#this makes NO sense from a user standpoint

[curiosity-killed]

this is probably not A Great Sign about how these pointe shoes fit but like. my god would I like my big toenails to be gone

[caliburn-the-sword]

emma made me viscerally uncomfortable from season 3-6 and the reason is because it was like watching a barbarian multiclass as a cleric. like girl stop with the magical energy blasts!! just hit him with your sword!!! punch him in the face!!!!

[robiland]

"Huh, nobody is using this new feature because everybody just mutes it"

"Oh, that's weird, maybe we should make it only mute the dashboard clog, so they're forced to look at the button. That will definitely drive up users!"

did tumblr for real decide to change the wording of the setting so we can’t turn live off . i’m going to start throwing hammers into the servers dude

[moonstonediaz]

++

[toxycodone]

The way i need kabru to teach me the anatomy of the human body by using himself as a model and he’s explaining how all the vital points are laid out but he’s struggling because my hands are dipping a little too low below his belt and squeezing his neck a bit too firmly

vital points (kabru of utaya x reader)

wc. 1.5k

cw. romantic/sexual tension, nothing explicit

No one in Kabru's party is a particularly skilled dungeon crawler. Despite all efforts it seems his party is always taken out before they can do any true exploring of the dungeon's secrets.

Therefore, being the excellent leader that he is, Kabru has decided to take it upon himself to give out combat lessons. And it's only logical he starts with you first. Mickbell has his own specialties--poison darts and all. Kabru's not sure if he'd even be interested in lessons. And even if he was, would he even pay attention? It's probably not worth the trouble. Kuro is well, Kuro. What part of that demihuman's body isn't a weapon? His sharp senses make him one of, if not the most well-equipped members of his team. It's the main reason Kabru keeps a demi-human, one partly monster, like him around. Aside from the fact he's a package deal with the half-foot. Kabru's sure Kuro could make it throigh the dungeon on his own.

Daya is the second best. Strong. Capable. A weapons expert. She can take a hit and throw it back with ease. Rin and Holm are the magic users. Combat would likely be wasted on them. Rin's frail, but she already has similar knowledge to Kabru as she grew up with the same foster mom. And Holm...likely wouldn't agree to lessons. He's maintained a commitment to do no harm to others unless absolutely necessary. Kabru's not going to try to convince him to learn his way around a weapon and how to maim unless it's completely critical.

However. That leaves you.

You're different. Not entirely useless, but not entirely skilled on the other hand. Kabru's still trying to figure you out. Quite the enigma you are to him. He's come to the conclusion you're a jack-of-all-trades type of figure. For now, at least. You don't exactly take away from the party. But you're not hindering their descent, either. It's intriguing from an anthropological standpoint, yet infuriating from his stance as leader of his party.

But again, he wonders what skills you do possess, exactly. Everyone has their specialties, be it what it may. He wonders if combat might be something he can help you succeed--no, excel--in. He'll bring out the best in you via this method, and come to learn more about you in the process. Two birds with one stone. In the back of Kabru's mind, his own desire rears its head. The desire to be close to you. He's not exactly sure why or where this desire stems from. However...it can be satiated via a combat lesson. Three birds, he muses. You pique his interest in a variety of ways.

When it first comes to combat, jumping right in is never ideal. The first means of success comes from mapping out vital points. The human anatomy is a good start. Dungeons are full of demi-human and human adversaries alike. It's important to know them for one to defend themselves, unarmed or not. And these vitals seem to remain uniform among all creatures.

Head. Neck. Abdomen. Groin.

The four major sensitive groups one should know. He's starting small for now. Too much information could be overwhelming. It wouldn't be worth to teach you so much at once that

You're in front of him now, bright eyed and bushy tailed. Not in a literal sense. A metaphorical one. Well, your eyes are bright. He's always liked them. Not that it matters. Why is he thinking of this?

Kabru shakes his head a little, trying to steady his thoughts. Back to business.

"The first lesson in defense is understanding anatomy." Kabru muses, looking through his notes. There's no real time to fetch a book at this point. Or a model. Kabru's not necessarily gifted at art either. Not that a simple drawing would do.

He can serve in its place, as an example. A physical specimen would be the most insightful. You're probably a hands on learner, he decides. It's definitely not as an excuse to have you close to him. Definitely not. Not that he's entirely against that, though.

"Starting with the head. There's plenty of areas you can exploit there," Kabru points to his eyes. You follow suit. They're such a striking blue. Hypnotic. Mesmerizing.

"Eyes are the easiest to access. They're the first thing humans notice. You can predict someone's movements by figuring out where they're looking towards. It'll likely show you where they intend to attack." Kabru leans forward absentmindedly. "They're also sensitive. Even a simple move can distract or blind an opponent. Don't be afraid to strike there. Even though Mickbell might tease you for fighting dirty. All's fair in dungeon combat."

You chuckle and agree. Kabru's pleased his attempt at humor landed. It seems to lighten the air around you two.

"Next, the neck. There's two main points here you want to recognize." Kabru takes your hand, offering a reassuring smile as he does so, then presses it to the underside of his neck. They're a little cold, you note. And almost dainty. His hands aren't particularly calloused. He must take good care of them.

He guides your index finger to the skin on the outside of his neck. His skin carries a hint of heat to it.

"This is where the external jugular is located. It's one of the most important veins in the body. It carries blood to the head and neck area. Just a simple cut can slice through it. A simple turn of the head is enough to expose it."

He moves your hand more inward, now pressing slightly into the divot close to his trachea. His chest rises slowly, then falls. There's a faint beating under the skin now. Kabru's pulse.

"The internal jugular is here. If you can land a hit here, do it. You'll have to go deep and make sure you slice clean through the skin. It can disable a foe in seconds."

You try to keep your mind on the lesson. But his skin is remarkably soft. And smooth. You're close enough now to count his stubble. Well, you would if there was any to count. How does Kabru manage to keep himself so well groomed on dungeon excursions. Maybe you could count those thick, lovely eyelashes inste--

A simple call of your name breaks your thoughts. Not only were you not paying attention, but your fingerpads dig slightly into his skin. You struggle to find an explanation for your absentmindedness, then decide to pin it on you being hyperfocused.

Kabru, ever so forgiving, decides to move on without further question. Internally, you thank him for preserving your dignity. What's left of it. You're almost certain he's caught onto the fact your no longer solely doing this for the sake of combat knowledge.

"The abdomen hosts a majority of the body's necessary organs. The lung's can be pierced easily through the ribcage." Deft fingers lead you across the expanse of his chest. You're a bit shocked. Without his armor, Kabru's a lot smaller. Being revived time and time again has left its mark on his body. There's still power to him though. His muscle isn't all gone. You can surmise your leader has quite the lithe build.

Kabru continues to go on, despite you not listening. He likes to talk about anatomy, for one. But he's also trying to hide his own amusement at your reaction to touching him. You're admiring him in your own way. Which means you may harbor similar feelings towards him that he has towards you. Interesting. He takes note of this as your hands are guided lower.

Stomach. Liver. Kidneys.

And last is the groin.

Kabru's puzzled. He didn't really consider how this would play out in his hands-on anatomy lesson. Desire clouded his mind earlier, but now that he can peek through it...the realization of the situation sets in. How should he proceed? He can tell by your reactions you're fascinated by the lesson at the least. Kabru's sure you need this lesson. The groin is probably the most effective place to punch, kick, or slice in a pinch. As inappropriate as it is, in general and a workplace sense, he still wants you to keep touching him.

His hands leave yours. He's leaving it up to you, now. Whether you choose to continue or not will tell him what he wants to know--if he's been going too far or not.

"The groin is the last area you should become familiar with. I'm sure you're aware, but it's particularly sensitive." Kabru's not sure whether to look at you or your hands. He goes for the latter when your fingers trail over his belt, threatening to move towards the linen of his pants below.

"The genital area, more specifically. No matter the sex. A swift punch, kick. Even just grasping it. You can get an advantage in combat. Either as a distraction, or...."

Your fingers keep going lower. He's sure you aren't paying attention, now far too invested in your personal lesson on anatomy. There's a slight bulge in his pants. It's stiffens when you ghost over it.

Kabru's breath stifles. He swallows his spit like it's cement.

"A-and that's the gist of it."

Kabru stutters for the first time ever, you think. Your curious hands flee his body as a result, now returning to your sides. That was...exhilirating. So simple, yet...you can tell the two of you are craving more.

"Uh," You're first to break the awkward tension. "Thank you, Kabru. For the lesson. It was very informative." A certain tone lingers on the last word. Kabru can practically see the air quotations around it. His dark skin deepens with color. For once in your span of knowing him, Kabru's eyes don't tear into you.

"Right. It's my duty as your leader, after all. Thank you for listening. We can go back to the others now."

Kabru is known for his penchant for understanding others. Almost being able to predict their next moves with ease. However, your next move is wildly unpredictable, tossing out everything he once assumed about your attitude and demeanor.

You ask when the next lesson is. You'd like to study anatomy-perhaps his anatomy, more thoroughly.

And what he also doesn't expect is his eagerness to respond. The next lesson can't come soon enough.

[threewaysdivided]

New Desktop Dash, No Bueno

Okay so, new dash layout on desktop.

As seems to be a common reaction: not a fan.

Let's talk about some of the issues:

1. Really visually cluttered

The new sidebar crowds out the dashboard content and the bright blue popup notifications (now at the side AND top) and create-post bar pull your eyes in different directions. There is no space for the eye to rest on anymore - it's all noise. The end result is that everything flattens - there's no focal point anymore.

It's also pretty overwhelming - even for someone like me - so I can't imagine it would be very user-friendly to someone who was photosensitive or struggled with visual overload (especially when paired with the high-contrast 'true blue' default site palette and animated icons for the changes-on-tumblr/staff-picks/trending buttons).

2. The activity pop-up now covers dashboard content

This is really bad from a usability standpoint. In the old layout the activity pop-up used to drop down over the recommended blogs sidebar. Now it actively gets in the way of looking at core content. The dash is why we are here, burying it like this is baffling.

The search bar now drops down over the recommended blogs banner instead, but where the old design had non-critical space on each side of the dashboard to visually allow both features to pop in, this new layout is way worse for efficiency. And for what? Having a rarely-used former drop-down menu now permanently active? The old banner with quick-links for the key use-features (notes, messages, askbox) made much more design sense.

It also means that the activity pop-up gets now completely covered by the blog pop-up that opens when you click the notification, so double demerit there. 0/10.

3. It's harder to navigate to the activity page, and the new page-stretch means you can't see new notes without scrolling down

That first bit is kind of a nitpick but cramming the 'See everything' link down at the bottom of a browser window isn't a great navigation choice. (Again, the visual signifiers and eye-direction in this new design are incredibly poor.)

That the main activity page now requires you to scroll to even see the top note due to the new display ratio is really egregious. It makes another key site feature just slightly less convenient and accessible in a very irritating way. Bad choice.

4. The new ratio pushes the Radar and Main Sponsored slot completely off-screen

This one is directed the tumblr staff: that's also a bad choice, guys. That's your main ad-slot for people loading into Tumblr so hiding it is going to hurt both your ad-impressions and your ability to promote the ad-free option. The new layout ratio also means that the in-dash ads are going to be a lot more invasively screen-filling - and let's be real most users will either add-block or leave before purchasing ad-free. I have no idea what the new layout is trying to achieve but if ad optimisation is the goal then this ain't it, chief.

To be honest I cannot comprehend the rationale for this change. I guess it's visually a bit more like Twitter... but that site is currently being demolished from the inside by poor management decisions so maybe it's not the best aesthetic to be aping.

Well then, what do?

Okay so, new dash bad. And so, in true Tumblr spirit: we complain. However, to get results we must deploy the art of kvetching productively.

If you want the old dash back (or at least, a better new-dash design that corrects some of these big weaknesses) what you should do is head over to https://www.tumblr.com/support and lodge a feedback ticket pointing out the problems. The more users who do that, the more likely you are to see an effective response.

Remember, tagging @staff and @support in posts won't fix this. There's no guarantee they'll see it among the notes barrage.

Also: please don't be rude or abusive when you lodge tickets. Whoever is manning those blogs and inboxes probably isn't the person who forced through this change. Save an intern, be polite.

Go forth in disgruntlement to keep this hellhole a hellhome.

[ailesswhumptober]

Hi. I definitely felt refreshed reading your hard stance and information on ai in your pinned, but irrelevant to that, I only found your blog today and I feel like I missed something with AI and whumptober. Can I learn about that? I hope my language makes sense.

In the late summer of 2023, an anonymous user asked the Whumptober blog if AI-generated content would be allowed for the event. This anon did not come from any of us, nor do we know who originally send this ask, but one of us did see Whumptober's response which kickstarted this entire thing.

Whumptober responded that they would not be disallowing AI because they "do not want to police how other people create things" and "didn't want to exclude anybody" but that they would "discourage" AI-generated content "because it feels like cheating" (all direct quotes).

Myself, the other mods, and several more people, were very disappointed in this stance. several of us started replying to the post and got into a back-and-forth with the Whumptober mods about why AI-generated content is harmful and bad. These posts and replies have since been mostly deleted by the Whumptober blog, nor do we want to rehash the entire thing, but some of the stances that Whumptober took that really rubbed us wrong were (again with direct quotes):

"AI-generated content is not art theft". When pointed out that these sorts of applications very much scrape content without consent, Whumptober claimed that it's the AI that steals then, not the person who uses the AI. They also claimed that since the AI already scraped the content, you "might as well use it", that defending against AI scraping is "going down on an already burning hill" and that "if you don't want your content scraped/stolen, just don't post it online". We found these very concerning statements from an event made by and for creators.

"AI-generated content is a fandom issue and nobody in the real world is harmed by it". This is, obviously, factually incorrect. When we pointed out real creators in many creative industries are being hit hard because of AI-generation, they said "that's capitalism's fault, not AI-generation" (???) and they also told us to "touch grass".

"These sort of AIs are an accessibility tool for the disabled, so disliking them is ableism". Again, this is incorrect. They tried to liken it to predictive text or spell check. We pointed out that there's a vast difference between those machine learning tools and actually generative AI that subsides on scraped content. We said disabled people (many of whom were involved in the back-and-forth) are sick of being used as a strawman by tech bros. They then said "real disabled people probably feel differently" which was a slap in the face, and honestly the thing that still is the most horrible to me about this whole thing.

This is the point where Whumptober started to block a bunch of us and delete asks/replies. They made a post that falsely made it seem like we were harassing and bullying them for saying that they "couldn't check every single entry for AI-generated content". We pointed out multiple times that we absolutely did not expect them to, since we're very aware that with the size of the Whumptober event, it would be impossible. We'd just like them to say 'AI-generated content is not allowed and it's art theft' but apparently they didn't want to.

After this one of the mods DMed me and asked me to send them some resources on why AI-generated content and scraping AI is bad, so they could educate themselves. We spent several minutes collecting sources (some linked in our pinned). They said the Whumptober mods would read them, and then come to a standpoint. But then within less than a minute of us sending the links, they deleted the remaining posts involved in the debate, and just told us they were sticking to their standpoint that "We will not police how people create things, we'll just discourage people by not reblogging it". They also added to their pinned that they won't ever respond to any asks about AI-generated content again. So that was that.

Somewhere during the argument, the Whumptober mods told us that if we disliked their stance so much, we should just make our own event. So we did.

(Edit to add: regardless on if whumptober does change their policy, we never received any sort of acknowledgement or apology of the above and we will keep running this event for whoever wants to.)

[quirkwizard]

I wanted your opinion on thematic Quirk names. I can't remember a time we saw a Quirk with names like OFA and AFO, mostly because there the main powers of the story and in of that, are there own mountains in terms of Quirks. So I wanted to know your thoughts on it? Do you think it'd be cool if more Quirks we're more loose in their names, or if the two Quirks would fit the world better with different names?

I actually like that these two are so different from the more normal-sounding names. Not only because they are so important and unique as Quirks, being so powerful and the Quirks of the main hero and villain of the story, but also because of how well they tie into the Quirks. The names represent the Quirks well, practically and thematically, being opposing ideas of selfish and selfless, yet having them come from the same phrase strongly ties the two together, as all the users have been through the story. Could you name them differently? Sure. You could have found ways to name them without this convention, but I still like it a lot. And while I wouldn't mind seeing that more often from a writing standpoint, I don't think it'd make much sense in modern times. Because I absolutely think that All For One, the drama king that he is, is the guy that named these two Quirks. I doubt that most doctors nowadays would let you name your Quirk to establish your blood feud with your sibling.

[sweaterkittensahoy]

Code Talker by Chester Nez is about his work as one of the creators and users of the Navajo code in the Pacific theater in WWII. I really enjoyed this. Judith Schiess Avila, his co-author, talks in the intro about how she tried to take his oral tapes and turn them into the book, and she ended up basically just writing it as he told it. Which, given the oral tradition of the Navajo and how it is literally one of the reasons the code was unbreakable, just makes perfect sense.

Chester details his life before the military, including boarding school (god, it was awful) and witnessing a livestock massacre by the US government during the Depression. He also talks about leaving the Marines and being treated as second-class because he was Navajo, which reflects the stories of other BIPOC veterans who have shared their experiences.

This was, by accident, the first book I've read that is set in the Pacific theater, and I'm really glad it was the first. Chester was part of several major battles over a handful of islands, but as the concentration is on his work as a code talker, I didn't get lost in the details of battle movements.

It's very interesting to read a book by a front line soldier who wasn't actively fighting. He and his partner were relaying messages and working literally non-stop (no R&R over several campaigns because they didn't have back up code talkers to take over) to keep the men moving and fighting. It's a fascinating standpoint to have.

It was also interesting to see how his Navajo beliefs always stayed with him and how he relied on them when things were tough. I really appreciate the way he shared details of ceremonies and traditions so that the reasons for them are understood.

Really good. Highly recommend. Funnily enough, late in the book, there is a single quote from Eugene Sledge (from a book he wrote; they did not know each other), and I burst out laughing.

[emelinstriker]

Anyone who calls this AU a 'slave' AU...

Then theres me who looks at this AU and just sees an excuse to hug and spoil favorite characters. (Not teying to start hate I just want to express to new viewers all I see are people taking this AU and creating fluff. The LMK already has angst filled (potential) characters and this AU, while also dark and angst filled, has characters that has the Reader who has potential to be comedy "what is going on!?!???" And "these are my pwecious babehs. Must hug and cherish" .... Brain is entering not making sense at near 11 pm....

EXACTLY-

The AU is supposed to have some dark content, I even mentioned that in my masterlist, but that's literally not even the point of the AU. It just adds more of a mystery to the environment for those enjoying the AU, who like to look for hidden lore crumbs, piece them together and figure out the story.

It's like a murder mystery. Just because people enjoy listening to/watching those does not mean they're into becoming killers. Especially if it's fictional, made up stories to let viewers engange with the situation themselves and solve it.

Meanwhile the way I've seen people interact with the champions in my inbox always ends up being more wholesome or funny. Because at its core, the AU is just there so people can have fun interacting with the characters.

And I'll keep saying it over and over if I have to.

Humans are different.

Opinions and preferences are different.

Literally no one is getting harmed in real life if I sprinkle in some hints to darker lore. Some people just like angst and dark things more than others, and that's fine. It's just generally more interesting for them.

But even then, those that prefer more of a fluffy, comedic, or even horny interaction with the cast have the option to do so. The AU is built like a one-shot. You can have one story or the other and don't need to look at the other parts. They can all be read on their own.

If someone doesn't like the AU or isn't interested, that's absolutely fine and I respect that.

However, what I can't respect is people talking shit behind my back like a group of children, publicly spreading hate and misinterpret messages. Again, I've already said my viewpoint on things. Whether people agree or disagree on my standpoint, I don't care anymore at this point.

Just as much as the brickwall I'm talking about isn't accepting the fact that not everyone shares the same opinion on how old a character is supposed to be. Especially in a fictional AU setting. When I say ESAU!Nezha is an adult, then in this very AU, as the creator of said AU, I can legally say he is an adult in this AU. End of story. If one says he's a kid in the source story, that's fine. If one says he's an adult in a made-up fictional Lego story, that's fine.

I'm literally just calmly explaining my own points and they start accusing me of more shit by taking my explanations and taking things out of context in a mob mentality, again. They even still for some reason believe Bean MK is canon and was "born and branded into slavery" when that was clearly just a wholesome way to do a crossover between me and @theweepingegg. Like, MK is an adult in this just like the others. I literally did an entire summary just some days ago, with art of him being normal-sized and not chibi-fied, about how MK joined the group. But of course they still say people are supposed to do their research, when they've clearly not done their own research on Bean MK if that's the only version to them that exists.

The fact that they already openly "exposed" my blog and all that to their followers too, without even trying to be vague at all anymore, is also starting to enter borderline harassment. Like that's literally just encouraging people to spread more unnecessary hate over literal opinions and assumptions.

Ironic, considering that blog's own controversial history.

From the unnecessary harassment of a Wattpad user over a few quotes/pick-up lines they allegedly "plagiarized" till their account deletion, to the unnecessary harassment of others for saying Nezha isn't a kid. There is literally a blog mentioning this allegation. Plus the Wattpad user could've been handled maturely like an actual adult, like y'know, talking to the author instead of being petty about it to your followers. Which is still very much something that apparently never changed about them. And after having witnessed them talk smack and lie openly about my own content on a blog of a game they're supposed to represent, I now fully believe all those harassment stories.

And despite all this, I'm still not even openly talking shit about them. Because I'm not a kid talking shit about another creator.

At this point I'm literally just about to ignore all that "drama" since I've already realized the topic hit a brickwall. Like, they're not gonna leave this very much unnecessary shit alone based on how they're still talking about it. But my care has already dwindled, knowing they're still acting like children trying to find something, literally anything, against me to rant about. I already stated my case multiple times and how the AU works. If one still takes the logical things I'm explaining out of context, then they can just keep that opinion to themselves. The "drama" literally hit the moment where all's just opinions and biases.

Now watch as either she or one of her followers will take screenshots of this post and take it all out of context as well. Because they will try to find any single piece of dirt on me to rant about.

And after some discussing about why the fuck this entire thing is even happening with some friends, and why the blog never actually notified me about shit personally, I will simply no longer respond to any allegations. I've already stated my side on the the mentioned allegations and no longer see the need in having to speak anymore. I'll just go back to doing my own thing, and you can go back to doing your own thing.

[plaguedoctormemes]

i'm not deleting my tumblr blogs but this whole debacle with the AI stuff is discouraging me to at least not post original content here and limit my time on social media in general. Also to be clear on my stance on AI, which I think is very much influenced by my background as both an artist and a professional graphic designer: I think it can be a very useful tool and I don't even necessarily inherently find it completely harmful. Some forms of AI are already well used and completely normalized, but I find most of the time generative AI as we know it is pretty harmful and its harms outweighs its benefits currently (largely grifts, scams and misinfo). It needs regulation desperately, but old cunt politicians are too dumb to really care about or understand how important the issue is right now. I do not believe that AI will simply peter off or crash. From a marketing standpoint, i feel like AI usage will cool off or become more specialized (like creating whole machines *just* trained on individual brands for personal use and whatnot) but I have no idea how far away that would be. I just believe there might come a time where everyone is over the "spectacle" of generative AI and will find it inaffective or inherently associated with cheapness. At least in the most base sense in advertising, it is generally much better to have your own photographs and original branded artwork as it proves authenticity. You can only see a illusionist do so many tricks before you're bored by them and expect them, and we're already getting to the point where even the average Joe is tired of hearing about AI and the future, and at least when it comes to art and writing i just... don't care? i don't give a shit about it. BACK TO TUMBLR: I'm aware that its likely that mine and everyone elses' posts here have already been scraped. My thing is that it's more the symbolism of Tumblr's "opt-out" choice: memorial blogs, inactive blogs, and so on are going to be scraped without consent. No banners or pop ups to notify users of this change, you either have to either HAPPEN UPON to see staff's post or see others talk about it to even know about it. Since the beginning of this whole AI boom i had no issue with AI data training as long as it's consentual and ethical, but obviously it most of the time isnt. Tumblr's method of rolling out this change was purposely underhanded. I'm never going to simply be "okay" or normalize in my mind the fact that big tech companies feel entitled to people's privacy- which i believe extends to our online lives. I don't think myself or anyone else should ever feel completely apathetic to the fact that people you don't know, that definitely do not need it, are making money off of you without your consent or knowledge. Just to be clear this isnt about what is and isnt "real art" or whatever for me. It's just a huge distraction from the main point, a big debate that will go absolutely nowhere. What's more important about it is that big techs and billionaires don't have interest in making the world a better place, they only care about eliminating our "distractions" that get in the way of them making money and accumulating more wealth. My solution: We need to make them deepthroat shotguns and machetes.

[corellianhounds]

Criticism of Ahsoka Tano’s Character and Role in Season 2 of The Mandalorian with Suggested Changes

Word Count: 2.8k

—

I’m largely indifferent to and more critical of Ahsoka Tano’s live action appearances in The Mandalorian and The Book of Boba Fett than favorable. The short reason for why is that my introduction to her was the second season of Mando with “The Jedi” episode, and your audience only cares about Gandalf the White if they already know Gandalf the Grey.

The longer reason is that I don’t think she’s utilized well for Mando’s story. When I saw her for the first time I only knew through cultural osmosis that she was in TCW and was Anakin’s padawan. That’s it. I don’t know anything about her character and that episode doesn’t give me much to go on. I haven’t seen The Clone Wars or Rebels cartoons and I think it’s unrealistic to automatically expect your audience to know who this person is when this show was introduced as a standalone story with brand new characters, simply set in the world of Star Wars. There’s no indication that I should have seen two unrelated cartoon shows before going into The Mandalorian, so if you’re going to have this pre-established character from another medium, she should be written as if you’re introducing her for the first time. Don’t rely on what part of your audience knows about her, introduce her to this story as a new character because she’s entirely new to your main character (who in this show is also the audience’s proxy for new information). You shouldn’t be relying on our hypothetical prior knowledge for us to trust her or know where she’s coming from regarding the Jedi as a whole.

If your intention as the show runner is for your target audience to be people who have consumed select pieces/all of Star Wars media in the past forty years so you don’t have to do a lot of (or better) exposition, you have to be okay with automatically limiting your audience and likely having casual viewers (of which Mando had many) drop off when you start writing in characters without having more thorough storytelling establishing their place in this show. From a casual viewer’s standpoint, her character isn’t all that interesting, forthcoming, or fleshed out in “The Jedi,” at least not enough for me to care about the fact she’s apparently the main character of that episode since the central conflict/physical plot doesn’t affect or pertain to Mando’s overarching plot or character development, and the Thrawn name drop meant nothing to the audience regarding Mando’s story that far and— in the rest of two seasons of his own show and his participation in TBoBF— has yielded nothing as a result.

What the episode did was introduce Ahsoka so she could get her own show and it largely wasted Mando’s episode and his involvement with Ahsoka for that entire season. We’re not given any indication that the information he gets could only come from her and not another Force user, and at that point the show would have been better served with an original character not constrained by or beholden to an established (apparently canon?) history or the episode’s focus on her.

Bo-Katan comes back at the end of Season 2 and is involved with the overarching plot. Cobb Vanth was apparently from the comics but I didn’t need to have read them for his character to make sense in the Krayt dragon episode because they DID lay out his character well enough I didn’t need prior context. Objectively, “The Jedi” episode is poorly written as an episodic installment of The Mandalorian, the script and characters on their own aren’t all that compelling, the music is what really indicates I’m supposed to care about Ahsoka/her decisions, and if you look at it from the POV of knowing Mando’s story with no knowledge of Ahsoka, she’s kind of wishy-washy and vague in her response to testing/training the kid and her explanation as to WHY she has reservations. I don’t find her character admirable when she refuses to go through with their deal in the end, especially since it’s apparent she had bigger priorities from the beginning.

I know her being clear about her priorities would negate Mando’s purpose in staying there and the episode would follow him off to wherever he went next, but keeping Mando there for her for the whole episode only for her to go back on their deal makes her seem deceitful and not much different than Bo-Katan, who also used him for her own gain and changed the terms of their deal partway through the job once Mando was already working for her. The only difference is in their deliveries and personalities. The showrunners relied too heavily on the audience not wanting Mando to separate from Grogu to be what kept us from protesting about/criticizing Ahsoka’s decision; audience emotions are irrelevant to what will make a stronger story that will have more impact in the end. We don’t have to like every character who’s introduced, and our opinions about them can change over time as the story progresses and we see them develop.

If you don’t want me to think negatively of Ahsoka but you’re dead set on these circumstances being what keeps these two characters together for the length of the episode, she can’t have her mission take priority in the end. It’s that plain and simple. If she was never going to train the kid, she needed to be upfront about it AND you need to explain to Mando— somebody who has zero clue about the Jedi code or Force powers or the caution against attachment and it’s reason for existing in the first place— why the kid seeing him as his father is relevant to Jedi training at all. You can’t just say “You're like a father to him. I cannot train him,” you have to explain to Mando what being a Jedi™ means.

The Jedi were peacekeepers specifically trained to uphold and defend what was best for the greater good and to serve as protectors of other people, meaning the choice to train the child as a Jedi would mean Grogu dedicating his life to this schooling, and that people with strong emotional personal attachments tend to have a harder time separating themselves from their loved ones and tend to prioritize those loved ones over everybody else, meaning they’re less likely to be good at doing what the Jedi specifically were called to do. That doesn’t mean the kid or anybody with similar tendencies is ‘bad,’ it means they shouldn’t dedicate their life to being a Jedi™. There’s more than one way to learn how to use the Force.

Does that ruin the chance of Mando staying there on Corvus because he would logically move on, meaning we as the audience wouldn’t see Ahsoka’s Cool Samurai Episode™? Yeah, but those are the circumstances Favreau and Filoni came up with, so either you change the story or change Ahsoka’s character or change Mando’s role in the Calodan conflict. Kill your darlings and write a better story. It’s not the Ahsoka show, it’s Mando’s.

However, the episode isn’t unfixable.

One of my biggest complaints with Season 2 is that it failed to establish/drive Mando’s character with the inner motivation of why he’s bringing the kid to a Jedi in the first place: yes, the Armorer tasked him with returning the child to the Jedi so that the boy had the chance of being raised by people like him who may already know him and would understand how to raise him to control the powers he has, but that’s the external reason. The whole premise of the show is predicated on the child being in danger and Mando wanting him to be safe. The Armorer says in the finale for Season 1 that the boy is too small and young to be trained as a Mandalorian, but given the fact he’s capable of powers that allow him to do these incredible things, there’s a possibility he can be trained to defend himself in other ways. The point of giving the child to a Jedi is that he’s given the cultural upbringing closest to what he would know as his own (an ideal the Armorer, Mando, and Mandalorian culture as a whole would understand the importance and value of), and most importantly, he can learn to protect himself.

“The Heiress” should have established that as Mando’s internal motivation, and “The Jedi” should have been where the character voiced it because by this point in the season he should be at his most desperate. He’s finally found a Jedi and she’s reluctant to take him. Ahsoka’s his last lead. I’ve said it before and I’ll say it again: there is only one way for Din and Grogu’s story to end, and it’s with one of them dying before the other. The child does not age the same way humans do. He needs to be trained to use his powers so that he can defend himself when he’s alone. His proximity to Din makes him a target by association because Din simply being a Mandalorian invites conflict. Even when the Empire isn’t after the kid, the child is constantly in danger. Even if Din lives to a remarkably old age, the boy may still be a child by his species’ reckoning. Who’s going to take care of him once Mando is gone? What happens if they’re separated now and the child is in danger?

That’s a very real and compelling motivation for Din to want to give the child away for the child’s own good, permanently if he has to. If giving the boy to a stranger means he will be safe and taught how to keep himself safe, that’s the sacrifice Din is willing to make, especially since that’s mirrored in his experience and upbringing with the Mandalorians. That’s the kind of sacrifice any good parent with empirical evidence backing up their reasoning would understand, and Din has seen that evidence in spades.

We should see Din being scared for the child. That worry fuels his mission and it should stoke his anger and frustration when that mission continues to be foiled by dead ends (Cobb Vanth not being a true Mandalorian, therefore having no contact or information to give him), side journeys that cost him time, resources, safety, and possessions (the Frog Lady’s contact for information contingent on traveling sublight, which garners them the attention of the law), and personal conflicts and compromises (Bo-Katan’s heist, deception, and their culture clash). “The Siege” re-establishes that the child is still in the greatest possible danger he could be as a target of the Empire, and Mando is following his last flimsy lead to a Jedi who may or may not exist or even be on the planet he’s been sent to, considering the person who gave him that intel deceived him once already before giving it to him.

Mando should have been desperate for Ahsoka’s help. If she refuses to train the kid, he (as far as he’s aware) has no other options. If Ahsoka were honest about having larger priorities to attend to (ones Din wouldn’t object to if she explained she was fighting the resurgent Empire too), she could have told him about Tython at the beginning and the two would have parted ways without wasting Mando’s (and the audience’s) time on the Calodan storyline.

Mando wasn’t given enough time or personal connection to the people under the magistrate’s despotic rule for his bleeding heart and sense of honor to compel him to stay, and Ahsoka was honestly capable enough I don’t think she needed Mando’s help. She was planning to storm the castle herself anyway. Mando could have gotten the spear another way if that was to be his incentive for taking down Elsbeth.

In order to fix “The Jedi” and still have Ahsoka as the main secondary character and still have her be an honorable person by the end, a few things need to happen:

If Ahsoka was going to be a genuine option to take the kid under her wing, she should have been sent there by somebody else to depose the magistrate and gain the information about Thrawn that she would then relay back to her partner or employer, or she should had a personal vendetta against the magistrate (devoid of any connection to Thrawn) and genuinely needed help getting close enough to take her out.

Mando needs to be given more story and connection to the given circumstances of Calodan, forming connections with and gathering exposition from the people in town

Ahsoka and Mando’s discussion where she’s already reluctant to take the child as a student for personal reasons needed a better explanation based on how she saw her own master fall because of his flaws (just enough to flesh her out and give exposition to Mando/the audience who have no idea who she is), and Din’s own reasoning and desperation need to reach a boiling point where he reveals why he’s so insistent on the child needing a teacher (so the child can be taught to protect himself). This discussion needs to establish tension and stakes that make the emotional conflict (having Ahsoka take the kid and Mando’s mission being complete) dependent on the outcome of the physical conflict (the liberation of Calodan, Ahsoka resolving whichever conflict she has with Elsbeth)

That revelation allows Ahsoka to say she’ll consider taking the child as a pupil, but that it can’t be done until her mission is completed

The two of them have contact with other characters introduced from Mando’s more fleshed out connections and the story in town, grounding Mando’s involvement in this physical conflict

And most importantly, something Mando does in the ending fight/s inadvertently affords one of the citizens the chance to kill Elsbeth themselves before Ahsoka can get the information she wants. This reinforces Mando’s character as somebody who puts power into the hands of the people most affected by the conflict they’ve asked him to help with, and it inadvertently thwarts Ahsoka’s objective in obtaining information, forcing her to forgo the kid’s apprenticeship and forcing Mando to continue ahead, trying to find the information elsewhere. This outcome, based on consequences driven by character decisions, is much more compelling and satisfying and more naturally prevents the main character from achieving his main objective, forcing him in the story to continue forward.

This doesn’t mean the two of them have to be enemies. Conflict from outside factors prevents Ahsoka from being the child’s teacher and gives a logical segue for Ahsoka to give Mando the next best thing since she can no longer help (information about Tython and the chance of finding another Jedi or Force user). It provides a more natural exit for Ahsoka to either stay or go in the larger story of Mando and the kid, and her character doesn’t end up being wishy-washy or deceitful at all. Things just didn’t work out for the three of them, and it’s time for them to part ways.

If anything, doing that episode right could have meant it became a two-parter in order to really get into some of the nitty gritty of each of those characters and more worldbuilding and hey! Now die-hard Ahsoka fans get two episodes with her, and Mando’s character is given meaningful involvement in town and we can flesh out the storyline with Elsbeth a little more, raise the stakes and really give it some tension and make it more unique.

(This episode could have also had the optional bit of exposition of the two of them coming to the realization that the child doesn’t necessarily need to be a Jedi, that was just the information Din was operating under because that was what was available to him, and what Din really means when he says he needs to find a Jedi is that he wants the child to be protected by people who understand him and can teach him the kind of effective self defense he’d be capable of. Ahsoka or whoever you have filling her role (or even somebody in the town) can tell Mando that being a Jedi is not the only way to master use of the Force, that there are other avenues that would achieve Din’s inner objective, which in turn foreshadow and/or parallel Din dealing with challenges to his faith and the other ways he sees people being Mandalorians.)

(Him deviating from the exact wording of the mission the Armorer gave him is a non-issue. She gave him an objective with the broadest and biggest target she herself likely had knowledge of and she wouldn’t have cared if the kid ended up being given to a non-Jedi provided they were still a Force-user and they were who Din decided was best suited to fill that role. She trusts his judgment. This show had the opportunity to branch out into what else the world of Star Wars has to offer and diversify the setting so that we could have either gotten away from the Jedi or kept from rehashing things the audience is already aware of concerning them.)

[ukelele-boy]

The long overdue why TOA Apollo is an enfp analysis for @fearlessinger

(I'm going to preemptively say: If anyone has a different opinion please make a new post instead of in my comments XD )

I'm going to explain using the functions. There are eight functions total: Fi, Fe, Ti, Te, Ni, Ne, Si, Se.

And each mbti type will use 4 of these 8 functions. The order the functions are in determines their type. The first function(dominant function) is used the most, the second is also commonly used, the third is more subconsciously used and the fourth is inferior function which is not as developed and tend to be used in times of crisis as a last resort.

Functions are basically types of thought processes and associated behaviors. And it's only possible to have one of each type of F, T, S, N with extroversion or introversion classification. 

Hence it would be impossible for a person to have both Fi and Fe. 

I won't go into too much detail on this so if you guys are interested you can look at the link at the end of this post for more details.

But anyways, here we will take a look at the functions and decide what Apollo is. 

How much the traits of each function show through depends on their ranking in the 4 stack. Higher ranked functions tend to be used more etc etc. 

Lets start: Te vs Fe. 

Fe people tend to value the group and the emotional wellbeing of others. They also care about fitting in and belonging to the group. "how does the group feel about this?" 

Te people value the group but from a productivity and practical wellbeing standpoint. They care about getting things done effectively. 

A very basic example, if deciding if the population should be waiting at a traffic light for a time or have the option to speed past it but crying and sobbing for 1 minute. A Fe person might lean towards letting everyone wait but the Te person might lean towards letting everyone speed through. This is because Fe is considering the emotional state while Te is considering the time wasted from the person's life. 

You might be inclined to say then Apollo should be Fe! He cares about his friends! But I'll actually argue he does not have Fe. Recall that a person can only have either Fi or Fe.

Fi people tend to have a  personal moral system that is very tied to their sense of self, and a desire to figure out who they are and what they believe in, and where they belong. You can argue that all people do this, but I'll say Fi havers definitely does this way more than average. Especially if the Fi is first or second in the function stack. Fe sees identity as something that is part of you, "I am what I am". 

They will never have the thought of "oh i did xyz but that's not really me" Fe will consider that since they did it, it is them. 

Apollo is a strong Fi. He values his identity a lot. During TOA, he struggles with his identity after losing what he thinks makes him, well, him. Hence you can see his original concept of his identity was tied to what he could do as a god, and his beauty and powers. Once he lost that, he lost his sense of self. This is devastating for a Fi because their identity is heavily tied with their moral system. Fi make decisions based on their moral compass that they created over their lifetime. This allows them to quickly make decisions based on it in times of crisis. They may say "I FEEL xyz" but the feeling they speak of is generated through their moral system. 

Outside input -> Moral system + identity -> feeling - > decision - > action. 

An older, experienced Fi user will be able to sense what they are feeling and make quick decisions based on it, and leave the analysis part to their databank of past judgements. However, on the outside this can look rash and like they are making decisions based on emotions (which is true. But there's more to it!) 

Apollo lost his sense of self and had to start from scratch. This makes him begin to doubt his morals and past judgements, because they were all part of his old self, and that's now gone. Now how can he make the "right" decision? He no longer knows what is right. He has deluded himself that his choices were right for so long, that once his self is shattered and he is rebuilding his identity from scratch, his entire world tilts. Key word here is delude, he probably already had a sense he was doing something wrong but he ignored it and kept using the old pathways of thought he made to arrive at conclusions. Now that its like this:

Outside input -> ?????? -> feeling - > decision - > action.

 

It leaves him in constant doubt about his present and past self. 

So yeah, Fi. 

And Fi users must have Te, so Te as well. But I argue his Te is lower than Fi and not that noticable. 

Now, we move to Ne vs Ni. 

Ne and Ni are two different ways of thinking and connecting things.

Ne connects thoughts in a spiderweb like pattern and hence has seemingly random jumps and connections. (The grass is green, my shirt is green too and oh, my shirt is from california, and I think california has great icecream and now we are talking about icecream.) Ne tend to derail conversations with their explorations. 

Meanwhile, Ni tend to think more linearly on one topic and discuss it to the end. Their thoughts are more like a graph form where they explore along the line. (the grass is green and it is very lush and beautiful. It grows well in the summer etc etc) Notice we are still talking about grass

Apollo's narration is a classic Ne style narration where you see him talk about traveling with Meg and the next thing he's telling you what happened in Egypt 50 A.D.

So now we know he has, Ne, Fi, Te. 

We just need to figure out whether he has Si or Se. 

Si is focused on memories and familiar things. They like consistency and patterns.

Se is focused on experiences and physical sensation. They like to explore new things and go out. 

However since these aren't as obvious, I will first narrow down the possible types. 

Mbti with Fi, Ne, Te are: 

ESTJ, ISTJ

ENFP, INFP

And since these types don't have Se, we know he has Si. 

We can rule out ESTJ and ISTJ because Fi is not as prominent , and are more Te based (see image). 

Apollo bases his decisions on his heart (Fi) more than rules and traditions (Si) or productivity (Te).

This means his Fi is either first or second. Which means he's either INFP or ENFP. 

And now it's an easy choice because INFP is an introvert. 

And Apollo is just… extroverted, he loves being around people, he gains energy around them. He loves meeting new folks. (I can promise you as an INFP, I do not feel this ajjfjsksksk) 

Hence. 

Apollo is ENFP! A type who follows their heart, is passionate about their interests, loves learning and exploring new things, and curious.

As well, in regards to his Si as his last function (also called the inferior function) . When people are in times of extreme stress, they can sometimes fall back and unhealthily overuse their last function. For example, for Enfps they will go into "Si grip" and begin to have tunnel vision and overanalyze their past mistakes, try to make little detail perfect, project previous bad experiences onto the future, become isolated and withdrawn… 

Does this sound familiar and like a certain sun god during TOA…? 

Other enfps in fiction, that kinda have traits similar to Apollo: c!Tommy, Steven Universe. (I know ppl say steven is ESFJ but I'll maintain he's enfp based on functions) 

And if you want a well written, deeper read into Enfp functions:

Go here

Also these images:

[butterflydm]

wot rewatch 1x4: the dragon reborn

spoilers for s1 of the show plus the s2 teasers and trailers, plus through The Dragon Reborn ish in the books. And one casting spoiler for S3.

I really do love the cold opens. This one tells us so much! We're introduced to Logain but we're also introduced to the corruption on saidin, to how much power can be wielded by users of the One Power, and to how the corruption can both influence someone but Logain still has the choice of whether or not to listen to the voices talking to him.

We see the madness in Logain but also his own strength of character and ability to show mercy even when he's hearing whispers that he should just kill those opposed to him. Great preview of the future for Rand. Especially since Moiraine is going to later on believe that Logain hearing the voices of 'the previous Dragon' to be a sign that he isn't the Dragon Reborn, but it's another thing that she's got her wishful thinking goggles on for.

"There's a place for anyone at my side, even my enemies." ; "The last Dragon broke the world; I plan to bind it." I feel like we're seeing the seeds of some of the choices that Rand will also make in the future here, already being set up (the benefits of being able to tell the story knowing the ending). Logain understands the assignment... he's just not the actual rebirth of the last Dragon.

So we go from Logain at the height of his strength to Nynaeve looking over the camp where he's captured. Having the Greens join the Reds on this hunt makes a lot of sense -- we know that this specific one was requested for by the White Tower, and we can see the difference between this approved hunt to take down a false Dragon (where he gets shielded and put in a cage to stand trial back in Tar Valon) vs the Red-only "gentle ASAP" approach from the cold open of the first episode. Authorized vs unauthorized hunts.

It makes a ton of logistical sense for them to scale down the number of people required to hold the shield on Logain. Just from a 'how many characters we're going to have in this scene' standpoint. Jordan could have as many characters in a scene as he wanted, because he didn't need to have any actors playing them. Plus, this way, we can focus more on the characters that do exist and really get to know them better.

So we already have two factions set up -- Kerene supporting the Amyrlin and Tower Law, and Liandrin arguing that they have the right to administer 'field justice'. Will the fault line of the coup fall along similar lines? I also think it was a good idea to have the Vileness currently happening rather than having happened in the past.

I love all the insights we get in these episodes about Warders, and Warders having their own subculture within the White Tower. And the fun confirmation that Moiraine and Lan are Just Like That and are closed off even to other Aes Sedai and Warders.

Also love all the Lan & Nynaeve build-up that we get as well. <3 a lot of good bonding time and banter and I love that she just clicks with the Warders.

The time that Egwene and Perrin spend with Aram & co is very lovely and charming. Removing Elyas from the equation and putting the hesitation on Perrin was a good move, because it lets the Tuatha'an explain themselves rather than having them explained by an outsider who disapproves of their ways.

Everything about Rand and Mat's roadtrip with Thom is so great. 10/10 would have loved another episode of it but since Amazon didn't let them have one, I do think they did a great job of boiling the trip down to both the narrative and emotional essentials. It really does make me curious about how Thom will be weaved back into the story because he only has connections to three characters now (I'm assuming the backstory with Elayne is intact), rather than knowing the whole troupe, so it feels like it needs to be Rand or Mat that bring him back into the story, but we'll have passed the canon moments when that happens.

There is so much useful lore information in Alanna and Moiraine's convo that show haters just flat-out ignored because it didn't fit their narratives - Alanna straight-up talks about not being able to see Logain's weaves!

Protective!Rand really begins to peek out in this episode, even here at the start with the farmer but more and more as Mat gets worse. Also poor Rand and Mat are covered in mud.

13. Mat and bonding with little girls! If we do get Olver, I hope we get a young girl instead of a boy, to keep on theme. And Birgitte namedrop, still exciting to hear.

14. Last episode, Thom bonded with Mat and, this episode, he bonds with Rand (over concern about Mat). Thom also helpfully puts the idea into Rand's head that Mat has 'all the signs' of being a male channeler, accidentally enabling Rand's massive case of denial that lasts until Moiraine heals Mat and tells them it was the dagger causing his issues. Oh, Thom's story is so heartbreaking here. And Thom promises here to try to keep the two of them safe, and away from Aes Sedai. Really really curious how this setup will play out when Thom returns in s3.

15. Nynaeve getting through her moment of poly confusion now is a great little moment of setup for the viewers too -- showing that this can be acknowledged as a valid relationship in this world. And we will maybe get a hint about Aiel culture next season as well.

16. Poor Moiraine and her pangs of uncertainty over Logain. Uncertainty that will only grow once Nynaeve's power is revealed.

17. Last episode, it was Rand's turn to remind us about his relationship with Egwene -- this episode, it's Egwene's turn, during her private conversation with Aram. I do love Egwene falling into a new culture and immediately finding things about it to love and appreciate. And Perrin is taking the Tuatha'an more seriously than in the books, because it's so much more grounded in the reality and the faith of their world and culture.

18. Rand trying to comfort and reassure Mat, I'm fine. Totally fine. Not emotional at all. And even before they know that the Fade is there in the farmhouse, Thom and Rand are just wanting to get Mat out and safe. Thom is ride or die for these kids after knowing them for a handful of days.

19. Nynaeve is SO curious about Lan and so hesitant to admit to it. You are not intruding! He already has a big crush on you! It's such a lovely moment between them.

20. Moiraine taking advantage of the attack to interrogate Logain... Lirandrin taking advantage of the battle as a reason to justify gentling Logain... they get to be shadows and mirrors of each other too. (Did Liandrin let her part of the shield drop to try to manufacture an excuse, once she realized that his army was attacking or was it just her genuinely taking advantage of an unexpected opportunity once she's able? If Liandrin is being sincere then that lends weight to the speculation that she isn't Black Ajah yet and we'll see her wooed into it over the early parts of S2)

21. I do think it was, again, very smart of the show to actually show us the effects of an Aes Sedai and Warder's bond being severed before it happens to any main characters. And we actually get to see Greens being the Battle Ajah here too.

22. Nynaeve's power burst here really creates another point of uncertainty for Moiraine about the identity of the Dragon Reborn. If Nynaeve is stronger than Egwene, then Egwene cannot be the Dragon. But Nynaeve is too old to fit the prophecy. So now Moiraine has some thinking to do.

[demodraws0606]

What is q!BBH's end goal with the Soul Vultures ? (and his plan in general)

I'm making this in turn because I'm frustrated with the "q!BBH will die and come back with no memories" theories purely because I feel like they're really unsatisfying from a storytelling standpoint. I also have been thinking a lot about q!BBH's plan and how it could all tie together.

I've been specifically thinking about what cc!BBH has been hinting with his character's dialogue with others and the smaller details.

Now I'm gonna get started with the obvious : The Soul Vultures

We know q!BBH has been letting himself get hurt by the Soul Vultrues HOWEVER there is a big thing people are ignoring about this...

q!BBH also kills the Soul Vultures after getting attacked by them. You can see that happen at the end of this particular stream, where he even says "all according to plan".

Now I think most people know at this point know this information about Soul Vultures but after having attacked something, the soul vultures become "bloated".

When a Soul Vulture is bloated they can drop a Soul Heart.

Now those Soul Hearts can be used to make a Soul-stealing potion which can grant it's user the same abilities as the bird but after seeing some people talk about it and thinking about it...

I don't think q!BBH has been using the hearts to make potions, I think he has been eating directly.

I'm saying that based on two major things. The first being that q!BBH's ability to eat literally anything has been shoved in our faces a looooot of times to the point where it has to come into play in some way. The second is that we never really see q!BBH with the soul-steal potion effect which...tbf isn't that much of evidence but I still feel like its important to mention.

Either way, weither he has been drinking Soul-Steal potions or straight eating the hearts raw, q!BBH is not just letting himself getting attacked by Soul Vultures for no reason. He is doing so to gain something from it.

There is also a huge detail that people have missed and it's that this particular stream and it's end is the starting point of when q!BBH starts turning blue.

Meaning what is making him turn blue is not just the Soul Vultures attacking him...but the Soul Hearts (or soul steal potions) themselves.

Now let's focus on the big elephant in the room, q!BBH's clear death flags and him seeming to plan his own death.

However there are a tons of things that don't make sense with q!BBH planning to die. We know he doesn't know exactly how to get the Eggs back so him dying to get them back doesn't make sense.

He also says multiple things like him planning to escape the island with the eggs which just ends up contradicting the idea of him dying in a literal sense.

I've said it multiple times that I him dying would be most likely metaphorical but I do actually think it's a little more than just that.

I've pointed this out in a theory thread before but q!BBH's skin went through a strange transformation

He went from being extremely pale almost like he was fading away or turning into a ghost..

However, he is turning opaque again, you can see his skin almost seeming to grow back (I have no better words for it) but...he is not returning back to how he originally was. He is still changing.

I decided to compare how he was before turning to pale to the skin he currently has right now.

Now of course q!BBH now is still more pale but I want to point out to people how q!BBH's entire hood changed hues.

They're still blacks and grays so it's a lot harder to tell but I screenshoted the color wheel after picking the colors on the hoods between the two skins. You can see an EXTREMELY visible difference between the two color's hues, in fact i'd say the values of the colors are the thing that are left the most unchanged despite the fact that it's the most visible difference.

I've said this in a theory before but I do believe this heavily implies that q!BBH has died or is in some kind of strange rebirth process. I do think it's still true however I think it's slightly more different than that.

I think q!BBH is dying through this strange transformation he is going through, I don't have any other better ways to phrase it. q!BBH is slowly losing more memories and has lost any sense of pain/smell. It's quite obvious that he is dying however I don't think him dying is gonna be just him keeling over and taking his last breath. I think this transformation that q!BBH will be q!BBH's death.

When the "transformation" is fully done q!BBH won't be q!BBH anymore but be replaced by something else. That something else weither it will be completely seperated from q!BBH or be just another version of him, we don't know.

Now let's get back to q!BBH's plan, how can this transformation be beneficial for his plans at all and how does it fit with everything else he has stated about his plans.

I think q!BBH's main goal is to transform himself into something stronger because, here is the thing, q!BBH has blamed himself constantly for the eggs getting hurt. cc!BBH has said it loud and clear q!BBH's main goal has always been the Egg's wellbeing.

However his plan also involves hurting the Federation severely leading to pose the question...which is it ?

(I also want to say since I don't know how to insert it organically into my arguments but q!BBH's plan is something he had before the eggs even disappeared meaning him planning to die to get the eggs back doesn't make sense if that's part of his plan)

But I think seeing that as a contradiction might be missing the point because we assume q!BBH's Massive Omega Secret Plan only has one end goal or that it's end goal isn't broad enough for it to fill multiple purposes.

I think q!BBH's end goal is to become stronger

q!BBH is going through this transformation on purpose to become stronger most likely by giving himself the power of the soul vultures. He is going through this transformation that will most likely "kill him" to become more powerful and thus being able to protect the eggs.

The question is where does the whole "falsely emprisonned" part of this come in, why does he want to be thrown into jail for something he didn't do ?

Well I think q!BBH by making himself go into the jail..is trying to make himself snap and fully finish that transformation I was talking.

He said himself that if he doesn't time his emprisonnement correctly it could throw his entire plan into the water. Possibly because if he ends up not actually triggering the transformation it would both be harder to get emprisonned again and also would end up wasting a lot of time.

Now the reason why being falsely emprisonned would make q!BBH snap and finish his transformation would be well....we know q!BBH holds negative feelings over being emprisonned. Him getting thrown in jail at the museum for something people had no evidence for (even if he DID do it) is something that still affected him.

I think q!BBH's plan basically is the representation of what he told q!Bagi about wine glasses. When glass is broken, you can't piece it back together, you have to melt it into another whine glass. Basically q!BBH is trying to make himself shatter to reform himself again into this new wine glass.

It also fits another thing that q!BBH has said to q!Bagi, about how sometimes death is just the beginning of something else (not exactly the words he said but i digress)

And that's my theory, I probably left out some things there but I pretty much said the basics on what I think q!BBH's ultimate goal/plan is.

[lilmissnatcat24]

writer's block is over, rejoice!

After a few incredibly uneventful minutes, where the only thing of value Shepard found was a heavy new shotgun that looked like it could blow the plates off a krogan, she admitted defeat from a physical inventory standpoint and diverted her attention to the console in the middle of the platform. Miranda had been working on it dutifully, partly because of her attention to detail and partly because she was about the only one out of the lot of them that could be trusted within ten feet of a suspicious computer without the fear that they would accidentally enact self destruct protocols or download several thousand terabytes of porn to EDI’s databases. She had a look of intense concentration plastered on her face, her eyes narrowed, her nose scrunched, her tongue poking out of the side of her mouth, almost like a smug little terrier. And the sound she made when Shepard filed in next to her didn’t help that comparison at all-- a little yip as if she was so invested in the console she forgot there were people within a mile radius. 

“Before you ask, no, nothing yet,” Miranda said, throwing all protocol out of the window and leading with about the testiest tone Shepard had ever heard from another person. 

“I didn’t say anything.” 

“You didn’t need to. I can tell just by the way you’re standing there, judgemental. Like I’m defusing a bomb.” 

“Well, to be fair, you kind’ve are,” Shepard said, which did very little other than eliciting a glare from Miranda. 

Miranda growled, this time less like a terrier and more like a rottweiler. “It would help if I could read this stupid Prothean language. None of it makes any sense. It doesn’t even look close to English or trade tongue or any other alien language that exists out there.” 

“Want me to try and translate?” Shepard asked. 

Miranda gave her an incredibly skeptical look, which Shepard didn’t blame. She had never had a deft hand at technology, not even when she was at C-Sec and it was explicitly part of her job. Just last week, Shepard had single-handedly nearly enacted a core meltdown on the Normandy just because she tried to turn the heat up in her quarters and install some warm-toned mood lighting. After that, Miranda gave her a stern lecture and a firm ban on touching anything that contained a button, a switch, a breaker, and/or a sensor. Which was just about everything on that fucking ship. 

Eventually, Miranda conceded defeat. “From afar,” she said. 

Shepard squinted at the console. It looked, to her eyes, to be written in English. The cipher still had root in her mind-- something she made a mental note to talk about with Liara next time they diverted to Illium. 

“It’s some sort of… user interface, I think,” Shepard said. “Data from different sections of the ship. There’s a button for barracks, a button for the helm. One for something called the distillery.” She didn’t want to think about the implications of that one, so she let it go.

“Do you see something for any sort of laboratory?” Miranda asked. 

Shepard only pointed at it, she swore. She was still a good couple of inches away from the screen. But as soon as her finger stopped over top of the button, the platform underneath them heaved. She felt her knees buckle as she steadied her hands out for balance, which did very little in quelling the panic that was rising in her chest. 

In a matter of seconds, the platform was flying. Hurdling through the air, Shepard felt the wind whipping in her air, little dots of tears forming in the corners of her eyes. She had no idea how any of this Collector technology worked. Not Omega-4 Relay blockers, not the pods, not the stupid console interfaces that apparently were so sensitive that all she had to do was think about them and they would enact. She got her wits about her, finally, and pulled out her new shotgun.