#this movie is also incredibly queer coded

[notaclothingstore]

in da clerb, we all fight

[hotvintagepoll]

This is a three-way poll. Only one of these women will continue to the next round of the bracket.

Propaganda

Deborah Kerr (Bonjour Tristesse, An Affair to Remember, The King and I)— For several decades she held the record for most Oscar nominations without a win (6 in total), and she was a prolific leading lady throughout the 40s and 50s. She's best known today for the romance An Affair to Remember with Cary Grant, and as the governess in The King and I. Many people have this erroneous perception of her as extremely prim, proper, and virginal, but this could not be further from the truth. When she first came to Hollywood under MGM she was typecast into boring decorative roles, but broke sexual boundaries for herself and Hollywood generally in From Here to Eternity, when she made out (horizontally!) with Burt Lancaster (on top of him!) in the famous Beach Scene. She went on to play many sexually conflicted women, a character type that would define most of her post- Eternity work. She continued to break Hays Code boundaries with Tea and Sympathy, which addresses homosexuality/homophobia head-on, and even did a topless scene in The Gypsy Moths 1969!! One of the only classic stars to do so. She deserves a more nuanced and frankly a hotter legacy than she currently has!!!

Keiko Awaji (Stray Dog, A Japanese Tragedy, When a Woman Ascends the Stairs)— Her role as Harumi— a dancer who lives with her mom and will go to incredible lengths for one nice dress— is so fucking killer. she more than holds her own against Toshiro Mifune, the incredible sense of dread and foreboding in their scenes has really stuck with me

Hazel Scott (Broadway Rhythm, Rhapsody in Blue)—ok ok let me tell you about Hazel Scott. She was a Trinidadian piano genius. By the age of 3 she could play the piano by ear. She would play jazzed-up versions of classics in nightclubs and could sing too! She appeared in five movies, and used her influence as a piano prodigy to improve Black representation in film—she turned down offensive parts, demanded equal pay, and always wore her own costumes to ensure she was portrayed as glamorous and beautiful. She was the first African-American woman to host her own television show, The Hazel Scott Show. She stood up for civil rights and was an overall icon! If you want to watch her being a genius, here she is playing two pianos at once. And here's this one that shows off her consummate glamor! [videos beneath the cut]

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Deborah Kerr:

I think she was one of my first crushes before I realised I was bi in The King and I when I watched it as a kid honestly. The kissing scene in From Here to Eternity is iconic for a reason. Actually tried to learn the accents for the characters she was playing if they weren't English which is more than pretty much anyone else was doing then. Played very restrained characters who frequently seemed to be desperate not to be so restrained. Did horror movies without venturing into hagsploitation tropes. Gave Marni Nixon the credit she deserved for her share of the singing in The King and I.

Anne Larsen is a peak late 1950s bisexual with big MILF energy. Have you seen the behind the scenes pics of her wearing a suit?? Have you????? Vote Deb as Anne Larsen.

Nominated for an Oscar six (6) times and never won, but besides her having actual talent (hot), and besides her looking Like That (very hot, also beautiful), she was always playing women who are, like, crazy repressed. Which makes it fun and easy for me to read these characters as queer. Icon!!!! You know what's hot? Playing ambiguously gay in vintage Hollywood.

Her face and talent and body, yes, ofc, duh. But also!!! Her HANDS!!!! I may be but a simple lesbian, but she is the best hactor (hand actor) that ever lived and that's HOT! For propriety's sake I feel I must redact a large portion of my commentary on this subject. Anyway. She's hot in her most famous roles (mentioned above), and also some of her sexiest hacting is on display in An Affair to Remember (her hand on the bannister when Cary Grant kisses her off-screen??? HELLO???), Tea and Sympathy (when she's trying to persuade Tom not to go out and she keeps flexing her hands like she wants to reach out to him but can't??? ALLY BEHAVIOR! WE STAN!), and The Innocents (which opens and closes with extended shots of her hands bc director Jack Clayton was also an ally and he did that for ME). Much of her appeal also lies in the fact that she often played deeply repressed characters and you know what's hot? When those uptight characters finally unravel. It's sexy. It's cathartic. It's erotic. Plus, she's beautiful to look at in both black & white and technicolor, and the more of her films you see, the more you can't help but fall in love!

Literally is in thee most famously sexy scene of all time (or maybe just during the hays code era which is what we're talking about HELLO), which is the beach scene with Burt Lancaster in from here to eternity. To quote a tumblr post of a screen capture of a tweet of a video of joy behar on the view: "y'know, there used to be movies where they were kissing on the beach... From Here to Eternity. They're kissing-- Burt Lancaster and Deborah Kerr are Kissing on the Beach and then the WAVES crash!! You know exactly what they did!"

She might have a reputation of being chaste and virginal or whatever, but we all know it's the quiet ones who are certifiable FREAKS

Keiko Awaji:

Hazel Scott:

[deramin2]

I don't know how to really express this except to come across as a "kids these days" scold, but so much of the criticism of queerness in Good Omens would simply not be a thing if kids these days watched more 20th century queer media. Or more complex indie queer media in general.

People seem to want a show that's like the straight stories they grew up with but gay. Or the gay fanfiction they grew up with. But that's not really the tradition it's coming from. First off the novel was released in 1990. Queer film classics of the time are Dead Poet's Society (1989) and Torch Song Trilogy (1988). The TV miniseries Tales of the City (1993) wasn't made until 3 years later and it was so far out there it never had a huge audience. Philadelphia (1993) is also 3 years out and was basically the first big studio queer film. The first fluffy queer Hallmark-style romcom wasn't until Big Eden in 2000, a full 10 years after publication.

Queer stories from the time it was written were about complex and often fraught relationships between people who the world was trying to force apart. There is an incredibly strong tradition in queer films of relationships with no guarantees they will work out both in the face of their personal baggage and the weight of the world. Take a film like Torch Song Trilogy that's about the two great loves of Arnold Beckoff's life over 9 years and how homophobia shapes them. Both externally (especially Allen) and internally like Ed struggling with his bisexuality and being terrified of being publicly out. Written and starred in by Harvey Fierstein, who identified as a gay man at the time and only came out as nonbinary last year.

The Boys In The Band (1968 play, filmed 1970 and 2020) was a monumental moment in Broadway history where finally there was a play about gay men in their own words where no one died and very strongly showed that homosexuality doesn't make people miserable but homophobia sure does. But that homophobia also throws their personal lives into constant turmoil and none of them are in happy relationships, although Hank and Larry are devoted to each other in their own fucked up way.

"Relationships are complicated and hard to make work and sometimes a struggle against the odds" is an aesthetic of classic queer film making. Partly it was influenced by the Hays Code (although independent films were not bound to it), partly influenced by the rampant queerphobia in society at the time that was inescapable. But it's also an aesthetic choice to resist the banal and unrealistic relationship depictions of straight media. There are actual stakes to the relationship. Queer people were actively resisting a world that said "Romance is seeing someone across the room and instantly falling in love with each other and little conflicts happen along the way but ultimately they're destined to be together and everything is happily ever after." Recall that "stalking as romance" was a completely inescapable trope in 1980s straight romance films, and every goddamn movie was being turned into a romance film.

So queer people in film and television when they can make what they please have a long tradition of saying instead "People don't always realize the feelings they've developed for a queer partner right away. They may have reasons for denying those feelings that are both a reflection of the cruelty in society and of their own insecurities. People struggle with where they belong and their relationships reflect that. Loving someone doesn't mean they don't also drive you crazy and you might fight with them constantly. But that doesn't negate the love or that feeling that even if things aren't okay, they're better with that person around. But maybe that person can't stay around. The world may be against you. And also maybe you don't just want that one person in your life. Soulmates is a very flawed model. Sometimes the strongest love is a struggle with yourself and the world and your person. You have to overcome yourself first. Happily ever after is a lie. You may be happy for a while, and hopefully for a long while, but everything ends. And you have to be ready to love again. Also your platonic bonds are just as important and life-altering as your romantic ones. Sometimes those platonic bonds include fucking if you want them to. Real life isn't a bunch of platitudes and world-altering moments, it's daily work to better yourself and the world around you. Especially when things just fucking suck. But also remember to have fun and fuck the haters. People who don't support you can eat rocks and you should yell at them more to shut the fuck up."

That is a fundamentally different outlook on what a "good relationship depiction" looks like. Personally, I thought I hated romance movies and then I started watching queer romance movies and discovered I love them and watch them all the time. Because it turns out what I hated was relationships being shown that had nothing at all to do with reality and privileged incredibly toxic ideals. Finally there was complexity, there were stakes, and there were people who had to truly want to be together enough to fight the world for it and not because they happened to be there. There were people actually talking out their problems and looking for resolutions. (And sometimes that resolutions was "I can't fucking deal with this bullshit anymore and I'm out.") For the first time it felt real.

I'm an aroace trans gay man. Nothing about relationships or being in relationships has come easy to me, and the whole paradigm of straight patriarchal romance depictions makes absolutely no sense to me. It's completely alien. Queer romance stories actually feel human.

And that's the tradition Good Omens is coming from, even as it's being retold in 2019-2023 and hopefully beyond. Gaiman's work has always been based in that queer media paradigm. (I've been remiss and daunted and haven't read Pratchett but from what I do know his work also seems to sit more in that world view.) It's a beautiful cinematic tradition and it's baffling to me that people would resist it instead of embracing it for being honest.

And that's when I turn into a crotchety old man complaining about the youth not connecting with the history of their beautiful culture and instead begging for assimilation into a shithole allocishet media landscape that doesn't actually want them except for their money and has nothing at all interesting or valuable to say. But it's very funny (annoying) to me when people claim Good Omens is someone against queer culture when it's so thoroughly bathed in the best of queer media's storytelling traditions and what people are asking for is straight media with the serial numbers filed off. Like, stop being boring please and know literally anything about the culture the adults in the room lived through and were influenced by. The world didn't begin in 2015.

EDIT: I also want to add that in straight media arcs are linear. Traditionally in queer media arcs are cyclical. Queer media very often depicts people going around in circles relearning the same lesson over and over as they inch towards it sinking in. But every time they go through the cycle they gain just a little bit more enlightenment and slowly move towards a better place. From the comments this is an immensely important distinction. People don't actually have cathartic moments where suddenly all their past bad programming is shed and they saunter forward a new person with none of their old baggage. In reality people fall into the same patterns over and over even though they have had every opportunity to learn better. "People magically get better" is a trope of straight media that's an outright and frankly dangerous lie. Again, Good Omens follows the queer tradition not the straight one and it's depicted 6,000 years of that cycle. The world didn't end, and the wheel keeps turning, as it always has and always will. That's so fundamental to queer storytelling traditions I forgot to even mention it.

[weeb-polls-with-pip]

Autistic Anime Boys Round 3 Match 12

Propaganda:

Edgeworth -

"ok i'm in theater so i can't say much and also i haven't consumed AA in a while so… I'll bullet point what I remember:

he's such a blunt dickhead (affectionate)

steel samurai fan (idk if I'd consider it a special interest but I know some people who do)

dawg was interested in majoring in law since like 1st grade. and now hes a prosecutor. classic legal/law special interest (it came free with being an AA character but shut up)

he's pretty ptsd coded too. who doesn't love a guy with cormorbidities and panic attacks

uhhh he's named miles that's a sick name isn't it

I'm pretty sure he's canonically not attracted to women. which might sound off topic but i'm sure someone can pull out that stat of autistic people being more likely to be queer. thanksss smoothies fairwell."

Masayoshi -

"Has a special interest in superheroes and has a huge collection of superhero merchandise and can recite his favorite superhero movie word for word along with all of the fight choreography. Became incredibly apathetic throughout high school after finding out superheroes aren't real. His dream to be a superhero is so strong that it literally alters the world and causes aliens to invade earth so he can be a superhero."

[starskytohutch]

It’s funny when I get into other shows and movies and media or whatever and like, I will see like actual canonical queer representation and depictions and it will STILL not compare to whatever the actual fuck starsky and hutch have going on. Like genuinley I don’t think anyone is ever topping a coffin for starsky. The whole just, something, concept? Like I don’t even understand. Yes their cops, but it’s almost like them being cops in itself is an allegory for being lovers? Since you are not only partners? But your entire job and line of duty is yes, saving people/protecting the city, but also as cops who are partners, specifically undercover detective cops, your duty is to protect each other first. Like it’s just- starsky and hutch- for being a formulaic buddy comedy/drama has such an incredibly large scope for looking through it via a queer or romantic lens. Which again, is insane, considering it is a straight formula buddy comedy cop show, which that genre is known for accidentally creating the perfect set up for queer coded themes, tropes, and characters. By still.

[joe-spookyy]

Dude tell me your thoughts about Daniel Cain + any headcannons??

hi what greatest ask i’ve ever received because all i ever have are thoughts about daniel cain. sorry this is gonna be an essay. um.

tldr - dan cain is a super fascinating character (especially when you read him as queer) and his high empathy makes it difficult for him to make the hard but necessary choices found often in the medical field, but easy for him to be manipulated by those he thinks can help him do the most Good. also he is not immune to herbert west. full post under cut and it’s pretty good you should read it.

ok first off he is literally JUST like me for real. but second. i really think he’s a fascinating character no matter how you read him. his empathy is Soooo high and it affects literally everything he does - sometimes for the worse cause he’s a doctor and honestly cannot afford to be getting this upset every time he loses a patient. but it’s part of him, which i think makes him a super interesting counterpart to herbert. he’s so distinctly Human and he cares so much about the people around him, and he’s a horrible doormat/people pleaser. this is, obviously, not at all like herbert. narrative foils oooooh. when i met bruce abbott he told me he thinks dan is a “spineless worm”, which may be technically true, but i think the way dan is so easily convinced to go along with herbert is because of this heavy empathy. he wants to do everything within his power to make things better, and what could really be better than conquering death? how much pain could he stop just with that?

because of that, i think it makes SO much sense that it was so easy for herbert to initially manipulate him into working together. plus i also think later on in the films his feelings for herbert get in the way of his judgement to. an incredible extent. herbert just has to ask and dan will immediately be at his every beck and call. hes like a dog. he wants out but he can’t stop coming back to herbert. i struggle to find any other way to explain why he’d still be living with herbert after the first movie - after all, herbert kind of did kill everything dan ever loved (girlfriend, cat, legitimate medical career). and i think these things affected him on a really deep level (which. yeah. obviously) but the way he acts in bride is so indicative of what that kind of trauma does to a person and it’s fascinating to me. he projects so hard on to gloria because of how guilty he felt for not being able to save meg. he shuts down in a lot of the more serious situations. sure, he did have his little going into shock moment in the first film, but it’s a reoccurring thing in bride. he doesn’t seem to have such a strong moral code anymore, but that empathy is still there - even though what he’s doing with herbert and their little bride project isn’t quite morally Right, all he really has left is herbert and he is dying for a way to get back to the normalcy that herbert has pulled away from him. and yet, he’s never able to really Leave. he can’t move out, he can’t stop helping herbert, he can’t really get meg back as much as he tries. but he’s too far down the rabbit hole to really care at this point. he just cares about getting what he loves back.

and sure. did he abandon herbert at the end of the first movie for meg? yeah. did he abandon herbert at the end of the second movie for francesca? also yes. did he rat herbert out to the authorities? yes (but that’s a character choice i simply cannot get behind he would not do that shit after everything he still does obviously love and care about herbert if he was gonna be a narc he would have done it after the first movie herbert didn’t even do all that much wrong in the second movie like come on he was just getting creative. whatever. anyways.) now, his choice to save meg in the first movie makes a lot of sense, in my opinion. he assumed herbert was dead (which. not a bad assumption tbh) and meg was his girl - it makes a lot more sense to save her than someone he hasn’t known for nearly as long. but when he chooses to escape with francesca and leave herbert behind, it’s a little bit jarring. he’s obviously gotten close with herbert. they still live together, they bicker like a married couple, and if we’re being honest he kind of follows herbert’s every command. again. like a dog. and plus! they just created life together in a quite homoerotic fashion!!! why in the world would dan fumble this?? well, i think i can explain it. herbert represents a lack of societal normalcy. think like doctor praetorius in the bride of frankenstein. herbert’s heavily queercoded, he actively defies god, he kills and he disrespects the dead and he’s terrible socially and he shoots up drugs (sorta) and he is all about medical malpractice. this is the opposite of what someone like dan SHOULD want. dan’s straight passing (or straight if you want to read him that way which i don’t recommend cause otherwise this analysis doesn’t make as much sense), kind and friendly, and wants a good, normal career in the medical field. and he loves his perfect girlfriend. meg (and later francesca) represent these “good” and “normal” things that dan wants and is expected to want. herbert, again, represents the opposite. so for dan to choose herbert and save him over either meg or francesca, he would be choosing to step away from the life he is “supposed” to live, the socially acceptable life. people are already suspicious of him and west as we see in the novelization of the first movie, and to save his visibly queer strange little “roommate” over the woman he’s supposed to love would have certain implications that would draw dan away from this life of normalcy that he wants so badly. but most importantly. herbert always comes back. he’s a part of dan that can’t be escaped.

well. that was a lot. headcanons. umm. i think you probably got a lot from the novel i just wrote but here’s more.

- i loveeee the dan starts smoking after meg dies hc

- i don’t believe he ratted on herbert. i think they’re still working together making freaky shit to this day. even as old men.

- i know i just said queer the whole time i was talking but he’s bisexual and you aren’t allowed to disagree with me. herbert’s gay though. emphasizes the differences between them - dan CAN choose that “normal” life but herbert can’t.

- i think he ends up needing glasses as he gets older. he wears em to read in the first movie and i think his vision declines.

- also he goes grey earlier than herbert imo cause of all the stress. herbert makes fun of him for this but herbert’s hairline is. ummmn. less powerful. so dan has ammo to fight back.

- i don’t think he’d ever be able to get a cat again after rufus. or really any pet. i don’t think he trusts himself not to damage everything he touches

- i think he’s a huge talking heads stan. you could argue this as canon because of the stop making sense poster above his bed, but i think he’s a super fan. and maybe i’m projecting. so what.

- no matter how many times herbert does it or offers it to him, he refuses to take any of the reagent.

uhh. yeah. sorry that this post is so long i hope it is sufficient to what you were looking for. thank you sincerely so much for asking this was the most fun i’ve ever had. bless up.

[hamburgeoisie]

I said this in the tags of a reblog but I'm speaking my truth for real now:

The Honda Odyssey scene in Deadpool and Wolverine is gay sex. I feel like the queer side of the internet kind of gets that, but I also see a lot of people citing it as "flirting" or "foreplay." But as someone who has done a bit of reading and queer analysis of old, Hays-code-era films, there were times where two men lighting each other's cigarette could be interpreted as a stand-in for gay sex. Compared to that, the Honda Odyssey scene is straight-up pornographic.

Also want to send people over to a post by @bargarean drawing parallels to the jokes about cocaine use in the movie to queerness. Even if it's not "intentional" per se, I think it's an incredibly interesting interpretation of the material. Queer interpretations don't have to be the sole intention of the creator(s)! There's so many people involved in the making of a movie who all add their vision and interpretations, and so does the audience!

[spinningalbinoturtle]

The fellowship of the Kinsey scale aka LoTR characters ranked from most to least fruity

Btw this is a joke (well sort of) so don’t take any of my stereotype arguments too seriously. Although I do genuinely think most of these characters are gay.

1. Frodo- Frodo is gayest the character. He’s constantly described as queer, his deepest connection is with Sam and their relationship is incredibly romance coded. Plus he reads poetry all the time, wears his sparkly elvish top and that fall in Return of the King movie? Homosexual. Not to mention he has THE gay haircut. Man looks like a starbucks barista. Galadriel is his gay icon.

Sam- although more masculine than Frodo and also bi Sam has the second most Gay EnergyTM. He’s a bit overemotional he spends the entire series simping over Frodo and is obsessed with flowers and poetry. When his wife dies he leaves his kids to spend eternity with his husband and the elves. Gay behavior

Legolas- Legolas is a petty drama queen and I love that for him. Loves his dwarf husband. Just look at his hair-no straight man cares that much about their hair. Gay gay gay.

Gimli-a bear but in the dwarf way. Galadriel is also his gay icon. Loves his elf husband. Loves some sparkly diamonds and jewels. Lord of the GLITTERING CAVES you say? Sounds kinda fruity

Gandalf-he’s basically a minor god and thus does not conform to human ideas of sexuality and gender. Literally all the LGBTQIAs. Gandalf Big Naturals , Gandalf the Gay are just a few of this bitch’s many names.

Pippin-Y’all on this app have convinced me Pippin is not cis gender. I don’t know in what form trans, non binary, gender fluid? Honestly could be any one.

Merry-pansexual and very open about it. Just seems like a chill queer dude who smokes a ton of weed and is open to a relationship with anybody

Boromir-excessively emphasizes his straightness but has homoerotic battle moments and after battle showers with his comrades in Gondor. Very repressed bisexual

Aragorn- I think its funny if he’s the token straight but THE BIGGEST ALLY YOU WILL FIND. Literal king passes a bunch of laws enshrining LGBTQ rights cause all his friends are gay

Bonus

Faramir- is transfem and you can’t change my mind. Lesbian with her wife Eowyn. Has bi-to drag queen-to trans character arc.

Eowyn-butch lesbian horse girl and ya know what? We absolutely love her for it. After the war she has a buzzcut.

Bilbo-ace icon. I’M SORRY if you ship Bagginshield but I headcanon him as ace/aro. Hates the idea of sex but wanted kids so he adopted his gay little nephew.

[tozierlvr]

per the last thing i reblogged, i just needed to sit down and write a full response because i'm very used to seeing homophobia and transphobia in this fandom, but never in such a pointed and frankly, aggressive way. so let's get started, may we?

first, to talk about the eddie thing:

the way people have feminized eddie is criticized because eddie, as a character, is not feminine or flamboyant, he's just small. and on this topic- he's also feminized and headcanoned as "the bottom" as you so kindly put it because of the biker shorts he wears in it chapter one. that has always rubbed me the wrong way, because he's not feminine or "slutty" for that, he's fucking thirteen. the costumer dressed him like a thirteen year old boy. but people sexualize it like crazy.

then, saying that people make eddie the "macho top" to avoid that stereotype is wild. i, for one, have never seen eddie portrayed as "macho" and i have scoured tumblr and ao3 for portrayals like this, and i haven't found anything like this. i also don't know why you had to bring up their sexual positions in this argument. why are you fucking mad about this? sounds like someone doesn't understand gay sex dynamics!

now, i just want to know why you think "the worst possible way" for someone to be feminized is by making them bottom and by hc-ing them as a transgender woman?

this comes off as transphobic and homophobic to be honest, and i just don't understand why you felt the need to say this.

also, i thought the headcanons stemmed from people trying not to feed into the feminine eddie headcanons- so how would they stem from richie crying in it chapter two? you're right that this is the proper response to someone you love dying, but i have never, ever seen somebody cite just this as an example of richie being overly emotional. i've actually never seen somebody say that period. but if we're comparing him to eddie, when you look at like, you know, the BOOK, richie probably is the more emotional one.

but none of this matters anyway, because these headcanons don't stem from either of those things. sometimes, people just like headcanoning a character as a certain thing because they either see coding that way or maybe they just see it for some reason. a lot of people point to the werewolf imagery and plotline as an allegory for richie maybe being transgender. and to me, that makes a lot of sense. but you don't have to think that, and it's okay if you don't. but saying that the headcanon is being forced upon the fandom? that's just weird.

moving on:

there is not bisexual evidence for richie tozier in the novel, or even really gay coding. :)

i also know that you haven't read the book, so i don't know what source material you're referring to.

the only canon sexuality we have for richie tozier is straight (book) and gay (movies). obviously, you can headcanon him as bi. there's nothing wrong with that. but interpreting the character richie tozier from specifically it chapter two as bisexual IS gay erasure. because he is not bi. he is gay. in that adaptation.

also, you sound so weird saying "ignoring the complexity of his character" in regards to people hc-ing him as gay. being a gay kid raised in the 50s/80s (depending on version) is incredibly fucking complex. i don't know what you're talking about here. this argument is stupid.

i hope you do some more delving into queer identity before you come back to tumblr, dude. maybe a break will do you good.

[cinemaocd]

My Revised Ranking of Every David Lean Film

based on how gay they are

Lawrence of Arabia: the reigning champ, the queen of the desert, the only certified canon, 100% gay film in the Lean filmography. Lawrence of Ali are married. There are lots of other romantic subplots as well...

A Passage to India: would it have been gayer, had Merchant & Ivory made it? Yes. It's still, and I can't stress this enough, INCREDIBLY gay...I mean where shall we begin with Aziz and Fielding. They have a meet cute (Fielding is in the shower! Aziz stops by), whenever they talk one of them is usually sitting on a bed, they have a David Lean Train Station Good-bye which is pretty much the gayest thing you can put in a movie and some classic tropes like Fielding covering Aziz as he sleeps, I mean...yeah. Wow. Great movie and I'm in love with Victor Banerjee now so there's that.

Great Expectations: I put this a lot lower on the last list and then people came out of the woodwork to tell me how wrong I was and then started dropping receipts...so I guess I'm willing to admit when I make mistakes. Alec Guinness used his character name from this film, Herbert Pocket, when he was arrested for a homosexual act.

Bridge on the River Kwai: after a rewatch I placed this much higher on the list than last time. There was a lot of stuff I'd forgotten about but especially this scene...

Brief Encounter: yeah it’s practically the template for hetero longing but it was written by a gay man and that checks out: gay men have more longing in their pinky than most people have in their whole body.

Blithe Spirit: Noel Coward again. Witty drawing room comedy where everyone is smashed out of their minds and everyone has slept with everyone…how is this not just gay culture?

Dr. Zhivago: this film is only gay if one day on the 34th viewing your friend goes: wow Julie Christie looks a lot like Peter O'Toole. And then you can’t unsee it and it’s just Lawrence 2: This time they’re in Russia.

Hobson’s Choice: the presence of Laughton alone ups the anti on the queerness of this film. Then there’s the romantic hero of the film. His name is Willie…and he is… just very submissive. Something something metaphor for cock shaming and there’s probably a thesis to be done out of a queer reading of this film.

Summertime: pretend Rosanno Brazzi is a butch lesbian and this is Carol but they fuck and no one dies.

Ryan's Daughter: Lawrence of Arabia screenwriter, Robert Bolt penned this adaptation of Madame Bovary set in Ireland after the Easter Rising. The schoolteacher is played by Robert Mitchum, rather drastically against type after his Max Cady adventures. Charles O'Shaunessy is a very gay coded character who presses flowers and has a hard time fucking his very hot young wife. Nothing to see here...

The Passionate Friends: the addition of Claude Rains to any cast automatically add a bonus 10 Queer points.

Madelaine: I dunno, a women-centered noir with Psychosexual Themes is usually pretty queer.

The Sound Barrier: Lean's shortest film probably took me the longest time to get through....Even Ralph Richardson can not save this one for me. Similar to The Dam Busters and Spit Fire, but without the press of a hot war to up the tension. It's merely a race against the Americans to go a bit faster. I know scientifically it was a big deal, but the stakes are lower and Ralph plays another mean, cold dad character. :( Also, maybe some gayness between the pilots but I couldn't tell them apart well enough so it might have just been onanism...

[bengiyo]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks....

10 Favorite Characters

You asked a broad question, so I hope you’re okay with answers outside of my daily posting. I post a lot about BL on here, but this list is a mild reminder that I am Black. As I’m putting this list together, I’m recognizing a common thread of ruthlessness in these characters that I will have to unpack at some point.

Omar Little (The Wire)

Omar is one of my favorite characters of all time because he was the first sympathetic gay character I ever watched on TV with my dad. As I got older, my dad decided I was old enough and wanted me to watch what he considered to be one of the greatest shows ever made (NOTE: He is correct). I was obsessed with Omar because of his strict code and how gentle and loving he was with his boyfriends. It was amazing to me that we had this powerful gay character in the middle of a modern Greek tragedy and he is one of the most compelling characters ever created in American television.  

Ender Wiggin (Ender’s Game)

One of the sad thing about growing up queer is the people who wrote a lot of your formative works hate queer people. Orson Scott Card was my first major disappointment in this regard. In the 7th grade, I discovered this book in our school library and ended up reading it and the related books multiple times throughout my adolescence.  I was a weird kid who was too smart for my own good. In middle school I struggled with feeling out of place because I was relatively new compared to most of these kids, and my family had me on a specific life track that meant that I had to perform at a high level constantly. I connected with Ender’s isolation and his brilliance. I also connected to his ruthlessness.

Marco (Animorphs)

Animorphs is a pretty dark series for a bunch of elementary school kids to read, but that was K. A. Applegate’s point. War is horrible, and should be avoided. Reading this series is a reading the perspective of child soldiers. There was something about the way Marco always masked with jokes, but was quietly the most ruthless member of their group that means he’s always the one I remember first. There were also the ways he commented on Ax and Jake that just didn’t read straight, and I’ve been relieved that Applegate and the ghost writers have acknowledged the fan read on Marco’s bisexuality. I just love how from appearances at the end of the series Marco is actually okay after all the war, but he absolutely is not.

Benjamin Sisko (Star Trek: Deep Space Nine)

He was our first Black captain in Star Trek and I will love him forever. He’s also from New Orleans and cooks our food. He’s a devoted father, which was something Avery Brooks requested for the role to make sure we had a positive depiction of Black fatherhood on TV in the 90s. He has an understated spirituality to him. He has grit from facing the ugly side of maintaining a utopia and has an incredible temper that he holds most of the time. He’s a nerd about baseball. He cares about his people and holds firm as their commander. This isn’t a committee for him. He can be so brutal. I love him.

Ghost Dog (Ghost Dog)

Ghost Dog (1999) is one of my favorite movies of all time, and I’ve always loved the version of masculinity Forest Whitaker put into this character. He has a sense of style and flair, and also follows a strict code of conduct. His adherence to his way earned him the respect of everyone in his community, and gangsters in his neighborhood show him admiration and respect. I loved his friendship with Raymond, in which neither knows what the other is saying and yet they are actually on the same page constantly.

Raymond Holt (Brooklyn Nine-Nine)

Yes, this show is copaganda, but I love Raymond Holt so much. I love that Andre Braugher played the Straight Man role in a comedy as a politically out gay man who has such a serious exterior. Holt was so gay in so many ways and I am obsessed with him. He is so deep into his niche interests (like me) and yet he was actually such a great mentor figure to everyone under him. I loved that he and his husband were so devoted to each other but were never depicted as the perfect couple. I love that he has a petty beef with another colleague. He’s just an incredible character.

Kiram Kir-zaki (Lord of the White Hell)

Kiram is the first time I ever realized how deep the programming in speculative fiction to read the protagonist as a white man with brown hair and brown eyes. Kiram is a dark-skinned Haldiim youth with curly gold hair and light eyes. It took me three readings of this book to perceive Kiram properly, and it’s something that has shaken me for a long time. Kiram is brilliant, snarky, and too gay for his own good. He’s also not stupid. I love reading a smart gay character who generally cannot hide who he is doing the work to blend in to a homophobic setting. Ginn Hale also writes gay sex better than some gay male authors.

Kakei Shiro (What Did You Eat Yesterday?)

Honestly, when am I ever not thinking about this man? I love how, even if he can’t immediately give Kenji everything he might want, he gives Kenji all that he can. He couldn’t say he loved Kenji for a long time, but you could feel the love in his cooking. I’m so happy to have this man and his partner back on my screen again. It is just so hard to be gay. I am so relieved that many of the folks reading my posts didn’t suffer The Knowing, because I know that Shiro and I will never be able to get away from what it did to us.

Chiron (Moonlight)

The terrible intersection of poverty, race, and sexuality has never been better exemplified for me than in this film that has no white people in it. There are just so many fewer choices for us, especially if you can’t hide who you are. I love Chiron so much because we see so much of what he was forced to be pushed onto him. There’s something heartbreaking and beautiful that as an adult he resembles Juan, and that he never got over Kevin.  I find it hard to explain why Chiron means so much to me, but I’m black and gay so I don’t always feel like I have to.

Max (Black Sails)

I love Max because she consistently chose to not be cruel when so many others would have. She is not accumulating power for her own ego or to punish those who wronged her. She holds power as a facilitator. History doesn’t remember the facilitators who keep the lights on and make sure the bread gets made every day, but you notice their absence within two days when they’re gone. Max is also funny to me because she and Flint almost never encounter each other, but have caused the other so much grief.

Thank you for the ask!

[mordredsheart]

Nixe’s Top 10 Films Of 2024!

in chronological viewing order, including both new and new-to-me films from this year.

04. I Saw The TV Glow

What if she was right? What if I was someone else? Someone beautiful and powerful? Buried alive and suffocating to death on the other side of a television screen?

I’d never heard of this movie before seeing it on the AMC app and deciding to check it out on a whim. When the end credits finally started rolling, I couldn’t get out of the theater fast enough. Standing at the bus stop under the hazy pinks and blues of an L.A. sunset, I felt like I had just clawed my way out of the grave. My thanatophobia was triggered for weeks; whenever I tried to sleep at night, my breaths caught in my chest while I obsessed over what the last one I ever take will feel like.

I’ve always been proud that I’m not easily fazed by horror—and, when I *do* find myself fazed, through spite or stubbornness or simply an artistic masochism, I usually try to stick it out. Partly it was that masochism that drove me back to this movie, months after my first watch. But it was also partly because I knew it was a damn good work of art that I hadn’t been able to properly appreciate on account of, you know, the terror. There was something wondrous to be discovered, if only I could stomach it.

(What about you? Do you like girls?) I don’t... I don’t know. (Boys?) I... I think that I like TV shows.

In an interview about I Saw The TV Glow, the director, Jane Schoenbrun, said, “I don’t think my relationship to gender is something that I completely understand. It’s actually quite comforting to embrace incoherence.” As a nonbinary person whose gender is “idk, whatever Ziggy Stardust was doing,” and whose response to discussions about identity and presentation is, nine times out of ten, a massive fucking shrug, I felt extremely seen.

Knowing that they feel this way also makes the movie’s ambiguity that much sharper and sweeter. Maddy and Owen both exist in that hazy pink and blue sunset space. It doesn’t matter what, specifically, they might define themselves as. They’re being buried alive, buried by a world that wants to trap them in boxes as narrow and inescapable as coffins, and what matters the most is clawing out of the grave.

But, despite the power of what Maddy and Owen go through, I have to admit my favorite pieces of genderfuckery in this movie came from Marco and Polo (seen here, and also, oh, God, right behind you!). In the context of The Pink Opaque as a throwback to kids’ shows of the 1990s, they carry an incredible double entendre.

On the one hand, as henchbeings to Mr. Melancholy, the malicious Big Bad, Marco and Polo are agents of the literal personification of dysphoria and transphobia. They gleefully attack the protagonists Tara and Isabel and drag them to what feels like certain death. On the other hand, their hermaphroditic appearance feels like a shout-out to the queer-coded villains of 1980s and 1990s kids’ media, who might have terrified and unsettled parents, but sparked a powerful, undefinable feeling of kinship in the hearts of kids like me. Marco and Polo are, somehow, both a threat and a promise.

(Am I going crazy?) No. Never let anyone convince you of that. You’re like me. You’re special.

I see people talk a lot about how The Pink Opaque is a love letter to Buffy The Vampire Slayer and its fandom. I never got into Buffy, so I can’t speak on that. I grew up with a different Monster Of The Week show, a long-forgotten Disney Channel series called So Weird.

As with I Saw The TV Glow, there is a charged current of death that runs through So Weird. It follows a girl called Fi and her encounters with the paranormal. Several episodes feature confrontations with ghosts, liches, or another type of unquiet dead, while the overarching narrative is about Fi coming to grips with losing her father, who might have been killed in something much more sinister than an alleged car wreck.

Two episodes in particular stuck with me long after the show had gone off the air and become relegated to a “does anyone remember...” curiosity on forums: one where Fi communicates with the spirit of a girl in a coma to bring her back to the world of the living, and one where Fi squares off with a banshee to buy her dying grandfather a little more time. In both cases, death is not something that must be endured as a natural inevitability. It’s something that can be faced, fought, and defied.

I think I was born bored I think I was born blue I think I was born wanting more I think I was born already missing you

I struggle a lot with cultural narratives about the acceptance of death. On an intellectual level, I understand why that’s a thing, why it’s healthy. I also know that my OCD and thanatophobia blow up the specter of death for me in a way that most 30-year-olds don’t necessarily experience. Maybe without them I’d have less of a problem with it. But the acceptance is always something I resist. Annoyingly enough, it’s also always the first thing I’m told I need to do to overcome this terror. Maybe that’s part of why I love horror movies so much; no one’s sitting there patiently telling me that I need to accept the inevitability of the nine-foot tall creep revving a chainsaw at me.

The terror of death, both literal and metaphorical, is front and center throughout I Saw The TV Glow. Actually, scratch that—what renders it so effective is the very blurring between literal and metaphorical death. There is absolutely no difference between Maddy and Owen trapped in a queerphobic suffocating suburban hell, and Tara and Isabel having their hearts cut out and being buried alive by Mr. Melancholy. All those deaths are equally horrifying. All those deaths must be fought against with everything they’ve got. And that’s where the hope comes in: as long as you’re living, death has not won, and there is still time. That’s why I can breathe easier when I watch this movie now.

[sapphicsigh]

Y'all are so weird (derogatory) for pressuring actors to confirm their sexuality for YOUR comfort. You do realize that REAL PEOPLE CANNOT QUEERBAIT RIGHT?! GET A GRIP!!! Y'ALL ARE ACTIVELY MAKING PPLS LIVES WORSE!!!*

*if you think forcing kit connor to come out of the closet was a good thing, then ur a freak (derogatory), and u need to rethink ur entire life

Queerbait is a term that was created to describe how TV SHOWS & MOVIES market their project as queer to entice queer viewers to watch and there's no follow thru/delivery. Queerbaiting can also occur unintentionally at first and then when the showrunners/writers realize the audience's reactions they can start to intentionally lean into making their characters do gay shit. The writers lean into a queer reading of the relationship to gain queer viewers and (most importantly) their money (think Supernatural and Sherlock). Cas confessed his love for Dean (duh, obviously he loves him) and then was sucked away into super hell. 😀 cool/s. When John and Mary got married, they were dancing together at the reception, and SHERLOCK LEFT BC HE WAS SO SAD. He couldn't stand to be there and feel so alone. He had to go brood elsewhere, he was brooding so hard.

Killing Eve was probably one of the gayest shows I've seen in my entire life but they (Villanelle and Eve) never got together.

Queerbaiting sucks. I understand the hatred for it. I hate it too!!! But it's not an individual issue and is not going to be solved by harassing 18yr olds on Twitter (incredibly sick & twisted (derogatory) btw). Do I find it annoying that Harry Styles is purposely vague about his sexuality? Yes! Absolutely! It's weird asf. At best, he's actually queer, just incredibly private, and at worst, he's straight but wants to maintain an air of mystery around himself to seem cooler/edgier. No matter how annoying/cringe YOU PERSONALLY find a celebrity and how they describe (or don't) their sexuality it DOES NOT GIVE YOU THE RIGHT TO THAT (very personal) INFORMATION!!! Queerbaiting is an industry wide issue and is a product of our society's deep rooted homophobia! If you can't understand that, then you should try learning about queer history and the Hays codes.

[armoredsuperheavy]

MASTERS OF THE UNIVERSE: An Insufferably Queer Film Review

I rewatched MASTERS OF THE UNIVERSE (1987) for the first time since it came out last night and WOW I have some thots about this thing. We enjoyed roasting the living shit out of it but there's a few gold nuggets in there despite the brutal budget cuts that impacted the plot and what not.

Contains plenty of spoilers.

God bless Wardrobe

OK so … the film doesn't bother to set up any real motivations for the characters, and He-Man (an incredible looking Dolph Lundgren rrrowrrrr) has almost no dialogue which is such a fucking waste. But this complete lack of narrative framework means we can apply OUR OWN explanations to events.

From the very beginning Skeletor has this obsession with He-Man, which will simmer and then culminate in a final showdown. But before we get to that hot mess, we have to wade through the middle of the film.

He gets as much screen time as He-Man.

Meet the utterly repulsive dwarf scientist Gwildor played by Billy Barty, a rinse-and-repeat of his performance as an utterly repulsive magic troll in Legend (1986). This dwarf is the film's Jar Jar. His face is like a deep dish pizza after an acid attack. His real mouth is visible behind the immobile thick prosthetics and it makes for some truly disturbing close-up dialogue shots. Please, pan away from Pizza the Hutt and give us another shot of Lundgren's pecs please I am begging you, DP

We find ourselves in Gwildor's hobbit hole, and he's a magical inventor. So he has this cylindrical object, it's not clear whether it's a weapon or a teleporter but I'm calling it the Butt-Reamer 9000. Inexplicably, there are two of these things and Skeletor has the other one, and wants to collect both of them. So Skeletor has an excuse to go hunting He-Man as he's hunting his missing McGuffin, er I mean sex toy.

Features rotating ticklers, a big improvement over the Butt Reamer 8000.

The thing about the Butt-Reamer 9000 is its magical power to make even this promising setup devolve into a grind as it whisks the Eternians into the magical, enchanting world of a 1987 New Jersey parking lot. WHO WROTE THIS?

The entire middle of the movie is pretty much hot garbage and involves police detectives, arson, vandalism, high school prom, and other dumb bullshit. Aside from the distractingly naked He-Man, the good guys are an utter bore and include some Eternians, some regular Earth humans and their quotidian concerns which really brings down the fun of the movie. (No, baby Courtney Cox, I don't care about your imminent breakup with your mediocre boyfriend!)

The film owes a second mortgage to Star Wars and steals a lot of ideas from it, from bad guys in shiny black stormtrooper helmets, to heroes shooting blue lasers, baddies shooting red.

Let's turn from this depressing state of affairs and focus back on our cherished villain blorbos.

(L-R: Karg, Evil-Lyn our goddess, and Blade.)

Evil-Lyn is beautiful, evil, a cold bitch queen. Gurl you can do so much better than sticking with this loser Skeletor.

Dump! Him! He's gay anyway!

Skeletor is a shit lazy boss of Greyskull and makes Evil-Lyn run the goddamn place in general. He literally shoots the messenger at one point. Great for morale, there, Skel buddy.

Look closer. Fierce!

There's a number of budget rate henchmen on the job, including Karg, who used a whole can of aqua net this morning and is running around in a white fur capelet with a massive bouffant. He is just doing his best okay, really it's hard to look fabulous around these other bitches.

Blade definitely deserved more screen time

Also, Blade, who had a slutty costume of silvery scale maille or something, and was a bit like a sci-fi bondage Riff Raff / space Judas Priest. Best side character costume.

So, there we have it, the queer coded villain roster of the film.

This homemade collage is for sure taped inside Skeletor's locker at school

Note the gigantic brown eye.

Finally, thank Satan, we return to Castle Greyskull, though it's more like beige-and-brown-skull. But aside from the questionable use of faux marble finishes, this is a quality villain lair with hard points installed directly in the floor of the living room, convenient death pits, and an excellent throne setup that I'm pretty sure they recycled for The Fifth Element.

He-Man is captured alive and brought before Skeletor. Blade does the honors with a 15 foot glowing red bullwhip to He-Man's naked and oiled back, much to the delight of dyed-in-the-wool sadist Evil-Lyn.

Movie is getting good now. Was the side quest to Jersey really necessary?

Skeletor, though, watches this action from the throne and has a lot of interesting responses. We had to conclude that Skeletor is a big old bottom but won't admit it. As a dom he is utterly ineffective. He's trying to make He-man kneel and all this shit but He-Man is not submissive at all. Skeletor is … lol. He really just wants to smell He-Man's dick.

The depths (heh) of his bottom nature will become apparent shortly. But first, a costume change.

Skeletor's glow up --- i'm every woman.

Honey we know you're just trying to impress He-man.

Werk tho.

Indiana Jones and the Temple of Hole

The gigantic sky-sphincter directly behind the throne has slid open wide… "Begin! The Goatse Ritual! Join me, He-Man, as I become LORD OF THE GAPE" But He-Man's phallic symbol shines bright in defiance. In the end, Skeletor is vanquished symbolically by his own nature and instead of his hole swallowing He-Man, a gaping hole swallows Skeletor instead.

They don't really explain what happened to Evil-Lyn after He-Man's inevitable victory in final man to man combat but she was too smart to get caught sleeping in there and must have survived. What a hot evil competent BABE. After the events of the film end, I vote that Evil-Lyn seduces Teela (the good guy solder lady) and has a hot toxic lesbian affair with her.

Evil-Lyn serves cunt in hell 4 evar

Thanks for coming to my Ted Talk.

Want some more?

Nice fanart

Another breakdown on Buzzfeed if you enjoyed mine this is even more gay headcanon

The movie is free on Tubi if you want to subject yourself to it.

ArmoredSuperHeavy, 19 Aug 2023

[thecanadianweeb]

Barbie Movie Review (TW: Spoilers!)

So I saw the barbie movie yesterday with my GF and her mother too.

Since people were wearing pink to the movie, i wore my pink Y2K tracksuit that my aunt got at a flea market for me. My gf wore a pink dress with a leather jacket. My tracksuit totally fit the vibe! Anyways my theater was full of gays, including us.

So the movie starts really wholesome, with feminism as it's motto... until barbie starts having an existential crisis. Then she goes to the weird barbie, the black sheep of barbieland. The weird barbie tells her that whoever is playing with her at the moment is causing the crisis. Then she goes to the real world and ken is the tag-along (man) child.

In the real world, barbie meets Barbra Handler while sitting on a bench, while trying to regain memories of who was playing with her.

she finds out that it was a high-schooler named Sasha. she goes up to find her, while ken starts getting into conservative politics.

Eventually, Mattel themselves finds out that barbie has escaped her world and ended up in the human realm. they then send out agents to get her because it could have serious consequences on both worlds.

Barbie soon finds Sasha, but then gets roasted by her because she hates barbies due to unrealistic (body) standards. Barbie sits down on the curb of the school and cries until Mattel's agents find her. Barbie is kinda happy to see them because she's always wanted to see what some of her creators have done. Meanwhile, Gloria, Sasha's mom is picking her up when she sees barbie getting picked up by Mattel but is too late.

When barbie is at Mattel headquarters, she explores the building and goes to the CEO's office. They then put her in a box that nearly kidnaps her, so she makes a run for it while the agents chase after her! Meanwhile, Ken is going back to barbieland with his new political agenda.

While running away from the Agents, Barbie runs into Ruth Handler, The mother/creator of Barbie itself! She tells barbie a secret escape method and it works! Barbie then meets Gloria and her daughter. They stare for a bit with a lot of queer-coded Sapphic tension. Then barbie flops into the car due to the agents catching up. Which cues a car chase scene!

in this car chase scene, Gloria and barbie talk about their problems and find out that SHE's the one that's messing with her life. Gloria also talks about her male partner is all by himself, practicing his spanish on duolingo. eventually they get away from the agents safely, and barbie takes the two newfound friends back to barbieland, which has now been turned into kendom. Barbie is obviously unhappy, because her friends have been turned into sex slaves with maid outfits! (Weird, right?) The constitution was also about to be changed too!

Barbie then becomes incredibly depressed and goes to the only refuge left: Weird Barbie's house! the other barbies which weren't brainwashed were staying there for safety as well. Then there's a narration stating that Margot Robbie probably wasn't the best actress for this scene, because ya know.

The Mattel agents realize that changes have aleady been made to both worlds and send the agents into barbieland to stop it as well!

Then there's an actual commercial for a depressed barbie doll, which is super funny. but also kinda sad.

Gloria and Sasha decide to go back to the real world, but ken has issued the construction of a Donald Trump-esque wall! And what's worse, Someone hitched a ride on the pair's Car! Turns out that it was just Allan, and he's actually a nice guy trying to escape the conservative government. Then out of nowhere, He literally jumps out and punches the Construction workers, serving as a distraction!

Gloria and Sasha have an "Oh Sh*t, we gotta help her" moment and go back to help save Barbieland! they end up finding her in the strange Barbie's house. And Gloria gives an inspiring speech about life and it's hardships. She's also wearing a shirt with the Lesbian flag colors on it!

Eventually, the refugee barbies and Gloria come up with a plan to undo the ken Regime (that's what I'm gonna call it) and bring order back.

this plan includes cheating on all of the other ken dolls and making them fight against each other, lord of the flies style.

it ends up working and everything is back to normal. when the kens come back from a homoerotic lord of the flies battle, they see that their changes have been undone and are upset. Ken tries to seduce barbie, but she ignores it bc they are both gay in denial or possibly bi/aro, etc. the girls then tell the kens that they are enough if they stop being stupid and actually be supportive for once.

Then the agents meet up and talk to barbie saying that's she's the hero and deserves a happy ending with ken. Barbie disagrees, saying that she doesn't know who or what she wants to be. Then Ruth comes back and tell her about how she was her actual mother and it's up to her to decide her destiny in an inspiring speech. Barbie then decides to stay in the real world and it's unclear if the portal was left closed or open. Same thing with ken and barbie being gay. All it shows in the end is barbie asking if she's celibate, which is a recurring joke in the film.

I think since it has an ambiguous ending, barbie might actually be in a poly relationship with Gloria and her partner.

Anyways, TLDR, Barbie has an existential crisis, gains a girlfriend (Both ways ig) and discovers herself.

If you are a Parent, don't bring your children to this movie unless they can handle mature topics or you are willing to explain stuff. it is rated PG-13 in my country, however. Other than that, A great movie! (unless you have mommy issues)

[givemewallywestorgivemedeath]

YESSSS TMNT WHICH MEDIA R U CONSUMING ??

Currently Rise of the Teenage Mutant Ninja Turtles and the IDW comics. I also watched the mutant mayhem movie, it was cute.

I'm a total newb to TMNT though. I've literally never seen, read or consumed TMNT content before so this is all new to me.

I plan on watching the 2012 series as well at some point? Idk, it all depends on like... how much free time I have and life and stuff lol

But ROTTMNT was incredible! Absolutely loved it! Those are the most siblingiest-siblings that've ever siblinged. Oh man and neurodivergent behavior was off the fucking charts and I was absolutely going feral over it jfc. Plus all the found family and cool magic and Leo's queer coding, it was 10/10

Also like... goddamn if those boys aren't the textbook definition of 'i want to put you in a jar and study you'. There's so many fucked up things. They are so fucked up. They have all the diseases. Anyway I love them