#this is what happens when you just want to talk about one episode but end up bringing up three others

[gogogoat495]

[ID: A collection of tags.

#to understand the sociopolitical and linguistic landscape of equestria one must understand that ponies are crazy racist

#comment above is correct #ponies so racist they had racism monsters that caused winter #well you know what I mean

#there is an episode in season 1 where the gang racially profiles a zebra #pinkie even sings a song about it

#pony racism is like the plot of half the episodes in this show -#oh so the one who had an entire episode about stealing land from the native people is going to talk about how pony racism is bad??? #you have no place in this discussion after everything that happened with the buffalo, applejack

#remember when people were upset at the g5 movie bc they "made the ponies racist" #and said they would boycott it and keep being g4 fans bc they dont want to deal with racist ponies

#there is a long list of races even the mane 6 have been awful to #and it is insane to me that they just never learn #it is the one lesson they never truly learn #even when they're trying to be accepting of other races they come off as awful!!! #see: the episode where yona tries to share her traditions only to be forced to act like a pony instead

#they start sending out missionaries #to teach all the other species #superior pony values

#in a later season Twilight tries to make a school that integrates non-pony races #And she has to catch herself when she says "Everypony" #She has to make it a non-accredited school because the school board in Equestria doesn't want non-ponies learning their secrets #This sounds like a lie on the internet but that's literally what happens

/End ID]

i'm gonna be honest i don't get why they say everypony instead of everybody in mlp. it's not like the word everybody is human-specific. the ponies have bodies. the word everypony, however, is pony-specific in a world where ponies are not the only people in their society, which means it would be more accurate and inclusive to use everybody instead of everypony. it all makes no sense to me

[xiaowhore]

equivalent exchange.

DRAFT. this fic is incomplete, as i've stated in this post. this has been sitting in the dungeon for a while, and i have no plans to finish them, but i posted these drafts to not let them go to waste. it is up to you if you still want to read them regardless of their incompletion :) i will be writing my original ideas for the fic at the end so you guys will have an idea of what the fic was supposed to be like.

premise. when ayato stumbles upon a drafted resignation letter on your desk, he doubles his efforts to show you the perquisites of staying by his side.

he doesn't want to lose a competent subordinate. that's all there is to it.

note. what's wrong with secretary kim au but it's definitely not the same because i stopped watching at episode 5 and have no idea what happened. anyways i think we were all expecting a ceo!ayato x secretary!reader fic at some point so here it is. (couldn't keep this gender neutral for plot reasons, so feminine pronouns were used.)

Kamisato Ayato considers himself a good boss.

Or as far as things go, he's a decent one. He treats his employees well, takes them to expensive restaurants for company dinners, and discourages overtime so they can head off early for the night. He doesn't care much for formalities, and he gets along with his colleagues fairly well. He's never heard anyone talk behind his back or complain about his attitude at work, and there aren't any rumors spreading about him (if he turns a blind eye to the conspiratorial gossip guessing his relationship status).

But he does have minor faults. Like showing a more mischievous side when work hours are over. Getting Thoma dead drunk during dinners because his half-conscious inebriated talking is a form of amusement, or riling up Itto in drinking games just because it's funny. Then he leaves Sara to clean up the mess for him, since Yae seems to enjoy the comedy sketch as thoroughly as he does and probably won't lift a finger to help even if he asked her to.

As his assistant, you're prone to falling victim to his shenanigans, silly stunts that coax out aggravated eye rolls and sighs of exasperation. Years of experience eventually shaped you up to be entirely immune to April Fools' pranks.

He's in the middle of planning another one when he spots a letter of resignation on your desk.

At first, he thinks it's your rebellious phase arriving a decade late. He always found it odd how you never retaliated against his tricks, and this may just be the long-awaited April Fools' prank of vengeance. If it is, it's particularly mean of you—Ayato does have feelings, you know? Even he would feel hurt if you told him you wanted to leave! You shouldn't take this kind of thing lightly!

Then he remembers you aren't the type to make jokes, April Fools' or otherwise, and it's that moment when he feels (proper) fear.

“[Name] wants to resign?!”

Ayato makes a zipping motion and Thoma's shrieks immediately die down, but the disbelief on his face has yet to wane. His brows scrunch together, brain hard at work in processing this piece of information, though it seems to short-circuit in utter confusion from the sudden blow.

Scandalized, Thoma lowers his head and levels his voice to a hushed whisper, “Are you sure you saw it correctly?”

“I have able eyes. Unfortunately, my optometrist confirmed my perfect vision and assured I saw it just fine.” Woe is he.

“Get them checked again.”

“No matter how much I check, it won't change the results, Thoma.”

“We don't know that for sure, sir!”

“Trust me,” Ayato deadpans, looking off into the distance, “I checked with him thrice.”

Defeated, Thoma leans back to his chair, crossing his arms while deep in thought. “You saw the letter, but she didn't turn it in, did she?”

“She didn't. No e-mail, either.” Ayato taps the table in a mindless rhythm, expression stern but the shape of his lips almost resembling a pout. “Do you have any idea why she'd want to resign?”

Thoma rubs the back of his neck sheepishly. “Is that a genuine question, sir?”

Ayato's head snaps back to look at his companion. “Why wouldn't it be?”

“...Everyone in the office knows you... tease her for your own amusement.”

“It's my way of showing affection.” The corners of his lips curl up, stretching to a twisted smile as he rests his cheek on his palm. “Isn't she just so adorable when she gets angry?”

“You really do have a rotten personality.”

Ayato waves his hand in a noncommittal response. “We're straying off topic. What should we do next?”

Thoma hums, closed fist beneath his chin. “Since she hasn't turned in the letter yet, that means she must be hesitating. For what reason, we don't know, but it's keeping her here. So before she makes up her mind, we should dissuade her from quitting no matter what.”

Ayato laces his fingers together, brow in an inquisitive arch. “And we do that by?”

Green eyes sparkle with tenacity, clashing with blue irises twinkling in intrigue. “We bribe her, sir. It's time to show off your good points.”

--

“If a woman quits her job, what do you think her reasons could be?”

Ayaka blinks owlishly at her brother, taken aback by the abrupt question. It's a sudden thing to ask, especially odd given how their conversation hasn't led to that topic at all. “Did someone resign? I haven't heard anything of the sort, though.”

Ayato shakes his head, stirring the boba tea in his hands. “It's a hypothetical.”

Which means it's real.

Ah, whatever. At least he didn't go for the “my friend...” excuse.

Ayaka warily cuts a portion of her cake, scrutinizing each microexpression flashing on Ayato's face. It's one of their weekly lunch meetings, squeezed between hectic schedules, and they more or less have a silent agreement to avoid discussions involving work if they could help it. But this time, he brought it up himself.

How peculiar.

“Perhaps she wants to change workplaces? If she's exemplary, she might have been offered a better position or higher pay.”

Ayato nearly scoffs at the suggestion. The company, old-fashioned as it is, can only be inherited by a direct line of descendants. Outsiders can only go so far, and being the secretary for the chief executive officer isn't bad at all. Last time he checked, he's been paying you generously as well—how many figures was it? Six?

“Oh!” Ayaka exclaims, holding up a finger as she seems to have figured out something. “Or maybe she wants to settle down and get married? If her work is keeping her occupied, she'll most likely take time off to find a husband.”

Ayato proceeds to choke on a tapioca pearl.

“Or she got married and wants to be a housewife-”

“That's quite enough, Ayaka.”

Ayato would rather believe the Earth is flat.

--

If Ayato were any less desperate, perhaps he would have rationalized that putting together “give her what she wants to make her stay” and “she wants to get married” is a bad, bad idea.

Unfortunately for him, he is grasping at straws, so it leaves him no choice. Yes. Definitely. There is no other option than this, obviously.

(He does not delve deeper into the reason why he doesn't want you to leave, nor does he dwell any longer on why he was so quick to think he was fine with getting married if it was to you.)

“Don’t you want to get married soon, Ms. [Surname]?”

To clarify, Ayato does not spy on other people's conversations for a hobby, but he's always had impeccable timing. It comes with the job.

He stands by the door, reaching for the doorknob to the break room, but the mention of your name forces him to a halt.

“Why are you asking me that...?” You awkwardly dodge the question, sipping on your coffee. “I suppose I am at that age, though.”

“So you do want to!” The squeal rings with a note of glee, a stark contrast to Ayato's gradually dimming mood. “Wouldn't it be nice to marry a good man? I'm sure even you have thought of it at some point! Are you seeing anyone, then? Anyone you can imagine yourself marrying?”

“No, not yet.”

Before Ayato can even heave a relieved sigh, you follow with, “But my mother is making me go on dates to see people. Said if I didn't bring home a man soon, she'd come all this way to drag me back by my ear and introduce me to her friend's son.”

“Ah, I get that...” Your friend replies emphatically, nodding. “But those kind of meetings hardly go well. And you can't exactly tell your mother's friend you don't find her son attractive, right?”

“Why not just marry Mr. Kamisato, then?” Another one pipes up, to which Ayato gives a mental salute of appreciation. “You spend most of your time together. If you're not married to your job, then you're practically married to him.”

A cackle sends his heart dropping to his stomach.

“Not a chance.”

Can you at least expound why?!

“Huh? Why not? I mean, Mr. Kamisato is on another realm of existence and I can never hope to be on the same level as him, but you look good together!”

Your face pinches to a tight frown. “Look good together? In what way?”

“When you stand side by side, it just looks... right. And like I've mentioned earlier, you spend all your time with him. Why not seal the deal?”

“Mr. Kamisato is reliable, and if you marry him, you're set for life. He's handsome too, and we've all seen his muscles at our company sports day a few months ago!”

“I've never been so thankful for team-building events. Hallelujah.”

Ayato's face burns in embarrassment hearing the dreamy sighs. Even if they think there isn't anyone else listening on them (which is false), shouldn't they exert some restraint at work?

“Please don't lust over my boss,” you assert sternly, voice ice cold. “And we have a strictly professional relationship. So don't get any weird ideas from here on out, alright?”

“Fine. Tell me that again when I'm invited at your wedding, I dare you.”

“I said-”

They wave off your vehement protests at the statement. “Then if you're not into Mr. Kamisato, what do you plan to do?”

Ayato perks up, straining his ears in rapt attention.

“...I'm going on a date this weekend,” you sigh, rubbing circles on your temples. “I'll let you know how it goes.”

Oh no.

--

“-Dinner was nice. We didn't expect the rain shower, but he ran to the convenience store across the street to buy an umbrella because he didn't want me to get wet on the way to the car. He said it would be a waste if my hair got ruined since I-”

Slurp.

“...Styled it for the occasion. Then he drove me home. I found out we liked the same band from the music he played, and we agreed to-”

Sluuurp.

“-Go to their upcoming concert together. Then we somehow also like the same novel that's getting a movie adaption soon, so we also promised to see it-”

Sluuuuuuuuuuuuuurp.

“Could you please refrain from making noise when eating, sir?”

Ayato decidedly does not comply and only slurps his boba tea harder, nearly choking on a tapioca pearl yet again.

As always, you learn to ignore him.

“Concert... and a movie. I'm not sure about the concert, but the film you're talking about is the one coming out in the next two months, right?” Thoma confirms, sweating when Ayato's expression turns visibly grim. “You plan to see him for that long...?”

“Even if dating doesn't work out, we can always become friends, can't we?” You shrug, taking a bite out of your sandwich. “He seems like a nice guy. We get along really well, considering we've only met once. I ended up agreeing to a second date-”

The passive-aggressive slurping persists for the following afternoon.

--

“I've been meaning to ask for a while,” Thoma treads carefully, noticing Ayato's rapid-fire typing—no, striking—on the keyboard, “Ms. [Surname] is good at her job, but you seem really... eager to make her stay, sir.”

Ayato's fingers halt in their movement, and he takes a second to flash his business smile. “Of course. She's a valuable asset, and I'd be foolish to let her go.”

“Yes, I'm well aware, but...” Thoma scratches his cheek, looking off to the side. “You didn't go to such lengths when your former assistants resigned from their post. Or, uh... you fired most of them.”

“Yes,” Ayato simply agrees, still smiling, “she's competent. You don't find anyone like her easily, so it's only natural I'd want her to stay.”

“What do you mean by 'anyone like her,' sir?”

Thoma is awfully talkative today. Ayato might need to feed him something spicy to shut him up.

“Ms. [Surname] is special.” The words smoothly leave his lips. “Does anyone else have the meetings and company events scheduled for the next month memorized? She's the only one I can count on for work matters.”

Thoma's shoulders slump. “Okay, let me get straight to the point. Do you-”

“Mr. Kamisato?”

Thoma nearly jumps out of his skin at the sound of your voice, accompanied by the clack of your heels.

“What is it?” The cold smile on his face finally melts to something more genuine, softer around the edges and looking especially radiant. It's welcoming, like your arrival counts as a joyous occasion, and he is exponentially more attentive compared to the way he lent Thoma half his ear (the other preoccupied with a phone call, which he swiftly ends the moment you walk in).

“I came to deliver some files from Ms. Miko... did I interrupt something?” You gesture to Thoma standing idly by the side, dumbfounded from Ayato's inconceivable behavior.

“Not at all. Is there anything else?” Ayato accepts the documents, noticing your hesitance to leave.

“Ah, yes, I will be asking for time off tomorrow.”

That's... rare?

But it's not a hard request. Ayato's own schedule is blank for the most part, since the latest project wrapped up not too long ago, and the workload is lighter than usual. Missing one work day won't do any harm.

“It's fine, but could I ask why?”

You fidget, tentative as you reply, “I was invited... for a trip on a cruise. He insisted I come since his friend bailed on him and the tickets would go to waste.”

The warmth in his eyes freezes over.

“The tickets would go to waste...” Ayato repeats under his breath, mockingly cruel. The tone flies past your head but it hits Thoma full-force, making him sweat profusely.

Distasteful. An utter disgrace of a man. The magnitude of his ignorance is so awe-inspiring, I have to applaud. I must give credit where it is due, and the foolishness of this clown is truly impressive. “The tickets will go to waste,” he says? His money must worth more to him than his dignity. Inviting Ms. [Surname] to a date on a workday with no regard for her schedule is one thing, but making her out to be an afterthought as a substitute for his original travel partner is another. How shameful. This is no way to treat a lady. If Ayaka were to be with a man of his caliber, I would never allow it.

But what he says outloud is of course, “I see. I hope you have fun, then.”

--

Corporate events are, for the most part, adequately entertaining.

Preparing for it is not.

But the worst part isn't even brainstorming themes, or finding an appropriate venue, or planning the logistics, or writing the guest list.

It's choosing what to wear.

Actually, the cause for Ayato's headache isn't even what attire he'll go with. It's yours.

“That looks wonderful,” Yae praises, looking at the picture on your phone. It displays a silver necklace, a tear drop topaz encased in a diamond twist. It pairs well with the dress you bought with Ayaka last week, an elegant fit that accentuated your curves.

However.

“He chose that for you, didn't he?”

The stoic line of Ayato's mouth twitches and his eyes can't help but sweep over your screen, scrutinizing each grainy pixel.

Though he has plenty of insults prepared at his arsenal, he can't find anything to nitpick about. Damn it. It's a good choice.

“You'll look stunning,” Kokomi assures good-naturedly, smiling in delight. Ayato does not doubt that will be the case, but he's sure he would be in a foul mood the entire night if he were to see you adorning it.

He has already retrieved his coffee from the break room so he excuses himself to his office, long strides that lead him out of earshot.

As a result, he doesn't hear the following conversation.

“Why this, though?” Kokomi asks, looking closely at the accessory. “It's a simple design. Doesn't look like something a man would pick from the rest.”

You shake your head. “I just told him I wanted something blue, and I couldn't choose myself because there were too many that caught my eye...”

“Blue?” She echoes, a simple curiosity. “Why blue?”

“...It's a pretty color.”

--

It is an actual coincidence that Ayato runs into you in the middle of shopping.

You're hunched over a display stand showcasing a variety of earrings, deep in thought as you observe each one. You're doing that thing where you scrunch your nose in concentration, a habit Ayato doesn't think you even realize you have.

“Fancy meeting you here, Ms. [Surname].”

(He wonders what face you would've made if he said “You go here often?” instead. Probably some degree of disgust.)

You blink, correcting your posture and nodding in greeting. You don't look particularly thrilled to see him, but at least you're unbothered by the prospect of seeing your boss on a free day. “You're here to shop too, Mr. Kamisato?”

Ayato smiles amicably. “I am. Were you planning to buy earrings?”

“Yes, but...” Your gaze returns to the display, your own smile faltering. “It is a bit difficult to choose.”

He walks over, scanning the variety up and down. “Is it really? You only need to choose a pair that matches your necklace, right?” He focuses on shades of silver, bypassing the vibrant colors of reds and pinks. Not even fifteen seconds later, he picks out a card and holds it out next to your ear. “This one looks nice on you.”

“Huh? Really?” Perhaps surprised by his swiftness, it takes you a moment to react accordingly. You take the card from his hands and flip it over, eyes widening by a fraction. “Oh. It is rather pretty.” Then they widen further as big as saucers. “I can't say the same for the price tag, though.”

“Hm? What price tag?”

He plucks the earrings from your hands, walks to the counter, and pays for it without a second thought.

“M-Mr. Kamisato?”

“Pull up your hair.”

“Eh? Oh, okay.”

You're so caught off guard that you unwittingly do as he says, tucking your hair back obediently and still processing the last two minutes.

His fingers tug at your ear, warmth bleeding to your skin, and by the time you return to reality, he's already putting the earrings on you.

STORY FLOW.

ok i lied i actually can't remember shit about this fic so i will be making up stuff as i go lol

what i do remember clearly is that the resignation notice that ayato found on your desk is years old. you meant to submit it way, way back when ayato was tougher on you, and you weren't as well-adjusted as you are now to the job yet. as stated in the fic, being ayato's secretary is no easy task—he'd fired countless people he thought was incompetent.

you fought a number of times, and you didn't know if you could keep up working for a man you thought was simply incompatible with you (in terms of being colleagues/partners).

but over time, you learned to work together. ayato acknowledged your efforts and hard work, and you knew ayato had been trying to give you less jobs to reduce your workload, but you were going to prove that hou could handle it.

what truly made you appreciate ayato more was when you got stranded at the train station. you dealt with a far company they collaborated with, but work ended later than expected, and you'd missed the last train home. taxis were an option, but youd have to go through several of them to get back. right when you were thinking of checking into a hotel, ayato informed you he was already on his way and drove a couple of hours to get where you were to bring you home.

time continued to pass, and that brings us back to the present. you were on the process of cleaning up your desk and left the old resignation notice out in the open by accident, which led to ayato seeing it.

it is very apparent to the others that you two like each other, but the involved parties themselves are unaware of it. you currently aren't eager to get married, but you were trying to meet people so your parents would stop bugging you about still being single.

anyway, ayato bought those earrings for you. timeskip to the corporate event. you unconsciously picked a blue motif for your outfit because it reminds you of ayato.

when you get there, surprise, surprise. the man you were meeting, kazuha is a bigwig, heir to some other corporation. he actually owned that cruise he invited you to and pretended he didn't because you might be intimidated. ayato didn't think the kazuha he knew and the kazuha you knew were the same person, and now the advantage he had over him was ruled out (i.e being rich). (actually while i was rereading i was surprised i didn't mention that it was kazuha...? istg i was imagining him the whole time i wrote about him)

anyhow, as it became later in the night, ayato wanted to get you home before kazuha could offer to drive you back or worse, spend the night with him. ayato acted drunk so you'd tend to him and accompany him home while his driver was in charge of taking you to his apartment. as you were nagging at him, he compared your interactions with him to yours and kazuha's. you were certainly nicer to that man. smiled at him a lot more, too. did you really like him that much?

if you did, could he let you go?

he was ashamed that he couldn't answer it right away. as if he had any right to whatever you do.

you carried him to bed when you got to his apartment, but when you were preparing to leave, he hugged you from behind. do you like that man? why do you want to leave me? why can't it be me? ayato was just pretending to be drunk, but he felt dizzy now, soaked in your scent. he said things that he wasn't supposed to. things that he couldn't take back. things that would change your relationship forever.

slowly, you took away the hands wrapped around your waist. ayato figured that was a message of rejection.

but then you pushed him back down on the bed and you straddled his lap. his mind was silent for but a few seconds before he started screaming mentally.

i've always wanted you, but i knew it was impossible. you have a fiancee. i'm an ordinary worker. your family won't accept me. ayato's mind was in a daze because your face was so close to his, and all he could see was the red, glossy shade on your lips, but he managed to hear those few sentences.

it doesn't matter. nothing else matters. i can't marry if it's not you. if you accept me, i swear i'll make you happy.

from here on, it could be a happy, fluffy ending where turns out, you were tipsy so you were more honest with him and you fell asleep in the middle of kissing so he took it upon himself to change your dress into something more comfortable and end the night with a forehead kiss...

...or you could continue what you were doing and the first thing ayato takes off is the damned necklace so he could replace it with a smattering of hickeys. your choice ^^

[that-hazbin]

Sorta AU/story idea where Alastor's a serial killer but he doesn't... completely realize that he's a serial killer.

He's super mentally Not Okay with a whole load of traumatic baggage, and sometimes when he gets past a stress threshold, he sort of... blacks out. Not faint, exactly, but his body moves on autopilot while his consciousness is just. Not there.

The first time it happened, he was fourteen. His father had beaten him black and blue, and left him limp on the floor to go beat Alastor's mother. When Alastor came to the realization that his mother stopped moving, his vision went blurry.

When he regained consciousness, his father was on the floor, bleeding from the head, eyes glazed over. It looked like he fell and hit himself on the corner of the dining table. Alastor lost both his parents on the same day.

After that, Alastor started having "episodes" a bit more often. A majority of the time, he manages to get home, and when he wakes up, he's hiding under his bed or in his closet, confused as to how he even got home. He doesn't want to be admitted into an asylum, of course, so he keeps quiet about this.

Sometimes, though?

Sometimes, he'll wake up knee deep in water, staring into the dark of a bayou. Sometimes, he'll wake up half-submerged in his bath, red going down the drain, with no clue as to where he's injured. Sometimes, the person who was screaming at him before the episode hit just went... missing the next day.

Alastor keeps quiet.

Naturally, when Alastor dies, he goes to hell. He doesn't remember the crimes, but he did commit them regardless. Of course, when people ask him what he did to end up down there, he can't give a real answer. The truth of the matter is that he doesn't know. Sure, he has... suspicions. Theories. But he doesn't know.

Things happen. He has several black out episodes in Hell before they simply stop happening, because he's stressed all the time and he can't just block every single second of every day from memory. He learns how to consciously survive in hell. Makes a name for himself.

Things roughly stay truthful to canon from there.

Then, one day, Charlie has a brilliant idea for a hotel activity. Part of redemption means acknowledging what brought you to hell to begin with, and what you can do now to make up for those actions! They go around the room, talking about the sins they committed, and what they can do now to improve. Alastor fully intends to stay out of the activity, he's not working towards redemption after all, but... Of course, Lucifer has to taunt.

Lucifer: What, you're just gonna sit around judging us?

Charlie: Er, dad—

Alastor: Hilarious coming from you, your majesty, truly. In any case, your memory seems to be failing you, I'm not here for redemption. I have no reason to participate.

Lucifer: Uh huh, neither is the bartender or the maid, you think you can be exempt just because you're staff? I'm the King of Hell and you don't see me skipping out. And here I would've thought you would have taken the chance to brag about the fucked up shit you did up there.

Charlie: Hey, guys, I don't think—

Alastor: Husk and Nifty are grown adults who are perfectly capable of making their own decisions. I am also a grown adult, and my decisions don't need to reflect theirs.

Lucifer: Oh, I see, you're a coward then?

Alastor: Believe whatever you want to, it makes no difference to me.

Lucifer: Sure it doesn't. Why don't we make this a game, huh? I'll guess your sins, and you stop me when I get it right.

Charlie: Dad, Alastor—

Lucifer: Can't imagine you fucked before marriage or anything, I mean, you scream prude. Bet you died a virgin.

Alastor: Hah, I wouldn't know. Are you done with your childish taunts, or are you going to allow your daughter to continue?

Lucifer stops dead, both because of the reminder that he's interrupting Charlie's activity, and also because he's replaying Alastor sentence back in his head. And, as the father of lies himself, he realizes that Alastor... wasn't lying when he said he didn't know.

Charlie: Great, yes, thank you Alastor! So, anyways—

Lucifer: Wait.

Charlie: Dad!

Lucifer: Seriously, wait. Bellhop, what the fuck do you mean you wouldn't know?

Angel: ... Oh shit.

Alastor: ... Charlie, continue your activity.

Charlie: Uh.

Lucifer: Oh, FUCK YOU! No, what the fuck did you mean by that?! What, were you like, drugged or—

Angel: HEY LET'S TALK ABOUT MY DEEP DARK PAST AS A MEMBER OF A MAFIA FAMILY!

Charlie: YES THANK YOU ANGEL LET'S TALK ABOUT IT! I'M VERY PROUD OF YOU FOR VOLUNTEERING!

Alastor gets the fuck out of dodge, and Lucifer finally gets the hint that he definitely stepped on a landmine that he very much should have not touched. Unfortunately, Lucifer alongside everyone in the hotel are left with a misunderstanding regarding Alastor's history.

[kudouusagi]

Animedia Uryuu Kyouko interview

Not skating but playing karuta!?

Q: What is the scene that you though "this is hot" the most during?

A: While they were playing Karuta! Please feel that true breath of life!

You'll be able to see all sorts of firsts!

You'll be able to see how Sakurayashiki and Nanjou interacted while they were young!

Just as the title says, you'll be able to see their morning routines!

You'll be able to see Hiromi-chan in love!

Click to read the rest of the interview

We asked Kyoko Uryu for secrets about the production of the OVA! 

--It's been just about 4 years from when the first season was aired on TV, and the OVA is going to be shown in theaters soon. How did you determine how production would go?

While we were making the first season, people would often say things like "I'd like to do this type of thing in season 2" so there was a strong desire to continue in the production team. So it was determined we'd make a season 2 very soon after we saw the reaction to season one. However, since it's an original anime without a work to base it off of, and the staff had plans to work on other projects, we figured it would take a while to make another season. We decided to produce an OVA before the second season, as we wanted to deliver something new in the meantime, and also as a gift to express our gratitude to the fans who would be waiting for a long time. That ended up taking quite a while too though......(sweat). Thank you so much for waiting......!

--Uryuu-san, please tell us your favorite part of the OVA, that's an "Omnibus story about their everyday lives"

We wanted to make something we couldn't do in the series, and we wanted to make it something that us as the staff would also want to see, so this is an episode we made from all of our ideas. I can't say much about the content yet because it would be spoilers, but I can tell you now that my personal favorite point is the theme song! Not only is it sung by Reki and Langa, the lyrics that Utsumi-san helped produce are amazing, so please listen to the full version on the OVA bonus CD!

--In the commercial currently available, we see Sakurayashiki and Nanjo in their highschool days. Was the part set in the past something you came up with after it was decided there would be an OVA?

Well, we had decided that they've been "frenemies since childhood" before this, but we started from wondering how these two would have been during their school days if they fight like children even as adults..... That's how we went about creating this story. We hope you enjoy seeing their former daily lives(?) that we aren't really able to depict in the main series.

--If there's a character that your impression of has changed, or you've found a new appeal because of the OVA, please tell us!

Kikuchi! Kikuchi is a mysterious character by nature, but I think you'll see a side of him that's completely different from the image you have of him from the TV series.

--Other than the second season that's already being made, there have been various collaborations and pilgrimage tours held for this series that's been loved for a long time. Is there anything that you personally want to see happen for SK8, Uryuu-san?

I feel like the fans of SK8 have a deep love for this series, so if I ever have the change, I'd like to have a tea party or something like that to talk with the fans about the series. I'll never forget about how enthusiastic the fans were at the talk event held during the pilgrimage tour last year (lol). Other than that, I'd like to be able to have a Canada episode someday and be able to hold a Canada pilgrimage tour...... of course before that I'd like to go to Canada with Utsumi-san for location scouting!

--Finally, please give a message to everyone waiting for the OVA to go one sale and the theater screening!

Thank you so much for waiting 4 whole years. 

The OVA is made for the fans who are overflowing with love for SK8, and I think it's packed full of rich content for them so please look forward to it!

The limited time theater screening will of course contain the OVA itself, but we also plan to deliver specially edited footage from the first season so that everyone in the theater can enjoy it together, as well as behind-the-scenes talks with the cast and director. There will be footage only shown in the theater so I hope everyone will enjoy it together before the OVA comes out. The OVA packaging will be just as elaborate, if not more than, the series packaging, so we hope you'll pick it up and watch it over and over again!

[poettheythem]

Can I say something. I am still so mad about Good Omens season 3 being a 90 minute episode. Listen I understand what happened with Neil Gaiman and I am upset about it too but the thing is he stepped down from season three of Good Omens. He stepped down and the other writers know that season three was suposed to be and Amazon instead of making the third season of a show that is so beloved and has a cult following is reducing it to a 90 minute episode, and you know why they're doing it. Its not because of Neils allegations and we all know it. Good Omens is being fucking nerfed because its gay. Season two was filled with queer characters in the forefront, had an amazing representation of a disabled character, had trans character, gay characters, gender fluid characters, black gay characters, It was a GAY fucking show. and now its being killed. Componies are taking Neils allegations as an excuse to cancel queer shows.

Dead Boy Detectives was NUMBER ONE on netflix when it realized and I didn't see any promotion from Netflix or anything of the like. People LOVE the show and its fandom is still active and wants the show to return. But oh it got cancelled due to neils allegations and totally has nothing to do with the fact that the show features gay and POC main characters with amazing representation where their identity is not their whole personality. Netflix was just chomping at the bit to cancel a show like that because its not the cis straight white media that assholes say are the only shows that can exists.

The Sandman is from the same fucking universe as Dead Boy Detectives and I don't see it getting cancelled or reduced to a 90 minute episode. Because its not explicitly gay. Yeah all the fans love Hob and Dream and I do too but its not actually cannon. Producers LOVE queer coded characters to make lgbt+ viewers interested and still not have to actually be inclusive or anything and The Sandman has that. The Sandman was never questioned as the direction the show would take without Gaiman and is allowed to live. Fuck I mean Disney never said that they were taking Coraline down or anything of the like because ITS NOT GAY. All the shows and movies that don't explicitly have queer characters have been FINE this whole time, no one was killing American Gods, no one is touching Coraline because oh its a beloved film and I grew up on it, Well guess fucking what I know so many people that grew up on Good Omens and it was the first time they felt seen as a queer person, Good Omens has a cult following too and I my entire life have heard people talking about Good Omens as a show everyone needed to watch. But his gay shows that already have material written for its next season(Remember Dead Boy Detectives is a comic series as well) are being killed

So no its not because componies are supporting victims its pure homophobia that is the reason these shows are ending like this and I am still mad.

[lunarriviera]

What are your thoughts on the last ep of under the skin...that cant be shen yi right...im seeing a lot of twin theories but thats a weird plot twist honestly 😅

to answer this question i guess i have to get up off the floor first, where i have been lying facedown and motionless since uts2 ended over a week ago. two weeks ago? yesterday? today? i don't know anymore i've lost all track of time, who are you? where are we?

oh right—the s2 ending. you must mean this scene, right? what a great way to end things! du cheng, happy, walking to meet a group of friends at his birthday party! truly wrapped up the whole drama, and left us in such a heartwarming place with our favorite characters!

...oh you didn't mean that ending? you mean there's another one?

[mindless screaming behind the cut AS WELL AS SPOILERS]

[and this winds up being about all of s2 as well as the final tag, OOPS]

so okay listen before i can even address this without the mindless screaming, i have to level with y'all here: s2 was rough on me. there are only like three du cheng stans in all of anglophone cdrama fandom and i'm probably two of them ( @wannings-wontons is the other one, thank god for her). i've written eleventyleven fics from his pov so i am ferally protective of my big stupid hot cop son. this season put him through the goddamn wringer and for my taste there were just a few too many scenes of du cheng looking like he was about to burst into tears while shen yi was smiling winsomely, for all the world as if he were not the one personally causing his captain to experience devastating mortal agony. allow me to demonstrate.

in the driver's seat: unspeakable anguish. literally can't talk.

in the passenger seat: hey nice air conditioner! guess what i have a new friend! i spent the night at his place, talking about infinity and human potential! in a few more episodes he'll be a murder suspect!

(i'm getting to the cliffhanger, believe me i'm getting there, no really i am, we just have to spend a minute dealing with the divorce arc first)

because, while i absolutely adore angst bambi (as @whomst-art-thou-whomst-whomst has immortalized him), and thanks to @elenothar have firmly adopted him as a most beloved emotional support twink (not least because i suspect tan jianci is himself kind of a genius; no triple threat should be this good of an actor), i also honestly not infrequently this season wanted to drag shen yi into the men's room by his pretty hair and flush his pretty little head down the [redacted] until he came to his pretty little senses. because while later in the arc he clearly is, you know, attempting that deep-cover thing, and has to reject du cheng to his face, right in front of Evil Eugenicist Art Critic Weasel Man, in order to gain Weasel Moriarty's trust, etc.—

there are also a bunch of times when du cheng is visibly upset and miserable and in genuine pain, and shen yi just laughs. literally laughs at him. like tan jianci what are you doing, do you want the audience to dislike you? how are you trying to play this?? are we supposed to think, wow shen yi sure knows what he's doing? are we supposed to think he suddenly has the world's worst taste in men? because long before Weasel Man smashes a vase and snaps at his lab assistant and possibly kills someone and has assorted tantrums which start to tip off shen yi that maybe his new bestie is kind of a bag of dicks—long before that starts happening? shen yi just likes that guy. he LIKES him. enough to quote whitman to him (fang kaiyi you take his queer name out your mouth); enough to stay up all night painting the stars with him and we don't know what all else. enough to hang out in his lab for days on end, listening to junk science and pretending to understand the human genome and just what. shen yi. WHAT. he's literally a Bond villain styled like an asymmetric reptile—all this, just because he's tall? and he's gone to the symphony a few times? what, because he negged your painting, and that turned you on? i shouldn't have said any of that, but i did; and now i refuse to take it back. because inside me are two wolves, and they sound like this:

one wolf has been extremely online for many years, and thinks she's very hip and chill and jaded. this wolf talks in memes and laughs at herself, and she's like: “haha fun drama! Solving Crimes Through Art! lol i can't believe this turgid love song playing over a romantic montage, wow it's so stupid.” and also: “lmao divorce arc so hilarious, WELCOME HOME CHEATER lol get it, good joke right?” and: “oh my god why is there another pointless cliffhanger, they will NEVER GET a s3 what are they thinking. this scene is therefore not canon and can be safely ignored, just like the s1 tag turned out to be a ~~~dream."

but the other wolf is lying motionless in her barrow in the darkness flat on her stomach in mouldering leaves and mud head resting on crossed paws staring into the night with her old yellow eyes and she says they stabbed my son and left him alone in his blood and the last thing he saw was a cruel face worn by the boy he has come to love a boy standing at the end of the alley looking down at his phone who then moves past him and keeps on walking

and then, you know. then i lie on the floor for a week! which is fine, i'm an extremely psychologically healthy person who has certainly not at all outsourced her entire emotional well-being to an imaginary public safety bureau criminal investigator on the coast of southeast china.

so what do i think about the cliffhanger? here is what i think about it; and again, sorry for the hatchet job on shen yi but it was relevant:

1. i do think it's a dream, yes. they've already played that game with us—we waited two years to find out who was carving up shen yi's creepy murder-red self-portrait and whomst should it be but…nobody! just shen yi having nightmares about his future fling, apparently. (notice, too, how fang kaiyi GRABBED that craft knife, which shen yi had deliberately left on the easel, and didn't even ask why it was there. he might be tall and elegant and have good taste but he's nowhere near as smart as you are, shen yi. do better.)

2. whose nightmare is it, though: shen yi's, or du cheng's? remember that the first time du cheng meets fang kaiyi, he tells shen yi, "he reminds me of someone: the old you." (and shen yi laughs merrily, even though nothing about that is funny, either the observation or du cheng's immediate mistrust and jealousy. TAN JIANCI WHAT THE HELL ARE YOU DOING). then, later, on the precinct rooftop, after the case is all over, shen yi confesses yet again that there's something in him that's not altogether good, that he has quote "demons," and that if he hadn't met du cheng, he might have gone down some vague unspecified dark path. not quite sure how a portrait artist was gonna become a mass murderer or whatever, but okay i guess. there was something off about shen yi 1.0, and du cheng could see it even a decade ago and he didn't like it then any more than he does now.

given all that, then, the nightmare is probably shen yi's. he's prone to them anyway, and he knows now how badly he's hurt du cheng, and that he came dangerously close to, well, getting into bed with the enemy. i don't think it's even until fang kaiyi is so limpidly nonchalant about zhou shanshan's death that shen yi's inner moral compass comes shrieking back into play (and then it really does; shen yi who never raises his voice out there just shouting that man down).

there's one argument to be made for the case that it's du cheng's nightmare, though, which is the way that he looks up at the camera at the very end of the shot, and laughs. shen yi 1.0 is standing too far away for that to be his point-of-view. so who's standing over du cheng? and who would he laugh at, in recognition, like that? shen yi 2.0, presumably (or 3.5? not sure what version we're on anymore).

either way here's my final observation, and then i swear to god i'll shut up, before the shen yi stans come for me like maenads. i was chatting with @wannings-wontons and she said something that absolutely blindsided me, which is that the cliffhanger literalizes the arc of the series: shen yi did, in fact, metaphorically stab du cheng in s2. why else would either of them dream that? du cheng being badly, even fatally wounded by arrogant young artist shen yi is precisely what happened during the divorce arc. and their reconciliation was so heavily censored as to be, to some of us anyway, unpersuasive. (two cops, talking on a rooftop all night! five feet apart cause they're not gay!) as @wannings-wontons said: "the last scene just reflects how badly hurt he was. and we're left to decide whether he'll recover."

so which is worse, dreaming that your lover stabs you? or dreaming that something twisted inside you stabs the man you love?

tldr, shen yi doesn't need a soap opera evil twin: he's his own evil twin, and he knows this. and what is more, du cheng knows it now too. if there's ever a third season, which seems completely impossible to me, the writers have to know that they have NOT fixed this.

fortunately, we have something censored production companies don't have, and it's called fanfiction. so bring on the episode codas, my friends. bring on the long painful conversations and the shouted arguments (du cheng never even got to yell, except once in a parking lot because he was frantic). bring on the tender reconciliations that can only come after those blowout knock-down-drag-out fights, and are therefore real and grounded, not stilted, wooden, woefully inadequate mockeries of reunion. let people throw furniture and cry and try to explain and plead and confess and even, sure, why not, grab the other person and kiss him breathless, and say I don't want to do this without you, say don't put me through that ever again, say but this isn't enough and I need something different, say okay then let's figure that out together, say i'm sorry i hurt you, you're the most important person to me and that's the last thing i ever want to do.

it's up to us, not to leave them there in the alley like that. but the good news is if it's work, it's only work. and it's our work to do.

[unsoju]

✿ thinkin bout you. 𓂃 k. kozume x f. reader

cw. word count ; 1.9k. part 2 of ; trust. trust who? beach day episode. anxiety. kind of insecure! reader. kuroo appearance. keiko already knowing about kenma and reader. kind of suggestive? they don’t do anything, but they mention things that happened in part one.

syn. after the mishap with kenma last month, things have gotten more and more awkward, and you have gotten less you, as time goes on. keiko invites you to the beach, in hopes of cheering you up.

It’s a good day for the beach. There aren’t too many people here, because it’s a Monday. The sun is out, but there are still clouds in the sky, so it’s not swelteringly hot out. You’re with your best friend, skipping school with no consequences since your parents already said yes to a beach day.

Beside you, Keiko is laid out on her beach towel, letting the sun beam down on her skin as she hopes and prays for a good tan. You, on the other hand, have your knees pulled up to your chest, sunglasses on, and you’re reading a book.

“Are you still reading that godforsaken book?” Without looking over, you can tell Keiko doesn’t even have her eyes open. She knows you too well, she could probably predict your every move at this point. You do, in fact, look back, though, a smile on your face. Her eyes open and she props herself up on her elbow, tilting her head. “We are literally at the beach, Y/n. Like, the sun is out, the waves are crashing against the sand, or whatever. Enjoy the sun!”

You sigh, but make a show out of closing your book and setting it to the side. Your arms end up wrapped around your legs and you rest your cheek on a knee. “It’s hot. I can’t just sit there and tan like you do— I get bored. Why can’t we go in the water yet?”

“Because Kenma and Kuroo haven’t shown up yet.” Your stomach drops at the mention of his name. Your eyes dart away from her, now glued to the water. “Besides,” she says, laying back down, “I still have a few minutes left before I can stop tanning my front side.”

“Kenma and Kuroo are coming?” You ask, voice quiet and distant. You haven’t talked to Kenma in weeks. The thought of seeing him again makes you nervous. Briefly, you’re insecure about the swimsuit you’re wearing, but then remember that night in his room and stop.

“Mhm. It’s their senior skip day, that’s why my parents said yes to me skipping too.”

You hum in response. That makes sense, logically, but that doesn’t mean you have to like it. You sigh and glance back at her once more. She looks so peaceful— so happy. You with a resigned purse of your lips, you stand up. “I’m going to get ice cream. You want strawberry?”

Her answer barely reaches your ears as she mumbles out a yes. You brush the sand off your hands and look out to the water again. You think you might want to go home again right now. There’s a few people lining the beach; some college kids playing beach volleyball, an older couple sitting very close to the water, a singular woman laying down and enjoying the sun.

You take a deep breath and try to calm your nerves. For a moment, you start to think about excuses you could use in order to escape. But then you think back to when Keiko was so excited that you agreed to come today, and a frown finds its way onto your face.

As you make your way to the ice cream shop, you can’t help but zone out. You try to keep your eyes in focus, but they just can’t. you’re too focused on Kenma and him showing up and the possibility that he told Kuroo what you two did and how Kuroo is going to snicker at you and judge you and—

A familiar laugh pulls you out of your thoughts. It’s loud and it’s annoying and you look up to see Kuroo and Kenma walking straight towards you.

Now, you have two options; there’s a group of bushes beside you. You could jump in and hide from them, risking your dignity and also the fact that it would probably hurt. Or. You keep walking, chin high, and pretend nothing is wrong.

You glance at the bushes, then back to the pair, and slowly realize that Kenma has already spotted you. You wrap your arms around yourself and go with a secret third option.

You put your head down and speed walk past them, ignoring Kuroo’s greeting and Kenma’s cat-like eyes burning into your skin.

There’s no time to think about what just happened— how embarrassing and plain rude it was— because you’re at the ice cream shop in less than ten steps after passing the two boys. Just like the beach, there’s not a lot of people there; two people working, and one person sitting down at one of the tables.

You’re less than a yard away from the counter, when there’s a hand on your shoulder, spinning you around to look at them. Kenma stands in front of you now, shirtless and a little out of breath. Did he run back here? 

There’s a sheen of sweat covering his body and, in the sun, it almost looks as if he’s sparkling. You want to throw up. Instead, you plaster a smile on your face and blink a couple times. “Hi, Kenma. Are you getting some ice cream, too?”

If possible, his face falls even flatter. “Cut the bullshit,” he snaps, making you flinch backwards a little bit. Kenma has never been an aggressive guy— well, maybe that’s not true after knowing what you know now, but he’s always been nice to you. “Why are you acting so… weird?”

Again, you blink at him, face blank, eyes dumb. There are so many scenarios running through your head; you tell him why you’re acting weird and he gets weirded out. You don’t tell him why you’re acting weird and he stops talking to you. You don’t tell him why you’re acting weird and he tells Keiko, effectively ruining your friendship.

“I’m not…” you trail off, eyes darting anywhere but his face. This is it. This is your chance. Speak now or forever hold your peace, right? You huff out a quick breath and meet his golden eyes once more. “I’m acting weird because you were my first kiss and then acted like nothing happened! And then you took my virginity and did the same damn thing!”

His eyes widen comically as you rant. Almost too fast for you to even process, his eyes sweep the surroundings before he grabs your arm and drags you away to a more secluded place— one where no one will see you. 

Your rate picks up again. You find it often does that when you’re around Kenma.

“What the hell are you talking about?” He hisses out, hand still gripping your arm. It makes you think back to that night when you first asked him the question, and you have to suppress a shiver. “You— I thought— you left my room before I woke up the morning after. You were the one who told me not to say anything to Keiko when I kissed you. You acted like nothing happened first. I followed your lead because I thought you didn’t want Keiko to know.”

“I don’t, but—”

“Then this is not just on me,” he cuts you off, eyes narrowed. You don’t think you’ve ever seen Kenma this mad before— you don’t think you’ve ever seen him mad, actually. “It’s partly my fault, because I was stupid enough to—”

It’s silent for a moment. The breeze kicks up, blowing both of your hair in the wind, yet there isn’t a word spoken. He stares at you, and you stare at him— silent.

“Stupid enough to what?” Your voice comes out in a shaky, weak whisper. You sound pathetic, and you know it, but you don’t care. Tears begin to sting at your eyes and you stare at him dumbly.

He hesitates, letting go of your arm and taking a step back. He seems to be calmer already. “Shit, I—” he takes an indecisive step forward, brows furrowing slightly. “I didn’t— I wasn’t going to say that, I was—” he cuts himself off with a frustrated sigh. “I wasn’t saying that taking your virginity was stupid. I was just… It would be better if you weren’t Keiko’s best friend, you know? I’m glad you are, but…”

“But it complicated things,” you finish for him, nodding. You look down at the ground and a singular tear splashes onto the sand. “I know. I’m sorry. I didn’t… I just, um, wanted someone I trusted.”

“I know.” His hand finds your arm again, his fingers are cold against your sun kissed skin. “And that’s perfectly fine. I think I already said this, but I’m happy you picked me and not some random guy from school.” This gets a small laugh out of you and, when you look up, Kenma is half-smiling too. “I’m sorry I yelled at you. It was kind of mean.”

You giggle again and sniffle, wiping your eyes with the back of your hand. “It’s okay. I kind of yelled about you and my virginity in front of those ice cream workers, so it cancels out.”

“Yeah,” Kenma laughs out, nodding. “I guess it does.”

You two stare at each other for a moment longer, basking in the comfortable silence that settles around you.

Kenma is the first one to talk. A hesitant question as he tilts his head, “So?”

You mirror his action, tilting it the other way, and furrow your brows. “So?” You repeat. Your mind catches up to what he’s asking and your eyes widen. “Oh. So. What do you… I mean, like, I know that I, personally, wouldn’t—”

“What are we gonna tell Keiko?”

The question stops you short, your brain seems to stutter. “Oh,” you breathe out. “I… did not think about that.”

“I don’t think you need to tell her.” The new, but familiar, voice cuts through the air like a sword. You can feel the air around you get freezing cold. You swallow hard and slowly turn around to Keiko standing not even five feet away from you, hands crossed over her chest. Kuroo stands next to her, brows raised in complete and utter disbelief. “Are you fucking kidding me?” She exclaims, marching towards you. “You lost your virginity to my brother and didn’t tell me?”

You can’t even talk right now. Your throat is dry, your brain is fried, you can’t breathe. “Keiko, I can—”

She glances back at Kuroo for a millisecond before they both start cackling. They clutch their stomachs and double over, wheezing and gasping for breath.

You and Kenma exchange glances, confusion written on both of your faces. “Uh.” Kenma scratches the back of his neck, clearing his throat. “What’s happening right now?”

Keiko, through her gasps of laughter, looks up at you and shakes her head, taking another step towards you and hitting your shoulder. “I already knew, you dumbass. I was just waiting for you to say something and you just, like, never did!”

“Oh my god.” You blink a couple times, staring down at the sand once again. “Oh my god. Keiko, what? How did you know?”

Her laughter has stopped now. She looks at you, leans close to your ear, and giggles before whispering, “you need to learn to be more quiet. Be happy my parents weren’t there for you to wake up.”

You can feel your face heat up. Kenma gives you a confused look, but you shake your head, mumbling something about telling him later.

“Okay, can we swim now, or what?”

All three of you look at Kuroo and laugh. “Yeah,” Kenma nods his head, unexpectedly throwing an arm around your shoulders. “Let’s go swim.”

[hiding-under-the-willow]

If the hermit recap team is a paranormal investigation group I wonder what everyone thinks of them, at least Ghost-wise. Are they good at their job? Or do the ghosts watch them flail?

Okay so there's this episode in the show where the main characters attempt to get the ghosts to put on a big show of haunting the house for a bunch of paranormal investigators so they can charge people for ghost tours but all of the ghosts go on strike so they have to fake a haunting in a house that's already haunted. There is a subplot in this episode where a pair of ghosts spend the entire episode presenting a fake radio show to a recording device that's supposed to pick up ghosts, only for it to be revealed at the end that it doesn't actually work and it didn't pick them up at all. I was thinking about this episode both when creating Joe's character and when I decided I wanted the recap team to be reoccurring paranormal investigator characters.

Because I think it would be pretty funny if Joe, who was a radio host in life and can be heard through radios, recording devices, and other technology in death, did this whole bit, only for the team to come back at the end to pick up their recording device, listen back to the recording, briefly getting excited, only for Pix to go "Wait a second, I know that voice, wasn't this guy on the radio back in the 90s?" And they assume that Grian and Joel just played like a rerun recording of one of Joe's old shows as part of the fake haunting, meanwhile Joe can't decide if he should be fuming because his existence is being ignored or if he should be beaming because someone still recognized him some 20 years after his death.

And then they show back up at Grian and Joel's door two weeks later like "We checked this recording, it doesn't exist. Anywhere. And according to our research this guy died on your property. This recording is real. This kind of proof is unprecedented. Please let us investigate your house again."

And so Grian and Joel once again see the opportunity for money and accept. The ghosts continue to stay wary, refusing to directly interact with them, but they tend to just. Create proof on accident as they go about their normal wacky business. And so we have this dynamic where the recap crew keeps coming back to investigate, getting some kind of absurd evidence of ghosts, getting accused of faking it because the house already has a bad reputation for fake hauntings, and the recordings they're getting are absurd, and so they keep having to come back to try to get more.

I like to think Joe starts fucking with Pix by only talking to him when there's no cameras rolling, and so the two end up with a pretty funny relationship where Pix can have full conversations with Joe and yet can never manage to get another recording of him no matter how sneaky he thinks he's being about it.

Half of their job just becomes trying to deal with this one stupid absurdly haunted house that is dragging their entire reputation through the mud. And Grian gets to be like "Ha, yeah, you should try living with them." While trying to skirt around the fact that he can just straight up see and talk to all of them. Plus there's whatever the fuck is going on next door.

Just. this should be the general state of things by the time it's all over

I think it'd be really funny actually if Pix managed to figure out down to the most minute of details what the fuck is happening between these two haunted ass properties and the people and ghosts living in them but the whole experience has run him so ragged and made him sound so insane that everyone thinks he's just lost it and no one believes him. Ghosts so fucking annoying he has to either retire or become a disgraced conspiracy theory youtuber who exclusively talks about the ghosts in these two houses. Everyone thinks he's had some kind of mental break and honestly he probably has but everything he's saying is actually correct.

[scoobydoodean]

I think that people may be interpreting 'Dean has valid reasons to be angry with Castiel' as 'Castiel should allow Dean to use him as a verbal and emotional punching bag'. Which is a completely new sentence that has nothing to do with the initial premise, but I do think that may account for some of the disconnect. I think Cas was well within his rights to leave in the face of Dean treating him coldly, but I also emphatically agree with your point that Dean's forgiveness was *expected* and that Castiel was taking that as a given, and was upset that it wasn't immediately granted.

Berens dropping the thread about Cas lone wolfing (that you very clearly laid out in one of your other asks) also seems to have influenced the perception of Dean being angry over a single incident. I personally feel as though the fandom occasionally forgets the events of s13 and how devastated Dean was, and how his reaction to the events of s14 are influenced by that. People love to talk about Dean's widow arc or whatever, but never about what led up to it in the first place. Cas engaging in a pattern of behavior that historically never ends well and leaving Dean to pick up the pieces doesn't make him a bad person and doesn't make his relationship with Dean irreparable, but it does mean that Dean is allowed to be angry, even if that anger seems stronger than is warranted. Dean's supposed anger issues have never been a roadblock in the destiel relationship - but Cas eschewing teamwork in favor of going it alone has ALWAYS been a problem for them and the trap just reinforces that.

sorry for this rant! thank you for your dean girl service 🫡

Totally agree with everything you said. I also think some people really really like this episode, and it's very difficult for them not to take it personally when someone else doesn't, and not to make a considerable number of assumptions about the other person's views. Some people really want this episode to be objectively good, instead of recognizing that whether an episode is good or not is ultimately subjective. That subjective opinion might be built upon objective facts that two people don't agree on, and questioning the validity of one another's perceptions of what did and didn't happen leading up to the episode is fine. But I have zero interest in re-litigating whether deangirls are allowed to dislike The Trap, nor do I have any stake in trying to keep people from liking it, or in gatekeeping the show or characters over how anyone feels about this episode. And I think too many people (including people who don't like the episode) feel at least a little invested in making whether people like or dislike this episode some sort of weird dividing line it simply isn't and never will be. It genuinely just isn't that serious.

[formosusiniquis]

Steve gets control over the TV three hours a week. Friday night when he commondears the phoneline too so he can talk to his mom about Dallas as it’s happening. Tuesday, when their local network airs the new Star Trek. And Wednesday, when Quantum Leap is on.

He had to fight for Wednesday.

He had to admit that maybe he does have a thing for science fiction but he doesn’t actually think Robin cares that much about China Beach, just giving him a hard time.

It’s October, Robin is on the floor finishing up their costumes for a party she found on Saturday.

“Where’s he leaping to this week?”

“You’d know if you tuned in every week with me.”

“No, I’m with Eddie, it lost me when the leap was about Buddy Holly and not saving that lesbian.”

He ignores her. Because that isn’t what happened, mostly, and the episode is starting and because he doesn’t actually know the answer. Last week’s episode had ended with a leap back to somewhere Sam had already been.

And somewhere along the way Steve isn’t sure he’s even watching anymore. He can’t even hear Al and Sam’s banter over the sounds of his own thoughts.

Why wouldn’t Sam be excited? Who wouldn’t be excited to get to be a girl? It’s just sometimes, has Sam never thought it would be nice to be a girl just for a little while?

Then there’s the dress.

“I wish I could look like that.”

“What?”

Steve’s barely aware he’s spoken until he hears Robin trying to clarify.

This should be a bathroom conversation, but if he looks away he’s worried this will end. He can’t come back and have it be over. He can’t leave the bathroom and learn he imagined the whole thing. 

So he looks a the chest hair poking out of a low cut floral dress and he says what he’s thinking.

“I want that, I think. I want the dress and the shoes. I want to look in the mirror and see a pretty blonde with a strong jaw. I don’t want it all the time, but I want it.”

“Okay.”

“Is it?”

She clambers up on the sofa. Her fingers cold where she grips tight to Steve’s arm. “I don’t think everyone’s going to get it, but I do. I get you, I’m with you. And you would look better in that dress than Scott Bakula.”

“I’ve got better legs than he does.” Steve says, cause that’s what they do. It’s something serious and then they break the tension knowing they’ve got the one person in the world who understands them sitting right beside them.

“And your hair is nicer.”

“I wouldn’t wear that ugly hat.”

“You wouldn’t need to, your hair would look better.”

“Robin, I think I want to be a girl today.”

“Sounds like it's time to leap, Stevie.”

[violetmuses]

Don’t Go Screamin’ - R. Reigns🖤

Fandom: WWE 

Character: Roman Reigns

Love Interest: Female Reader

This Idea 💜

@episodes-ff @expert-texpert @persethegawd @adriennegabriella @fearlesschimera @secretlifeoofmarpessa @mytribalnightmare @adoresmiles @blackgurlnhermoods @babybratzmaraj @luvrsluxe 🏷

====

During this special episode of “Smackdown,” timing lined up their annual “Women's Money In Bank Ladder Match” and thousands cheered as the winner raved on screen, grateful to hold this accomplishment. 

In the middle of this deserved celebration, spotlights changed out of nowhere and music switched, thundering beats to cut off everyone. 

“Wait a minute. No! It can’t be.” Commentators scrambled through countless emotions as professionals observed behind the alert table. We’ve heard so many rumors, but it’s finally happening! She’s here. She’s cashing in!” 

Clutching the well-known briefcase, you sprinted down this large ramp and darkened both eyes, ready for war. 

“Take down the winner. Go! You have one chance here. Just go!” Announcers nearly cross-talked over and awaited your possible victory. Even fans yelped back, nearly shrieking in this place. 

“Cover. 1-2-3!” The counting bell rattled out loud and you can’t hear thoughts while falling backwards against this mat. “Holy hell! Meet our new champion, ladies and gentlemen.” 

“I’m here! Who can stop me now?” Standing up once more, you grabbed the championship belt and cheered skyward, feeling invincible.  

“Congratulations to our newest champion! Thank you so much for watching this program. Good night and we’ll return next time.” Announcers pulled one last update to end the broadcast. 

******

For another weekly episode, heroically ominous music pulled various emotions as The Tribal Chief Roman Reigns stood tall, flagged by talented cousins Jimmy and Jey Uso. “Ones” lifted up high as fans elevated greatness on live television. There’s no turning back whatsoever. 

“The Tribal Chief will always exude power..” Announcers welcomed this dynasty with each passing moment. 

Out of nowhere, lighting dropped around the ring and sneaky laughter echoed from shadows with new rhythms, cuing another entrance. 

Once lights brightened again, you appeared ringside in silence, turning everyone’s night upside down. 

“What the hell?” Announcers pulled flabbergasted expressions to heighten this upcoming moment. “Oh my. Ladies and gentlemen, get ready for chaos. She’s back!” 

Sliding into this ring once more, you watched members of The OG Bloodline, noticing when Jimmy and Jey Uso traded glances first. 

Wiseman Paul Heyman covered his mouth in shock, almost terrified that you pulled audacity this evening. 

Soon enough, Tribal Chief Roman Reigns stepped forward, prompting an outright frenzy of screams during this moment. 

Almost towering beyond height, Reigns sported this graphic t-shirt and clothed pants. Sneakers moved along once more. Styling dark hair with a bun, this greying beard welcomed his chiseled face. 

“Be careful, Champ. Roman doesn’t share spotlights.” Commentators pulled their warnings to you again. 

Nearly sizing you up, Roman bit his lip. Even Jimmy and Jey can’t believe what’s going on right now. 

“Before we get to the good stuff, do you even know who I am?” Pulling his Southern accent forward, Reigns almost chuckled through one strong and deep voice. 

“Uh-oh! Our Tribal Chief has spoken. What will you do about it, Champ?” Despite measuring Reigns, commentators still wanted you to help you out and fans offered encouragement. 

“Cat got your tongue, Sweetheart?” Teasing this moment with chances to flirt, Roman went further. 

“Don’t fall for Roman’s charm!” Announcers scrambled once more and thousands of people lost their minds. 

“I saw everything. We saw everything. Gesturing around, Roman still addressed you and this audience cheered even louder. “Last week pulled one of the biggest nights in history.” 

“That’s right. She’s the champion!” Commentary pulled another chance to scope your newest title. 

“Remember that I’m The Tribal Chief.” Roman almost lowered his voice. “Join us.” 

The crowd gasped, waiting for your response. 

“No.” You stood your ground, declining. 

Supportive cheering reached otherworldly decibels. Even when you dropped that microphone down, your music picked back up and spotlights flickered, ending another chapter of this saga. 

*****

“I’lll keep watching her. It was crazy, Uce!” Jimmy Uso huddled with his cell phone and watched your championship match during this new segment. 

“You think Ro likes her?” Jey pulled another question about you and Reigns. Curiosity nagged beyond words. 

“I don’t think so. Flirting’s okay, but Roman acts too selfish.” Jimmy shook his head. 

“Good point. He barely puts up with us.” Jey shrugged, quickly watching your footage once more. 

Moments later, Roman entered the space and welcomed his chance to sit down, joined by Paul Heyman as usual. Fans still cheered through the walls. 

“You good?” Jimmy questioned Reigns. 

“Turn it off.” Roman gestured by Jimmy’s phone. 

Members of the audience booed when Jim’s phone turned silent, but there was no other choice at this time. 

“What’s up?” Jimmy waited. Even his twin brother Jey still looked on. 

“There’s another match. We should go.” Roman faced his cousins, ready to watch your part of the episode tonight. 

“Hold on. No way! We can’t interfere, man.” Jimmy spoke up first. 

“I’m not saying interfere.” Roman corrected his statement. 

“Then what’s going on?” Jimmy scrunched up his face. 

“We just…watch…” Roman almost shrugged. 

“Nah. We run this show, but don’t take the spotlight away from her.” Jimmy looked out for you regardless, especially this time around. 

Jimmy walked off before Roman could respond, closing this segment. 

________

“There it is! Another highlight for the Champ.” Announcers welcomed your ongoing victory streak. “Enjoy your celebration.” 

“She’s here!” Fans pulled your slogan once more. 

“USO!” Upbeat yet almost rattling music spiraled thousands out of nowhere and you immediately glanced over. 

Dynamic pair Jimmy and Jey Uso walked down this ramp. Big-time cheering would turn even louder. 

“What’s wrong?” You questioned your “brothers” when this crowd settled. 

“The Tribal Chief’s looking for you.” Jimmy offered the truth. 

“I won’t join your faction. I’ve already refused.” You declined this chance once more. 

“We’re not talking about The Bloodline.” Jimmy explained further. 

“Roman Reigns?! Where did he come from?” Before you could ask more questions, cheering heightened around the venue as commentators expressed shock. 

Towering his muscular build, Roman locked eye contact with you and shadowed power near edges of the crowd. 

“I’m not asking anymore.” His strong voice woke up everyone. 

Joining this ring, Roman passed that microphone elsewhere and sized you up, walking closer until your bodies almost met. 

His famously brown eyes pierced into your soul. 

“The Tribal Chief could plot so much tonight.” Announcers played up fear. 

“You won’t join our team, but I have another idea…” Reigns didn’t even laugh. 

“What?” You’ve asked. 

“Go out with me.” Roman dropped this bombshell. 

“Oh my goodness! What kind of question is that?” Commentators pulled astonishment right back out. 

“Why didn’t you just ask before?” You laugh. Even Jimmy and Jey listened for Roman’s upcoming answer. 

“Never thought I’d say this, but you make me nervous.” For once, this quick smile would brighten Roman’s face as he offered your compliment. 

The crowd swooned everywhere. 

“Why?” You grinned, waiting. 

“Where should I start, y’all?” Roman turned by the audience while still encouraging your presence. Cheering picked right back up. 

“Be careful! We’re still on live television.” Announcers warned Roman no matter what could happen next. 

“You’re talented, badass, and beautiful. Maybe we could…” Reigns trailed, biting his lip once more. 

“Help the family, then we’ll talk.” You understood that power might fall if Roman didn’t stand true on his word. 

Jimmy and Jey saluted, watching you leave this episode on the greatest cliffhanger of all. 

[heloflor]

Ok so last week I saw the videos/screenshots talking about fop Peri which got me a bit curious about this show, and after seeing “Battle of the Dimmsonian” and especially the Cosmo-Wanda-Peri part of “Lost in Fairy World” (there’s someone on Tumblr posting clips of all the Peri-centric moments since his debut), I was genuinely impressed with how the characters were written and I wanted to gush about them! On top of doing some overanalysis of those characters. Btw I also saw some clips from “Operation: Birthday Takeback” (again the Cosmo-Wanda-Peri side of it).

So here’s a post talking about Cosmo and Wanda’s relationship with Peri, Peri in general, Peri with Dev and a few other random thoughts about the early episodes given this made me start to watch the show (ended up making it its own post), though I haven’t gone far yet (I’m on like episode 5-6, which is episode 4a or something). On that note, take what I say in this post with a HUGE grain of salt since I don’t have the full context for Dev’s character arc.

Tl;Dr: The Fairywinkle-Cosmas are adorable, loving but also realistic in their portrayal.

Peri is the definition of “20 years-old who recently left his parents’ home” and I love him for it.

Dev and Peri are a terrible match due to Peri’s inexperience, Dev not taking him seriously, and Dev’s daddy issues making it hard for him to connect with a fairy who has loving parents.

(Btw on top of the characters moments, what made me start to watch the show is also the fact it’s apparently incredibly wholesome and fun + apparently the writers of “Infi//nity Train” worked on it (and if that’s true it’s crazy how nobody is talking about it to bring in new fans; I mean remember when the Duck//tales reboot came out and everyone pointed out how the writers of Gra//vity Falls worked on it? We should do the same thing here, at least again if it’s true) + Hartman isn’t involved and it’s hilarious how the creator of those characters not getting involved is a good thing)

Oh and spoilers for “Battle of the Dimmsonian”, “Lost in Fairy World” and “Operation: Birthday Takeback”! (4.6k Words below)

--

Ok so “Lost In Fairy World” and why I love its characters’ writing so much. I’m actually going to start by the lesson at the end and build from there as it seems like the best way to get a train of thought going.

So the lesson of the episode for me was basically a “new hire vs experienced employees” with a second layer added due to the three fairies being family, and that’s already something I really appreciate!

By the end of the episode, Cosmo and Wanda learn that they need to back off and let Peri do his thing. He’s an adult, he got hired for a reason, let him do his own trial and error and learn his own way. But at the same time, Peri shouldn’t be afraid to ask for help or advice if he needs it, the more experienced people are here for that! And again, there’s the family layer to that discussion that I really like, with Cosmo and Wanda being particularly clingy bc Peri is their son, while Peri is particularly embarrassed to ask them for help because they’re his parents, probably not helped by the fact he likely very recently left their home and seeks his independence.

And that’s another thing I absolutely love after watching this episode and “Battle of the Dimmsonian”, with “Operation: Birthday Takeback” adding to it as well: Honestly, Peri has to be one of the most realistic depictions of “20-something who just left his parents’ house” I’ve ever seen (yeah I don’t watch much stuff outside of cartoons, working on that). They somehow managed to make him very clearly be an adult with adult responsibilities, all the while giving him a level of inexperience and immaturity that reminds you he’s still young.

Giving some examples, the way he talks in general makes it obvious he’s an adult, and when introducing himself to Dev + telling him he can’t visit Fairy World in “Lost in Fairy World”, he has that suave put-together personality to himself. But at the same time this suave personality crumbles the second Dev opens him mouth.

And on top of that, Peri’s one day into his job and his already exhausted, spends the entirety of his debut episode worrying about what his parents will think of his career choice, and in stressful situations tends to turn towards others for help very quickly (reading Da Rules, low-key panicking a bit and looking at his parents in “Lost in Fairy World”, hiding when facing Vicky, moments like those).

There are also those moments where he either acts or sounds childish (with his voice even getting a bit higher), like when Wanda asks if he has a godkid plus him hiding behind his wand right before that, and earlier on when he didn’t want them to see him, the “my wand is missing” line and tracker line in “Lost in Fairy World” (the “sowwy” when telling them his tracker is off tho), the ending of this episode as well when he apologizes to them, also when his parents tell Jorgen that Peri did nothing wrong and he lets them take the fall, or that moment in “Operation: Birthday Takeback” when he goes “moooom” with a whine.

That’s actually something I absolutely love about those interactions, and why I find them realistic. It could have been SO easy for the writers to make Peri act like an adult all the time while his parents are the coddling cringy kind that make him look like a kid. But instead, it comes from both sides. You can clearly tell from how Cosmo and Wanda act that he’s their baby boy, but you can also see from Peri’s dialogues and actions that they are his parents. And I am so happy they took this direction!

So yeah, Peri is the most “young adult who just left the nest” ever and I absolutely adore this characterization. He’s an adult with a job and responsibilities, but he’s still young and can find himself relying on his parents or talking to them in a childish way. Such good character work!

Another thing I love about their dynamic that we see very well in “Lost in Fairy World” is just how much those three love each other. That’s something I did hear about this show, that it was a lot more fun and sweet (compared to the og which could be very cruel and cynical when it wanted), and you can really see it with those three.

With Cosmo and Wanda taking over Peri’s job, you can tell they’re not doing it out of any malice or feeling that Peri can’t do it. Heck if you pause at the scene where Peri tells Dev he can’t go to Fairy World, after he’s done talking and right before Cosmo takes another picture, you can see Cosmo and Wanda looking at Peri with the biggest smile (and it’s adorable!). And it’s the same with the rest of the episode. If anything, they’re so used to taking care of godkids that they just do it out of habit, without realizing they’re causing an issue.

Heck I’d even theorize that their behavior is partly due to their time with Timmy, hence it being a force of habit. For a long time (possibly 50 years if that one secret wish is canon), Poof/Peri was with his parents helping with Timmy, but he wouldn’t do much besides granting wishes. Poof couldn’t talk, so most of the time he’d just stand there while his parents did all of the talking. I wouldn’t be surprised if some of this was the reason why Cosmo and Wanda are straight up talking over Peri in “Lost in Fairy World”, they just got used to do so when taking care of Timmy and are now getting back into this habit.

On top of that, Cosmo and Wanda are just excited to finally be with their son again after their 10 thousand years-long vacation. Plus, when Peri does call them out, by the end of it they acknowledge their mistake and apologize, promising to back off. And while they remain cuddly towards him, from the looks of it they did stop coming in-between Peri and Dev, letting their son do his thing.

Also worth noting that, despite doting on Peri, they still very much talk to him like they would talk to an adult. Yes they hug him a lot (and I mean a lot) and call him pet names, and they were definitely excited to see him again in “Lost in Fairy World”, but other than that they clearly respect him as an adult, listening to him and trusting him. I’m not going to list examples because it’s basically every dialogue in which they don’t “baby” him. That being said I feel like “Operation: Birthday Takeback” displays it the best from what I’ve seen of it.

As for Peri’s side on this, he’s annoyed by his parents stepping in but it’s obvious he doesn’t hate them at all, quite the opposite. He just wants them to take him seriously as an adult, which is understandable. Also the fact he isn’t afraid to call them out is a very good sign. On that note, I love how when telling them his tracker is off, he actually apologizes (though he doesn’t have to, his reasoning for turning it off is understandable, and I appreciate he tells them those reasons!).

Also I live for that scene at the beginning of “Operation: Birthday Takeback” when his parents ask for a tour of the house (btw love Wanda telling him they’re ready to get him out of there if needed), they show interest in his suggestion, which makes Peri smile sheepishly. It’s such a cute moment and to me really shows Peri wanting to be seen as an adult and enjoying being seen that way by them, but also how he’s clearly attached to them! Idk it’s just a very cute moment! I love those three!

Also kind of a last minute addition before moving to Peri and Dev but looking at “Operation: Birthday Takeback”, I can’t help but laugh at how at the very beginning, the second the godkids are doing their own thing, Cosmo and Wanda throw themselves at their son. It’s very sweet. Also I love the implication that they’re here bc they’re Hazel’s godparents and need to stay with her, but also they really wanted any excuse to see their son!

And the reason why I say last minute addition is because this made me realize that Cosmo and Wanda do act pretty differently towards the godkids compared to Peri, which I find to be an interesting detail that makes their characters more complex in a way. Like yes, Cosmo and Wanda are very parental types, but to an extent you can see a line between them being with their godkids, who they are here to mentor and steer in the right direction for a few months until the kid is happy, and them being with their son, who they raised from infancy and isn’t going anywhere.

Now that’s not to say that Cosmo and Wanda don’t love their godkids, it’s obvious how much they adore those kids and care for them and probably remember each and every single one of them, but yeah you can still see a bit of a difference. At the very least, from what I’ve seen so far they can’t help but hug Peri literally everytime they have an excuse to do so, while having a bit more boundaries with Hazel.

But again, that’s a last minute thought and I’ve only seen a handful of episodes, so I might be wrong on that. Take it with a grain of salt. Still, I find it interesting to have those characters who are basically social workers and how there’s a bit of a difference between the kids they take care of for their “job” and the kid they have in their personal life. Again, that’s not to say they aren’t attached to the godkids, they are.

But yeah, all of this to say, the way the Fairywinkle-Cosma family is written in “Lost in Fairy World” honestly blew me away and really got me invested into watching this show, with “Battle of the Dimmsonian” and “Operation: Birthday Takeback” only adding to it (and I’m probably looking way too much into this and making it sound like the writing of this episode is much deeper than it actually is; I’m obsessed with this disaster (affectionate) of a family, help).

As for the part about Peri and Dev, basically there’s an element of Cosmo and Wanda talking over Peri in “Lost in Fairy World” that I wanted to explore, but then “Operation: Birthday Takeback” came out and there’s that moment in the “breakup” scene where Dev talks about his father not noticing his fairy while Peri is being hugged by his parents in the background. And while this is a visual gag, Cosmo and Wanda’s action in this scene actually fits very well thematically and made me realize something about how Dev might feel about Peri.

So now you’re getting a whole section about how Dev and Peri are a terrible match for each other, due to three main reasons:

1. The one everyone already talked about, Peri is severly underqualified. While you could say he’s been a godparent since he was a baby, back then all he did was grant wishes while his parents dealt with the talking + emotional support. Not only was he doing a small part of the job, he also had his parents, other more qualified fairies, helping him. Also the scene with Vicky tells us that Peri doesn’t have the best memories of his time as a baby, which is fair enough.

(note that I believe he was 7-8 years old when he had to say goodbye to Timmy, so he does remember him. As for Vicky, Timmy’s parents likely stopped hiring her once their son was 13-14, hence why Peri only has blurry memories of her, he would’ve been a toddler at best by then)

So yeah, Dev is Peri’s first kid, and Peri is not qualified for him. He loses his patience with the cupcakes, bites back when Dev is short and snappy with him (the classroom scene at the end of the “under//tale” episode, yeah I haven’t watched this one outside of this scene; and the beginning of “Operation: Birthday Takeback” with the flying shoes) and don’t get me started on Peri telling Dev in “Battle of the Dimmsonian” to give the staff back because “what will my parents say if my first godkid dies on me!”

Like PERI??? MAYBE DON’T SAY TO THE KID WITH ABANDONMENT ISSUES THAT YOU ONLY CARE ABOUT HIS WELLBEING BECAUSE YOU WANT TO IMPRESS YOUR PARENTS??? JUST A THOUGHT???

(note that I do believe Peri cares for Dev, it’s just that what he says here really comes off as him not caring, and since Dev is the one hearing what Peri says in that scene...)

Also obviously there’s the ending of “Operation: Birthday Takeback”. Tbh I don’t blame Peri much for this one since, again, he’s severely underqualified, but yeah his response to Dev’s wish was not the right one, which is reflected by Dev reacting with a frustrated scream which honestly made me feel bad for this kid. Peri going “as you wish” is just too distant and “professional”. That’s a kid in a vulnerable state! He needed comfort! Sure Peri had to go because Dev literally wished for it, but a more qualified fairy would have known what to say, if only something along the lines of “take all the time you need, I’ll be there for you once you feel better”.

So yeah, Dev is deeply hurting and a complete newbie who doesn’t have the patience or positivity for it was not going to make things better.

2. What I originally wanted to say about “Lost in Fairy World” before 3. showed its head: I think Cosmo and Wanda being around inadvertently makes things worse for the duo.

Thing is, Dev is a difficult kid. Because of that, I think that in order for him to open up to his fairy, said fairy needs to earn his respect so to speak. And not to say Dev’s fairy should be full on authoritative, but yeah they definitely need to be someone Dev respects and listens to, which is not the case for Peri. And I think the main reason why has to do with Peri’s relationship with his parents.

Basically, kids are smarter than we give them credit for and are observant as well. And what did Dev see his fairy do? Spend the first day on the job being terrified of meeting his parents who turned out to be incredibly sweet people. Then in “Lost in Fairy World” it honestly looks like Peri, Cosmo and Wanda just wanted to catch up and brought the kids for the heck of it, and Dev gets to see his fairy being babied by his parents, along with said parents talking over him. Then as said before there’s also Peri going “mooom” in front of Dev in “Operation: Birthday Takeback”.

And about “Lost in Fairy World”, there’s that moment in the beginning where Cosmo and Wanda tell Dev he can’t go to fairy world, only for Peri to step in and basically repeat the exact same thing as his parents (the “trial” part from Cosmo and “I can’t let you go” from Wanda). And while this line is a joke, I do think it’s important for Peri to put his foot down like that.

Because yeah, Peri is the one Dev should be listening to. It’s not just a question of “this is Peri’s job”, it’s also about Dev seeing Peri as an adult. But with Cosmo and Wanda, it’s a bit more complicated.

This is also another element I really like about this episode, Peri needing to be the one doing the talking so that Dev can take him seriously as a potential guardian.

But yeah, the thing is, it’s not working. Peri’s immaturity shines with his lack of patience for the kid, which Dev picks up on, leading the two of them to get snappy with each other on “even ground” in a way, which doesn’t help Peri’s case. And on top of that you have Cosmo and Wanda, who even with their eccentric side remain mature adults (and I love how them being eccentric doesn’t make them seem any less adult; love adults being allowed to have fun and be themselves without being shamed or called childish for it!).

Now as far as I’m aware the show never really talks about this, but I honestly wouldn’t be surprised if Cosmo and Wanda being around played a role in Dev’s perception of Peri. Not only because of them being mushy parents as previously discussed, but also because they are clearly older and more experienced than Peri, making it harder for Dev to take Peri seriously. Hopefully this makes sense?

And speaking of Dev with Cosmo and Wanda, I actually get the feeling he somewhat respects them? At least more than Peri? And on that note, there’s that scene at the very beginning of “Operation: Birthday Takeback” that I find both adorable but also pretty depressing when it comes to Dev.

When Cosmo, Wanda and Hazel show up, they ask if Dev’s dad is here, to which he mentions “Project H”. And at that Cosmo makes a comment about this project being a big surprise party, and yeah this moments gets me.

Because for a second there, Dev actually smiles. He knows that what his dad is doing has nothing to do with the party, he says so himself in response to Cosmo, but he still smiles, because he understands that Cosmo is trying to cheer him up and appreciates the effort. Idk this gets me, especially also seeing the way Wanda and Peri are looking wary as Cosmo keeps talking, clearly unsure of how Dev will react.

Like am I making a big deal out of a ten seconds moment? Probably. But there’s just something about this sad kid closing himself off whenever his problems are brought up, acting like an entitled brat most of the time as a coping mechanism, yet when this random adult he vaguely knows tries to cheer him up, he’s able to understand it and appreciate it. Idk, again, it just gets me. And sadly it really shows how bad of a match Peri and Dev are. Peri hasn’t been able to get any sort of progress with this kid, but the second his dad shows up and talks a bit suddenly the kid is giving a sincere smile. Yeah…

Now granted in regards to Dev respecting Cosmo and Wanda more, it might also have to do with them not being his godparents, considering Dev is basically using Peri as some sort of servant at times since he’s a spoiled brat and all.

Finally for this part, I want to bring up that scene in the secret lair with Vicky showing up, because to me this is a very good example of Peri actually failing Dev, which in this case will make the kid not take him seriously (on top of not earning his trust and being frustrated with him).

Now I will say, I can’t blame Peri for panicking the way he does upon seeing Vicky (btw I forgot to mention it earlier but the way he goes “lalala” and continues while turning into a drone and looking at the banging door in horror is so real. Again Peri is peak young adult energy). He’s had to deal with that woman since he was a literal infant, of course he’s going to be traumatized!

Still, Dev doesn’t know that. All he knows is that there’s this scary lady his and Hazel’s fairies know about, but he has no idea what history is between them outside of “she was terrible to our previous kid and scares us”. Also he’s 10 and has a bad home-life making him selfish, I don’t think he can fully understand the adults around him being traumatized.

But yeah, all this to say, in this scene, Peri is completely paralyzed, hiding behind the others waiting for Vicky to leave, letting his parents do the talking. And yep, we yet again go back to Cosmo and Wanda being the mature adults around here. Also worth noting that once Vicky puts on the nice act, Hazel stops being afraid of her but Dev still looks intimidated!

In that moment, Peri should have been there to protect Dev. That’s his job as a godfairy. His kid was scared and in potential danger. Yet Peri did absolutely nothing. Instead he stayed hidden, technically behind his kid which means using Dev as cover, and who came to both his and Dev’s rescue? Cosmo and Wanda, the other two fairies in the room, who are clearly more mature and are Peri’s parents.

And again, I don’t blame Peri for being paralyzed in fear like that, but how do you explain that to Dev? How do you tell that kid that he’s braver than his adult magical all-powerful fairy? That while he had to stand and somewhat confront Vicky, that adult fairy that’s supposed to protect him went hiding behind mommy and daddy? Hell from what I’ve seen, earlier in the episode the kids do stand up to Vicky, which makes Peri’s actions worse!

So yeah, hopefully this whole part makes sense as it feels a bit like a mess. The main takeaway here is that Dev needs a fairy that he can see as an almost parental figure, someone he clearly views as an adult and respects as such, that way he can have someone he can trust and be comfortable with, easing him into breaking down his walls. But Peri isn’t any of that. He’s a young adult which makes him still quite immature, and on top of that his parents basically live next door, thus leading Dev to see his fairy getting treated like a kid. It just can’t work out between them as long as they stay like that.

3. Finally, the part related to that moment of Dev talking about his dad while looking at the fairies: Dev has some serious daddy issues related to his father never paying attention to him on account of being a piece of shit who only cares about himself. And the thing is, Dev doesn’t have anyone he can relate to on that front (saying this since it’s hard for him to open up, so having someone with similar issues could be a bit of a push for him).

Hazel has caring parents whose main issue is being busy, on top of her fairies who clearly love her and spend a lot of time taking care of her. Now I haven’t seen much of the school kids but also Dev isn’t exactly close to any of them apparently? Meaning that in any case he can’t relate to them.

Then there’s this fairy that shows up, meant to cater to him but also help him emotionally, and wouldn’t you know this guy talks about wanting to impress his parents and being afraid of them! No but seriously, thinking about it, I can’t help but wonder if for a moment Dev thought he and Peri could bond over family issues, at least subconsciously. But nope! As soon as Peri reunites with his folks, turns out they’re the sweetest most loving parents ever.

I’m actually surprised that from the looks of it the show doesn’t draw a parallel between Dev and Peri on that front. I mean you have a kid with an incredibly absent parent who wants nothing more than to get his dad’s attention, being taken care of by a fairy who finds his parents’ attention suffocating and just wants them to leave him alone. There’s interesting storytelling potential here, especially when taking into account how much those two struggle to get along (basically Peri’s family situation making Dev feel worse in a way due to his confusion as to why Peri puts a bit of distance between himself and his parents)

Which loops back to that scene at the end of “Operation: Birthday Takeback” with Peri getting hugged by his parents while Dev is opening up about his daddy issues and how this visual gag fits the theme of the scene. Dev is feeling like shit about his father not loving him meanwhile the fairy that’s supposed to take care of him is being cuddled by his incredibly loving parents who adore him.

On that note, there’s an element I haven’t touched on in this episode, and it’s the fact that Hazel and Dev were in trouble with Vicky but didn’t have their fairies to protect them due to the trio visiting the house. While this scene is another example of Peri failing Dev, what I find most interesting about it is the fact that Peri “abandoned” Dev to spend time with his parents. Idk, I can’t help but think that this detail twists the knife even further for Dev. Not only was his fairy not here to protect him, but his absence is due to him hanging out with his parents who love him and wanted to spend time with him.

Speaking of which, I wonder if Dev is also angry at the fact that Cosmo and Wanda are able to take care of Hazel and be there for her whenever she needs while still finding the time to hang out with their son and be involved in his life. In a way it’s further proof that Dale is an atrocious parent, at least when taking into account Dev’s pov since I doubt a kid his age spends a lot of time hanging out with other parents, so Cosmo and Wanda are basically the only couple he can compare his father to. Basically I could see Dev noticing how much Cosmo and Wanda do and it making him feel even worse about why his dad doesn’t love him the same.

But yeah all this to say, just like everyone else in his life, Peri can’t understand Dev’s issues with his father, issues that are the core reason why he has a fairy in the first place. On top of that, Peri not only has the one thing Dev wants, but the kid sees him push it away on numerous occasions.

And that’s the end of what I wanted to say here. Hopefully this isn’t too much of a mess since I’m writing this while sick + sleep-deprived due to illness + haven’t watched much of the show past a few episodes and the clips on Tumblr.

On that note, yet again please take this post with a grain of salt, especially the Dev-Peri part. I originally just planned on gushing about “Lost in Fairy World” and how much I love the Fairywinkle-Cosma in it, but seeing the ending of “Operation: Birthday Takeback” made me want to talk a little more about Dev. That being said given how little I’ve watched there’s probably a lot I’m missing about this kid, so by no means do I think this analysis is perfect (also, the fact I’m writing this while ill…). Now Dev does seem to be a “predictable” character, hence why I feel somewhat comfortable writing this despite seeing so little, but again I might be wrong.

(Btw when I say Dev is predictable I’m in no way saying it negatively, quite the opposite! I love that him getting a fairy low-key made him worse, and I’m very curious as to how they’re going to resolve him spiraling the way he’s currently doing.)

In any case, thanks for reading!

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[longagoitwastuesday]

Sukuna and Gojo didn't have the right to be such good characters, but there they are I guess

[hollowflight-propaganda]

I think it's time I change my bio to say it's been 11 years since I started to watch Ninjago.....

Gosh. Where's my senior discount on the lego sets, huh?

[sskk-manifesto]

Ep 6!!!