I offered it to him. Don't listen to him, you were great."

Billy just shyly smiles and kisses your head once more as Tucker dumps his toolbelt and wifebeater at the door. "You already got yer dick wet, Billy, so clear the fuck out. I'd let you watch, but you were a slippery snake and slipped her yer fucking snake when I was going first, so git." Tucker orders as he flops unceremoniously onto your bed and crawls up towards you. You blow a kiss to Billy as he smiles and shuts the door, hearing Tucker mumbling some stupid line about 'cleaning your pipes'.

A few minutes later though, he's ashamed. He knows he shouldn't be doing this, it's dirty. Wrong. But as he sits in your bathroom, wiring up a little camera identical to the ones now in your kitchen and closet, he can't help but remember what Tucker had told him, just before he went out to make that phone call.

"She's gonna let us fuck her, she's okay with us seeing everything in person! If anything, a cameras less invasive. Shit, just set em' up, yeah? We know this neighborhoods full of rich assholes, and her locks are shit. Think of it as keeping that hot little piece of suburbanite ass safe."

[twilightkitkat]

What does Logan think of his claws? Does he like them? Does he hate them? Or are they just a part of him like the tail of a dog? Do they remind him of the violence he had lived through? Of how he used them to kill? Does he ever think of them in a positive way? How he uses them to defend the ones he loves? To climb trees and cut through high grass when he's in the woods? How they are a part of his skeleton? Or how they set him apart from the others? Do they make him more human or more animal?

Logan would have very ambivalent feelings toward his claws.

At first, he was scared of them. Scared of himself. Scared of the consequences of being a mutant. Scared of what he could do with them, to kill a man so easily.

(Scared of the implications. Was he human or not? Was he still a person? Did he still have a chance at a future?)

Eventually, he'd get used to using them in fights. As Logan and Victor fought together in tge wars, he started to view them more pragmatically. They were weapons, just like the guns other soldiers held. Nothing more, nothing less. He was just another soldier who had an extra card up his sleeve.

Logan didn't let himself see the claws as a part of himself at first, not like Victor. His first impression was killing his own father with those claws and watching him bleed out. He hid them away most of the time, opted for military weapons, and was forced to use them only in dire situations.

They were an escape plan. A last resort. Something he tried to hide to pass off as "normal." He felt disconnected from them, almost like they were separate from him.

And then he joined the Weapon X program. Which was full of mutants just like him. Where he was expected to actively use his claws inside of hide them.

And he adapted. He leaned into the instincts he'd long suppressed and passed off as adrenaline. He became familiar with the feeling of slashing and climbing and opening cans and using his claws for more than just a quick kill. He became acclimated with them, comfortable.

He never really liked his claws, not really. But he got used to them. He stopped fearing them as much and started to view them as an actual part of himself. (Even if that part of himself was directly tied to being used as a weapon. To being a human tool.)

And then came the X-men. And so he had to confront his internal conflict between being The Wolverine, an animal, and Logan, the human. It was easy to ignore when he was treated solely like a weapon. But now people expected him to care, to empathize, to be human when all people have wanted from him before was to use his animal side.

It was then that he really started thinking about his feelings on his claws. How they distinctly marked him as an animal, how they represented why he couldn't assimilate into society. How they hurt every time he unsheathed him, contorting in a way that human bones could never handle. They were a reminder, visible proof that he'd never fit in with society. That even when all he wanted was to be human and assimilate into their family, there was still a barrier. He'd lived for so long as The Wolverine that he forgot how to be Logan. (Let alone James.)

And then they were gone.

And in came Wade. And Wade didn't pressure him to be human and relearn all of his "animalistic" habits, nor did he demand he use his tendencies as a weapon. He just let him be.

And that's the thing. Logan's claws were never really Logan's. They were Victor's ally, Weapon X's tool, the X men's protector, but never his. They may be a part of him, but they weren't really his. Not in the ways that mattered.

And now... he gets to choose. Whether he uses his claws for violence. Who he uses them on, where, and why. Whether he wants to use them to open a bottle of beer or screw a nail into the wall.

It's freeing. Liberating.

It's the first time he felt his claws were really his. Like he had the final choice in his life. It's the first time he really appreciated them, now that he finally got to reap the benefits.

[zhuoyichenpretty]

Ep 22-23 Commentary

Ha...I was inexplicably nervous for eps 22-23 and it looks like I was right to be (-: What a rollercoaster. Spoilers below!

I've just come out of ep 23 and uh????? holy shit????? ZYC????

Ok ok but to backtrack, let's do my comments semi-chronologically:

Ep 22:

A carry-over from ep 21 that I have to mention—heck yeah PSJ give WZY hell. She doesn't have all that many lines but she sure knows how to make them count. Also seeing PSJ and WX get screen time just the two of them makes my brain go "yay <3"

Back to ep 22, loved the fake-out sundial ayeee that was a nice Chekhov's gun that also brings the real sundial back into relevance for later. Also me eating up the PSJ and ZYC crumb of an interaction has brought to my attention how starved I am of their screen time together.

This whole ep was a great lament towards the feared inevitable. Every sad downcast look from ZYC, every complicated glance WX gives him. A wonderful, terrible crossroads for these characters. I love that for ZYC especially, it's such an incredible mess of emotion coming to a head. Bad enough that he's come to care about the demon who killed his family and ruined his life, bad enough that he's sworn a blood oath he regrets and tied himself to punishing someone he no longer finds culpable, bad enough that ZYZ's life or death depends solely on his choice and ZYZ is constantly practically begging for death when ZYC wants him to live. How much immensely worse it makes the whole situation that WX is literally ZYZ's soulmate. And obviously the whole team has only grown more and more attached to ZYZ, too. ZYC's personal turmoil aside, how heavy must that responsibility and guilt be? For the finishing blow that only he can deliver to also deeply threaten every other person he cares about? Everyone understands in the abstract what must happen and why, but just like seeing ZYZ lose control firsthand, the gulf between understanding and experiencing is so unimaginably wide. If he kills ZYZ, can there really be no resentment from his friends? From WX?

Also it seems ZYC only wears cloaks so that he can give them to other people lmao

Ah fuck, the farewell drinks. I didn't even factor in how ZYC might not survive the encounter (''': The drama truly was like hm can we possibly give ZYC a worse day than that night his whole fam died? Maybe give him a bunch of new family members and also the blade and the fate and the sole responsibility to potentially irrevocably scar said family members with? And he might die in the process too? (-: haha maybe? (((-:

Oh. Oh. Addendum. I forgot this til I saw it mentioned in another post—ZYC recounting his oath as he watched WX smile when they discussed reviving the tree...I could feel him weighing those words against his own life, against ZYZ's life, against WX's happiness. One way out of this impossible situation is indeed to doom himself. I'm in pieces.

Damn if WX isn't dedicated heart and soul, going into the sundial like that. I'm sad no one could keep her company for those 300 years but also I guess that's kind of an impossible ask (and maybe not survivable for the other non-goddess mortals? I'm admittedly very unclear on sundial time loophole logistics). It would have been nice to see someone offer though, even just to be turned down.

Ooh I like the soul needle fake-out, given this show's penchant for retroactive "actually we had a plan all along" moments. A good subversion of the narrative's own style.

Also I saved this for the end because it doesn't really fit the linearity of my comments but what the fuuuuuuuck oh my god I absolutely flipped out at this scene:

I am at once rabidly intrigued and at the same time not sure if I'll be satisfied with whatever payoff will come for this so I don't want to overindulge in theorizing and setting my own expectations too high. Maybe this is just a fevered hallucination, maybe it means nothing (I hope it means something). But damn!!! What a gorgeous man crazy scene.

In conclusion, ep 22 had some good stuff for me. Plot development and reflection and tension enough that I may have been satisfied with just that one episode. But they gave us two, so onward to ep 23 comments!

Ep 23:

I like how many solid reasons the team has to suspect ZYC being possessed. Even though I withheld judgment during my watch given how quickly the show usually confirms that kind of stuff with a possession mark, just simply casting that doubt made the whole build up that much more intense.

ZYC slowly walking down the corridor with the whole grounds lit a somber and haunting gold—*chef's kiss*

ZYC's monologue to a catatonic ZYZ is so important to me. The closest we'll get to his internal monologue about this whole situation. The kinds of things said when we think there's no conscious listener.

Okay so, having finished this episode and looking back, Li Lun's hands coming up from behind ZYC was not to denote possession (at least in this episode), potentially is a visual from ZYZ's POV, and seems related to the above screencap. I am so, so curious. Once again, I'm stopping myself from further speculation because I want to be surprised but ahhhhhhhhh

PSJ shooting at Ao Yin is so gorgeous. Her action scenes seriously never disappoint—the creativity of her fight choreos!! Also very cool that the whole team is getting to take part in the action, not just the two male leads.

Bai Jiu possession was not on my bingo card but I sure do love that we literally saw the possession take place and I still didn't connect the dots. Good shitttt. Also oh no ): ZYC was telling the truth about the soul needle, he was just tricked ):

Seriously from the Ao Yin case to getting PSJ released to reviving the Divine Wood to getting tricked by possessed!Bai Jiu to making pear soup to fighting ZYZ to fighting Li Lun—when will ZYC get a single goddamn vacation day holy shit.

Also when will WX tear up that contract so ZYZ can stop having a mild heart attack every time he wants to kiss her ): &I love that they saved the 300-year montage for this moment. While their ship doesn't give me brainrot personally, who could be unmoved by that incredible and undisclosed sacrifice? That's soulmatism.

Okay, I'd seen clips of them filming the ZYC and Li Lun fight but damn I did not expect it'd be happening right now!! Right after already taking damage from ZYZ? And my god is Li Lun brutal. The two actors did such an impressive job on this entire fight, what with Li Lun's ease and ZYC's suffering. I really appreciated the extensive hand-to-hand combat after Li Lun literally obliterated ZYC's sword. (Also though, given the origin of that sword, I kept hoping for a flashback to ZYC's brother once it broke, but alas, no dice.) Anyway, the show does not play around about ZYC whump it seems. I was very very shook by that throat punch; that shit legitimately looked like it hurt.

Honestly, I had a hard time with the extended ZYZ and Li Lun conversation at the very end because oh my god someone please heal ZYC lmao. But of course, that's the end of the episode~~

Y'all...check on your local ZYC stans because I was not okay after all that (': I need a heaping dose of comfort after all that hurt, but as always I'm cautious of hoping for much from canon itself. So yeah! Ep 23 was solid, but I would probably be in better shape if today's release just ended on ep 22 ((':

Time to go wait for the cast's Hi6 episode to drop so I can heal my battered heart ;-;

[akirathedramaqueen]

CBT and Exposure Therapy: Blitzø Showcase

An important (really, don't skip) disclaimer

If you are contemplating whether or not you would benefit from any kind of therapy, consider consulting with your medical provider first. While I did my best to validate all the points made using publicly available resources, I am not a medical professional. At the very least, I strongly advise that you do your own research and not take some amateur's opinion about a character from a silly demon show for granted.

"Everyone in this show needs fucking therapy STAT!"

We hear fans screaming into the void every now and then. Me too. I plead guilty and I willingly put myself in custody. But I am not taking these words back.

Especially often it is being said with Blitzø in mind, who, as hinted earlier and clearly shown in the latest episode, Ghostfuckers, is not doing okay. Not in the slightest.

Which is . . . yes. Indeed, trauma-ridden Blitzø is a major problem for both him and those around him. Yes, we see him reaching his lowest point now exactly because he left these gaping wounds untreated for so long.

But the tricky question is—how, though? What to do? Will a good talking to a confidante help? Or, maybe, some kind of shock would snap him out of the spiral?

I've been pondering on this topic for more than 4 months, and, as the Ghostfuckers came out, I finally got all the data I need to prove a point. The show did all the job for me and effectively made Blitzø go through improvised versions of two popular therapy techniques. And, before I even start, I want to say—I am so glad with what we ended up with. What they did, and, more importantly, didn't do, aligns well with how it would likely happen in real life.

So buckle up, and let's see where it gets us!

Therapy # 1. Cognitive-behavioral therapy, or CBT

This is, in essence and with some corrections, your good old talking. Here you can find more information about it, so, if you're not familiar with the topic, I recommend following the link first.

But, very shortly: CBT is an extremely common approach to be tried while you're dealing with anxiety, depression, and a number of other mental disorders. What it aims to do is to help you get past unhelpful thinking (distortions) and learn not to act on it.

Looks like it fits the bill, right? Blitzø has a lot of issues with self-fulfilling prophecies, infuriatingly stupid assumptions, poorly thought-out actions . . .

But he's not like, you know . . . w-we're not, like . . . we're not doing a . . . w-we . . . what's betw— It's a transactional fucking, you see.

If you don't feel like coming, that's OK! I'm sure I can do without it for one month. :)

Stolas only cares about having a rugged peasant raw-dog him into his matress! It's nothing, ya know . . . it's nothing else.

You . . . no longer have any obligation to see me, to touch me, to bed me . . . You are— you are free of me.

He sees things which aren't truly there.

It's not Stolas giving him space after the disaster in the 'Ozzie's.' It must be Stolas not needing him anymore, getting tired of him.

It's not Stolas caring about Blitzø. He is a royal, why would he care how an imp's day he happened to be fucking was?

It's not Stolas setting Blitzø free and putting an end to a problematic transaction they had with the hope for it to grow into something more. It's him getting rid of Blitzø.

As a result, he ends up hurting himself and the relationship he had with that one sad gay bird he happened to fall deeply for but literally trashed in his own house twice, acting on nothing more than frenetic fear of losing Stolas, but in reality, driving him away even more . . . for good.

I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we're smaller and not as important!

Ha! I'm right, aren't I? You get off getting plowed by people you look down on!

And I can sorry more people, everyone but you! 'Cause I don't owe you dick! Everyone, but you . . .

So, the case's closed? Let someone—say, Millie—talk to him and tell him how wrong he was about himself and the others?

Well, here's the thing. Despite him being infinitely wrong about Stolas's intentions, we can't deny the fact that every one of his beliefs was not, in fact, a distortion. It'd led him to wrong conclusions, yes, but it was built on the information he received and legitimate experiences he had in his life. Here are only some of the facts connected to only this situation with Stolas, but there are other problematic behaviors and other reasons for him acting the way he does.

Fact # 1. The circus fire did happen, and Blitzø was the reason for it. Unintentional, and of course it wasn't his fault, but it still ruined the lives of many people—him included. Blitzø cannot act like it never occurred.

Fact # 2. Hell is divided by class and race. Their situationship with the grimoire was an embodiment of that inequality. A lot of Blitzø's outburst during the Full Moon and later in the Apology Tour was connected to it, to his beliefs that Stolas is the same as the rest of the privileged circle. Beliefs, I stress, justified by the real world. Stolas is more of an exception, and even then, his behavior is only different when it comes to Blitzø. He still acts the same toward other imps.

Fact # 3. We knew about Stolas's intentions all along, but before that fateful Full Moon, what Blitzø saw was Stolas avoiding him and not communicating the issue the Ozzie's date had raised. And before Ozzie's? Stolas did act entitled and inappropriate. He was baby-talking to Blitzø and used derogatory terms while addressing him. The dude literally called him an impish plaything in the Truth Seekers.

Fact # 4. Blitzø's heavily implied (though not officially confirmed by the show) existing conditions—ADHD*, BPD**, PTSD, and dyslexia/dyscalculia***—do affect his life, and while Hell seems to be somewhat receptive of neurodivergence, he still has to deal with it every single fucking day. He is going to be avoidant and afraid to be abandoned at the same time. He is going to hate himself. His learning disabilities are going to make his life harder. No way around it.

Note: *, **, and *** contain links to separate meta-analyses from @timkontheunsure and @tealvenetianmask about the respective conditions and how they show themselves in Blitzø's case.

And my beef with CBT here is exactly that. CBT's goal is to gaslight you into believing your distortions hold no water and suggests you just ignore them. And, as I've shown with Blitzø, these reactions and assumptions aren't baseless. They are legitimate, and, in fact, sometimes help to get by. Even though it's a crooked crutch, you can't learn to walk properly by just throwing that crutch away. You're still going to limp, and oh, will it be painful.

This is oversimplistic and dismissive. Anxiety and depression don't come out of the blue, and with mental disabilities, it's even deeper. The class/disability stigma is alive and strong, and just slapping a "you're fine" bandaid on your traumatized self isn't going to help.

Therapy # 2. Exposure therapy.

Exposure therapy is another approach commonly used while dealing with traumatic past and its aftermath—PTSD, anxiety, phobias, and such. Again, if you're not familiar, there's the link for you, but very shortly—the therapist puts the patient in a safe environment and 'exposes' them to the feared object in question for limited periods of time. The goal is to eventually get rid of the targeted fear and decrease avoidance.

And Blitzø has got some phobias for sure.

The fear of letting everyone down. Again.

And the fear of abandonment. Again.

All of it is a result of self-hatred, sitting so deeply it rules his life and his vision of how others perceive him. Said it himself. Almost.

So, where and how does the show expose Blitzø to his traumatic past?

First, the most recent, and the most obvious one—Rolando and his slideshow of all traumatic events Blitzø ever had in his life.

Second—Blitzø's drug trip in the Truth Seekers. While it does not contain the events of the past as they were, it does force him to face his fears.

Are you worried I might have enough of it one day as well? . . . You're going to die alone! . . . You're going to die alone, Blitzo!

With some stretch, the third one is Verosika's 'Blitzo sucks' party. Where Blitzø was forced to see the consequences of his avoidance and rejection.

Note: to be clear, I do think the party does not show the true extent of Blitzø's actions and how much he'd hurt people. It was exaggerated by Verosika, and here I explain why this is the case.

So, what gives? Or, rather, what gives it not?

It might sound funny now, considering I brought it up myself, but I, once again, say this is not therapeutic, just as CBT kind of 'talking.' If anything, all these three events did more harm than good.

The D.H.O.R.K.S.'s goal in the Truth Seekers was to torture the information out of Blitzø. He was not supposed to overcome it. He was supposed to crack.

The Verosika's goal was to ruin Blitzø's reputation. She was working her ass off to prove he's just a heartless freak.

The Rolando's goal was to fucking kill Blitzø.

And okay, their motivations had nothing to do with helping him, but maybe it did, in its own twisted way?

No. The writers added this to push Blitzø past the breaking point, not to heal him, and to show us more of his lore. Each time he was forced to face his past or fears or consequences, he was only spiraling more.

The only thing which did him some good was . . . well, Millie finally seeing his bravado mask falling off. But the cost of it was way too high. Not worth it.

To the therapy's defense, some points why it would never work in the way it was done in the show:

Blitzø had never given his consent and was not ready to face it. I might be very rude right now, but go and try producing some explosion-like sounds in front of war veterans without letting them know first and see what happens.

The amount of fearful experience exposed was way too overboard. He couldn't possibly digest it in a healthy way.

The environment was not safe. It was straight-up retraumatizing, an intentional one.

So there's that.

But what helped then?

We've briefly brushed over the fact Millie did talk to Blitzø. While I did imply this might be an example of CBT, here are some key deviations from the classic therapy which made all the difference.

Millie didn't sugarcoat all the shit Blitzø did. He was hurting their business. He didn't pay her. He was reduced to Bethanie. It showed her opinion can be trusted.

Millie apologized for not being there for him sooner. She admitted she relied too much on Blitzø being bulletproof, unbothered by everything. She admitted she didn't support him in a way he always did.

While proving she could never hate Blitzø, she used their common story, one he knows and can recall. She used evidence to prove him wrong, not a "it's all in your head" bandaid. And more than that, later she proved it with action—not for one second did she believe Rolando and his shittalk about what Blitzø supposedly was thinking about her. Her unwavering faith spoke more than any words ever could.

Getting back to exposure therapy . . . Metaphorically, she reminded Blitzø he can handle a beating or two. And physically beat the infestor demon out of him, which, as we can see later, didn't really affect Blitzø that much. He wasn't even battered. So, apparently, when the said exposure is done by someone who genuinely tries to make you feel better and knows your limits well, it might just work?

And finally, Millie acknowledged Blitzø's pain. She didn't brush it away. She validated him.

What all of this is about?

Like every treatment, too much of a medicine can become poisonous. So are CBT and exposure therapy.

They might help, and lots of research shows they do in certain cases. But there are limitations to what they can and cannot achieve, and they have to be adjusted to each individual story, to each trauma, and they should not be applied as a way to mend the outcome of the trauma without taking into account the story it comes with. Again, legitimate concerns and experiences cannot be brushed away or ignored.

Actualy . . . we've seen where it leads in the show too. In the beginning, Millie was quite dismissive of Blitzø's worries—all of this over a . . . breakup?

And here it comes full circle.

Only when Millie started taking Blitzø seriously, did it help them progress. And look how quickly we've switched from a complete despair to a glimmer of hope! Isn't that a beautiful closing scene?

As a closing note—we do not need to 'fix' Blitzø. After all this shit he went through, there won't be a day where he wakes up and be like, "Hey, I don't hate myself anymore! And look, I'm not afraid to be abandoned or misunderstood!"

I'm sorry to break it to you, but this is a lifelong battle. Being mentally whole, healthy, and constantly happy is no more than a myth, and everyone has their own demons and skeletons to deal with.

What Blitzø needs is some good support system to pull him back when he's down.

And boy, do I hope that one particular owl will fill in that role of unyielding pillar for Blitzø each time our lizard will fall into that pit again. Look, I love Millie, but there's only so much she can do. She can't be always present, she has her own life . . . and her own disaster of a husband to look after (affectionate <3). Here and here @lost-romantique talks about Stolas's capacity of loving, with me occasionally nodding, ha-ha. But to be short—it's fucking immense. And since he loves words, I do believe he has all the energy to tell again and again and again how awesome Blitzø is. Even if Blitzø wouldn't believe it himself.

[collapseintonever]

mcr at project revolution in charlotte, nc. august 8 2007. photos by buttertooth on livejournal. picture commentary under the cut

pic 2:

When MCR first came out onstage, Gerard strutted on like he was all badass with a black bandana on his face. For some reason, he reminded me of an anime cartoon character when he was wearing that. Anyway, the decision to wear the bandana came back to bite him in the ass later because he couldn't get it to untie from his neck when he realized how ridiculously fucking hot it was out there. I didn't realize it was still around his neck but he made a comment about it between songs when he was trying to catch his breath. Haha. Oh well, everything can't always go perfectly, right?

Anyway, since the picture of him (that I tried to take) with the bandana turned out all blurry and awful, here is a picture of Gerard just after he took it off. Might I point out how foxy his hair looks. Hooray for Gerard not looking like a mad scientist when I saw them perform!

Gerard made multiple comments on the heat, but you know what? He sort of deserved being hot since he was out there in his JACKET! It's a wonder he didn't pass out. He did spend a lot of the time lying on the stage or sitting. Early in their set (maybe three or so songs in?) he said something to the effect of (this is NOT a direct quote, just a paraphrase) "I was going to say something later about guys taking their shirts off, but, fuck it, it's too hot. Go ahead and take them off now." Then when they got to "Prison" he said it again about just the guys taking off their shirts and that he didn't care what size you are, you're still attractive. Gotta love Gerard and how he tries to make the fans feel good about themselves. I think he was just trying to charm the guys out of their clothes, though, really. He stressed that only the guys should take their shirts off and swing them around their heads. I think some guy threw his shirt up there and he picked it up and swung it around, but it could've been a rag or something. It was a black cloth of some kind, anyway. And of course, someone threw the obligatory feather boa up there, and Gerard put it on. I swear, Gerard must be crazy because he's in a jacket, singing his lungs out, on a stage with PYRO in the 103-degree heat for fuck's sake and he puts one of those itchy feather boas on.

pic 3 & 4: Unfortunately, these were the only two pics that had Ray in them since he stayed wayyyyy over on his side and I couldn't see him. But his playing and singing was amazing as usual!

pic 5: Right before the pyro came on Gerard said "Shit!" which I took to mean that he knew it was about to happen and he didn't want to feel the heat. I could be wrong, but that's what it seemed like.

pic 6: Towards the end of the concert Gerard said (again just a paraphrase because i didn't get it all, unfortunately!) that he was sweaty and nasty and everyone should "make some noise" because of it. I love MCR and all of the band members, genuinely I do, but if Gerard didn't take a shower after that concert, he is officially a nasty motherfucker. :P

Frank was a little more sensible with his attire, since he was wearing a sleeveless shirt. He flopped down at one point and it just looked like he was hating the heat.

On the second song (which I managed to get video of! Woot Woot!) Frank's guitar string broke (I think that's what inspired his fit of rage) so he smashed up his guitar. Then he picked up the one with the zombie on it and started playing again. The picture above came after he smashed up the first guitar.

pic 7: When he came down to my end of the stage, I could see that Gerard had something written on his neck again. I think it said "Truth" but it could just as well have said "Truce" because I could only see the first three letters. I don't know why it would say "Truce," but it could've (ETA: I read a review somewhere that it did indeed say "Truth". Stil havent seen any pics of it though). I tried to get a picture of his neck, but it came out blurry. Boo! Hiss! If anyone else has proof of what it said, I'd love to see the photo.

pic 8-10: And for those of you out there wondering, there was some mild Frank/Gerard action going on. By the time it happened, I had already used up all my video space and could only take photos. But the good news is that my camera has a photo burst option which lets you take three photos in a row. They're not the best photos ever, but I did get the shots when Frank walked past Gerard and grabbed Gerard's crotch. And I got Gerard's reaction to it. It happened really quickly so it was easy to miss.

pic 11: Oh and about halfway through, Frank put either a shirt over his head (one of the one's that got thrown onstage when Gerard told the guys in the audience to take their shirts off), presumably to mop up the sweat, but maybe he just wanted to be a weirdo. In the first photo it looks like Frank is smelling his armpits but really he's trying to wrap the cloth around his head.

pic 12-14: He played with the cloth over his head for most of the song.

pic 15: Gerard singing and Bob drumming away…

pic 16: Just Gerard…

pic 17-18: Frank taking a sip of water in the dark… …then spitting it on the audience. It didn't land on me. Not to sound horridly grungy or anything, but I kinda wished the water would've landed on me because I would've welcomed anything that would help cool me off at that point.

pic 19: Frank and Matt in the same stance. And yes, Matt, Frank does have a nice ass.

pic 20: Gerard pointing….

pic 21: And now for a little Matt Cortez: Gerard said he's got "arms of steel" and he ain't lyin'…

pic 22: Matt Cortez, being awesome. Gerard even gave a shout out to him and walked by and ruffled his hair…

pic 24: Matt's back…

pic 25: Matt's so cool, you can see through him!

[autisticjoshrusso]

ok ok ok. a post about josh, buck, and maddie at dispatch as promised. (and because i dont feel like writing a whole separate post or repeating myself etc, if im pointing something out as evidence for my autistic josh headcanon, it'll be in parenthesis like this) also this is long because im going basically line by line in some places so just be prepared for that and such.

the first thing i wanna say before anything else is that like... as far as how this conversation fits into the larger narrative, i was fairly disappointed, due to the way that including this scene like this is kinda implying that the racism was fine because of being closeted etc. HOWEVER. luckily for my sanity it is pretty clear that from a character perspective, that's not at all what's being said by josh himself here, and we can be pretty certain that he is not aware of tommy's past behaviors. in fact he has almost no facts or context about the situation, which i'll get into later.

now that the disclaimer is out of the way, im gonna move onto character analysis and will not be touching on what i think the narrative might have meant etc. any further. like this is going to be purely talking about character dynamics and dissecting the dialogue etc.

we start out right away by skipping all the exposition right into a hard cut of maddie reacting to the news that tommy and abby were engaged. LOVE this set up we get right into the important part quickly and we as the audience only have to hear information that is new to us, not the information being repeated back to the character for whom the information is new.

and oh maddie. i love you so bad. she's like DAMN thats crazy, and then makes the obvious turning people gay joke. her energy here is sooo like it didn't make sense until looking at it in retrospect, but she's shocked and invested yet not taking it very seriously as a concern for buck, because well, she's having a baby and this is objectively not that serious comparatively <3 but i do love that she sees buck's reaction and quickly reins it in and is like woah im kidding im not actually being homophobic holy smokes. which. it kinda still is a little. but i think she's allowed <3

and then... josh enters the scene. he apparently only walked in as buck was saying "-kissed a boy" so of course he had to be like huh? gay shit? something gay? boys?? what's going on over here? and i love that for him. and i love that maddie immediately is like oh hi bestie i catch u up to speed on the tea <3 the maddiejosh bestieism is so back we never lose <3 and that fact that she's like. feeding in the facts in a way to dramatically amp up the tale i love it. she really said man the things my baby brother gets himself caught up in are wild.... anyway <3 true sibling behavior is finding the perfect balance between being supportive and being so so annoying <3

and she is supportive still. like when it becomes clear that there's something deeper going on here she does try to help him work through it. and its so interesting to me the way she is sort of seriously contemplating his words and is shocked when josh not only speaks up but is being very serious and equally focused on the problem at hand. it's like... she's trying so hard to figure out how to help her brother with something she doesn't fully understand that having someone else speak up to help them kind of shocks her and boy does that say something about their lives and the buckley sibling dynamic!

side note, the way josh is jokingly like "she didn't bring her personal life to work, unlike SOME people" and maddie's little look of mock offense?? they're so cute i cant handle it.

i also really love how the shots are framed during this conversation. at first, even when she's not talking and is just listening to josh talk, maddie is still in frame, we're still getting her reaction, she's an active participant in what's going on. and then there is the one shot where she's talking and josh is out of frame, hidden by buck, because whatever reaction he might be having isn't important, it's a buckley sibling moment. (he's not an active participant at that point; he's entirely observing and reacting and gathering information, not dictating the direction of the conversation whatsoever.)

it's only when josh gets very serious and it starts to turn into a heart to heart moment just between him and buck that maddie is allowed to leave the frame. it still goes back to her in very brief cuts when her reaction is relevant, but she steps back out of focus and let's josh handle the conversation. and i love that so much. thank GOD someone else is helping buck sort out his problems that isn't his parentified sister or just generally someone more marginalized than him. it was kind of getting irritating to watch, as much as i love buck so much. like dude... the emotional labor. watch it.

and man. this conversation guys. everything about it makes me an insane crazy person. ive already mentioned this in the tags of some other posts but like... its so fascinating because on the surface it is such a cohesive conversation, but when you really break it down and analyze both of their expressions and body language alongside what they're saying, you can start to see the cracks in it. what one of them is saying is not what the other one is hearing, in both directions. they are having two different conversations and i think it's critical to analyze both of those conversations and how they are interacting with each other. what josh says, what josh hears, what buck says, and what buck hears are four entirely separate things happening alongside each other.

the first part is josh trying to get a sense for how serious this relationship is to buck. when buck falters at the question of "do you love him?", he elaborates with follow-up questions that, to josh, define "love" or close enough to it. answering "yes" to those questions is close enough to a "yes" to the question of "do you love him?".

(which. ok. the particular choice of questions makes me insane because they do essentially boil down to "do you prefer this person to solitude and grant them an equal or greater importance to yourself?" which is sooo... it's said from the point of view of someone who greatly values their solitude and would not easily grant someone that level of importance.)

unfortunately, well, buck is NOT someone who greatly values his solitude, and puts other people before himself quite easily. buck would answer "yes" to those questions for basically anyone. josh does not know or understand this about buck and takes buck's answers at face value, while buck is taking this as sort of... it's hard to explain, and i think others have done a better job of capturing buck's perspective already tbh. he's convincing himself that he loves tommy here because josh is unknowingly handing him that information and expectation, and buck loves to mold himself to fit an expectation etc.

and then comes the second part, which... i think this is where it is most critical to realize that josh has none of the context about tommy, abby, and buck and those respective relationships. by his own admission, he didn't really know much about abby or about her breakup with tommy beyond the fact that it was upsetting. he didn't hear the way tommy talked about abby to buck at dinner, and he definitely didn't get to see any of the real fallout and damage to her psyche that tommy leaving her caused.

but buck did! im not inclined to rewatch s1 to get any exact quotes or anything but from what i remember, she either outright said or implied that she was so heartbroken because tommy left her because of her mother's illness. buck is understandably very upset because he understands exactly what she went through and how, unless abby was lying to not out him, he didn't exactly come clean with the breakup, and left her feeling like it was her fault, like there was something wrong with her or she was being weighed down by caring for her mother. he calls tommy's behavior exactly what it is: dishonest and cruel.

but josh doesn't know this. all he is hearing is a young, freshly out bisexual calling a gay man "dishonest and cruel" for having been engaged to a woman for his own protection. and he responds exactly how you'd expect! he reminds him of queer history and the fact that he doesn't really have a right to judge the people who grew up and had to survive in a world that was much less safe to come out in.

(and i said in my other post that's still doing numbers that "pre-Glee/post-Glee" is an actual queer discourse talking point and makes sense that it'd be used here, as awkward and cheesy as it seems, but it's also a win for my television/film/popular media/hollywood culture/etc. as a special interest headcanon. <3 we love to see it)

and it kills me because of course buck is just going to take this at face value and decide he needs to stop feeling the discomfort he's feeling, leading to the subsequent doubling down and over committing that is typical of his unhealthy relationship patterns.

(and then at the end of the speech josh has to literally announce that he's leaving DSJFHJKDSKJ. because walking away/ending conversations is so awkward and difficult and the easiest way to mitigate that is to lean into the Dramatic Homosexual Stereotype mask or whatever <3 i've long been of the opinion that josh is someone who uses the behaviors associated with queer men and queer masculinity as the blueprint for his neurotypical mask, which is why he often comes across as being just a little bit off from the Funny and Bitchy Gay vibes that it seems like he's going for. and boy did his exit from this scene just reinforce that headcanon so hard!)

they wrap the scene with a little bit more levity too which is kind of nice to like. move on from that. because it got kind of heavy there for a second.

overall i do like what this scene accomplished, but like i said at the start, i think it has some really unfortunate implications that weigh it down for me. still, always nice to get more josh content, especially when it's pretty consistent with his character as established AND not at all related to doing his job. we got to see him and maddie being goofy and maddie being allowed to let someone else deal with buck's problems for a second. and the whole thing was very well shot! excellent camera work going on throughout.

i don't actually know how to end this post so yknow. im gonna make a dramatic exit now or whatever <3

[saints-who-never-existed]

For the terror ask game-Franklin?

Franklin - Who’s an underrated character in your opinion?

Well, funnily enough, I actually find Franklin himself to be underrated in many ways.

As so often is the problem with fandom generally speaking, he often gets flattened down and smoothed away until he's just 'stupid old man who fucks everything up'. And, like, I'm not saying that he's not that but I do think there's much more to him than just that.

I think he's a man more than aware of his own limitations for one thing - sometimes painfully so but also often not? He knows full well he wasn't first in line to lead the Expedition:

"Sir, he [Crozier] was no one's first choice for this expedition." "Nor was I..."

He also shows in places a surprisingly keen understanding of both his limitations in comparison with Crozier - "I'm not the sailor you are Francis, never will be." - and the difficulties of communicating with him - "Perhaps it is I who's unable to truly bring him into the bosom of my confidence. I want to. I always plan to. But then, when I'm with him, I don't know why I falter."

There is a willingness there in him to confront and accept his own foibles and I find that really interesting to think about in comparison with his hubristic, self-aggrandising side.

-

Another contrasting aspect of Franklin's character I find fascinating is the care he has (or doesn't have) for the men under his command. There's an artifice to it in many places - the way he turns David Young's death into self-serving propaganda (all after making choices that actively worsen the circumstances of that death), or bribes the marines in the hunting blind with rum and revels in feeling like one of the gang afterwards. But there are other places where it feels much more genuine. Gore's death, of course, hits Franklin like a ton of bricks and it's Crozier raising the idea of risking further lives that really starts to set him off in E03 too -

"It's only eight men, Sir John. And there is just enough time." "I have lost six men on this expedition to date. SIX! And you ask me to risk more..."

-

And don't even get me started on that rant! My god! It's absolutely my favourite scene for Franklin! Again, there's a fascinating contrast in the way he so accurately reads Crozier to absolute filth but then, anger spent and realising the pain he's inflicted, the way he fails so utterly to make up for it - "So let us turn our energies back to being what the Admiralty, and life, have seen fit to make us..." etc. that's just putting a bandaid on a stab wound. And I go a bit bananas for the additional lines that didn't make it into the final cut too

"...There can be no argument between us there. I will not bother you again with more. But do not test me again with more, either."

[whumpninja]

Anyone remember my moments of peeking round the door into pet whump and yelling a prompt and then scampering away like a horrible gremlin? And how I kept saying that was the extent of my interactions with that genre? Yeah. Me too. I lied. I really wanted to push myself out there with Whumptober, so I promised myself that I would try it. I didn’t go very far in- I used historical instead of full-on BBU, and I toned it way down for this just so my brain didn’t entirely freak out- but my toesies are officially wet!

@painonthebrain here it is!!

Prompts used: Whumptober, nowhere else to go

Featuring: pet whump (have I EVER used that tag before?!), historical whump, alternate history, mentions of abuse, pipe smoking

Whumptober Day 17: A Quiet Evening at No. 14 Fettle Street

The best time of day is that peaceful, gray evening-time when the sun has gone down but it is not quite dark. The time when families are beginning their suppers, when ladies are brushing their hair a careful one hundred times, when the door opens and whoever has been out that day comes home.

It was just that time of night, on a relaxed sort of Saturday, at the red brick flat on Fettle Street whose outer wall bore a plaque that read No. 14. Inside, the fire crackled pleasantly in the hearth, and the parlor of had an air of quiet evening calm to it. The master of the house had draped his lanky frame over a plush red armchair, an empty teacup on the table by his side and his face obscured by the day's newspaper. Mrs. Merry the housekeeper bustled about, fluffing pillows and rearranging knickknacks and poking at the coals. Presently she broke the companionable silence. "Your slippers are all warm now, whenever you're thinking of retiring. Will that be all for the night, Mr. Thorn?"

"Oh, yes, I think that'll do for me, Mrs. Merry," replied the aristocrat from behind his newspaper.

The housekeeper bobbed a curtsy and turned towards the kitchen door.

"Oh, Mrs. Merry," said Mr. Thorn. "Just one more thing."

"Of course, sir."

Mr. Thorn set his paper down. One of his eyebrows was arched toward his hairline. "You might tell me why there's an unfamiliar young man asleep on my settee."

Mrs. Merry bit her lip. "So you...noticed."

"He's across from me, Mrs. Merry. If I'd missed him I would be in need of an emergency appointment with the optometrist. Now, do you want to explain who he is and why he's here?"

Mrs. Merry came to the fireplace again, stirring up the embers even though they didn't really need to be stirred. "You've seen him before, sir, though maybe you didn't notice. That traveling tailor fella you had a meeting with a few months ago?"

"Didn't much care for his boasting," remarked Mr. Thorn. "He did have a boy with him, didn't he?"

"His pet, sir."

Mr. Thorn scoffed. "Whoever came up with that particular system of dealing with criminals ought to be institutionalized. But anyway, what's the boy doing here?"

Mrs. Merry had a fine temper when she got it stirred up, and it was good and hot now. "I knew that tailor was a bad 'un," she huffed, mostly to the fireplace. "That poor lad showed up on the kitchen doorstep this afternoon, thrashed within an inch of his life and too frightened to look me in the eyes. Near as I could get out, that tailor beat seven bells out of him and then left him behind on the road when he couldn't keep up." Mrs. Merry snorted. "I'd like a chance to introduce the brute to the handle of my broom, see how he likes it-"

"Mrs. Merry, of course that's all very unfortunate, but what on earth is he doing in my house?" Mr. Thorn broke in.

"Didn't have nowhere else to go, I s'pose." Mrs. Merry stopped her bustling to brush a black curl from the boy's forehead- he really wasn't a boy, exactly, he seemed to be about twenty. It was only that he looked so small and pale that she kept calling him one. "I was kind to him when you had that fitting with the tailor. Must have remembered." She shook her head. "I certainly didn't expect it, but how could I have just left him in the street? Brought him inside and did what I could for his back, and got him a good meal- that's what's put him to sleep so heavy. He looked as if he hadn’t had a bite since last Sunday.”

Mr. Thorn leaned over to light his pipe. His face was complicated, and for several moments he did not speak. “You might have asked me," he said at length. "I don't like strangers in my home."

"I didn't think you would object."

"I certainly don't object to helping someone in need. But, Mrs. Merry, what do you propose to do with him now? Or if the tailor turns back up looking for him? Have you thought about that?"

"That's the sort of thing you work out later, when somebody's in trouble," Mrs. Merry said firmly.

Mr. Thorn took a long drag of his pipe, blowing out a ring of smoke and watching it dissipate. "I'll be the first to admit I don't approve of this whole pet business. I didn't think much of their other proposition- what was it again, sending criminals off to Australia?- but this whole matter of altering the brains of people so that they're hardly able to think for themselves leaves a bad taste in my mouth." He blew another smoke ring. "Still, we can hardly expect to tear it down in one day. If that tailor comes, I suppose we'll have to give the boy back."

"I'd hide him first," Mrs. Merry replied fiercely. "I'd not be responsible for sending him back to that monster, even if I did lose my place for it! Sir," she added, after a moment.

Mr. Thorn sighed, tapping out his pipe. "I couldn't get on without you, Mrs. Merry, never fear. The boy may stay, for a few days, at least. Though I would prefer if you made him up a bed that is not my settee." He took up his newspaper again. "And we may not have to wait long for this whole debate to be over. It's being challenged in Parliament soon." He snorted. "Though of course they've got an excuse all ready. They're saying now that even if they did shut it all down, the way they've altered the brains of those involved, they'd never be able to rejoin "polite society." And they used that term, too."

Mrs. Merry bent down to spread a blanket over the boy, who was still quite dead to the world. "If you don't mind me saying it, sir," she remarked quietly, "you seem to have come out all right."

Mr. Thorn looked up sharply, but the housekeeper had already gone. He glanced over at the settee, and something in his face softened.

Before he went up to bed for the night, Mr. Thorn slipped to the settee and tucked the blanket a little more securely under the young man’s shoulder.

[johanna-swann]

Neutral-ish comment from a multishipper: That entire break-up didn't make any sense. Not in the "but they were supposed to be endgame 😢" way, I mean it really makes no sense.

Making Tommy Abby's Tommy was a funny idea (the fans have been joking about it for months) and if they'd just been a short fling it would've even fit into the continuity. But a 2 year engagement during a time when Tommy was still at the 118? During a time when he preferred to just not date because "single is easier" (2x16)? It's retconning, simple as that. They had an idea for a funny bit and didn't care about the timeline - as usual.

And Tommy's entire argumentation falls apart when you pay a little intention. He's scared of things getting serious because he thinks he'll get his heart broken. Yet he let Buck set the pace, gave him a second chance, went to a wedding with him for their second date, became friends with Buck's best friend and stayed with him for 6 months knowing right from the start he was Buck's first boyfriend? My guy, you're the one who made this a serious relationship despite everything.

Also the tone throughout the episode was so weird. Like. I think they really tried to frame Tommy as this sensitive guy who used to be a jerk because he was scared, but that's in the past and what matters is now. And then Tommy breaks up with Buck over his past or rather his dating history (or lack thereof).

The way they left things was so strange. Buck wants to build a life with Tommy, Tommy gets cold feet because he likes Buck too much and it makes him vulnerable. They're essentialy one step away from an I love you, so of course it makes sense they break up instead. What?

I was rooting for them, but I've been saying since the beginning that I'm totally down for a Bucktommy break-up and eventual Buddie canon IF the way they get there makes sense. This is not it.

Okay, I'm a little lost here...

If Tommy already knew that his and Buck's relationship wasn't going to last since it was Buck's first, why the fuck did he pursue it in the first place?

And if you take into account that line he said about Buck taking Eddie with him to the Lakers game, it makes it sound as though he knew Buck was craving Eddie's attention the entire time, but chose to ignore just for the opportunity to get a kiss and more out of him.

Which is really fucking shitty.

[masterwords]

2x02 - P911

[poorly-drawn-mdzs]

Fishing Interlude

[First] Prev <–-> Next

[covertblizzard]

jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"

[arcane-ish]

See, Vi might have been tasked to "protect the family", but in season 2 her moral instincts kicked in for the Isha/a girl she didn't know. So imo she isn't locked into a view where just her family exists.

And overall, I read her actions during the chembaron attack as pure instinct. She senses that something is wrong and immediately tries to warn people. That said, it's unfortunate that we don't get the dialogue, so we don't know whether she was calling out to Cait specifically and if she did, if it was out of concern or just because she knows Cait will take her words seriously.

But it serves as a good reminder that I should look at the scene in more detail and how Vi concretely reacts, how much time she spends trying to protect Cait specifically.

IMO this scene can be read as she is still concerned even though at this point it's clear Mel is the target, not Cait.

There is a fairly long sequence of the Chem Goons arriving where it's not clear what Vi is doing except standing around. When we see her again, Cait has gotten out her gun, and Vi initiates a fight with a chem goon who is a fair bit away from Cait rather than rushing to Cait's side. (we know that they are bit apart because Cait fights her own goon and then turns to shoot across for where VI is fighting a different goon)

She does come to Cait's rescue specifically when Cait screams. We see Vi has to run quite a bit to get from her goon to Cait's location.

After she and Cait have rescued each other Vi says:

(that said, it can still easily be argued that this is still her protecting Cait in a roundabout way, that Cait was not going to leave before this situation is resolved, etc)

It's interesting that after the battle we have shots of Vi stepping across the chem goon bodies and looking at the Noxians.

We go statues of the dead concilmembers, to Vi stepping, to Vi looking, to the Noxians, to Vi looking again.

We don't really know what she's feeling. Is that supposed to signifiy that Vi feels guilty that "her people" attacked and killed the councilmembers? Or does she feel uncomfortable with the Noxians killing the chem goons? Is she getting suspicious of the Noxians (after all somebody will have to figure out that Ambessa helped set up the attack)

She then walks over to talk to Cait where both turn their faces to look to a crying Piltie child.

The view then switched to Cait going into a rant how angry that makes her and how her prejudice against Zaunites is increasing ("Animals").

Overall, I read that attack on the council from Vi's point of view as her being protective of the council and not just Cait/ the family (again even with the facet that she clearly feels terribly about the death of Cait's mom which is why she is skulkling around in the beginning of the episode). Which to me goes hand in hand with how the writers have been saying over and over again how they think Vi is a natural protector.

And to me that means that she is a protector of everyone, not just her family and her people. And to me that likely means that she will jump up against anbody who seems like the aggressor in the situation. She will protect even one of the most privileged people in Pilotver (Mel). And it seems fitting to me that Vi is just to straight laced to think of it as "well, but in a larger geopolitical and socioeconomic context Mal is actually more powerful than the chem barons, so actually the chem goon are the underdogs in this situation".

That said, Vi likes Jayce, so it's possible that Mel as Jayce's girlfriend also counts as "family":

And similarly it's a really interesting wrinkle that Vi's big moral objection is about killing children, when she lad the raid where Jayce killed a child and she's still willing to work with Jayce.

(that said, in general in regards to Vi's lack of connection with Zaun, we know from trailers that likely after Vi goes on her depressing bender she will eventually switch back to her Zaunite jacket and it seems that she will adopt the wolf logo. Which in itself is super interesting, since she seems to face Warwick with that jacket, so it likely can't be a reference to Warwick)

Having digested the first 3 episodes of Arcane 2, I'm ready to say something bold and brave, and I hope I don't get too much hate for it.

Vi is just not a nice person.

In season 1, I feel like I was maybe unfair to the writers by saying that "rushing the romance with an enforcer/1% like Cait" was "flattening" Vi's character. That it was bending her out of shape.

How could a Zaunite as maltreated as Vi so easily turn to someone like Cait?

I was told by shippers it's because Cait is the first to show her kindness in a long time, and I still think that's hogwash. She is fresh out of mega hell prison where enforcers beat her so often they lost track of it. I don't believe any amount of kindness could make you fall for an enforcer within 48h in this context. Not realistically.

But now?

Vi hears Cait dehumanizing Zaunites and doesn't fight back. It takes a few compliments to make her accept an enforcer badge. She's running around gasing the people of the Lanes, making excuses for it, while looking fresh out of a WWII horror movie in that gas mask.

And when the gas mask is off, she's wearing Claggor's goggles... Like, yeesh.

She's clearly blinded by Cait. And that's fine! I used to think it was the flaw of the writers trying to hurry a Caitvi ship along. Now I gotta admit, it looks like Vi just doesn't have strong morals.

She hates enforcers but she'll join them easily. Her wanna-be gf says we use toxic gas that has horrible side effects [cut to horror medical slides] and she says "yeah, it's for the good of the people, sure".

She sees Jinx and accuses her of killing Powder, and says she's tired of making excuses for her.

To WHO, Vi? We don't have you on screen apologizing to anyone for Jinx's actions. I'm sure things were said to Caitlyn, but like, yeesh.

She accuses Jinx of orphaning kids, WHILE WEARING AN ENFORCER UNIFORM, the same worn by the people who orphaned HER.

I give up. The writers knew what they were doing.

A flawed woman who wasn't made a better or more moral one by all the suffering she endured in Stillwater.

Vi is cool, but she's not super loyal, is a bit of a meathead, doesn't have her priorities in orders, leads with her fists and caves easily to her emotions. She's horny for Cait and not very interested in the fate of her community.

Being locked up and beaten didn't make her smarter or kinder. It just made her a better fighter.

It's kind of my bad for assuming that Vi "should be better", logically. If she's written as a human, then she should be flawed and yeah, I guess she fucking is lol

I'm curious to see if she develops some... class consciousness, or some patriotism of some sort, when everyone realises the Noxian offers of protection are a yoke. I'm a lot more curious seeing where she ends now that I've accepted she's cool while also kinda shitty. It's nice that it goes along Cait's spiral into villainy.