#this is why they are the most compelling characters/relationship in the show to me

[anonymouscatloaf]

"You know, he's the yin to my yang. He completes me."

So the funny part about Dan repeatedly calling Perry the yin to Doof's yang (besides the fact that he can just freestyle some Greek tragedy level bullshit about Doof & Perry's relationship on the fly for Radio Disney or an episode commentary track) is that at face value you might also be like, okay but why is Doof the "yang" (light) and Perry the "yin" (dark)?

I didn't say good vs evil because that's not what yin and yang are about. As a concept it's one of those terms from another language that have variable meanings in English depending on who's using it and why, but its most enduring interpretation - with the disclaimer that I am not a philosopher, just someone who is far too invested in overthinking relationships in a kid's cartoon - is the idea that they are opposing but complementary forces of the energy that the universe operates on.

It's a balance. According to Lao-Tzu, "everything is embedded in yin and embraces yang; through [vital energy] it reaches [harmony]". Two sides of the same coin, sun and moon, my other half - you get the idea. It's not hard to see why Perry and Doof are complementary but opposite; one can't exist without the other: Perry all but gives up evil when Doof has that brief dalliance with Peter; Perry has exactly two POV songs in the entire show and both of them relate to Doof, one of which explicitly states "[his] life, it seems, is empty" without Doof's scheming and he "gave [Perry's] life heroic cause"; and he straight up has no idea what to do with his life and makes the saddest platypus sound ever when Doof bans thwarting as Tri-Governor in LDOS.

On the other hand, Doof is a lot easier to see - partly because he actually talks (though Perry is actually one of the most facially expressive characters in the show - by necessity - though I digress). He's overt about his affections and very clingy (a result of childhood trauma and abuse/neglect by his parents) because Perry's his only real friend. He all but begs Perry to thwart him in that whale episode, he became really upset when Perry seemed to be helping him in the episode with the Dull-and-Boring-inator but was just using him to fix the problem with Phineas and Ferb, and he can't bear to leave Perry behind in Road to Danville, just to list a few sillier examples off the top of my head. Really, the entire B plot could be used as evidence.

(There's also the fun dynamic of Perry being an animal that has human-level sentience, and Doof being a human that was raised by animals - ocelots - during some of his formative years.)

So they're irrevocably intertwined. One of the most important characters in each other's life, according to Dan from SDCC 2015. The LDOS ending song even puts Perry smack dab in the middle of the Doofenshmirtz family with Heinz, Vanessa, and Norm - two other characters deeply wrapped up with Perry as a result of Doof himself. I mean, look at them:

Yeah, this was an excuse to make you look at one of my favorite scenes and witness Perry's hopelessly fond smile, not sorry.

Anyway, back to yin-yang. They were originally ascribed to just "day" and "night", and eventually came to also mean "movement" (because you work during the day), and "rest" (because you sleep at night). In terms of qi, they embody heaven and earth, and in the collection of essays of the Huainanzi, "yang is generated from yin and yin is generated from yang [...] sometimes there is life, sometimes there is death, that brings the myriad things to completion". Technical details of Chinese philosophy aside (which I'm sure exactly nobody is considering when they call someone the yin to their yang - it's really just the "you complete me" part), the words themselves also have various opposing definitions: positive/negative, active/passive, sun/moon, overt/covert, etc etc etc you get the idea.

In terms of their relationship, Doof has the more active role. He's one who makes the crazy inators and plots elaborate traps and monologues everyday; Perry usually just reacts to that accordingly. Doof play-acts at a lofty, larger-than-life "evil", while Perry keeps him grounded ("you are my rock" and "having you around just makes me feel, you know, safer"). Perry isn't necessarily a wholly passive character, but also, like, a lot of his plot is just Shit Happens and Perry Has to Deal With It. Doof is overt about his "evil" schemes and can't stand even white lies. Perry spends his entire life hiding aspects of himself and keeping secrets from his loved ones, and he has a whole song in CATU about being an unrecognized hero. One of these characters is living in the "dark" more than the other...

Doof is overflowing with emotions - most of them negative, but also love: so much so that his daughter feels smothered, because a lot of that love (while borne of good intentions) is misguided, and Doof fails to actually listen to her; it takes a few rocky starts (helped along by Perry himself) before they get to the point where Vanessa considers her dad a "misunderstood genius" and convinces him to give up evil. On the other hand, Perry keeps his cards close to his chest - it's not that he doesn't know how to emote (he clearly adores his boys in ATSD and he apparently is happy to hang out with Doof as a friend outside of his job enough that he has a whole wallet of photos of them just goofing off together), he doesn't because of necessity. He's better than anyone at separating his work life (fighting evil) from his pet life (pretending to be a mindless animal) from his personal life (how much he loves his family, watching his silly dramatic soaps, having a petty streak and sassing Monogram a bit, is genuine friends with Doof).

As a result, he is full of emotions he rarely gets to express - around the Flynn-Fletchers specifically, because Doof does know he's sentient, which is another reason I think they click. Doof gets the single-minded attention he never had; Perry gets the treatment as an equal he never had. They both gain a friendship, and a new sort of family. There's a part of their life imbalanced when the other isn't present.

The yin and the yang. They complete each other.

[pattydia]

watching outsiders wgn solely for hasil and sally ann feels like this

[adventures-in-mangaland]

Even More Dead Boy Detectives Fic Recs

I've discovered some amazing new authors since my last post! And writers I've already recced have published more great stories So here's another fic rec post!

Who? You mean your teammate in the Codependency World Cup? (series) by RoseGanymede95

I couldn't chose! They're all great! Basically a series of Edwin and Charles through the years and on cases pre-show. It scratches that adjusting-to-being-dead/newly-escaped-from-Hell itch and the authors writing is magic! It also fleshes out a really interesting conflict in the payneland dynamic: Charles' drive to protect Edwin at all costs clashing with Edwin's guilt over putting Charles at risk/depriving him of some ideal afterlife. Parts one and four also introduces Constantine/Johanna and part three revolves around an absolutely gut-wrenching temporary break-up. 😢

In Hell I'll Be in Good Company by laylabinx

Charles rescuing Edwin from Hell does not go smoothly. Just. Bucketloads of Trauma for both of them. And for you, the Reader. It's so good though!

your fangs in my neck (like an anchor like a vow) by shadowquill17

Vampire Edwin AU! It's great because it combines the (homo)eroticism of vampiric feeding with Charles' whole bisexual crisis and post-confession Edwin worrying about making Charles uncomfortable. Also Charles is some kind of demigod/immortal agent of divine vengeance which is an AMAZING detail and I desperately want to see some fanart!

The same author's ongoing story to the pain is also excellent though very angsty (cw temporary character death). I'm anxiously waiting for an update!

To Memory Now I Can't Recall by engineering_madonna

This is an amnesia fic and the most recent in an established relationship series. The first two installments feature the boys getting together and navigating their new relationship, so pulling the old 'character A forgets their whole romantic relationship with character B' trope hits especially hard! The whole series is lovely, but I am WEAK for temporary-amnesia.

Lemonade & Sunrises by paraph

A Quiet Place AU! The boys are alive, but they're the only ones. Very bleak but in a way that makes me want more!

1999 au (series) by websters_lieb

The boys figure their shit out in the 90s. Also, Edwin gets to read Maurice and queer theory. The cases in both stories are compelling and the author's writing and characterisation of the boys are excellent.

I also recommend offer me that deathless death which is about the boys' first meeting, Charles' funeral and the birth of the agency.

if I could reach the stars (i'd give them all to you) by ObsessedWithFandom

Charles falls first, Edwin falls harder. This is an AU of the author's excellent Charles' bisexual awakening fic, which I also highly recommend. It has lovely OCs and Charles having a sweet little friendship/romance with the boy he saved in canon, which actually makes his death a whole lot more tragic.

Came up from that lake of fire by ghostinthelibrary

Charles and Edwin get caught escaping Hell and promise to capture a demon-eating ghost called The Deathless in exchange for their freedom. With the added twist that they get to be alive again! An exciting case, high stakes and all the alive-again culture shocks and emotional/interpersonal drama you could ask for.

gig officially gigged by laiqualaurelote

Band AU! It shouldn't work but it does. Which might also be an in-universe review for the band tbh. Idk, I loved Edwin's massive obscure musical instruments and Charles being his unpaid roadie. Peak Found Family Feels.

No Rehearsing It, No Reversing It by DontOffendTheBees

Charles overthinks being in love with Edwin, my beloved. This time with increasingly flimsy pretexts for why they NEED to kiss. Just perfect Idiots in Love, no notes.

The Case of David Bowie's Made up Sexuality by williamvapespeare

The agency attempt to help a living lesbian couple deal with a haunting. Meanwhile, Charles struggles through his bisexual (re)awakening. With bonus past (living) Charles no-homo-ing himself to the nth degree. Pure of heart, dumb of ass, indeed.

The lamps are going out by CasiHuman

Vengeful Spirit Edwin AU! Has some interesting ghost lore and Edwin being convinced his touch is painful to Charles (love that trope!). Also features some of the author's adorable/hilarious fanart at the end.

just frame the halves (and call them brothers) by Anonymous

Crystal stumbles upon the ghost of Edwin's older brother, who hires the agency to free him and his platoon from the battleground they've been haunting. Case fic with interesting details about Edwin's family life and an awkward as hell family reunion.

the case of the very long ferry ride by obsceme

Sex pollen but with skin hunger, so it's more touching turned making out and hand jobs in a bathroom. Interesting use of ghost lore and it's cute and well written.

Form 239, Schedule L by sanctuary_for_all

Charles Rowland's Love Language is Acts of Service: The Fic. So many feels! Plus Afterlife worldbuilding and some quality Night Nurse rep.

don't go sharing your devotions (lay all your love on me) by Hephanna

The boys and Crystal accidentally summon an alternate universe version of Charles. He's very... handsy. Charles being jealous of himself is objectively hilarious and it looks like it could be heading towards throuple territory. Possibly even a foursome, if alternate Edwin figures out parallel universe travel. Which he probably will.

Still a Better Lovestory by Vamillepudding

Hanahaki disease! Charles is on the case but Edwin's being weirdly uncooperative about his own curse. I loved the worldbuilding (there's a whole sisterhood of washerwomen!) and the angst, plus the writing is excellent.

The author has also written Eternal Sunshine, in which Edwin is cursed to feel no love of any kind. It makes for an interesting character study, contrasting cursed Edwin, his public reserve and his actual personality.

[coralhoneyrose]

Why Chrom Fire Emblem is The Husband of All Time: An Essay

SO. There was a screenshot going around of a reddit thread asking about how Chrom has managed to maintain such lasting popularity as a Fire Emblem husband even 6 years after Awakening came out. Given how beloved he still is another 5+ years later, I could not resist taking the opportunity to talk about just what I think makes him so great and endears him to players.

Character Introduction:

Let’s start out the same way Awakening does—with Chrom’s in-game introduction. This is one of the immediate ways Chrom sets himself apart. The game boots up and before anything else happens, Chrom is there expressing his unshakable faith in the player character. You take down the Bad Guy™ together, he turns and gives you this wide, puppy-ish smile and then you push him out of the way to take the hit from an oncoming spell in his stead. Right away you know this is someone your player character cares about deeply—and clearly that care is returned, because he’s immediately running over to make sure Robin’s alright.

Of course, as we all know, things go south very quickly after that. But as the cinematic plays out, and you proceed to watch yourself stab him in the chest, the *first* thing he does, the very first words out of his mouth are: “this is not your fault”. Chrom has just been completely blind-sided and arguably betrayed by his best friend, possibly his spouse, and his immediate instinct is to absolve Robin of guilt. He is literally more concerned about Robin blaming themselves for what happened than about his own imminent death. That alone tells you so, SO much about the depth of their relationship. It tells you both how deeply Chrom cares and how well Chrom knows Robin too. And not only that, but his final request, the ONE and only thing he asks of Robin before dying is that they will promise him they will escape from this place. In his last moments, his single “selfish” wish is for Robin to assure him that they will do what they can to survive. Chrom’s final request is for Robin to give him the comfort and peace of mind he can only obtain through the assurance that even though he won’t get out of there himself, Robin will. He just wants to be able to die believing they’ll take care of themselves and be alright—and knows them well enough to realize that unless he makes them promise, they likely won’t.

AND THEN. And then!!!! You jump cut to Robin waking up in the field with all the sunshine and Chrom’s smiling down with the softest expression and his ridiculously blue eyes. He lifts Robin up by the hand and pulls them right up to his face (because he has no concept of personal space, apparently) and OUUuuggh.

Those scenes in direct sequence make me so insane. You get Chrom’s life ending with Robin immediately followed by Robin’s life starting anew with Chrom. Chrom’s unwavering faith in them and his eagerness to extend his hand and bridge the gap between them from the moment they meet until his last breath. The warmth and kindness and love that Chrom treats Robin with is communicated so effectively in the first few MINUTES of the game it honestly makes me feel unwell. Showing how profoundly Chrom cares for Robin immediately endears him to the player. And he only gives you more reasons to love him as the game goes on.

Personality:

There can be a tendency in some corners of fandom to simplify Chrom to just being either a generic prince charming type character or a lovable himbo. I’m not here to police how other people enjoy him, but I will say that those characterizations fail to get at some of the aspects of his personality I find most compelling.

Chrom is deceptively nuanced. While there are certainly ways in which he aligns very closely with the standard jrpg protagonist, I suspect that a lot of his enduring popularity is the result of the ways he deviates from it too. He is brave and loyal and cares deeply for his friends, yes. He has profound conviction in his ideals and strives to do the right thing, as is typical for that archetype…but what makes Chrom so lovable is his determination to keep trying to be good in spite of the ways it does not come easily to him.

We see this in the Valm arc, when he’s struggling to reconcile his own beliefs about justice with his sister’s ideals for peace. We hear echoes of it when he talks about the horrors the Ylissean people endured at his father’s hand and how despite that, he has never been able to understand how Emmeryn forgave them for the cruelty they once directed her way. He has so much admiration for his older sister’s ideals despite the fact that peace is not his first instinct. 

When Emmeryn first sacrifices herself, Chrom is consumed with grief and rage, and it takes some time for him to understand why she made the decision she did. “Peace above all else” is just not how he’s programmed to operate…yet he wants it to be. If you count the drama CDs as canon, then that serves as another excellent example as well—where the message of his sister’s sacrifice is so lost on him that his first instinct is to respond to it with violence and prejudice and hatred directed at the very people she sought to reach out to. For a moment there, we see him veer from the person he wants to be towards what we as the player can only assume is the person his father left him afraid that he would become.

And yet he finds his way back. He stumbles, he lashes out, but his love for his friends and fear of losing more of those he holds dear is able to help him course correct.

I love that tug-of-war in him. I love that we get glimpses of the darker paths he could have gone down and that there are tangible consequences for his mistakes. Early in the game, we see Chrom lose control of his temper and how Gangrel and Aversa are able to take advantage of that to officially declare war on Ylisse. Chrom later tells Gangrel that were he alone, he can imagine losing himself in that need for vengeance but reiterates that it’s love that is able to keep him from succumbing to that.

And it’s not only that he’s able to stop himself from being horrible—his losses are the catalyst for him coming into his own as a leader. He’s able to pick himself up and hold himself together to see their troops through the rest of the war. And he manages that despite the fact that in the course of mere days, he lost both his home and his most important person and has been freshly saddled with the duty of ruling an entire country. That’s…a lot. And really goes a long way in demonstrating Chrom’s incredible strength of character and conviction. We get some wonderful moments of vulnerability where he confesses to being riddled with doubts about his own capabilities and worthiness, but in spite of that, he is still determined to try to be the person that Ylisse needs him to be.

All of this leads me right into another wonderful aspect of Chrom’s personality, which is that he is just…so driven by emotion. He feels DEEPLY, and while the narrative definitely uses that as a way to hurt him and force him to grow at times, something that really stands out to me about Chrom is how the story isn’t here to send a message that it’s wrong for him to be that way. Chrom’s big feelings are one of his greatest strengths in addition to his greatest weakness—they’re what saves his life and ultimately Robin’s too, if you go the sacrifice ending route.

And ya know what? I honestly think that’s such a breath of fresh air. I love how much he does NOT embody the emotional disconnectedness that you see pushed a lot of times with stereotypical masculinity. I love that he is the hero, and he's gallant, and very traditionally "manly" in a lot of senses…AND that he's also very emotional and guided by his heart. If you’re playing with f!Robin then you wind up with a really refreshing inversion of gender stereotypes from that: in which Chrom is the emotional decision maker and Robin is the more calculating and logic driven of the two.

Beyond his big heart, I can’t talk about what’s so charming about Chrom’s personality without touching on the ways he embodies a certain level of gap moe as well. Chrom is so stern and serious, as well as quite charismatic when he’s speaking from a place of passion. But on the flip side of that, we get to see him as an absolute bumbling mess when he’s out of his element. He’s easily embarrassed / flustered, self-conscious about his appearance, and often socially awkward where romance is involved. While these traits may seem of minor importance compared to the whole rant above, I think they’re really important for humanizing and rounding him out.

There are lots of other nuances to his characterization that go a long way in fleshing him out too. Despite being a prince, Chrom is blunt and completely unmindful of formalities. That, along with his impulsivity, definitely gets him into trouble sometimes. He’s melodramatic and blisteringly sincere. He’s a little bit clumsy and doesn’t know his own strength. He has a dry sense of humor and can be surprisingly funny. He’s optimistic and trusting—not due to naivete or stupidity but because he has decided that giving people chances and believing the best of them is an important value to him and one that is worth embodying in how he lives his life. 

Lucina’s presence in the story and his immediate and complete acceptance of her is an extremely effective way of demonstrating what an incredible father he is too. Honestly, he just has really wonderful relationships and deep admiration for a lot of the women in his life and that absolutely earns him points in my book (and I suspect in many others’ as well). When you look at all of that together, I don’t think it’s hard to understand why he’s so beloved.

Design:

Slightly less serious note here, but I think it warrants discussion regardless because character design absolutely contributes to player’s feelings about and interpretation of a game’s cast members.

And Chrom is���well, he’s eye candy, honestly. He’s got the nice, exposed arm, the messy blue hair, the completely nonsensical outfit he somehow manages to look handsome in anyway (his questionable sense of fashion is a charm point, okay?). Add in the square jaw and the surprisingly long eyelashes and he’s just. He’s very pretty. Idk what to tell you. Bonus points for the summer scramble cg where he has the most inexplicably flat butt of all time. And I really do believe that some of the oddities of Chrom’s design lend memorability to him and go a long way in setting him apart from other lords in the series with similar design concepts. The insistent asymmetry across many of his outfits, the fact he’s showing a little skin, idk it just WORKS. Chrom is hot, I don’t make the rules.

Relationship with Robin / the Player Character:

Last but not least, I want to talk about Chrom’s relationship with Robin.

I touched on some of this in his character introduction already, but Chrom is just…the biggest Robin stan. If Robin has only one fan then that is Chrom. If Robin has no fans it’s because Chrom is bleeding out on the floor with lightning in his gut. 

He just has such deep respect and admiration for them. He values Robin’s opinion and insight and thinks so highly of them and their ideas, often serving as an enabler in many cases (setting the boats on fire, the volcano, etc.). Chrom’s faith in Robin is SO unshakable that when his daughter tells him that Robin is going to be magically controlled and forced to murder him, his response is, “That won’t happen because Robin and I love each other so much that everything will somehow be okay. No, I will not elaborate.” And ya know what? He was RIGHT. Their bond DOES wind up being so strong that it’s able to change fate. The narrative is quite literally validating his slightly ridiculous insistence that him and Robin just care about each other The Most of Anyone Ever. He is Robin’s biggest advocate from the moment they meet when he defends them from Frederick’s suspicions all the way to the game’s close when he either assures Robin that their life was worth preserving or, as in the case of the sacrifice ending, that he will spend the rest of his own life searching for them until they return.

Honestly the fact that Chrom was willing to potentially risk dooming the whole world to the fell dragon’s awakening 1,000 years down the line just so he doesn’t have to lose his comfort tactician is WILD. For the game’s hero to literally say “we don’t have to defeat this evil for good, the people of the future can figure it out” JUST so he can keep Robin is absolutely unhinged behavior and I love it. I think it’s incredibly humanizing that he’s a little bit selfish about the people who are most important to him…that despite his willingness to sacrifice himself or run headfirst into danger, he draws the line at losing Robin because he’s already lost his most important person once and he’s not going to let it happen again. Chrom and Robin absolutely come across as a little codependent and a lot obsessed with each other and personally I wouldn’t have it any other way.

And then there’s his love confession to Robin. GOd...

I think that’s the most flustered Chrom appears in any content in the entire game…and it’s because he treasures their friendship so deeply that he is petrified about messing it up or saying the wrong thing. I love that he goes into their S support dead set on NOT telling Robin what is going on but the second he realizes that Robin is under the impression he doesn’t care about them or like spending time with them anymore he is so horrified and desperate to correct that line of thinking that he blurts out the full love confession on the spot.

He’s SO earnest throughout the whole thing, but then at the end he hits you with the whole “this is the best day of my life”, and the “You are the wind at my back and the sword at my side. Together, my love, we shall build a peaceful world, just you and me” (thank you Matt Mercer for your services), and the cg image of him staring right at Robin with what are basically heart eyes and. I just. There were no survivors.

That’s not even their only proposal / love confession scene either! The fact that the game gives us an entirely separate alternate proposal that’s more serious in tone is the icing on the cake. How many ships out there can say that they get not one but TWO canon proposals that are both that good? Truly no one is doing it like chrobin.

Closing Remarks:

Chrom is a well written and nuanced character who struggles and grows over the course of the story while always remaining true to himself and his ideals. His intense and unending trust, admiration, and love of Robin endears him to the player from the moment the game begins all the way to its conclusion. He is kind and good while still being fundamentally flawed (and it doesn’t hurt that he’s very handsome to boot). Bearing all that in mind, while the message of Awakening may be that nothing is inevitable, Chrom’s conceit and execution were always going to lead to MANY of those who play the game coming to love him and pick him as Robin’s husband…and there may be no greater evidence of that then the fact I’m out here writing all of this eleven years after the game’s release.

[lurkingshan]

10 Things I Love About Mr. Mitsuya's Planned Feeding

This wonderful little show has come to an end, and I feel compelled to tell folks why I loved it, and why you should watch if you haven't yet. First, a big word of thanks to @isaksbestpillow for providing her excellent subtitles and making this show available to international fans. You can find all seven episodes here, get them while you can!

This drama understands that sometimes we really do want to fuck that old man

I don't know what to tell you, the man is hot. He is kind, patient, and generous, he's a master chef, he has a beautiful home with a garden that he tends himself, he is a loving dog owner, and on top of all that he has a hilarious dry wit. Who wouldn't want to fuck him??

Ishida is an endearing protagonist having a relatable quarter life crisis

Ishida certainly does! Which is a nice little revelation for him in a time when he's already struggling to figure himself out, as it's his first time wanting to fuck a man and his work colleague to boot. Ishida has hit a stumble in his original career choice and is feeling pretty apathetic about his job when he meets Mitsuya and gets his world rocked.

Mitsuya is a weary older man who has been burned

Mitsuya is quite a contrast to Ishida as an older adult who very much has his shit together, but has also survived some deep hurts living as an out gay man and grown reluctant to let people in. He and Ishida both see something in each other that the other needs.

It's a food drama that will make your mouth water

The food Mitsuya makes and serves to Ishida in this show looks so delicious that I had to make sure I was fed before watching each episode. Mitsuya can feel free to bait me with food any time.

Shige is my idol

We get to spend ample time at the neighborhood bar, where Mitsuya's old friend Shige serves drinks and hot goss. Shige is a great mix of the wise elder gay dispensing advice and the mischievous trouble maker who likes to stir the pot. I love him, and this show's understanding of the realities of men their age living out and proud.

Frito is a very good dog

FRITO! I'm not always too hype about pets with prominent roles in my shows, but in this story Frito is an important character and an emotional support to Mitsuya, and often provides impetus for Mitsuya and Ishida to grow closer.

Have I mentioned this show is hilarious

Truly, so funny. I laughed out loud during most episodes. Ishida is a walking comedy show as he flails through life, and the few moments when Mitsuya's dignified exterior cracks will have you howling.

It gave us one of the best dates I have ever seen on my screen

I still think about this date all the time. It was so beautifully written to underscore why this couple fits and how they each meet the needs of the other. Just having seen this one day spent together, it's easy to understand how a life between the two of them would unfold.

This show has a mature and nuanced understanding of relationships

We get deep into the show's perspective on love and romantic relationships via the return of Mitsuya's ex, Kaoru, a plot which the story handles with remarkable grace. I loved the space they gave to Mitsuya's former love and need for closure, and that Kaoru was not treated like a villain. He even got to provide an assist to Ishida!

The main romance feels deep and compelling

All of this adds up so that by the time we got to the finale, I really believed in this romance and why Ishida and Mitsuya needed each other, and the way the show dug into their hesitations and fears around that was so moving. My only regret is this show is short and we can't follow them to keep watching their lives together, but we got what we needed to feel confident in their future. I will miss them.

[cuntylouis]

"Armand is Alice and Daniel's wife/s and kids aren't real" has become a popular fan theory (even Luke Brandon Field said he liked it!) but i'd be surprised if it was right. I think it's definitely possible that Devil's Minion will be adapted in the show (though probably not exactly like in the books), but i personally think this whole imaginary family thing would be a poor way to handle the storyline for a variety of reasons. I think a twist like that would probably come across convoluted and (as Daniel might say) like something from a telenovela.

We see children's toys in Daniel's house and he's public figure who many people know with an autobiography and everything. Creating decades worth of false memories for Daniel and somehow also maintaining that imaginary life story for decades wouldn't be enough, Armand or whoever did it would also realistically have to have an absurd level of control over the physical world, public records and many other people's minds to sustain an illusion like that. I also frankly think it would be difficult to avoid having some sexist and biphobic undertones to the idea that Daniel's relationships with women were unreal and meaningless and only his relationship with a man matters.

However, the most important reason why i think Daniel's wives and children should be real is that they make him a richer, more nuanced character and are actually central to understanding him and his motives. He has lived a full and complex life that has been influenced and to some extent defined by his encounters with vampires, but those vampires still weren't his whole life. I think it's more interesting to see Daniel's human life and his relationship with Armand and Louis as something connected and overlapping that both affect each other. We actually learn quite a lot about Daniel from what he says about his partners and children.

This scene - as well as how Alice in general is discussed - reminded many people of how Daniel in the books talks about Armand, such as this famous passage:

Parallels between Daniel's relationships with Alice and Armand in the books are obvious but i think they're just that, parallels. Both the sweet little scene where Daniel is talking about Alice's eyebrows and the book scene where he's talking about loving Armand not despite but because he's a monster reflect in different ways who Daniel is as a person; he feels drawn to unconventional and strange and sees beauty where others might not. He ended up in this situation with vampires too because he wanted to interview people who're rejected by the society.

If Daniel already had some sort of relationship with Armand in the past it makes sense that it would be associated with Alice in his mind. There may be an overlap between the timelines of those relationships. A memory of Armand rises when Daniel is reminded of Alice rejecting his marriage proposal, in the books Armand rejected his wish to be turn him into a vampire, which would've been something akin to marriage. I think Alice being real is much more compelling for Armand's character too, with Armand expressing surprising understanding and sympathy toward Daniel's wife rather than just speaking about his own experience through an imaginary woman.

Completely putting aside Devil's Minion and is it a thing in the show or not, i think Daniel's family is particularly important to Louis' and Daniel's relationship. Something that hasn't technically been explicitly said but to me seems obvious is that Louis and Daniel strongly relate to each other as fathers. Many scenes where we see Louis and Daniel show vulnerability in front of each other have something to do with their partners and children. In 1.02 as one of the earliest examples of this Louis replicates the dessert Daniel had with Alice, trying to connect with him and his humanity through it, Daniel shares personal memory and they eat together in companionable silence.

I would argue that Claudia, her memory, and Louis' relationship with her is the heart of the story in these first two seasons. Claudia entering the story in 1.04 marks the shift in the interview and Daniel's approach; he becomes both more combative and more emotionally invested. He has a strong reaction to reading Claudia's diaries, and it's not difficult for any parent to guess that he's also imagining her own daughters in similar circumstances to Claudia.

I think this conversation at the end of the episode (alongside Louis' speech to Daniel in San Francisco and them remembering it in 2.05) is the most important scene between Louis and Daniel. They share the understanding what it feels like to have children and love them so much you don't even have words for it, but still fail them. It's not a coincidence that in the original interview in San Francisco what leads to Louis attacking Daniel is Louis telling the story of Claudia leaving alone and Louis going back to Lestat, and Daniel acting dismissively and clearly not understanding why this is so painful memory to Louis. Daniel was young, stupid and high - and he didn't have children yet. Daniel now wouldn't act like that when hearing this story, and he doesn't in 1.06 when hearing it again. And notably when Louis says that he would now agree to turn Daniel, Daniel says he doesn't want it anymore and specifically mentions his daughters as one of the reasons. Having to watch your children die before you is the most horrifying thing in the world. It's something Louis had to go through and Daniel wishes he never has to, even if vampirism still intrigues him.

Daniel realizes quickly that it all comes down to Louis' feelings of guilt and shame about failing Claudia and his inability to protect her, because he has similar feelings about his own daughters. Louis' story unravels in s1 finale because Daniel recognizes that Louis' more palatable narrative around what happened with Claudia isn't fully true. Daniel carefully read through Claudia's diaries and tried to learn to understand her, and he positions himself as someone who's trying to defend her integrity and reveal the injustice that was done to her. This is again about Daniel's own children as much as it's about Claudia. He knows that he's a bad father, his daughters don't talk to him anymore and it's implied that he neglected them when focusing on other things that interested him more. When Daniel defends Claudia he's on some level trying to rectify his own mistakes and when he calls Louis out he's also voicing his own self-loathing.

Eric Bogosian remarked that the scene in 2.01 where Louis cries and thanks for Daniel for helping him to remember that Claudia could dream is another shift in their dynamic. Daniel looks at Louis with genuine concern, and after that he tones down his usual sarcasm and jabs significantly. Daniel, again, can sympathize with how important this is for Louis. There's a new sincerity and empathy in their interactions. Sometimes the audience forgets that this story is ultimately about Claudia, but Daniel hasn't forgotten it since he first realized it. They're trying to understand together what happened to Louis' child and everything that led to it. I think if Daniel wasn't a father he would've acted differently, and Louis wouldn't have trusted him in the same way either and been able to share his and Claudia's story. I think this shared sorrow, love and guilt they feel as fathers is one of the most crucial parts of their connection.

[shaunashipman]

i am genuinely a bit scared for my fellow bucktommies because with all the love eyes for bucktommy and tommy, i am not sure if people don't happily-ever-after too close to the sun with their expectations about how the bucktommy relationship will continue. 911 is still very much a drama show that will create drama out of thin air if it has to, oftentimes in ways that feel very dumb and will make the characters look very bad. we have seen in the past that resolutions are usually very lackluster, or sometimes even off screen. i personally really look forward to see buck and tommy, but i hope we all remember that buck AND tommy will fuck up at some point, and maybe even fuck up Bad. please be careful out there with how high you set your expectations, my fellow bucktommies, and don't forget that buck and tommy will have conflict again, with the others or with each other, sooner or later! (i hope it will be compelling and nuanced and interesting conflict that fuels their development, at the very least 🤞 but i also know that i am watching 911 so...)

so nonny, this isn't really directed at you, but i'm gonna use your ask as a springboard cause i'm seeing this sentiment pop up a lot

people need to stop conflating fanon actions with desires for canon

by this i mean, 99% of what i post about bucktommy, are things i never expect to happen in canon, and some of it quite honestly i would not want to happen in canon. i obviously can't speak for everyone, but most of the people i interact with are well aware that the characters on screen are not really the characters we're playing with in our sandbox.

and that's okay. that's how fandom is supposed to work. fandom is separate from the source material. we didn't used to need to post disclaimers about how no, we don't actually think this is going to happen. no, we don't actually think their relationship is going to be sunshine and roses. ppl in fiction act stupid cause sometimes the writer needs stupid to move the plot where they want. I, as a fan, can choose whether to incorporate said stupidity into my existing fanon, whether to analyze it to see how it could fit with my existing fanon, or whether to toss it out, baby and all.

part of the reason fandoms start is because we find the source material lacking. so honestly, when buck or tommy, or any characters, inevitably acts like a dick in a way that seems counter to their previous characterization, it's just more fodder for fandom, a new facet of their character that we then get to analyze and decide why they're doing it. well behaved women rarely make history and well behaved characters rarely make fandoms

so, just so it's clear, at least from me, unless I specifically state that this is what I think will happen in canon, everything I post about bucktommy, and basically all of my fandoms, is not even wishful thinking, it's just me playing with my dolls.

[hestzhyen]

Sunken Ships and SoRiku

Hi internet void. I went feral and maybe you'll read the result.

KH has made a lot of choices around SoRiku from a narrative perspective that, in isolation, wouldn't amount to much. A heart-to-heart here, a questionable line there, and so on. The usual things that one would do to court a queer shipping audience in an otherwise het or unromantic work. And SoRiku circles have painstakingly documented every instance to show something that looks more like a consistent and intentional effort rather than a few dollops here and there to keep shippers engaged. There's... a lot. But one stupid, insignificant thing really shook me up and made me a believer in SoRiku Endgame, Actually.

Silly as it is, it's Nomura's reaction to people shipping RikuNami that gets me the most.

Generally speaking a writer doesn't want to interact with fandom shipping unless it's to urgently course correct. As in it would be catastrophic to the narrative if the fandom had the wrong idea. Otherwise it's best to just take note of how people are interpreting things and adjust the next installment accordingly, or live and let live. Keep distant and don't risk accusations of retconning/bad writing/queerbaiting in bad faith. So the normal reaction from Nomura seeing people get excited over RikuNami would have been to just do nothing. But instead, the scene was patched to downplay the smile, and Nomura went on the record to clarify that it's not a setup for a romantic relationship between Riku and Namine.

That's insane.

Why is it so important that Riku remain romantically uninterested in a girl he'd have a natural connection to, huh? What about accidentally implying RikuNami was so detrimental to the story that it was changed and explicitly addressed like that? Even if it wasn't meant to be, surely letting it play out like AkuRoku did would be enough. Just gently clarify and move on with the story (which pretty much sunk the ship on it's own anyway). You don't wade into fandom shipping and launch nuclear warheads like Nomura did against RikuNami unless you want to leave no room for doubt.

Torpedoing RikuNami also doesn't help them keep up appearances in terms of straightness at this point. Leaving it intact would only help the case of Riku and Sora being bffs with the strongest bond 5ever- a huge boon for the writing team if they wanted to avoid things looking too gay. Nomura et. al. are absolutely aware of the impressions and jokes about how gay KH is. And KH definitely would not be the first series to play in to queer ship teasing for the lols until it's time to pair everyone up at the end.

But they did the one thing you're not supposed to do if you're just aiming to queerbait: undermining the plausible straight ship. You don't eliminate the only straight option for your character like that for the sake of "he so gay" jokes! Having a straight option available is vital to make the bait; they don't have to be compelling or important to the story, they just have to exist. Yet at this point, Riku's only option is Sora. They went out of their way to ensure we wouldn't think anything else makes sense for him.

Holy. Shit.

[judgeanon]

So About That BATGIRL #1...

I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.

The long is here:

Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.

But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.

So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.

Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.

After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.

That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.

Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.

It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.

And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.

Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.

So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.

There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.

Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.

Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.

So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.

Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.

Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:

This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.

Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.

The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.

His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.

Man... I just love to see that momma smile.

Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.

On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.

However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.

Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation �� Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

[camellia-thea]

so @coprinellus-cluster sent me an ask about daniel and armand and why i find them so compelling. that turned into a 2000 word essay. this is very armand focused, but i promise i love daniel too.

anne rice initially wrote armand as an antagonist, and even went into writing qotd with him intended to be part of the antagonistic force, however she found while writing the devil's minion chapter that armand had become someone completely different. i love that. i love that a lot. i have sources for this somewhere but they're buried. i'll add 'em if i find them again.

i love how the chapter takes two characters who had very little identity beyond their interaction with louis and lestat. daniel was functionally exclusively a framing device in the first book. he didn't really have a character, and he literally was not named. armand was defined almost entirely by his relationships, and while his sections have always been my favourite parts of iwtv and tvl, i think there was a lack of depth there that gets discussed so much more in the devil's minion chapter.

armand is a character who has always defined himself by the people around him. from marius, to santino, to the children of darkness, to lestat, to the théâtre des vampires, to louis. each link ushers in a different aspect of himself, and the show deals with the amazingly well. the arun/amadeo/armand, the good nurse or the gremlin, it's phenomenal. daniel in the books is meant to be the next part of the transition. armand goes to both lestat and louis, show me how to live in this modern era.

"We cannot be Marius for you," I said, "or the dark lord, Santino[…]" "You have to suffer through this emptiness," I said, "and find what impels you to continue. If you come with us we will fail you and you will destroy us." "How suffer through it?" [Armand] looked up at me and his eyebrows came together in the most poignant frown. "How do I begin? You move like the right hand of God! But for me the world, the real world in which Marius lived, is beyond reach. I never lived in it. I push against the glass. But how do I get in?" "I can't tell you that," I said. "You have to study this age, " Gabrielle interrupted. Her voice was calm but commanding. He looked towards her as she spoke. "You have to understand the age, " she continued, "through its literature and its music and its art. You have come up out of the earth, as you yourself put it. Now live in the world. " [...] "And what better place is there than the center of things, the boulevard and the theater? " Gabrielle asked. He frowned, his head turning dismissively, but she pressed on. "Your gift is for leading the coven, and your coven is still there."

from the vampire lestat

this conversation you can see is what leads him to approach louis for the same thing.

["]It is through you that I can save myself from the despair which I’ve described to you as our death. It is through you that I must make my link with this nineteenth century and come to understand it in a way that will revitalize me, which I so desperately need. It is for you that I’ve been waiting at the Théâtre des Vampires. If I knew a mortal of that sensitivity, that pain, that focus, I would make him a vampire in an instant. But such can rarely be done. No, I’ve had to wait and watch for you. And now I’ll fight for you. Do you see how ruthless I am in love? Is this what you meant by love?["]

from interview with the vampire

(i do think the little "if i found a mortal with that sensitivity, that pain, that focus, i would make him a vampire in an instant", but that's not the point of this)

armand is a creature of habit, of cycles, and daniel is meant to be the next member of the loop. he uses daniel in the exact same fashion, to usher himself into the new era;

"You are my teacher," Armand told him. "You will tell me everything about this century. I am learning secrets already that have eluded me since the beginning. You'll sleep when the sun rises, if you wish, but the nights are mine."

from queen of the damned

but, something changes with daniel. and i think it is what is missing from louis; daniel has a passion for life and living that louis lacks. he's interviewing people to reveal their lives!

suddenly armand is not being ushered into the new era, he's living it. you get his excitement, his delight, his engagement. he is no longer detached from the world in the way that he is in the first two novels. he is bright and full of life.

daniel remarks a few times about how armand's laughter and delight makes him suddenly look mortal. i find it enthralling. how this one mortal, who's life purpose initially is revealing the lives of people around him to the world, brings the 500 year old vampire joy and delight and that joy stays.

i love that this mortal man could bring anne rice to completely change her perception of armand.

and on daniel's part, he is utterly fascinating. he falls in love with the monster chasing him, for his monstrosity.

Daniel stared hard at the creature before him, this thing that looked human and sounded human but was not. There was a horrid shift in his consciousness; he saw this being like a great insect, a monstrous evil predator who had devoured a million human lives. And yet he loved this thing. He loved its smooth white skin, its great dark brown eyes. He loved it not because it looked like a gentle, thoughtful young man, but because it was ghastly and awful and loathsome, and beautiful all at the same time. He loved it the way people love evil, because it thrills them to the core of their souls. Imagine, killing like that, just taking life any time you want it, just doing it, sinking your teeth into another and taking all that that person can possibly give. Look at the garments he wore. Blue cotton shirt, brass-buttoned denim jacket. Where had he gotten them? Off a victim, yes, like taking out his knife and skinning the kill while it was still warm? No wonder they reeked of salt and blood, though none was visible. And the hair trimmed just as if it weren't going to grow out within twenty-four hours to its regular shoulder length. This is evil. This is illusion. This is what I want to be, which is why I cannot stand to look at him. Armand's lips had moved in a soft, slightly concealed smile. And then his eyes had misted and closed. He had bent close to Daniel, pressed his lips to Daniel's neck.

from queen of the damned

this passage has lived in my mind since i first read queen of the damned. daniel loves armand in spite of his beauty, not because of it. it is the monstrosity that he loves. and it's exactly what armand needs. their relationship has such a push-pull dynamic as well. daniel up and leaving when they have fights, armand waiting him out before reappearing. armand and daniel’s relationship is a direct link to addiction, which i think is really interesting. daniel is quite literally addicted to armand and that’s something i think is really interesting when it comes to mortal relationships with vampires.

there’s also something in the power dynamics between them with armand exerting control over daniel through finances, but it’s really interesting because daniel is rich. he got a lot of money from publishing interview. armand gets him so many things, buys him houses and clothes and a fucking island, and daniel lets him. and i don’t necessarily think daniel has the capacity to really say no here, but it really does make their dynamic super interesting.

i think daniel gives armand the potential to be more than who he was made to be, the roles he was put into. the muse, the protégé, the cult leader, the coven member, he lingers in his own victimhood, and i think it’s a very interesting thing. daniel is an escape from that. daniel loves the vampire, loves the monster, and doesn’t necessarily want something from armand beyond being pulled into vampirism with him. and that is something that armand very distinctly has control to say no to. and i think that’s very important to armand.

"Tell me what you want, Daniel, and I'll get it for you. Why do you keep running away?" "Lies, you bastard. Say that you wanted me. You'll torment me forever, won't you, and then you'll watch me die, and you'll find I that interesting, won't you? It was true what Louis said. You watch them die, your mortal slaves, they mean nothing to you. You'll watch the colors change in my face as I die." "That's Louis's language," Armand said patiently. "Please don't quote that book to me. I'd rather die than see you die, Daniel." "Then give it to me! Damn you! Immortality that close, as close as your arms." "No, Daniel, because I'd rather die than do that, too."

from queen of the damned

this is another moment that lives in my head, i’d rather die than do that too. there is something so electric between them. how willing daniel is to give in to armand, and yet how willing he is to fight for it, for them. i don’t read daniel’s obsession with vampirism being entirely for himself by the end of the era. i truly think that there is an element of it so that he can remain with armand.

but there’s something else there too, that i don’t think the other relationships we see in the vampire chronicles really capture, and that is the mundanity that they relish in together. they go out together, to clubs, to performances, to museums and art galleries, to bars and to rock concerts, but they also experience life together in a way that lestat and louis don’t really convey when narrating their novels. daniel and armand have made a life together, and it’s weird and unconventional but it works. they have houses together, the little villa on night island, it’s just. genuine. it has all the trappings of the unhealthy, awful nature that a mortal and vampire relationship can be, and simultaneously they’ve managed to create something that is domestic. and i don’t think daniel leaving armand, and often the country they were in, necessarily negates it. they’re not good people, it’s not a good relationship, but it’s enough.

and armand does love daniel enough to turn him. that’s a significant part of it. when he is legitimately faced with daniel’s death, he cannot bear the idea of losing him.

and. there’s a bigger part too. daniel is what stops armand from wanting to die.

"Years ago," Armand interrupted, "it wouldn't have mattered to me, all this." "What do you mean?" "But I don't want it to end now. I don't want to continue unless you-" His face changed slightly. Faint look of surprise. "I don't want you to die."

from queen of the damned

daniel has fundamentally changed armand. armand does not want to die. and he does not want to live without daniel.

and it’s awful, and yet it’s enthralling. there was never going to be an outcome in which daniel did not die. it is the fate of any mortal, and most immortals as well. and i think they both knew that. and that’s the tragedy of it too, the beautiful, horrific nature of them both is that armand was always going to be the one who killed daniel, and the only question was whether daniel would remain afterwards.

and i think that armand was never going to let daniel go.

daniel and armand love each other, and i think rice did a disservice to them both by setting them aside in later books, but i won't go into that here.

[bengiyo]

Your Sky: It Seems I Wanted a 2gether Retread

I watched this on a whim yesterday evening and enjoyed it immensely. Not to be the Boss Baby tweet, but I enjoyed how this show set up some of the same parameters as 2gether without making key characters unlikable, or relying on mean humor.

Right off the bat they calibrated the Teerak character well. He's essentially an adorable younger brother all the time. He's clearly coddled, and requires a lot of supervision. However, they made sure to confirm that he's actually an extremely kind character, and that most of his adventures result from him maybe going too far to complete an act of kindness. This character has real potential to be annoying, and they're doing a great job with the line.

Additionally, they've given Teerak a great supporting cast around him. I liked the teamwork dynamics between Lee, Joy, and Type. I liked seeing them fulfill different roles in the group, and I'm excited to get to know them more. Teerak's relationship with Babe is also compelling; I'm excited to see what we get from a caring big sister. I especially loved their meeting the laundromat owner. I hope we see more of her, and that they continue the trend of introducing every new character with a beauty zoom.

Thomas Teetut is also doing a great job with Muenfah. He's playing this character so differently from Gun in The Middleman's Love that I didn't even recognize him right away.

Unlike with Sarawat (2gether), they didn't withhold this character's affection for Teerak for multiple episodes. Like Sarawat, they've gone for cool, aloof, and disinterested in women. I'm curious to learn how long he's had this crush, why he hasn't said anything about it, and why his brother (Lee) is keeping the confidence about it.

I also want to know whose ass he kicked years ago that created this reputation about him being leader of a gang. It's intriguing because we watched multiple people running interference on Oh's pursuit of Teerak. I was wondering at first if Teerak needed to properly reject this man, but based on Oh stealing the outdoor reservation at this restaurant, drugging Teerak's friends, and trying to fight Muenfah, I really don't like this man. They did a great job building to the reveal that Oh ain't shit. They made me feel bad for a Mike character at first, and then validated why I instinctively do not like that man's characters.

I really like the impetus for the fake dating in this one. I like that Muenfah pulled Teerak out of a dangerous situation, and also that a drunk Teerak created a major misunderstanding online from people stalking (please stop filming people in public). It's so much better than we know Muenfah has feelings for Teerak already, and has been protective of him. I'm excited to see how Teerak grows into a shared affection, and how the veneer of fake dating complicates the development of their feelings.

Also, this show is beautiful. Sarawut Chuparkpanich shows always look great. However, every single person linked on the crew has been part of projects that I think showed real potential before flopping badly before even the midpoint. I don't want to get my hopes up too much because of the track record, but damn did I really like this first episode. This is the most engaged with initial characterization I've been with a Thai BL in months, so I hope this one works out. I am still fond of 2gether, despite the missteps of that show, so I'd like to have a better version of it.

I'll pick this up as a regular watch and check in after a few weeks to let you know how I'm feeling about it. Thank you to the gifmakers!

[thevalleyisjolly]

There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me.  Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?

In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of. 

From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.

There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.

Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.

As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating.  On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole.  Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?

From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.” 

Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.

So, I mean, lack of complexity where?  Does a character need to be an asshole in order to be deep or compelling?  And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity?  If a character is “less vocal” compared to other characters, does that mean they lack interiority? 

Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people.  Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members.  You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?

[jacketpotatoo]

Initial Thoughts on Arcane S2 (spoilers)

I think season 1 was far stronger because it told a much more focused story and centred its themes on the relationships of the characters. What I love about s1 is that you could pick two characters from anywhere in the show, and they'd be foils of some kind, or parallel each other, etc. We don't get enough time with characters talking to each other for that in s2. In s1, so much of the insight we gain from characters is through their conversations with each other - this is effective because they're there and reacting to each other, so you get the deeping of their relationships alongside development of the plot. I think this is why people resonate so strongly with Ep7 - it's so contained. The expanded cast of characters and expanded plotlines mean that at times, it feels like they're checking off plot beats rather than letting the story develop as its characters do. But this is also why I find the jayvik storyline to be the most compelling part of s2 - it's this beautiful medley of greater themes and personal ambition wrapped around inextricably in the other. I found the show's thesis on healing and destruction and the cycles of human violence compelling, and I liked that magic was a sort of tech/industrialisation stand in. Viktor had some GREAT lines that I need to spend some more time unpacking. Cosmic yaoi soulmatism is beautiful. Also speaking of episode 7, I also thought Ekko's arc was incredible and the best and he's the best and I love him.

That being said, I definitely think the ball was dropped on the class commentary. The writers simply took on too much - just trying to explore the class tensions between Zaun and Piltover is enough to take up the entire season. And it's so deeply integral to the politics of the season, and to the balance of the relationships of various characters, that it's just a bit. sigh. Especially when nearly all the new characters introduced get killed off. And we don't get much focus at all on Sevika, who's one of the only main characters involved in revolution. I love Isha, but she felt so much to me like a plot device to me that i find it hard to reconcile. And the lack of class-commentary sours their portrayal of Caitvi alot for me. I personally think Cait's revenge to reconciliation arc was handled fine, and that a verbal apology wouldn't mean as much to vi as the action of freeing her sister did, but the last line of the show is hard for me. "I'm the dirt under your nails." I get that it can be interpreted multiple ways (see: non-problematically), but that had to have crossed the writers' minds. Is it intentional then? A reminder of Vi's insecurities, simply glossed over by Caitlyn? Does it just draw attention to the inequality of their relationship, indicate that there's further work to be done between them and individually? Honestly I feel the same way about where Zaun/Piltover is left off politically. This sort of ambivalent state that isn't endorsed (the sneers the council throws at Sevika are intentional), but is unfortunately realistic. I don't think the ending is a happy one at all. Ambivalent really is the word I'd use to describe it.

I also figure that I need to rewatch the show in full, including season 1. Thoughts might change! I'm still working things out in the brain. I do still think Arcane is a fucking beast and a triumph, and I will forever be inspired by it. I love these characters. every shipper won something and I think that's beautiful. Fortiche's animation is revolutionary.

[tossawary]

Okay, we finished "Kung Fu Panda 4" and I didn't like it. It was, at best, "okay" to me. It felt visually underwhelming, emotionally shallow, and the world it presented felt underwritten. There are bones of character arcs there that are... fine... but the actual execution felt hasty and unearned, with little sense of real danger or stakes, and they kept stomping on potential emotional depth by defaulting to jokes all the time instead of balancing that with quiet contemplation or real angst sometimes. It felt like a series of disconnected, television-quality, jokey romps.

Like, a lot of the fights in KFP1 were great because they were 1) visually stunning, 2) with real stakes and danger, and 3) serious emotional relevance. Tai Lung's escape sequence from his underground prison shows off how deadly and clever he is, building dread over the fact that he's coming for Shifu and Po. Tai Lung versus the Furious Five is Shifu's old student versus the new ones, on a precarious rope bridge, showing off how deadly and clever both sides are. (BOTH Tigress and Tai Lung are not happy Po has been chosen as the Dragon Warrior instead of them.) Tai Lung versus Shifu is rife with personal history and pain on both sides, as they tear into the Jade Palace during a thunderstorm. Tai Lung versus Po is more humorous, but it feels like relief after all that previous stress, and Po gets to show off everything he's learned physically and how he's grown emotionally.

In KFP4, the most visually interesting fight to me was when Po had fallen through the floor after the first Chameleon confirmation, so he was fighting the lizard guards in a dust cloud of inky silhouettes. It was visually different and could have presented a creative challenge with decreased visuals for Po, but it barely lasted a minute.

And none of the fights felt particularly emotionally compelling to me; a lot of them were very jokey and didn't have interesting stakes. The Chameleon is so painfully underdeveloped as a character and has no interesting emotional connection to Po. She DOES have an emotional connection to Zhen the fox, who I also felt was not well-developed, but that relationship also felt underdeveloped and without compelling emotional stakes to me, so their final confrontation didn't feel particularly satisfying. It didn't dig into the pain the same way confrontations with villains like Tai Lung and Lord Shen did.

It didn't feel like Po grew as a person at all. He didn't want to choose a replacement and then he changed his mind, but... I felt like we didn't dig into his resistance. I liked how emotionally vulnerable and also emotionally enduring Po has been in previous films, and I don't feel like we really got to see him open up and connect to Zhen properly.

Also, Po and Zhen felt like they were the same age, so... why is she a good replacement? Po didn't feel like the teacher between them. If there's a theme of "having achieved your goals, it is time to cultivate the next generation", I don't think the movie did it well. I think it would have been improved by the small change of making Zhen a child, obvious in both appearance and personality, very skilled in her own way but prone to making bad decisions and stuck in a bad situation. More vulnerable. More in need of guidance and support via Po's hard-won experiences. (Awkwafina does not make me think "child" or "youth"; her voice makes me think: "That is a grown ass woman.")

I think the movie would have been much more interesting if it had been about Po taking on his own students and struggling to be a teacher, with the different approaches needed for different children. (Movie Trailer Voice: "The Dragon Warrior takes on his greatest challenge yet..." Switch to Po's shocked face as he says: "Teaching?!") Frankly, it's a little weird that the Jade Palace doesn't have any younger disciples at this point anyway. I have vague memories of Po teaching the other pandas to fight in KFP3, but they were motivated by protecting themselves from an active threat, so it would be different.

Like, the first KFP movie came out in 2008. It has been a WHILE. Po is getting older. He's completed the arc of becoming the Dragon Warrior and Master of the Valley of Peace in the initial trilogy, sooooo... he SHOULD be looking forward.

We could open the movie with Po in some fight or another. It's cool. It's badass. Po is having a good time. Po saves the day and the local villagers, defeats the bad guy, and then at the very end... he gets a crick in his back from a relatively innocuous movement. Ow. He signs autographs for the crowd while holding himself at an awkward angle and trying to hide his injury.

Po then goes to the restaurant opening as he does in the movie. He helps open it while trying to hide the crick in his back. Both of his dads are there and concerned for him. One of them could whip out some funky "traditional" remedy for comedy purposes and Po is like, "Ugh, Dad, not again!" (This is a problem Po has dealt with before.)

Both of Po's dads should be visually older. Panda dad could have a cane now. Goose dad is still running around for his restaurant, but he's slower than he used to be and his eyes aren't so good anymore.

Goose dad has perhaps even hired a couple new cooks and servers for his newly renovated, larger restaurant. Things are changing. He needs the help. Po is too busy with martial arts. Goose dad is obviously struggling trying to teach and manage his new employees; one of the young cooks doesn't get Goose dad's explanations and Goose dad is frequently telling one of the young servers to stop playing with [object that is not a phone but is definitely standing in for a phone to the modern audience].

Po isn't surprised by this (he's obviously discussed it with his dad beforehand), but it's obvious that he feels both fondly for his Goose dad and a little sad that he's kind of been replaced. His face has a conflicted smile. He can even confide in Panda dad about this.

Or, perhaps Master Shifu is here! Master Shifu has come to the restaurant opening because he is friendly-ish with both of Po's fathers and enjoys the food. Perhaps it is implied that Shifu has come here with Po before. Shifu is by this point very used to Po's antics as the Dragon Warrior, and while he disapproves of the autographs for adoring fans on principle, he thinks such arrogance and fawning is dangerous, he by now trusts that Po's heart is in the right place and knows that Po will always put the Valley of Peace first.

Po is jump-scared by Master Shifu sitting beside him casually eating noodles. Shifu is relaxing a LITTLE into semi-retirement and also enjoys scaring Po like that. "I was here when you sat down," Shifu says calmly, and it is clear he's messing with Po. (Shifu is also visually a little older.)

Lines are exchanged which indicate their affection for each other (they've come so far!) and some of Shifu's opinions listed above. Shifu calls Po out for badly hiding an injury. Po whines about how this didn't used to happen so often. Shifu says some wise proverb about aging that Po doesn't process immediately, then Shifu translates bluntly, "You're getting older, Po, it happens."

Po whines a little bit. He gets dramatic and has some miniature crisis because he still feels young and childish at heart. There's a joke sequence where we zoom into Po's mind, perhaps with a different style of animation, as Po imagines fighting battles against bandits as an elderly panda with a long beard and a walker. Perhaps it could even be a diverging reimagining of his opening dream sequence from KFP1. He's still kicking ass somehow, there's just a bunch of jokes about the annoying parts of getting older. (The elderly Furious Five didn't show up because they fell asleep in the middle of the day or something.)

Po is snapped out of his daydream by something. Maybe one of the new servers dropped a stack of bowls, there's a loud CRASH. Shifu could be just sitting there calmly, eating, patiently waiting for Po to get back from his dramatic crisis daydream. Shifu is used to that by now.

Po is like, "Master Shifu, you're super old, right?" Shifu, unimpressed, says nothing. Po begs him for the secrets of kicking ass while being old and fragile. Shifu has some blunt, old-school badass response about pushing through the pain. And maybe Po is like, "Yeah, that's what a real warrior would do!" And then he reached for his chopsticks and somehow pulls at the crick again. Ow.

Shifu softens and says that Po has been the Dragon Warrior and a Master for some time now, he has learned a great many things, done a great many impressive deeds, and it is time that Po take the next step towards true mastery. He must take students.

Po reacts with incredulous surprise.

Cut forward. On the way back to the Jade Palace, Po is complaining to Shifu about how he still feels like a student most of the time. Shifu counters that Po taught the other pandas how to protect themselves. Po says that that was a special case.

And maybe Po is a little nervous about change, but the thing is...? I feel like Po would be REALLY excited to have his own students once he settled into the idea a little. Po is a kung fu nerd. Po should know a lot about famous master-student pairs. Po is also maybe a little lonely with the Furious Five gone. (Allegedly, the studio was not keen about the cost of hiring Angelina Jolie back for even a few lines as Tigress.) Po loves learning about kung fu and sharing his love for kung fu!!! I would love to see a character honestly THRILLED for this next stage in their life.

Po should be EXCITED to train his own "Furious Five"! He loves them! He loves that stuff! He wants his own team!

Po and Shifu get back to the Jade Palace and it turns out that Shifu (being the all-knowing control freak that he is) has apparently already selected three new children to be Po's first students. Shifu has chilled a bit but still loves planning his students' lives for them.

(The other benefit to this is that we don't have to waste valuable screen time finding these students. We can learn about the backstories as the movie goes on, but we can for now go straight into Po bonding with these new characters and struggling with meeting their individual needs.)

(I know that Universal allegedly set a strict limit on the length of the movie, because they felt like kids wouldn't be able to pay attention to a long one, and also shorter movies allow for more screenings in a day and also more money.)

Po is excited to share kung fu with these new disciples, but he gets tripped up by the fact that each of these three kids has their own personality quirks and learning styles. They have their own skills. They have their own flaws and vulnerabilities. (One of them could even be connected to the main villain of this movie somehow. A "traitor" stuck in a bad situation.) They don't always get along with each other; they're each vying for Po's attention. (Maybe one of them actually wanted to be taught by Tigress and is grumpy about getting Po.)

Po tries to cook a great meal for them to share together and he can't even get that right on the first try; the kids all have conflicting likes and dislikes. One of them doesn't like dumplings at all! The horror!

Po: "What's wrong, buddy? You're not eating your food..."

10-year-old Student (whose family was killed by the movie's villain): "The only thing that I'm hungry for... is VENGEANCE."

*lightning flashes in the background outside the window and everything*

Po: "...Okay, I love the energy, but that's not on the menu right now. We have tofu."

Student: "...I don't like tofu."

Teaching presents the opportunity for Po to mishandle various situations. He might accidentally upset all three of the kids in different ways. He might feel a little resentful that Shifu shoved him into this without warning and is barely helping. He starts to get stressed when a new mysterious villain shows up in the Valley of Peace and he has to handle that AND three struggling children at the same time. Maybe he gets a little snappish when the kids don't listen to him in a dangerous situation.

And I think Po would feel especially badly about this because of how he has been occasionally failed by each of his father figures. His goose dad discouraged him from following his dreams and has been jealous regarding Po's birth family. Shifu was an ASSHOLE to Po at first. His panda dad was tragically absent and their relationship is sometimes a little awkward. Po thought that his bad experiences would have made him automatically good at this, because he knew how to be better, but it feels like he's doing even worse.

Po and Shifu could have a great heart-to-heart over this, where Shifu ends up (indirectly perhaps) apologizing for springing this on Po, but insists that Po is already doing better than him and that he did it because he knew Po would be a great teacher. Shifu could also pledge to help a little more, Po need only ask. He doesn't have to do it alone.

(I thought that Po's dads in KFP4 didn't have a good storyline. They were overly comedic in a film that already had enough comedy on Po's side of things, and I didn't think that the attempts at emotion near the end landed. They didn't have a compelling role in the film. And Shifu was basically absent from the movie. It's possible to just hire different actors if the originals are too expensive, isn't it?)

Vulnerable students would bring serious stakes back into the fights. Po in KFP4 was essentially unbeatable, with little to fear in almost any situation he entered, because he can handle himself even against dozens of enemies by this point. But his students cannot do that! He would have to protect them! And if there's two or three of them, then he can't easily protect all of them at once. One of them could get injured in some fight to up the stakes for Po.

I don't have anything more concrete from here, because that would involve creating proper student OCs for Po and working out how their arcs would mesh with the Chameleon or another villain. I like the idea of one student secretly working with the Chameleon as per the actual movie. Perhaps another student could have actually lost their family or their home because of the Chameleon, which later puts this student in greater emotional conflict with the "traitor" student.

It's just... if the idea was to challenge Po and have him grow as a person, I don't think they achieved that effectively. He felt a little flat to me. Overly naive and condescending. I was not compelled by his relationship with Zhen, which felt a little shallow, without good chemistry, and like it was happening more between equals than someone Po could really teach. A trio of new students or something like that would have breathed even greater new life back into the franchise.

Hmmm... anything else to say... The people I was watching it with and I picked a bunch of nitpicky holes into the plotting and world building. Nothing super duper egregious. Just a lot of things that didn't add up well or could have been tweaked. (Why were the names "Steve" and "Scott" used in this movie??? It's a joke, but it's not a very funny joke, and it feels representative of a larger lack of attention to detail. It's a shallow joke at the expense of the cohesion of the world and now I'm distractedly confused as to when Western elements were established in this film franchise. Surely there was a Chinese pun to be made there that didn't have to appeal to anglophone audiences???)

I was not impressed by the "and then everyone clapped" ending where all the spirit villains told Po that he was cool. It felt like it was undermining previous storylines to have all of them find their inner peace and not try something. Like, uh, the 3rd movie starts with Kai having been imprisoned in the spirit realm for a long time and busting out because he's still a jerk, so even if Kai has magically chilled now, why are ALL of them in peaceful agreement? I would have thought Tai Lung and Shen and Kai would all fucking hate each other. This is taking off their nasty edges without having earned that development.

I feel like I just watched someone miss the obvious turn because they decided that going another direction would be "more fun" or "better" somehow, but it was not. Just take the obvious turn and give Po his own "Furious Three" kid students! (They're workshopping the name.)

[pumpkinpaix]

Spotlight 1:

"Introduction: The Single-log Bridge"

(interview questions answered by Alberto)

What drew you to this topic?

When we realized this would be the first scholarly book on The Untamed, we wanted to prioritize writers with lived experience and cultural backgrounds most pertinent to an initial discussion of it!

Was there anything you were surprised to discover while researching?

For me personally, I was surprised to see all the records that The Untamed kept setting as we wrote, revised, and submitted the collection! Some of the sources cited here were added quite literally the week before our deadline.

Did researching/writing your chapter change how you saw the text, the fandom, or the media? How so?

We had to pull together conversations on a lot of different topics for this introduction, and it was very neat to see the big picture coming together.

If there’s one thing you hope the fandom takes away from your article, what would it be?

I hope that English-speaking fandom in particular comes away with a better sense of how complex production was and how much nuance there is to the show. I've seen a lot of discussions that try to read CQL in the way they would a show made in the US or EU, and that just misses so much of what this show is doing!

What is your MDZS/CQL origin story? (i.e. how did you come to this text?)

I (Maria) started watching CQL after seeing it all over my dash and getting rave recommendations from friends in a wide variety of other fandoms! From there, I branched out into the novel and other danmei texts, both webnovels and dramas.

Favorite adaptation, if any?

The live-action drama will always hold a special place in my heart because this is how I first encountered these characters!

If you were isekai-ed into MDZS/CQL, what sect affiliation would you choose and why?

This is such a tough question XD I think I'd have to say Qinghe Nie because I admire their leadership and I'm most drawn to their style of cultivation!

What’s your favorite fictional trope in MDZS/CQL?

Soulmate tropes will always get me! Song Lan and Xiao Xingchen are my very favorite characters and that relationship is so compelling to me: I also love how Xiao Xingchen forms a little found family in Yi City for a time, later on :,)

Chaotic one-sentence pitch to get your friends into MDZS/CQL?

Picture this: disaster gays reunite after dramatic death and reincarnation, then have the slowest slowburn while dealing with post-conflict politics!

If you could ask anyone who worked any adaptation of MDZS/CQL one thing, who would it be and what would you ask?

To any cast member, I would be so curious whether they anticipated how big and visible the show became!

If you could ask MXTX one question, what would it be?

What do you think of how popular your work has become?!

What is one (1) book/media you would recommend to a MDZS/CQL fan? Tell us about it.

Word of Honor, in case there's anyone hasn't seen it yet (heart eyes)

Anything to say to potential readers of the collection?

On behalf of myself and co-editor Yue, we truly hope you enjoy it!

You can find Maria on Twitter/X @MariaKAlberto.

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