#this is why Claire left

[lexch4n]

“The unwound future” MORE LIKE ME CRYING ALL THE TEARS MY BODY WAS KEEPING

[delicatebluebirdruins]

October 1st

[insert screenshot here]

Rest in peace to the many people who lost their lives in Raccoon city

and a very special rest in peace for the infinitely spawning hip pouch despensing safe you were the real one

[monstermoviedean]

something i've been missing in s12 (and somewhat s11) is those introspective solo moments when a character is alone and finally gets to process or express what they're feeling. dean's prayer scene in 08x16 comes to mind. or even a scene like the s10 confessional where they get to tell someone how they're feeling, even if it's a stranger. i know the emotion is there i just feel like i have to dig for it, and it's easy to lose track of just how much has happened with no time or space to deal.

[crimescrimson]

The Raccoon City Orphanage in Resident Evil 2 (2019)

[todayisafridaynight]

We rlly don’t need another majima game 😭 please give other characters a chance he already had the spotlight in 0😔

lord if i speak on goro majima.

[kalakilo]

how are any of you people alive and going on with your days after watching all of us strangers

[cieric-of-chaos]

Watching the first episode of the Defenders with my lil cousins

Then getting jumped scared with a sex scene...

[breitzbachbea]

New funny as shit minor headcanon dropped, but Harry, Charlie and Soph doing extra well in their Irish leaving cert exams bc the audio is in the Ulster Dialect, which they weren't taught (they were taught Connacht) BUT Paddy learnt Ulster Gaeilge and spoke it with them. The chaos 4 stay winning.

[thebadtimewolf]

why r u so mad about ppl preferring ten x madame de pompadour to ten x martha like ten/martha will never be a thing. ten don’t want anything to do with martha. he literally said to her face she wouldn’t replace rose… and she never did… isnt canon enough for you

hm.

im glad im only a scorpio on this alone. if martha deserved better than ten then so do all of em but anyway:

this ask is giving 2006/07 i dont want to see tenth doctor in a romantic relationship with a person of color because i can't project myself or relate to them if they arent the very thing being catered to me ever since the silent pictures vibes. u know the same vibe when rtd was told to not regenerate 14 in 13's clothes. just. Ick.

but im not mad. its just interesting for a ship so big as tenrose, it is usually correlated with hating madame de pompadour and/or joan and/or river [though in joan's case they hate her not because shes racist but because shes not rose]

though comics tend to release to combat that in multi doctor stories where they jump through various alternate universes of themselves where the doctor sees themselves settled down with dr. grace holloway (for 8th dr multi doctor stories) and professor melody williams/river song (for 11th dr multi doctor stories) where in those cases, they are frightful of the concept settling down at all. [take note that both times, he settles down in the same house that he owns bc of that unit paycheck on the dl] so i am curious that with this new drs, the equivalent of this would be 13 14 15 being terrified of settling down with rose because they had grown past her as this point.

i prefer the doctor in a polyromantic ace relationship than their umpteenth 🌟tragic heteronormative romance with yt human woman number 23445788764443356743🌟 i want 14 to sweep martha off her feet in pure joy and kiss her passionately while badmouthing tf out of 10 like 9 11 12 13 do with no filter before cradling her like a baby because hes about to crumble under his brand new identity complex and then take her kid to an amusement park and then 14 trips over a brick and dies. hell i rather have nina sosanya play a whole different lady in nod to doctor who recycles their actors trope as a way to introduce a love interest to 14

that amusment park one weirdly sounds like a 8th doctor audio. pls 🙏🏾 dont make it into one i couldnt handle schezro let alone the rest of his content. Empire of the Wolf made me so fucking worried for rose marion tyler like im just she back home 🫣. as for rose tyler from the sea devil universe still out about. whoop his ass. if billie come back as HER? MISS COVER MODEL MISS DICTATOR MISS EMPRESS ROSE?

NOT

i would love for ten to be strictly friends with the new miss empress rose. get that martha karma real quick ehehehehe after all rtd did say they need freema for somethin and im sure seeing 10 get treated the same way he treated martha by no other than empress rose herself -AND THEN EMPRESS ROSE FLIRTS WITH MARTHA??? FINGERS CROSSED??? im just saying that i personally will ride on that for 8 black history months and christmases straight like woo

also real glad it is collectively decided by every one that tentoo is just john smith not corin so yay thanks big finish and titan comics

[rescuefield-arch1]

you know the fact that claire has the patience of a saint and keeps coming back over and over despite the disrespect she continues to go through about not being kept in the loop, doesn't mean she owes anyone anything ever - especially since she's battling her own demons already

[rescuefield-a]

also thinking about the parallel of sherry & claire in rc and claire & chris when their parents died - how they were both little girls with basically nothing but this somewhat adult person (...) they could count on 😭

[resizura]

i have a crack theory that capcom purposefully didnt make re1, not just because it already had a remake but because they wanted more opportunity to reboot the series without making it obvious

[beckybarnes]

Claire’s on a normal day has better deals than some of these Black Friday commercials I’m seeing tbh

[jenanigans1207]

What I wanted so badly was for Mary to learn about her boys from Cas. Like that night where Cas finds her when she can’t sleep and she expresses that she just doesn’t know anything about her sons since she missed so much?? All I wanted was for Cas to sit down with her at the table and just start telling her about them. Basic stuff at first: their favorite foods, their sleeping habits, the stuff he’s just observed by being their passenger for years.

And then I want him to say something totally Cas, like “Dean always wears more layers but that’s because his body naturally runs two degrees colder than Sam’s. But that’s normal for him and not indicative of any illness, so it’s nothing to worry about.”

And as they talk, it starts to get a little deeper, and Cas tells her more. He tells her about what she missed, about all the horrible things that happened to her sons and how they coped; how it changed them. And he tells her about Sam, he does, but really it ends up being all about Dean.

He’ll tell her about how Dean clenches his fists when he’s upset, even as he tries to keep his face impassive. About how Dean drums his fingers on the steering wheel when he’s anxious. He’ll tell her about Dean’s nightmares, about the ways he’s chosen to cope. He’ll tell her how to know when to approach Dean and when to give him space, how to gently acknowledge what he’s feeling without pushing him too far.

And with every word he says, Mary’s curious head tilt from when she’d seen them hug in reunion turns into a bone deep type of certainty. Because Cas is telling her things that only someone who paid special attention would notice. He’s telling her things that only someone very, very close to her son’s heart would know.

Cas will tell her the cliff notes of what they’ve been through; will tell her how the whole world looked to Dean and he rose to the occasion over and over again. He’ll tell her about Dean’s doubts in himself and then vehemently declare them as wrong and explain, at length, why. He will tell her about the people Dean has loved— the people who loved him like he was their own— and lost. He will tell her about Bobby, Ellen, Jody, Donna, and Charlie. He’ll tell her about Claire, too, and how Dean stepped up.

And the whole time, Mary will have this realization that oh, she may not have been around to guide and protect her sons, but there was always someone there to care for them and support them when they needed it. She will realize that she and John may have left them, but they were never alone.

But more than that, there was someone there for Dean. Someone picking Dean over and over again while Dean picked Sam, or the world, over himself. There was someone fighting for Dean when he wasn’t fighting for himself. There was someone who saw Dean, and loved him unconditionally.

Sitting across from her, at the asscrack of dawn, filling her in on all the things she missed was every mother’s dream: someone who loved her child with the kind of devotion that would break the world. And from the sounds of the stories she was being told, it did break the world. Someone whose love is entirely untainted and comes without any strings attached.

It’s so clear to her as she listens to Cas talk that Cas loves Dean with no expectations. That loving Dean is something he just does, like he doesn’t know how not to love Dean, like the possibility of not loving him never occurred to Cas. He loves Dean in a way that Mary knows can and will soothe Dean’s sharp edges and battered heart. He loves Dean in the kind of pure way that tells Mary that it will continue to endure and overcome everything without ever diminishing, even the littlest amount.

Mary, through tears, will tell Cas how she always told Dean that there were angels watching over him. And before Cas can make some comment about Dean being the Righteous Man and the interest of most of Heaven, she will place a hand over his and give him a motherly look that will convey all the things she’s not sure how to say— and the things she’s not sure Cas is ready to hear yet. And Cas will flush and look away, mumbling about how her son is very special to him.

And when she pulls him into a hug and murmurs thank yous into his shoulder, she will be comforted in the knowledge that her sons turned out to be wonderful men, and that they managed to stay together through everything. She will be comforted to know that no matter what happens, no matter her shortcomings as she tries to fill a role she never meant to leave, Sam will have Dean and Dean will have Cas.

And this time, when Cas tells her that she belongs here, she will believe him. And she will tell him that he belongs here, too.

And when Dean wakes up a few hours later and wanders in to find Mary and Cas still chatting over the table, he’ll be surprised— but pleased— to find Mary looking more at ease. He’ll be pleased when she gives him a warm hug and pats him on the cheek and tell him with all the sincerity that only a mother can muster that she’s glad that he met Castiel. And when Dean agrees, a little confused, Mary will just smile at him.

“I always said I’d like a third son.” She says, “so give him a reason to take our last name, won’t you?”

And Dean will splutter and turn fifteen shades of red as he steadfastly doesn’t look at Cas but mumbles something that suggests he’s not against the idea at all.

And Mary will laugh again and wink at an equally red Cas before heading towards the kitchen like “Cas said waffles are your favorite, so I hope you’re hungry!”

[catastrophicdisasters]

apologies, i'm still angry abt TUA S4

so, if we take out all of the blatant issues with the season (character assassination, 'resolutions' that create more plotholes than they solve, rushed scenes that make no sense, side plots that go nowhere, raymond vanishing for no reason, etc etc), what are we left with? let's see:

fatphobia (multiple jokes made about 'chubby Diego', when David just looks hydrated and healthy)

SA played for jokes (it's clear that Klaus having sex while possessed is supposed to be funny, but he's being held hostage and forced to do this for money, when we already know he didn't even want his powers back??)

cheating

problematic / borderline problematic age gaps (either way you spin it, either Five is physically 20-26 while Lila is likely mid 40s, or Five is mentally 70s while Lila is mid 40s; Aidan was 19 while filming, and Ritu was 34)

waiting for the actor to come of age before introducing a romance (we already know what some fans can be like over Five/Aidan, this will not have helped; I would be horrified if I found out the show runners had planned a romance arc with a coworked 15 years older than me and then waited for me to turn legal age to execute it)

sexism (i was reluctant to call it that but i also don't know what else to call it - Lila basically had her agency stripped away to become the love interest two men fought over; Steve wanted Five to have a romance and didn't care who with - use Lila simply because she was there)

complete disregard of character trauma (Klaus being buried alive despite it having been mentioned in every prior season that he was locked in a mausoleum by Reginald, including literally being left to die)

possible overstepping of an actor's boundaries (i've not been able to verify this, but i've seen it said that robert sheehan has requested not to do sex scenes?) (still havent been able to prove this; wasn't an issue with other roles so... hesitant to leave it)

actors requests being ignored (David asked multiple times if the Lila cheating sideplot was required, but clearly it went ahead anyway)

bad cgi

that awful vomit montage

Reginald (im not quite calling it abuse forgiveness but uh. it's not far off tbh)

i don't even know what to call this, but basically told the Hargreeves the abuse they suffered was their fault because they shouldn't even exist??

what did i miss? (im sure there's something)

from the replies:

the song in the ep3 dance scene uses a slur for romani people (and is also about a man and an underage girl)

SA dismissal (it's literally never addressed that Allison SA'd Luther last season. like, at all. everything's just a-okay now!)

more sexism (Allison's arc was also reduced to serving men; there's a single line to explain that Ray left, with no mention of why (i could go OFF about this but this post isn't supposed to be about mishandling of characters); even after everything, all her bonding with Claire comes through Klaus's storyline. also, Sloane is just gone and nobody gives a shit - Luther has one line and that's it??)

so many issues with consent (all of the girls shown in the place Klaus works look drugged / Klaus doesn't want to be there and doing any of that, it's all against his wishes / they all get their powers back against their wishes - although they do tell Ben that wasn't his choice to make / Klaus gets his powers back against his will when Allison is pressured to do it to save his life)

[theconstantsidekick]

klaus got sober, finally got sober but was made a germaphobe. he was ridiculed for finally having his shit together but having weird coping mechanisms for it. then he was made to spiral again and then killed off. he got his life on track, was an exceptional uncle/second parent to his niece and then they made him sell his body for drugs and inevitably killed him off as a junkie.

luther, who was the leader, who was smart enough to be an astronaut could amount to nothing without his powers except from being a stripper. he had absolutely nothing and no one, even sloan was ripped away from him and then he, too was killed off. lonely and unaccomplished.

ben was brought back, finally alive, granted not the same ben but he wore the same face and he had a family who could annoy him into shape but he stayed a dick, became a apocalyptic monster and credited for the destruction of all the branching timelines, and died as a monster that he was so afraid of becoming.

alison got her happy life but couldn’t sustain it. her husband left her but at least she got to have claire and for that i can give credit but she remained codependent on klaus to be her passion project that made her feel better. she never learnt why that was not healthy and then died without her daughter.

diego had this beautiful life, a family that called him their own, three kids and wife who called him darling, and love and then he was made to fuck it all up because of some obsession with the CIA, in service of a romance between his wife and brother because the creator thought an old man needed some romance. he wasn’t even shown saying goodbye to his kids.

lila left behind her assassin ways, she stopped being batshit crazy and ultra suspicious to settle down with a man she genuinely and wholeheartedly loved and trusted, only to throw it all away because his younger (and yet much older) brother found her a timeline with strawberries. she was made to give up her kids, her family, her happy fucking life when all she ever wanted was to not be alone.

viktor got dealt the worst hand, always. he was abused vehemently by his father and ignored and relegated due to no fault of his own. he was made to feel ugly and broken and small but then he realised that his family loved him even if his father didn’t. he got a chance at being normal and he took it, only for it to be stripped away from him so that he could sacrifice his life for a world that was never kind to him. he was made to reconcile with his abusive father and then promptly erased out of existence.

five. my dearest boy, young man, old fool, five. he survived an apocalypse after another. fought tooth and nail to keep his family alive and well and dedicated his entire life to make sure of it. only for all his efforts to be made futile and his snark to be mellowed. he made it his life mission to keep the world safe and his family safe only for all that to be stripped away from his character and made into a lovesick fool who abandoned them during the final battle to mope about his brother’s wife not liking him back.

there were so many character assassinations this season, GoT writers would be proud of dear old steve.