#this isn't my problem

[sevens-evan]

Trans men get all the downsides of masculinity and femininity. They’re treated as a threat, get male pattern baldness, seen as foreign and ‘one of them’ to women. But they’re weaker and shorter than cis men, they can only get pregnant not get other people pregnant, and people seriously make porn fantasizing about knocking trans men up. It’s pretty bleak.

are you sending me this because you think i don't already know it or are you just trying to ruin my night

[laurellala-comics]

What if the characters in Ace Attorney all texted each other. Because they're friends. <3

(My alt text descriptions were a little long so I've added the individual text exchanges below, btw if there's any way I can improve my alt text please let me know!)

[id: drawing one shows text history between Maya Fey and Phoenix Wright on Nick's phone, starting with older texts at the top

Maya: ramen? (Nick has given this a thumbs up)

now we see texts from today at 11:37

Maya: Burgers?

Nick: sorry, not today, big case :(

Maya: Aww Nick

Maya: I'll pick it up and bring it over!

Maya: ... can i use your credit card (she punctuates the sentence with a big smiling face emoji) /end id]

[id: drawing two shows text history between Phoenix Wright and Miles Edgeworth on Miles's phone, starting with older texts at the top

Edgeworth: This was a riveting article, I thought it might interest you.

now we see texts from today

Nick sends a screenshot of a twitter post that reads: Lawyers help people get through the worst day of their life. They're good at it because they have experience getting through their own worst day, which just so happens to be every waking day of their existence

Miles: Ha.

Nick: Just one "ha"?

Miles: Not your best work.

Nick sends a frowny face :( /end id]

[id: drawing three shows text history between Miles Edgeworth and Maya Fey on Maya's phone. The text bubbles from Maya here are green as a result of her, an iPhone user texting Miles, a google pixel user. Maya has also sprinkled several emojis into Miles's contact name, the libra scales, the angry face emoji, the shouting emoji, and the clashing swords emoji. They're mid conversation and Miles has sent a text bubble so big we can't read the whole thing.

Miles: -completely unnecessary. Doing a Steel Samurai reboot so soon after the series ended is a foolish decision, everyone will be directly comparing the two from the moment the first episode drops. I don't believe they even have a fresh direction for the show, the only difference will be the cgi. God forbid we rock the boat and follow a new character! It's abundantly clear to me that the studio executives are cowards.

Maya: Oh my gosh, and did you see the new outfits? Maya includes a sobbing emoji

Miles: Oh, don't get me started.

we see three dots at the bottom of the screen indicating that Miles is still typing. /end id]

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[lilybug-02]

oh no.

Bug Fact: American Sign Language for "bug/insect" is made by signing the number "3" , placing your thumb to your nose, and bending your index and middle fingers twice. Pictured Below!

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[teaboot]

You need to make art that nobody else likes. You need to make art that speaks to you alone. You need to cradle a serpent that eats its own tail and you need to love it until it loves you back

[inkskinned]

hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.

if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.

additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.

i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."

"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.

[knightofleo]

Angela Orosco Silent Hill 2

[meo-eiru]

I CAN DRAW AGAIN🥹🥹🥹

I've been constantly thinking about this guy lately so I decided to draw him

[metanarrates]

thinking once again about how kim namwoon is happy in the underworld and thanks kim dokja for sending him there because it's better than his previous life. like genuinely, actually thanks him, in the sincere and oblivious way only a kid could. thanks him for sending him to this place where he's fed regularly and there's no school and the work isn't too hard and he gets to build a cool robot. what if you just thought hell was a pretty cool place because you weren't used to anything that was genuinely pleasant and you just don't notice the absence of anybody caring about you because you've never had that to begin with. what if, in a world of killers, the actual crime you've been found guilty of is not attempted murder, but the crime of being too unsightly for god to care for you.

[edorazzi]

Page 42 of my Miraculous Mentor AU comic A Matter of Trust! In which Felix might have lost his magic, but everything he learned from balancing Misfortune could just pay off... ☯️✨

Also, I'm aware there's a slight layering issue with the text in the first panel - unfortunately my tablet broke this week so short of delaying the page there's nothing I can do right now! I hope it's not too distracting and I'll replace the image when I have it sorted! 💕

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Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work (or help me afford a new tablet! ; w; )! 💖

[cup-o-stars]

Posting this before I forget.

(Plus these shitty first attempts)

[hunterofthehunters]

seeing people talk about the new animated superman show reminds me that the issue superman's had for the last few decades in mainstream media, which is that too many dudebros assume the point of his character is about his "power". like "oooh look how scary he could be, if superman were real he'd be soooo dangerous" and missing the real truth. the ultimate truth. the actual truth:

superman works because he is a fundamentally very similar character to spider-man.

[problemnyatic]

Yeah yeah linux having problems is a big joke but honestly have you considered that linux wouldn't run like shit if it didn't have to reverse engineer byzantine proprietary drivers and hardware architecture and deliberately hostile BIOS firmware and one thousand other things that exist solely to force everything that isn't a corporate OS to suffer miserably on every computer ever

[uncanny-tranny]

To any disabled person undergoing tests to find What's Wrong: I hope your results come back the way you hope and that you receive the help you need. I hope you are not denied care, I hope you are taken seriously even after this, and I hope that you will be taken care of compassionately

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.