#this isn’t even a shitpost that really is one of the plot lines this time around lmaoooo

[dragonanon]

I can’t believe this latest event in Obey Me/Obey Me Nightbringer has us out here trying to find a magic sport ball some pussy.

[annabtg]

I have to ask why is the marauders fandom so obsessed with Sirius and his looks? You guys act like he’s this Casanova but there’s no proof of it. Yes, he’s mentioned to be good looking but I’ve met my fair share of pretty boys who turn me off as soon as they open their mouths. Everything around Sirius is always made so sexual… it’s either Wolfstar or Jilypad. It’s like you guys can’t get over this looks and dig deeper into his personality, family history, and his life story. There’s so much material and stories that could be told but everyone focuses on his looks and it’s so condescending. If you guys do tell his story it’s like 20% his story 80% of everyone trying to shag him. I can’t find one story that actually does a great job of telling the brotherhood between the marauders, without turning it into some story of how everyone is obsessed with Sirius’ looks. James and Sirius were brothers in every way but in blood. We don’t know much about Lily and Sirius but with the letter sent she obviously cared enough to reach out to him because James missed his best friend and was having a hard time at the cottage. Remus and Sirius relationship is tragic and isn’t talked about enough. The guy was willing to become an animagus to help him but didn’t trust him enough to think I he was working against the order? Then there’s Peter who is by far the most underrated marauder and fooled them all, and got Sirius sentenced to Azkaban for 12 years. There’s so much more to Sirius then his looks and making up sexual relationships with the marauders. I used to love marauder fandom but the new writers have ruined everything and turned it into stories of everyone wanting to shag Sirius. There’s no plot, no story line, only the whole wizarding world fawning over how gorgeous Sirius is.

My poor dear anon,

What shallow, misguided corners of the fandom have you found yourself into?

I don't know if you found me through my writing or my latest shitpost. Probably the latter, because if you'd spent any time around here, you'd know that Sirius, for me, is so much more than someone to fawn over and shag - he's one of the most intelligent, most loyal, most characters and I'm fascinated by so many more of his facets than his indubitable handsomeness. (I do love to thirst over good artwork of him, but that's not exclusive to him.) I don't really have much tolerance for people who view Sirius as the person you describe and I don't engage with them.

But let's take a look at some definitions before we proceed.

1. The Marauders fandom. These days this is a term that hardly means anything, as it's been liberally adopted by anyone who focuses on any HP character who was alive sometime before Halloween 1981. Wolfstar shippers and Jilypad shippers, for instance, are two different groups with very little overlap, in my experience.

2. Sexualization. Sexualization means to reduce someone to their physical attractiveness and sexual potential and ignore their other qualities and characteristics. It does not mean being in a romantic relationship and/or having sex.

So, anon, I believe one of two things is what's at play here:

Possibility #1: You found yourself in some corner of the fandom that does sexualize Sirius. I don't know where that might be - I think even Wolfstar doesn't do that (it seems to me that they have the opposite problem these days, sexualizing Remus instead!). My main ship is Jily, though, and I find that overall people here have great appreciation for Sirius.

Come to the dark side. We have cookies biscuits, we appreciate Sirius as a friend to James and Lily (oh look, a whole fic fest dedicated to Sirius's friendship with Lily!), and while himbo Casanova Sirius used to be a popular trope in the mid-00s, I haven't seen it in fic since I got back into fandom two years ago.

(Disclaimer: There are always going to be thirsty fics. Prongsfoot, Lilypad and Jilypad, which I delve into, are not devoid of that either. And sometimes you just acknowledge that Sirius is one of the hottest characters in HP and just want to see him in action. Those fics are E-rated and usually pretty easy to avoid, and do not, in my experience, constitute the norm of how Sirius is treated within these fandoms.)

Possibility #2: You just don't like shippy fic at all; you want to read gen instead. That's completely valid, and I understand that completely non-shippy fic is hard to find. Especially with Jily being canon, so if you have to explore Sirius in a canon context there's probably going to at least be a side of Jily - that people always tag, because ships make or break fics for lots of readers, and it's recommended to tag for even minor presence or mention of a ship.

It does seem to me that the Marauders fandom now is more ship-focused than it used to be, I agree with you. I feel like gen fic back then was easier to find. I'd attribute that to a lot of us being older now and more interested in more "adult" situations, where some sort of romance is usually present, compared to the mostly teenaged fandom of 20 years ago that was more concerned with friendship and teenage shenanigans. But there are still people interested in Sirius and his non-romantic relationships with others - like those of us who wrote for Blackevans BFF fest (linked previously) and the people writing for @goodgodfathersiriusblack.

Bottomline: Do you want good quality Sirius content, or do you want Sirius content exactly how you want it? I can help with the first - stick around for posts, fics and recs. For the second, you'll have to be the change you want to see in the world.

[8bitsupervillain]

Higurashi When They Cry Hou Ch. 8 Matsuribayashi pt. 8

Now, whether or not this sways your heart towards sympathy in the forthcoming events is really something to mull over. Can suffering tragedy at such a young age justify the eventual atrocities one winds up committing in their adulthood? That really depends on you, and your outlook on morality I suppose. Just as a random example, can having an abusive childhood excuse you from ordering the deaths of two thousand or so people?

Probably a smart thing to be doing when you’re not a hundred percent sure if you’re still being hunted for escaping the abuse factory.

Nothing to really do with anything, but how much do you suppose something like the console ports of Higurashi cost to make? Couple million, maybe ten at most (translate into whatever yen amount is appropriate, I used USD)? Obviously you have to pay your voice actors, and the artists for the new art, but it probably isn’t something that breaks the bank right? I know that it’s not exactly a precise tool to use, but according to steamcharts the highest player count for one of these games tops out at around 350 people. Again, not a precise tool because these have probably been available elsewhere for years prior to their steam release (for instance I play them on GOG, except for Hou+ which didn’t release on GOG for reasons I don’t know).

The reason I bring it up is because despite all the new art for some of the scenes, and characters and so on, I can’t help but love when it goes with a relatively low tech option and just zooms in on a characters face. Like the scene where Miyoko is yelling at God in a thunderstorm above. It just pixelates it a bit, and I find that kind of endearing that despite throwing more money at these higher-end ports it still has these small rinkydink workarounds.

Also, and I know I say this a lot, they haven’t quite said who the mysterious voice Miyoko heard was that day. Perhaps they’ll say who it was later on in the chapter, part of me wants to assume it is some aspect of Hanyuu. Even though that doesn’t make a bit of sense considering this scene occurs far away from Hinamizawa.

Another thing I thought about doing just because it amuses me is I’m considering plopping Miyoko’s head onto Arnold Schwarzenegger’s body from Predator.

Yeah, that’s the stuff right there. (The most annoying part is finding pictures for my little shitposts that are actually decent quality, and not 320x200, incidentally I had to get the screenshot myself from a copy of Predator I owned). I don’t know why you people put up with my medium effort sillies.

God’s not done with you yet Miyoko. Although it is remarkable you didn’t get blasted with a bunch of splinters when he struck the tree with lightning. Also, not to keep the plot from moving along, a burning tree does provide some warmth you know? Probably not where you should hide since the people from the orphanage would probably check around the remains of the tree, but you know, temporary solutions.

Also, just a fun amusing fact, when the lightning strike happened here it caused the game to crash. It was pretty funny timing all things considered.

Not to yell at the fictional child, but maybe you should count your blessings kid. You’re out of the rain for the moment, you don’t have to sit in the rain and catch pneumonia. I like the phrase of “it looked like this phone booth had been put there as punishment for doing something bad.” It’s a very amusing line, and it definitely strikes me as the sort of thought a kid would have despite their recent difficulties.

[jextraordinaire]

I know I already reblogged a post about this but the thought of Wilbur going back to writing on the dream smp is stressing me out. I need to stop being protective of Technoblade's plotline and the dsmp plot in general but it's kinda hard. They're a huge part of my life (second to sleep and college) and seeing something I care about be "messed up" would really bother me.

In the interest of organization here's a list of poorly sourced paraphrased things that concern me in regards to Wilbur returning to writing. (In no particular order)

1) Technoblade's excitement about writing

In "a new home" Techno was so genuinely excited about writing. I just want him to be happy honestly

2) The revisions Techno made to Nov 16th

I'm sure everyone remembers how anticlimactic Nov 16th felt after Tubbo was declared president. It was way too easy since everyone defected from Schlatt. The Great President Handoff (tm) started to feel really lame after the dust had settled. All that work for nothing. But then c!Technoblade starts freaking out and goes rogue to fight the new dictatorship. And it was such a climatic ending

But if you remember, Techno said that Wilbur was gonna just have him as another fighter with no significant contributions. No vault, no withers, no Theseus. Maybe he would have managed to make the post president assignment less awkward and anticlimactic but I kinda doubt it. There wasn't much that could be done with it imo.

My point is collaborative story telling gave us Nov 16th not head writer Wilbur

3) Wilbur's cursed canon

The thing Wilbur said about being twins with Techno was never about the dsmp and rather the general family dynamic au that already existed (we know this because Wilbur said that in response to discourse about the au not canon). However the rest of Wilbur's cursed canon is still yikes. Having sex with a salmon, dating a sheep, the refrigerator mother, his references to the family dynamic on the server, etc. When Technoblade says "canon" for the 50th time when Tubbo dies no one takes it seriously. When Wilbur shitposts people update the wiki

4) Techno's commitment to clearing up false info

On a related note Techno's commitment to his characterisation keeps me going. He corrected the family dynamic and comes up with arguments against all the bad takes about his character. He makes fun of Tommy's blame game logic, fights bad character takes by other cc's and pushed for Nov 16th. I trust him to have our back on character and plot nonsense and Wilbur's sometimes opposite demeanor concerns me

5) Wilbur saying he would only come back to be head writer

Wilbur said (before the recent confirmation of him as a writer) that he would only come back if he was the head writer who got the final say. That obviously concerns me because he's coming back now, but the general attitude also feels bad. It insinuates that having his way in the writing is really important to him which doesn't bode well for other writers

6) Wilbur appreciating Tommy not wanting to control his character

Wilbur says (maybe in that same stream idk) that Tommy was super flexible with how Wilbur characterised him while Technoblade wasn't. I can't remember the wording but he sounding noticeably appreciative of Tommy's aquiesence to any sort of writing. Another attitude about writing that I worry won't mesh well

7) Wilbur saying he wanted more geopolitical plot

We have a lot of non geopolitical plot and I'm concerned for how he'd treat them

8) But like seriously Nov 16th??

9) How Philza got into the plot

Not a criticism but Phil got added to the plot and to the smp early because Wilbur wrote him in. What does that say for people Wilbur doesn't know who are running their own story lines. People got really mad over Niki not being involved in the plot like she wanted to and there was no head writer at the time. If you wanted your arc to be important you had to push for it. Now imagine Wilbur not letting someone into the central plot cause he's got his casting already prepared.

10) The exile arc would never have happened

Character driven story telling? Wilbur would never

11) The eggpire would definitely have not happened

Secondary plots that are supernatural and don't involve countries or politics?? No.

12) Techno's retirement arc would be unlikely

Certainly not with the level of development it got

13) -1000% chance of Doomsday happening

Large scale battle to settle conflict?? Not a chance

14) Tommy's hotel bit is cool after all the action

I feel like Tommy in the spotlight just gets repetitive. It's like a tv show desperately trying to make another season. I'm really glad Tommy stepping back from the eggpire arc and giving his character some room to breathe

15) Tommy's non dsmp videos are really good

Another point in the less main character Tommy please column. I personally find the mod videos so much more entertaining than his dsmp stuff. I feel like spending all your time on a server either walk around aimlessly or roleplaying a character someone else made just isn't peak content. Tommy vibing in non plot streams was where his better dsmp content came from. And now he's vibing in videos not even in the server

16) Wilbur plot holes

Despite being a writer before want collaborative story telling, Wilbur's writing has a lot of lore breaking plot holes. The family dynamic obviously, but also the age and death stuff. Fundy's age is a mess and Wilbur writing Phil in as his dad made it so much worse. Is Phil supposed to be 50? How old is Fundy actually? The inconsistency between which lives mattered and which didn't also came about while Wilbur was writing. A fan theory came in clutch but it was very frustrating before that point

17) Wilbur's joke about writing Ranboo out of the story

Obviously a joke but I dislike the implications that he would have that much power over other people's characters

------------

In summary no hate to Wilbur he's a super cool guy. Not all of this is his fault; I'm just concerned and wanted to vent. I trust Technoblade to put his foot down about writing but also I fear

[hyrule-kingdom-updates]

OOC; To Mod - hello! I’m doing a fun thing where I hop into the askboxes of different writers and ask them about their favorite works! This specific blog is like. A huge undertaking, so if you wanna geek out about it, go for it! This can include anything, from arc development shit to fun facts about the blog and how it operates. This is such a cool idea anyways, and I’m sure people would love to hear about it. :)

I am going to geek out about this so hard that you’ll regret ever talking to me.

Hmm...What to talk about that won’t spoil the future of HKU...Oh I know! How about I ramble about

HKU and the Long and Arduous Process of Making Characters and Themes

I will try to avoid details when I can, but I will be discussing the latest developments with Siv, Larc, and Astor, so consider yourself warned for spoilers and catch up if you haven't yet! :3

Waste not, want not: Why I find it important to not waste characters and time

In Hyrule Kingdom Updates, Asivus "Siv" Hartell is the protagonist. Zelda(Mallory) is the deuteragonist. Then finally, LinkLink is the tritagonist. They are the perspectives that I would find most important. However, all in all, I would consider there to be six really important characters in order for HKU to work, that being: Siv, Zelda, Link, Larc, Astor, and Zavis.

Now, I say "really" important for demonstrative purposes because really, all characters are important. Every single one of them. Characters are the lifeblood of HKU, and I spend a lot of time making sure that they don't give off the impression of being self-inserts or just there for fun. I mean they are, but I spend a lot of time making sure they don't seem like that *wink wink*

This is what I define as the essentials for any "good" character:

Someone who provides an interesting/new perspective on the themes of the story

Someone whose wants and needs enhance the plot

Someone that can be understood as an individual

Yet someone that wouldn't be important to the story, without their bonds and relationships to the other characters

I don't really care about how likable a character is, or relatable, or how funny or badass they are; that's all secondary. Third-endary, even. If a character doesn't do enough to serve my story, I cut them, and merge their ideas with an existing characters. Caricautures are for comic relief, and in order to maintain a reader's interest an immersion into my story, I want to consistently give them characters that are well thought out and important. Whenever there's a new face, or an unexpected appearance, I want it to be wordlessly understood that I'm not wasting their time, that there is something this character has to offer.

A reader finding value in something/someone is one of the most important things a writer can have, because it is that particular investment that drives the story, or at least, my story. I cannot stress enough how vital characters are to HKU because this quite literally wouldn't work if you removed even one person from the plot. If you don't find these people important and interesting then EVERYTHING'S ruined. Everything. Every post is a battle for your attention and time, every piece of dialogue is a line I cast into the sea just hoping that there's someone swimming in the ocean because at any MOMENT you could click away, and I know this because I AM a reader, and I WOULD click away if I found something boring. So every plot point is just a battle between the writer me, wanting to spew everything, and reader me, who knows what the essentials are, and what to do to keep a person's investment.

This cycle of writing the story and characters, and understand what is essential and interesting to a reader is what led to me cutting over 20 characters and arcs from HKU.

That's how much time I spend on these fictional fuckers, no one is wasted or expendable. I think the only character that I could write out if I wanted to would be Hestu, and that's mainly because I did actually forget they existed until the Lost Wood's arc rolled around.

So with those points in mind, let's look at some of the characters that I spent a lot of time writing for, that is Siv, Larc, and Astor.

Welcome to the shitpost blog: First Impressions and Establishing...Everything

Welcome to @hyrule-kingdom-updates, and thank you for following! This is just a little comedic blog featuring funny posts from characters who live within Breath of the Wild Hyrule.

Hook, line, and sinker.

There's a lot of reasons why I started HKU this way, (one of them mainly being that I knew no one would read it if I opened immediately with the plot) but the main reason being I believe it was the fastest way to get you interested in the world and the protagonist.

The theme of HKU centers around trauma, and asking the question of what's the right way to deal with the malice(not the goop but like, real-life malicious things) of the world.

So if you want to move a story into a direction that plunges a fictional fairytale kingdom into the realities of life, you first have to establish that fictional fairytale kingdom and it's characters,

Even from the very first post I am working to establish character.

Now, it might seem silly, but there's actually a lot of information that you automatically take in from these two posts alone.

The diction and lack of proper punctuation implies that the narrator is more casual and down to earth

The narrator is aware that people are reading these "updates"

The immediate contrast between the "professional" introduction and humerous shitpost provides insight as to the sense of humour present

The orator is new at their job, and perhaps wants to keep their position

The narrators updates are under the influence of the Royal Family, perhaps more specifically, King Rhoam.

The establishment of Rhoam being in power and Urbosa being alive tells as to when in the timeline of Hyrule we are

Addressments like "don't worry" and "wish me luck" imply that there is value in the reader's opinion and perspective

The goal of the shit post says was basically to establish the world, and what kind of person Siv is. On a meta level, I want you to laugh at the shit posts because that's what Siv is doing. I KNOW you're enjoying the shitposts, therefore it more believable for you to understand that this is something Siv does as well. There's an unspoken distance between you and the world, even if your asks impact it. For you, this is just another funny day in the life, and the same can be said for Siv, but the difference is that for him, it actually IS a reality.

That's why I really enjoyed these days because I was just schemeing behind the scenes, knowing how I was going to turn this all over your heads.

So, you know how he is at the start. Siv is an apathetic individual, he laughs off whatever shit comes his way, and cares only for himself. His view of the world of Hyrule is through the lens of someone who seems to have accept that he has no control over his life, his very job is dictated by royals.

And though he has no respect for authority, and has been deemed a lowly criminal by most people, he still seems like a pretty decent guy. Human. It seems pretty apparant that even though he pretends to not care about the world, he obviously has human morals and wants, and would more than anything like to have control over his life, but he seems to have accepted that's not going to happen.

Siv isn't just sarcastic, or just apathetic to everything, or just a rebellious person. There's a subtle layer to everything, but it's all wrapped in a clearly understandable line of logic. Therefore he is

Someone that can be understood as an individual

At this point in time, if you asked him how to deal with the woes of the world, he would probably shrug his shoulders and say, "laugh it off. Sometimes that's how it is." Whether this idea is something he will main remains to be seen. Therefore as our protagonist, he is

Someone who provides an interesting/new perspective on the themes of the story

Oh brother, it's time to go on a journey: Change and motivation

Now, another way that I break down characters is like this

Want - what they want on the surface

Lie - the belief that they have that prevents them from obtaining their need

Need - what they need to do in order to become better

So, let's break down Siv at this point.

Want: Siv wants to have control over his life, and to do what he wants in order to be happy

Lie: Siv tells himself that there's nothing he can do about his situation, and to just accept the world as it is

Need: Siv needs to learn to give a shit. About himself, and others. He needs to understand that while not everything in life can be controlled, the aspects that we do have power over, like our actions and relationships with others, are important.

Now, Siv doesn't actually go our searching or acting towards his want OR his need, as his lie tells him that he should just take what he can get, and dig in. So far in the story, there is still a distance between him and the reader and the world, because he can choose when to answer asks. He can choose when to confront questions.

So in order to really kick off the story, we have to take that choice away from him.

Enter: The Quill of Roost. Well, more like the quill enters Siv, as he eats it, and we soon discover that now, he can't really escape the questioning voices. Notice that Siv only did this in an effort to do something good, to be a hero. Maybe we'll come back to that later.

So now that we've forced Siv to leave his comfortable apathetic lifestyle, we can start to poke and probe him into a new person. He now has to listen to people more, both literally and metaphorically.

Siv's brother, Arcadius (also known as Larc, by Siv) is a foil, in that he's his opposite. He's not a criminal, he's the respected Captain of the Royal Guard. He's the golden boy, a hero in his own right. He generally respects authority and likes order. I mean, the first time you meet him, he talks like a "how do you do fellow kids" school teacher.

AHe's adored (and simped over) and has a loving family, and lives society's definition of a perfect life.

Yet, despite all of this, there is a deep saddness to Larc that is ever present. He seems to greatly sympathize with Asivus, and has a lot of (yet unseen) regret and guilt. Simiarlly to Siv, he constantly thinks about the unfairness/malice of life, but since Larc seems to have gotten the good end of the stick in life, Larc just convinces himself that any malice or negative emotions he might feel are unjustified, that they don't exist. That he's pathetic to think as such.

But of course, ignoring it doesn't make it go away, Larc still has these emotions, he's still not happy, but he's become to accustomed to them being there and not dealing with them, that's he's almost apathetic about it, similarlly to Siv.

He attempts to find happiness and satisfaction in authority, the the order the kingdom has to offer. He believes that the best thing he can do is be autonomous to whatever the world hands you, whether orders from a king or a father.

But despite this, he understands that deep down, this isn't making him happy. He still hasn't directly dealt with the regrets and guilts he has, even though he tries to hide it under "orders" and the like. He's too much of a coward to do so. Thus, he just concludes that he doesn't deserve to be happy.

Want: Larc wants someone to tell him what to do to be happy. He doesn't want conflict or confrontation, just peace.

Lie: When the life Larc lives doesn't clear his regrets, Larc tells himself that it's because he doesn't deserve to be happy. Thus the very least he could do is do as he's told, and someone like him doesn't deserve to talk back

Need: Larc needs to learn that he does deserve to be happy, but the road to doing so isn't smooth. He needs to learn to care about himself, and actually confront and deal with the problems in his life, instead of running away and being autonomous.

Therefore, Siv and Larc's outlooks on life have contridictions, theirfore their actions also oppose each other at times, and that conflict helps move the story, and make things more fun to watch.

Overtime, we can see their lies start to break down, based on their interactions with other characters, and in their attempt to even help themselves and each other. The autonomous nature and apathy they have starts to break down, whether despite, or because, of their wants and desires.

Now, Siv and Larc just on their own are cool, but with the way they're designed to highlight the theme, and affect the story based on their character driven actions, it makes them both interesting and perhaps even relatable characters, as they are

Someone whose wants and needs enhance the plot

And of course, this pattern isn't just present in the Hartell bros, but in pretty much every character (Except Hestu)

Hey what's that?/We have an older brother/You thought there were two but there is another: Character interaction is pretty cool

So. Siv has allowed himself to open up a little. He dares to be vulnerable for the sake of being happy. He's actually started to rekindle and create bonds, with characters like Larc, Zelda, Link, and Zavis.

But the thing about being open to change and love, can inevitably lead to pain. It's just a reality of life.

Enter: Didymos Astor. Just as the Champion gang comes together, Astor comes along to fuck things up.

On a meta level, Astor is an intriguing character simply because the expectation for him didn't amount to much to begin with. Age of Calamity Astor was just evil for....unstated evil reasons. Therefore writing him was practically just creating an entirely new oc.

So playing with the meta-ness of Astor, there's a lot of mystery to him that I maintained, but in such a way were I actually made sure to eventually answer those mysteries.

At first you don't know why he does what he does, but you do understand that his goal is to help Calamity Ganon rise. He also seemed absolutely confident in his decisions, he believes that his path is the best one.

Then slowly, information is revealed that allows you to understand Astor. And you can bet your bottom dollar that I purposefully did this in parallel with Siv slowly being hurt and betrayed by the people he once let himself be vulnerable with. The understanding of Astor comes with Siv's lack of understanding of the world around him.

Astor at this point in time, is basically a representation of listening to that little voice in your head. Both metaphorically, and quite literally. An "if you can't beat them, join them" attitude.

And of course, because this is HKU, he's not purely an evil villain, and he has an understandble line of logic in his actions, and even morals, as...different as they may be. I try to be very precise with my characters as I don't want to use backstory as an excuse for their actions, I fully intend to let their consequences play out, but at the same time I do want you to understand why someone does something besides just "he evil."

Astor used to have a close relationship with the old Queen of Hyrule, a literal symbol of hope for the kingdom given she possessed the power of Hylia. He himself wasn't a very important person, just some random orphan that probably only got a place at the castle because he was friends with the queen. But when she died, and the fate of Hyrule was apparantly sealed, so too did his hope. A much more depressing outcome of the "you can't control life so be apathetic" view that Astor shares with his brother.

He tried to apply logic to his situation, whether by trying to justify the end by saying that everyone in Hyrule is a fool, or a bad person, or by twisting the memories of his better days into something worse so that he doesn't have to feel as bad.

But of course, the TRUE and absolute reason he does all this, is to save Zelda, because as much as he would loathe to admit it, there's a part of him that still cares. If siding with the Calamity is the only way to save the last connection to the light of your life, then so be it. In a cruel world like Hyrule, why should he be able to enact just a sliver of justice in it.

And honestly he might be right. In the hundreds and thousands of timelines out there, I think there's only two were Zelda actually survives. Not very good chances *wink wink*

He couldn't care less if he looks like a villain as he does this. In fact, he would probably want to. He's been ignored his whole life, so some dramatic time in the spotlight to prove everyone wrong would be euphoric.

Want: Astor wants power over his life, even just a little bit. Just enough to rid the world's vermin, and save Zelda.

Lie: Hope is a lie and everything is doomed. We deserve to lose

Need: If Astor wants to be an actually good person, he needs to learn there are aspects and realities of life that you can't predict or control or assign logic to, yet despite that life is good anyways. Hope isn't always about winning, but about letting yourself live as best you can, and persevere.

Astor is a blast to write, because sometimes he's a stupid emo teen that you can bully for being called "Didymos," and then two minutes later he's a genuinely terrifying villain, and then two minutes after that you're feeling just even the slightest bit of sympathy for him. He's a cunning, cucking, emo bastard and if Larc didn't exist he might just be my favourtie character.

But another thing I love about writing Astor has to do with my fourth point on how I craft characters:

Someone that wouldn't be important to the story, without their bonds and relationships to the other characters

People being enjoyable on their own is great, but I think the best part about writing different characters is seeing how they fit together, like puzzle pieces. This again goes to my point about how no character is wasted, because a complete puzzle doesn't have extra pieces (except Hestu)

So let me just talk about my themes of trauma and how I use malice in HKU

I made this venn diagram awhile ago, but it's kinda....bad. Lmao. So let me summarize in a way that's coherant.

When you get traumatized by something, or something terrible happens to you, even if that experience gets solved, you will probably still have that memory for the rest of your life. That experience, and the consequences that it had, will be something you have with you for a long, long time, and the reality is that sometimes there's nothing you can do about it.

And so the question of HKU becomes...well what exactly do you do with it? Is it a strength, or a weakness, or do you pretend it doesn't exist?

Asivus is the protagonist of the story because it is from his perspective that we explore the most viewpoints and angles of the stories theme, not just through Siv himself, but from his perspective of those around him, and his relationships with them. Again, per the "no character wasted," because quite literally everyone has an opinion on the subject.

For now, let's just focus on Siv, Larc, and Astor.

Hartell Bros and using pictures to appeal to the neurodivergent asshat (AKA myself): The Journey to find your need

This is pretty much where these characters stand at the start of HKU.

Through the beginning arc, Siv becomes less apathetic and actually starts to care, about others, and himself. And eventually, he even follows the hope (ambition) to help Zelda save Hyrule. Now, at this point, Siv doesn't respect Astor, and he envies Larc, so he moves further away from their respective "places" and values. He allows himself to be vulnerable.

Meanwhile, circumstances threaten the most important thing in Larc's life, his family. These circimstances force Larc to go against his usually autonomous lifestyle, and actually act out of personal ambition, and try to take the helm on his life.

Finally, Astor has been in his spot for awhile, ever since he became set on helping to revive the Calamity. And over the first few arcs, nothing happens to him that forces him to change. He stays in his place, because his brother's relationships to him basically make him a moral compass of what they DON'T want to be. (Almost like...getting bad advice, and not taking it.) Astor at the moment is a stationary catalyst who tries to convince Siv to share his viewpoint. And this doesn't happen yet.

So its because of their interactions and relationships that their characters move to here:

HBut the thing about letting yourself be more autonomous, or vulnerable to other people, is that while it does have great benefits, you still might get hurt by other people, so you need to learn how to handle these situations properly.

Asivus does not handle this properly.

When Zavis betrays him, and makes him look like a fool, Siv books it out of the vulnerability department as fast as he can. When Link seemingly shows Siv that the future is broken, and that the world is unfair and out to get him, Siv detaches himself completely from being content (apathetic) and when Siv see he can't rely on anyone to save him, even Zelda, then he moves further into control.

So yeah, Siv's character quite literally wouldn't exist without his relationship to others, and they, him.

Meanwhile, Larc is forces even further into the control and ambition department by being turned into the literal emodiment of ambition and power: a Hollow. Thanks Astor! So for a brief amount of time, he lives at the extreme ends of purple and red, and once he recovers, he desperately wants to move back towards the blue and yellow areas because it wasn't exactly the best of experiences for him.

So now Larc is no longer autonomous to the world around him, and after he is truly revealed as a traitor thanks to being kidnapped and almost dying and the world finding out about everything the gang's been up to, Larc really cannot return to his "following orders" lifestyle. He's on the edge of being where he needs to be, but he still is of the mindset that he doesn't deserve to be happy. So while he allows himself to be in control of his choices, and to follow and protect his family, he rejects hope for himself, and dips into just not caring about himself.

Finally, Astor. His change starts small, but the fact they he shifted at all when he's spent so much of the story as immovable is significant. In a combination of not liking Siv's extremes, and actually expressing hesitation the more he interacts with Zelda, Astor moves out of the yellow and just barely dips into the side of ambition, and the desire to actually change a seemingly unchangeable situation. But it's just barely, and he still sides with Ganon.

So thus, after all those interactions, the Hartell Bros stand around here:

And where will they go from here? Who knows! I'll give you a hint thought...things are really looking Up for Siv (wink wink).

The beauty is that you don't even know if anyone will ever truly live in that perfect harmony that the middle offers, because let me assure you, the people that DO live in that perfect middle, are currently dead. The movement toward that center is a positive character arc, but will everyone achieve a positive character arc? People can enter there sure, but the hard part is staying, of keeping those ideals. And Hylia...don't even get me start on how Link, Zelda, Zavis, and everyone else fits into this, I'd be at here for another six hours.

And also, I think my little graph is a good example of my other themes on mortality and how it's not black and white. There's no extreme good end, and extreme bad end; being a good person is a harmony of the different difficulties every day has to offer.

And then ALL OF THIS, I hide under the guise of mystery, and plot, and humour, and shitposts; evil soup, hot sword people, disaster gays, giant robots, cucking, ninjas, knights, musicians and seers...Just a constantly battle between not being too preachy and not going too off the rails, I myself am constantly trying to find that center harmony as I write HKU.

But make no mistake, this is probably the most fun thing I've written...ever. It kicks my ass sometimes, but it's so....I don't even know how to describe it, it's just great. There just so many things that I have to think about to deal with the story and the characters and it's work but I'm really passionate about it so it's FUN and I love it and I will ramble about it again one day because, fuck man...

Writing is badass.

[imakeficrequestsandthendisappear]

The post where I try to fix Klaus’ arc in TUA season 2

(((I guess I just am an umbrella academy blogger now)))

OKAY, so we all can agree that Klaus’s arc in season 2 (mostly with dave) was....not great. the intentions i think were good, but misguided. It started pretty good, the acting was great, but it didn’t have the lasting power. Here’s 10 things the writers should have done differently, or should do in the future (as told by me, a nobody). Yes most of this is a long Klaus x Dave shitpost 

1. Learn Basic Math:   Idk why this is so hard to fucking grasp, but Dave’s baby-faced teenager age doesn’t make any fucking sense. according to the wiki, he was born in 1939, so in 1963 he is 24 years old. the actor who played young Dave is currently 20, so was probably 19 when they filmed. 

Why? why. *instert why vine*

like yeah he’s younger, but he doesn’t need to look like a infant. The baby-est gay that ever did baby gay. it puts a weird dynamic into the whole season with Klaus. and it’s not like there isn’t someone else who can play dave....

2. Hire Cody Ray Thompson again:  ....like, I’m baffled. they’ve baffled me. This guy had one(1) job, fall in love with Klaus, and he did it with so much charm and chemistry that the whole fanbase is still quaking. he had like 2 lines. like less 3 total minutes of screen time. And we all fell in love with him cause he did so good. ((he’s also a klave stan check out his twitter))

Whyyyy couldn’t they just get him in for season? “hE’d LoOk ToO OlD” well the other kid looked too damn young. do his hair different, have him lose some bulk in the arms and shoulders, get him a k-pop skin care routine, I don’t care.

Imagine if he got to have multiple scenes with Robert Sheehan, when they had so much chemistry in just a short montage in season 1.

3. Knock it off with the homophobia: i’m not gonna talk about when Dave punches klaus it’s literally the worst part of the season. it’s not what i came here for. I want a refund. (see point 7 for notes)

4. Actually make the cult a useful part of the season: like we have hundreds of adoring klaus fans ready to do anything he tells them… could that have served a plot purpose at any point? Could that have been useful in a conflict, or some character development? No?

5. Establish the Ben possessions much earlier: probably one of the most interesting plot points from season 2 is that ben had more agency. And then 5 minutes later he didn’t. I know we have 7 main characters but did we need this many scenes with the Handler while Ben got diddly fuck until the last 2 episodes? 

6: Why Doesn’t Klaus see ghosts anymore?: like, he sees Ben. but, what about all the other ones? He got sober, does he just ignore them now? ((guys what if he conjured the spirit of JFK)) 

7: (this one’s long) Make Klaus’s arc about internal conflict, not an external conflict between him and Dave:  

Klaus is established in season 1 to be selfish, but in like a fun way. he thinks of self satisfaction before literally anything else. this comes to a head when he comes back from Vietnam and says “He was the only person I’ve ever loved more than myself” 

After this Klaus’ growth is kind of put on the back-burner for the apocalypse stuff. We never really get to see him put someone else first after that. Even when he gets sober to see Dave, it’s to fulfill his own desires. 

By season 2 his world view has shifted, he gets sober, but we need more actions toward change. he gets bored of the cult and ditches them, and he barely does anything for Ben.

(selfish but lovable)

Enter tall hunky texas boy Dave, (((who is an adult man))) who is in the closet from his homophobic family, but it’s not spelled out for us. It could be as subtle as a look, or saying a coded phrase. The audience isn’t interested in the macro-drama of 1960’s homophobia, we are interested in the micro-drama between these two characters.

Anyway, Klaus is excited to see Dave, and they like meet and have a normal conversation, where it is eventually revealed that Dave is already planning on joining the marines soon. Klaus wants to stop him but then he realizes (or Ben tells him) that if Klaus says the wrong thing (like telling Dave not to go to war) it would change the timeline and they would never meet in 1968. And for the next couple EPISODES i want Klaus to have to think about this, like it’s an actual hard decision to make. He’s a creature of habit, his instincts are selfish because he’s always been selfish, but he loves this guy so much. 

Maybe he tries bargaining, like maybe he can subtly tell Dave just enough to keep him alive, but not stop him from going to Vietnam. And Dave is rightfully confused that this person knows a lot about him, but also like… he’s kinda cute. I want weird coffee shop dates and long walks through the texas fields in the setting sun.  

But right at the deadline of “we gotta stop the apocalypse again” Klaus realizes that he can’t let Dave go to Vietnam, even if it means they never meet. Cause he loves dave like way too much to even risk it, even if it means putting his own happiness second. It’s the first truly selfless act of love Klaus does for someone. So he tells him everything, but it sounds fucking bat-shit insane and Klaus has to leave right then and there. Leaving Dave standing there like “Wtf”

Later on after the Kennedy assassination, klaus and all the hargreeves’ are named as suspects, so Dave wonders if he’s just been duped by a cult leader this whole time (but also is kinda sad about it). He enlists in the marines anyway, and this is where we stay on the season one timeline.

But speaking of time-lines…….

8. Use season 3 to retcon timeline issues: like obviously they are going to fuck around with the timeline, because of the fucking bird school and emo ben. So take this opportunity, dear writers, to figure out how Klaus’s (and everyone else’s) lives make any sense, and cut some stuff from the season 1 and season 2 timelines. (and no, Klaus and Dave never falling in love in Vietnam is not a valid choice. It’s a garbage way to make me cry.)

9: Set a whole (or most of an) episode in 1968 Vietnam: maybe this is when they are trying to fix the timeline. Idk it’s just for fanservice. They have a whole 10 episodes and they can’t give just one to klaus? bullshit.

10. (Fan Theory) Reveal that Dave was killed by the commission: the true tragedy of this romance is that if Dave lived Klaus probably wouldn’t have gone back to 2019. They might have actually lived a happy life together. But the timeline needs Klaus in 2019, to be part of and die in the apocalypse, so the commission sends someone (.....maybe not Five) out to kill his boyfriend. 

Anyway it took me so many braincells to write this post and i do not accept criticism for free, so dm for my paypal if you want to tell me this was stupid.

[amedetoiles]

give me a character meme! wwx please!!

[All gifs made by me. No stealing or reposting, thank you. ♥︎]

★ How I feel about this character

I love wwx so much and he deserves so much!!! My feelings for him can be summed up by my first ever meta in this fandom, this half-crack half-shitpost, and the many many meta tears scattered across all the tags on my page that various people have yelled at me for. I love him. I love him, I love him, I love him. No character has wrecked me as much as this stupid chaotic ass, who is so inherently good and selfishly selfless it fucking hurts. Yet, for all the love and care he gives freely to everyone else, he can’t for the life of him compute any that others have given to him. He tries so hard to be good, to make the right choices even in impossible, horrendous circumstances, and it’s excruciatingly painful watching him realize again and again that even good choices paved with good intentions can cause destruction. He suffers so much because of it. He suffers before we even really meet him. @cangse-sanren​ wrote “Your parents were bright smears of color and laughter to you, but little more” in this beautiful fic, and I still weep about it daily.

I love how immensely protective he is of both his siblings. He just tries so goddamn hard to be what everyone needs. I could and have and will continue to cry about him every day. How his pathological tendency to repress all things that hurt him, to cover up his pain in humor and obnoxiousness and bravado, and his internalized belief that he is worth much less than everyone else, all converged into the most awful way possible. How despite losing his sect, his siblings, his friends, he was still trying up until the very end. God, what a fantastically complex fucking character. To watch him bloom again after that deluge of rage and grief and insanity 13/16 years later was the most satisfying journey anyone could possibly depict. To know that he has the chance to heal, to recover, to grow with all the different parts of his family he once thought lost forever now back in his reach (yes! even our angry grape!!). Truly amazing.

★ All the people I ship romantically with this character

WangXian!!!! These kids who came out of endless tragedy and trauma to find a love, a trust in each other–theirs is a love story that truly extends across space and time. It warms my heart to watch them rebuild their lives together into something warmer, and brighter, and happier than either of them ever grew up knowing. To watch them shed the psychological trauma on what it means to love and be loved given to them by their terrible parental figures and say, “No. We’re going to be better than that.” I love how they complement one another. How loudly and quietly they love each other. How in the warm security of each other’s embrace, they are each able to work through their own internalized traumas without judgement. Lan Wangji’s uncompromising devotion. Wei Wuxian’s fierce protectiveness. It’s hard to say who else could fit together so perfectly. What a joy it is to watch Wei Wuxian realize that he is no longer alone, that Lan Wangji is and will always be standing beside him. What a joy it is to watch Lan Wangji realize that this is not the dream he’s spent years suffering through, that Wei Ying has returned to him against all odds. What a fucking joy it is to watch them both learn to trust happiness, to trust love, to trust each other. GOD. *wails*

★ My non-romantic OTP for this character

YUNMENG SHUANGJIE. YUNMENG SIBS. YILING SIBS. A-YUAN AND HIS TWO DADS. All the different found families that permeated the story was just breathtakingly beautiful. They all fucking gutted me. It all at once makes Wei Wuxian’s story that much more beautiful and that much more tragic. For a child who lost his parents before he even had time to remember them, who then had to rebuild his family again and again, only to lose them each time in increasingly horrifying ways–it truly fucked me up. Wei Wuxian stood on that cliff in Nightless City, and it was visibly clear that he wanted nothing more than to join all the families he loved and watched die (because of him).

The beauty of his story of course is that for all the tragedy that he is subsumed by, for all the ways that he is wronged and has wronged, there are equal, if not more, number of ways that he is lifted, is healed, is shone a light through all the darkness. In the end, his families return to him. Wen Ning, who lived despite it all, carrying the memory of his sister, the best doctor in the world. His shijie shining through his bratty nephew’s heart of gold. His very own A-Yuan, kept safe and protected all these years by his soulmate, his zhiji. His angry grape of a little brother who can’t say I forgive you but tosses him Chenqing that he’s kept safe all these years and says I trust you. They’re all a little broken, a little worse for wear, but there’s something extraordinarily beautiful about these families who find each other again through the bridges they rebuild towards something better.

★ My unpopular opinion about this character

Oh man, I’ve seen a lot of debate about wwx that I try not to get into (I type this of course as I ready myself to do exactly that). Probably the most unpopular opinion (possibly?) I have is that I don’t personally feel like the addition of a second flautist and expanding Jin Guangyao’s villain-ry in CQL detracted or reduced Wei Wuxian’s complex morality–one of my favorite and best parts to his character. I still think he is very gray. His tragedy is still contingent on his naive idealism and his willful blindness that a person only needs to be righteous and honorable regardless of reputation and politics. This clearly isn’t the case. Not just for him, but for all the characters. You can do everything right and still be punished. You can do everything right and still cause others pain. You can be the most hypocritical, loudmouthed piece of judgmental shit and still remain unpunished and available to share your stupid ass ignorant opinions on matters that have nothing to do with you. (Whoops that got away from me.) Wei Wuxian learns this repeatedly. It’s excellent and heartbreaking.

The thing about Wei Wuxian is that for all that he has imposter syndrome, for all that he is unable to see that he is a person worthy of the love he receives, he is still not only extremely confident in his own abilities and in his beliefs of what is right and what is wrong, but also that he is the person who can decide that line between justice and evil. An arrogant assumption, and one that causes not only him but the people he strives to protect a significant amount of pain. This wasn’t lost in CQL. While the plot technically does absolve him of all of his crimes on a surface level, it’s clearly not as simple for Wei Wuxian himself. In the Ancestral Hall, Wei Wuxian stares at the names of Jiang Fengmian, Madam Yu, and Jiang Yanli, whose lives are heavily felt on his shoulders, and he tells Lan Wangji, “After all, the Stygian Tiger Seal was created by me. Whether Jin Guangyao was there or not, that fact can’t be changed.” The show despite its censorship still asks the audience to evaluate his actions and the role he played, both willing and unwillingly, in the deaths of so many people.

It is also shown clearly that the cultivation world only stops trying to kill him because there was now another target, another scapegoat to blame. This is something that Wei Wuxian knows and expresses on multiple occasions on the show. For all that the show may have change things, I don’t think it’s necessarily correct or fair to say that it completely washed away the nuance that was present in the novel. The overarching conflicts and questions are still there. What is moral and what isn’t, what is justified and what isn’t, who is at fault for unforeseen consequences and who isn’t, and the role of external factors and circumstances in all of this. As someone who watched the drama first, I didn’t feel that the complexity of all the characters and their decisions was lost at all in comparison to the novel I later read. The show was honestly superb and still the best version for me overall. (Please don’t send pitchforks.) I have so much more to say about this, and Jin Guangyao still being a great nuanced character foil, but alas, this is already too long.

Other things: Wei Wuxian is a good brother actually, and he knows Jiang Cheng very well. He tried his best under the worst possible circumstances, and it was a great big shit show. I hate discussions where people try to hold one brother more responsible than the other. They both very nobly (and very recklessly) sacrificed a great deal for each other, and they both, frankly, fucked up. They’re Twin Idiots, and I’ll love and drag them both equally dammit! With that in mind, Wei Wuxian’s happy ending isn’t just him joining GusuLan sect, novel be fucking damned (yes, I said it!). His home can be in Gusu and Yunmeng. *SLAMS FISTS* Let 👏 Wei 👏 Wuxian 👏 go 👏 home 👏. (Talking to you, my grape guy. Jin Ling is going to show up in Lotus Pier one day with his da-jiu, and you’re just going to have to deal with it.)

★ One thing I wish would happen / had happened with this character in canon.

WEI WUXIAN PLEASE FOR THE LOVE OF GOD HUG YOUR DIDI. Jiang Cheng has been waiting 16+ years for your hug, and he damn well deserves one, especially since he gave you such a great octopus hug, all limbs and burrowed scrunchy faces. Like, I know, I know, you were distraught, and traumatized, half-beaten to death after three days of intense surgery, then reaped by ten thousand undead souls calling for revenge, but guess who told your favorite (only) angry grape little brother that in the next life, let’s be brothers again okay? GUESS WHO IS LIVING HIS NEXT LIFE??????? Bruh. Chop chop. Hop fucking to it.

[mitigatedchaos]

Review: SAC_2045

(~3,700 words, 15 minutes)

This post will contain some minor spoilers for SAC_2045.

Summary: You may have thought SAC_2045 was a poor entry in the Ghost in the Shell franchise - actually, it's just intended for younger audiences.

Previously: Standalone Complex 202045:1-4 (superseded)

-☆☆☆-

And what did you think of the remaining episodes of GitS:SAC_2045?

[ @irradiate-space​ ]

Standalone Complex

There's a certain indescribable feeling associated with Ghost in the Shell: Standalone Complex as a work, an artistic touch related to the director associated with it, independent of other considerations. SAC_2045 has it, which isn't too surprising since Kenji Kamiyama is back.

SAC_2045 is Standalone Complex. For a brief moment, while watching it, I inhabited my pre-2016 personality and outlook. I can't tell you how much that means to me. Since the arrival of streaming I've tended to bingewatch series, but on the first run-through I decided not to bingewatch this one.

If you approach this show as season 4 of Standalone Complex (Solid State Society being season 3), it's underwhelming. Now, viewing it again, it's become obvious that a conventional season 4 of Standalone Complex was never the intent of SAC_2045 to begin with.

For those of you who have delayed until now, the English dub has been uploaded - it released without one due to the pandemic. They bring back a number of the voice actors from the excellent Standalone Complex dub, though having already watched it with subtitles, I didn't feel the need to confirm the dub's quality.

Sustainable War

To properly describe a new theory of war is the same thing as to invent it. While the idea of war as a for-profit industry has been kicked around for some time, it's generally assumed that this is a kind of parasitic relationship on the part of the war-making industry.

As time goes on, warfare becomes more abstract (partly because warfare happens where it can happen), much like society itself is becoming more abstract as information moves more quickly and humanity gains access to more energy.[1] In SAC_2045, "Sustainable War" is part of the context of the world and its current issues, but we aren't really told how it works - if it's similar to contemporary information warfare and a blurring of the lines between state and non-state actors, it's bound to be quite confusing.

I believe my earlier assessment of "Sustainable War" is correct. The key feature of sustainable war, the reason they say it's safe if you leave it to the experts, is likely that it involves AIs constantly forecasting against each other and moving units around with few direct confrontations. The goal would be to lock in a victory without having to fire a shot, except for small skirmishes that don't escalate to major incidents (due to the AI forecasting).

The presence of armed separatist movements even in Japan may also indicate that the ruling institutional bodies are engaged in a kind of Post-International Politics,[2] which treats all international relations as fundamentally existing between subnational entities - however, I believe that later information suggests this wasn't their original intent.

What makes it "sustainable"? Since if done correctly, very little is actually physically destroyed, the cost is less than conventional warfare, and thus the war can continue indefinitely. Why does it threaten humanity with destruction? Because there's an awful lot of military hardware waiting for someone to actually pull the trigger.

Season 1: Ep. 2

So what is the intent of the series' creators? I think they may be telling us through this dialogue between Togusa and Section Chief Daisuke Aramaki in episode 2.

Aramaki: Seems time has toughened you up. Togusa: Is that supposed to be a compliment? Aramaki: It is if you want it to be. Togusa: Then thanks for the kind words. “I made the right decision by choosing this line of work over my marriage.” That’s what you’re saying? Aramaki: Perhaps. [...] Togusa: They're bringing back Section 9? [...] Aramaki: But my takeaway from the proposal is this: The PM's reason for the urgent reforming of Section 9 takes priority over his personal motives. I believe his true objective is meeting the Americans' demands for the dispatch of special resources. Togusa: So it's as the Liberals feared? An American-born Prime Minister would be no more than an American puppet? Aramaki: I've yet to meet him in person, so I can't really say. But this is an opportunity to have the Major and the rest of you undertake a major operation for me once more. Togusa: What sort of op? Aramaki: Over the past few years, I have searched for an answer on how to deal with a society in turmoil. I'd like you people to lay the groundwork that will help the next generation find that answer. Togusa: I don't know what a man in my position can contribute, but I'll humbly offer whatever assistance I can.

Those of us who cried, Kamiyama, tell us the future once more! based on Standalone Complex's prophetic analysis of a memetic crime wave were bound to be disappointed. SAC_2045 is less rooted in the near future than in the now - cyberbullying, endless war amidst historic prosperity, employment suppressed by automation, savings eaten up by the complex machinations of finance, and a breakdown of national borders? That's today.

Those of us who hoped for a Ghost in the Shell: Unicorn, a psychically overpowering work that synthesizes the full body of Ghost in the Shell into a single coherent form to elevate us to a higher level of understanding, should have tempered our expectations. To reach each new philosophical level is more difficult than the last - to achieve that with Ghost in the Shell of all things would have required a multidisciplinary genius near the limits of current understanding.

Kenji Kamiyama is just an anime director. And anyhow, Gundam Unicorn was a book before it was an animated series. And who among us even knew we'd have to write a book before 2015? Ghost in the Shell was well-understood enough, so I instead wrote 25,000 words worth of hypothetical country and became a blogger, like the infamous Scott Alexander.[3]

If we approach SAC_2045 from the lens that it's a humbler work designed for younger audiences, however, some of the creative decisions make more sense.

Purin

Just how old is Purin, the MIT grad who joins the team later on? If I had to guess, that's '23歳' on that profile she provides, and Ishikawa notes that she 'skipped a few grades' on her way to a PhD. But she acts like someone a lot younger. She's enthusiastic and we're assured she's intelligent, but seems to be lacking social training. For example, she makes the mistake of assembling an era-accurate music player for Batou combined with a playlist after consulting the Tachikomas to find out what he listens to. There are two ways to take this.

The first is that she's intended as a relateable character for someone who would make this class of mistake. It's the sort of mistake I might have made at age 13-14, meaning that the show would probably be aimed at someone that age or lower. Overly enthusiastic, doesn't understand romantic relationships, impulsive, poor reading of boundaries / poor modelling of others outside of certain domains, impulsive in a way that causes social screw-ups? Yeah that could certainly apply to an ADHD kid of about that age.

And all of a sudden the tone of the first five episodes with the gun-fighting, the literal Agent Smith, the decision to place the focus in America, and even the mystery of the series being much simpler than Standalone Complex 2nd Gig's plot regarding Asian refugees in Japan make a lot more sense. This is Ghost in the Shell for kids!

Wow, I didn't think that could be done!

...is what I should say, except that around the time I acquired the ability to futurist shitpost, and I used that ability to predict that it would.

Purin II

The second reading is that the youth of the future are fucked up. She probably has some tricked out modifications, both cybernetic and genetic. Now usually you would tell someone to try to become a well-rounded human being. But...

The global economy has crashed. Batou mistakes her for a robot - creatures that look like pretty young women are a dime a dozen. In the dating market, she would be competing with full sensory immersion VR pornography on the one hand, and at the upper end of society where cybernetics are more widely available, likely women with a similar appearance but decades more experience and professional standing.

Note that in the original Standalone Complex, the team take down an 80-year-old Russian spy with the full prosthetic body of a 20-year-old. Full cyborgs aren't common then, nor are they in SAC_2045 (though cyberbrains are ubiquitous), but if the economy recovers that may change, and the sector she's trying to get in to (full-time salaried government rather than marginal private employment it would seem) is going to be very tough to enter either way.

So Purin may have to be over-optimized even to just appear on the screen. In fact, she says,

"Just so I could work at Section 9, I moved most of my sentimental memories to external storage."

Youch! It's no wonder she's socially maladjusted. Just how much of her social learning (in particular key events necessary to rebuild logical inferences on the boundaries of behavior on the fly) has she locked away?

Purin III

But you know who Purin looks like? Notorious internet personality, Gamer Girl Bath Water seller, and IRL video game character Belle Delphine.[4]

Or rather, it's the other way around - 2D animation compresses real detail into suggestive abstraction, letting your mind fill in the rest. Going from those impossible 2D shapes to 3 dimensions creates strange results, like training your machine learning algorithm on the salient features of a cat's face, applying it to human shape, and putting pink hair on the result. Belle Delphine adopts that otherworldly kind of appearance as part of her act.

Technically, this a stylistic choice. Within the framework of SAC_2045, this is what "a 23-year-old female" looks like.

Purin is in fact so non-threatening that her big red coat obscures her figure. I'm gonna go with younger audience. Now if only I could remember what pronoun she uses.[5/☆]

Motoko

With a full prosthetic body, outward signs of human-like aging are almost an artistic expression, much like in a world with cheap tissue engineering, visible scars are a choice.

When she was first introduced in the original Ghost in the Shell manga, we don't know how old Motoko Kusanagi is. It was once said that her name is analogous to "Jane Excalibur," which in English would be an obvious alias. In the first movie (from 1995), she's cool, almost cold and robotic.

In the original Standalone Complex, Motoko has a more mature personality than in the manga, but she has a clearly adult look by the standards of anime. Seriously, check out this fantastic character design (combat suit), although admittedly the better-known "leather jacket and bathing suit" design is more ridiculous, fashion-wise.[6] (Fortunately, she gets pants in her much more stylish second season outfit.)

ARISE starts off with a young Motoko Kusanagi in a chaotic post-war period before the Section 9 we know was assembled. This shows in her character design, but it really shows in her personality. This was actually why I had joked about an even earlier Ghost in the Shell.

There is a sense in which the 2017 live-action movie's Motoko is even younger. Scarlett Johansson is a killer cyborg with amnesia. She doesn't even have one day of formal combat training.

Motoko 2045

Ilya Kuvshinov designed SAC_2045's Motoko Kusanagi.

Yes, that Ilya Kuvshinov. You could be forgiven for thinking this is a teenager that hardboiled assassins Saitou and Ishikawa in the background have been hired to bodyguard.

Despite this, Atsuko Tanaka has resumed her role as Motoko's voice actress. Standalone Complex's Motoko looked 25 and felt mid-30s. SAC_2045's Motoko looks 16 and has the voice and attitude of 40.

This may make more sense than you might think.

Through Whose Eyes?

Throughout much of Ghost in the Shell as a franchise, Togusa, the only non-cyborg on the team, who is pulled from a police department instead of a military background, tends to be character used to help the people of our time relate to the future. He's the guy that doesn't know the things we also don't know, so in explaining concepts to Togusa they're explained to the audience.

In SAC_2045, most of the team are off doing cool cyborg things in America. Aramaki (whose in-world function is to create the bureaucratic environment within which Section 9 operates) tasks Togusa with finding them. The original Standalone Complex first aired in 2003. It's been 17 years since it was created - a similar situation to finding someone that reached adulthood who was born after 9/11. And during this time, Togusa's life has changed - the family man is now separated from his wife. And the world has changed - Togusa is now working for a private security firm. Togusa's role in the first five episodes isn't to guide the new viewers.

His purpose is to guide or stand-in for the old viewers.

The New Viewers

"Do you still hold a grudge against the Major and the others for leaving you behind?"

For the original viewers, SAC_2045 is your world, too. Togusa is there. Togusa is you.

The new viewers are Purin. Enthusiastic and smart but awkward and not confident in their skills. How could they measure up to these much more talented and experienced characters? (Also consider who is going to watch any sort of Ghost in the Shell - it's probably going to be a moderately bright and introverted kid, who is the kind of person that may be more comfortable socializing with people outside of their age band.)

But Motoko is visually separated from the rest of Section 9. Batou, Saitou, Ishikawa, Boma... they all have a much more adult look in keeping with their appearance in previous versions of Ghost in the Shell. What gives?

Batou is sort of a cool adult male figure - this is actually a pretty natural use of the character and his sense of humor as previously established in other Ghost in the Shell properties. We especially see this come through in 「PIE IN THE SKY - First Bank Robbery」 episode, with the old folks and the 21st century bank robbery.

Motoko's difference in appearance is because she's acting as a bridge between the two. The new viewer (as represented by Purin) is supposed to grow into being like Motoko as they gain confidence and experience. (The characters aren't each limited to a single role, of course.)

But SAC_2045 is still a work that's shared between two groups, similar to how the excellent Into the Spiderverse features both the teenage Miles Morales and an older Peter Parker that has lost his way, with the loss of the vibrant young adult Peter Parker being what starts the plot going.

The Last Quarter

With this framework, the rest of the work should express its nature as targeted at a younger audience itself. Watch the last few episodes through this lens and you'll see how much sense it makes. One takes place at a school. Even the bizarre 3D style that resembles recent video games makes more sense. If we take Togusa's earlier conversation with Aramaki as a discussion of SAC_2045 itself, later on there's even a sort of acknowledgement that Ghost in the Shell is a difficult work for someone of a young age.

So with that context in mind, does it work?

Standalone Complex

If I remember correctly, years ago, when I was perhaps 15 or 16, I was watching a tiny CRT television some time after midnight, and I saw the thirteenth episode of the original Standalone Complex - NOT EQUAL. It was like nothing I had ever seen before. I was immediately taken by it. And, from what I remember, I immediately understood it.

It was as though it were made just for me.[7]

To me, Ghost in the Shell is like a textbook. I thought that as a creator who has reached a place where I am able to be involved in that kind of work, I'm in a position where I have to convey its contents to a younger audience. Well, I knew it would be a lot of work, but I figured it would be my way of giving back to Ghost in the Shell. I thought that I needed to accept the baton and offer Ghost in the Shell to a young audience, to the same degree that Ghost in the Shell raised me to be who I am.

- Tow Ubukata, in a 2015 interview, regarding ARISE

For many people, Ghost in the Shell is a profound influence. I felt that it lifted me to a new level of understanding.

SAC_2045

But what about SAC_2045?

I can't view Ghost in the Shell with new eyes. When I first saw it, I wasn't the kind of person that casually memes futuristic ethical dilemmas as a means of practicing politics.

Compared to the anime I watched back when I was 13, would I have watched SAC_2045? Yes. Is it more philosophically and politically sophisticated? Yes. Would I have found it memorable? I think so.

Would a 13-year these days watch it? That's difficult to assess. I bet someone who does data science for Netflix could tell us, if they wanted. I'm sure Kenji Kamiyama and Shinji Aramaki are considering the same thing.

2017

How does it stack up compared to the rest of the franchise?

For most enthusiasts it's going to be one of the weaker entries, though it certainly does a better job explaining itself than ARISE.

Compare it to 2017's live action movie, however, and I think we'll find it isn't the weakest. The reason is that the writers of Ghost in the Shell (2017) decided to tell a story about bodily consent in which becoming a cyborg is a form of trauma. On some level this may have been a reasonable decision, but they didn't commit to the concept sufficiently fully to execute it well enough to carry the movie - and simultaneously, they dumbed down parts of the regular Ghost in the Shell material for American audiences. As a result the movie flopped both financially and artistically - except for the visuals.

In fact, I wrote a sequence of posts (1, 2, 3, 4) on how to rewrite the live action movie as an actual Ghost in the Shell property. I feel no need to do so for SAC_2045 - and I can't even think of what changes would need to be made.

I look forward to the second season.

-☆☆☆-

[1] It's short, but that's a concept in this post. "Advanced by Left-Wing theorists, Ninth Generation warfare sees all acts as existing on a spectrum of political violence. Most acts of ninth generation warfare consist of extreme pranks."

[2] If we accept the idea of "Fifth-Generation Warfare" as motivated by a desire to prevent the enemy from using their conventional military assets, then a corresponding theory of international politics would involve preventing enemy factions within foreign governments from taking control of those governments' institutions - effectively treating all countries as in continuous level of conflict analogous to a soft civil war.

[3] There is a kind of technique to this, but in my case I substituted ADHD for raw IQ and conscientiousness, which is part of why my posts are so much shorter than, for instance, Moldbug's. In any case, technically, Scott's blog posts on the matter amount to roughly a mere 11,600 words, and the book of the black forest amounts to approximately 26,000 words (which I'm told is entertaining reading), but I'm sure if we go looking we can find an additional 15,000 words worth of worldbuilding from a man known for writing 16,000 word blog posts.

[4] Would it be more of a legal liability to sell regular water with GGBW branding, or actual GGBW that could prove to be a potential health hazard?

[5/☆] There's some future strand lurking beneath the surface here that I can't quite put into words; a culturally divergent moe meltdown where an appearance this ridiculous becomes normalized among some sub-population. To quote the Funko Pop Hatred post,

There are questions about the anatomy of anime people and their internal organs, and particularly about what sort of impact-dampening alien meta-material their softer bits are made out of, but at least homo sapiens gokuensis looks like it’s a branch off a similar starting hominid! Whatever transhuman engineering company was responsible for manufacturing the creatures in the typical harem anime has some weird ideas about human beings, but we’re clearly in their ancient lineage somewhere.

Under Late Safetyism, everyone is a declawed catgirl.

Anyhow, I don't want to alarm you, but I can't guarantee that this won't be the future somewhere. Both Purin and Belle Delphine resemble Xiaoice, "The AI Girlfriend Seducing China's Lonely Men." (2020)

[6] Motoko's ridiculous outfits are a major flex on the non-cyborgs, who aren't indifferent to ambient temperature and whose natural bodies may have unflattering features. Similarly wild fashions can exist in places like Second Life, a 3D digital platform with mostly user-uploaded content. Presumably they're also a flex on every Japanese salaryman who still has to dress like a normal guy.

[7] "It's as though it were made just for me" is also how I feel about the original game Mirror's Edge. Its follow-up, Catalyst, is also a personal favorite of mine.

[roomofshitposts]

Thoughts & Opinions on episode 122?

episode 122 came into my house, took all of my bread, and desiccated my crops ,,, what the fuck, like 50 separate things happened and all of them reveal some new shitshow that’s been happening behind the scenes

i’m gonna go over some of the bigger points & my theories around them under the cut 

don appeared in the medieval times

okay so there’s two possible ways to see this event: don appeared in tori’s era before he was imprisoned by the shadows, or he manifested there somehow after he was trapped in the ROS.

-> if this happened before his imprisonment, then i think don had started travelling around time to help others with his abilities after attempting to save his family from the anomalies, and gradually grew more corrupt as he tested the limits of his powers, or started losing his mind as things he did in the past started having butterfly-effect style impacts on the future that he had to try and fix over and over. 

this could possibly mean that don started a paradox where he himself introduced anomalies to the world by meddling in the past, which amplified the number of anomalies in the present and ultimately looped back to giving him his abilities and killing his family in his original time, though it does still leave a blank as to what exactly started this real-world cycle of anomalies in the first place (who pulled that ‘thread in the fabric of time and space’ don mentioned? how does he even know what happened?). 

anyways, don’s interference grew to a point where it had become dangerous to the fabric of reality, so the shadows imprisoned him in a realm beyond time and space, the room of swords, to contain his abilities (perhaps reducing his ability to rewrite reality to be limited to changing one day’s events) or maybe punish him, with the knowledge that by trying to help others, he’d doomed them to becoming anomalies and being imprisoned themselves.

things that point to don being in tori’s era before he got yoinked to space jail: in the flashback where he tries to save his family, he has a mustache (bigger than his current one), and he could have grown that out into a beard as he travelled. he looks pretty damn evil in tori’s memory so maybe at this point he’s pretty much lost it, and he has a full beard, similar to how it looked when he was first shown in the room of swords during the season 1 finale, so maybe this is just about when the shadows took notice and imprisoned him. 

-> if this happened after his imprisonment, unlike the above where we can probably assume he started jumping around time soon after he tried to save his family (if he succeeded maybe he felt that he could help others too, if he failed maybe the guilt drove him to try and save others from the same fate), it’s harder to pinpoint when he might’ve manifested into tori’s time. 

if we go off of the theory that the ros exists in cycles, repeating its objective with the same (or new) voyagers each time, and the constants are don, the black box holder(gyrus) and the shadows, it’s likely that don somehow got out of the room of swords in an earlier cycle. he used his powers to manipulate reality in tori’s time, and this resulted in her gaining her own abilities as an anomaly, sending her to the room of swords.

maybe don was trapped in the ros for trying to rewrite reality to save his family and was imprisoned by the shadows. thinking this was unfair, he tried to escape, but failed. he then realized that maybe he couldn’t break out, but somehow (i can’t guess what method he managed to use ghfdsjfj), he could still affect the outside world. he started out by wanting to help people and protect them from the anomalies that happened in their era, but this resulted in the people he helped becoming anomalies and they would get trapped in the room of swords as well, both because of their abilities and to remind don to Stop Doing That. this eventually resulted with don slowly losing his mind and morals, hence why he began as such a warm, friendly person, but later showed himself to be so determined to escape the room of swords that he’s willing to kill nephthys and poison hinju.

things that point to don being in tori’s time after he got yoinked to space jail: his harmonica. in the episodes that show events taking place before the main timeline, and most notably in the flashback where don explains how his family died, he’s always shown using a guitar to channel his powers. he’s only started using the harmonica to try and kill nephthys, and only in recent episodes, in the present timeline. maybe the harmonica is an item he found that can channel less power than the guitar, which makes it weaker but much more discreet so that other ‘meta’ beings (shadows and maybe gyrus) don’t notice him slipping out of the ros or using it to switch boss swords with fakes, murder people, etc, and he keeps the harmonica secret and only uses it when he’s doing shady shit.

DON STOLE A FUCKING BABY???? HELLO????? WHAT THE GENUINE FUCK????

i’m going to elaborate on this point later but like what the absolute shit happened there

gyrus is possibly queen amelia’s son (or at least, her descendant)

so like. hi this entire plot point drove the discord nuts

first off, like,,,, gyrus is descended from (presumably) european royalty? i know that toon stated that gyrus was of korean descent and he’s shown to be able to speak in korean but i mean it’s also possible that the foreign king that queen amelia married, was from east asia, and their marriage was entirely out of necessity to lift the curse on her kingdom. the king dipped tf out after the ceremony to rule his own lands. 

don took the baby (assuming the baby is gyrus) to gyrus’ era, and this displacement amplified a chain of anomalies that began to deteriorate reality, leading to the world don describes as gyrus’ in episode 109 (’catastrophic anomalies are commonplace’ ‘whole worlds destroyed without warning’). in addition, don notes in the same episode that gyrus had ‘kind relatives that [took him] in and [gave him] a life of comfort’, which means that either his parents died on his home planet, or he’d never known his parents-- which would be the case if he was a baby don sTOLE FROM ANOTHER ERA.

alternatively, the baby isn’t gyrus, but rather they were gyrus’ ancestor, who don brought to a time before gyrus’ era. that displacement started creating disastrous anomalies. gyrus’ parents died on his home planet and his relatives took him in, as per don’s words. gyrus leaves home to become an astronaut and joins captain iro’s crew. bing bang boom

don’s bottle of shadow juice

what the hell even is this. people on the discord have theorized that this is the origin of gyrus’ inner shadow or his black box, but. how did don. get a shadow. in a bottle. as far as i know, he’s unable to influence shadows directly so he can’t sing ‘get in the bottle or else with this shoe i will throttle [you]’, but also the shadows are his jailors, why would a) don help them by giving them a host or b) the shadows help him by complying. do they both think they’re being slick and using the other gfhdjgfdhgh

and if it’s the black box, how did don bottle it. why didn’t he just take it. what is going on. 

either way this might be another paradox situation where don found out the origin of gyrus’ shadow abilities/black box/event horizon breaking point and realized he had to take part in getting events to line up so this could happen. so he essentially manipulated reality to ensure that he could get a powerful ally that would hold the black box and defend it from the shadows, and who would be the second constant to appear in the ros (and first voyager), so don could try again and again to gain his trust and get a pawn for his plan against the shadows.

trouble in paradise the black box

ok rip to black box gyrus i really liked him as a character and as a design and he was fun to shitpost about but there’s no goddamn way he’s going to survive this season. he’s been weakened from losing memories and control over the black box, and i’m pretty sure the shadow dragged him off to kill him. plus kodya being yanked back to the black box and the shadows of the people lost during the incident being released means that black box gyrus has either died or lost the command room/a significant amount of control.

and even if it wasn’t for the fact that the situation is pretty much spelling out black box gyrus is doomed, his plot relevance is also wearing out. it’s the same ‘pupil must outgrow their mentor so the mentor dies’ that happened with kodya but this time black box gyrus genuinely has no more purpose to serve after this arc. 

like,,, kodya has plot threads (like nephthys and his own backstory) that exist outside of gyrus. black box gyrus does not exist separately from gyrus. anything he can offer to his reset self, can be found in the black box’s memories once he’s done training him, and they’ve unlocked all the beacon memories. just about the last thing bb!gyrus needs to do is reconcile with kodya and relinquish the black box to gyrus, and then all his story points are technically over. that doesn’t mean i don’t want him to stick around, he’s a well-written character and i am bonkers for his stupid emo outfit, but i don’t know why toon would keep him around after setting up all of the shadow-taking-control-of-the-black-box business and bringing current gyrus to this point in the story.

SHADOW CIB I’M SHAKIGN AND CRUING

y’all i know this is irrelevant and i’m just going 👁👁 because it’s cib but it’s CIB and i’m hoping this means that she’ll become a more recurring background character, in shadow form or in flashbacks, since she seems to be really important to ragan and she’s the second voyager. and maybe there’ll be a way to save people from shadow death without gyrus losing all his limbs. god i hope

[facelessxchurch]

What we’re your thoughts about the book?

Some asks were answered already in this post already so I just smacked those asks in here at the part where I talk about the topic in question, which is why the answer may not 100% fit the question.

Massive “Seasons of War” spoilers below the cut:

First off, of all, this book read like GoT/any zombie movie ever. With the necromancers being like the white walkers, Vile is the night king and daugar are the wights. even with the necromancers crumbling away after Vile got killed Tell me I’m not the only one seeing that.

I think there was a lot of fanservice and some confirmed headcanons in the book, which I really liked. Saracen magic got revealed, there was a return to the Leibniz dimension, the Vile vs Vile fight so many wanted finally happened (tho that was kinda underwhelming) and the Dead Men returned which I’m sure made a lot of people happy. 

Ravel poisoning Saracen during the war and Vile being so powerful bc of being dead were two popular headcanons that got confirmed. And I am personally so happy that this book killed the ‘there is no sarcasm in the Leibniz dimension’ headcanon bc I bloody hated that.

Finally, Landy tries to please the old fans instead instead of what feels like purposefully pissing them off. I guess the phase 2 book sales weren’t that great so far (nice try blaming it on the pandemic, but no). 

I’m also glad that the romance in this book was kept to a minimum bc The Val/Militsa kiss in the beginning, yikes, fanfiction has better written kisses than that. And the the dialog for the lesbian love triangle (bc for some reason Ms.Wicked aka Laura’s self insert is Militsa’s ex??) was cringy and stiff as hell, it felt more like first graders trying to do a dramatic play and not natural at all.

Surprisingly enough Mevolent’s and Serafina’s relationship seems to be the most healthy and romantic in the entire series and I have no idea if that was on purpose or if Landy just has twisted views on relationships.

I however am actually kinda happy with how Mev was written. He was sympathetic and charismatic, tho some of the stuff he did doesn’t fit to they way he’s characterised when he’s on screen (I know he is probably lying 90% of the time he speaks, but still). Like, banning all languages apart from English doesn’t seem like something a man who cares about culture, literature and art would do. It also seems kinda stupid bc those languages will be forgotten eventually and if they need an old text translated no one will be able to do it. Also, why English? Isn’t Mev old enough that his first/original language should be Gaelic? So weird. I have the feeling this was mainly done so Valkyrie (and with that the audience) can understand what the people on the continent are saying bc I very much doubt she understands/speaks any languages apart from English. 

But I loved that Mev was also shown as insanely smart. He managed to outsmart Val multiple times. And I love how he doesn’t need his magic to fight, how quick and agil and skilled he is. So I take it that his fighting style is more based on agility and not getting hit, and he uses brute force only when forced into it (by Darquesse/the Unnamed). I was wondering about that bc his armor is made of leather and chainmail instead of metal plates which is considered light armor and not something a tank type of fighter would wear.

What really rubbed me the wrong way tho was when he was talking Tanith and Skul and more or less stated the war wasn’t a challenge anymore ever since Skul died. Or when he was talking to Val being like ‘you’re more powerful than I could ever hope to be’.It bothers me even more knowing that Val is based on girlfriend!Laura. Does really everyone and everything in-vers, even a big bad like Mev, rub Skul’s/Landy’s and Val’s/Laura’s ego? Big yikes.

Crespular Vies is surprisingly fun. At first I thought the two men going after the Obsidian Blade were hired by the Unnamed, but since that wasn’t the case, I think Crespular Vines hired them that so he could show up in time to save Omen and his friends. I think him opening up to Omen about being Skul’s former partner came too unprompted, too quickly and that he is trying to gain Omen’s trust so he can get close to Skul through him. I think another giveaway that that’s the case is bc one of the men Omen had to meet to get his brother back wore a Cleaver outfit and Vies gave that man probably the same reasoning Omen gave him.

That said Omen’s chapters were surprisingly enjoyable. By what I had heard of others I expected a sad sack that can’t fight worth a damn. 

I’m not found of the Temper/Kierre stuff, it came out of nowhere.

Val is overpowered AF, it seems that she can get on Darquesses level with more practise/learning how to keep the doors open. She certainly needs to be nerfed.

Also I skipped the Darquesse chapters bc I’m giving negative fucks about her and the plague doctor.

The last 10% of the book were too rushed and felt like half finished thoughts.

Also I was kinda really bothered by the citizen of the Leibniz dimension. They were cartoonishly racist and it was very pretty black and white for the most part AKA everybody good is in the Resistance and all other sorcerers are evil/corrupt. That is also shown by there being children in the Resistance camp while there was no mention of children in the mage cities. In reality, most people are fairly mellow and it’s just a small percentage that is either really good or really wicked. I would have liked to see more racism towards mortals in form of apathy or ‘the soft bigotry of low expectations’ like I’ve seen it from Serpine in DotL. You know, make it a little less black and white.

Also, I understand the mermaids, but the bats in Europe were random AF. Like, I would understand it if they were just in Romania/Transylvania as a nod to the Dracula-typ vampire legends originating from there. As a plot-device they weren’t really needed to keep the protagonists from flying bc the danger of getting spotted by necromancer by doing so should be enough of a threat to keep them on the ground. This might seem nit-picky of me, but the bats just seemed so bloody random to me like wtf????

And also bc I’m a slut for magical creatures, I would have really liked to see more of them than just daugar and giant bats. Some undead cut together and resurrected necromancer experiments would have been pretty cool tbh. Like whatever the hell this is.

Something like zombie bears would have also been acceptable, I mean, bears are fucking terrifying on their own, let alone when undead and decaying.

I’m kinda pissed at China that she wanted Skul to kill Nef, but it does seem in character. Of course I still don’t like it bc I headcanon as Nef, Eliza and China having been besties during the war (no matter what canon says, I’m keeping that headcanon). I’m surprised Skul didn’t let Wreath have Nef considering that. Then again, he thought Nef might still be useful. And he was right. I loved how Nef actually had an essential part in saving the world by throwing the bomb. So proud of my boi <3 But Skul refused to kill him even after that. Could it be that Skul is finally getting character growth and development? 👀

Aaaand, China’s continuing to be a tyrant. With Tanith’s sense of justices flaring up shown when he killed the city governor, Erato, and Nef being shown to go after people that betray him (Lorien) I think those two are being set up to go after China to kill her (and to probably kill Creed too). Imagine Eliza joining the team bc she want a piece of China too.

I feel sorry for Baron, but at least he got a few speaking lines this time around. Still, I really wanted Nef to save him. :C Like, he suffered so much before he died too considering he spend a year alone starving and thirsty with broken legs in the middle of nowhere wft, why is Baron getting fucked over like this? #BaronDeservedBetter2020 he is the only honorable person of all faceless followers and he’s the one that gets screwed over in every book he shows up in, why tho- 😭

Speaking of Nef, I absolutely loved him in this book, he was a delight and stealing the show whenever he was on the page, despite being used as  punching bag through pretty much the entire book. If people have always treated him that way I can see why he turned evil jfc that poor man. Despite that, he was still being such a clever, funny and relatable bae <3 He’s described as ‘cynical, and nasty but also kinda cheerful’ and as liking to ‘needle’ people (aka trolling and roasting) by Val and that essentially describes every shitposter on the internet ever. And I so loved the way he roasted Saracen lmao

And how he’s so clever, like the Lorien part was my favourite scene closely followed by how Nef essentially talked Remus Crux into getting himself killed, just 👌 smart snek boi, I love him <3 Also I hope he keeps poisoning everybody thoughts against Skul like how he had already been doing it to Tanith, he’s poison in human form and that’s just my jam.

That obedience bracelet was kinda fucked up tho.

Why does this thing even exist? Aren't electro shocks or any other form of pain enough instead of shutting his nervous system down/rendering him completely defenceless? I feel like some messed up mage 100% used it to keep himself (sex) slaves at some point in time :/ Landy might have gotten that idea from some fucked up hentai. Even the implications of the name "obedience bracelet".... I can’t be the only one that got creepy perv vibes from that thing, right?

Btw what the fuck happened to Harmony? You know, Leibniz Serpine’s girlfriend. She hasn’t been mentioned again. Did she die? She didn’t seem too found of him in DotL, was she plotting against him and he found out about it, killed her and fled the Resistance? Or did she die prior to him leaving and it was part of the reason he left bc she was the only thing that had tied him emotionally to the Resistance?? Or Landy just forgot  she existed. I would not be surprised.

Of course my biggest issue with this book was how he retconned Nef’s magic and how he took his trademark, his red hand, away, but more about that in a different post.

TL;DR: Nef was a delight even though he was done dirty. Mev’s scenes were a 50/50 split between good and bad. I actually liked the Crespulare and Omen chapters. The Unnamed was a disappointment. The last 10% of the book were to rushed and the final fights that were supposed to be the biggest were underwhelming. The rest is meh, didn’t really care tbh. Let’s be real here, I only bought this book bc Nef played a bigger role in it, anyways.

[starlight-ascension]

10 Years Later

The year is 2025. Haruka has just returned from a night dancing with Minami, still singing and twirling in her ball gown. 

Of course, they do it once every summer, and sometimes during holidays. Dress up in ball gowns and tiaras in the evening, drive to Minami’s mansion in a car decorated to look like a white horse, and enter the celebration room which is decorated to resemble a fairytale ballroom, complete with cutouts of princes and princesses. The two pretend to be princesses of neighbouring kingdoms at the royal ball, and they dance the night away, singing romantic duets, sneaking out to the gardens, discussing kingdom affairs in a way that actually has a coherent plot line, and talking for hours. 

The two are planning for the proposal to involve this princess roleplay. 

Minami’s butler just goes along with it. It is entertaining to be dragged into being a side character in your mistress and her girlfriend’s fairy tale LARPing. Unknown to anyone, he’s imagined in some really epic stuff with his own character, who was directly involved in numerous things in the plotline and has a pretty crazy life outside of being a servant to the princess of the seaside kingdom. 

Kirara did attend one of these two-person parties before, and she too wore an elaborate ballgown and tiara and pretended to be a princess. But she’s got a lot to do, and can’t often visit the girls outside of their nightly video chat. After all, Kirara is one of the most famous supermodels in the world. She was on the cover of the spring 2025 issue of the world’s biggest fashion magazine, and she’s appeared in the most famous fashion shows and events and the hardest ones to get into, several times. She’s also been on several of those TV shows that bring in celebrities. She’s one of the celebrities who’s loved by the internet for her chaotic energy, with Tumblr posts about how “i can see Kirara doing literally anything” “what do you mean you DREAMED that, this is exactly something Kirara would say/do” “today on Kirara Retweeted (insert meme or shitpost)” “God should fear Kirara” etc. 

Minami has achieved her dream, much to the excitement of her teammates. But we knew that from the timeskip in episode 50. 

Meanwhile in Hope Kingdom, Queen Towa is assisting in research on how to make the bridge between worlds reappear. She never forgot her team, and for a while hoped that Kirara hasn’t forgotten her or found another girl. Then she learned Kirara hasn’t. The two daydream of seeing each other once more, after what they both believed was hopeless became within grasp when they shared a dream which then showed the bridge beginning to reappear for a moment. So far, they’ve made only small amounts of progress, but it’s progress- and the team might manage to reunite once more if it works. Kanata is almost as enthusiastic as Towa over this, and he helps her with everything.  Of course, Towa does still text her team, but their group chat is no substitute for doing things together. And they might be able to hang out together again soon. 

Yui’s book was a best-selling hit. Yui is now on a tour, answering fan questions and signing books. Every now and then, she responds to questions with something cryptic, and subtly implies that the fiction isn’t just fiction. Every now and then, her friends send her memes about her badassery, lifted wholesale from ancient Chuck Norris memes they dug up from long-running websites. She just laughs at the memes. It’s now an inside joke with the 5 of them to take Chuck Norris memes and edit them to be about Yui. The exception here being Kirara, who’s like “guys... Shaggy memes exist, are easier to find, and don’t use outdated formats.” She’s eternally puzzled as to why the others never think of editing Shaggy memes. She does it anyways, even if they don’t. 

Miss Siamour is as awesome and fabulous as ever. #queen

(you know what, let’s just say that fairies live longer than the animals they’re based off of. Coppe is still alive after fighting alongside Kaoruko when she was 17, there’s proof that precure fairies live longer than normal pets. No fairy-killing here.) Anyways, Puff is nearly an adult now.  

Life is awesome. 

[quadratic-shipping]

Vriska.. for the character ask thing..

sdfghfds an organic opportunity to post about Vriska? Thank you very much! This ended up..... Very Long RIP but also Not Unexpected tbh.

-Favourite Thing About Her: On one hand she’s this tragically flawed and complicated and hubris fueled person with so much depth to her but on the other hand she’s like. An awful toxic gamer girl. Both are so genuinely interesting to think about I love all the meta surrounding her like I feel like Vriska is the one gal I consistently see excellent meta for.

-Least Favourite Thing: The Ableism Stuff. Vriska is a very boundary pushing character so I would be curious whether, if Hussie rewrote Homestuck today using mostly the same plot and character stuff, if he would make it as intense. On one had I think that part of the reason her view on disability is Like That is because Hussie was obviously a lot Edgier when first writing her, but also I think that it isn’t a stretch that in a society based on hyper competency that someone who Especially prides herself on hypercompetence would be able-ist but like. Still not something I love.

-Favourite Line: How Do I Choose....... All the Ones where she says Gamer stuff. Jokes, I know everyone loves the hero monologue and I think it’s probably her best lines, but my personal fave is the Aradia Monologue, the one where she’s asking her to hate her instead? I love those lines where you can feel the insecurity peaking out it’s always so raw.

(I’m putting multiples for all of these because I can’t decide)

-BROTPs: Vrisjune, VRISDIRK but I would never seek like; longform content just shitposts & art for vrisdirk

-OTPs: Vrisrezi and Vrisrose for sure, I textpost, I’m pretty sure everyone knows this of me

-NOTPs: Tavris (Yuck), Gamvris (I see you Candy Epilogues; and I fucking hate you), Vrisjake (I have never seen it but if I did I’d die), Vrisnep (too uwu for me to think they’d be anything interesting), Vrisroxy (like same as w/ nep they just both don’t have that mean side that I like characters who I ship w/ Vriska to have yknow bc she’s kinda toxic sometimes so having someone who is an uwu softgirl like Nepeta or just completely wholesome like Roxy doesn’t work for me). I wouldn’t like. Unfollow anyone for posting Vriska/dudes(not sure I would be following anyone posting that in the first place anyway) but I also think that all of her ships with dudes are a million times less compelling like: It’s about the Subversion of Emotional Repression y’know? Lesbian Vriska is just sorta better.

-Random Headcanon: hmmm, definitely my “Vriska using the d20′s out of her broken 8balls” I’ve made a few textposts about it but like at first it was just funny and then I actually thought about via meta and then it became WAYYYYY angstier and I was like; ok yeah now it fits Even Better. Also? Just Saying? All her dice are blue and the insides of the eightballs she uses are blue so it would fit. One I’ve never talked about and probably never will is that she does not move her hands or face or body a lot when she talks, she’s very vocally emotionally expressive but not physically. 

-Unpopular Opinion: I’m like, a very moderate person tbh. I’m not sure if I have any Hot Takes really, most of my understanding has not been formed via observation and more reading meta so I’m kinda bland on the spectrum imo.

-Songs I associate: Most of the stuff on Electra Heart & Family Jewels (shout out especially to Oh No! & Are You Satisfied), Happy & Better Than That from Froot, Karma from LOVE + FEAR (Marina & the Diamonds=Vriskacore Factory); A Pearl; Remember my Name; Why didn’t You Stop Me; all by Mitski work for me I feel like a lot of her lyrics don’t fit for Vriska but her sound totally does. You’re Gonna Go Far Kid. Action Movie Hero Boy. Almost everything on this one Vrisrezi playlist on spotify by “gailmart” 

-Favourite Picture: Suitska w/ the high ponytail. I’ll try reblog it later.

OK I’m finally done sorry this is 50 years long.

[bestnoncannonship]

Alright..I'mma get in on this VC fancasting debate.

As a director, I often have a LOT of opinions on people's casting decisions. A LOT. (Someday, I'll write a novella on Ken Brannaugh's casting.) So as I see a LOT of fancasts casts based on how people look and few based on whether or not the actor can likely handle the role, I'mma throw my hat in the ring. (Warning....the more I write the less technical and more shitposty this is gonna get!) So here you go! The Vampire Chronicles series if I got to cast and direct it!!

The Brat Prince:

Most importantly....we gotta get us a Lestat. And the choice is clear:

Evan Williams: this fabulous shitposting aesthetic trash is as close to the one and only Vampire Lestat as we are gonna get on this plane of existance. He is all charm and quite light in his loafers and a complete mess.......but most importantly, he has proven beyond a shadow of a doubt that he is able to play a character that does inexplicable and morally reprehensible things while still being read as highly sympathetic, likable, and even a hero. That's what I worry about most with Lestat. He really is a very terrible person who doesn't learn or face too many consequences. And he has to be very very very sympathetic. Not just "Oh I Stan that villain" likeable.....but a true hero. And it takes a very. Special. Actor. To pull that shit off. And this is it. This is the guy. He was hired to play an Iago-esque gay villain type in Versailles, STOLE THE SHOW OUT FROM UNDER GEORGE BLAGDEN (no mean feat as Blaggy was giving a hell of a performance) and made his character a beloved icon. Yeah....I trust him to lead a show. I trust him to be Lestat.

Nicholas L'enfant:

Okay not gonna lie I struggled with this one. There was someone else I wanted to see in this role....but I decided he was better employed elsewhere. And this is who I ended up with:

Yep. George Blagden. See...in the grand scheme of things Nikki is a very low-screentime role that has a LOT of impact on the story. And who better to trust with low screentime that the god of grantaires, who took a few small shots and lines and GAVE US A FULLY CHARACTERIZED GRANTAIRE in the Les Mis film. He is very sweet faced, and easy to like, can make being an on screen depressive fascinating instead of dull and has proven time and time again that he is the master of the complete mental breakdown, complete with horrifying but tragic crazy eyes. Also.....he bears a strong enough physical resembles to.....

Louis!!!!:

Our beautiful depressed dark angel with a vampire eating disorder who has no self esteem and is still in love with his abuser needs nuance. He needs soul. And he needs a sweet and delicate beauty. And so:

Alexaner Vlahos!!! The soulful eyes!! The delicate bone structure!!! The slight tones of simmering resentment!!! The ability to play a character that could have become VERY one note VERY quickly with goregeous amounts of nuance and sympathy!!! Vlavla has quite the varied resume. Mordred. Phillipe. Romeo. Captain Hook. To put it lightly he has a LOT of range and the one through line is he is NEVER boring. He plays a lot of roles that could very quickly become boring and one note (Romeo? Captian snooze right there!). But every second he's on screen or stage he is so completely alive in whatever he is feeling. I TRUST him to keep the entirety of Louis's brooding nuanced and fascinating for an audience and to physically and facially convey Louis's very important internal monologue that we will not be able to hear because this version is going to be from Lestat's point of veiw. I toggled with the idea of making him Nikki for a while....but ended up with Louis for 2 reasons. 1) he doesn't need the scripted plot drama Nikki has written in to make a compelling character and 2) he and Williams share such beautiful chemistry. Whenever they're together, even off screen, their focus shifts so that they orbit each other like bianary stars and any director can see that that's something that should be explored and exploited to add demension to the Louis/Lestat relationship and justify why they keep coming back to each other.

(And so ends the Men of Versailles segment of my fancast. So sue me. There's some incredible actors there.)

Let's return with

Gabrielle De Lioncourt:

The incomparable Alex Kingston, lately of River Song fame, though I met her as Elizabeth Corday, and Doctor Corday is driving this casting choice. I wanted an actor who was an appropriate age to play Williams's mother cause we don't fuck with that women are "old" at 30 shit in this house. And she can carry off the kind of "I will not hesitate to kill a man" BDE that Gabrielle requires without trying, but she's also proven herself comfortable and competent with the level of CAMP that VC requires. I can see her easily showing up on set for a few scattered episodes, slipping easily into the verse, and nailing the kind of woman who can put Lestat in his place then run back off to the jungle. Also....that De Lioncourt hair!!!!!

Marius "Daddy" Romanus:

Yep. This fuck. I can hear it now.... "Why isn't he lessssaaaat??? He's so blonde and prettttyyyyy????" Well....mainly because....I ain't sure this lil fuck can run a show as a very despicable but likeable hero yet. He's admirable. A good actor. A great villain. But not a hero and not heroically likeable. Personally, I'm of the opinion that in 10 or 15 years he will have grown into the ability to play something as complex as Lestat with likability....but for now.....DAMN is he a creepy imperial thing. He's got that "My house, my rules" vibe down. He's preditory. He's distinguished. He is Marius. And he's go the best Roman coin profile I've ever seen.

Armand:

N/A

Ok. Controversial decision....but I want to see a complete unknown as Armand. Send casting out to cast a wide net, scour the world for the Botticelli death machine. But definitely don't pull him from the pool of already famous younguns. Because your Armand needs to be deep. Skilled. And primarily UNSPOILED by the school of child acting that is forced upon child actors. (I was a commercial kid and child stage actor. It was terrible.) Go out and get some twinky fresh faced raw talent so you get depth.

Claudia:

N/A

Big old ditto on what I said above about child actors. A nice doe eyed unknown, preferably without a stage mom.

AKASHA:

Yikes. So many amazing choices!!! How do you follow Aliyah??

With literal human perfection Gina Torres of course!!! Again....I wanted to go with an older woman. Someone who would be seen as an authority to all vampires. Someone god damnned goregeous. And someone who I find intimidating. Also, since I'm skewing a little tall with this cast (at least as TV actors go) I wanted someone who comfortably stands among and above most of them! She's a seasond tested actor, and certified badass. And we know she can steal a scene. Besides if she can look regal as a queen in that weirdass dress they gave her in the serenity movie she can pull off whatever monstrosity costumes comes up with to follow the Aliyah getup.

Khayman:

Don't @ me but....I have a LOT of feelings about Khayman. I love his particularly breed of immortal insanity. I love the way immortality drove him mad into a childlike enjoyment and curiosity. And I knew exactly who has to be casted to play that combination of intimidating ancient and innocent curiosity:

This is Howard Charles. He is capable of playing both an intimidating giant and a sweet soulful cinnamon roll at the same time. I cannot sing this man's praises enough. Am I scared of him? Do I want to hug him? Both? He's also one of the best scene SHARERS I've seen on screen in a long time and that's very important in a supporting role.

Maharet:

Just because Anne Rice doesn't know shit about Mesopotamia doesn't mean we have to follow her in that. I wanted to pull from Middle Eastern or Indian populations for her to best reflect the look of the region in a time that's roughly in line with the pre-dynastic Egyptian mish-mosh associated with Akasha.

So I'm gunning for Indira Varma. When I say this woman has timeless beauty.....I mean timeless. She's as prehistorically hot as she is today. And she's such a strong actress, I want to give her a role that isn't 50% sex scenes. She's got both the warmth and the commanding strength to play Maharet. I would ideally like to get a dancer to play Mekare....someone who can handle the physical interp of the role. Probably an Indian dancer to match Indira Varma.

David Talbot:

In the newly declared tradition of Doctors playing Talbot:

This is the only current Gif I could find of Sylvester McCoy. Known to many as the Seventh Doctor. And to many as Ratagast the Brown. He embodies that sort of huffy aging britishness that David projects, but has the over the top personality that can give us those hints of the vitality of David's youth. Basically I can see this man telling stories about hunting tigers in India. Then when he gets the hot young Raglan James Body:

Luke Pasqualino. Swarthy young troublemaker. But for all the youthful good looks, he proved that he was able to play grace and gravitas as D'artagnion in the final season of the BBC Musketeers. I'd love to give him a chance to explore that deeper part. I also trust his ability to match the energy of a cast, which he did repeatedly on musketeers, and portray both the impulsive self aggrandizing Lestat in the Raglan James body and to play the DarkAU Musketeer type that is Raglan James himself.

That's literally all the Gifs I can put in a post. I know I skipped Daniel......but that's because I have surprisingly few opinions on Daniel.......he's very much a vanilla audience connecting character. I'd almost like to see an unknown in that role....just to see what we a new face could make.

And thus ends my casting of the Vampire Chronicles!!

[faunusrights]

OFFAL HUNT REMASTER LIVEBLOG // CHAPTER 9

oh goody!

well this is it. the Date Chapter. the chapter, in which, the Date happens. lowkey im so fucking hype for this stupid goddamn chapter AAAAAAAAAAAA this is when the sexy got kicked up about seven notches and i know its gonna be a fucking twenty from here on out so LETS GO LESBIANS LETS GO

“Is this your date, Ms. Fall?” he asked.

Cinder didn’t look away from Glynda. “Mhm.”

STRAIGHT OUT OF THE GODDAMN GATE WE DIDN’T EVEN HAVE A SECOND TO EVEN GATHER OURSELVES JUST STRAIGHT UP HUH!!!!!!!!! ‘is this your date’ im legally dead

What the fuck.

already im fucking THRIVING im so glad this chapter’s mood got encapsulated within the first ten seconds and im definitely gonna have to re-read this chapter for the full unannotated experience OOOOOOOOOH MY GOD IM SO READY

Glynda’s thoughts ricocheted inside her head like coins left in a dryer. A part of her couldn’t understand what was happening and disengaged. The rest of her, grasping for purchase in all this, reasoned that going with Cinder was better than staying here confused, alone, and utterly displaced.

glynda ‘i aint ever had a gf before’ goodwitch at her PEAK right here. like GOD shes gone from ‘cinder’s trying to murder me’ to ‘cinder just plopped me right into a date’ like CINDER. CINDER YR CHANGING GEARS SO FAST. YOU DIDNT EVEN SEND FLOWERS OR ANYTHING!!!!!!!!!!!!!!!!!!!

is it because shes a u-haul lesbian or

Higher, Glynda realized the dress itself was backless, revealing the black tattoo she’d seen so often before, perfectly centered between sharp shoulder blades.

this gay energy is BONKERS, quite frankly??????? where did cinder get her dress from? why does she have it? did she buy it just for this fuckery? or will she pull the ‘i just had a this lil number laying around’ line????????? does she wanna seduce glynda to death?????? was this PLANNED OR DID SHE JUST DECIDE SHE WANTED A DATE AND WTH LIFE REALLY IS SHORT ON REMNANT THESE DAYS?????????? cinder fall please explain your workings to the class

maybe Glynda wasn’t the only one who’d become adept at reading her opponent.

👏 when 👏 will 👏 they 👏 kiss 👏 already 👏👏👏👏

me: this is a slowburn also me: if u assholes dont give me this in the next ten seconds-

“Unarmed? As if you could be so helpless.”

cinder’s style of flirting is just. commentating on a person’s deadliness. that’s IT it’s the only TRICK SHE HAS and its working, is the thing,

im reading the description of the table and remembering the shitpost and oh my god i have to draw this???? hell IS real!!!!!! COULDNT YALL JUST TOSS EM IN A PLAIN BOX,

Cinder eyed her from her bastion of dark cushions,

cinder, ass-deep in cushions: this is peak cuddle territory come and join me

Cinder, for her part, seemed delighted Glynda had noticed. Touching the pendant more gently than Glynda might have ever thought her capable of, Cinder said,  “Yours? You didn’t seem to mind parting with it.”

im still deeply enjoying this powermove the novelty NEVER wears off (and at risk of light spoilers i do enjoy its place in this story 👀)

Cinder let the necklace drop, settling against the swell of her bust once more,

/lightly coughs 👀👀👀

im losing my MIND at how gay this bit is i physically cannot HANDLE IT and if they even describe the meal once im gonna pop off cause i am. SO HUNGRY RN. AAAAAAAAAAAA

Cinder indicated a dish of lamb and vegetables, served on a bed of rice and drizzled in some sort of sauce.

SRY THIS ISNT GAY BUT OH MY GOD IM SO HUNGRY I WANNA E A T I T THAT SOUNDS SO GOOD UGHGHGHGHGHGH WHY DID THIS CHAPTER HAVE TO BE TODAY OF ALL THE DAYS,

Glynda cleared her throat, working out: “The Grimm.”

like. GOD WE KNOW GLYNDA IS JUST SO FUNCTIONALLY BAD AT CONVERSATION BUT OF ALL THE THINGS glynda please just. just. stop thinking abt her sexy tattoos for a fifth of a second,

“You can control them.” A sedate blink. For all the world, Glynda might have just commented on the weather.

which is a faux pas for a date!!!!!!!!!!! at least tell her the DRESS IS SEXY WE ALL KNO WHATS WHAT YR THINKIN ABT

Glancing down as though it were being pointed out to her for the first time, Cinder shrugged and adjusted the end of the glove a little higher on her bicep. “And?” 

a quick aside im enjoying how like... visually expressive cinder is in this remaster! i can see her facial expressions and her motions really clearly in my mind’s eye which is a fun little boon if only because i have to redraw this nonsense hjsgdfjhfksgd but cinder’s got a Good Face this time around! A QUALITY FACE!!!!!!!!!!!!!!!!!

You should know by now, there’s something about you that’s simply irresistible to Grimm.”

HERE COMES THE PLOT (and a single surviving line so far... this one sentence has survived all the world could throw at it... we stan)

Cinder straightened, and Glynda saw that this was what she’d been waiting for.

“It isn’t every day the great Glynda Goodwitch kneels before her adversary, is it?”

HELLO??????????????????????????? WHATS THIS WORDING????????? honestly tho for a second i thought she meant like. quite literally and i thought id missed some PROPER SHIT RIGHT THERE BUT YEAH WTH!!!!!!! C I N D E R

“You cheated. You can’t beat me on your own.”

yes glynda we gathered that yr a top

“Really, Glynda? Poison?” she sneered, something like offense simmering in her expression. “After all this?”

looks at the camera

anyway,

god im literally losing grasp of words to say because theres such a charged mood in this scene............. theyre brushing fingers............ trading jabs.......... im slurpin it up babey!!!!!!!! this rly is the BEST remaster of this whole scene it DESERVES this wordcount!!!!!!!!!!!!!!!!

“Beat you,” Cinder corrected. “And call it a point of pride.”

yes cinder we gathered yr a brat,

this dynamic is why this fic is so fuckign good when will winter have a swift return to add even more fuckery to this wild ride

Then, with a heavy-lidded look, Cinder found Glynda’s hand between them, the touch so sudden and daring that Glynda flinched. The fabric of those gloves was smooth against Glynda’s flesh, and for all that cruelty had marked every other instance of contact between them, Cinder was surprisingly gentle.

whomp there go my nuts

WHAT IS THIS!!!!!!!!!!!!!!!!!!!! WHO MADE THE EXECUTIVE CHOICE TO ADD THIS LINE!!!!!!!!!!!!!!!!!!!!!!! HELLO???????????? im losing my BRAINCELLS

What she wasn’t ready for was for Cinder to guide her hand to her own throat and hold it there.

THERE IS IT THERE’S THE KINK IT’S BEEN SPOTTED

oh my GOD what even IS THIS WHO ADDED THIS SECTION WHO ALLOWED THIS TO COME TO P A S S WHAT THE FUCK EVEN IS RN!!!!!!!!!!!!!!!! HELLO????????? HEWWO??????????

Now… Now Cinder interested her.

tbh how can i liveblog this? what commentary can i POSSIBLY add that we arent already all THINKING. we just launched into a level of hell so deep that lucifers gonna have to pull some goddamn tricks to follow us down here!!!!!!!!!! WHAT IS THIS SCENE! THIS MOMENT! IM SCREAMING

Glynda mirrored the expression back at him, and finally, he coughed, not making strong eye contact with either of them. He set their plate before them and hurried out without so much as a check-in.

i just KNEW that was gonna happen JHGDSFGJHKSDF he was gonna walk in on SMTHNG but i didnt think itd be CINDER’S CHOKING KINK,

okay i took a break and ate my weight in roast chicken and we’re back babey

Almost nervously, her fingers carded through her own dark hair, and there, among the locks, Glynda spotted a glimpse of something white, structured and ridged.

AND I AM INSTANTLY KNOCKED BACK UPON MY ASS 👈W👈H😨A👈T👈

It was easier to ignore the rest of it—whatever it was.

glynda you are a fool and a moron im withering into DUST

On no level had she expected those to be Glynda’s words.

then what... did she expect... well probably -- and rightly so -- ‘bitch WHAT ARE THOSE’ TBH

wait sorry i have to jump back because i forgot customary fingerguns on the most brazen bit of Shit yet:

Cinder was occupying herself with something else: the head of a dragon, perched over the door and staring down at the two of them with red, glossy eyes.

👈👈👈😎👈👈👈

okay BACK TO THE FIC

Fangs snapped together around the word.

aka back to me horni

/chanting TEETH! TEETH! TE

okay but the reason i doubled back to catch that fingergun is because we’re getting ass-deep into plot now!!!!!!!!!!! WITCHES AND DRAGONS BABEY......... HERE’S WHAT OFFAL HUNT IS ALL ABT!!!!!!!!!!!!!!!!!!! i cant rly drop more fingerguns than that because any astute reader will start realising the dots im shouting abt and honestly half the fun of this fic is the ride so >:3c

“Funny. I was sure he would have told you.”

that blow was so low i think cinder hit the concrete with that one

oh god theyre gonna get to the bit and i-

“Is that what all of this has been about? You called me here to remind me that I'm autistic?”

/SCREAMS

The words were delivered firmly, calmly, but Cinder’s response was the opposite, sudden upheaval seizing her. Her expression opened in something akin to panic. “Wh—no? What? No! That's not what I—”

/SCREAMS

oh my GOD CINDER YOU HAVE FUCKED UP LEGENDARILY!!!!!!!!!! OH MY GOD SHE WAS FELL ASS-FIRST ONTO A LANDMINE OH MY GOD

offal hunt v1 cinder: im totally in control and im playing glynda every step of the way

offal hunt v2 cinder: OH JESUS OH FUCK OH NO THAT’S NOT WHAT I MEANT-

Cinder seemed genuinely stressed now, speaking quicker as though trying to bury the last sixty seconds.

i knew this remaster would have sections that would blow me away but this bit really took the fcuking cake DGHSJFSJHFDG holy SHIT this is AMAZING

It was difficult to tell in the low light, but if Glynda wasn't mistaken, there was a bright flush of embarrassment coloring Cinder’s cheeks.

this is SUCH prime content hey remember in one of the early liveblogs that cinder would descend into full dork? WELL THE DESCENT CAME EARLY!!!!!!!!!!!!!!!!!! /pops bottles

“Cinder.” There was a very real line of threat in Glynda’s tone. “Don’t.”

oh this whole scene just keeps getting better i am LOVING this dynamic now!!!!!!! before it was all pretty one-sided so having the conversation rock back and forth is 👌👌👌

That Witch soul of yours—it was designed to void out everything but the prey before you. To be numb to all human emotion. To focus on the hunt and nothing else.

finally the fruit of 50% of my fingerguns COMES TO LIGHT!!!!!!!!!!! PLOT PLOT PLOT

“This is bullshit.” Jabbing an accusing finger at Cinder, Glynda said, “You’re a liar. You’re a criminal!”

i LOVE glyndas pottymouth in this its such a good like... change from her being strict and formal and teachery and now shes full on gremlin huntress hell YES BABY!!!!!!!!!! GO OFF!!!!!!!!!!!!!!!!!!!!!

“There’s all kinds of things I bet he never told you.” Cinder continued. “Did you know he was close to your predecessor? The Witch who came before you—they were inseparable.”

SRY IM LIKE STRUGGLIN TO COMMENTATE because so much of this like. speaking as an Old-Ass Reader this is like. a LOT! A LOT HAS CHANGED and yet,,,, stayed the same,,,,,,,,,,,,,,,,,,,,,,,,,,,, yall kids WILL NEVER KNOW WHAT IT WAS LIKE TO HAVE TO WAIT UNTIL CHAPTER LIKE................ 15 FOR THIS SHIT (but like. chapter 15 was different because this chapter used to be like chapter 7? so now everythings moved along so chapter 15 doesnt sound that impressive but trust me it was a different fic back then)

When they fell away, burnt and ruined, she could see Cinder’s bare arms for the first time. The red lines drawn across her skin sloped down the entire length of her arms, circling her elbows, carved into her wrists. They ended right at her hands, ensuring any long-sleeved garment would hide them. Every covered inch of her was filled like a canvas, like abstract art.

lets pause the fight scene for glynda to be gay!!!!! god im. okay look i said this earlier but im so glad we have more cinder like this tbh. the first version was rly lacking w/ cinder content until late-game when the plot sorta. got itself going? but now we’re eye-deep in this content i LOVE cinder i love this WEIRDO who is a HUGE LOSER and IDIOT!!!!!!!!!!!!!!!!!! IM LOVE HER SO MUCH!!!!!!!!!!!!!!

And Glynda could not dispel the fear that she had been telling the truth.

and after committing Some Amount In Damages, we’re at the end of the chapter!

okay so i really enjoyed this version SO MUCH MORE. everything abt it was polished and worked together so much better and it really needed the space to breathe in its own chapter. its been horny, gay, intense, hilarious, and way more in one chapter and its SO good this really is PEAK offal hunt!!!!!!!!!!!! good job diesel and kc but im still going to murder you both,

[ask-shakespearehigh]

Q&A post with the Mods!!!!

This is going to be a long one oh boy

How strict is the delineation of creative control vis-a-vis characters/plays between the mods? (@pedanticlecturer)

We generally have the plays split up along lines of “what we know”— we have a list at the very beginning of the blog. Sometimes we’ll draw the others’ characters (mostly me drawing some of Star’s…) but even then the final say on characterization is up to the “main” mod for that play — mod aster

what aster said -- mod star

What is your favorite play? What is your favorite character in terms of how they were written in the source material? (@pedanticlecturer)

I think my favorite play overall is Macbeth, just because I like the vibes (and the fact that I too could kill Macbeth), the fact that you don’t say it’s name in theatres, and the fact that it’s a play I did a full read through and analysis of in class. Favorite character? Puck from Midsummer. — mod aster

uhhhh,, hmm. ive always had a soft spot for midsummer since i saw it with aster esp bc of how fun the costumes were. of the comedies it has the largest potential to be the most visually pleasing bc of the concept of fairies,,,and im gay and dramatic so i love that. id die if i got to costume design for midsummer,,,or be in it,,,yeah. fav character. hmm. probably mercutio?? i recently saw a version of romeo and juliet where mercutio was played by a woman and oh my god it was amazing!!! not to mention mercutio’s portrayal in baz luhrmann's INCREDIBLE version of r n j!!! (I based my mercutio design on him) he just spends the entire time making dick jokes. love that. -- mod star

How do you answer asks so fast? I mean it's great but I'm impressed 😂 (Anon)

Personally, it’s a mix of: notifications on, quick drawing speed, and using the blog to avoid my class work — mod aster

aster is fast and (as you can see from all of my answers) im lazey -- mod star

Are there any elements/characters of the plays you're covering that you would have liked to work into this blog's plot, but couldn't due to the constraints of the setting or the synthetic nature of the blog? (@pedanticlecturer)

I wanted to make everyone gay but unfortunately due to plot constraints we have to have some hets but that wont stop me from making it lgbt as possible. -- mod star

I did want to make The Tempest more of a central play, but it just didn’t translate well. Similarly, other supernatural elements like the witches in Macbeth. This isn’t so much a constraint mentioned, but my own time/energy means that I want to show the Macbeth backstory, in a specific format, but I can’t right now— mod aster

Is there a hierarchy of import when it comes to each play's individualized impact on shakespeare high's general arc? If so, what plays are crucial to the foundation of the story? Which ones did you do mostly for shits and giggles? (@pedanticlecturer)

This is phrased like an ACT question and i might not answer it right so sorry in advance but: mod aster and i only selected a few plays for each of us to do given we dont know all of shakespeare’s works, but we tend to put more emphasis on the the more well known. But it also comes down to 1. How much we have plotted out for each play and 2. What the followers ask about most. Our two most popular are hamlet and macbeth bc people are familiar w those but around march caesar always becomes relevant again. I didnt even have designs for some of the characters until someone asked about them. -- mod star

I would say the same as star— it generally comes down to what people ask about. I will say that the overall plot is sort of separated into “has happened” and “is happening”. Like, the human potion of Midsummer, Julius Caesar, and Macbeth are all in the “aftermath” portion, while Twelfth Night, Hamlet, and Romeo and Juliet, among others, are happening. We’re trying to incorporate as much as we can, and I don’t think any of them were really put in without some thought.— mod aster

What personal significance does shakespeare hold in ur guys' lives? (@pedanticlecturer)

I go to a theater school rn and so ive dealt w shakespeare (although not all of them) it also helps that i was in loves labours lost last year as moth and that i read hamlet and r n j. Theres also a theater in my state that always does One Big Shakespeare per season and they always do them super well!!! My love for shakespeare probably started w seeing midsummer at that theater w mod aster!!! So. Theater kid rights!! -- mod star

To be honest, I got back into Shakespeare Because of the blog. I’ve been friends with some people that got really Pretentious about Shakespeare, and it kinda put me off of it. I did have a book of abridged plays (the plays’ plots written out in prose, basically) that I read as a kid, which is what got me into not only the plots of a lot of the plays, but also the idea of having them illustrated. And, same as star, the theater in state does the One Big Shakespeare— and they tend to do some really cool things with the costumes, setting them in diff time periods. I haven’t been able to see any lately since I’ve moved, but they still slap. — mod aster

🥰😘💙🥰🥰💜💟🥰I 😍💗💚😍😍LOVE🖤🖤 YALL ♥️♥️🧡💛💚💝❣️💕💘💖💗💓💞💝❤️💛💜 okay now i have a question i swear— how long have the two of you been doing art??? and what were your first shakespeare plays??? (@hellaghosts)

Uhh i started drawing when i was like idk 12 and i have the giant boxes of sketchbooks to prove it!!! I moved to digital art at abt 14-15 but mostly stayed traditional until this yr when i got a Neat New Tablet so some of my sketchbooks are sitting abandoned rip. My first shakespeare was either romeo and juliet or midsummer nights dream and i love both of them v much!!! I have a very old piece of art that i did for r n j for my freshman class assignment on it and it hasnt aged well alsdjfjafd circa 2016 i think??? -- mod star

Oh man. I started drawing when I was about 10, but it was Bad. I don’t think I got much into drawing again until I was about 14? Sometime around the end of middle school/beginning of high school. I would say I started getting into drawing as more than doodling/coloring edits sometime around 2015-16? I would draw on my iPad with my finger, then I got a tablet for my computer, and now I pretty much stick to my iPad with an Apple Pencil. My first Shakespeare play was….. uh…… probably Midsummer???? I have No idea. We would go to plays when I was little, so I honestly don’t remember if I saw others before. It may have been Romeo and Juliet— I had that book where it was the original and the “modernized” with the little dog that explained things— which, if you know it makes sense, but if you don’t is probably a bonkers answer. — mod aster

Do you think this blog has like? An overarching thesis (be it b/c intentionally or simply b/c ur own take on the world has bled thru to the point where u believe it’s central to the piece at this point)? (@pedanticlecturer)

Not gonna lie, I had to read that like three times AND dm you to figure out what you were asking from us and all I have is “be gay, respect women, write your own happy endings”. — mod aster

This blog started with an ides of march shitpost and you think we have enough brain energy to write a whole thesis? I projected feelings of found family onto my half of the blog but idk if that counts. Be gay do crime 420 69 -- mod star

What’s the nature/rough dynamic of ur relationship? How do y’all know each other? (@pedanticlecturer)

Met mod aster when i was like 4 and even tho we didnt live close we became like, best friends although the Best part didnt start until we were like 13-ish and eventually we talked like non stop (about anime and homestuck. Yknow. 13 year old kid things) and we didnt see each other a lot bc of Distance and now its even worse bc aster is in colleg.,e but we consider each other siblings regardless of family bc we’re adopted into our own respective families so that bled over into our friendship and it would feel weird calling him anything other than my brother now. We’ve seen each other at our best and worst and if you really want a good insight on what we’re like as siblings watch griffin and justin mcelroy’s overview video of catlateral damage wherein i am griffin and he is the long suffering justin. -- mod star

Star is basically my long distance sibling and functionally the only cousin I recognize bc like their parents are basically an aunt and uncle and like our dads look enough alike that we’ve both accidentally gotten the wrong dad for a hug or similar so like. Anyways yeah Star is the Griffin to my Justin, complete with our absent middle brother who we love dearly— mod aster

Dubiously relevant q but what kind of music do y’all listen to when u do art (if that is indeed a habit either of u partake in) (@pedanticlecturer)

It can depend on the piece? I was working on some (unrelated) oc prints that were song-focused, and for those I just listened to said song on loop. Sometimes I have playlists. Sometimes I’ll just be in a Mood and throw a song on loop. But a lot of time for the blog, I’ll listen to The Adventure Zone for the billionth time, because I have Too Much Attention. I’ve also, on request from Star, linked the most recent “loop song”.— mod aster

I tend to obsess over the same like 3 songs every few weeks so those get listened to on repeat but it also depends on the tone of what im drawing or who im drawing i might genre switch bc of that. If im drawing ophelia i stick to lana del rey and if im drawing hamlet its the neighborhood, horatio is sufjan stevens etc. i have categorized,. Most of the characters i draw into different songs/genres/energies of music but not like i ever follow that. Sometimes i just pull up a really long nonsense video and forget to draw. Essentially: ¯\_(ツ)_/¯ -- mod star

How’d y’all come up with ur pseudonyms? (@pedanticlecturer)

I love space so much and my main blog is starryeydsailor space gay rights!! Im also tiny and full of energy and bright so basically i;m star -- mod star

Uhhhh i was like “hey i want to do uhhhhhh flower?” And then I google searched flower names until I found one I liked —- mod aster

How did you end up deciding the rough timeline of events in canon? (@pedanticlecturer)

It’s mostly determined by like. How we choose per story? If that makes sense. Like, we just take story by story, and decide “is it happening, has it happened, and when?” And then we fit them together in relation to each other just by dint of. All existing at once. Like, I knew I wanted Macbeth to be in aftermath, because like, even though there’s no murder, the way I’ve translated it to the AU is still kinda heavy, and it’s something that I don’t know that I could do properly if it were happening right now. Also, it’s more interesting IMO to have them at different times. Tl;dr we wing it per story and slot them together— mod aster (mod star agrees I just can word better, in theory)

If you could tell the story of shakespeare high in a different format than an ask blog, would you? Obviously y'all are making very good use of the format, but would you want to write this as a animated series or like? a comic book? or is the form inseparable from the story? (@pedanticlecturer)

I kinda wanted to do a webcomic or maybe to plot develop through like, animatics but the element of surprise comes from the asks we get and really makes us think so the blog is a good start. We didnt think we’d get this far -- mod star

Pretty much what Star said— there are certain elements where it’d be neat to do as a comic or as an animatic. Like, the fantasy dream is like, an anthology webcomic of each story, where you can like, see other characters in the background and stuff. But to be honest, we develop a lot by what we’re asked— there was a post about developing worldbuilding by being asked questions and then pretending you’ve thought about the answer, and it’s not far off. Personally, it’s hard to just lay out a story, because I have a whole WORLD and what’s relevant? What are people interested in? It’s by getting questions that I can then focus in on an area to develop. And yeah, we Super didn’t think we’d get this far lmao — mod aster

Any headcanons about your characters that you don't think will ever come up on the blog through asks or plot posts? (@pedanticlecturer)

I could make a whole separate post for this!!!!! Mostly its voice headcanons (and by mostly i mean like 1 or 2) or relationship hcs!!!! -- mod star

Honestly same. I don’t think I have voice headcanons for mine, though I bet I could find some. I’ve got a bunch of miscellaneous headcanons that just kinda float around, but like they’re scattered, too numerous for this post, and also not always things I’m sure are canon yet.— mod aster

[thefloatingstone]

If we are still on the anime topic, what’s your opinion of slice of life anime?

SLICE OF LIFE ANIME IS MY JAAAAAAAAM!!!!

And I’m gonna have to put this under a cut too because I can never shut up so this ALSO turned out really long.

My friend likes to joke I like watching shows “that are about nothing” and like... SHE’S NOT WRONG???

However, I don’t ONLY like Slice of life anime, which is important I think. because if Slice of life was the ONLY anime I watched, it would get pretty boring pretty fast. However, if I watch a balanced amount of shows, anime or not, having the slice of life anime as an added spice to my media salad that I consume and makes it all the more delicious!!!! (that metaphor came out from nowhere and I’m not 100% sure what it means)

I also find, with slice of life anime, even if there isn’t an overarching plot, I still prefer it when the slice of life story has some kind of thread through it that leads it forward to something.

I’ll use some of my favourites as an example for what I mean. (and I know these are super obvious but just bare with me.)

First, I’m a big fan of Azumanga Daioh! the anime. And Azumanga is masically as slice of life as you get. With no overarching plot whatsoever and even conflicts and situations changing up every few episodes or so as we literally just follow the girls around and the various school-related activities they’re in.

But there IS a through line to the whole show, and despite no major dramatic events happening, there IS character development as the show goes on. Most noticeably in Sakaki (who happens to be my favourite character) who starts off shy, reserved, and embarrassed of her interests and hobbies, and by the end of the show, has not only opened up about the things she enjoys to her friends, but has actually managed to use them to direct her life as she realises what she wants to do after school is to become a vet.

The series also has a through-line in that it follows the girls through their 3 years of high school, and so, it has a logical place its working towards, namely, it is working towards Matric graduation at the end of the series. So we are not left feeling as if we are in a static state regarding the Slice of Life nature. We are not trapped in limbo, we are progressing forward towards something. And I feel it’s this detail that stops a slice of life story from being stagnant. Even if there is no plot, there is forward momentum.

The other slice of life I really like a lot is Lucky Star, which is similar in many ways to Azumanga except with even LESS plot to it. As often times entire episodes of Lucky Star are just a random collection of events that sometimes have absolutely no connection to each other at all.

Which I think, is why Lucky Star works, ironically, even though it does not have a clear through line like Azumanga. Because Lucky Star, just like Azumanga, is based on a series of yonkoma manga, or “4 panel manga”. a type of manga much more like Garfield or probably more accurately, Calvin and Hobbes, with singular jokes and punchlines, sometimes with a situation or topic spanning a handful of strips before moving on to the next thing.

This means Lucky Star has no TIME to start feeling stagnant and in limbo because its just moving from joke to joke and situation to situation without any of it to linger for too long.

As a result, it also means Lucky Star can focus on small slice of life details to devote and entire joke to them, which means many situations end up being MUCH MORE RELATEABLE on a real life level than an anime that had to worry about plot or character development.

Things like Konata’s ongoing struggle with sitting down and actually studying for once in her life. Or Miyuki’s problems regarding her love for sweets and candy but her penchant for getting cavities and her crippling fear of the dentist. Or the character Hiyori who is an up and coming Yuri manga artist and who is already making her own comic strips (inspired by her rather problematic “I ship it” personality regarding two of her classmates, however she acknowledges that she is bad for doing this and honestly feels guilty for it. But she channels it into inspiration for her stories with her own characters)

(Please enjoy the most relateable moment in all of anime)

(also it doesn’t hurt that Lucky Star has shockingly good animation for an anime, which further helps the “Real life” situations, even though the characters themselves are hyper stylised. As well as it being clear the animators have a lot of life drawing in their repertoire, especially concerning hand poses)

Also just a side note; Lucky Star is absolutely my sense of humour in a meta sense. I can’t find out who exactly because the internet is garbage, but literally EVERY SINGLE EXTRA in the show is voiced by the same Seiyuu. Who himself was a very famous voice actor at the time. and he voices EVERYONE of the incidental characters. Doesn’t matter if they’re young high school girls. He has to voice them. It’s incredible.

Not to mention the ending credits which is different for EVERY SINGLE EPISODE, starting at first with the main characters singing Kareoke to famous songs from other anime, including Dragon Ball Z and Doraemon, before becoming live action as the crew went out to film the same voice actor who does all the voices for the extras just walking around tourists spots and being a weirdo, to which they then added things in post production to make it even stupider.

Lucky Star was making shitposts before shitposting was even a thing. And they put it into an anime that aired on television.

Also I am sorry I know I’m rambling but please enjoy my favourite outro EVER.

(this is my entire sense of humour in a nutshell right here)

However, I do want to mention an example I had recently of what I felt was an extremely disappointing version of a slice of life manga in this case;

Yokohama Kaidashi Kikō

Kaidashi as I’ll call it for short, is a post apocalyptic manga about a robot girl who runs a coffee shop out of her house for any travelers wandering through the area, after an unspecified disaster has caused the earth’s enviornment to drastically change, specifically with oceans slowly rising each year and swallowing what was in the past entire cities.

But the post apocalyptic nature of the setting is not what’s important in the manga. It’s what I’ve heard call a “soft apocalypse”. There are no roaming bandits, or mutant animals or radioactive fallout or none of that. It is merely a world which the ocean is slowly encroaching on the land, and the human population has plummeted in numbers. Meaning the communities that remain are small and close knit, with “larger towns” resembling normal functionality, with us not even being aware that what we see as a middle sized town is in fact in the setting, the largest gathering of humans living in one place.

The manga follows our main character, Alpha (the robot coffee shop owner) and her dealings with about 3 or 4 other characters. Specifically an old man and his grandson. The old man runs a petrol station nearby and has more or less taken Alpha under his wing as she is otherwise on her own, her house sitting on the outside of the small town they live in (which we never really see as a result)

I started out really enjoying this manga, which is why I ended up reading all 100+chapters of it. But as I got near about the last quarter of it, it really fell apart for me.

The manga had set up certain things which would crop up now and then throughout its run. Like where Apha’s owner had gone and why, or who really developed the Alpha series of robots, or why Alpha has a strange quality to her that seems to ground other robots she meets into becoming more human, or why she dreams about fish so often, or who the strange immortal creature who lives by the waterway is. It sets up all these interesting ideas and mysteries as we follow Alpha in her day to day life... and by the end of the manga answers NONE of them. Not even one.

On top of this, whereas the manga started following Alpha with a very clear situation following upon situation, Her getting struck by lightning one evening and needing to be repaired by a local doctor, her reluctance to use her camera to take photos because she only has so much film she can use etc, and suddenly the timeline between events stops being a matter of days or at most a month, and suddenly YEARS are just jumped over. Turning the last quarter of the manga in a disorientating mess where we’re never quite sure WHEN we are, or what’s happened in the YEARS we apparently skipped over. Or where ANY of the characters now are because it’s suddenly 15 years later and somehow now characters are in a completely different place in their lives???

Not to mention the art started degrading rather shockingly by the end of the manga. It had slowly been turning to a more streamlined style as the chapters went on (the manga ran for 12 years) however, near the end there was a very jarring and sudden downgrade in quality. Robbing the manga of all its life and making the characters look flat and bland and unrecogniseable compared to where they use to be.

It just felt, overall, like the mangaka completely lost interest in his own story.

Art for Chapter 5

Art for chapter 139

It really soured my entire perception of the story as a whole. Because although I was reading it as a slice of life story, the story itself had presented situations and characters and questions I did not ASK it to have. But then at the end, it did not follow through on one single thing it set up. Coupled with the degrading art quality, AND the sudden fractured timeline where I had no idea when anything was happening any more, it felt as if every part of this story which had so much care and love put into it, was now just trying its best to get itself over with already. Because it had completely lost interest in itself, and was just trying to get to SOME feeling of conclusion so it could end, without taking time or effort to get there naturally.

I was supremely disappointed by what had started out as a very enjoyable series.

There are 2 OVAs adapted from the manga, one in 1998, and one in 2002. ANd just from looking at screenshots and gifs I can tell which one is the better of the two

And maybe the 90s OVA will do wonders for the story, without having to worry about the ending that I consider to be broken. And I can fully see how the slice of life nature of the show would be wonderfully suited to an anime adaptation, given that it gives the same care and attention to its real life honesty the first 3/4 of the manga did.

Because that’s what a slice of life story boils down to; How accurately it can capture the honesty of real life situations and experiences. Even in post apocalyptic settings. The setting is not important. What’s important is how well a slice of life story can portray actions, emotions and experiences we take for granted in real life. Things we do every day or things we have encountered and didn’t really think about as being anything special.

Slice of life stories’ strength lies in their ability to pump effort and care into bringing the mundane to life through art, and thereby shining a light on these taken for granted experiences, and showing it in a way that turns it into art. Which, in turn, then helps us look at our own realities a little closer, and we gain a deeper appreciation for our own lives and the every day experiences.

Even though his movies all have plots, Miyazaki does this a lot, in his glorification of the everyday mundane. Especially with food. But in other things as well. All the real world details he puts into his films, which is why they seem to breathe with so much life, and why I often find “ex Ghibli animators”, despite perhaps having the technical skill, are still not able to capture the living breathing feeling Myazaki and Takahata movies have to them. They understand what makes a Ghibli story and Ghibli characters, but they don’t understand what makes a Ghibli FILM.

Anyway this is an obscenely long post AGAIN. But that’s I guess “my opinion on Slice of Life anime”