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vivziepoparchives · 2 days ago
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Do you have any of vivs old art/posts explaining any of the zoophobia lore or worldbuilding? I'm very interested in the story and I hate to see that it's mostly been lost to time:<
When I find stuff with information about lore and characters, I do try to add it to my drafts, but it's difficult to really have a conclusive and comprehensive overview of the Zoophobia lore. Unfortunately, while Viv did share a lot of her ideas over the years, she was constantly changing and evolving the story, the world, and the characters. So, any tidbit I might find is probably outdated and a contradicting fact probably also exists somewhere.
For instance, the werewolves in Viv's lore were constantly changing. Through the years they were said to be always werewolves with no return to human form, reverse werewolves who turned into humans on the full moon, and humans in the day but werewolves at night.
A lot of stuff is unfortunately difficult to mark as canon for this reason. Viv herself at one point told everyone to disregard anything she said in the past unless they see it in the comic. So, the best you can do is take the most recent version of something as the closest to canon. It's a little bit like trying to put a puzzle together when you only have half the pieces and the other half are from a slightly different image. I wasn't there during the Zoophobia days, so I also wish there was a bit more of a concrete lore to read.
But I do try to tag anything informative with "trivia," so that would be the tag to check for what I do find.
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fox-guardian · 23 days ago
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[ID: Five digital drawings comparing the original crew of the Tulpar from Mouthwashing with their Anti-Tulpar versions. Each have lists of traits next to them.
First image is Curly. Regular curly is standing plainly and smiling off to the side. Anti-Curly is facing the viewer directly in a wide stance. He is wearing gloves, boots and spurs, and a hat, as well as a gun holster, and he has a cartoonish smile and "pie eyes".
Text reads:
Curly: laid back leader, prioritizes morale, friendly, non-violent, unsatisfied as captain.
Anti-Curly: follows policy closely, rules with an iron fist (+ spurs), hostile, cartoonishly violent (oops), being a captain is All He Has.
Second is Jimmy. Regular Jimmy is facing the viewer with a bored expression. Anti-Jimmy is smiling, slightly hunched in and waving with one foot raised. He's wearing soda jewelry, his clothes have green and pink patches, his hair is dyed and in a ponytail, and he has slash scars across his face and is missing his middle finger.
Text reads:
Jimmy: Plain, not very expressive, deeply insecure, quiet, silver-tongued, short-sighted, doesn't consider consequences.
Anti-Jimmy: Expressive + accessorizes, secure in his identity, Loud, struggles in conversation, overthinker + hates to cause harm.
Third is Anya. Regular Anya smiles softly with one hand over her chest. Anti-Anya glares at the viewer, slouching with one hand on her hip. She has glasses, a ponytail, a black turtleneck, and is wearing crocs.
Text reads:
Anya: Tries to see the best in people, Fawn response, Stubborn and hardworking, Cares about health and safety, kind.
Anti-Anya: cynical, fight response, gives up easily, careless, cruel.
Fourth is Daisuke. Regular Daisuke has one hand in his pocket, the other waving as he smiles. Anti-Daisuke is partially hunched with his hands clasped anxiously. His hair is plain and he's wearing a burgundy cardigan and white vans.
Text reads:
Daisuke: Outgoing, Directionless, Helpful, Yapper, People Pleaser.
Anti-Daisuke: Reserved, Driven, Doesn't like being asked to help, hates small talk, spiteful.
Last is Swansea. Regular Swansea is frowning to the side with his hands on his hips. Anti-Swansea smiles with a hand behind his head. He's wearing suspenders, work boots, has leather patches on his knees, and rosy cheeks.
Text reads:
Swansea: Just keeps saying shit, teaches through his experience, rough around the edges, knows he's not a good person, gets groovy when drunk.
Anti-Swansea: man of few words, "fuck around and find out" teaching style, sweet exterior, thinks he's a good person, gets wallowy when drunk.
end ID]
~~~~
THE ANTI-TULPAR CREW ARRIVES!! hopefully they were worth the wait uwu
idk exactly how most other anti-aus work, but to gather my general thoughts together, basically i'm flipping several Core Traits (the lists in the pics are by no means comprehensive, just enough to get a vibe) to flip their personalities. this ends up flipping their dynamics quite a bit as well, ofc. anti-curly is a very.... Dramatic antagonist. the setting, however, stays the same. i'm not flipping pony express or anything like that, it wouldn't be as interesting to me to change Everything. i mostly made this au to play around with character designs and swapped dynamics and stuff and to see how things would go if the people were different while their circumstances aren't.
also. it turns out when you take a generally shitty person and make someone who is the Opposite of those things, you get someone generally pretty pleasant.
So Expect More Anti-Jimmy AJSHDADJHKASJHKD
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ancientcharm · 7 months ago
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Digital model of Ancient Rome released
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Image Credit: FLYOVERZONE
Rome Reborn 4.0, a digital model of Ancient Rome has just been released by archaeologist, Dr Bernard Frischer. Published by Flyover Zone, the model is a reconstruction of the entire city of Ancient Rome for academic study and virtual tourism. Rome Reborn provides a birds-eye perspective of the complete digital model, enabling users to glide above the historic landmarks while listening to expert narrations about 43 monuments, temples, structures, and locations.
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Dr Frischer said, “Rome Reborn 4.0 is the culmination of more than twenty-seven years of collaborative international work in using digital tools to research cultural history and bring it to life.” According to the project leaders, the virtual tour can be used by teachers on Yorescape, a mobile and web app that takes their students on virtual field trips, or by armchair travellers to explore the heritage sites of the ancient capital of the Roman Empire.
Rome Reborn 4.0 represents the most recent iteration of an urban model that Dr Frischer has led since 1996. Rome Reborn has been a globally collaborative project from its inception, uniting specialists in Roman archaeology, computer graphics, and Virtual Reality design. The project’s earlier versions include 1.0 (2007), 2.0 (2008), and 3.0 (2018). Video fly-throughs of these previous versions have been viewed by millions of people worldwide. Similar to its earlier versions, Rome Reborn 4.0 portrays the city as it might have appeared at its zenith in the year AD 320, just before the capital’s relocation to Constantinople. According to Flyover Zone, “This reconstruction of ancient Rome’s urban landscape adheres to scientific accuracy based on the available but fragmentary historical evidence. As new findings and interpretations of this evidence emerge, the Flyover Zone team continuously updates Rome Reborn to ensure it remains a dependable and comprehensive visualization of the city.”
BY :Mark Milligan
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mieldreams · 6 days ago
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Pure Imagination
Summary: Come with me and you'll be in a world of pure imagination
or where Vader delivers sweet torture in cruel dreams
pairing: Darth Vader x reader
word count: 4,912
warnings: smut smut smut, minors DNI (as the title suggests, dream stuff and I'm not too sure abt how comprehensible this is ngl), inappropriate use of the force etc.
a/n: 5k of pure filth, wasn't actually planning on releasing this cuz I wrote it so long ago but...oh well. it's the first time I'm posting a full fledged smut fic, hope y'all like
masterlist
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You're in a rare deep slumber when you hear it, the unmistakable mechanical inhales and exhales coming from a dark silhouette in your mind. “You again.” That almost droid-like voice is hard to misidentify and all your senses freeze at once. Panic builds inside you but on the outside, you somehow remain asleep. “Vader? What the fuck?” You weren't exactly unfamiliar with the infamous Sith lord, having run into him on more occasions than you'd like, which established you on at least a ‘he can recognise me by face’ basis – much to your displeasure. But why in the kriffing hell were you hearing his voice in your mind right now? Hadn't you just gone to sleep? Fuck, had Vader found your secret base and infiltrated it? Had he taken you hostage and was he planning on torturing you through his weird mind fuckery? “Your inability to comprehend the ways of the Force does not make it absurd or a deception.” His hoarse voice echoes in your mind once again and you scoff. “Do not patronize me in my own mind. What the fuck do you want? Why are you here?” “You tell me, Rebel.” He spits out the word like it's venomous and putrid. You're losing patience, you're not sure what is happening – last time you checked you were supposed to be asleep in your room, so how was Vader manipulating your mind? “Your mind could be penetrated in my sleep, though I doubt I'd find anything of use.” His voice booms, emotionless as always, “However, it seems you have something rather interesting to show me.” You're starting to get pissed off by this giant fucking leather-wrapped tin can. “Hmmm, your tongue is sharp. If only the same could be said about your intellect.” He spits out, “After all, which perfect little rebel would want something like this.” Suddenly, an image flashes in your mind and your face immediately pales, appalled by what appears before you. In a quick flash you see yourself, lying on your back, goosebumps spreading across your skin as your bare breasts stiffen in the air. You hear your laboured breathing; see the way your chest heaves up and down. And then, you see him. The Darth Vader – in between your legs. His head over your most intimate area. You don't see his face, and the image cuts off right below his shoulders, but the way you're clutching him, pulling him in, and the way his head moves, the way your legs quiver and the way your mouth remains dropped open in pleasure very well lets you know what is going on. You gasp, your own horrified voice echoing in your mind, “What the fuck is this? What the fuck are you doing to me?” His tone would be teasing if he were speaking with his natural voice, “Would you like me to give a descriptive narration?” You growl, “What are you trying to do? Some new perverted mind trick your kind have come up with?” Despite the angry words thrown at him, on the inside you feel terrified. Because where even is this ‘him’? You're shouting at him in your mind but he isn't appearing to you. Just his hollow voice echoing endlessly in your brain with seemingly no origin. “Do not forget your place, Rebel.” It seems you have pissed him off now, or whatever weird body-less voice version of him at least, great. “These fantasies are a creation of your mind. Not so much a perfect rebel now, are we?” You're not going to just let him bullshit his way into your mind no matter what. “Your lies won't work on me.” “You think this is a lie?” He flashes the same image in your head again. This time you appear even more desperate in the filthy act he shows you, hips moving wildly as you moan and pull his head closer to your cunt. “A pity you fight against the want. Your subconscious betrays you.” “You're a kriffing liar!”
“Silence!” His voice booms in your head and you flinch. “A lie? You think I am lying? What about this?” Quickly the image changes, this time showing a close-up of your most intimate parts. Heat pours into your cheeks while anger burns through your veins. A black gloved hand comes into the frame, teasingly snaking up your thigh to caress your folds. You watch, frozen in horror, as it catches your clit, rubbing circles on the nub before dipping lower to tease at the slit. It does this a bunch of times till your empty hole is pulsating in demand, all the while your desperate little pants and whines colour the background. “Vader– want you inside me, please...” Your voice echoes through the dream. The hand, his hand, gently smacks your cunt to silence you before two of his long, gloved fingers enter you. Even through the image you can tell that they are thick, and to your surprise they move slowly at first, yet expertly, delivering deep thrusts that send shivers up your spine. “Stop this! Stop it! Why are you doing this?” You scream at him and his angry voice answers, “Why? Isn't this what you want? Isn't this what your body craves? Or do you still think this is a lie?” The image before you quickly shifts again, this time showing his fingers moving fast and hard inside you. He removes them to rub and pinch at your clit, before pressing on your slit again, this time with three fingers. “What do you want from me? Stop this! You're lying!” “Is that so?” The three fingers swiftly plunge into you, this time your loud moan sounds and your own hand comes into the picture, grabbing his wrist, holding him there. Vader's voice taunts you in your mind, “So this isn't what you want?” You watch as his hand quickly shakes yours off and the same hand that was inside you delivers a loud slap to your cunt, your hips jerking up in reaction but Vader's other hand pins them down. He delivers another wet slap to your cunt, then another and another, each one getting messier and messier as you get wetter and wetter. His fingers finally enter you again and it doesn't take long before you're gushing your release all over his hand. He prolongs your high by rubbing on your already sensitive clit and it has the dream-you begging, “Vader, please...” You shout in your head once again, “What the fuck is wrong with you? Stop this! Get out of my head!” “Do not assume that I am here by pleasure,” he clearly means to taunt you more, alluding to the embarrassing state you just saw yourself in, “it is your mind projecting this.” If you could, you would stab him. “So tell me, Rebel, am I to believe this is not something you want?” “I don't care what the fuck you believe. Get. out. of my fucking head.” He continues, “So you wouldn't want me to do this?” Out of nowhere, you feel a small pressure on your neck, one that steadily grows, as if someone were holding you by the throat. You panic – you had heard about the Sith Lord's preferred method of quickly disposing of his enemies – choking the life out of them as their flailing bodies struggled to get enough oxygen, limbs convulsing and face paling till they eventually died. He was going to kill you in your sleep. Your mind is on high alert, yet your body remains unconscious in bed. “Tell me, Princess, what does your body tell you.” “—If you think that is not enough, what about this?”
The next image he projects in your mind absolutely destroys you. You see your bare back facing you in the fantasy, though your torso is not enough to hide Vader's wide built silhouette in front of you. You are straddling him, but this time too the image is cut off just below your waist. However it doesn't take a genius to figure out what is going on when you can so clearly see the way your body moves on top of his, swivelling your hips sensually as you move up and down. The way your back arches, the way you cling to him, nails digging into the leather over his chest, the breathy moans that escape you. The you in the image grabs Vader's gloved hand and places it on your throat and the real you – or at least your consciousness in your mind gasps in mortification. “How scandalous. The proper princess of the rebellion wants me.” He mocks, “worse, she wants me to want her.” This whole time you had been angry, mad at the evil Sith Lord for showing you these lies – these perverted images that you don't understand the purpose of. What is he trying to achieve? Does he hope to shame you? Provoke you? Therefore weaken your mind's resolve and obtain some information from you? But then you watch yourself in the fantasy – your hips quickening their pace as your breathy moans become raspier and louder, Vader's huge hand roams your naked back, running the middle finger of his gloved palm down your spine before moving to your front again. He caresses your breasts, toying with them and it makes the dream-you mewl. Suddenly the Vader in the projection grabs your hips, stopping your movements entirely, making you whine. He lands a stern slap on your ass in warning before pulling you in by your waist, guiding your arms from his chest to lay over his shoulders.
You can only stare in horror and regretfully–arousal, as Vader takes full control, thrusting up into you with such precision it has you screaming. You still cannot see anything below your waists and yet the lewd sounds that now echo in your mind, mixed with your own traitorous mouth chanting his name in pleasure, asking him, begging him to make you cum, has a certain humiliating warmth pooling in your centre. You want to look away, you want him to stop showing you these cursed dreams – but you have no idea how. The images are directly showing in your head and Vader doesn't seem to actually be in your room. So how do you stop this? Before you get to shout at him again, the previous pressure on your neck, one that you had nearly forgotten about, grows stronger again, pressing more on your throat till you can hear your own heartbeat echoing in your head. You realise then that the pressure on your throat is definitely not something imagined and that somehow, Vader was actually choking you physically in your sleep. Were you wrong about your assumptions? Had Vader really somehow broken into your quarters? But the others would know. They'd wake you – they'd try to stop him. Wouldn't they? Or had they all already tried – and failed to stop him. Is that why you could physically feel his hands on your throat? “You think too much.” His voice echoes after a long time, “Tell me, Princess – after everything I've shown you – do you still dare to think of this as a deception?” You don't know what to say, you have always wished for Darth Vader's defeat in every battle you have been a part of, always hoped that the tyrannical rule he was a part of would end. And yet you also knew that there was something weird– something wrong here. Every time you had encountered the Sith Lord you had felt an odd sort of feeling in your mind, as if something was amiss. You had always been wary of the force-users and weren't entirely convinced of its powers– or better yet, its presence in the universe. Yet every time you ran into Vader, you had always felt a certain presence in your being – like a pull, a connection that wasn't quite complete. Like two wires of a running circuit that occasionally rubbed together and created sparks. But what does it mean? What does any of this mean? You still cannot believe that whatever Vader showed you was some sort of prediction of the future. However, he told you that it was your mind that projected this.
But can you believe him? You would scream and fight and argue that he's a cruel perverted liar and that none of this is true. But then why is there a part of you that suddenly feels heavy with need? You almost want to strangle yourself when you realise the wetness in your pants. And you suppose you really should just jump off a cliff when you realise that Vader can and probably is reading your mind right now. “I do not need to read your mind to know your desperation, Rebel.” Or maybe you could throw him off one instead. “While it would surely be amusing to see you attempt, right now, Princess, tell me – are you still convinced that all I've shown you is a deception?” With his words he slowly moves the pressure down your neck, tracing your collarbones to your breasts, cupping them as if they were naked. He fondles them, pinching and pulling and you whimper. “—that you don't want this?” His hands ghost down your torso, caressing your hips before moving further south. You freeze when you feel him slip below the waistband of your pants, going lower and lower before stopping right at your slit – the same way he had in the vision he showed you. He mimics the same actions from the fantasy on your body – running his fingers up and down teasingly before pausing on your clit to rub slow circles. “Tell me to stop, Princess.” He slips his fingers lower again to put pressure on your slit without actually slipping inside and you're not sure how to answer him. You want him to stop because this cannot be right – you already don't know how he's even doing this, and surely you don't want to fuck Vader? But then you don't want him to stop because the expertise with which he's teasing your tits and rubbing your clit is making it hard to think. Vader can tell that you're at the edge of your limits. He flashes all the images he's shown you once again, repeating them in your head as he lures you, “Look,” he can tell that you're trying to fight him, trying to break off his connection and stop him from showing you these visions. Too bad he's a Sith Lord and much better at controlling. Brats like you really need to be tamed. “I said look.” The images flash much quicker now, all of them with you naked and begging for Vader to take you. He uses the force to toy with your body once again – phantom lips kiss their way from the corner of your mouth and up your jaw to nibble at the sensitive spot right under your ear. He shows you your own face in the visions where you climax in his mouth, on his fingers, on his cock – your mouth dropped, brows scrunched and naked chest heaving as you whine and moan. He makes you listen to your own screams of pleasure, of begging – begging to give you his cock, to let you cum, to do it all over again.
The real Vader puts a steady thrumming pressure on your clit, one that would've had you immediately buckling at the knees if you weren't still asleep in your bed. You can't help the whimper that escapes you. “Vader, please...” You feel ashamed when you find yourself repeating the words from the dream, though you're not sure if you're pleading him to stop or asking for more. “What's the matter, Princess? Surely a proud rebel like yourself wouldn't want a Sith Lord?” His voice continues mocking you as the humming pressure turns into full vibrations over your clit and that combined with the way he pinches your nipples has you melting against your own wishes. Or is it? Is this really against your own wishes? You can lie to him, but can you really lie to yourself? And it seems Vader's presence in your mind is as attentive as ever as he soon questions. “Tell me to stop. You said I was lying – so why aren't you stopping me?” Vader can feel the steady build of a climax in you, you are right at the brink and he can tell that all it would take is one push to send you over the edge. Suddenly, he stops all his actions. Every way he was touching you–it all disappears in a second. It happens so quickly it's like your body gets whiplash. You feel naked despite the fact that your body is still fully clothed and tucked in bed. You sob, “Vader—” “What is it, Princess?” When your own inner turmoil keeps you silent he continues his provocation, “Surely, you do not want me–a Sith Lord, to fuck you?” He mocks with a surprised tone. “Surely you do not want something like this,” he once again flashes another image in your head. This time you're on your back again, fully naked, but the sight doesn't shock you after all that you have seen in the past few minutes. Your hair is strewn over the surface, nipples hard as your half-lidded eyes twinkle up at him, a teasing smile pulls on your lips as your nails dig into Vader's stomach, dragging them up before spreading your palms over his chest. You tug him to you, and Vader's wide frame covers your body.
He is still clothed and his cloak falls over his shoulders to drape over the two of you. You watch as he squeezes your throat, but unlike the panic that grows in you every time you feel Vader's hands over your neck, the you in the dream smiles. She smiles and puts her hand over his as if encouraging him and fuck that shouldn't make you drip even more but it does. Vader shuffles back a little and for the first time in all of the visions he's shown you do you get to see any part of him. The real parts. And it's his cock – thick and long, slightly curved–and heavy. Heavy as you watch yourself take him in your palms, heavy as Vader slips his hand under yours to pin your wrists above you before thumping his cock on your button, making you whimper. Heavy as he runs it up and down your slit before he hooks the fat head in your hole. The dream you hums in pleasure as Vader's thick cock parts your walls, except suddenly he stops. He stops halfway in, running his possessive hands up and down your hips and legs. The pause makes you whine, instinctually clenching around him to pull him deeper and it almost knocks the breath out of Vader. He leaves a stinging hand print on your ass as a reminder to behave before one of his hands comes down to where the two of you are joined. Watching his hands–it makes you think. Even during such an intimate act Vader never takes off his gloves, in fact he doesn't even take off his clothes. In every dream you have seen tonight he is always fully clothed and it almost makes you yearn to see what he actually looks like. The dream you was always busy being fucked senseless by Vader but you couldn't stop wondering about how he was underneath all that leather. How would it feel if he were to touch you, really touch you. Would his hands be warm to touch? Or would they be as cold as his voice? Your contemplation doesn't last long as that same vibrating pressure grows stronger on your clit, just as the pleasure blooms in your core. Every time Vader touches you, really touches you–with whatever weird sexual Force abilities he possesses, your mind goes entirely blank. It's like he quickly takes over every string controlling your body and all you can do is give in. You give in as Vader cups your sex and palms your throat–it's as if he's right there behind you, broad chest to your back, slow and deep breaths exhaled right next to your ear, tickling you and somehow arousing you further. When you start getting fussy he tightens his grip on your throat, “Watch.” He commands before directing your attention to what he's projecting in your mind. You stare in embarrassment and arousal as the dream Vader first makes you come on his tip, using his fingers to pinch and pull and rub on your clit, pushing you to your high till you're pulsing around the head of his cock. It makes him dig his nails into your plush thighs, slick fingers moving up to grip your ass and lift your hips up to use for his pleasure. Vader pulls out of you to tease you again. You had been whining the entire time he was playing with your body and it entirely distracted you from the way Vader was actually toying with you in reality. Or was this all a dream too?
Your thoughts are cut off as Vader lines his thick fingers to your slit, circling and circling till you're dripping and surely staining your pants. Your hips move on their own to get him to finally push inside. You're embarrassed but also glad that you have separate quarters and that you sleep alone. “You want it that bad, Princess?” His deep voice rumbles in your mind. Wasn't the bastard supposed to be able to read your mind? You don't answer, instead, you try to reach out to whatever it was Vader was using to toy with you, focusing in your mind on that odd sensation that seems to be the source of all this. Maybe it's Vader's own distracted nature that allows you to sense his presence so quickly in the Force, especially when he doesn't do anything to stop you as you reach out to him, to the feeling of him. You connect to his presence, as if gently caressing the very fabric of his being. It feels somewhat weird; you've never done anything like it before. It feels like you're weaving yourself into him as you concentrate on the feeling of him in your mind. Even his presence feels intimidating–strong and dark, imposing and fearful. Yet, you reach out, gently, a little unsure but determined to get him to do something, anything.
You wonder why Vader isn't doing anything to stop you, especially when you know he can, being all-powerful and all that. Did he want this just as much as you? Your contemplation is cut short as you feel a steady pressure on your entrance and you throw your head back, thinking fucking finally. You think you hear something like a deep chuckle echoing in your mind before the same dream from before flashes at the forefront again. This time, dream Vader lines his cock up with your hole just as you feel the force touch grow stronger on your cunt, and simultaneously you watch as Vader's cock swiftly enters you and you feel a thick length bury deep inside. A loud moan echoes in your mind and you can't tell if it was the dream you or you. This time Vader doesn't waste a second before he starts thrusting, both in the dream and inside you. You watch as Vader fucks you fast and hard and feel as the heavy girth parts your walls, before pulling back to deliver sharp and precise thrusts, making you feel so full that it steals your breath and renders you speechless. “Hmm, nothing to say now, Princess? No accusations of lies or deception?” When you say nothing Vader slows down his pace, again both in the dream and in you, and this time even if the dream you says anything it goes completely unheard as you whine out. After watching yourself come apart so many times, hearing your whines and begs, the lewd sounds of fucking, you were downright aching, desperate to have your want fulfilled and your cunt stuffed. “Tsk, tsk tsk, such filthy wants you have, Princess.” His mocking voice booms, “and here I thought you wanted me defeated and dead.” You did, you swear you did, just....after you were done with whatever this was. Because fuck Vader feels so good inside you, so big and so deep, especially as he grinds into you without pulling out. In the haze of your pleasure you barely notice Vader picking up pace again and in retaliation he delivers a slap to your ass and it's so much worse. It's so much worse because it feels so so good, your hole pulsating around nothing desperately. “Watch.” He echoes the same word again as he forces you to concentrate on the dream he's showing you. It's a struggle to focus as Vader expertly fucks you into the mattress, pleasure coursing through your veins as he hits that deep spot inside you again and again. It becomes so much more difficult when he makes you watch the way he fucks you, the way his broad frame covers you entirely, practically dwarfing you, the way you greedily swallow him, stretched to your limits as his thick cock thrusts into you – hard and fast, not showing any mercy. Holy shit, you realise, Vader was showing you how he would fuck you, and he's making you feel how he would fuck you. All without fucking you at all.
He's ruining you, absolutely ruining you as the lewd sounds of him thrusting hard and deep into your wet pussy echo in your mind. As sweat runs down your forehead, as your chest heaves, and as your cunt leaks and leaks, surely ruining your sleepwear. As you sob in pleasure and you can’t even tell if it’s from the dream or you.
You feel the pressure on your neck return and it makes you heady, your eyes roll to the back of your head as Vader toys with your clit again, not faltering in his pace of fucking you.
You’re barrelling towards the edge at record speed, but you would never admit to Vader that no one’s ever fucked you this good, not even the best sex of your real life came close to whatever Vader was doing to you now.
Did you feel guilty about it? Immeasurably so. But it wasn’t at the front of your mind when you could also feel the way you were so close. So so close – just one more deep thrust, just one more flick of your button, just one squeeze of your throat and you’d be—
Suddenly every bit of touch disappears from your body.
The long length inside you is no longer there, the wide palm on your bare throat has vanished and the thrumming pressure on your clit has faded into nothing.
You can’t help the cry that escapes you, calling out his name in desperation.
There is no reply. You writhe on the bed, your desperation showing in the way your knuckles protrude as you fist the bedsheet, your hips squirming and cunt pulsing in need for what was so cruelly stolen from you.
You quickly sit up as your mind awakes and your eyes shoot open. Your quick pants are the only sound you can hear in the pin drop silence of your separate quarters.
Your voice is shaky as you call out, “V-Vader?”
Still no reply. You let your head fall into your hands, a silent sob escaping you as you come down from the high. Your cheeks feel warm, in fact, your whole body feels on fire and you just can’t seem to get enough air into your lungs.
The tears that slip down your face, dry and cool your heated skin but it’s not enough.
Every encounter with Vader always made you feel like something was missing, and tonight that feeling’s stronger than ever, carving out a chunk of your being and wringing your stomach into knots.
You feel hollow. Unsure. Unsafe. And yet you want to forget all of this. There is no physical evidence of anything other than your ruined underwear that you’re more than willing to ignore. Maybe this was all just a dream. A very very bad dream. Nothing more.
Just as you’re about to chalk this all up to some weird way of the universe fucking with you, a deep inhale echoes in your mind.
“The temple is where our business will be finished.”
And just like that you’re once again left alone in the silent darkness of the room.
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a/n: welp folks, here we have it. weird way to say it ig but happy star wars day! may the force be with you
(ignore that this is a day late and also absolutely not proofread, both becuz tumblr was being a bitch and I lost this fic like 6 times and I almost don't care anymore lol)
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yakutarts · 6 months ago
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Nightmare and Dream but feral, non-skeletal body!
For the love of god PLEASE click on the image for better quality + close ups and clothed version under the cut!!
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Would you kiss them?
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Video process:
I made these using a specific context
A while ages ago I drew and posted a drawing of Nightmare and Dream on their light ball form but with some alterations/personal headcanons.
On the post, I expressed my desire to draw the twins in a universe were Nim didn’t need to give them bodies, and just let them grow naturally. And specifically give them an animalistic appearance, instead of a humanoid one like most artist do.
You can see on the process video that it took me 1000 sketches to make something that looked good and I was happy with, the video is obviously sped up, the total time it took me to make this was 28 hours and 15 minutes.
Now explaining some things:
Why are they so big?
I read on a post made by Joku that Nim, before giving them skeleton bodies, tried to make them human ones, but the pure amount of magic and power the twins had made the human bodies explode or some shit. So she picked skeletons since the magic could flow freely through the bones without being confined by muscle and flesh. That made me think if their power had physical forms, it would be gigantic. So I gave them gigantic forms to better represent their status of strength and power, beings made from raw magic to serve as guardians of all emotions throughout the multiverse, of course I needed to make them big and intimidating!
Why the horns?
Artistic design choice, I gave them little horns and a chubby tail in their light ball form to purposefully make them more animalistic, wanted to keep it while making these. Also just giving them a smooth head with nothing much going on looked weird and boring.
Why the draconian look?
Dragons had been created and depicted as symbols of pure power above humanity and worshipped as deities throughout several cultures around the world, different depictions of dragons has been one of the only things present among almost all cultures, like a default folklore creature. While I tried to incorporate other mythical creatures in the design, the draconic body plan felt more right due to the influence of dragons on human beliefs, and their representation as magical and powerful beings beyond human comprehension. Plus I just really love drawing dragons.
Why the clothing choice? Also why is Dream half naked while Nightmare has everything covered?
While designing the clothes for Nightmare, I used as reference clothing that usually royalty would wear, Nightmare has a really big ego and sees himself as a king, so he uses fancy, expensive clothing and jewelry, adapted and designed for his anatomy. Not practical for battle, but his corruption can go through the fabric without damaging it, and most people and monsters just run when they see him, so he doesn’t worry about it getting dirty or tearing, Nightmare just expects every soul to instantly submit when they see him, so he never worries about getting into a battle and getting dirty he has that big of an ego.
Dream is the opposite, his style of clothing much more practical for running, jumping, flying, fighting and general exercise. He has 4 bags in total, 2 on each side, inside them he keeps several items, be it healing food, magical artifacts, first aid kit, gifts he receives, stuff he buys or random things he finds and wants to take home with him. Dream’s crown is now a colar couldn’t figure out how to make it work with the head shape and horns, his cape is from his official design, but changed to white, was planning to make it yellow but when I looked at it my eyes hurt because there was too much yellow everywhere. I made Dream’s clothes with the intent to match his official design, I didn’t to the same for nightmare because a turtle neck with a hoodie on a dragon would make him more huggable than intimidating. Plus I like to think that the leg warmers was a gift from Blue, and the ring on his horn a gift from Ink. Didn’t add more stuff on him because I couldn’t think of something that would look good and match Dream’s vibe, the rest of his clothes on his official design didn’t translate well here. Oh, while I was drawing this, I drew the colar and the leg warmers first, without the cape, Dream looked like a twink with a pet play kink.
Side note; neither Nightmare or Dream see the use of clothes as a necessity or as decency. For them clothes are nothing but pure decoration and to show off status for Nightmare, they can wear full body suits, partial clothing, just jewelry, or nothing at all, which is what they usually go for when at home, wearing or not wearing stuff doesn’t make that much of a difference to them at all.
Do they act as animals or do they have human intelligence?
Despite me using the word “feral” all the time to describe them, they do not actually act as animals. I’m only using “feral” to describe their body/anatomy, Nightmare and Dream are fully sentient and have human level intelligence/awareness. They are capable of speech and have opposable thumbs on their front paws, they can grab, write, hold… do anything a human can do with their hands with dexterity. But they do have to use only hand one at a time, and balance themselves with the other. To use both hands, they have to be sitting, or be supported by something, they can balance themselves on their wings if they have to.
And now contradicting what I just said, they have some animalistic behaviors. The twins can growl, purr and roar. Despite Nightmare being able to use his tentacles and Dream being able to shoot magic arrows out of his wings, they to also scratch and bite while fighting. Since they are big and heavy, they can easily crush bone under their weight and their bite force is strong enough to split someone in half. If you need a reference, just use Smaug from The Hobbit, he has more or less the balance of animal behavior and human intelligence I’m looking for.
Expanding more on this, the twins stretch just like felines, and often sleep in positions usually cats sleep in (they don’t actually need to sleep but do anyway). Dream likes to go fishing, and by fishing I mean jumping in a lake and chasing the fish underwater. He finds it more fun than sitting around and waiting for the fish to come to you instead.
I guess you count their lack of necessity to wear clothes as animal logic too?
_________________
If you have any more questions about them, I will be happy to answer!
And yes, I do plan on making more drawings of Nightmare and Dream on this form!
Dreamtale belongs to @jokublog
Feral concept/design by @yakutarts (me)
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rainyatrium · 5 months ago
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MOTH AND LOPER!! YEAH!!! ft. @heavenhearst under the goggles... The mindspike articulates and is motorized... it gave up the goat literally as soon as the cosplay contest ended, lol Did not get to finish the lenticular film glasses in time, but such is life!!!! We got 4th place honorable mention in the group costume contest so i am pretty happy :) further thoughts and WAY more images below!
loper thoughts we know from the game that Loper is in some kind of hazard gear, so i gave them the jumpsuit (in the tradition of ellen ripley, real astronauts, and ghostbusters) as opposed to a labcoat or anything like that. we took in the waist to make it fit better. i think with the mindspike on, it made the resemblance even stronger.... these ghostbusters did not quite get why i was so amused at taking a photo with them, but i think this is a pretty good image nonetheless.
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observin' makes me feel good! and speaking of the mindspike: this is my first time working on anything to this level-- I am not a robotics person! hell of a learning experience & i already have plans for version 2. mindsci i am not but i think i did pretty ok... the spike has two controllers: a modified slotcar controller & a separate knob that sits in one of the pockets (controls left/right axis). the other knob is pretty discreet and allows for puppeting the spike without a bright yellow Device in my hands. the RCA jacks on the back hooked up to Moth's laptop, so for photos it looks like they are hooked up to the spike and taking readings.
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the claw was made nearly 1:1 to the game model to save on time and weight. con crunch wahoo! some extras: i put together fake 'e-paper' displays for our ids. if you have seen my prior posts, these will look familiar! i had a blast designing a seal for the FBX and a layout for these ids. i wanted to give them a better finish (hide the obvious 3d printing), but.. time crunch.. oops... the Moth id also has a little incandescent bulb in it, though I have no photos of it active. for my gloves, i intended to use gloves for high-voltage electrical work, but i was allergic to the latex, so i grabbed some dishwashing gloves off amazon and glued the label to them, hehe.
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shoutout to the tf2 medic who was wearing the same pair of gloves! moth thoughts for moth, we had the benefit of the wonderful official cosplay by Shaman-- which you can see all over corru.store! (thank you shaman for the pointers!!!) Heaven thought it would be fun to take him in a more "I'M IN!" direction, so our Moth has painted nails and fingerless gloves and a great big coat over his button-down and slacks. complimented with some pins from hot topic and i think he assembled a pretty comprehensive vibe! i made the goggles out of some blue LEDs, rice paper, and a pair of costume goggles off Amazon. they are entirely opaque. moth is just such a gamer he knows exactly where everything is anyway.
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you can also see the FBX patch that is present on both our Loper and Moth!
everything else wtf you read this far? cool! i don't really have anything else to add... but maybe you will see Loper at Supercon Miami in 2025.... only time will tell.....
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hypodermicfroggy · 9 months ago
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= PROJECT MOON LORE GUIDE =
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(I've posted a guide like this on Steam, but I figure it couldn't hurt to put an updated version on Tumblr, too. Also, a warning: This post is going to be very, *very* long.)
Hello, current Project Moon fandom and future/want-to-be fans!
Do you enjoy Limbus Company but don't know how to get into the other games and media to appreciate the greater lore of the series? Do you not actually have the money, time, or patience to endure a brutally punishing (and sometimes even janky) roguelike management sim, deckbuilder, or gacha game because we live in a capitalistic hellworld like the one this very series criticizes? Struggle with getting access to supplementary materials due to controversies and language barriers?
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(Pictured: PM Twitter and the Limbus Steam Forums, on any given day. Seriously, what is wrong with some of you people.)
And especially important: hate how Reddit and Steam are full of dudebro coomers who are openly hostile to F2P, non-day one players who might grapple with all the previous issues on top of being more invested in story than waifus?
Then read on under the cut!
= o = o = o = o = o = o =
This guide contains a comprehensive list of resources for you to be able to enjoy the Project Moon series to its fullest, including links to wikis, playlists, and more. Even if you can't play the games, I personally think those who can actually appreciate the series shouldn't be gatekept from the truly fantastic story and world that the games hold. Except Canto 6, we don't talk about Canto 6.
AND AN IMPORTANT REMINDER: THERE WILL BE SOME SPOILERS FOR CERTAIN PARTS OF THE SERIES, AND PLEASE ACKNOWLEDGE THE CONTENT WARNINGS BEFORE YOU GET INTO ANYTHING HERE! This is a very dark series that tackles and shows very heavy topics and content!
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For those who can't read the text on the image, some of the common trigger warnings for this series includes:
Animal Cruelty
Drug Use
References to Alcohol and Tobacco
Injury and Dismemberment
Homicide and Suicide
Violence and Torture
Cannibalism
Kidnapping, Abduction, and Captivity
Psychosis
Diseases, Seizure, and Dyspnoea (aka shortness of breath)
Familial Homicide and Domestic Violence
Reference to Clowns (Coulrophobia)
Themes of Occultism and Spiritualism
Audiovisual Depictions of Gore
Uses of Sharp and Pointed Objects
Hospital and Medical References
References to Gaslighting and Bullying
Body Modification and/or Deformation
Flashing Lights (Photosensitivity)
Disorientation Induced by a Shaking Camera
Strong Language and Demeaning Words
Reference to Traffic Accidents
Uses of Guns and Instruments of Violence
Discriminatory Violence
Religious Torture and Violence
Enforced Ideology and/or Actions
War and Mass Conflict
Anyway, if all that didn't scare you off, on to the guide!
= o = o = o = o = o = o =
=WIKIS:
When in doubt, there's always the wikis for being references and useful sources, from gameplay to story elements!
>>Cogitopedia - A WIP wiki run by members of the community, working on adding in-depth content for all of the games and supplementary materials.
>>LobCorp Wiki - Has data on every abnormality, including inaccessible ones and cut ones (such as Price of Silence).
>>Library of Ruina Wiki - Has the lore from key pages, and also has cut content like the CGs from the original planned ending.
>>Limbus Wiki.gg - Has ID Uptie stories and info about Mirror Dungeon encounters. (DO NOT USE THE LIMBUS FANDOM WIKI, IT HAS BEEN ABANDONED/VANDALIZED.)
>>Library of Project Moon - A WIP fan blog whose purpose is to consolidate translations of the literary source novels and related works for Limbus Company and the PM games as a whole.
= o = o = o = o = o = o =
=LOBOTOMY CORPORATION:
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Summary: Lobotomy Corporation is the first game in the series. It is a roguelike management sim where you play as "Manager X", tasked with handling employees and various monsters known as Abnormalities in order to generate daily quotas of a power source substance known as Enkephalin and a mysterious "Seed of Light" project. You are aided by an alleged team of AIs known as the Sephirot, and your very own personal assistant AI, Angela. It's often been likened to "anime SCP Foundation."
This is the game where everything begins, and without it, we wouldn't have the plot of Limbus (or anything else for that matter). This is where the Golden Boughs come from, this is where Abnormalities come from, this is even where Distortions come from - but we're getting ahead of ourselves on that front.
>>This playlist will allow you to watch all the cutscenes from the game, in order, for the canon ending.
>>This video also has the cutscenes, albeit not in order, HOWEVER, it does have the alternate, non-canon endings A and B (which are timestamped in the link for convenience).
youtube
>>WordsmithVids (also on YouTube) also has what is generally considered to be the most popular summary of the game.
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(NOTE: Some people disagree with WordsmithVids and his interpretations of some of the characters as well as his content being "meme-y," so I advise you to watch at your own discretion and draw your own conclusions. That being said, if people have better recommendations, please send them to me instead of just complaining and bitching without offering solutions like that one guy on Steam did, thank you.)
>>This site contains transcripts/text of the entire game, albeit not in order like the cutscene playlist. It also has WIP sections for EGO weapons, gear, and other useful info.
= o = o = o = o = o = o =
=WONDERLAB:
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Summary: Wonderlab was a webcomic by the artist MIMI/Whitezombies, originally posted on the Project Moon Postype account. It follows the adventures of several employees - often called "nuggets" in fan parlance - Catt, Taii, and Rose, in a Lobotomy Corporation branch facility as they go about their day to day activities.
This webcomic was taken down after the Summer 2023 Incel Controversy, when incels stormed the Project Moon office in Korea and made enough credible threats that the former Limbus CG artist known as Vellmori was fired, and it is currently part of a second conflict over copyright. However, primarily for archival and personal reference purposes, the comic has been saved and rehosted in several forms.
>>Internet Archive version. This has just the comic in an on-site readable format.
>>A backup archive on Google Drive. This features the individual pages, a downloadable .zip of the archive, and a readable Google Docs version.
For those who may have ethical concerns about downloading a webcomic that was pulled due to controversy (understandable), once again, >>WordsmithVids has a summary.
youtube
(NOTE: This is NOT the place to discuss either the Summer 2023 incel controversy *or* the current (Summer 2024) copyright conflict. There are far better places to do that with people who are far better informed on the topic than I am. This post is solely for providing references and archives of lore material to help guide people into this series. DO NOT attempt to bring up the controversies here, I will not be acknowledging them outside of mentioning why certain supplementary materials may have been pulled and have had to be mirrored. I am just an archivist, not a lawyer or discourser.)
= o = o = o = o = o = o =
=LIBRARY OF RUINA:
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Summary: Library of Ruina takes place some months after the events of Lobotomy Corporation. A "Grade 9 Fixer" known as Roland finds his way into the mysterious, tower-like Library that has sprung up in place of the former main facility of L Corp, where he encounters Angela and the other Sephirot (all now Librarians). He begins assisting her in finding "the perfect book", which involves enticing people to come to the library through the sending out of curious invitations.
Now, unfortunately, there is not a playlist that splits up the cutscenes or puts them in order for Ruina.
>>These two videos have them all in compilation.
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HOWEVER. A wonderful and dear friend of mine (@citroncynique <3) has allowed the guide they sent me to be reproduced/copied.
>>As such, there is a guide on how to watch the cutscenes in the order that makes the most sense, utilizing the timestamps of the previous two videos. It is not a perfect system, but it works at least.
>>There is also a written transcript archive for Ruina, by the same person who did the one for LobCorp, which also includes useful info regarding things like cards and keypages as well.
>>WordsmithVids also has at least two summary vids out.
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However, due to financial issues at last update, he has not been able to continue his summary of Ruina. I am including them regardless. >>As well as his Patreon in case people want to support him in hopes of making it easier for him to work on the vids again.
>>There is also an almost FOUR HOUR LONG video essay that delves into Angela's character specifically after the events of LobCorp and Ruina. It is not required viewing like the rest of the materials here, however, I think it still deserves a mention just for the amount of effort and care that went into it.
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= o = o = o = o = o = o =
=DISTORTION DETECTIVE:
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Summary: Taking place at roughly the same time as Library of Ruina, two Fixers known as Ezra and Moses and an N Corp. Taboo Hunter known as Vespa investigate the Distortion Phenomenon that is rapidly starting to spread across the City after the events of the previous games.
Originally released as a webnovel on Project Moon's Postype, Distortion Detective has 42 chapters and is technically incomplete/on hiatus. Project Moon, surprised at how popular the webnovel was, decided they wanted to potentially make an entire game based on the story. As of this writing, that has not happened (yet) but at least one character from the novel has appeared in Limbus Company, so there is still hope yet.
>>The DD series in its original form on Postype. This version was posted chapter-by-chapter, on Project Moon's Postype account and is (as of this writing, at least) still readable there.
>>A backup archive on Google Drive. This has the entire webnovel in a single document format (both Docs and downloadable PDF) featuring NishikujiC's official chapter illustrations up to Ch. 26, and includes the now-cut comic adaption of Ch. 19 by the artist Monggeu/koug99.
= o = o = o = o = o = o =
=LEVIATHAN:
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(Lord, this one. Like it wasn't a big enough pain in the ass already.)
Summary: After the events of Library of Ruina, and operating as a direct prequel to Limbus Company, Leviathan follows the Color Fixer Vergilius (aka the Red Gaze) as he grapples with his own personal traumas and comes into conflict with the Ring Syndicate, before being recruited as a guide for the LCB.
Leviathan originally started as a webcomic by Monggeu/koug99. Health issues with the artist resulted in the comic being discontinued and turned into a webnovel, whose translation was never completed and had to later be finished by fans. The comic portion has since been taken down as of the Summer 2024 copyright conflict and controversy, much like Wonderlab was. Once again, however, this has been mirrored for archival and reference purposes.
>>Original source of Leviathan on Postype. Due to the copyright conflict and the translation hiatus, the only chapters available are Ch. 12-15. The link is still included for posterity reasons and just in case the copyright conflict results in the chapters being restored.
>>A backup archive on Google Drive. This link includes the comic chapters, as well as the SnakeskinFS English fan translations for the last five chapters that were never completed, all in PDF form.
= o = o = o = o = o = o =
=LIMBUS COMPANY:
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Summary: After all the events of the previous games, a mysterious up and coming business known as Limbus Company has taken it upon themselves to send a group composed of 12 "Sinners" and their mysterious clock-headed Manager Dante to delve into the now-abandoned L Corp facilities in search of mysterious artifacts known as Golden Boughs.
Finally we come to the end of the shrubbery maze. Limbus Company is the latest chapter in the currently unfolding story of Project Moon and the City, a gacha game being used to fund other projects under the company umbrella.
Many people, once again, have ethical concerns about patronizing a gacha game. I for one agree with them, even as one of those patrons.
>>This playlist features all of the cutscenes for each part of the game story released so far (up to Intervallo 6.5-2/Murder on the WARP Express as of this writing).
>>There is also this site, which operates as a pure datamined text archive of all the story content.
>>And this site, which has all the in-game Observation logs as told by the Sinners, about the Abnormalities and enemies encountered in-game.
= o = o = o = o = o = o =
=BONUS/SUPPLEMENTARY:
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This section, liable to be updated at any given time, is for links to materials or fan-creations that don't necessarily fit with the strictly canonical story materials found in the games and webnovels themselves but which otherwise provide useful resources or analysis. Note that the vast majority of material here is supplementary and not required, but recommended.
(Except the literary sources. You will read those, and that is a threat. I can't take another Wings-forsaken illiterate opinion on Canto 6, I'm going to start Distorting and biting people if YOU PEOPLE DON'T READ THE DAMN SOURCE NOVELS.)
YouTubers and Video Essayists:
Frey Chaqma - Frey has done lots of work for the PM community, such as spearheading the Absolute Pride Resonance charity event for Pride Month 2024 as well as discussing the lore of the games and the City as a whole.
Tsunul - Another YouTuber who discusses lore but who also often delves into more interpersonal matters relating to the fandom and controversies that can affect the game community as a whole.
Esgoo - Although Esgoo does not necessarily get into lore so much, they are often tauted as one of the biggest names in the fandom for, if nothing else, their meta-analysis and basic gameplay/strategy material, as well as their community involvement.
DMrLeeds - Although some of his videos are (comparitively) quite old, it can still provide a good jumping off point for anyone who is utterly lost on what's going on in Limbus.
hydrojoy's essay on Benjamin - In addition to Angela, hydrojoy also did an in-depth analysis on Benjamin, aka B, aka Hokma, from Lobotomy Corporation and Library of Ruina and their impact on the story.
MetiNotTheBadGuy's PM Character Essays - Meti has done several excellent character breakdown videos on some of PM's most notable villains/characters, including Roland, Kromer, and Dongrang.
= o = o = o = o = o = o =
=ACKNOWLEDGEMENTS:
Citroncynique. For being a truly amazing artist, putting in the effort of making a watch guide for Ruina's cutscenes, and getting me into this series and ruining my life forever by jingling a bugman with PTSD in front of me (<3).
MIMI/Whitezombies, Monggeu/koug99, NishikujiC, and Vellmori. Although several of these artists have left PM and the community on bad terms, I still think their efforts should be appreciated and supported, now more than ever.
SnakeskinFS. For finishing Leviathan's English translation.
Folex, Bek, WordsmithVids, hydrojoy, and the Lobotomy Corporation Archive. For posting their cutscene and summary/analysis videos.
NeedsMoreDoge. The Steam user who provided the original guide and backup on how to read Leviathan that I myself utilized.
The less than pleasant members of the community who spurred me into making this guide in the first place, out of pure spite.
And of course, readers like you and those members of the community who make me so happy to be here and be a part of this fandom. Genuinely, thank you all, I have never felt as welcomed as I do in the Project Moon circles I run in.
In addition to the references included here, I recommend you get involved in your PM community as well! Join communities and Discords, support content creators on social sites, help contribute where it's needed and in whatever way you can! The best way to counteract the worst elements of any fandom is to be a guiding and helpful element in your own right.
Thank you all for reading, and I hope this guide helps you out!
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dokushoclub · 8 months ago
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The middle of September is the time for the Japanese tradition of moon viewing. It's said that the September moon is especially pretty and round in Japan and of course there are some delicious related foods for the occasion as well.
I've gathered some articles and blog posts about 月見(つきみ)that were written for learners of Japanese in simple language. Most of these stories have a reading level fitting for JLPT N5 and N4 readers. If you are interested in learning about the traditions in Japanese, have a look - all texts are freely available online!
The Japan Foundation Kansai
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This text is 8 pages long, graded as A2 and is available as a direct PDF download through the link below.
https://www.jpf.go.jp/j/kansai/clip/images/page/yomyom/002_tsukimi.pdf
Hirogaru Nihongo
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Hirogaru Nihongo's article is only a few sentences short, but they also include a video on Tsukimidango and there's a reading comprehension quiz at the end.
https://hirogaru-nihongo.jp/hoshi/article/tsukimi/
Meika Sensei's Blog
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Meika Sensei's blog for beginner readers has short, simple sentences that each add a bit more information. There is also a version for intermediate readers.
https://meikasensei.com/beginners/night-of-the-full-moon-and-moon-viewing-2/
Nihongoschool Nihongoblog
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The blog post by Kazue Ono has two parts, one aimed at beginners and one for intermediate readers. It's a good practice to start with the beginner text and then try and read the more difficult one as well.
https://www.nihongoschool.co.uk/post/%E3%81%8A%E6%9C%88%E8%A6%8B%EF%BC%88%E3%81%A4%E3%81%8D%E3%81%BF%EF%BC%89-the-moon-viewing
Matcha Magazine
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Honorable mention for Matcha Magazine: Their article isn't only for Tsukimi, but all Japanese traditions and celebrations taking place from September to November. Their articles include some translations in the main text to help with following along.
https://matcha-jp.com/easy/1348
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scarletskiesinthepaths · 3 months ago
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One Timeline, One Fate: How Eren’s Will Shaped the 80% Rumbling in Attack on Titan
Okay, so I’ve seen tons of confusion surrounding the nature of “time travel” in Attack on Titan: Why couldn’t Eren just change the future once he saw it? Are there multiple timelines at play? And if so, did Eren ever really have a choice, or was he locked into carrying out the Rumbling? I decided to make a comprehensive post to help clear things up.
“Time travel” in Attack on Titan is actually more about memory transmission than literal hopping between timelines. Basically, I’ll be explaining the Attack Titan’s ability to see future inheritors’ memories, the Founding Titan’s role in uniting all Subjects of Ymir through the Paths, and how these powers combine to form what looks like a loop of inevitability. By the end, you’ll see why Eren couldn’t—or rather, wouldn’t—alter the course he’d foreseen, and why there’s really only one timeline holding it all together. In essence, Eren chose the future he saw, even if he couldn't alter it.
How does “time travel” work in Attack on Titan?
Attack on Titan does not portray multiple realities or divergent timelines. Rather, the story unfolds along a single timeline, wherein past, present, and future events can influence one another through Titan memories. 
In Attack on Titan, “time travel” is really a byproduct of two intertwined abilities:
The Founding Titan’s power (Ymir Fritz’s power):
Connects all Subjects of Ymir through the Paths.
Can alter memories, bodies, and even pass mental images across time if the Founder is involved.
The Attack Titan’s power:
Possesses the ability to view the memories of its future inheritors (not just past ones).
This means the Attack Titan can see glimpses of events that haven’t happened yet—at least to the Titan’s current holder.
When Eren acquires both the Attack Titan and gains partial (and later full) access to the Founding Titan’s abilities (through contact with royal blood, notably via Zeke, and earlier interactions with Historia and Dina), these powers merge, enabling memories to move both forward and backward along a single, unbroken timeline.
How Memories “Move” Through Time
Because of these powers:
Eren can send memories from his future self to past inheritors of the Attack Titan.
These transmissions are selective; Eren chooses which memories to send and to whom.
The Founding Titan’s power effectively creates a network (the Paths) that spans all time. It’s not traditional time-travel ; it’s more akin to a single timeline threaded through everyone connected by Ymir’s bloodline.
It is important to note: The future that is transmitted back is the future that will occur; there are no alternate versions of reality. Once Eren perceives a future or sends a memory of it, the timeline has effectively “locked in” that eventuality.
Key Evidence from the Manga:
The Attack Titan’s Power (Chapter 89)
Eren Kruger demonstrates knowledge of Mikasa and Armin long before they are born, a clear example of glimpsing future inheritors’ memories.
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Founding Titan & the Paths (Chapters 120–122)
These chapters illustrate how the Founding Titan’s influence spans all Subjects of Ymir within the Coordinate, enabling far-reaching manipulations of time, memory, and physical forms.
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Influencing the Past (Chapter 121)
Eren effectively spurs Grisha Yeager to carry out the attack on the Reiss family. This provides a direct example of Eren influencing the past. Grisha also explicitly reacts to something Eren is showing him—memories from Eren's future, beamed back through the Paths.
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Why Eren Couldn’t (or Wouldn’t) Change the Future
A central question arises: if Eren perceives destructive events on the horizon, why not prevent them? The best way to understand this is recognizing that Eren’s will, his personal desires, and the single, closed loop timeline all lock him into a self-fulfilling prophecy. The Attack Titan does not expose random potential scenarios; it reveals a future shaped by Eren’s own resolve and desires. Once Eren observes (and transmits) a specific future, that future becomes embedded in the timeline. Attempting to deviate would negate the very memories he sent back. Moreover, Eren doesn’t want to negate the memories he sent back. Eren transmits those memories precisely because he wants his past self to strive toward that future. The image of the Rumbling’s destruction (think of the “this is freedom” panel) is what Eren wants to see.
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Crucially, he shows this willingness and longing by diverting the path of Dina’s titan away from Bertolt—a decision that ensures certain events unfold exactly as needed (including the death of his own mother) to see a future where he carries out the Rumbling.
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When Did Eren Know He’d Be Stopped at 80% Destruction?
Eren’s early glimpses of the future, derived solely from the Attack Titan, were incomplete. As a result, he initially believed the Rumbling would annihilate the entire world. Not until physical contact with Ymir Fritz in the Paths (Chapters 120–122) did he acquire comprehensive knowledge of the ultimate outcome—namely, that the destruction would halt at roughly 80%, not 100%. Before this full disclosure, his partial insights led him to anticipate total obliteration.
What’s the evidence for this?:
Up until Chapter 120, Eren never had full control of the Founding Titan. It was only when he and Zeke converged in the Paths that Eren finally reached Ymir directly. Until that point, he had only seen glimpses of the future via the Attack Titan’s ability—the most notable example being when he made contact with Historia in Chapter 90.
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The glimpses of the future Eren sent to himself in the past only showed him the future he wanted to see. As a result, Eren fixated on the outcome he’d been driving toward (total destruction) without realizing there was a point in which he’d be forced to stop. The glimpses he saw led him to think that total annihilation was the endgame; he never saw (or understood) the moment in which the Alliance would intervene and halt the Rumbling. Eren’s mindset pre-contact with Ymir is also important to understand. In the flashbacks with Floch shown in Chapters 130-131, Eren shows no intention of leaving survivors outside the island.
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Throughout Chapters 130-131, Eren is also shown deliberating the atrocity he’s about to commit. He fully believes it will erase civilization beyond Paradis.
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Why didn’t Eren pivot when he learned that 100% annihilation wasn’t in the cards?:
Bringing all of the points together—there’s only one chain of events. The moment Eren sees how it concludes, it’s set—because that’s the future he himself instigates. Even though Eren’s rational mind grasps that the Rumbling will “fail” to achieve total destruction, he’s already committed to forging that horrific reality. This drive, tied to his longing for absolute freedom and a human-free landscape, renders him incapable (or unwilling) to step back. In Chapter 122, Ymir’s choice to grant Eren the full Founding Titan power ensures the unstoppable path forward. The Rumbling commences, and the single timeline proceeds as “destined.” Chapter 139 finalizes the point: Eren outright confesses to Armin that he moved forward with the Rumbling partly because he couldn’t stop himself. His dream of freedom—the same dream that made him wage war on the entire world—also chained him to the future he saw.
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Conclusion
Ultimately, Attack on Titan’s depiction of “time travel” is less about traversing alternate timelines and more about transmitting memories within a single, closed timeline. The Attack Titan sees future events (shaped by the wielder’s own will), and the Founding Titan’s Paths allow those events to anchor themselves in the past. This cycle forms an unbreakable loop, ensuring that the fate Eren glimpses is the fate he brings to life—no matter how horrifying.
So, while it might look like Eren is helpless in the face of destiny, the truth is more bittersweet: he’s trapped by his own desires and the single timeline’s rules. He chooses to walk the path he’s shown, effectively binding himself to the 80% Rumbling outcome. In this way, Eren Yeager’s tragedy lies not in having no choice—but in having a singular, unwavering conviction that makes him want the future he sees, ensuring it can’t unfold any other way.
If you're interested in more of my thoughts on the subject of Eren and whether he had a choice, here's another post I wrote on the topic:
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just-a-space-duck · 4 months ago
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Abstract ART
A Murderbot Meta Essay
My favorite thing about fandom is seeing how everyone interprets the same source material. And as someone who's most into character design, it’s so fun seeing how different artists draw the same character, even when said character already has a very clear canon design. What elements do artists leave behind as just part of the official art style and which parts do they interpret as core parts of the character's design? Where there's ambiguity, what do they add? How does each person depict “wide sunny eyes” or “quite tall for an elf”?
And with The Murderbot Diaries, characters are given very little physical descriptions, even for a book series. Even with the official illustrations and out-of-text author statements (which I choose to put into an optionally canon status; it's the TLK fan in me) we're working with relatively little in terms of what the characters look like. And that makes Murderbot fanart so fun for me.
And maybe one day I'll gush about the designs of the other characters, but you saw the title, and I'm here to talk about the most fascinating fanon character design trend I've thus seen: Abstract ART/Perihelion.
ART is a spaceship. Ok, it's also sometimes drones. The way ART functions, out of any character in the series, the argument that its true form is merely the physical stuff composing its brain is the most founded. And Murderbot does sometimes make specific reference to ART's brain as being what ART specifically is. But without getting too far into a philosophical discussion on the relationship between the mind and the physical world and what constitutes the self, ART is largely presented to us as a really large ship that can easily connect with other tech. Murderbot does frequently describe it acting in ways similar to a being with a more human body like rolling its eyes and breathing over Murderbot’s shoulder, but it's all clearly metaphor. And that works for a word-only medium.
But what if you want to create an image of these characters, especially one that had little to no accompanying text or audio or only words in dialogue? What if you want to draw the giant spaceship that all of the puny humans (and puny human/bot constructs) walk around in actually rolling its eyes?
Well, you abstract it.
And that's really fascinating to me. People depict ART as all these things that are definitely not a spaceship or a drone or any machine for the benefit of the viewers.
Given that this is largely a fan invention, there's far fewer restrictions on what Abstract ART looks like. (Well this is fiction, so really the only restriction is the imagination of the creator(s).) We do get some information to use as a guideline. ART early on is described as “big and diffuse”, it's able to give a lot of focus to a lot of things at once, and most of Ship ART (Murderbot, why'd you have to nickname your mutual administrative assistant that?) and its crew uniforms are dark blue, black, and white. Those few things as well as its personality paint how people draw it.
Now onto my favorite part, all of the different trends I've seen with Abstract ART. I've not delved that deep into MB fanart so this is very far from comprehensive.
It’s Just Ship ART:
Just keeping it to what it literally is in the books. I love all Abstract ARTs, but this one I like both for how closely it sticks to canon and the sheer creativity needed to show a sentient spaceship/transport emoting, thinking, and interacting. We already have stuff like this in the books, like when it flickered the bathroom lights to communicate with a certain angry secunit, but there's tons more that can be done: movement of the cameras, images on display devices, various appliances running, etc.. It’s a tough one to work with, so props to anyone who takes this approach.
Abstract Abstract ART Art (Yeah, my brain hurts too):
I'm kinda just lumping every version here that isn't ART's physical form(s) nor resembles a human or other animal. This is my favorite take because ART is just weird already. It's a super intelligent, scary machine whose existence is kept secret so it can fight capitalism while simultaneously doing a hundred other things ten times better than you can. If you're going to give it a form separate from its machine body/bodies, I say make it strange, eldrichian even. Make it a bunch of pixels, a starfield, a giant flame, many many eyes (oh I'll get to the eyes), a glowing sofa, everything everywhere all at once.
Creature ART:
I find this take interesting just cause there's a lot of fun to be had with picking an animal (or animals or fantastical critters) and applying their attributes and stereotypes to our favorite anti-corporate research vessel. Plus they work well in representing both ART'S human-like attributes and its very much not human-like attributes, with fantastical or hybrid versions having a more eldritch or cryptid vibe. While you could go with any animal, off the top of my head the ones that feel real fitting are an octopus (high intelligence that evolved separately from humans, multiple limbs for doing multiple things), a hydra (multiple heads, multiple areas of focus), a blue whale (giant, fits ART'S colors, rare, travels far), or really any bird (it's a spaceship).
Humanoid ART:
Probably my least favorite interpretation (all interpretations are valid, don't listen to me) just cause I feel more could be done to highlight that ART is, well, a bot and not at all human. However, I do get it. If you're going to give ART a form for the benefit of the audience, might as well make it look like what most audience members would have the easiest time reading the emotions and actions of (and it's not like ART doesn't have human-like qualities). Plus, you can still get weird with it: have this form change shape, give it unnatural proportions, make it a clearly non-human color, etc. And there are things the human form can do that a cat or a circle or a literal ship can't and maybe you want ART to do those things.
Eyes:
It’s very common to give ART eyes, or even just have ART be mostly eyes. For one, it gives it easily readable emotions, even if it lacks other facial features or means of making human gestures. Secondly, eyes work really well with ART's abilities and personality. ART can focus on multiple things at once. ART can be very scary and overbearing. It even works with ART's gentler side, if given the right expression.
Color:
ART is already associated with the colors dark blue and black (and to a lesser extent white) in canon. Like Ship ART is literally blue, at least parts of it are. And because of this, I have yet to encounter an Abstract ART that isn't at least 80% blue. (Fun fact: I used to associate ART with the color orange. Can you guess why?) Interestingly though, a large number of artists go with a powder blue or turquoise/azure for ART. I do not mean to be a color snob; please classify colors however. I just find this to be a particularly fascinating trend, cause most English speakers would classify those shades as light blue or at least not dark blue. I wonder if this has anything to do with the light/turquoise blue = high tech association. Now that I’m writing this out, I’m curious what color terms are used in translations of TMBD. Looking at you Russian version.
Diegesis:
Ok, so, final point: how real in-universe is Abstract ART? I hypothesized that the reason for this trend is to make ART easier to portray in images for viewers, but I wonder what in-universe explanation people have for this, if any. In most fanart, other characters (or at least Murderbot) interact with Abstract ART as if it is actually there or at least visible. I go with the headcanon that only other machines and some augmented humans can see its abstract form. This does stretch if not completely contradict canon, but fuck it, this is fiction and we get to have fun with it.
Anyway, hope you enjoyed my little ramble about a fandom trend. I'm gonna go eat a sandwich now.
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abyss-seer · 3 months ago
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Disclaimer: All content in this reading, including interpretations, messages, and images used for picking a pile, belongs to me. It should not be copied, reproduced, or distributed without my permission. Unauthorized use of any part of this reading is strictly prohibited.
The Background image used is "Ukiyo-e Tale: The Creative Circle" by Nicolas Castell. The images for pick a pile reads, are mine
Pick A Picture Reading
How can you embrace some of your inevitable life experiences and see it from a higher perspective?
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Pile 1 - The Table and Chair
Pile 2 - The Lamp post
Pile 3 - The Bench or a Swing
Welcome to today’s tarot reading! I always find tarot readings enjoyable, like reading chapters from a fascinating book. Before we dive in, let's set the scene and align with today's reading. Remember, this is a timeless read, so the messages can apply whenever you come across this post.
To start, take a moment to meditate on the question, and then choose the picture that draws you in. It could be a random object in the image or just an inner nudge guiding you to a particular pile. Feel free to choose more than one pile.
Today's question is inspired by some metal art shops I passed by: "How can you embrace the scars you experienced in your life and see how they shape you in a positive way?" Just as metal can be shaped under pressure into something beautiful, our experiences mold us, often in ways we don't realize at first.
Life can be tough, and we may come to dislike our scars because of the pain they represent. This reading aims to help you embrace those scars, transform them into symbols of victory, and find a positive outlook on life.
Remember, when life happens to you, you’re not a victim but a survivor. Warriors survive battlefields, and kings rule with confidence only after healing their wounds. This reading is about healing those scars fate has carved on you and seeing how they shape you into a beautiful, stronger version of yourself.
Enjoy the journey, and have a wonderful day! 😊
Trigger Warning
This reading has focused on the scars you could have got due to inevitable things you had to experience in your life. This reading aims to be a healing experience rather than a reminder of past hurts. If you're not ready to confront these aspects, but you appreciate the concept of this reading, feel free to save it for later.
Remember, this is a general reading, so take only the messages that resonate with you and leave the rest. A tarot reading offers insight or answers to your subconscious questions. It's important not to force yourself into any interpretation that doesn't feel right; readings are meant to be more about entertainment and reflection than precision.
Be mindful of not taking things personally. This is a collective reading, and while some aspects might resonate with you, others may resonate with someone else. My readings tend to be comprehensive and detailed, which some may find lengthy or time-consuming. Please take your time with this reading. These messages are intended to awaken and provide insights, so I hope you find value in them. Enjoy the journey through these reads.
With Love
Abyss Seer - Tarot Readings 🫶🏾
Pile 1
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How to Embrace the Scars You've Got in Life**
**Pile 1**: You might tend to give up when responsibilities and burdens pile up. You could have a scar related to staying committed to something that eventually dies out, leading to FOMO (fear of missing out) due to feeling stuck. You might often jump into new things when the current endeavor gets tough. These constant changes can make you feel overwhelmed, sometimes leading to explosive anger when things don't go your way.
Instead of suppressing your anger and letting it explode, find a creative outlet. Many in this pile might use relationships or intimate activities to channel negative emotions rather than facing them. Sitting with your emotions might remind you of times you were taken advantage of, causing frustration.
Rather than getting caught in your mind and shaming yourself for taking time to decide, embrace your role as a catalyst for change. People might see you as moving at the speed of light, like a hurricane that changes too fast and crushes whatever stands in the way.
To embrace these changes, meditate when making big decisions, especially if you're considering a new venture due to feeling overworked. Take risks and make informed decisions instead of overthinking. Slow down and reflect before making any changes. Consider others' perspectives and be mindful not to crush their hard work. Give space to others and their plans while you pursue your goals.
**How to See These Scars from a Higher Perspective**
These scars teach you to let go and heal from past imbalances and unequal exchanges. They help you become more mindful about investing and spending resources to achieve your goals. You're learning to move on from disappointments and regrets involving selfish people. Now, you invest in trusted individuals who share your vision and walk away from situations that don't work for you.
You’re becoming more aware of your intuition and avoiding disasters before they happen. You’re learning to express yourself fully and not squeeze into places you don't belong. By letting go of what doesn't serve you, you embrace change and become your most authentic self, no longer hiding behind corners. Don't think too much and take action.
These references could hold some significance or some extra messages for you
Manjhi - The Mountain Man movie
Seeing repeating 22
Travel by train
Ludhiana
Someone with some body deformity
Table of Manifestation : An altar
A collaborative project
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Pile 2
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*How to Embrace This Scar**
There might be some kind of coalition in your community or workplace. Pile 2, you could be dealing with financial loss, lack of progress, or unresolved arguments with colleagues, leaving you more confused. These arguments might drag on for weeks. You need to strike a balance in your work life and set boundaries.
If you're facing intense pressure from the market or conflicts with colleagues, tread carefully. Currently, with Mars in Taurus and the South Node in Libra, you might find it hard to feel at ease. Use your intelligence to gain an advantage in these situations.
If you've been wounded at work, embrace these scars by focusing on your tasks, showcasing your talents to your higher-ups, multitasking, and mastering your skills. You might have lost some work confidence due to these conflicts. Don't waste time dwelling on these issues; focus on your work.
There might be sadness from wasted time or potential, but it's time to work hard. Don't let this opportunity slip by. Your scar might be feeling unable to express yourself and being misunderstood. Remember, the louder you shout, the more likely you are to be
ignored.
How to See These Scars from a Higher Perspective**
Some of you might feel like you chose the wrong company, relationship, or community, leading to some kind of loss. You are being called to cleanse and nourish yourself. This Summer Solstice, like Maa Kamakhya, close your doors to unwanted situations and take yourself on a self-care retreat to experience your inner sacred workings. Forgive yourself and let go of the pain others have caused you.
Pile 2, you might feel distracted, waiting for things to happen, and dependent on others for your finances. You're being asked to socialize and heal, taking a break from work to come back rejuvenated. Stay grounded and socialize with people around you to maintain harmony. Don't show weakness in family, friendship, and relationships. You are learning to develop a strong boundary to avoid being taken advantage of.
Be careful, Pile 2; you might feel stagnant and stuck due to giving your energy to people who don't deserve it. If this has already happened, you are learning the art of facing your enemies and staying calm despite life's challenges. This situation might have left an invisible scar that not many can see. Stand strong against adversity and don't let unnecessary involvement of others extend your problems. You are learning to weed out unnecessary people from your matters and socialize only as needed.
Learn your lessons with grace and call your energy back to yourself for self-nourishment. See these scars as past mistakes and learn how to not overshare and keep people out of your business.
These references could hold some significance or some extra messages for you
Seeing repeating 8's and 7's, or 88's and 77's
Cleansing or Purification
Proficiency in English language
Coalition in workplace settings
The song Choti Choti Ratein from movie Tum bin
Someone or Something's name could be Donna
Oh Mehrama by Darshan Raval
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Pile 3
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Are you trying to embrace the scars that you got in your life amidst ongoing feuds about your future or your destined inheritance? Some of you could be from Pile 1.**
**How can you embrace this scar?**
First, commit to the work you are doing. You might feel a lack of inspiration to move towards your goals and dreams. Are you boldly pursuing your desires or just waiting for a miracle? Are you taking practical steps to achieve your dreams, or are you stuck in old stories, taking leftovers because you've lost hope?
You see big dreams and new opportunities, but are you too scared or uninspired to reach them? In today’s world, people often turn to social media to feel better, getting lost in information. You know what to do and which advice to take, but are you making that bold move? Your scar might be this void of success, leaving you uninspired and holding on to past achievements, ideas, or relationships that no longer serve you.
Express gratitude to those who helped you and let go. Embrace your scars and move boldly towards achieving your dreams, Pile 3.
**How to look at this scar from a higher perspective?**
Once you boldly commit to your goals and reignite your hope, you'll have a reason to celebrate. There might be something unique you want to do but are unsure about. From a higher perspective, one day you'll reap the rewards of your sincere efforts. This unique dream could turn into a legacy. Your scars were meant to make
you strong.Some of you might have lost a parent or experienced childhood neglect or abuse. I'm deeply sorry for your pain. Sending all of you my deepest condolences. 💗
"All I can say is 'Show me how it gets better' by Sah D Simone. Show the world how people with experiences like yours shine with their own light. Only you can show the world how it gets better, Pile 3.
Stop wasting time numbing your emotions. Turn your life experiences into motivation. Show the world how someone like you can make it better despite all these scars. Fully concentrate your energy on what you want to do in life and let go of what doesn't serve your purpose."
These references could hold some significance or some extra messages for you
Scarpetta, maybe you don't like wasting an inch of your food
You might go for travel soon
The song Oh Nanhe se Farishte
Barbie and 12 dancing princess
Khamoshiyan
Seeing repeating 2's and repeating 4's,
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eatmeandbirthmeagain · 10 months ago
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hello there! before i begin, allow me to express how much i love your work! i've only recently come across the KoH fandom, and your writing has kept me, say, well provided for with all the reader x king baldwin fics and headcanons HEHE. so yes, thank you for the work that you do. <3333 as for my request, it was inspired by a song (the dream academy's version of "please, please, please let me get what i want", with the original by the smiths). i was thinking that it's mainly from king baldwin's perspective, wherein he's already in acceptance of his fate due to his leprosy. so that consumes most of his thoughts, only driven by his responsibility as king to keep moving. but he's not actually living, if you catch my drift. like, he has this "if death takes me now, i'll let it" sort of mentality. but then he meets reader (i'll leave as to how they met and eventually got closer up to you ^^) and his entire world changes drastically. met with this sudden change (and the newfound will to live) which begins to conflict with his time quickly running up, he prays fervently one night, begging that he will be given a second chance, to be able to spend the rest of his life with reader (hence, the song ^^). i was thinking that this is primarily angst, but if fluff will be added to it, that would be a wonderful addition too ^^
i hope this was comprehensible enough. again, thank you so much! i'd love to see how you'll interpret this in your writing! i simply can't wait ><
♧ Please Let Me Get What I Want - King Baldwin x Reader ♧
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♧ Angst ♧
A/N: Hello Sheedle!! Thank you so much for this beautiful request, along with your constant love and support. Your words really mean the world to me 🫶. I hope this is what you had in mind for the fic! As always, this is based on the film Kingdom Of Heaven, not the real historical figures. Enjoy!
PS: THE IMAGE I USED FOR THIS FIC IS MF PERFECT CAN WE APPRICIATE THAT FOR A MINNUTE
TW: Leprosy
As the sun began to peak above the horizon line in the distance, the streets came alive, signifying a new day in Jerusalem.
The sunlight crept across the stone floor of the royal chambers until it reached the large, plush bed where the king of Jerusalem slept soundly. Baldwin’s eyes blinked open at the feeling of warmth on his face.
For just a moment, he was at peace. His body didn't hurt and he felt no pain. But this moment did not last long as the dull ache began to spread around his body once again.
Baldwin groaned and turned over onto his back as he came awake slowly. He stared blankly up at the ceiling. The same ceiling he had stared at so many times before.
Sleep was the only escape now. The only time he didn't feel weak or tired was when he lay in bed after a long day, finally getting some time to himself.
But in actual fact, he didn't want time to himself. What Baldwin wanted more than anything was a wife. But not just a wife, a companion.
He often thought about this and had come to the conclusion that it would never happen. No woman in the kingdom would agree to marry a leper. Certainly not any sane woman at least.
Someone who he could share his deepest, innermost thoughts with.
Someone who could show him love.
Someone who he could love in return.
As he lay in bed once again awaiting the arrival of the physicians to clean his wounds, Baldwin let this thought consume him once again.
He often pretended he had a wife. Not obviously though, just subtle little things that gave the illusion of a woman's comfort.
Baldwin turned his head to the pile of pillows that lay on the other side of his double bed and sighed. Every night, he would stack the decorative pillows that adorned his bed for aesthetic purposes beside him and lay on his side, just right so it felt like somebody was holding him.
If he closed his eyes and imagined hard enough, he could pretend to feel the warmth of another right next to him. 
At this point, Baldwin awaited death and when it came he would welcome it with open arms. It wasn't just the illness that plagued him, but terrible loneliness as well.
He felt as if the last few years of his life were nothing more than wasted potential and with so much time alone to think, he couldn't escape these thoughts. As the physicians filed into the room and began to work gently on his frail body, the thoughts remained.
It wasn't until Baldwin was informed about the arrival of princess y/n and her family that the horrible thoughts of death left his mind. His interest sparked at the mention of her name and the name of her father, who had gone down in history for winning many battles in his youth.
Their family would be staying at the castle as they searched for a husband for the young princess y/n. She was the same age as Baldwin and was known for her gentle kindness and beauty.
That was all he knew of her.
Deep down in his heart, the young king secretly wished that he would be the one to marry her. But he knew that was simply impossible.
Possible technically, yes. But would she want to? Absolutely not. In his mind at least. 
And when he layed eyes on her for the first time, it was clear he never had a chance. She wasn't just beautiful, she was a work of art. Truly stunning in every possible way.
Her hair, her eyes, her lips. She was perfect, she was gorgeous, and she was… staring right at him? With a small smile and rosy cheeks.
Her bright eyes twinkled in the sun when she looked his way, causing him to blush behind the mask. He simply couldn't tear his gaze away from her and it seemed that she couldn't do the same.
After dinner, Baldwin was just leaving the physicians quarters to retire to his chambers for the night when he was startled by y/n standing right behind a corner.
Noticing him jump, y/n chuckled. “I'm so sorry your majesty, it's only me” she said, her voice soothing as she placed a delicate hand on his arm.
The touch made Baldwin’s heart race even faster than it already was.
“Oh it-it's quite alright princess. I'm just a little on edge is all. Long day” he tried desperately to steady his heart, especially when she blinked slowly and looked into his eyes with what appeared to be adoration. But it couldn't be, right?
The two got to talking as Baldwin offered to escort her to her chambers for the night which she gladly took him up on the offer.
They spoke of her marriage and how she hoped to finally find a husband as she had been so lonely. In turn, Baldwin spoke of his own misfortune in finding a partner.
“I don't know why no one has asked to marry you princess. You're wonderful” Baldwin told her as they reached her door. Y/n chuckled, blush spreading across her cheeks.
“You're too kind my lord. I could say the same about you, you know. I mean, look at you! You're a beautiful young man” she said, her voice gentle and kind.
Baldwin felt surreal.
Nobody had ever said something like that to him before. Not since the disease had ravished his body at least.
Sensing his bashfulness, y/n smiled and placed a hand on his masked cheek.
“You need not be so hard on yourself Baldwin. From what I have heard, you are a strong leader and a brave one too. My father holds much respect for you and I do too. But after this interaction, I hold much more than respect for you and I hope we can speak more tomorrow” the princess said with a smile.
Baldwin took her hand in his, holding it to his chest.
“I would love that more than you will ever know, princess”.
The two said their goodnights and retired to their chambers, each with a warm feeling of anticipation for what the next day would bring.
But the young king couldn't sleep. His mind was flooded with different scenarios.
Maybe she did want to marry him? But if she did, their marriage would be short and surely childless. Wouldn't that put her off being wed to him if she were to spend half of her life as a widow?
That night Baldwin prayed and prayed to God on his knees for a second chance. For a second chance at life, to be wed to y/n, to live a normal life with her.
He begged until he couldn't think anymore. Staggering over to his bed, Baldwin fell into a deep sleep. Morning came in no time.
--------------------
The following morning, Baldwin awoke as usual. But something was different.
He felt happy, he felt excited and looked forward to the day ahead.
He got out of his bed on his own and dressed himself before the physicians arrived, who were shocked to see him so mobile without immense pain so early in the day.
Y/n was much the same.
Since first laying eyes on the young king, her heart belonged to him. Before seeing Baldwin for the first time, the idea of marriage disgusted her. She didn't want to end up like her friends, forced into a relationship with a man far older than her who controlled her every move.
But after seeing and speaking to him, the idea of marriage seemed amazing. He was so kind and sweet but he seemed so sad.
She wanted more than anything to be the one who would make him happy. She knew of his leprosy as many did but that didn't bother her in the slightest. All she saw was a kind and gentle soul in need of love.
When y/n arrived at Baldwin’s chambers, he was overjoyed to see her. They spent the entire day together, talking and laughing, walking around the courtyard and playing chess. 
By evening, neither wanted the day to end. Neither wanted to leave each other's side at all for that matter.
But one good thing happened that evening and that was Baldwin requesting her hand in marriage (with the blessing of her father of course). Y/n grinned with delight and accepted without hesitation.
As the two spoke together on the couch in Baldwin’s chambers, the sun sank below the horizon leaving the kingdom in peaceful darkness.
Baldwin had removed his mask, revealing his bandaged face to her.
Much to his delight, y/n did nothing but compliment him and stare lovingly into his eyes for the whole evening.
As time went on, the young king felt himself growing more and more tired. His eyes struggled to remain open, but he didn't want his soon to be wife to leave.
He wanted her by his side, forever.
Y/n noticed this and smiled at the sleepy expression he wore while she spoke.
“You should get some rest, your highness” she said softly, placing a hand on his thigh.
“But I don't want you to leave,” he replied, his voice suddenly small. Her heart broke for him. So many years feeling alone and unlovable.
Y/n thought for a moment, “I have an idea!” she spoke after a second.
Baldwin looked up at her with curiosity.
“Why don't you get into bed and I will hold you until you fall asleep, then I will leave. Then we have no risk of being accused of adultery!”
A large grin spread across Baldwin's face, it was the cutest thing she had ever seen. “That would be perfect!” he exclaimed.
Baldwin got changed and climbed into bed, laying down on his usual side of the bed. But this time, he tossed the decorative pillows to the floor.
Y/n climbed into the bed beside him, “just get comfortable and I will hold you” she told him, her voice filled with love.
Baldwin nodded and turned on his side away from her, snuggling into the covers with a smile. Y/n waited a moment, then wrapped her arms around him from behind, pulling him closer so his back was pressed against her chest and her head was resting slightly above his, his blonde curls tickled her nose making her giggle with happiness.
“This is everything I have ever wanted,” the young king whispered, his voice gentle and sleepy.
“Likewise, my love. Just rest now, I will just be in my chambers when you wake” y/n replied, pressing a kiss to the back of his head.
Baldwin nodded and yawned, burying himself further into her arms. The young king was fast asleep in no time, lulled into rest by her warmth.
The single sound of a soft snore broke the silence. The quiet sound of rest told the princess that it was time to leave. As much as she didnt want to, she had to.
Unwrapping her arms carefully so as to not wake him, y/n stood and went to leave. But she couldn't, not yet.
Walking over to Baldwin’s side of the bed, she smiled down at his sleeping form.
Y/n bent down and kissed his forehead lightly.
“I can't wait until every night can be like this my darling. Rest well” she whispered before turning to leave.
Retreating into the night with anticipation for what the next day would bring.
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pinetreevillain · 2 years ago
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Say, how do you make something with limited color palettes? It somewhat seems complicated IMO.
HEY, carlycmarathecat. Originally! I was going to say “noooo it’s not that complicated!” And then i made FOUR COLOR CHARTS. SO.
THE SHORT VERSION: IT’S LIKE WORKING IN GREYSCALE/DESATURATED COLORS AND THEN RE-SATURATING THEM
The REAL VERSION IS BELOW THE CUT:
So! Before my Turtle Era, all my comics were in black&white and chromatic greys because i hated working w color!! Hated that shit!!!
But! I got so good at doing stuff in black and white, and working just with value (that’s the darkness vs lightness of a color for the non-art folks at home) that I started grabbing color palettes with different colors and values and applying them like I would If i was working in greyscale/black&white.
To demonstrate I have made an extremely comprehensive guide!
Here are some panels from “I Trust You”, the first comic I did w a strict palette.
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I did not start it in greyscale, i just have these desaturated so you can see what I mean!
I put the dark colors where I want there to be darkness and the light colors where I want there to be Lightness.
However! It’s a bit more complicated than just saturating a palette.
Exhibit A!
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If you just desaturate the image/colors you get some values that are pretty neutral/similar to each other.
So! The trick is to then tweak the values to make them more contrasting!
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And then change them as you like to make the colors more contrasting/different.
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Damn that one looks so much better! You can clearly see the difference between his skin and the mask and markings!
Then finally! Apply your palette! (Either w gradient maps if u lazy or by Hand if you’re a #Real Artist)
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There are probably!! Uhhh better people at this than me?! But this how 👍👍 i do it thanks for reading
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blacknedsoul-blog · 1 year ago
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Lenore Vandernatch: the rogue, the gothic heroine and the courtly knight. A review of archetypes
Okay, after going over my notes, here we are again. In case you don't know what this is all about, here is the first of these posts where I'm doing a review of some of the archetypes that Annabel and Lenore seem to be taking notes on.
Just so this doesn't end up being another 3000 word post, let's get started.
The Rogue
In 1554, the first written version of "El Lazarillo de Tormes" was published, the foundational work of what would become known in Spain as the "picaresque novel": stories centered on the rogue, a poor rascal who uses trickery to ensure his survival.
At this stage of the game, we have rogues in a variety of flavors and colors. It would be difficult to make a comprehensive list, so let's talk about these characters in general.
The first thing to note is that rogues are, by definition, outsiders. In the traditional picaresque, the rogue is simply someone from the lower classes, but as this archetype has grown, it has become less about class and more about criminality.
Yes. Rogues are criminals: thieves like Robin Hood, swindlers like the Lazarillo...
Fraud, arson. You name it.
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Getting back to the issue of the rogue as an outsider, they may have been one from the start, or they may have become one after attaining their criminal status. Regardless of the reason, these people operate outside of the law, the authorities generally give a shit, and, depending on your rogue flavor, may even actively fight against it.
One thing to note here: this goes a bit beyond Lenore's rebellious attitude. Like a good rogue, she derives enormous personal satisfaction from the thought of getting her way. The world has turned its back on the rogue, so the rogue will not hesitate to turn her back on the world.
In Lenore's case, this attitude of throwing all authority to the wind and actively ignoring any rules imposed on her is a mixture of personality and trauma. In the flashbacks, we see that Lenore has always had a certain disdain for protocol and formalities, but of course, after being locked up for at least a year because the rules of the society she lives in have decided to make her an outcast for her brother 's death, she no longer finds any reason to listen to what they have to say to her. The rules will never go beyond the feeling that she has agency over her life.
From this follows the methods of the rogues: opportunism is one of their hallmarks. Ingenuity, cunning, and creativity are common traits among these characters, something that is usually tied to their status as outsiders and criminals; they don't care about rules, so they think outside the box, either because they are highly intelligent or because they lack common sense.
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Maybe both.
So, yes, when Annabel tells her dashing rogue, she's not wrong in the least. But there are more interesting things to look at here
The Gothic Heroine
When some theorists say that Gothic heroines are bland and uninteresting characters, it's...true. But there's a reason for that, so let me get that out of the way for a moment: the image of the maiden in this period is used as a symbol of purity, chastity, goodness, and her corruption, death, or disease works on both a literal and metaphorical level. It is like when you see grotesque religious images in horror movies, there is a powerful and disturbing charge in the idea of seeing something "pure" destroyed.
So the thing about gothic heroines is that, at worst, they are not characters who contribute to the story they are in, but tokens, quasi-sacred representations who are there to die, get sick, or fall victim to a villain who might sexually harass them. Yes, unpleasant.
But good gothic heroines (besides possibly having tuberculosis) are characters with arcs related to corruption, especially mental corruption. And this is where it gets interesting.
But we go from less to more. In her flashbacks, Lenore's physical appearance is almost exactly that of a gothic novel protagonist: pale, almost cadaverous, slender, languid in her movements (because, in this case, she's drugged a significant percentage of the time), and long hair.
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Her background in this part of the story, like that of the best gothic heroines, is one of mental corruption: she is here, imprisoned, withering and losing her mind, giving in to despair. There are those who point out a rather strong resemblance between the scene where Lenore tears the flowered wallpaper from her room and the short story The Yellow Wallpaper by the writer Charlotte Perkins. And although this story is not gothic, it definitely retains the most important trope of the genre.
Another element in which we can find Lenore is in the Gothic ballad of the same name, written by Gottfried Bürger in 1773. This poem tells the story of Lenore, a girl condemned by narrative for blaspheming against heaven after the death of her beloved, who is later visited by the Grim Reaper himself to take her to him.
A heartbroken woman committing blasphemy in the name of a lost love? I wonder if that sounds familiar.
And if I had to point out one particular gothic heroine with whom Lenore shares important similarities, it would be Laura from Carmilla.
With the first, she shares two very important things: isolation and a penchant for women who can murder her, a complicated relationship with a gothic vampire.
Laura lives in complete isolation from the world, with the only company of maids and her father; within the first few chapters, we know that she can barely remember the last time she had the company of a woman her own age. Like Lenore in the flashbacks, Laura is something of a secret, hidden from the world (though for less horrific reasons).
And that isolation is broken by the arrival of an elegant, almost supernaturally beautiful upper-class lady who almost kicks in her door with a "Hi, I want to be friends. You'll like me."
Both Laura and Lenore are not afraid of the vampire, though they are not unaware of her strange behavior and will raise a puzzled eyebrow at her promises of affection, as well as her obvious tendency to insist on a fucked-up secret that they are in the middle of and can't share. Another important detail is that both characters have a certain difficulty in describing their feelings as romantic: both are very obviously obsessed with this mysterious lady who has come to interrupt their loneliness, but Laura never fails to refer to Carmilla as her "friend" (a behavior that the modern reader may interpret, with more than fair reason, as comphet), and Lenore is little more than that, at least until the mansion arch where the shingle falls on her.
Last but not least, just as Lenore is treated as "crazy," there are several events in Laura's life (such as her first encounter with Carmilla when she was a child) or that occur throughout the novel that are dismissed by those around her as her being a little touched in the head.
The courtly knight
Here it is necessary to make a distinction: knights are a far-reaching figure, but before and during the Middle Ages they mainly starred in two types of stories: the canta de gesta (which was intended to tell great deeds of inspiration for certain peoples, such as the Song of Mio Cid in Spain or the Song of the Nibelungs in Germany. This last one is the best Canto de gesta in history, I do not accept arguments) and the Novel of chivalry or courtly (focused on the individual story of the knight and introduces elements of the court).
What is the main difference between the knight of the canto de gesta and the knight of the court? Well... the latter is much more horny. And we are talking about Lenore, so you have until the end of this paragraph to imagine which of these knights we are talking about.
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The first thing to keep in mind is that the Courtly Knight has a pretty strong moral compass: nobility, mercy, loyalty, and honor are values they firmly believe in; these characters are heroes, and that means that while they are not perfect, they represent ideals that are considered important in this time. And we're talking about vassalage, so you get it.
This is the first thing Lenore has in common with the knights of the court: her strong sense of morality. Yes, she's not afraid to play dirty like a rogue, but she's pretty clear about what things are important to her in that regard, and she's willing to uphold those ideals even in the context of Nevermore, which actively encourages its students to kill and betray each other.
However, the personal agendas of these knights have one important thing in common: the conflict between their own desires and their duty.
What are those desires? Well...
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Good courtly knights usually have to choose between their love/sexual interests and where their personal loyalties lie, which, due to the era in which these stories take place, are usually their feudal lords or even kings.
We already established that Lenore doesn't give a shit about authority, but her personal loyalty is to her friends. And this is where it gets tricky for her: So far in the comic, Lenore has kept her relationship with Annabel a secret from her friends, and she has kept the fact that she wants to save her friends a secret from Annabel. A conflict that may eventually blow up in her face, and on the face of it, really befits a courtly knight (though if she were a real one, the Misfits might ask her to kill the Deans or something in exchange for accepting her relationship with Annabel).
To continue with this, we need to stop for a moment and talk about another little thing: courtly love. There are many definitions of it, but my favorite is the one that defines it as an attempt to reconcile mystical love with eroticism. Fun fact: these stories were written in the Provençal language, something that would associate romantic tropes with "vulgar language".
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In any case, courtly love usually speaks of the beloved maiden as an idealized object, a figure who inspires an almost religious devotion. And the most recurrent theme within courtly love is what is called "love from afar": it focuses more on the journey in search of the beloved than on the couple's relationship as such (this journey can be literal or metaphorical), the knight has symbols associated with the pilgrim, there is a certain hatred of the image, the maiden is seen as an almost religious figure, and...
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Yes, the color associated with the so-called "love from afar", specifically with the beloved maiden, is damn blue.
Now that we've got all that out of the way, it's time to break down why Lenore fulfills some of these things and why she doesn't.
Going with the tropes that are fulfilled, we can say that Lenore is on a more or less metaphorical journey. A journey to recover her memories and her identity. One at the end of which her lover waits for her "until the abyss claims them both".
Like a knight, Lenore is willing to make great personal sacrifices in pursuit of the things she cares about: she is willing to die for the people she cares about (the misfits) and for her lover (Annabel). The Living Long Thing is something the Knight don't know about, and since Lenore is in Nevermore, apparently neither does she.
With all that said, it's worth noting the biggest difference: courtly love features relationships based on vassalage and a huge power differential. Something that does not happen here. No, Lenore calling Annabel "my liege" doesn't count.
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To explain this further -and to summarize, because it's a subject that bloody books have been written about-t he relationships in courtly love have two different levels of power: the knight must perform feats to be worthy of affection, and the maiden is little more than a prize to be won.
This unbalanced power dynamic is something that simply does not exist in the White Raven: an important part of their relationship is that both are equal in charisma, intelligence, and resourcefulness. The unstoppable force and the immovable object. Annabel is as willing to die for Lenore as she is for herself, and Lenore would probably go into berserker mode if anyone dared to treat Annabel as a prize.
Yes, you could argue that the balance of power is a bit weighted toward Lenore because Annabel is willing to make sacrifices for her that Lenore wouldn't make because she has some, you know, morals. But I think that has more to do with Annabel's character than her relationship with Lenore (that's another analysis I have a pin for when the season is over).
Conclusions
If the archetypes that Annabel seems to take note of are all quite related, Lenore, on the contrary, is much more like a mosaic: these characters have little in common and some (like the Rogue and the Knight) directly contradict each other. This woman is chaotic in her conception: opportunistic and rebellious as a rogue, pious and with strong values as a knight, and condemned by the narrative as a gothic heroine.
Another thing that stands out is that two of these three archetypes are traditionally male characters. Personally, I don't think Lenore is "like a man": her entire background and personal history is meant to work in terms of her status as a woman in the time period she lives in. She can do all the shit these male heroes do and better (though the hc that Lenore is somewhere on the non-binary spectrum is not a reading that conflicts with that).
And I use the word "hero" because another detail stands out here as well: yes, many of these characters are not only often the protagonists of the stories they are in, they are heroes within their historical periods and literary movements.
I'm going to do a third part of this comparing Lenore's archetypes to Annabel's because, believe me, there's some really crazy stuff to unpack there.
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sunniedesi · 3 months ago
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All Future Diary Merch (Part 2)
~~A comprehensive list
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More obscure Future Diary merch below the cut!
~ Animate Products
Animate is the largest retailer of anime, manga and video games in Japan, so it’s only natural that it has created some Future Diary merch over the years.
A Yuno tote bag from the Animate Book Fair, 2008
An A4 clear file with original Future Diary artwork, from their 2011 Anime Adaptation fair.
An A3 clear poster, also with original Future Diary artwork, from the same 2011 fair.
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~ SOFT Products
SOFT is another retail company, though unfortunately I can’t seem to find any information about the company itself. Either way, they released a plethora of Future Diary merch back in the day:
Future Diary compact mirrors (released on March 31st, 2012). There were two versions: a “12th” and a “DEAD END” design.
Future Diary iPhone 4/4s phone cases (released on March 3rd, 2012). There were two versions: a “DEAD END” and an “Oyasumi, Yukki” design.
Future Diary t-shirts (also released on March 3rd, 2012). There were two versions: a red/ “DEAD END” and a black/ “Oyasumi, Yukki” design. (source).
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~ Victorinox Collaboration
Random collaboration alert! Back in 2012, Victorinox worked together with Kadokawa to release two versions of their Classic SD styled army knife: a “DEAD END” model and a “Yuno (Eye)” model. (source).
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(Fun fact: the name of the latter coincidentally confirms that the eye we see at the beginning of Future Diary’s OP is, in fact, Yuno’s).
~ Great Eastern Entertainment
Great Eastern Entertainment is a famous manufacturer and retailer for officially licensed products here in the west. They’re actually responsible for creating the largest catalog of Future Diary merch from any company in this list. In fact, if you’ve ever seen officially licensed FD products at any western store (such as Hot Topic), it is more than likely from this brand. Sadly though, most of it is currently unavailable. Given how large and varied their catalog is, I’ll provide photos from their product listings instead of naming them one by one. You can browse through all their listings here.
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~ Yuno Gasai Figurines
There are currently three Yuno Gasai action figures:
The elusive RAH figure, released by Medicom Toys
The Yuno Nendoroid, released by Good Smile
The POP UP PARADE figure + limited edition version, also by Good Smile
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~ PSP Game
This game is an entire rabbit hole of its own, but I’ll try keeping it brief. The PSP game “Future Diary: the 13th Diary Owner” had its original release back in 2010, as well as its re-release titled “Re:Write” in 2012.
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Each release of the game was accompanied by a series of related merchandise, such as telephone and library cards and a Yuno maid poster.
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Re:Write also had its own limited edition bundle, which included:
A double-sided pillow case.
The Oyasumi CDs.
A double sided disk sleeve.
A CD with 13 themed PSP wallpapers.
There were two other PSP wallpapers: one which you could download from the official game’s website, and another that you could buy from a company called Happinet.
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~ The Live World
This was a Future-Diary-themed concert, which featured music and voice actors from the show. I’ve made in-depth posts about it in the past, so check those out for more information. In terms of products related to this concert, we have:
The Blu-Ray disk recordings of the concert (released back in 2013), which included an additional 9-minute recording of the making of the event, as well as an eight-page booklet. 
A pamphlet, neck strap and clear file, which all featured the same image from the event poster.
Three t-shirts produced by the company MARS SIXTEEN
An event bundle, which included a t-shirt, waterproof phone pouch and drawstring bag, all with the same graphic.
A pink sign light
A pink towel scarf
A neck cooler
I tried compiling everything as best as I could in one image (curse you, Tumblr's photo limit).
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Alas, this part has come to an end. Tune in for part 3!
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yuseirra · 8 months ago
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Ch 160 ..let me jot down my stream of consciousness about what I feel, my reading comprehension skills can't be that bad, it'd help if I can sit down and think through a little more.
+ Okay, I'm complete! I understand things much better now!! Upon close examination, This chapter doesn't change anything so dramatically.
IT STILL DOES NOT ANSWER JUST WHAT THE DAD'S MOTIVES ARE, but... the conclusion I have after having reread it thoroughly??
It's that my interpretation of him as a mild guy still stands—it enhances it, even. He's still really kind, which is a pretty surprising conclusion compared to what I felt about it at first glance.
He's.. really kind and considerate. I'm serious. wow.
well, analysis/interpretation below!
I was spoiled about chapter way back sometime last Friday, right? and it was pretty accurate in sense, with it being just some bunch of sentences and that one really creepy panel.. it does help to see the actual art and the expressions that are associated with the dialogues.
Now that I sit down a bit, there are two different interpretations of the same story: Kamiki's testimonies on what's happened (I believe these are all truths. They perfectly match up with how I've interpreted his character all along.) and Aqua's takes on them.
I'm not reading things off the english version btw, so the dialogues may differ.
According to what Kamiki says,
-he considered Ryosuke and Nino as good people and as friends. But they approached him because they were obsessed with Ai, so he didn't know about their true colors.
-so he was able to talk about his breakup with her and talked about whether if he should visit her having children at the hospital where Gorou was. They went and killed Gorou, but Kamiki had no idea about that.
-on the day Ai died, he was still unsure about meeting her because he lacked the courage to see her face (god he's timid) so he asked Ryosuke to give her his bouquet on his behalf
I KEPT SAYING THIS GUY NEVER HAS IT IN HIM TO "SCARE AI!!!!!!!!!" HE LIED IN 154 OUT OF GUILT BECAUSE HE THOUGHT AI AND AQUA WANTED REVENGE ON HIM!!! SEE!!! I'VE BEEN!!! RIGHT!!!! I'VE BEEN!!!!!!!!!!
This was already in the leaks last Fri, I basically felt the same way about these back then
and I got every part of these right except for the part that Kamiki befriended them. I just couldn't picture the people who killed Ai or would actively go hunt their daughter down being his friend..
but seeing how.. much he seems to trust people, he used to be that way as a child, it actually all ties so nicely together.
I predicted that it was Nino and Ryosuke who went to the hospital and killed Gorou.
I predicted that Kamiki just wanted to send the bouquet to congratulate Ai but he couldn't go because he was nervous/sad from the phone call. I said that ever since I started drawing hikaai fanarts, you would have seen me going on and on about that, I drew them with this as the base!!!! The guy Ai chose wouldn't do such a thing as trying to get back at her!!! See??
I couldn't be more right!!! I am a prophet!! I should trust myself!!!! why am I so unsure of myself, really. I really, really did get everything right.
These must be all true. He's not lying about any of this. I've been analyzing this guy very very thoroughly so I know what I'm talking about.
I guess what's confused me was the latter bits, since Fri and even after I see the full images.
Kamiki smiles and says he never wanted to hurt anyone<this is really how I view him as well, this guy can't hurt people out of his own will...
However, Aqua dismisses Kamiki's statements as lies on the spot, and accuses him of having been unable to protect his own daughter. That he's been intentionally manipulated people to get what he wants. That would involve him causing people to kill each other without dirtying his hands.
Upon hearing Aqua stating "You wanted to kill your own daughter", Kamiki makes this really eerie smile (I kind of wish this is redrawn hshsh.. it looks like he's a demon spawn from hell, but this could REALLY be him being distressed yet AGAIN. this guy SMILES when he's that way. That's his coping mechanism. It's kind of hard to stare at that expression but that smile certainly ISN'T a happy one like the one we saw in 159. This is a really confusing habit he has. People are going to take him the wrong way but; sadly, it's become a habit of his...)
The scenes then shifts to visions of him manipulating nino and Ryosuke into doing what they've done with a smile. If this is really what's happened, then he IS someone pretty evil-
but now that I read it over I think that's just based on Aqua's interpretations about the guy.
Is what's being portrayed in those pages ACTUALLY how he is? Just yesterday, I theorized that Kamiki loves his children and has been doing whatever he's been doing for his children. I did have my reasons for making that claim.
We still don't know what his motives are!! Aqua doesn't state anything about why Kamiki would do such a thing if he's done so. Does he know anything about this??? Just what reason would make it.. enough to have someone kill the love of their life and their very daughter? What good would it do for Kamiki? For one thing, does he have ANY good reason to kill Ai at all? For having felt betrayed?? Then why wait out that long????? Killing their daughter? After having her live for, how long now? how old are they now? 15?? 16? Why now? Why would he??
The important thing would be just WHY he'd be doing all those things if he's really been so, so WHAT IS IT AQUA?? WHAT??
Forgot to mention this but in the beginning of the chapter, we have kamiki saying, Hm, but what did I do? Did I "stab someone?" did I "push someone off a cliff?" I never "did" "anything".
Then we have Nino going "Kamiki-san didn't do anything. He just talked about Ai. He talked about her so we(her and Ryosuke) wouldn't forget about her. That was enough to make us break."
OH come on. COME ON. HUH. I feel like he's never told them anything bad about Ai, he probably let out how much he loved and misses her, because he thought they were her fan and coworkers as a fellow member, I bet he was happy to befriend people who knew about Ai because they share a common interest together. With it being his favorite person in the world even while he was dumped.
What a stupid reason, Nino. You brought everything upon yourself. I can see that now.
I do think.. kamiki has some sort of power that causes people to grow insane or act out, that could have had some influence on ryosuke and nino in a way...
but again, why would he try to kill his lover and his daughter even if he can use it with his own accord??? Even if he's using those powers now?? Would he use it to do those respective things?
Even if he has those, that shouldn't be all there is to it. According to Kamiki, they were already obsessed with Ai when they approached him and YEAH! Makes sense?? They came to him first, probably already aware that he was Ai's lover?? He isn't responsible for them hoarding those kinds of feelings!!
Coming to think of it, I find it really strange that he still hung with nino being the complete wreck she is. Oh wait, I guess he still could. Ryosuke killed Ai and Nino doesn't seem to have played a part with that. Nino was there with Ryosuke when Gorou died but she's not the one who's pushed him off a cliff. Ryosuke's the really...horrible one. He had a pretty gf like nino JUST WHY. Then again, nino was obsessed w Ai too so they were a match. I guess Kamiki hanged with Nino thinking she's just another victim who wants Ai back or whatever. He still hangs with her when she says that are super creepy like she can't forgive Ruby if she surpasses Ai though.. Perhaps he's really bad at letting people go.. OH, YEAH. He was always pretty attached to people as a child. Okay, I got that part cleared up on my own. Stream of consciousness is like this. It can happen.
Continuing on!! Aqua says Kamiki is a "despicable, selfish liar, worse than a murderer". Even Kamiki can't smile hearing that. If he ISN'T one, then that'd hurt.
Well, he responds again, saying:
"Ah, yes. You're the same way as I am. You share those same eyes I have. The type of eyes that grant the power to persuade others into believing you. The eyes that grant you charisma, befitting that of a star." Then we see a panel with Ai, "The eyes of liars, that fool, and make others submit to you"
he must be thinking of what Ai's told him when she talked to him about having the same eyes. (CH 140)
"You've been inciting people just like I have, right? Just how many people did you fool to fulfill your goal?"
"It must have felt good to use your talents to impact the lives of others, right?"
I'm not sure if this is a taunt/mockery or just him stating the facts as a liar/a black star user himself.
If he's thinking about Ai... then it can be the latter. She approached him saying "they are the same". He could be thinking about that.
Actually, he's strangely calm. His emotions are a bit hard to read on this one, I'd say it actually feels collected compared to what he's heard.
This could actually be sympathy or empathy...
I didn't take it that way when I first encountered it, so I felt.. Kamiki could be lashing out a bit but no. That doesn't seem to be it.
Hey, he really never gets angry. He actually looks a bit sad depending on how you look at it, I think he may be feeling a sense of guilt in that particular panel where he says "Just how many people did you fool to fulfill your goal?", the one where he glances down,
just like how he talked to Aqua in 152, "It's a lie, isn't it? it's because they're important that you keep your distance from them. why would you go that far to bottle yourself up?"
This guy understands his son really well. In fact, I think he may be trying to say, "we're the same=I understand the way you are, we're on the same track" the way Ai's done for him. That's what was his salvation.
Aqua does not take this well.
He says yeah, we're both terrible beings, but Ruby is "different".
Oh, and the rest.. what's stood out to me is the panel where Aqua goes,
"sending love to the one who desires for love" as he describes what Ruby is doing. Kamiki shows up in that panel.. This is what Ai wanted to do for him.
and there's a panel that comes up that shows Ai with the twins that follows right after saying:
"it's the eyes of the one who desires to love someone"
This is really sad. I think that page actually indicates Ai desired to love him while he desired to be loved from Ai. That happened both ways. It was a nice page.
Yeah, and Aqua points his knife to his dad like a toy gun saying
"You must disappear right here and now, for Ruby's sake."
I don't think Aqua's actually up to stabbing him, actually? If he's pointing the knife at him like that, I think it's more like he's warning him to stay out of their way forever, scram, or just go die off on his own.
Both of his eyes are white, he's not going to kill him with his own hands, rather, he's going to make him go away.
So I don't think next chapter would start on a fierce note? Kamiki does not seem like a guy that gets agitated so easily. He STILL never once got angry in this chapter as well. He's still pretty sweet to his son. I'm not being biased on this, the way he talks has always been really soft. If this were to be an anime, you'd hear how he'd talk and see whether if he has thorns in them but I don't think it's that way at least, I think he's trying to be understanding??
This guy is soft. He will not put up a fight. I don't know, he may jump off that bridge and try to die maybe. If that's what his son wants? Move out of the way? He doesn't seem.. angry about it all. He's not even protesting.
In the end, the only thing that got proven in this chapter was that Kamiki DID NOT DO ANYTHING IN A PHYSICAL SENSE, AND HE DIDN'T TRY TO SCARE AI.
the fact about him manipulating people and lying to get his way, I think there's low chance of it being applied for Ruby and Ai's case.
I think he really didn't have a clue Nino would attack Ruby? If he's considered her as a friend?
what are the basis of Aqua picturing him that way? He must really hate his dad. There is no way he could have seen such things happen. Unless Tsukuyomi told him about it?? there is no proof that it's what's actually been taken place. Kamiki could have incited people, or influenced others, yeah, but I don't think he did anything to Ai or his daughter. Again, I think he loves his family. Why wouldn't he??
Until things get cleared up more, I???? I ACTUALLY?? think Kamiki's taking it in a really calm manner despite all the things he's being accused of??
This is very long, but that is all for now!!
Oh, this was worth revisiting and analyzing. There's a lot more I see when I scrutinize it like this!!
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