#this is very good. had to add too

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[claraoswalds]

#mrs flood who are you: time lord edition

[auburnandamberangel]

Also the superstition of strong witches or those attached to the occult in general being perceived as stronger in magicks with red/auburn hair has been rolling around since ancient celtic times too. One of those tropes that never really went away, along with this being seen as impure or not innocent when you're very beautiful - Armand was kind of marked either way! Him being a divine conduit for ikon paintings marked him as other from the start. Marius saying no matter how beautiful his smile was never innocent (my dude what would you know about that anyway...)

Plus Marius was potentially more inlive with a life with Amadeo than continuing to baby sitter silent gods didn't help.

what WAS her problem anyway

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[weaverofink]

My interests are directly aligning this is NOT a drill!!!

With the DC crossover announced and the images released, I figured that since most of the sonic cast are technically teens(??) it would be cool to see them as the teen heroes, too!! Here's Sonic as Impulse, Knuckles as Superboy, Amy as Wonder Girl, Tails as Robin, and Shadow as the blue Black Beetle!

Bonus shadow with black doom bc i loved how the doodle turned out :) he's essentially the stand-in for the scarab Khaji Da

I do love shadow as batman, but i figured blue beetle was a good fit, what with the alien stuff and his new doom powers in the upcoming game that give him wings and transformation abilities

[simptasia]

LOST: Season One

[mel-loly]

-(click for a better quality!)

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[ghosts-and-blue-sweaters]

Rules: list five of your favorite movies and have people vote on which one matches your vibe the best!

Tagged by @biathediamond :)

If anyone wants to steal this poll game, feel free to do so!! Reblog with your poll or make a new post—and if the latter, please tag me so I can see & vote :D

ALSO if you would like to then please tell me what you voted for in a reply/reblog!! I am extremely curious!

[the---hermit]

Not me adding annotations to a book to make it more accessible for my mom when she will read it

[iwritenarrativesandstuff]

I wanted to give my own quick interpretation of the scene where Atsushi... imagines? hallucinates? all those people while conflicted over what to do in the most recent chapter, because idk I haven't seen people talk about it that much?

See, the whole conflict with Atsushi in this arc is that he's replaced the constant demeaning of the orphanage director in his head with encouragement from his mentor, and he can control the tiger, and he supports the people around him... but Kunikida makes a point of saying (before everything went to shit) that while Atsushi's tiger is strong, he himself is still weak.

I don't think this has to do with Atsushi's character per se. I think it more so has to do with his still very simplistic views on people or the world - things are very black and white, good or bad. And when faced with a problem without a simple solution, Atsushi's unfortunate tendency is still to freeze up. This is not surprising - he may be 18, but he's a very... how do I put this... a very young 18. He hasn't had anyone teach him these things or guide him. He very much craves support and encouragement from others. He likely also didn't see much of the world outside the orphanage before he was kicked out either. And let's not forget how absolutely shot his self-esteem is. The fact that Atsushi functions and believes in the best in people as well as he does is testament to how kind-hearted and resilient of a person he is.

But here's the problem: Atsushi's self-confidence hasn't done much developing.

What Atsushi has learned throughout the story is how incredible the Agency as a whole is, and as he grows to learn and care about them and realize that he has been given a place to belong, he grows to support them in turn; pulls his weight in a number of increasingly badass ways (he caught a bullet with his teeth. GODDAMN). But all that confidence goes away the moment he is left alone. Atsushi has confidence in his own strength in a group - and only in a group.

Unfortunately, the Agency, though I believe well-intentioned, kind of enables this mentality in him. We see Ranpo, Kunikida and Kyouka in turn, who echo things they have said and would say to this situation.

"Don't you even know that?" Ranpo would ask this, rhetorically, and then solve it himself. Atsushi would not have time to come up with an answer of his own.

"Failure is unacceptable." Kunikida would say this and then act, no matter what. Atsushi would be left to follow what he does.

"You don't have to do anything." Kyouka would protect him. Atsushi wouldn't have to do anything because she would grab his arm and take over from there.

See what's happening here? These are no longer demeaning words from the headmaster (in fact, I want to reiterate that I believe they are all well-intentioned), but they still insinuate that Atsushi is incapable on his own. And indeed it's interesting that Atsushi sees these "visions" of Dazai guiding him all throughout the hunting dogs, sky casino and decay of angels arcs. I, for one, think this is just Atsushi's imagination and not a real vision (unless we get some evidence to the contrary in the future) but for now, it implies that Atsushi's self-confidence is still so abysmal that he has to imagine someone giving him advice and advising him on what to do - instead of being able to consciously admit these ideas are his own.

And then Fitzgerald shows up - "No one expects anything from you." Looming over him, a symbol of power and status over the panicked, conflicted form of a boy who feels eternally powerless without support.

And then it gets interesting.

Akutagawa shows up in Atsushi's mind, for the first time in a guiding role, not a demeaning one. And there's a definite reason for this - when Atsushi was all alone, when he admitted to himself he had no idea what to do and was terrified to be left to fight with no one else with him - who showed up?

Akutagawa. Akutagawa, who in spite of everything, fought by his side and was reliable. And the thing is, Akutagawa cannot take over, not in their kind of plans, or they just won't work. They have to work together. They have to be equals. And on some level, I think this part shows Atsushi's realization of the rather surprising amount of trust Akutagawa had to have placed in him - and him alone. I find it rather heartbreaking that Atsushi appears to have just now started to realize this after their plan failed due to a lack of trust (mostly on his side I'd say) and Akutagawa died.

So, Atsushi receives guidance from Akutagawa, and of course, from Dazai, the person he is extremely grateful for as a mentor. They don't tell him what to do. But still, Atsushi is guided into looking - "get out of your head" and moving - "the door is right there - do something about it". These "visions" still spur Atsushi into action, but the action itself? It's Atsushi's alone.

Atsushi still needs to justify his actions by imagining others giving him support, but this is definite progress for him restoring a sense of personal... agency (see what I did there?) within himself.

And yes, his eventual course of action is to find Fukuzawa and have him make the final decision on the matter - but really now, he's just been told something that apparently has Teruko (who I am certain is older than much of the cast and likely a former soldier from the war) drained and tired and seemingly conflicted herself - this isn't really the kind of issue you want to be deciding on all by yourself. Also, admitting you don't know what to do but moving forwards anyways to actively ask for advice or help is very much still making a decision and moving forward. Actively asking someone what they think about a complex situation is very different from being passive while others take control around you.

Atsushi made the decision to walk out that door into uncertainty. And I am convinced he's going to have to pick a course of action anyways - as of right now, Fukuzawa is out of commission, as are Dazai, Akutagawa, Ranpo and Kunikida (we don't know where Kyouka is yet).

It's been a long time coming, but this is serious progress for his character.

[romance-rambles]

[modern] cael | red dress, white dress

After Cael picks up a new hobby relating to your latest work, the two of you discuss weddings and wedding dresses. It ends with a proposal, from you to him.

1.8k, set after qixi [+ some spoilers for his whisper], romantic fluff + super self-indulgent, reader is mc, sequel to this cael fic [but you don't have to read it in order], series: none

IN THE TIME SINCE THE night of the QIxi festival, Cael has discovered an amusing new hobby with which to occupy himself with, when he's with you.

The words that the painter and the spirit speak—particularly towards end of your oneshot—are, evidently, not unrelated to your relationship with him. That much is obvious. And it'd be rather difficult to claim otherwise, given the faces they wear.

You haven't tried to, either.

Between the two of you, there is an acknowledgment, implicit, that they are a reflection of your innermost thoughts and desires. That they are the kind of daydreams that even someone eloquent as him would find difficult to describe, domestic and loving—just tumultuous enough to describe their standing, with the sort of fairytale ending most would wish for. That they are memories, transformed only in setting and time—only this time, they are not newly acquainted or on a time limit.

He thinks of the quaint little moment where the painter promises to make sure that no one will bother his lover. Had he not done the same for you, once, long ago?

He remembers the casual affection the spirit showers upon her love too, the way she finds herself with her head on his lap underneath the wisterias, and if that ever stops feeling familiar, it must be because he's lost his mind.

After all, you've always been an affectionate person. How can he miss it when the evidence remains in the lingering heat left by your touch? Through the way you so easily take his hand, or throw your arms around him—

When your lovesick gaze isn't boring holes into his body, that is.

He's no better in that regard. In some ways, he thinks he might be worse, with the way his loving gaze seems incapable of following anyone but you. But you might turn it into a competition if he brings it up, so Cael—well aware it won't end well for him—keeps his mouth shut.

Still, it's clear that you never expected him to start quoting your dialogue back at you.

It reminds him of one of the first times he'd properly let his mask down. The way the gears turned in your head, your deer-in-headlights expression betraying your panic before he'd clarified his joke. You'd stared at him—half-relieved, half-surprised, sitting in the silence a bit longer before you laughed.

Today, when you stare at him, there is a hint of defiance peeking through from underneath your flustered mien.

You're dressed casually, in a yoga pants and an oversized t-shirt with one of your favorite cartoon characters. Jagged lines run across the drawing, signaling its age. Some parts of the design have entirely vanished, but it remains one of your most faithful companions still.

With your head on his lap and legs thrown over the armrest, you're sprawled across the couch. In your hand is your phone, and before he dropped his line of the day on you, you'd been showing him a red dress that you really liked—one you intended to buy with your next paycheck.

"Thank you." The effect of your haughty tone is greatly lessened by the scarlet hue painting your cheeks. You clear your throat. "Does that mean you'd like to see me in a red dress?"

Cael chuckles, brushing your hair gently. "To me, it seems like you're the one who wants to be seen in a red dress."

"Of course, I do," you reply, your hand reaching out to play with his hair. "But red or white, it's not the dress that matters. As long as there's a certain someone waiting for me at the end."

For a moment, his quick-thinking mind betrays him, offering him nothing but static. He puts down the book in his hand down and carefully adjust the bookmark until it looks neat. His attention had left its crisp pages when you'd sat down beside him, but it remained in his hand still.

Occasionally, he would flip to the next page, then remember that he had absorbed none of the words on the previous page. So, he would go back, a fact that had not escaped your keen gaze—you'd teased him plenty for it, and who was he to stop you?

"I wonder who that certain someone is," he murmurs.

"I think he knows who he is," you answer, holding onto the end of his now braided strands. After a moment of digging around in your pockets, and the sofa as well, you managed to find a hair tie. "Or, he should, by this point."

"Indeed," Cael says, earning himself a wry smile from you. "It would be difficult to miss."

Enamored by your smile, he sifts through his memories, searching for the line that had left every single reader in desperate search of their own painter.

You'd been rather pleased when you went scrolling through the comments, with a smile so big it bordered on evil. So pleased, in fact, that you made sure to show him every such comment. The underlying meaning to your words was clear—you'd already found your painter, after all.

You'd have a big ego if you were dating someone so pretty too, you'd said, when he'd commented offhandedly on it.

He remembers responding with:

Then I'm certain I have the biggest ego out of anyone.

Though, his words ended up only disarming you for a brief second. It wasn't long before you were throwing your arms around him and calling him a liar ". But for the time being, the comment section was forgotten, and it was just you and him—and Beanie, watching you both from his favorite spot underneath the round table in the corner, seemingly miffed at being excluded.

He had snuck in a few extra treats for him.

Then, all was well in their relationship once more.

"'If that day ever comes, no matter what you want—'" Cael smiles helplessly, remembering the way you'd so easily captured his expression on the painter's face. "'I'll do everything in my power to bring you the most elegant wedding in the entire world.' Though you said the dress itself doesn't matter..."

You inhale sharply, seemingly forgetting—for a moment—that you're in the middle of braiding another section of his hair. When you look back at him, having looked away, your eyes are shining with poorly-disguised affection and your voice is painfully soft.

"When," you correct. "When that day comes. That's what I should've written down."

Letting go of his hair, you pull yourself off his lap and draw your knees closer to your chest. You rest your head on his shoulder. And as loose dark hair begins to tickle his cheek, his hand seeks out yours, pinky finger brushing against the back of your hand.

"When that day comes, we'll get married."

His gaze softens when he looks at you, in the midst of murmuring his agreement. Your wedding is something he's thought about often—his own is not. But now, the groom at the altar is no longer a blurry figure, devoid of any recognizable qualities and having only an aura of happiness that befits a day so celebrated.

It is something he'll ponder over until the day comes, all so that you're the happiest bride to ever live, whether on Earth or any other world.

"Good." You squeeze his hand gently. "Consider it a proposal then."

"It's the first time I've ever been proposed to," he comments offhandedly.

"Really?" For some reason, you sound surprised. And though your words sound like they could pass for a joke, the thoughtful note to them makes it clear that they are not. "Alright, I'm taking it back. I'll make sure to come back with a ring next time."

Cael smiles helplessly at you. "I'm not sure if you can take something like that back so easily."

His breath catches in his throat when you lift your head slightly to meet his gaze. Because in that moment, you're smiling at him brightly, It is blinding. While he's distracted, you lean in close and steal a quick kiss from his lips.

"Temporary measure," you respond, squinting at him in faux annoyance. "You're not getting rid of me so easily."

In a voice so soft that he's half certain you'll miss it, he says, sincerely, "I would never dream of it."

Judging by the way your smile widens into a grin, you don't miss it at all.

+extra

"YOU KNOW, YOU MISSED IT BEFORE," you point out unexpectedly, long after they've moved on from the topic of weddings and wedding dresses.

Cael catches onto the context immediately.

It's past dinner time now. The dirty dishes in the sink wait for you and your yellow rubber gloves patiently for their turn. He'd been the one to make dinner, something quick and easy, per your request. Your wish for the day had been "a lazy day together", so your initial intention was to order to takeout.

But halfway through the day, you began to crave his cooking.

Once he'd made sure the ingredients were there, getting them both out of a trip to the supermarket, you had no reason to refuse his offer. So you'd scrapped your plans and followed him into the kitchen to help.

"I'm not sure it would've been very appropriate to point out," he says, from where he sits at the dining table.

He'd expected nothing to come out of it, so he simply never brought it up. There were more important things to worry about at the time—your presence in Godheim, and all that came after that. His heart aches at the memory of your tears, particularly because he'd been the one to cause them.

They'd never properly spoken of it—of the day Peter Pan understood, but could not bring himself to make peace with, the fact that Wendy would have to leave him one day.

"After all, you were a teenager," Cael adds, remembering what he'd told your friend Natalie. "It would be no different than taking advantage of you."

His words, however, go in one ear and go out the other. You're rather specific about what you choose to pick out from his words, your next words discarding all but the subtext.

"So, you did know about my crush on you."

Though your words are undeniably a conclusion, a statement and not a question, they carry with them an expectation of a response. You crane your neck to fix him with an equally expectant stare, as if the weight behind your words isn't enough.

"Yes, I knew about your crush on me," Cael admits wryly. A helpless sigh accompanies his words. "What brought this on?"

You hum strainedly, returning to your dishes. "Nothing."

For the time being, he leaves it at that.

It is only when the two of you happen to encounter Lars while on a date that he discovers the truth, after some coaxing on his part. That you'd been under the impression that your crush on him was a secret kept carefully under wraps. That it'd been Lars who'd guessed otherwise—after some advice on how to handle Cael's new hobby—and subsequently been proven correct, leaving you to sulk on your own.

Unsurprisingly, Cael does not manage to stifle his laughter before you notice.

[cure-stars]

see, even though i kept singing, i was still crying alone

in the music festival where i danced frantically

are the sounds reaching your ears? lomia, lomia!

i fell in an almost magical love with a sound,

which i had finally met after years of separation,

and i didn't even notice. 🌹

[krotiation]

this soundtrack genuinely makes me so emotional like damn. the jack vs fiona scene at the end of ep 2 is already so perfect and then they had to go make this beautiful as hell ost with it too. those bastards

[dawngel]

I cannot stop thinking about Haku.

I have a much longer post in the making, talking about his behavior and his relationship with trust and truth/lies and another one about his relationship with being a ghoul, but in the meantime, have this:

Kano from Mekakucity Actors (Kagerou Project) and Haku from Tokyo Debunkers

Same vibes, trust me.

Just. Listen.

Happy/flirtatious behavior, glimpses of a darker/upsetting hidden past, self-loathing, family not treating them right, hiding their true self, not being happy with what they have become, wanting someone who they can be honest with and who fully trusts them, working hard while acting like it's nothing, lies lies lies, "Ah sorry, I was just joking/it was just a story! haha", just---

Just trust me c:

Looking for more proof? Look no further: listen to Kano's song

(it's so good yo, you won't regret it)

Also, Hotarubi's episode is filled with lies/truth themes... Like.......

Bonus: Subaru saying this to Haku send help please someone save me aaaaaaaaaaaaah

Extra note:

In Kagerou Project many of the characters go through "a traumatic experience" (which is sometimes described as "having your heart be devoured by a monster") that grants them a "power" and they feel "othered" and like a "monster (no longer human)" because of it.

Sound familiar?

Kano's power is to "deceive" btw :)

[vaguely-concerned]

just going about my day idly contemplating how some of the ways hawke can interact with a romanced anders are not at all unlike how they interact with leandra (and a bit of carver too, especially with a purple hawke), and then thought about my hawke in the timeline where he romances anders and was hit straight in the face with 'was he ever actually in love, or was he just desperately trying to renegotiate with his mother's ghost in any way he could' and now i need to lie down. this is the power of dragon age 2