Why don’t you ever share the erotica you talk about? I want to read about the belled trans men. For purely anthropological reasons as I’m sure you can relate to.
I do, sometimes: when I've read the whole thing.
I don't want to link to anything I haven't finished. I'm basically just somewhat irrationally paranoid that I'll link to Banana Troubles Ch. 1 because there's a weird description of where the clitoris is located (it's not behind either ear, guys!) but then people click Next Chapter and it turns out the rest of this story is about racist bestiality and feet, and now my internet reputation is ruined because I get kicked off Tumblr after all the callouts just collapse the nuance and yell "FOONE LIKES F**T!!"
Unfortunately I often post about stories I'm bouncing off of, so I never finish reading them, and thus never feel comfortable posting them.
Sorry. This is just how my brain works, I don't like it either.
(for reference: I'd also link (or at least credit) the original story if I posted a screenshot or big quote. That's just standard academic practice! That's also why I don't do that, and instead describe rather than quote.)
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HAPPY FOX DAY TO ALL THOSE WHO CELEBRATE! Today's a special special AOTW because our featured author this week is best beloved @asneakyfox 🦊
Fox, I genuinely think you're one of the greatest fandom philosophers of our times, and what you write is so much more than regular old meta. Because we're all playing in the sandbox here and while a lot of us lose sight of canon sometimes, you have all four feet firmly planted in the lovely source material we've been provided with. And you don't stop there, you try to actively engage with the community, especially making sure you are keeping an eye on all the differing opinions. I feel like this is why your thesis resonates so thoroughly with different people--it's not trying to prove a point, it's very 'holmes saw a dead body and ejaculated'. You are just so smart that you make the rest of us smarter, but it's never intimidating to talk to you, and I love love love that I get to read your stories and your thoughts because of this show and this fandom.
Fox, brilliant as ever, agreed to answer a few questions for me:
What's your meta writing process like? Do you think in disparate strings about scenes and then write them down as they come to you OR is it usually a conversation or a thought that eats at you until you sit down and untangle it?
generally i'll be thinking about something, usually because i saw another post (or had a conversation about the show on discord; special shoutout to the crew on @figmentof and @scarrletmoon's servers, and especially to @glamaphonic, anything i've ever said you thought was really insightful probably came out of a dm conversation with glam) and some part of a post about it will start writing itself in my head, and unfortunately once that process starts the only way to stop it is to write it down.
even more unfortunately i never know whether it's all going to flow out easily into a coherent essay right away, or if it'll be one of those things where i write two really good paragraphs that ought to go in the middle section of a post that takes a while to figure out how to structure; i just have to start and see where it goes. some meta i've written that got lots of notes was written all at once the moment the thought struck me and posted as soon as it was done, but there's also a few that have been sitting in drafts for months as i keep rewriting the same section without being sure where it goes next.
Favourite themes or characterisations you like to explore while meta writing? (things like Ed's fisherman era and what led to it, etc)
i guess if there's a big theme i keep coming back to it's ed's character arc over the course of the show, his relationship with violence and how it affects his perception of himself and how he has to grow through that to be ready to commit to his relationship with stede. one of the very first things i ever said about the show on tumblr, way back in summer 2022, was that ed's absolute deepest fear was that he is fundamentally unlovable, so it was really a delight to see s2 dive so hard into addressing the exact issues i'd been looking at so explicitly. and of course there's also a lot of fandom racism that plays into some takes that go around about ed, and i think it's really important to call that out and push back against those takes.
i feel like it would be kind of silly to not call out izzy here too. izzy plays an absolutely crucial role in highlighting those exact issues in ed's arc, and i honestly just think the way their whole relationship develops in canon is deliciously meaty and a lot of fandom takes seem determined to flatten it out into something much more boring. so it's important to me to try to highlight the ways you don't have to pretend izzy was a secret good guy all along to appreciate the role he plays in the story.
finally i guess this has only developed over the last several months but i guess one of my trademarks now is speculation about what got deleted from s2. i've always been good at the game of watching a movie and guessing at scenes that were cut or changed, and my spider-sense for that was going off like crazy as i watched s2, and i didn't want to get too speculative at first, but as information has actually come out from samba and vico and other sources, a lot of it's lined up with what i thought. and i'm really interested in how the ofmd writers' room approached storybreaking, so it's worth it to me to try to understand this.
Whose head is it easier to get into - Ed or Stede? Why?
i guess i already answered this! i love them both a lot, and i'd been writing meta for a good while before i consciously realized i'd written a LOT more about ed than about stede, and the ed posts tend to be individually longer than the stede ones too. i think some of this is because ed's arc reads super clearly to me while stede, despite being the main character, gets an arc that's a lot more subtle and internal in some ways (and also i do think suffered significantly from the cuts to the second half of s2). and some of it's because people can be Wrong On The Internet about ed in ways i feel the need to push back against more than about stede. but some of it's just, you know, vibe.
it's always interesting to me that nearly all prolific fic authors in this fandom have a clear very strong preference for which POV they prefer - i don't think all fandoms are like that - but i guess my own alignment is obvious.
Your personal favourite thing you've written that you'd like more people to read
the obvious answer here is the one actual fic i have written for this fandom, "Nothing Could Touch It" which came out of thinking about how there's some post-s2 fic about ed reckoning with this relationship with izzy that i really like but none of it quite got at how i feel like canon's framing it. (don't worry it's not all about izzy! stede's there and there's a bunch of cuddling!)
as far as meta goes though i would call out this as the one i'm probably proudest of, this is the one where i most completely tried to lay out how i saw the show framing ed's relationship with violence during the s1 hiatus, and i think after s2 it holds up pretty well. but also since i was just talking about how i don't say enough about stede, this is the post where i tried to lay out the stuff i really admire in stede as a character.
What is the one word that you think you use a lot?
i've got a bunch of verbal tics i overuse but the one i'm self-conscious about in meta lately is "reading against the text," which sounds so pretentious and lit-crit i really wish there were another good phrase for it. but i think it's really useful as a way to clarify that sometimes i'm saying a particular take is clearly not how the narrative of ofmd is framing something but that doesn't mean you need to stop interpreting it that way. reading against the text is really fun and i recommend it sometimes! but you'll have more fun if you're aware that's what you're doing!
If you were writing his arc, keeping in mind that he stays largely antagonistic in line with the show, how would you have resolved the Izzy problem: would you have made the same decisions the writers made and written a redemption by death OR do you think that the spirit of the show specifically demands Izzy get a good guy (or not as bad a guy) ending where we see his muppetification
one of the predictions i was most confident of before s2 was that if izzy were redeemed, he wouldn't be able to remain in the cast as a good-guy crew muppet afterward. (for this reason i thought the likeliest possibility was a slower redemption arc that wouldn't fully complete till the end of s3.) several times i tried to game out what role a fully redeemed izzy could possibly continue to play within this story, or what personality traits that he showed in s1 he could even hang onto after a full redemption, and i couldn't come up with anything that felt plausible. not "loyalty to your captain," because his devotion to blackbeard was clearly toxic at the root and would need to be purged entirely before it could be replaced by anything healthier; not yelling at people to stop having so much fun and work harder, because that could work in a different story but would run directly counter to the core themes of ofmd - so what's left? i went looking at popular izzy redemption fic that tried to address that question, and some of it came up with answers that worked in the context of a fic focused mostly on izzy, but it was never anything that could possibly work in a tv show that already had established themes and would continue to focus primarily on other characters. and izzy wouldn't be able to just fade into the background with the other muppets after all the focus on him a believable redemption arc would require. so i knew once he was redeemed he'd be done as a character one way or another.
and s2 i think bore that out, honestly in a much more obvious way than i expected - over the course of izzy's s2 arc he's basically divested of all his s1 personality traits until all that's really left by the end is saying twat all the time, and Guy Who Says Twat is not a role the story's going to particularly need going forward. to keep him around after that you'd need to give him enough new traits that he'd be for all practical purposes a new character anyway.
i do sometimes wonder about a world where izzy's s2 arc saw him be offered a clear chance at redemption and choose to reject it and get worse instead. i kind of missed antagonist izzy by the end, and i wonder if a lot of people who'd originally wanted a redemption for him wouldn't have been happier with that even if they didn't realize it - a descent into full villainy would have kept izzy and his relationships with both ed and stede more central to the plot right up till the end, and in particular the sexual aspect of his feelings for ed could have stayed very directly relevant, where the redemption arc necessitated resolving that very firmly to clear it out of the way as early as possible in s2. i never agreed that ofmd's themes necessarily meant redemption for izzy was inevitable - ted lasso was much more overtly a show about redemption than ofmd right from the start, and even ted lasso let at least one of its antagonists make it all the way to the end as an unrepentant scumbag. if there's anything that meant izzy really had to be redeemed imo it wasn't the overall spirit of the show so much as izzy's role in ed's arc - before anything else izzy's narrative role was always to be a walking symbol of the part of ed that fears vulnerability and holds him back from committing himself to love, and for ed and stede to be happily together by the end of s2, ed had to get to a place where he could see that part of himself as something he no longer needs in his life but also doesn't hate anymore. nothing could have symbolized that like having ed embrace izzy as he dies granting ed permission to just be himself.
Why OFMD 🥹
you know, i could say a lot here about how i think ofmd is genuinely incredibly well-written in some ways that are really unusual on american tv. season 1 in particular is just incredibly tight and elegantly plotted, and s2 is messier but that just makes it all the more interesting to look at the constraints they were under that led to that. my day job's in narrative and i really do professionally admire ofmd a lot, which is one of the reasons i tend to think about creator intent more than some people do when i'm writing meta - death of the author is a super valid perspective but personally i'm really interested in trying to figure out why the writers made the choices they made and what i can learn from that for when i'm in their position.
so all of that's true. but also we all know it's kind of beside the point here, this is a hyperfixation, it's not rational. i can tell you i watched the first nine episodes of our flag means death and liked it a lot but in what i would describe as a basically normal kind of way, and then i watched the tenth and at some point during that episode a rat inside my brain hit the dopamine spigot with a wrench and now it won't turn off so here we are.
aaaand if you've made it to this point, please join us in evil ganging up on fox with love by sending a lovely letter to them over on @ofmdlovelyletters who was also kind enough to make this header <3
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i'm amazed by the energy that antibucktommy people bring to this show like one of the most beloved characters and one of the biggest storylines in the very first season wasn't bobby and the fact that he murdered 148 people including his wife and children and is trying to rebuild his life. it's almost like this show has been saying since the beginning that people can grow and be better and maybe we should give them the space to do that.
anyway buck and tommy were really cute this episode. and there's something so teenage giddiness about them hiding behind a couch for a fake surprise party and flirting that just makes me so happy for the sheer queerness of the experience for buck
This is honestly why I stopped interacting with a lot of segments of fandom over the summer and started curating my fyp and tumblr follows a little more intensely. All of the characters have done horrible things (some more recently than others), things that are usually regarded as unforgivable. Bobby's story is the big one, but Hen's cheating storyline, Athena's many and varied abuses of power as a cop, Chim's really pretty sus relationship with Tatiana, Eddie's fight club era and his treatment of the women he gets into relationships with, Buck manipulating Taylor (like, kind of a lot)...like they've all done terrible things and we have watched them come back from it and learn and grow and change, and love them for it.
I think a lot of it stems from the fact that the horrible things they did were not done to our faves (I'd argue the fandom didn't know Karen well enough during the cheating storyline to not feel inclined to forgive Hen for it) and the fact that the racism and sexism displayed by Tommy at first are such lightning rod issues anyway (as well they should be). And, yes, let's be real, the majority of it is what I'll kindly call disappointment that we got Bi!Buck after all this time, but not Buddie. And that's fair (to an extent...there's NO excuse for the kind of harrassment we saw over the last few months).
But the vitriol displayed towards BuckTommy and the people that ship them is just really outsized in my opinion. The show is going out of their way to show us that Tommy is good to Buck (and friends with Eddie), and that they are enjoying each other. Whether or not it leads to Buddie, don't we WANT Buck to have a good relationship for his first as a queer man? Everyone talks about representation being SO important--we have an extremely masculine characater (who has canonically been presented as a playboy/heartthrob type) discovering a new facet of his sexuality when he's nearly in his mid-thirties, and exploring that facet with a love interest that is EQUALLY as masculine. This storyline is important! It's breaking a lot of new ground and doing it in a really nicely done way.
And in regards to Tommy...I dunno, maybe it's because I've grown up in an environment that pretty much BREEDS men like BeginsEra!Tommy. Yes, they have a choice not to be the way they are--but unless you live in it, it's hard to understand how hard making that choice, or even recognizing that you DO have a choice, really is. I think it's also important to show a character who didn't remain a piece of trash human, and was able to accept that they were wrong and CHANGE. If the only way you can ever be defined is by what you were at your very worst, what is even the fucking point of changing? No one owes you forgiveness, even after you do the work to change...but nor do you deserve to be punished forever.
I dunno, I just wanna enjoy my weewoo show and I'm tired of people harshing my buzz (heh, see what I did there?) I still ship Buddie. I ship BuckTommy. Most of all I ship Buck/Happiness and I am eager to see if he finally gets some that lasts.
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