#this is truly malicious and evil

[stargazerdaisy]

Me @ this character right now. There are times I feel bad for her, she is sometimes the victim, but then she goes and makes truly evil choices, trying to destroy people.

[umblrspectrum]

ive been procrastinating a lot, and you'll NEVER guess why

[needlebeetles]

the frostkettle shippers are really out here making Nightpetal: the sequel, huh.

[acrobattack]

i don’t know if this is a hot take or not but the rr/b skew more neutral than evil to me

[gomzdrawfr]

If u see me descend into madness or the sad in these few days it’s either because of my fever + cold that has made my brain fuzzy (and thus, susceptible to rollercoaster rides of emotions) or the way im knees deep in elden ring lores (which are both magnificent and also depressing)

[wardensantoineandevka]

y'know, going through like YouTube comments and posts in various places, a lot of people are really weird about Spahr.

yes, he isn't a GREAT person—very few people in this series are—but like, many people keep trying to frame him as far worse and far more malicious than he really is. there's a lot of just dismissal of the inner conflict and precarious position that Spahr is in and that he's slowly becoming aware of.

and weirdly, on top of that, a lot of these comments simultaneously frame Weepe as FAR more virtuous than he really is. I enjoy Weepe IMMENSELY, but his amorality is stark and at times shocking. (it's what makes him fascinating in this narrative!)

it's all really weird to me? especially since I find Spahr very interesting because of his fragile footing, dawning realization of how suffocating his situation is, and burgeoning and deepening struggle against himself.

but a lot of people press all of it out or disregard it, and there's a lot of just ill will and acidic tones at him acting as if he's much more evil and malevolent than he actually is.

[localvoidcat]

Leans on desk. You already know. Adam Murray

alright here’s mine

with the alt adam thing i highly doubt that he’s malicious. i think the portrayal of him being “evil” in regards to the alternate thing is so so wrong. i see it as the opposite actually, which is what i find interesting about his character. having a character that, in simplest terms, is an asshole, be so fearful at the fact that they’re actually something horrific is SO interesting and chalking him up to “he’s super evil he’s got the black shadow he wants to hurt people” pisses me off SO MUCH. rant over thank you

[dragoncarrion]

Horses are evil and never to be trusted

[jvzebel-x]

🦋

[vauxxy]

SECOND THAT

luke castellan x reader

★ “i’m restless, i’m wrestling with the song that you love, it’s been stuck in my head”

ABOUT - luke castellan is the only one at camp who sees right through your perfect and poised persona; and all he wants is the satisfaction of ruining it.

WARNINGS - smut, mentions of choking, both the reader and luke are TERRIBLE but luke is much worse lol, swearing, written from the perspective of a deranged luke, penetration, only loosely proofread.

A/N- i have NEVER written and posted smut before EVER. like i get close but i never go all out. so… no hate guys 😘 also i feel like this is a bit ooc for luke so just pretend he’s actually insane and terrible guys!!! if you ignore his incoherent ramblings, it’s PWOP sooo… anyways this might be the first and last time i ever write smut who knows

luke castellan is no amateur when it comes to pretending to be something else. growing up, the only thing that mattered to luke was receiving praise or recognition for being ‘great’ or ‘honourable’ or whatever.

when you live your whole life pretending to be a perfect person, you kinda start to believe you really are a perfect person.

and if everyone you meet also believes you are indeed a perfect person, what’s the harm in continuing to pretend?

at the end of the day, both parties gain something. you get the validation and acclaim that you truly deserve, and they get a role model they aspire to at least halfway resemble.

luke is the sweetest guy at camp- everyone loves him. and he deserves it, doesn’t he? he deserves their praise and love and respect. gods, he should be rewarded for pretending to be so admirable for so long. he’s entitled to it.

you, on the other hand? you don’t. you don’t deserve an ounce of the praise luke has worked so hard to receive.

to luke, you’re vermin. behind your polite smiles and sweet words, there’s darkness. there’s an evil lurking within you- he’s sure of it.

he sees it during early morning sparring sessions, watching from the wings while you tactfully dodge every attack that comes your way. and when you eventually falter, he sees how your eyes turn cold and your smile fades.

he sees how you take a shaky breath, brushing yourself off with your bony hands before flashing a toothy grin. he feels nauseous when you extend your arm out to shake the hand of your opponent- because how the fuck can they believe your little act?

your gentle kindness and bashful charisma is so obviously fake. of course, he’s not pissed that you’re acting; everyone at camp is acting to an extent. but you’re going all out, and he can still see through it. what pisses him off, is that nobody else seems to recognise how truly malicious you can be.

maybe it’s because you’re pretty. luke is no stranger to getting special treatment based on his appearance, and neither should you be. maybe that’s the whole basis of your appeal. it seems to be the only thing holding your pathetic little facade together, considering your sloppy acting skills.

if you were ugly everyone would be able to call out your bullshit straight away, and then he wouldn’t have to worry about sharing the spotlight. honestly, the only reason why everyone loves you so much is because half of them want to fuck you, and the other half want your attention or approval- not that it’d be worth anything.

it was the last week of spring, meaning only the year-rounders and a few of the older kids were at camp. you just graduated high school, and arrived at camp early.

of course, you just had to return to camp prettier, taller, more confident, and with a fancy college acceptance letter. maybe you were much smarter than you let on- but it became very apparent that your intelligence wasn’t the reason you got accepted into NYU once he learned what you were studying.

“oh, i’m getting a degree in art history,”

seriously? art history? that’s gotta be the funniest thing luke has ever heard in his entire life.

“really? why art history?” he asks politely, watching your every move as he awaits your dumbass explanation.

you shrug cheerfully, looking around at the few other campers scattered around in a tight-knit circle as they wait for you to tell them about your ‘lovely’ 18th birthday and ‘eventful’ senior year.

“i don’t know, my mum works with a lot of artists, so she said it’d be a good conversation starter,” you say cheerfully, as if it wasn’t the stupidest thing to ever exit your mouth.

luke can’t help but let out a little giggle, before instantly lowering his head to offer some non-verbal apology. but to his surprise, you laugh along. “yeah, i really wanna score a job at the MET or something. i don’t mind either way,”

luke nods politely, letting the conversation continue without interrupting with a snide comment or unsolicited laughter.

he plays along as the conversation continues, pretending he doesn’t want to grab you by the throat and push you against the wall, demanding you to confess. demanding you to tell the fucking truth; that you’re a manipulative sycophant who’s bound to end up in rehab for getting addicted to designer drugs.

why is he the only one that sees you for who you truly are? gods, if he knew any better he might be charmed. you were naturally picturesque- or at least you seemed to be. the way that you were sitting on the grass with your hair draping over your body; you looked gorgeous. but you always look gorgeous, that’s your best quality after all.

of course all of camp half-blood was fooled- you were to pretty and kind to be lying. maybe it was better to let them keep on believing that you were this perfect image of a girl.

but he’d still appreciate the satisfaction of seeing you for who you are- seeing you in your rawest form.

and then suddenly, he saw it. some athena girl asked you if you wanted to go on a run with her later, to which you politely declined. of course, you kept your composure, told her that you had to take a nap, offered her a sympathetic smile and a ‘maybe next time’. but she didn’t see the way your eyes rolled to the back of your head as soon as she looked away.

luke was astonished. you really were getting sloppy, huh?

and yet, nobody else saw it. nobody else saw the look of disgust on your face as soon as she finished talking. he was seething- how on earth could everyone be so blind?

luke looks around at the group of people surrounding him, his eyes darting back to you ever 5 or 10 seconds. they all look at you with awe- as if you’re the most precious thing on earth.

fuck that. he was going to put you in your place.

a few hours pass, and it was finally time for everyone to walk back to their cabins.

luke spots you walking alone to your cabin, your face dimly lit by the moon as it shines over the camp. he’s so overwhelmed with anger, he couldn’t fathom caring about the consequences of whatever situation he was about to put himself in.

he quickly catches up to you, meeting your walking pace as he shoots you a friendly smile.

“hey, y/n. you got a minute?” luke asks, still adorning that charming smile. you smile back at him, nodding your head ever so gently, as if it would fall off if you moved it too fast. like a rusty elvis bobble head bought 1976 that resides on the dash of your grandmother’s busted car.

“yeah, why?” you hold your hands behind your back as you walk beside him, slowly approaching your empty cabin. luke shrugs his shoulders. “oh, i just had a little question. mind if we talk in your cabin?” he asks.

you nod, opening the door for luke and letting him walk through. you close the door behind him, before leaning your back against the wall. luke stands in front of you, his cheery demeanour vanishing as he crosses his arms.

“why the fuck are you such a little bitch all the time?”

you furrow your brows, mirroring his posture as you cross your arms defensively. “excuse me?”

luke rolls his eyes, letting out dry laughter as he looks you up and down. “you heard me,” he adds, watching you anxiously begin to pick at your lips with your freshly manicured fingernails.

“do you have a problem with me or something?” your whole body feels tense as you continue picking at your lips, your eyes locked onto his.

“yeah, i do have a problem. i’m tired of your little ‘nice girl’ act. it’s getting fucking annoying,” luke scoffed, taking a step closer towards you. your eyes darken, before shaking away your hostile expression.

“are you sure you wanna do this right now, castellan?”

“is that a threat?”

you pull your fingertips away from your lips, shifting your weight to the other side of your body as you cross your arms once more. you let silence fill the room before finally speaking up.

“listen, luke. everyone pretends to be someone they’re not. you and i just tend to do it more than others-“

luke cuts your off, taking another step forwards. “fuck off, we are not the same.”

you roll your eyes, banging your head against the wall as you groan irritably. “so what? are you gonna go around spreading cheap lies about me now?” you ask tiredly. luke shakes his head, slightly shrugging his shoulders.

“nah.” he replies curtly, his voice blunt and expression vague. “mkay, then what the fuck is your problem?”

luke takes another quick step forward, tightly holding your chin in his hand as he lifts your head to face him. “you’re my fucking problem.”

you let out a dry laugh, staring into his eyes as you attempt to intimidate him. “you’re such a loser.” you whisper, refusing to fight back against the way he’s gripping your face.

he stays silent, biting his lip as he looks over your form. “and you’re a brat.” he retorts.

“are we just going to keep throwing insults back and forth all night, or are you gonna explain why you’re so obsessed with me?” you ask playfully, cupping his face in your hand as an attempt to patronise him.

luke is stumped. to be fair, he is entirely obsessed with you. and he has been for years now. and now he has you cornered, watching your weak attempts at asserting dominance over him.

luke was over it.

suddenly, luke leans in, harshly pressing his lips against yours. you retract your hand from his face, pressing it against the wall as you feel his body moving towards you.

he wraps his other hand around your neck, only gently gripping it as to not alarm you.

luke is surprised by how you sink into his grip, pulling away to see your closed eyes and swollen lips. when you wipe your mouth and look at him with those hauntingly innocent eyes, he’s almost fooled.

you scoff, smirking as you tear away from his grip and take a few steps back. “is that all you wanted?” you say confidently, watching him turn around to watch you carefully pace around the room.

he shakes his head, groaning quietly as he walks over to you once more.

luke purses his lips, trying to suppress any sense of genuine attraction to you. but when his eyes gaze over to your red lips and flushed cheeks, he can’t help but let his mind wander.

“if you’re done, you can leave, castellan.” you say irritably, leaning against your bed frame.

it goes straight to his dick when you call him that, especially when your voice sounds so hoarse and cocky. he feels as though he’s finally accomplished what he’s been yearning to do for years now. he’s seeing the real you.

he couldn’t dare squander this opportunity now.

he pushes you down onto your bed, watching how your hair flows over your newly made bedsheets as your head hits the pillow.

“but you don’t want me to leave, do you?” luke says lowly, hovering over your body as his hand hold your wrists together above your head.

“i don’t care what you do, castellan.”

luke groans, pressing another rough kiss against your lips. you kiss back for whatever reason, and your firsts relax within his grip. it was almost as if you got off on the idea of someone calling out your bullshit. or maybe you got off on the idea of somewhat hating your guts. either way, luke knew you were more than eager to continue.

he let go of your wrists, before biting your bottom lip. your mouth opens slightly, offering entry to his tongue, deepening the kiss.

you hand cups his face, while the other grips his shoulder. after a few moments, he pulls away and begins sucking at the skin of your neck, leaving purple marks on your delicate skin while you let out hoarse whimpers.

his hands begin to fiddle with the fabric of your shirt, causing you to push his body forwards as you position yourself to sit on his lap. you take off your shirt, throwing it away as you run your hands down his back.

luke looks down at your chest, growing more aroused at the sight of your lacy little bra. it’s as if you knew someone was going to see it.

you feel a hardness growing from under his jeans, poking against your upper thigh as you slowly grind against his lap. luke let’s put a low moan, continuing to bury his face in your neck.

“i fucking hate you,” he growls, gripping the sides of your waist with his hands as you move against him.

“don’t care, take off your shirt,” you demand hurriedly, running your fingers through his hair as you tilt his head up to look at you.

luke rolls his eyes, before taking off his shirt. he quickly presses another series of harsh kissses against your neck, fiddling with the clasp of your bra as you push your chest up against his. you giggle softly at his incompetence, before he finally unhooks it and ravenously pulls it from your chest.

luke pushes your body backwards onto the bed, trailing kisses down from your neck and onto your tits. you let out a quiet moan, before biting down onto your hand in order to stifle the sound. his large hands knead your left breast, while the other grips the area just under your right breast, resting on top of your ribcage.

luke’s hands slowly move downwards, hip thumb tracing circles against the side of your hip as you gently grasp onto his hair. his fingertips gently pull down your shorts, leaving you in only your underwear.

he rubs his thumb over the wet fabric, before tilting his head to look up at you. “pathetic,” he mutters, smirking at your flushed faced. you groan, burying the back of your head further into the pillow as your back arches involuntarily.

luke’s thumb massages your clit from over the soaking fabric, watching you squirm in response. he lets out a dry laugh, before pulling down your panties and tossing them onto the floor.

“luke…” you moan quietly, closing your eyes as your hips jerk into the mattress. his fingers trace your wet folds, before letting his thumb rub circles against your clit and forcing two fingers inside of you.

you whimper before pursing your lips, rolling your head around as he slowly pumps his fingers in and out. he quickens his pace, pressing down harshly against your clit while beginning to suck on the skin of your upper thigh.

luke holds down your hip with his free hand as you begin to squirm.

suddenly, he stops.

you look at him with a confused expression, your face red as he pulls his fingers out. he chuckles at your disappointed face, before taking off his pants and boxers. you stare at his length unashamedly, biting down on your bottom lip.

“so fucking needy.” he says lowly, his voice horse as he softly begins to continue massaging your clit. you moan, feeling your back arch as he positions himself in front of your legs. he forcefully spreads them open as he teases your folds with the tip of his erect member.

you let out a little whine, your voice trembling as you try to move your hips against his length.

luke rolls his eyes at your poor attempts at penetration, before slowly pushing his cock into your entrance. you let out a breathy, high pitched moan, your hands eagerly gripping your bedsheets.

he gradually pushes in the entirety his length, continuing to rub circles into your clit. luke tightly grips your waist as he begins to slowly pull out, before jamming himself back in. you let out a breathy yelp as you body moves with his thrusts.

like continues relentlessly pushing in and out of you, massaging your waist as his thumb gradually increases the speed of its attack on your clit.

you try to steady you breathing, your face flushed as lukewarm continues to deliberately overwhelm your body.

“mm… luke, i’m gonna…” you mutter, your hips jerking upwards. he smiles at you, amused by how blissed out you look taking his cock. “so soon?” he teases, rapidly moving against your body.

you let out a stammering series of whimpers as your back arches upwards, feeing yourself suddenly release. luke grins, continuing to rub circles into your clit as he rides out your orgasm.

luke slowly retracts his thumb, repositioning the hand to gently grip your hip. he begins to slow down his movements, before quickly thrusting into you repetitively. you squirm, the movements of your hips constrained by his grip.

suddenly, he pulls out, releasing onto your stomach. see? he was a gentleman.

luke gazes over at the girl he just reduced to a panting mess as he stands up and puts his clothes back on. he smiles at you as he zips up his jeans, before kneeling besides you as you turn your head to look at him.

“i wont tell anyone how fucking pathetic you are, don’t worry, princess.”

you nod, staring at him as he continues to look at your defenceless body. “such a pretty girl,” he hums, cupping your face in his hand before kissing your forehead.

he reaches over to your discarded underwear and gently pulls them up your legs, the gesture acting somewhat as a peace offering. he takes a step back, simply taking in how endearingly stupid you look.

you slowly sit yourself up, grabbing your camp t shirt and putting it on. “goodnight, luke,” you choke out, your voice hoarse and breathing shallow. he nods, smiling softly as he turns to walk away. “night, princess.”

[jadeacereigen]

I think an underrated aspect of Separation Arc and why it works so well is that once Mob finally stands up for himself and stops going to work, we think we can expect the following to happen:

Reigen quickly flounders at work but stubbornly denies he's incapable without Mob's help

Reigen eventually runs into a client who truly needs the help of psychic powers (e.g. the client is haunted by an evil spirit who cannot be exorcised with salt)

Reigen realizes that he truly needs Mob to not be seen as a fraud and that he shouldn't have taken him for granted

Reigen seeks out Mob and apologizes, Mob accepts his apology and agrees to work for him again

Except... that's not what happens. Reigen does get upset and lonely without Mob, but his business runs fine—in fact, Reigen's own ambition and smart thinking actually allow him to find greater success as a psychic. The only reason Reigen's public downfall even happens is because he was maliciously tricked by Jodo, he'd figured out on his own that the kid wasn't possessed! This and the fact that Jodo is seeking petty revenge for Reigen "humiliating" him (when Reigen actually saved his life no less) really makes us feel like Reigen's public mockery is unfair and unjustified... even though we've always known from the beginning that Reigen is a fraud.

Isn't that a strange turn of events?

Then we get to the press conference. It's possible that even if Mob hadn't helped him at the end, Reigen could've still managed to salvage some of his public image. He was calmly answering people's questions and answering truthfully, pointing out that they had no evidence he was a fraud and that no one had ever had an issue with his work before the show. But all of that stops mattering to Reigen when he realizes that despite all his efforts from childhood, he's still just a lonely, lonely man who has never had any idea what he wants to do in life. The only reason he kept running his psychic business in the first place was because Mob showed up in his dull life and brightened it up with his vivid color.

It is finally here, after all this time we've been spending with Reigen, that we both figure out the truth: Reigen needs Mob not because of his powers, but because Mob is his friend and inspires him to be better. And this full understanding of Reigen's complex character and deep connection with Mob is what hits all of us so hard in this episode, it's so painfully human and real and we would not have gotten all of this had the story just played out as expected.

Thus culminates the genius subversions of Separation Arc: despite having the world's attention all focused on him, Reigen only makes one honest apology to one boy. This boy might not even watching this at all—if he is, he's probably watching this with spiteful bitterness—but it's still important that this boy knows...

You've grown up so much. You know that?

[luxaofhesperides]

Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke

Technically, Danny Fenton is innocent. Technically. 

Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries. 

It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham. 

So.

Danny Fenton is technically innocent.

Duke is trying to prove that he’s not. 

Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.

He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native. 

There’s a lot about Danny that doesn’t add up. 

Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.

He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.

Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras. 

But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them… 

It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.

A week of analysis in the Batcave and they still don’t know what it is. 

Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all. 

All these findings lead back to one person who may have answers: Danny Fenton.

According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything. 

And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own. 

He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort. 

It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking. 

Duke follows from above, bending the light around him to hide him from sight. 

He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds. 

He continues to follow Danny on the rooftops, walking along the edge to keep him in sight. 

Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—

Danny disappears.

Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground. 

The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.

He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading. 

It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes. 

The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924. 

The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom. 

He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds. 

Everything is still and silent. Danny’s nowhere to be found. 

Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?

But no, his ears pick up on the faint sound of clothes rustling. 

Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.

Then he moves along the wall, getting around the open door without bumping into anyone or anything. 

A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface. 

Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air. 

There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”

He steps back and bumps into Duke.

Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes. 

“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”

“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist. 

“I just have a few questions!”

“Well, I have a question: why?!”

“Will you hold still, we’re being too loud!”

Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.

“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.

“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I��m the only one active during the day.”

“All the Bats?” Danny repeats, losing what little color he had in his face.

He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”

Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch. 

“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”

There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”

That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.

“I think you’re gonna have to explain a little more.”

“Ghosts are real, alright?”

“Yes.”

Danny stops. Squints at him. “What do you mean, ‘yes’?”

“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”

“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”

“And that’s why you’re stealing random things?”

“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”

Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”

“Yeah, those people were already dead.”

The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure. 

“They were…”

“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”

“Okay… What about the green stuff we’ve been finding?”

“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”

Oh. If Danny has ectoplasm, does that mean…

“Are you dead?” Duke asks, heart dropping. 

Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”

“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”

“Yeah. Basically. They asked for help man, of course I was going to help them.”

Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts. 

“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.

It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow. 

He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”

Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions. 

Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.

Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen. 

“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.

“I’m sure I’ll be able to find you again.”

“Cool. I gonna go now!” 

He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before. 

As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it. 

For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER. 

If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.

He can’t wait to see what other kind of trouble Danny can get it into.

[legobiwan]

Book of Bill spoilers

I am so not over this. Especially since it can be said that of all the humans throughout history Bill tricked or tried to manipulate, the person who brought him closest to achieving his goals was Stanford Pines.

Look, I love Ford. I really love Ford. I can empathize with a lot of his character.

He came so close to becoming an outright villain. A Bill-Two, so to speak. Even in his notes "warning" the reader about Bill's book, there's this undercurrent of wistfulness that I don't think Ford will ever truly shake. The man is wildly complicated and his moral compass is far more of a roulette wheel than his brother's, despite Stan's extensive criminal record.

Bill's description of him is fascinating.

"Ego of a king. The insecurity of a circus freak."

Bill looked through Ford's possible futures and giggled. It's safe to say that in more than one of those futures, Ford willingly helped bring along the apocalypse. Maybe the majority of those futures. (Remember what he said about Dipper and Mabel? Granted, Bill lies, but when it comes to Ford and his potential, that's one topic I don't think Bill is bullshitting).

Ford is not always a good person. He's a wildly complicated person and one of the things I would love to explore is that lingering potential for evil that I think Ford has to actively fight. There's an essay in here somewhere about Ford's predilection for being the bad guy - a literal villain - and contrasting it with Stan's outright and obvious criminality.

Like I said, I love Ford but oh wow. Between this and Journal 3, me thinks Ford and Stan are going to be having a lot of late-night conversations in the Arctic.

And that's not even getting into the insidious and malicious nature of Ford and Bill's toxic obsession with one another.

[resident-idiot-simp]

I need Logan being the history teacher at the school and in conjunction with teaching history so well and in a way so engaging and interesting. Everyone can't help but being inraptured.

I need his to also explain why everything is the government's fault so at the end everyone is so anti establishment it becomes an issue, because none of them want to join the X-Men after they graduate.

The X-Men are trying to figure out where the disconnect is and they would never guess it was Logan. But there he is teaching class and recounting horrors in a damn near therapeutic way while expressing to the students that this doesn't have to be how it is. That of course it is causing all of the students worldviews to shift.

Everyone assumes Logan is a pessimist he's always so gloom and grumpy and mean and all of the other adjectives. But deep down he's an optimist and he expresses how It doesn't have to be like that that people are getting better that people are trying. That all you have to do is say no and fight against it because people aren't inherently bad.

He talks about how he never really blamed most of the soldiers in the wars for the deaths of his men and friends or even fighting in general. They were all fighting because of someone else who was to blame, that they were all victims. No one but a few truly wanted to be malicious and evil and thinking otherwise was just wrong.

He talks about mercy and how it should be given to everyone who deserve it, that no one deserves cruelty except for the few evil people. He talks about how things have slowly improved and how they will continue to because that's human nature.

He talks about how people don't have to be anything and they can choose their own fate. It impacts everyone that hears it because Logan is living proof of that.

Instead of being some bitter cynical old man he preaches about hope and he offers out and olive branch to anyone who wants it. He is living proof that no person is without hope or faith because surely if anyone deserved to be so cruel it would be him.

This man gets to go home to his small apartment with his boyfriend, dog, and roommate and live the life he has always wanted.

[bonefall]

Clear Sky is a Monster.

Of all the characters in Warrior Cats, I think Clear Sky was the most heavily mishandled.

At every turn, the narrative begs you to sympathize with him, to "understand" the "misunderstood." To this end, his brother Gray Wing is used to "keep faith" in his inherent goodness, his abused son, Thunder, is forced to go back to him over and over, and his second dead wife is completely lobotomized in death to absolve him of all sin.

Because of this, of all this set-up for the "redemption" arc they're trying to tell in the last three books, DOTC is Clear Sky's story. Everything primarily exists to benefit and serve his arc. Thunder and Gray Wing might have POVs, but HE is the character who truly drives the plot. So in order to HAVE conflict for that back half, two evil foreign cats, Slash and One Eye, are summoned to act as contrast.

Their narrative purpose is to display "true evil" to make Clear Sky look less bad in comparison. Unfortunately, Clear Sky is the most malignant, deadly character who has ever blighted Warrior Cats.

The "pure evil" examples they summon aren't effective contrasts because they're flat. Clear Sky is what real abusers look like.

His rhetoric is what it sounds like when a cult leader is trying to keep control over a group. He lies when it benefits him, justifies his actions with his tragic backstory to assuage his guilt and manipulate others, and violently lashes out when his feelings are hurt before blaming his victim for making him angry.

He only made "some mistakes" in that SOME of his actions were accidents-- the vast majority of them were malicious, self-absorbed, intentional choices to punish, hurt, and kill others.

I've spoken about Bumble. I've tallied his body count next to Tigerstar. I've talked about how his infant son's death was his fault in sequel books, and called attention to the infected wound face shoving scene that no one talks about. I can't fit every detail into a single post-- because he's so rancid that I would practically be posting entire books.

So what I want to do here is tackle the heart of Clear Sky. Everything he does, everything he's motivated by, is absolute and utter control over other people. He leverages his "trauma" to evoke empathy from his targets to make them easier to manipulate. He's a dirty liar. He breaks down to physical violence when all other tactics stop working.

He's one of the most severe and realistic abusers I've ever read about outside of very adult literature-- and when I read the reasons why he's attracted to Star Flower, my stomach immediately lurched.

The Killing of Misty

Starvation Rhetoric and the Memory of Fluttering Bird

Aside; a question

Hunger as a punishment; he doesn't care about starvation

Exoneration arc

Predation: Star Flower is a replacement for his son.

I think that index is an evocative content warning. But to say it again; this post contains child and domestic abuse, physical assault, public humiliation, incestuous grooming implications, and a lot of murder.

I need to start with the death of Misty. I see a few people saying that Clear Sky killed her for "being on his land" or trespassing, but this is actually a misstatement that I feel is important to correct.

Misty and her children were on their own land. It was her house. Clear Sky killed her to take it.

This is one of the most important details to remember about Clear Sky, that this is the consistent end point of his obsessive need for power and control. By harassment, by violence, or by death, he will brutalize anyone who does not give him what he wants, or who makes him feel bad, and find some way to justify it.

This territory expansion was for no logical reason. There was plenty of food and plenty of land. Any aggression that's happening on this territory is in response to how he's been stealing land and mauling people.

When it's found out she was fighting to defend her children, Clear Sky's immediate response is to slaughter them too.

Petal doesn't have milk either. It wasn't about the logistics. He wanted to kill the kids, because looking at them made him feel bad, and she just managed to stop him.

Starvation Rhetoric and the Image of Fluttering Bird

It is often said that Clear Sky is doing this because he's "traumatized" from how his little sister, Fluttering Bird, starved to death in the mountains. That the emotion came from wanting to feed people. That's incorrect. It wasn't about food. Fluttering Bird's death, and all the "starvation" he's faced, are used as manipulation tactics to guilt, influence, and control other characters, particularly when he might meet resistance or be held accountable for something.

It was always, ALWAYS, about control.

He does not care about actually helping people; "Starvation Rhetoric" through Fluttering Bird is an image he can invoke to justify the actions that are as bloody and cruel as the one this post starts off with. Either in his own mind, or in the minds of the cats he's manipulating.

He does this to Falling Feather, before slicing her face open in anger when she doesn't buy it. He does it to Rainswept Flower, before he strangles her to death. And he does it in the chapter just before Misty's murder, both to his Clan and then to Thunder,

Clear Sky climbed up in front of an entire crowd and gave a grand speech about hunger and "adjusting" the borders around territory he plans to conquer. When he gets to "forgiveness" he feigns pain to make his point because he is performing. If the sentiment is not a total lie, then at bare minimum, he is intentionally playing this up for the crowd.

He is rallying the Clan to support his violence against the cats whose land he wants to steal, and selling it with his life's hardships.

The audience is clearly well-trained, because several cats recognize the cue, particularly Frost who is praised for loudly comforting him. This signals "loyalty" because showing your sympathy towards his "suffering" is how this type of emotional manipulation works. It creates a persecuted, righteous in-group.

He's also apparently used this tactic before, since this entire crowd knows what "I Would Never Forgive Myself " means.

He's made sycophants out of his followers. Like a cult leader.

His abused son, however, hasn't been fully indoctrinated yet. Seeing Thunder uncomfortable with the idea of expanding the borders for no reason, Clear Sky calls him over for a personal propaganda session.

Clear Sky begins the exchange by calling this a "duty" and a "great honor." Immediately framing what he plans to do as righteous.

He puts on the act when Thunder shows resistance, dramatically pausing to let the guilt trip sink in.

"Thunder waited, realizing that he said the wrong thing."

And then Clear Sky launches into infantilizing Thunder, talking down to him like a child who's too inexperienced to see the "signs of starvation," acting like he's being "patient" in "explaining" it.

And then we get it. "I know what starvation looks like (so stop trusting your own eyes) because I have been through more than you (so shut up and do what I tell you), and I'm being a HERO for what I'm about to do (so opposing me would make you a bad person)."

Thanks to these crocodile tears, looking "moved," the act works. The victim is immediately wracked by guilt because the abuser seems genuinely emotional.

He even lovebombs him over the corpse of Misty in the next chapter, making Thunder feel threatened.

Thunder doesn't have the words to describe what is happening to him, but he knows that this sudden snap to praise isn't natural. That something is very wrong.

A Question.

Before I move on to show that this IS an act, and that he is lying about how important avoiding starvation is to him, I will ask a question. Please think about it, because I promise I mean it genuinely;

Why does it matter if Clear Sky actually believes this or not?

The victims are just as dead either way, yes? Thunder is just as abused and guilt tripped. The entire Clan has been driven towards violence while coddling and cooing at their Supreme Leader. Clear Sky is slowly annexing the entire forest. If you have ever accepted that he had "good intentions" as an excuse for the harm he did, or that abuse and murder was what he imagined was "the right thing," or that his trauma justifies the way he leverages his own pain to make cats do what he wants... why do you think that?

Why does that make it morally better, as the narrative concludes? Would you accept the same for every other WC villain or antagonist? Tigerstar? Slash? Tom the Wifebeater? Brokenstar? Rainflower?

How could you tell the difference, if you couldn't read their actual thoughts on the page? ...are there any other "good intentions" you've accepted, somewhere else?

Don't share that answer with me. It's a question for you. Sit with it.

Hunger as a punishment; he doesn't care about starvation.

...but, regardless, Clear Sky is not deluded about starvation. It's a justification for his obsessive need for control, and always has been. There was no shortage before stealing Misty's land and kits, he is fully aware that there's more prey than they can eat.

He punishes Falling Feather with hunger and harassment for thought crime, by briefly thinking of leaving. But first, he invokes Fluttering Bird at her like he did before, flying into a screeching fit of rage when she doesn't buy it,

"I'm sorry I hurt you... BUT" is THE wifebeater phrase. THE stereotypical line of a domestic abuser. "I'm sorry I hit you... but it's your fault for making me so angry."

She went through the same exact starvation he did, calls out that he's just framing his greed as being for the collective benefit of his subjects, and is assaulted for that.

When we're in his head, we see his REAL concerns are not about hunger. He invoked Fluttering Bird to try and make her shut up and bow down to him; what he's focused on is her "gossiping" and "whining" about the open wound he left on her face. He's still furious at Fircone and Nettle for how Thunder QUESTIONED him. So he will "strengthen their commitment."

When "starvation" DOES enter his thoughts, it is to assuage his own guilt and JUSTIFY what he already did. What he already WANTS to do. It's post-hoc.

He had to suppress his own guilt at how his greed and ambition made these children into orphans, completely unable to admit that he's ever been wrong or has a change to make, so he invokes the starvation rhetoric at himself to excuse it. So he feels less bad.

Everything, EVERYTHING, in this confrontation is about his pleasure at being able to torment his subordinates. To continue the abuse when the initial confrontation is over. If it isn't pride in his power and control over them, it's plain sadism.

He invokes starvation in front of the crowd, again, after being pleasured at the guilt in her eyes, hoping that everyone sees her writhing with shame and embarrassment. Fear wasn't at the root of why he assaulted Falling Feather; rage was, and now he feels better that he got to humiliate the person who offended him.

Starvation Rhetoric is a manipulation tactic.

It goes RIGHT BACK to his twisted idea of "loyalty." Obedience.

A cat who's actually, primarily concerned about starvation wouldn't encourage other cats to steal her food if they feel like it. He wouldn't be using it as a weapon to retaliate against her because she hurt his feelings.

This is paired with the fact he restricts and monitors the diet of his cats. They eat when he allows it, and only what he gives them, in spite of there being piles of dead animals rotting, going to waste.

We then find he personally doles out food from these piles, plucking carcasses off them and flinging them at his cats, one by one. Probably so he can watch how grateful they are to him and make sure they stay a little hungry-- and definitely because it means he can control WHO gets to eat at all.

If Clear Sky chucked a mouse at Falling Feather and someone took it? She would have gone hungry. For not groveling to him. Like when he decides to starve her brother; a hostage who he promised to feed and care for.

He's a dishonest snake. He lied about abandoning baby Thunder, calling it a "test of strength," he lied about Bumble's death, he lied about keeping Jackdaw's Cry fed.

And he lied about starvation to Thunder, because he was just making up an excuse to steal more land.

He wasn't "seeing the signs" of starvation when he moved to "adjust" his borders. Even FURTHER into this so-called "delusional slip" into tyranny, he's freely admitting that it takes months for a person to starve when it benefits his sadistic need to punish undeserving cats.

"Dumb moor cats, always expecting more than they DESERVE."

Not need. DESERVE. It's not a delusion about starvation and it never was. STARVATION is how he CONTROLS SkyClan, and once again he's angry that his pleasure has been sullied.

The massacre at Fourtrees was started over Jackdaw's Cry catching a bat after being starved, on land that Clear Sky has decided RIGHT NOW that he also owns, because it mades him think about being disobeyed.

The bat is forgotten as Clear Sky pivots into a tantrum, wanting to make his family HURT for being 'disloyal' and 'ungrateful.' For leaving him. He LIKES seeing people grovel, cower, and beg, getting PLEASURE from watching how he can hurt and command other cats, and if you don't give him what he wants he will kill you.

Which, make no mistake, is what the "First Battle" actually is. Clear Sky attempting to murder those who don't worship him or swear their undying fealty to him and his twisted dictatorship. Particularly his own son, the most prominent victim of his emotional abuse.

It's not about the bat. It was never even about food or starvation. It's about retaliation for any perceived lack of control.

Once again he breaks out starvation rhetoric to try and manipulate someone, and when Rainswept Flower doesn't buy it just like Falling Feather didn't, he murders her in another fit of entitled rage.

Exoneration arc.

At the end of this battle that was entirely his own fault, we're introduced to the hollowed-out ghost of Storm. She has been flushed of all personality, so that she can be the perfect narrative mouthpiece.

She accepts yet another Fluttering Bird Invocation in spite of how we saw it's not sincere. He was lying the entire time and using starvation rhetoric as a manipulation tactic to get control over his victims.

And that's it.

That's the consequence. Storm's a little mad at him until he says "Buttering Flird" and she swoons.

He doesn't have to be ""afraid"" anymore because the cats just invented an afterlife to believe in. He keeps all of his power and influence and gets off scot-free, because "guilt" (which we SAW him repressing anyway) is supposed to be the best consequence for murder, abuse, and tyranny.

The husk of Storm even materializes again at the end of book 5 to say it outright; he "never drove anyone away." Not even after Book 4 where it's also his fault One Eye took over his Clan for 5 minutes. It was just destiny.

His "redemption arc" is just an exoneration arc. The narrative doesn't think he really did anything wrong.

EVERYTHING about Clear Sky has ALWAYS been about making grabs at power, but since the narrative didn't see a problem with him extorting his personal tragedy and the death of a child, his own sister, he continues doing it. As if these behaviors are normal personality 'traits'.

Even when that sister COMES OUT OF HEAVEN TO YELL AT HIM DIRECTLY,

He finds a way to COMPLETELY miss the point, so he can interpret her words in a bizarrely specific way that will conveniently end with him being the supreme dictator of the entire forest. Just like he ALWAYS does.

It's the entire 5th book. Clear Sky trying to convince everyone, including himself, that it's Fluttering Bird who wants him to grab at power, NOT himself and his own ambition, that THIS time, he promises, for realsies, it's actually about keeping everyone safe.

But just like ALWAYS, because he does not change, when this tried and true tactic manages to work on Thunder, during ANOTHER exchange where he's dramatically pausing and using the cold shoulder to make his pitiable act land harder,

He lapses right back into bullying his child, creating situations where Thunder will have difficulty or be put in pain, so that he can have an excuse to mock and belittle him.

And this all comes to a head when Clear Sky takes romantic interest in Star Flower, his abused son's previous romantic interest.

Predation: Star Flower is a replacement for his son.

Direct parallels are drawn between Thunder and Star Flower. Star Flower contrasts her loyalty to her father to Thunder's "disloyalty" to his own, in an appeal to Clear Sky.

Clear Sky brushes it off for now, citing that he cannot accept her because of who her father was.

But then, Thunder makes the connection between himself and her, because he knows what it is like to be a victim of parental abuse and correctly clocks that they have this in common,

On his vouch, Clear Sky accepts her into the group. She starts trying to offer himself to him; hunting twice as hard as the others, self-imposing harsh conditions like taking a wet sleeping spot. In their second interaction, Clear Sky begins to take interest in her.

Thunder himself points out that Star Flower is seeking an abusive tyrant to replace her own father, which reads like he's deflecting the stress of how his father is abusing him to deny a connection he already made. As if Thunder sees so much of himself in Star Flower that it makes him (rightly) feel sick that his father is romantically invested in her;

Thunder then goes on to follow his own advice and form his own Clan, because Clear Sky IS like One Eye... while Star Flower remains here. At Clear Sky's side. Because she feels like this is what she "deserves," that she "understands" him, truly believing that her crime (warning her father that Clear Sky brought an ambush in case he lost the 1 on 1 death match he requested, which he did) are on the same level as his abuse and murders.

Clear Sky is attracted to Star Flower because, in his own words;

She is young.

She will not betray him.

She won't question him,

and she obeys him.

We've seen what "betrayal" is to Clear Sky-- not taking his excuses or his beatings. To "disobey" is betrayal. To "question" is disobedience.

These are ALL things he's tried to drill into Thunder. We saw him happily exploit their difference in age to tell him he can't have an opinion. He constructed humiliating games in retaliation for ever being questioned. He tried to murder Thunder and his friends for their "betrayal." Even now, being disobeyed causes explosive reactions.

He was previously grooming the things he now identifies as attractive in a young woman into his child.

If your body becomes too useless to serve him, like Frost and Jagged Peak, you're thrown out. If you don't unquestioningly follow his bloody commands, like Falling Feather or Thunder, you're subjected to abuse and public humiliation. If you're in his way, like Misty or Rainswept Flower were, you die.

If you meet all of his expectations...

You will be in a horrific position where you will never have agency over your own life ever again. Every move, every word, will have to be carefully crafted so that he feels like you're "loyal" to him by the arbitrary standard he feels that day. Never step out of line, never doubt his decisions, never live for anyone except him and the children you will give him, not even for a moment, because then you will not be "worthy" of his grace.

Star Flower would be in serious danger if this series wasn't written by abuse apologists. They accidentally wrote a perfect reflection of how child abuse victims often find themselves in unsafe and toxic romantic relationships with large age gaps which mirror what they went through as kids; but this team doesn't clock it, playing this relationship as wholesome and genuine.

He finally has someone who ""understands"" him. Because they think the character they wrote is misunderstood.

but reality is plain to see.

Clear Sky is a monster. The most realistic monster in all of WC-- far, far closer to real life predators and domestic abusers than the "born evil" rogues like Slash and One Eye. The Erins seem to believe that what separates Clear Sky from One Eye is "fundamental" good and "fundamental" evil, when the truth is that they'd be separated by very, very little.

If they had realistic motivations, they would be exactly like the character their existence is meant to excuse.

Slash and One Eye HAD to be kept flat and one-dimensional. If the book was more earnest, the only difference between Clear Sky and One Eye would have been that One Eye is stronger. So strong that Clear Sky needed to manipulate the other groups into helping him.

While anyone can change, not everyone will, and Clear Sky has no reason to. He sees no consequences. He has everything he wants; power, a pretty and obedient young mate, and unchecked authority over a brainwashed forest cult. There is always a victim on a leash, a naive enabler, or a bunch of desperate and gullible marks somewhere in his proximity to bully into doing his dirtywork

Whether his "intentions" were sincere or not (evidence points towards not) at its root it was always about control. Power is something he perpetually keeps, and continues to violently use.

[yeyinde]

Seen your layla frost mention - any good dark romance books you would recommend? 👀

oh, absolutely!!! though, fair warning - my ideal dr is a horror/thriller moonlighting as a romance so! def read the warnings.

Little Dove by Layla Frost. Maximo, honestly, is my ideal mmc. cold, collected, cunning, unflappable, with a cruel and sadistic side (but never directed toward the the fmc), and wholly devoted to Juliet on a level that would probably land him in jail irl

Then, Earth Swallowed Ocean (book 1) by Shiloh Sloane

"Southern Gothic Werewolves Fight the Devil" that's it. this is the book for me. Shiloh Sloane is my favourite author. genuinely, truly. i love her writing, i love her characters. i love her for her tiktok bio alone: I write love stories whose trailers would have Ethel Cain music in ‘em. obsessed with her. i stalk her daily on insta and tiktok. but the book: it's more horror erotica than DR, but to be totally honest, this is so far up my alley, it was practically written for me. werewolves, the devil, smut, an INSANE mmc (obsessed, mean, possessive), a strong fmc, and it's set in post WW2 Appalachia. instant fave. when i die, bury me with this book.

Cracked Blue Sky (book 2) by Shiloh Sloane

features a native fmc and i know Shiloh Sloane is white, but how she shapes Howie Black Elk was pretty realistic. i loved how much she reminded me of a few cousins, aunties. love this book!!

Snuff by Bonny Capps

dark horror erotica that you absolutely should heed the warnings to. i loved it. 5*. but it does end up on several dnf lists for being brutal and disgusting. fmc goes to Russia to discover her roots, is taken by the Bratva to feature in their "passion projects" (snuff films!), but the mmc decides he wants her all to himself. if you're queasy about totally irredeemable mmcs (sadistic, vile, possessive, obsessed, cruel), then this probably is not for you, but lucky for me, i'm into that. def on my "i couldn't look my therapist in the eye for a while" collection, though.

Lemonade by Nina Pennacchi. mmc is irredeemable (cruel, vile, obsessed). historical romance (Victorian). also on the collection. Little Mouse by Emily Rose. mafia. age gap. A Stone's Throw by Stevie Sparks. age gap (dad's best friend. Scottish hero. auction. weird rich people doing weird rich people shit. God Of Vengeance by Michelle Heard. age gap. mafia. found family. i re-read the bound series this week and my favourites are Bound by Vengeance (Growl and Cora), Bound by Duty (Dante and Valentina), and Twisted Pride (Remo and Serafina). anything by Lilith Vincent. Brutal Husband is dropping in October and i cannot wait. The Devil's Vice by Mindy Paige. trauma bonding. motorcycle gang. age gap. Little Stranger by Leigh Rivers. revenge (fmc sends mmc to prison and he gets out and comes for her). insane mmc. Spectre by Shiloh Walker. kidnapping. violence. neuro-atypical fmc. Slashed by Thalia Sanchez. fmc wants to become a Final Girl. Slasher!mmc gives her just that.

also, not a romance but if you're into dark books with compelling characters, Break Her by BG Harlen was sooo good!!!! the premise is that a professional rapist is sent to break the fmc and it's such a good psychological thriller. def not for everyone though. A Beautiful Evil by Eris Belmont has no HEA but a very brutal and malicious mml. God's Eye by Ansa Reads is brutal. loved it, dgmw. but it's def not for the faint of heart.