#this is what Hannibal says about will

[maynardotheratman]

I support Will Graham’s right’s AND I support Will Graham’s wrongs

[cthulhum]

does anyone realize how crazy it is to have the actor of a mostly headcanoned queer ship say the fans were never crazy and they were right all along after 10+ years of everyone just absolutely going nuts over the said queerbaited ship

[valtsv]

suddenly recalling the time i described a relationship dynamic as "he really did love her, is the thing, but he loved her like a scalpel (penetrating exposing severing)". idk why i'm still out here writing things when we are never topping that.

[deerest-deer]

⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆hannibal nbc as littlest pet shops⋆ ˚｡⋆୨♡୧⋆ ˚｡⋆

[uselessnocturnal]

me: i should start watching something new!

also me:

[cvntybal]

Will occasionally visits a woman he trauma bonds with at the hospital during his stay; tells her she's pretty during one of their conversations. Hannibal gives that woman a comb that she can use to brush her hair to make herself look prettier; with which can also form static inside the chamber she's in, causing fire inside that chamber, burning her to the point where she is no longer recognizable. Good work Hannibal, i fucking hate you btw

[hannibalspubes]

Honestly the first scene In Hannibal that I was left thinking “are they actually about to kiss??” Was in season 2, episode 7 when Will holds Hannibal at gun point. I could not stop imagining will dropping the gun, slamming Hannibal into the wall like he was gonna kill him but just smashing their faces together instead. Raw, angry, messy. Then I think he would just push away and walk out. the rest of the show would carry on like normal and will would ignore it.

Until the cliff scene when they kiss again

The sexual tension between me and the man holding a gun to my head

[wannabemylover]

rewatching the first episode of Hannibal and holy shit I forgot how good this is but it's actually insane that Brian fuller set up the ep like this, he introduces will and Hannibal by first briefly showing them at their core, at the darkest, most vile part of them---we get a glimpse behind the curtain---and then its gone, the curtain is snapped shut and we see their masks, their human suits.

Will empathizes with killers because he likes it, and he wants to kill but he refuses to give into the urge because he knows how much he'll like it and he won't be able to stop. So he lives vicariously through other killers, satisfying his own dark urge by feeding it little morsels of secondhand blood lust. Every crime scene he works gives the urge something that satisfies it, not enough for it to grow, but enough for it be sate. Enough that he can ignore it for long enough that he can walk around and be Professor Will Graham who is Weird, Brash, and Non-sociable.

And Hannibal is a cannibal at night and a psychiatrist by morning.

[menciemeer]

Sometimes I think about Louise Hobbs for too long and start going a little crazy.

Garret Jacob gets all the attention on the show. Abigail gets it from fandom. The absence of Louise is almost invisible. She’s not there. We don’t think about her.

We don’t think about her, of course, because she’s not in canon in the first place. She has no lines. Her name is not mentioned in dialogue. She only barely appears on camera.

Here is Louise Hobbs alive and well. Striking about this bit, once I was looking at it: she doesn’t look towards the camera, she doesn’t look towards her family members, and her family doesn’t look towards her. They move around one another and don’t directly interact. Look at it: Abigail and Garret Jacob Hobbs are communicating, here, in a way that she’s entirely cut off from.

(And, ok, listen, I’ve gotta sidebar. Even before Abigail actually picks up the phone, GJH is keeping track of where she goes. There are no clear frames of this tiny interaction, but look:

he’s keeping tabs on her. The minute she moves, he’s checking over his shoulder to see what she’s up to. By contrast, he doesn’t look at his wife even once.)

(One other thing about this tiny little scene of them playing house. GJH has absolutely no chill. He is tense and intense even before he gets on the phone. It’s not really possible to tell what Abigail is thinking through all of this--we know from later that she’s a pretty good liar--but Garret Jacob Hobbs is not subtle. He’s jumpy as fuck, and he’s probably that way all the time.)

Continuing.

The next time we see Lousie, she’s being shoved out the front door. Think about that. GJH didn’t kill her immediately. He’s not interested in seeing her dead. He’s using her to buy time in the kitchen with Abigail because he knows he doesn’t have any left.

The way I remembered Louise dying was with a cut to her throat, but look at it. She’s got wounds on her arms, on her torso. He wasn’t careful, or quick. He didn’t hold out his hand to her and ask her to come closer. He attacked her, shoved her out the door, and slammed it behind her.

That is the end of Louise Hobbs.

Hobbs family dynamics just. Absolutely fascinate me. (Too much.) I so desperately want to know what it was like to be Louise Hobbs. I want to know how much she knew, how much she suspected, and how much she refused to let herself understand. She’s the cannibal the show cares about the least. She’s the one who dies so that someone else can have a little more time.

The show constantly returns to the idea of murder as a way to break or make families. Besides the Hobbs family, there’s the children and foster mother from Oeuf, Gideon killing his wife in backstory, Lawrence Wells who killed his own son, Margot and Mason, and of course Dolarhyde’s obsession with killing families together. Louise Hobbs’s is a murder to break a family. She is, very literally, cast out.

We do see her one last time:

It’s interesting that, when Abigail sees this, Alana is the one who becomes her mother. Whatever you want to say about the long-term feasibility of the Murder Family, it’s indisputable that Hannibal was never interested in planning a future with Alana. She’s there nearly by accident. Holding a place meant for Will. She is not part of the plan.

If Abigail mourns for Louise, she does it off-screen. We see flashbacks to her interactions with Garret Jacob, but, after this, Louise never returns. We’re left to wonder, or to forget, all on our own.

[addicted-to-the-knife]

I think it's very important that we bring back this inherent understanding that actors are also just some fucking guys (gender neutral)

[joinmeinjoy]

Very interesting to me that Abigail preferred Hannibal over Will, but Will had an emotional connection to her that Hannibal didn't - or at least not to the same extent.

I think maybe one day he could've found a stronger bond considering she had also killed and eaten people, but during the series she's really just a tool. Hannibal uses her to like... babytrap Will. And tbf it worked, Will didn't tell Jack what he knew when he discovered Abigail murdered that guy - if he was willing to cover for her, maybe eventually he'd cover for Hannibal too, the 3 of them too intrinsically tied for him to separate, I mean that's the trapping part. But she was just a means to an end, a relationship Hannibal nurtured for his own gain with Will....whereas Will really did view her as his daughter.

Very interesting to me...off-put by Will (especially towards the end of s1), but he had the most vested interest in her well-being out of the pair...

[cemetery14]

rewatching s3 ep 2 knowing that Abigal is all in Wills head is so interesting

like hes talking to himself Abigal isnt questioning him on why he kept lying, Wills questioning himself on why he kept lying why he didnt just go with hannnibal like he wanted than "nobody had to die"

Abigal isnt the one who still wants to find hannibal, Wills the one who still wants to be with hannibal after everything hes done "after everything hes done youd still go to him?" sir your saying that to yourself 💀youre the messy bitch here not Abigal

[super-who-locked-me-in-here]

I feel like there are a lot of post-fall fics where Will and Hannibal are kind of living in this weird limbo because they're open to each other now and Will knows Hannibal loves him but Will is Straight™. But I raise you the idea that Will is like Andrew Garfield, and he identifies as heterosexual but has an openness to any impulses that may arise within him at any time.

[lycoryspreachin]

ouaghhhh so far i am obsessed with every single one of your takes...begging for some insight on the way you see evan 🤲

this makes me all tingly I am so glad you like them!!

this is what I have to offer

( i’m literally writing this in heaven on earth ( a botanic garden i travelled an hour to go to ) and i wouldn’t wish to be anywhere else to ramble about my dear and beloved evan. )

evan grew up in a huge manor, with no supervision, and an overwhelming sense of curiosity. he had a journal in which he kept all his discoveries and an anatomy book with sketches and annotations all over. since he was a child he valued people very strictly and was certain to be superior to everyone except for perhaps pandora. he is odd and strange and fatally mesmerising, people want, need, to look at him, but they can’t. he is pale and sickly looking and entirely graceful but absolutely terrifying to people around him. they say there is something about him that is corruptive to the core, and maybe they’re right, perhaps they would say even more if they knew of his relationship with his sister and his thoughts about the dead. 

Evan loves his mind, he loves the thoughts he has, the thoughts he can have, he loves the capacities it offers him and he feeds off himself. because of that he had never felt the need to associate himself with people other than his twin, her touches feel like his own, what they do it’s both for each other and for themselves, he knows that’s it’s morbid and depraved and perverted but it reflected who they are and who they can be without anyone’s aid. 

i also think evan must have had necrophilic tendencies, a subtle desire he had always had, there is something about the glacial beauty death offers that appeals to him, i feeling of possession, entitlement to the pleasure he might feel, maybe it’s the aloneness it offers, they are two but he is alone to witness, to see ( a fear of vulnerability ? corpses aren’t sentient therefore they offer no judgment). i think it’s due to the fact he was so isolated growing up that connection and intimacy are repulsive ( even if i think he does feel intimate with the corpses in a strange way ). 

i have this weird impression that his emotions are voluntarily dramatic, they are meant to serve as a spectacle, to impression his thoughts that are just as expressive. his anger especially is particularly theatrical, it’s intended to leave an impression and pass a message through. i feel like he would orchestrate public and humiliating/degrading acts of revenge and cause lifetime debilitations while remaining unaffected, not even amused, because when the world is his canvas you don’t need any more space to fill. the way he behaves with people is entirely based on his own twisted logic, he doesn’t hold grudges, he holds debts. 

he loves blood, the divine comedy, german literature, vintage medical tools, insects, control, the thought of cannibalism ( he would hate to be voluntarily sick ), headaches ( they calm the fluctuating thoughts in his head ), his dainty sophisticated clothes, his blond hair, silver jewellery, perfumes, the moonlit night, skeletons when they’re yellow and unattended to, the idea of devotion and human worship, homer ( im convinced he has the ancient greek version that he struggles to read but will never admit to it ),latin, old musical instruments ( when he can play them ), his family manor, clocks. 

[authorafterhours]

Hannibal, buddy, I know you like comparing yourself to Achilles and Will to Patroclus, but uh... you do remember Patroclus died, right?

[museofvoid]

i'm rewatchting hannibal while working on cosplay and i don't think i've ever seen anyone talk about it but in the first episode when hannibal is first introduced he's in a therapy session with franklin who's dealing with anxiety. then right after when jack awkwardly introduces himself as an fbi agent, hannibal tells franklin, who, again, has ANXIETY issues that he can leave. unless, of course, this is about him.

HE'S SO FUNNY FOR THAT

HANNIBAL YOU BITCH