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heliads · 4 years ago

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Disappearance of a Dreamer

There’s a young girl who visits Neverland in her dreams, who comes all the time until she mysteriously vanishes one dark night. Pan doesn’t know what to think of it, until a familiar girl shows up to Neverland years later in the company of pirates.

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Trees rustle gently overhead, small slips of emerald waving in the wind. The night is just beginning to cast aside the day, the moon taking its place on the horizon. Neverland is a glorious place during the day, but come nightfall, it seems to double in magic, double in splendor. It is home, home for so many, and you can feel it especially so right now.

Pan stands, watching the crackling bonfire. The Lost Boys are beginning their usual revelry, cloaks flying around them as they run and jump in a chaotic mess of racing hearts and beating heels. It’s a disorderly, confused mess, and it’s everything you could ever want. Yet there’s something pulling Pan away, something that causes him to slip away into the forest and out of view of the other Lost Boys.

He wanders for a moment before the feeling sharpens. He senses the new presence before he hears the sharp crack of a twig underfoot, and he turns around with deliberate ease. He’s lived long enough to outgrow startled reactions, and anyways, fright is something utterly unbecoming of the King of Neverland. Besides, when he turns around, he is not faced with a pirate or an Evil Queen. Instead, standing before him is a young girl, maybe twelve. She doesn’t seem truly present, though- there’s a faint mist hovering around her, like she’s being seen through a dusty window. Not quite here, but not quite there either. She’s seeing him through the in-between of sleep, dreaming up the shores of Neverland like many others before her.

Pan smiles at the girl. “My name is Pan, Peter Pan.” The girl watches him through wide eyes. “I’m Y/N.” Pan nods slowly. “Do you know where you are, Y/N?” The girl turns in a slow circle, eyes raking over the tall stands of trees and the shadows of night. “I’m in a forest, I think.” Pan follows her gaze over the drifting horizon of green. “You’re in Neverland. It’s an island in the middle of the sea where you never have to grow old.” The girl looks back at him. “Never?” Pan shakes his head. “Not if you don’t want to. Do you think you’ve been here before?” The girl frowns. “I don’t think so. I think I’d remember.”

The roar of laughter and talk from the Lost Boys’ campfire draws the girl’s attention, and she turns to Pan as if waiting for approval. He motions towards the fire. “Go ahead. They won’t hurt you.” The girl beams at him, then races away on footsteps too light to be real. This Y/N isn’t the first dreamer to find themselves in the wooded glens of Neverland, nor will she be the last. She’s the first one in a while, though- as time passes, fewer and fewer children hear about Neverland, and their minds never attempt the journey.

Pan’s not surprised that this girl made the trip, though. She has this look in her eyes, a wisdom too aged for a girl of her youth. She looks like she’s lived a thousand lives, sat through a thousand sunsets. She’s not magical, certainly, but she does remind Pan of himself, of the child he’d been long ago. Pan’s technically still a child, could never be anything but, though he does tend to stay at around sixteen or seventeen. Makes things a lot easier when your legs are long enough to run for great distances without stopping.

The girl disappears later, when the dawn is just beginning to encroach upon the island. All dreamers have to wake up eventually, although the girl shows up a few nights later. She ends up becoming a regular fixture on the island, in fact. There’s something about her, some innate sense of curiosity and vindictive challenge that makes you want to start a race or embark on an adventure towards the darkest of caves and sunniest of shores. She could be a Lost Boy herself if she wanted to, if she ever discovered how to find her way to Neverland outside of her dreams.

Pan’s come to accept her as just another facet of the island until one night, when the stars are hung over with clouds and the island is shuttered up in darkness. The girl is later than usual, so he had assumed that she wouldn’t be coming that night until he heard a shout from behind him. When Pan had found her, the girl was standing before him as usual, although his eyes still widened imperceptibly at the sight of her. She looked far more vivid than ever before- if it weren’t for the slight traces of fog clinging to the edges of her clothes, Pan would have thought that she were actually standing before him instead of still in a dream.

What’s more, her eyes are alight with panic. Pan reaches out a hand as if to steady her, and he’s surprised when his fingers find traction with her shoulder. Dreamers shouldn’t feel so solid, but he can feel muscle and bone right under his fingers. “What’s wrong?” The girl just shakes her head. “Something is about to happen. I need your help. I need you to-” And then she’s cut off, and a slight cry escapes from her lips before she disappears entirely. She’s gone in the blink of an eye, as if she’d simply woken up unexpectedly, yet Pan still stares at the place where she’d been for a long time.

He has no way to find her in reality, no idea where she could possibly be, and so Pan can do nothing except wait for her to return. She does not show up again, not that night or even that week. It’s as if she had forgotten the way back to Neverland. By the end of the first year, Pan’s thoughts drift to her once every week or so, concerned that she might have been hurt. By the second year, he only thinks of her once or twice. By the third and fourth years, her face only appears in his head when he hears a name that sounds somewhat like hers. By the fifth year, he did not think of her at all, except once every now and then he would be filled with this feeling that something had gone wrong, that somewhere in the world there was someone in trouble.

It is day once more, those last few golden hours of afternoon before dusk crept in on the island with its sweltering fingers. Pan’s pacing back and forth listlessly. There’s a ship of pirates just arriving in the bay, and although they’ve been flying the white flag of surrender ever since they came in sight of Neverland, he’s still hesitant to trust them. There’s a strange discomfort of having enemies on his island- they almost feel like ants crawling back and forth on his skin. For every minute that the pirates remain on Neverland, Pan wants nothing more than to swat them all away. However, he can’t deny that he’s curious as to why any pirate would want something to do with the Lost Boys, and so they’re allowed to stay. For now, at least. Their chances of hospitality decrease by the hour.

After about fifteen minutes, Pan signals to Felix, and the rest of the Lost Boys disappear into the forest. Pan’s scarred second-in-command stays by his side, and they watch as the pirates begin to lope into the clearing. The captain is the first of the men to see Pan, and he comes to a halt. The rest of the pirates clump up behind him, pulling cutlasses and pistols out of their belts to show that they’re not to be messed with. Pan raises an eyebrow. “I hope that’s not meant to intimidate me, because you’re doing a poor job of it. What are pirates doing on my island?”

The captain shuffles forward, spits onto the dusty ground. “We’ve been sent to investigate. We’ve heard rumors of a power source on the island, and we’re meant to see if it’s worth our time.” Pan eyes the captain coolly. “And why should I let you take another step?” The captain grins toothily and pulls out a metal seal from his pocket. Even from this distance, Pan can see that it’s emblazoned with the sign of the Evil Queen. He laughs. “You’ve been sent by Regina? Fascinating. How long do you think you have until she kills you all for knowing too much?”

The pirates stir restlessly amongst themselves. Evidently they’ve been sharing Pan’s doubts for a while. In this sudden flurry of movement, the ranks of pirates shift and Pan catches sight of a new figure, one that was previously hidden by the captain. They seem younger than the others, maybe about Pan’s age. Then the young pirate turns to face Pan once more, and he stares.

He knows this girl. No, he had known this girl. Surely it couldn’t be her, surely that one girl who kept dreaming her way to his island wouldn’t have grown up into a pirate of all things, and a pirate who stares at him as if he’s a stranger. Yet she’s got that same look in her eye that Pan remembers from all those years ago, and she looks the same, albeit years older. The worst thing about her is that she glances at the island and even at Pan himself as if she’s never seen any of it before.

The captain is speaking to Pan again, and he forces himself to snap out of it. Idly, Pan gestures for the captain to go on his way. Let him try to find Regina’s ‘power source’- there’s no chance he could make it to Skull Rock, and even if he did, he would have no idea what to do with it. The pirates will just end up chasing their tails for hours, and give up after a while. Pan has yet to meet a pirate with enough discipline to stay at something once it fails them, although if he were to bet on an exception, it would probably be the girl now walking away from him alongside the other pirates.

Once the pirates are gone, Pan turns to Felix with an expression bordering on paranoia. “Did you see that girl? You know, the one with the other pirates. Behind the captain.” Felix nods slowly. “She didn’t say much. Kept looking around.” Pan stares at the place in the dusty ground where she’d just stood, where the prints of her boots still mar the soil. “Do you remember that girl who used to visit the island? Y/N or something, came around all the time until she stopped out of the blue?”

Felix’s eyes widen. “You think that’s the same girl.” Pan nods. “It doesn’t make any sense, but they look too similar for it to be a coincidence.” Felix contemplates this. “But she looked at you, us, even the island like she’d never seen it before. Any dreamer, even one that hadn’t been here in a while, would still have some sense of recognition.” Pan tilts his head in acknowledgment. “That’s the problem. It has to be her, but something must have happened to make her forget everything.”

You methodically sharpen the twin knife blades that hang at your belt, shine them until they’re practically mirrors. The guffaws and hearty talk of the pirates swells around you, but you pay it no mind. Even if you wanted to, you find you can’t focus on them. There’s something about this place that unsettles you. If you didn’t know better, you’d almost say it felt familiar, but that couldn’t be possible. You grew up in the Enchanted Forest, and the only times you’d left the many villages behind were to exchange it for the rocking of your father’s ship. He was the captain, after all, and so you were dragged along on any and all voyages. It’s not like it was so bad, though, you’d been able to see many new places. However, none of them ever called to you the way that Neverland does.

Once the sky fades away to the blackness of night, you find yourself slipping away from the pirates’ camp. You couldn't sleep if you tried, so you might as well explore the island. Maybe you’ll find something that explains this strange familiarity burning away in your heart. As you walk, you find your feet intuitively guiding you between the trees and across the island, as if walking down an invisible path. Before long, you find yourself at a cliff looking out over the water’s edge. You’re not sure how you managed to get here, but somehow it must have been your best destination.

You lean against a nearby tree, watching the light of the stars reflect against the waves. It’s peaceful, quiet, feels like home even though it shouldn’t. You hope your father and his men can find the power source soon, because with every second you spend on this island your mind practically tears itself apart trying to find the lost connection between yourself and this eerily familiar ground.

There’s a quiet sound behind you and you whirl around, knife already in hand, to face a boy emerging from the trees. He has light brown hair and striking green eyes, which flicker between you and your weapon. “Put down the blade, I don’t mean you any harm.” Pan says, for of course it is him that has found you. After a moment’s hesitation, you lower your arm, although you refuse to slide the knife back into its sheath. You’ve heard the stories of Peter Pan, and even if he has enough magic to wipe out this entire island you’d rather have a chance to fight before you die.

“It’s a nice view, isn’t it?” Pan gestures to the ocean rolling deep from the shores. You turn back to the waves, to the cliff falling away before you. “It is, although I have a feeling you didn’t just come here to discuss the merits of a pretty landscape.” Pan chuckles. “You’d be right about that. I’m here to ask a question instead, one that I was hoping you wouldn’t tell the others. Although I have a feeling that you won’t want to speak a word of this to them.” You raise an eyebrow. “And what question could possibly be so important that I would keep it from my crew?”

Pan’s eyes flash in the light of the moon. “You’ve been here before. Am I wrong? You’ve been here before, and you know it, but you can’t figure out why everything seems so familiar if you can’t remember anything about it.” The knife darts up again. “How did you know that?” Pan idly pushes your blade away from his throat with a single finger. “You seem familiar. I just can’t figure out why you can’t remember being here.” You turn away from him, back towards the cliffs. “Strange things happen around here. I’d be surprised if you think everything that happens on Neverland deserves an explanation.”

Pan walks to stand beside you. “What things happen on Neverland that would be so confusing?” You jerk your chin towards the smaller island off the coast of Neverland’s bay, the one shaped like a skull with some sort of golden light emanating from the empty stone eye sockets. “You’re willing to let my father prance about the island in search of the power source when it’s right there to be seen. You’re hiding something, or else you’d have told him about it directly, but you also feel confident that it won’t be discovered, or you would never have allowed our ship to approach the island. What’s on that rock?”

Pan’s eyebrows raise. “You’re perceptive for a pirate. I’m afraid I can’t tell you what’s there, not yet. Not until I figure out what you’re hiding first.” Your eyes drift over the golden light spilling out from the skull. “An hourglass.” You didn’t realize you’d spoken until Pan turns to stare at you. That’s the first signal that something is wrong- every moment before this, Pan has been sure to hide his true emotions. Now, his face is warring between satisfaction and shock, like he’s stunned that you would know about the hourglass, but he’s not entirely upset that you do.

“How do you know about that?” Pan asks, and you shrug. “I have no idea. The thought just came to me. I think I knew it before, but I don’t know how.” Pan’s eyeing you with an intrigued expression, as if trying to unpiece your memory, layer by layer. “Have you ever met Regina in person? During the deal that sent you here, or before that?” You shake your head. “What, you think she cast a spell on me or something? No, that was all my father, and even if it wasn’t, I’m not important enough to warrant a mind wipe.” You chuckle to yourself. “We’re just the middlemen she can send out for information. Maybe Regina’s the Evil Queen, but her real power is delegating.”

You look up and realize that Pan’s eyes are still on you. You feel a slight heat rise in your cheeks, and do your best to push it away, but it lingers despite your best efforts. Your voice turns quiet. “Have I been here before? I’ve never felt so tied to a place before. It feels like-” Pan cuts you off. “It feels like home.” You nod. “Exactly.” A cold wind blows across you, and you pull your arms close to your chest, trying to stay warm. Your movement must have shifted the neckline of your shirt slightly, because Pan suddenly steps away from you to frown at your back. “What’s this?”

You realize what he’s looking at and duck away hurriedly, but it’s no use. He’s already seen it, and he’s already reached out a hand to hold your shoulder in place. He steps behind you, and you feel his finger lightly tracing the beginning of a scar on your back. It’s long, far longer than he thinks, and curls around your throat before disappearing down the back of your shirt. Pan’s fingers are cold against your skin, and you shiver slightly. His hands pause. “Where did you get this scar?” You try to turn away from him, but he wraps his arms around your waist, holding you still. Your eyes meet his, and you glance to the side. “It’s nothing. Just some cut that wouldn’t heal.”

Pan shakes his head. “That would have been a deep cut. It could have killed you.” You raise an eyebrow. “But I’m still here, aren’t I? Anyways, I wasn’t sure that the wellbeing of a pirate mattered so much to a Lost Boy.” Pan’s jaw clenches slightly. “You’re still on my island, that means that I should know whether or not you could be hurt again.” Your calm facade flickers slightly, and you can tell that Pan notices, so you feel immensely grateful at a sudden noise echoing from the trees.

You instinctively turn towards the sound of loud snores coming from the pirate camp. “I’d better go.” You take advantage of the broken moment to slip out of Pan’s arms still encircling you, and start to walk away, but then turn back to Pan and speak one last time as a goodbye. “And Pan? I heard your flute earlier. It was good.” You’ve disappeared into the forest before Pan has time to react, although you hear him trying to catch up to you as you vanish into the night.

Peter doesn’t know what to do. It’s Y/N, no doubt of that. And he’s certain now that she belongs to the island, that she keeps remembering parts of her life here. Why else would she know about Skull Rock? Why else would she be able to hear the flute? He had tried to find her again after she had mentioned the flute, but she had already managed to lose him among the trees before he could make her stay. He supposes that’s another piece of evidence that she’s still a Lost Girl at heart- even after years of being away, she traverses the island like she never left.

There’s another thing that’s different about her, other than the lost memory or even the fact that she’s suddenly just as old as he is. There’s the scar, carefully hidden away. She’d tried to hide it when he first caught sight of it, tried to explain it away as nothing, but he’d seen it. From his brief glimpse, Peter had seen a jagged cut, like a blade, that seemed to run deep through the skin. There’s a sudden rush of anger that burns through him at the thought of someone hurting her, of someone quite literally stabbing her in the back. He’s not sure why this makes him so angry- the damage is already done, there’s nothing he can do to fix it, but he still doesn’t want to see Y/N hurt.

The pirates stay for another couple of days. Y/N still walks away from the pirate camp at night, sometimes to that same cliff or sometimes to wander amongst the trees. Peter’s not sure if she’s doing it intentionally, because sometimes she looks up, startled, as if she hadn’t expected to find herself moving so surely through the island. Peter visits her from time to time, and they talk quietly. He makes sure to avoid the topic of the scar, and Y/N does not bring it up.

On the fourth or fifth day, the pirate captain and his men storm into the same clearing where they’d first met. Peter looks up, unconcerned, though the pirate captain seems enraged. Y/N lingers in the crowd, a wary expression on her face. The captain strides up to Peter. “Where is the power source?” Peter spreads his hands. “If you can’t find it, that means it must not exist.” The captain glares. “I know what you’re hiding, Pan. There’s nothing you can do.”

Peter sighs. “If it makes any difference to you, there was no way that you would ever find it in the first place. I mean, what do we always say? Peter Pan never fails. You never had a chance.” The captain scowls, and seems about to draw his sword to run the Lost Boy through when Y/N steps from the group of pirates, a troubled look on her face. Peter’s eyes dart to her, but she seems distracted. “What did you say?” The captain turns now, sees his daughter standing alone. “Go back with the others, Y/N. This doesn’t concern you.”

Y/N brushes away his comment. “I’m not talking to you. What did you say earlier?” Peter straightens. “Peter Pan never fails?” Y/N nods. “I’ve heard that before. I’ve heard you say it.” For some reason, the pirate captain seems uneasy, almost nervous. “No, you haven’t. You’ve never been to Neverland before.” Y/N shakes her head. “That’s not true. I’ve seen this island before, and I’ve said that very phrase myself.” The captain turns away from Peter, walks up to Y/N. He begins to pull her back to the others. “Stay quiet. You know the rules.” But Y/N shakes off his hand.

“You know I’ve been here, and you’re trying to make me forget.” She stares at him suddenly. “You were the one to wipe my memory. You’re the reason I can’t remember Neverland.” The captain’s gaze turns stormy. “You don’t know what you’re talking about.” Y/N laughs suddenly, the sound clear and bright. “But I do. I kept visiting Neverland, and you had a problem with it, even though it was only in my dreams. You tried to stop me from coming, and when all else failed, you-”

Peter realizes what she’s saying now, and his pulse starts to thunder in his veins. Y/N continues speaking. “You stabbed me. You almost killed me that night, but it didn’t matter. I was injured beyond repair so you went to Regina, who healed me and took my memories. You wanted her employment, and you wanted me to be a quiet little seaman who would stop fighting you all the time. You were willing to injure me to the point where I almost died, and it never troubled you once.”

She rips her arm away from her father and walks to stand next to Peter. Suddenly, he feels more powerful than he’s ever felt before. Something about the way she’s chosen him over everything makes Peter feel incredible. The captain looks at her with scorn. “If that’s what you want, be my guest. Stay on this island, give up your future. We’ll have everything soon enough, and you’ll be dead.” Y/N stiffens beside him, and Peter cuts a glare to the captain. “No, I think you’ll be the dead one.”

Peter signals slightly with his hands and the Lost Boys come pouring out of the woods to surround the pirates, forcing them back to the ship. In the midst of the commotion, Y/N turns to Peter, a slight smile on her face. “Thank you. For getting rid of him. For helping me remember.” Peter lets a quiet wave of happiness roll over him. “If it means you get to stay with me, I’d rid the seas of a thousand of them.” Y/N reaches over, wrapping her hand around his. Peter watches as the pirate ship hurriedly departs the bay, then looks back to Y/N once more. She has finally returned to him, and at last they don’t have to worry about being separated.

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dreamescapeswriting · 4 years ago

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Our Good Girl ~ KNJ & KSJ [M] [Request]

WORD COUNT: 4.4K

PAIRING: Seokjin x Fem!Reader x Namjoon

WARNINGS: degradation, humiliation(maybe not so much), breeding kink, aftercare, swearing, smut, from fluff to hard smut. Dom Jin, Dom Namjoon, Sub Reader, unprotected sex [wrap it before you tap it] birth control, cum play, thigh riding, “good girl”, pet names, spanking/slapping of breasts and cheeks all consenual,

GENRE: Non!Idol!AU, Poly, SMUT, established relationship, aftercare, rough.

DON’T READ IF YOU’RE UNDERAGE.

The restaurant you were sitting in was loud since it was packed full of people, luckily for you and your boyfriends, you were in a booth on your own secluded away from everyone. Also lucky for the boys, they weren't the best at controlling how jealous they got of people around you and tonight you looked especially good. A custom-fitted black dress that clung to your body perfectly, showing off all of your favourite aspects about yourself as well as the boys favourite parts about you as well without being too revealing.

"I made sure to book months in advance," Namjoon chuckled as he poured you another glass of champagne while Jin anxiously bounced his leg up and down on the spot. This was your favourite place because of how pretty it was inside. The interior of it was decorated to look as though it was inside of a fairytale-like forest and there were fairy lights all over the ceiling to look like stars. The three of you had gone out for your birthday tonight despite your best efforts in telling them that you would have been fine staying at home with take-out food and a movie. They wanted to do something special for you, something that would be meaningful to you. It wasn't often that you got to get all dressed up like the way you were tonight and do what they were going to offer to you. The three of you had been together for almost four years and it had been one of the best relationships of your life, while many people didn't understand why you were with the both of them and not just one you ignored them.

"We got you some presents princess," Jin said as he looked at you, he didn't want to give the presents here but Namjoon insisted that it would be more special to give the three presents here. Jin slid the bright pink bag over to you on the table and smiles, as anxious as he was he couldn't wait to see your eyes light up when you realised what would be happening later that night.

"Start with the smaller box," Namjoon suggested as he could see you trying to process which of the boxes to open first as you looked inside the bag. It wasn't often that you would except gifts from either of them as you hated people spending money on you but it was a special occasion.

"I told you that you didn't have to get me anything," You whined out as you took the smallest box from the bag and saw that it was from Jin,

"Technically the third present is for all of us," Jin smirked as he watched you opening the smallest box,

"What's the third present?" You questioned as you ripped the wrapping paper off from the small box to reveal a navy blue velvet box inside but Jin and Namjoon hummed at you wanting you to open the first ones before you thought about the last one. Sensing you weren't going to get told anything you opened the velvet box to see a silver bracelet laying on top of a black cushion,

"Jin, " You gasped out as you released it was one of the bracelets you'd been admiring for weeks before this. Only there was an addition to it, along the chain there was a small silver heart with something inscribed onto it.

"3 words, 8 letters, 1 meaning," You breathed out as you looked at it, staring at the small bracelet and back up to Jin as you let tears stream down your cheeks.

"It's perfect," You choked out, inching closer to him so you could kiss him softly on the lips, grinning wildly as he began to blush from the small action.

"Mine next," Namjoon chuckled as he pulled out the next box from the bag, sliding it over to you and letting you rip the wrapping paper off as you did with the previous one. Revealing yet another box similar to the previous but inside of this one was a silver necklace with his, Jin's and your initials engraved into a silver heart matching the one on the bracelet.

"They're stunning," You breathed out as you stared at both of the items in their boxes, too scared to ever wear them with how pretty they looked but you knew the boys would want you to never take them off.

"Guys, I don't know-"

"Open the last box kitten," Namjoon's voice was dark as he spoke to you giving a hint as to what was in the final large box in the bottom of the bag. Gulping to yourself you opened up the box, trying to ignore the fact that Jin and Namjoon were sitting close to you. Their hands were on either of your thighs as you shakily removed the box from the bag.

"We've been thinking about this for a while princess," Jin told you as he watched you begin to rip the wrapping paper away from the box to reveal a black box behind in.

"We know you like the thought of both of us at the same time," Namjoon whispered in your ear before biting down on your lobe making you let out a shaky moan as you lifted up the lid of the box. Inside was black lingerie set with a matching choker sitting on top, you slammed the box shut and stared at the boys with wide eyes. Your head flicking between the two of them and then around to make sure that no one had been passing your booth at the time and caught a glimpse.

"Oh look, we made her all embarrassed," Jin smirked and you stared at him, wondering where the sudden darkness in his voice had come from. His eyes were darkened over and you could feel your body begin to heat up.

"We know you want us both princess, we figured tonight should be the night you get what you want," Jin explained as you felt his hand raising higher on your thigh until it was under the skirt of your dress and just brushing against your clothes core.

"Y-You mean-"

"A threesome, yes kitten." Namjoon finished for you as he raised his hand at the waiter so he could bring the bill over for him to pay for. The two of them hardly had a threesome with you, it wasn't that they didn't "like" it but they prefered having alone time with you but they knew how badly you wanted them together with you.

"C-Can we get home fast," You giggled as you bounced up and down in your set, biting down on your lip when Jin squeezed your thigh softly and smirked at you.

"So eager I see, you have to change into the lingerie when you're home, Princess. With the matching choker of course," Humming at him you nodded as you thought about everything that was going to happen that night.

After rushing home and showering quickly you changed into the babydoll lingerie that they'd gotten you, it was lace with a v-neckline and a sheer dress half making the black thong that went along with it visible to the boys.

"Doesn't she just look perfect," Namjoon chuckled darkly as he looked at you from the bedroom door, you'd been waiting for them in the main bedroom of the house when they came up to see you. Both of them wearing their boxers as they watched you sitting on the bed waiting for them, squirming a little with anticipation which didn't go unnoticed by the boys.

"Look at her Jin, already squirming for our Hot cum," A shiver ran down your spine from Namjoon's tone, it was rough and dark as he stared at you. Licking his lips as he watched you clench your thighs together,

"Rubbing her thighs together as if that would bring her any satisfaction," Jin chuckled this time making a pool drip into the thong you were wearing. They stepped closer to you and Namjoon ran his fingers on the leather choker admiring his handiwork. They'd had it made custom for you.

"Did you like the presents that we got you, kitten?" You nodded at him, knowing not to speak unless told to use your words directly by him but with Jin it was different. He wanted you to speak whenever you wanted to speak as long as he could hear you. Without a second thought, Namjoon yanked you towards the edge of the bed and spreads your legs open for him and Jin to see you.

"Stupid piece of fabric," Jin scoffed as he ripped the thong away from your body discarding it somewhere in the room so they could see what belonged to them.

"Now tell us, Princess, who does this pretty little pussy belong to?" Jin hummed as he ran his fingers through your wet folds, humming to himself in delight when he felt just how wet you were.

"You," You answered him breathlessly,

"We've barely started and already you're a breathless mess, what a little slut." Namjoon smirked as he ran two fingers over your clit rubbing softly as he kept his eyes locked with yours.

"A clever little slut though, knowing just who she belongs to." Jin corrected as he looked at you, your eyes dancing between them as you let out a small whine. Desperate for them to touch you more than they were, you'd been needy from the moment you'd opened your present at the restaurant but you knew what they were like. They liked to take their time with you when they could but you were desperate for the pleasure you knew that they were both capable of. Namjoon pressed hard against your clit as he began to rub vigorously, you covered your mouth to stop a loud moan from escaping and he growled at you,

"Don't hide your moans from me whore," Degradation, and humiliation was nothing new when it came to your sex life with either of them so you giggled in response to the name he called you. Already high from what you knew you were going to experience for the night.

"Oh? Does my little princess like when Namjoon calls her a whore?" Jin questioned, turning your face to look at him roughly as Namjoon continued to rub your clit roughly. You let out a weak moan as you nodded your head, your eyes never leaving Jin's for a second as he began to rub himself through the boxers he was wearing.

"You could probably cum just from his fingers, couldn't you? Wouldn't even need something stuffed inside that tight cunt of yours," Jin hummed as he opened your mouth pushing two fingers into it and demanding you to suck on them.

"Just like you suck my cock princess," You smirked at him around his fingers and began to suck softly, lapping your tongue in and around his fingers while letting out small moans as Namjoon continued to bring you close to your euphoria. Your breathing began to get out of control as the pleasure began building between your legs, your head rolled back making Jin's fingers all from your lips.

"P-Please," You begged as you panted out, rolling up your hips.

"Please, what?" Namjoon's voice came out stern as he continued to rub your clit for you, watching the way your face contorted as you fought back the urge to cum without his permission.

"Please, may I cum!?" The words stumbled out of your mouth as your back arched up and Namjoon rubbed faster until his fingers were soaked.

"You're going to ride my thigh first. Show us how badly you want our cocks," He ripped his hand away from your core as you switched positon. He sat on the bed as you straddled his thigh, he flexed his muscles making you moan out as you ground down against him.

"Look at Jin while you cum," He ordered, so you did. Locking eyes with Jin who was already rubbing his cock through the thin material of his boxers. Groaning as he watched you riding someone else's thigh, moaning out as your mouth fell open.

"Cum all over my thigh kitten," Namjoon whispered in your ear as you continued to rock your hips on him.

"I said cum you little slut," He growled out and as if on cue you did. You came over his thigh as your legs shook, moaning out his name as you clenched around nothing.

"Such a mess, lick it up," Jin smirked as he noticed our cum glistening over Namjoon's thigh. You slid down onto the floor as you looked at Joon's leg, biting down on your lip as you crawled over to him. Sticking out your tongue as you began to slowly lick your cum from his thigh, whing out as you looked at them both.

"There's a good girl," Jin smirked as he got down onto his knees in front of you, running his thumb along your bottom lip and smirking as you tried to suck on it.

"Someone is getting might desperate," He chuckled, glancing up at Namjoon to see what their next move was going to be. Namjoon nodded at him and he raised up onto his feet once again,

"Are you going to keep being a good little slut?" Jin asked this time as he looked at you, you nodded desperately and he stepped closer to you, pushing a finger into you making you whimper out. Digging your toes into the carpet as he continued to thrust one finger into you,

"Words," He said in a stern voice not moving his eyes from yours as you continued to let out small whines as he curled his finger up to your g-spot.

"Yes! Yes, I'll be your good slut," You cried out as you began to squirm against his tongue.

"Just his? What about me kitten?" Namjoon sounded condescending as he rose from the bed and looked at you, reaching down t rub your clit while Jin thrust his fingers into you. Gasping loudly you braced yourself for another orgasm,

"B-Both. I-I'll be a good slut for both of you," You whimpered out as you continued to buck your hips but Jin's finger was pulled out of you abruptly and he smirked as he saw your legs shake.

"Such an obedient cock whore. Desperate for both of us at the same time." Jin said as he began to kiss down your body, kissing the exposed skin of your breast through the v-neckline of the babydoll dress.

"This dress is in the way, Namjoon, remove it," He exhaled as he dropped to his knees. So close to your core you could feel his breath on your clit as he spoke to Namjoon. The dress was lifted off your body leaving you completely exposed while they were still in some clothing.

"Such hard nipples," Namjoon approved as he took one of your breasts into his mouth and began sucking on it while his other hand rubbed and pulled on the other.

"You're going to stand there and beg for us while we make you feel good princess. Understood?" Jin slapped your ass making you buck your hips towards him, he smirked as he looked at you.

"Y-Yes Jin," You breathed out moaning out as he bit down on your outer labia gently while smirking at you. Jin dove his tongue between the lips of your pussy and you yelped out, bucking against him as he continued to eat you out where you stood.

"Look at you, shaking when Jin has only just started." Namjoon chuckled as he switched from one breast to the other, biting you wherever he could. Your hands gripped Namjoon's biceps as you tried to keep your balance, your knees shaking as Jin continued to moan against your clit.

"Cheating skank," Namjoon slapped you across your left breast and you moaned out loudly.

"W-Wasn't cheating," You whined out as you tried to straighten your legs, looking at Namjoon who was smirking at you.

"Maybe I should stuff that little mouth, would you like that?" Namjoon questioned as he roughly pulled on your other nipple. Your eyes grew wide at the thought of it and you nodded your head desperately.

"You heard the little hussy Jin," Jin chuckled deeply as he did the final lapping of your pussy before pulling away and patting the floor.

"On all fours like a good little bitch," Namjoon pushed you down roughly and smirked as you let out a whine from the carpet grazing your skin.

"Beg," Namjoon smirked as he took his cock out from his boxers and knelt in front of you. Jin was behind you as he began to drag his tongue through your folds again and dragged it down the length of your slit moaning against you.

"S-Stuff my mouth Namjoon, please, I want your cock in my mouth." You moaned out as your body began to shake as Jin continued his actions of lapping your pussy as though it was something he'd been deprived of for months. Namjoon smirked as he ran the tip of his cock along your lips, your tongue poking out as you tried to get a taste of his precum.

"Such a pathetic little slut," He moaned out as you managed to lick his slit moaning out from Jin's actions.

"You're going to cum all over his tongue while you suck on my dick," He told you as he gripped onto the choker around your neck and pushed his large length into your mouth not caring if you couldn't handle it yet. Now you understood why they'd gotten you the choker. You gasped for air around his cock as he continued to fill your mouth.

"Does this make it hard to breathe?" Namjoon quizzed with a condescending tone as he continued to slowly thrust in and out of your mouth as you gagged around him. Struggling to answer him he pulled you off him and watched as a string of saliva connected your lips to his cock,

"Y-Yes," You moaned out still feeling weak from Jin as he continued to eat you out roughly. The building of your orgasm rushing over you as you whimpered at Namjoon.

"I think someone wants to cum, doesn't she?" Namjoon smirked as he slapped you across the cheek waiting for you to answer him. Everything was purely for your pleasure and they knew if they went too far you had safewords or taps to use if they did something you weren't ready for.

"Y-Yes! Please let me cum!" You cried out as Jin wrapped his arms around your waist and pulled you back against him.

"Then cum all over his cum and you can make us both feel good with that mouth." Namjoon moaned out as he began to massage your saliva into his cock watching as you let out desperate moans for Jin.

"Jin!" You mewled out as your head rolled back, filling the room with loud screams of his name until your cunt spasmed out of control. Your knees shaking as he continued to eat you out through your second orgasm of the night, humming against you as he licked you clean and then stood beside Namjoon.

Looking up at both of them you took Jin into your mouth first, gagging around him as he moaned out your name and thrust into you.

"You do look awfully pretty when you're stuffed like this princess," Jin moaned out as he looked down at you, pulling out and pushing back into you as you gasped around his cock. Jin was the gentle one out of him and Namjoon which you felt glad for right now, it gave your throat a mini-break from Namjoons rough thrusting from before. Namjoon grunted as you reached up to begin pumping him while you took Jin in your mouth, staring into his eyes to let him know he wasn't left out during this.

"F-Fuck," Jin moaned out as he shook his head, stilling his thrusting as he pulled out of your mouth.

"If I keep going I'll blow," He mumbled not wanting to cum in your mouth and you bit down on your lip.

"Fill me up," You begged him shocking both Namjoon and Jin at the same time. The two of them knew of your breeding kink but they never would have expected you to bring it out while they were both here.

"What did you say, whore?" Namjoon asked as he looked at you, stunned as he watched you lick your lips and stare at them both.

"Want you both to fill me up," You whined as you nervously looked at them. Feeling a little vulnerable that they had this much control over you but you loved it at the same time.

"Good girl, asking so nicely like that." Jin hummed as he walked behind you and slapped your ass cheek before grabbing onto your skin and moaning out. Jin teased your opening with the head of his cock while you tried to wiggle backwards earning another slap across the ass from him.

"She's so desperate Jin. Pathetic little slut," Namjoon spat out as he made you look up at him, tapping the head of his cock along your bottom lip as he waited for you to part your lips for him.

"You're going to suck his cock while I fuck my load into you darling," Jin praised as he pushed his hips forward sinking into you making you moan out loudly. Namjoon took advantage and pushed his cock into your mouth, grunting as you moaned around his length sending vibrations through him.

"Fuck, you're not even moving and she's crying out around me," Namjoon laughed but Jin began to thrust into you roughly, putting his hands on your hips as he began to powerfully slam in and out of you. His cock sending your head into a mind-fog at how incredible it felt to feel him stretching you out. Namjoon gripped onto the chocker again and began pulling you around his cock, watching as you began drooling down yourself as you moaned out. Eyes filling up with tears as you did your best to please him to the extent that he loved so much.

"Don't cry slut," He moaned out as he continued to push into you, pulling out for a couple of seconds to let you catch your breath. You moaned out breathlessly at the overwhelming sensations you were getting and Namjoon pushed back into your mouth, groaning loudly when you began sputtering and coughing trying to catch your breath.

Jin slammed into you as he slapped you across the ass, smirking as he watched what Namjoon was doing to you. The sight of it alone bringing him closer to his edge.

"How does this feel, slut...Have two cocks in you at the same time. Filling up two of your holes." Jin chuckled deeply as he continued to fuck into you. Vigorously thrusting as he thought back his urge to cum in you right away. You were clenching around him so tightly it felt as though you had a vice around his cock, he could feel every inch of you.

"So good!" You screamed out as you pulled Namjoon's cock out of your mouth to let out a high pitched whimper.

"So good!" Namjoon mocked as he thrust back into your mouth while Jin laughed at your desperation. Slamming into you as he pushed his cock deeper inside of you, each of his thrusts getting stronger than the last one.

"J-Joon, I can't," Jin panted as he continued to slap into you, Namjoon nodded his head at Jin knowing that meant he was close to his release,

"The little whore is going to get so filled with cum, she won't know what hit her." Namjoon chuckled as he pulled his cock out of your mouth and pumped himself. Wanting you to enjoy the feeling of Jin cumming into you while you cam around him.

"You wanna cum for me princess?" Jin hummed as he reached under you to rub your clit roughly. Moaning out his name all you could do was nod as your eyes began to roll back. The pleasure building up inside of you as Namjoon watched the both of you fucking.

"Squeeze nice and hard around my cock with that slutty pussy princess. Cum for me right now." He grunted as he continued to pound into you from behind, grunting loudly as his balls hit your skin. You cried out his name as you dug your nails into the carpet, roll your head back as your chest fell down against the carpeted floor. The feeling of Jin's cum spilling out of you made you whimper but not as much as when he pulled out of you.

"Now, now slut. You won't be empty for long." Namjoon knelt down behind you and sat you back against him on his length. A loud scream leaving your throat at the sudden stretch of his cock throbbing inside of you.

"N-Namjoon!" You mewled out as you began to slowly rise and fall on him. His breathing began to get heavier as he guided your hips up and down on him. You knew he wasn't going to last long from the way he'd been fucking your throat.

"Cum whenever you want baby," He breathed out as he continued to pull you onto him. You clenched around him squeezing him the way he like and whimpered as another orgasm ripped through you so soon after the previous one. You screamed out his name as you orgasm ran over you and you squirted around his cock. Crying out when you felt him cum into you and he held onto you tightly so you couldn't move.

"We're right here baby," Jin whispered as he laid you down on the bed. Your breathing was erratic as you tried to come down from your highs, Namjoon snuggled behind you and pulled the sheets over your body.

"Nice and slow, kitten. Take a deep breath." He whispered in your ear, taking your hands in his as you squeezed his fingers. Looking at Jin as you tried to bring yourself down, breathing in slowly and deeply as they told you too.

"You were such a good girl today," Jin complimented as he cupped your face in his hands and made you look at him

"Our good girl," Namjoon whispered, kissing your skin softly as he began to hum to you, both of them waiting for you to cool down before they took you for a nice long bubble bath where they could give you the proper aftercare you deserved.

Tagline: @lyoongx @mitzwinchester @rjsmochii @fan-ati--c @taestannie @kneel-begyourpardon @bisexualmess007 @sw33tnight @sweeneyblue1 @jin-from-the-block

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ilovejevsjeans · 3 years ago

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How Olympian race engineer Tom Stallard helped coach Daniel Ricciardo to Monza victory

Daniel Ricciardo and the ever-improving McLaren team were seen as a match made in Heaven ahead of the start of the 2021 season. But while it all came good at the Italian Grand Prix, Ricciardo’s win at Monza was a product of hours and hours of unseen work, and some confidence-shaking moments along the way. F1 Staff Writer Greg Stuart sat down with Tom Stallard, the man who’s race engineered Ricciardo throughout 2021, to trace the arc of that breakthrough Monza win.

You could make a strong case that Lap 52 of the Monaco Grand Prix marked the nadir in Daniel Ricciardo’s first season with McLaren. As the Australian exited Sainte Devote and accelerated up the hill, he dutifully jinked left to allow team mate Lando Norris to lap him, Norris acknowledging the gesture with a wave from his cockpit. Norris would go on to finish third. Ricciardo, who’d brilliantly won in Monaco just three years earlier for Red Bull, finished out of the points in 12th.

That was May – and yet just four months later, Ricciardo had taken McLaren back to the winner’s circle for the first time since 2012, capping off a superb Italian Grand Prix weekend with an emotional victory at Monza, and leading Norris home in a McLaren one-two.

How did that happen? Ricciardo’s race engineer Tom Stallard has been the man F1 fans have heard soothing and chivvying Ricciardo over team radio this year, a year in which success has been harder to come by than many had anticipated – and he was naturally delighted when Ricciardo combined all his learnings to take the assured win in Monza, his first victory since that 2018 Monaco triumph.

“I was super proud,” Stallard tells me as we chat in the paddock in Sochi, “because we've worked really hard this year to be honest, and it was nice to see him executing everything that we'd talked about and worked on.

“Obviously he did a fantastic job, but he actually did the job that we'd been talking about and working on together. He's a top driver, obviously, joined our team as a top driver, but we’ve actually had to work at it quite hard and in Monza, he really executed that.”

Why didn’t Ricciardo and McLaren gel immediately? Ricciardo’s stellar second half of 2020 with Renault – during which he took two podiums and finished every race in the points – combined with McLaren’s sharp upward trajectory and the arrival of Mercedes power units at the team for 2021, meant that many earmarked the Ricciardo/McLaren combination as a potential surprise package this season.

But despite claiming points in his first four races for the team – including convincingly leading Norris home in Barcelona – right from the off, Stallard says, there were issues.

“I think the Bahrain race [where Ricciardo finished P7 to Norris’ P4 on his McLaren debut] he did quite well, but that was with a lot of time in the car in the [Bahrain] test – I mean, not a lot of time but a bit of time at the test, and a circuit that suits him well,” says Stallard.

“And then at Imola [where Ricciardo finished P6 as Norris claimed a podium in P3] we kind of exposed the problems, if you like, that he was having with the car, and we understood the struggle that we would have.”

As you might expect from an engineer of Stallard’s experience (he joined McLaren back in 2008) his first reaction to the situation wasn’t to panic, but to put in place processes to help bring Ricciardo on.

“We put in place a plan of what we needed to do differently and how we needed to react. And since then actually, we've been on an upward trajectory from that point, but you don't always necessarily see that from the outside.

“There have been a number of races where after the race, he's been frustrated and I've been reassuring him that actually we are seeing progress, and we don't have the good results yet but they're coming.”

So what was it about the MCL35M that wasn’t suiting Ricciardo and his driving style?

“Ultimately,” says Stallard, “all the drivers would choose the same thing, which is very good rear stability, and front end that increases as you add steer. That is totally universal, but the truth is that having a car that does that is the Holy Grail of Formula 1 design; every team up and down this paddock is trying to do that, and succeeding to a greater or lesser extent.

“We have a car that understeers and that's been something that he's had to adapt to and modify his natural approach to get the best out of.”

One thing Stallard is at pains to point out is that, for all of Ricciardo’s famously insouciant manner, beneath the gigawatt smile there lurks one of the world’s top racing drivers, with a work ethic to match.

“Obviously Daniel seems like the most laidback guy in the world,” says Stallard, “but behind the scenes, under the water, the duck feet are going quite quickly.

“Because we were in lockdown and he was in Los Angeles [over the winter break], we did most of his initial integration virtually, and during that phase, he learnt all the switches, what all the toys do, how to use the steering wheel.

"We spent a lot of time talking through the strategy with Daren [Stanley], our strategist. And actually all the communication side, all of the switches, all the controls, he had completely down by the time he went to winter testing.

“He's been in the factory loads, doing the simulator, partly working on his driving with that, but also giving feedback to the team about what he wants from the car,” adds Stallard.

“And at no point during the phase where he was getting up to speed with our package did he question that there was any kind of, the team backing the other driver, or the engineers didn't know what they were doing, or the car was set-up wrong. He just knuckled down, got on with the work, and I think that the whole team has a lot of respect for him for that.”

Ricciardo endured an up-and-down run of form leading up to the summer break, the lows including a tough Styrian Grand Prix where he finished 13th to Norris’ fifth and a Hungarian Grand Prix where first lap contact with Charles Leclerc hobbled his McLaren, leaving him 11th at the flag.

But Ricciardo appeared rejuvenated after the summer break, nailing his best qualifying of the year at that point with P4 on the grid in Belgium – while after a race to forget for the whole McLaren team in Zandvoort, Ricciardo then put together what would ultimately be his winning weekend in Monza, qualifying P5 on Friday, racing to P3 in Saturday’s F1 Sprint before claiming that sensational victory in the race.

Indeed, it was Ricciardo’s anger at qualifying P5 on Friday at Monza (and just 0.006s off his team mate) that seemed to indicate that a change had come in the Australian’s expectations of the level he should be performing at – with Stallard noting the key difference in Ricciardo since the summer…

“I think the ‘frustration at being P5’ thing was there all along,” says Stallard. “For me, the difference with the break is that it helped him not overthink it, so he's adapted better to the way you have to drive our car without it being completely conscious every corner, what you need to do.

Daniel's easy to work with, because if you give him a problem to solve, he goes away and works at it, so the work ethic's always been good, which makes life easy,” adds Stallard. “He doesn't defer responsibility away from himself; he takes a lot on the chin, which means some of what I've had to do is keeping him, let's say, up, because he's taken a lot of responsibility for things himself.

“But from my side, that means he's great to work with, and that collaboration is very strong. And when we got to Monza, we both had a lot of confidence in each other, so that made the result in Monza feel very natural.”

Going forward

Ricciardo leading McLaren to their first victory since Jenson Button’s 2012 Brazilian Grand Prix triumph, and their first one-two since the 2010 Canadian Grand Prix, was a fantastic moment for all at McLaren, and one that was warmly welcomed by most in the F1 paddock.

But Stallard was under no illusions during our chat in Sochi that Ricciardo is still on a journey to being fully comfortable in McLaren’s MCL35M car this season – a point Ricciardo would then back up himself a few days later when, despite finishing P4 in the Russian Grand Prix, he admitted that “there is still some stuff missing”.

“In Monza, the circuit and our technical package aligned well,” says Stallard, “and actually last year we came second there, so it's a circuit that suits our car and obviously Daniel did a very good job putting it all together, and the strategy was correct.

“He now understands how to drive the car; I think he's felt that himself rather than it just being explained to him, which means we have made another step. But it's a much more linear process than it appears from the outside.”

What Ricciardo does have in his corner, meanwhile – apart from the work ethic and talent that have made him an eight-time Grand Prix winner – is a race engineer in Stallard who has been an elite athlete himself, forming part of Great Britain’s silver medal-winning men’s eight rowing crew at the 2008 Beijing Olympics.

And Stallard believes that his own experience as an athlete can help get the best out of Ricciardo, who signed to McLaren on a three-year deal that will take him into Formula 1’s bold new era of regulations with the team.

“In this sport, 20 years ago, the race engineers were very much engineers,” says Stallard. “But now we are coaches, and so we're using the data to guide the drivers in how to get the best out of the car.

“So I see myself now as a coach and I have a lot of experience of being coached, whereas a lot of the other race engineers… don't necessarily have the same experience of being coached. And I think that does give me an insight in terms of the struggles that people have when being coached, especially in a sport where on the way up, drivers often aren't coached that much and it gives me a good ability to manage the pressure and stay calm in what would be a pressured situation as well.

“And I also think that on any journey, although I describe it as a linear process, there's still ups and downs, and there'll be events in the future that are more difficult and that we'll have to respond to and react to. It would be naive to think it's plain sailing from here – but I think that it's a good next step.”(X)

#daniel ricciardo #tom stallard #dan #so long but so good #articles

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nat-20s · 3 years ago

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Part 8 of the wonderful! Au: the boys answer some questions! Up to you to decide if they actually clarify anything!

(also on AO3)

~*~

Martin: Hey everyone! I know what some of you are thinking right now: it's not Tuesday, why is this episode in my feed? I know significantly more of you are thinking: I don't consistently keep up with podcast releases, how much free time do you think I have, buddy? To answer your queries: this is a bonus episode! We're answering listener questions to clear the air and/or have fun. Also, I don't know, around 20 to 40 minutes a week, as that is the average amount of time per episode? Maybe during your commute? My husband's omnipotence has been gone for five years, we just have to guess at that sort of thing now.

Jon: For legal reasons, that last statement was a joke. In fact, to cover all of our bases, we do not guarantee that any of our responses are genuine.

Martin: Just because we say we'll answer things doesn't mean we'll answer truthfully. Though, honestly, I think we might make it more enjoyable if we do tell the truth. Like, I don't necessarily have a fun lie prepared for our first question from konspiracyking97: "What's their fuckin deal anyway?"

Jon: Is this referring to the oblique references we've made about being from a parallel reality and only ending up here as a consequence of ending one apocalypse and potentially starting another or the general premise of the show?

Martin: Oh, it's gotta be general premise, yeah?

Jon: In that case, I'm Jon, the other voice you're hearing is Martin, we're married, and we talk about things that are..nice? Good? Usually generally but occasionally rather specifically pleasant.

Martin: That pretty much covers it. It's not a complicated show. Uhh, next question comes from Shane: are either or both of you aliens? Nope!

Jon: Well..

Martin: No. We are 100% human people from Earth, we are under no definition extraterrestrial.

Jon: Eh..

Martin: Okay, first off, I know the tone of that 'eh' and "not fully human" is not synonymous with alien, so even if 100% is being a bit generous, we're still from the same planet as our listeners.

Jon:..

Jon: But. We sort of aren't though. Technically speaking.

Martin: No no no no no. I don't care if it's parallel, Earth is Earth is Earth, regardless of whatever nonsense metaphysics might be occurring.

Jon: So what you're saying is that if you got sucked through a portal and landed on an Earth where dinosaurs were still the predominant species, you wouldn't consider yourself to be an alien?

Martin: Nope!

Jon: I'm certain that they would consider you an alien. All of their mammals are probably shrew sized.

Martin: Sounds like a them problem.

Jon: Sounds like a-?! You know what, no, this will be an off the record debate, for now, I suppose I concede that the two Earths and our physiologies are similar enough that we might, maybe, not count as aliens.

Martin: Thank you. Anyway, our next question is from anonymous, and asks, "Is all of this an ARG?"

Jon: A whomst?

Martin: Alternate reality game. It's a method of storytelling that's interactive with audience, and usually has, I dunno, a certain suspension of disbelief to it where it pretends to be something actually happening in the real world until a dramatic reveal. A lot times it was used as a marketing gimmick, but others have done it just for fun. I can show you some examples after the show?

Jon: So it's in essence a more involved creepypasta?

Martin, delighted: Aw, babe, I'm never going to have a handle on what pop culture you are and aren't aware of, huh?

Jon: We were born within a year of each other, and I've told you that I was a deeply morbid teenager, you should probably be able to intuit some of things, love.

Martin: This coming from a man who has yet to see "It's a Wonderful Life", but has seen every film in the "Banjo Cannibals" franchise, including the Easter special. Jesus doesn't exist in the Banjo Cannibals universe, why does it have an Easter special?

Jon: The movies are rather shoddily translated from Russian, so I'm fairly certain the Easter component of that special was invented wholesale in the English version.

Martin: You say that like it answers more questions than it raises.

Jon: Yes, because it does. Oh, and to answer anonymous's question, no, this isn't an ARG. From my understanding of it, if it were, it'd be a poorly constructed one, as there's no real game element to any of this.

Martin: Hmm. Well, sometimes the game component is just trying to figure out what's going on with the story, or if there's any deeper content, and people are definitely doing that with this show.

Jon: That's not by design though. It's more a side effect of us having poor brain to mouth filters, I'd say.

Martin: Harsh, but fair. Oh, this next one is from Zac, no K, who asks, "Are you two actually even married?"

Jon, flat: We are, but it's under false names because this whole thing is an elaborate insurance scam.

Jon, incredulous: Yes, obviously, we're married. What did you hear in this podcast that would make you wonder otherwise, and how do we rectify it?

Martin: Clearly we need to up our quota for how "disgustingly in love" and "horrifically sappy" we are per episode. Which segues nicely into the next question from Gwen, "What's your favourite wonderful thing you've brought so far?" My answer: my husband. He's kind of my favourite in most things, you know?

Jon: Boooooo

Martin: Why, what's your favourite thing?

[Jon reluctantly sighs]

Jon, indulgent: being married.

Martin: A: serves you right for trying to pretend you're the less horrifically sappy and romantic one even though earlier today someone put a love note in the lunch they packed for me-

Jon:- Lies and slander! I have never, in my life, done that, even once.

Martin: Oh, sure, not even once. And you definitely don't reserve the lilac sticky notes specifically for my lunches because you know I like the colour.

Jon: I..I don't.. you're rather ruining my image here.

[Martin snorts]

Martin: Can't have the audience think that you are, on occasion, an incredibly doting husband-

Jon: -A title I would argue we both share-

Martin: - which is obviously why, even with it being your favourite thing you've brought, being married to me is just a small wonder-

Jon, audibly rolling his eyes: As I already explained-

[A Pause}

Jon: Actually, you're right-

Martin: Wait-

Jon:- I really should have brought it as a larger wonder-

Martin: Wait-

Jon: though I should warn you, I think I'd have far too much material for just one little segment-

Martin: No no no no no-

Jon:- In fact, I think I might have too much material for just one little episode-

Martin: Joo-oon-

Jon: I might have to do a whole series! Where would I even start? I mean I could talk about how every day I get to watch the early morning sun highlight your curls when I get up first, or hear you quietly humming and shuffling around the kitchen when you do, or I could talk about how the lunch notes only started in the first place as retaliation to the notes you would leave on the mirror for me to find, or how every time I get to see you at ease in a way that you aren't with anyone else, it takes my breath away, or I could talk about how cute I find the lines between your eyebrows that you only get when you're thinking something petty, but you know it's petty so you don't want to say anything-

Martin: Okay, okay, Christ, I give !up I surrender, and will cease my teasing on this particular topic.

Jon, probably making the :3 face: You don't have to stop. I mean, I could also discuss how very, very attractive I find your voice when it takes on a teasi-mmph!

[There's a pleased hum, then a pause.]

[The audio quality is slightly changed, as if the recording has been stopped and then started later]

Martin, giddy: Uh, heh, anyway, Eric asked what the least favourite thing we've brought was, and because of Jon's attempt to embarrass me live-

Jon, overlapping: It's definitely not live-

Martin:- on air, I'm gonna say it's my husband.

[Jon scoffs]

Jon : If the past few minutes are any sort of indication, I'm going to go ahead and saying that you are lying.

Martin, sighing contentedly: Maybe a bit, but how was I supposed to resist when your indigance gives you that adorable little nose scrunch? In reality, my least favourite thing was probably, um, mini golf? Which, I still don't think is inherently bad, definitely superior to regular golf, but when it's the only thing a next door two year old wants to do with you, the charm begins to wear off a bit.

Jon: Wow. A rather scathing review of a toddler.

Martin: Not so much a scathing review of a toddler as it's a scathing review of minigolf's inability to keep its appeal after the third time in the same week.

Jon: Mmm, the sound effects rather quickly go from part of the atmosphere to part of the irritation, don't they?

Martin: So what's your least favorite thing we've covered here?

Jon: Oh, love, I'm not going to pretend to have nearly enough memory of what we've covered so far to have a least favorite.

Martin: Really? Nothing that you regret or rescind?

Jon: Well, regret, certainly. It was one of the weeks where you went first, and your second item was mutual aid funds, and what they can do for marginalized communities, and I had to follow it with fucking Slapchop.

Martin, poorly suppressing laughter: In your defence, Slapchop, or whatever offbrand we have, is pretty useful, especially when either your scar or my arthritis is acting up.

Jon: I'm still not convinced you didn't somehow see my notes for the recording and decided you get revenge for the first year that we knew each other.

Martin, no longer suppressing his laughter: Yep, you got me! This marriage wasn't an act of insurance fraud, but it was a near decade long con to humiliate you on a podcast that about twenty people listen to. I'll draft up the divorce papers immediately, and then we can finally go our separate ways.

Jon: I'm glad you've at last admitted it. Such a weight off of my shoulders. Goodbye forever then.

Martin: Right.

Jon: Right.

[A beat.]

[There's a pfft from one of them, before both dissolve into giggles that lasts a good 30 seconds.]

Martin, slightly out of breath: I can't believe we're the kind of people that talk this much about speciality kitchen gadgets.

Jon: Sorry about that.

Martin: God, don't apologize. I'm, like, deliriously happy with our varying degrees of useful cooking ware filled life. If you had told 25 year old me that one day he'd be debating the merits of getting a tortilla press with his husband, he'd have wept, I tell you.

Jon: Funny, if you told 25 year old me the same thing, he would've said "You don't know the future,piss off" and then quietly have a bit of a panic at 3 am that night.

Martin: I bet you were insufferable in your mid-twenties.

Jon: First of all, who isn't, secondly, I was fresh out of Oxford, and third, I was insufferable in my late twenties, as you can attest to, and I'm insufferable now, as you can further attest to, so extrapolation would indicate that, yes, I was insufferable back then.

Martin: Probably a different kind of insufferable, though.

Jon: There are different kinds?

Martin: Of course! You used to be "prick boss" insufferable and now you're "smug in a way that I can't admit I find hot or it will go straight to your head" insufferable.

Jon, in the aforementioned smug tone: Oh, really?

Martin: See, see! Straight to your head.

Jon: Well straight is probably the wrong descriptor-

Martin: Oof, 4 out of 10 joke, babe.

Jon: That would be a far more convincing rating if you weren't grinning right now.

Martin: It's a genuine review, I'm just well known to be a sucker.

Jon: You and me both, darling.

Martin: Okay, if you're pulling out darling, you're clearly in too giddy of a mood to be focused on recording. Last question, from Jess, "You two mentioned meeting at work, but how did you actually end up together?" That's easy, Jon pulled me out of a hell dimension and then we went on the lam together to Scotland.

Jon: If that's not the way to tell a cute boy you like him, I don't know what is.

Martin: All right, that wraps up this bonus episode, and as the old saying goes, hiding from murderers in a cottage is more conducive to romance than suggesting you gouge out your eyes together.

Jon, cut off: Hey-!

#tma #jonmartin #jon sims #martin blackwood #post canon #wonderful! au #my fic

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thanksjro · 4 years ago

Text

Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours. 

After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

--------------------------

COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

#transformers #bayverse #part one #maccadam #Hannzreads #Hannzwatches #text post #long post #film analysis #off topic

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five-rivers · 3 years ago

Text

Danger First

Chapter 9

@pocketramblr

Banjo took Hikage to the side while the other ghosts were still wading through their existential crisis.

"Man," he said, "Hikage, bro. You know I love you."

"You do?"

"Like... at least eighty-five percent of the time."

"Ah, continue."

"But next time you think one of us has a secret relative out there, you've got to say something so we don't get blindsided."

"You're sure?"

"Positive."

"Alright, then. I couldn't help but notice that both Ninth's mother and 'Tomura' share a strong resemblance to Nana."

"... I've changed my mind."

Although Midoriya Inko had abandoned the tech conference as soon as she heard about the attack on the USJ, she, unlike the mist villain, could not teleport. Therefore, Izuku was stuck in the nurse's office even after he had woken up and paramedics had confirmed that his injuries began and ended at bruises and quirk exhaustion. (And a potentially fractured bone in his foot, but that wasn't worth mentioning.)

Sitting next to the police officer with nothing to do was... awkward. Very awkward. His hands itched for his notebooks, but everything they brought to the USJ was evidence, and he hadn't been allowed to go back to the classroom. He wanted to know what happened to his classmates and Mr. Aizawa, who he hadn't seen since he ran away from the plaza and left him with the hand villain, and Mr. Yagi, who had really taken a beating from Nomu. Danger Sense was quiet, relatively speaking, but Float was just waiting to be used and tested.

Plus, he really, really had to talk to Mr. Yagi about that. Loads of his classmates had seen him use Float. How was he supposed to explain having Float right after telling them he probably had a sensory quirk?

Plus, if he got Float, it stood to reason that he'd get all the other One for All users' quirks as well. So he had to figure out how to make Danger Sense, Float, Smokescreen, Blackwhip, and a strength enhancement all look like the same quirk. Which, maybe they were, technically, considering that Monoma had sensed One for All as a single quirk but whatever was going on with the mist villain as multiple quirks...

Point was, One for All definitely functioned as multiple quirks.

Would his friends think he was lying? No, he'd definitely proven Danger Sense existed by predicting, however loosely, the attack.

"Hey, Tamakawa."

Izuku and the officer looked up at one of the detectives who had come to take initial statements. His name was... Tsukauchi, Izuku thought. Mr. Yagi (as Mr. Yagi) was standing behind him.

"I can take it from here. I have a few more questions for Midoriya."

"Yes, sir. Midoriya." He nodded at them as he left the room.

"How are you feeling, Young Midoriya?" asked Mr. Yagi, taking the officer's spot with a slight groan.

"Uh, better than this morning, actually," he said. "But, um, but what about you? That Nomu guy kept, um..." His eyes trailed towards the detective.

"Ah, this is Detective Tsukauchi Naomasa. He's an old friend of mine. He knows... well, just about everything about me."

Izuku nodded slowly. "So, he knows about, um..."

"I know about One for All," said Tsukauchi.

"Oh," said Izuku. He rapidly gathered together his thoughts, trying to decide what the most important piece of information he had to impart was. "Do you know what happened to Mr. Aizawa? And Ingenium?"

That was most definitely not a piece of information. Stupid brain.

"The portal villain, Kurogiri, teleported Aizawa off UA grounds, but he was able to get help quickly after that. Ingenium had some injuries that need a specialist, so he went home. They'll be alright, but they'll probably have to take a few days off."

"Yes," said Tsukauchi, giving Mr. Yagi one of the driest looks Izuku had ever seen. "Because you heroes are so good about that."

"Teaching isn't exactly strenuous, Naomasa."

"Remind me again how you got injured this time."

Mr. Yagi made a face Izuku would have found hilarious under other circumstances. "That's different," he said, plaintively.

"Is it though?"

Mr. Yagi coughed. "Now, Midoriya, my boy... I'm sure you have things you want to talk about... I think I glimpsed you soaring through the air, earlier. Did you unlock the enhancement aspect of One for All?"

"No," said Izuku. "Not exactly."

"Well," said Mr. Yagi. "That's, hm. Certainly something."

"Sorry," said Izuku.

"You have nothing to apologize for, my boy," said Mr. Yagi, patting his knee. "In fact, it's a good thing that you got Float this time. I'd be at a loss about what to do with Smokescreen or Blackwhip. But I'm fairly familiar with my master's quirk, and, well, there's someone else who I should... get back into contact with..." Mr. Yagi force the words out as if they had physically pained him to say.

Which they might have. He did have the whole... coughing... thing. Maybe he was just trying to hold one back?

"Mr. Yagi? Are you okay?"

"I'm fine, I'm fine."

"Okay, are you sure?" He wasn't sure if he wanted to bring the next part up if Mr. Yagi wasn't feeling well.

"Yes," said Mr. Yagi. "I just, hm. It's just... history."

Izuku nodded. "So, um. Did you hear Monoma say that the mist guy - Kurogiri? - had multiple quirks, too? Like Nomu?"

The mood plummeted.

"Yes," said Tsukauchi. "He told me, and I told Toshinori. It appears that Kurogiri's warp quirk is actually several different quirks working as one. Merged together, almost."

Izuku nodded. "I was just wondering... One for All can be passed on, so... are there other quirks like that? Like, if the first person with One for All had family members or something? Or..." Izuku trailed off. Mr. Yagi now looked actively ill. "Did I say something wrong?"

"Toshinori," said Tsukauchi, "you mean you didn't tell him already?"

"In my defense, I thought he was extremely dead."

"What- Who are you talking about?"

"My boy... I think it's time to tell you a story of two brothers..."

"So, One for All comes with a built in nemesis? Who may be immortal?"

"That- He's not... It would appear so."

"I am somehow both surprised and not."

"There's one more thing I wanted to ask you about before your mother arrives," said Mr. Yagi.

"Please tell me it's not something worse, like me being a descendant of the guy," requested Izuku, picking the worst, most ridiculous thing he could think of.

Tsukauchi snorted, then covered the noise up with a cough.

"I seriously doubt that All for One could maintain a romantic relationship of any kind," said Mr. Yagi, "and even if you were, it wouldn't really matter. I mean, his own brother hated his guts."

"That's a bit extreme..." murmured Yoichi.

"Considering some of the rants we've gotten you to go on," said En, "it really isn't."

"Maybe. Maybe not. But the rest of it-" Yoichi promptly left to harass Second and Third.

"How can you two be so close and yet so far?" mourned Nana. "How are you so smart and so dumb at the same time?"

"In Ninth's defense," said En, "he doesn't know what All for One looks like."

"Surely he knows what his father looks like. He sees his picture almost every day," said Hikage.

"Admittedly, I could have phrased that better, but are you rubbing that in, or are you serious? I've known you for, like, half a century and I still can't tell."

Despite the example being a joke, Izuku felt much better after hearing that.

"But, no, this subject is relatively neutral and nothing so dramatic. I was hoping to get your permission to tell young Aizawa about One for All."

Izuku opened and closed his mouth several times. "H-huh? Why? And why do you want my permission? You don't need my permission."

"One for All is your quirk, now," said Yagi, "and your secret. It's up to you who knows about it. Outside of an emergency, I suppose. As for why in general..." Mr. Yagi sighed. "There are things young Aizawa needs to know about the villains with multiple quirks and All for One. I can't tell you the details right now, but with how One for All is manifesting in you, if he only knows about All for One, it would be very easy for him to make incorrect assumptions."

"Oh," said Izuku. He could certainly see how that could be dangerous. He didn't want his teacher to associate him with a villain like that.

"Also, if he knows what's happening, it will be easier for him to help you," finished Mr. Yagi hopefully.

Izuku thought about it. "I guess that would be alright. But... He's not the only person who'll know about my quirk being weird and All for One, right? I mean, the Hero Commission, at least..."

"To be entirely honest with you, I tell the HPSC as little as possible about All for One and One for All."

"What? Why?" asked Izuku.

"Well-"

"Izuku!"

"Mom!"

"I'll explain later," said All Might quickly.

Kurogiri passed a damp washcloth over the burns on his neck. The metal of his collar was a conductor, and the charge the young man with the electricity quirk had sent through it had been significant. It was only natural for it to get hot, for it to burn.

He should go to the Doctor... Some of the collar's functionality seemed to be damaged. He brushed his mist covered fingers over the cool metal.

Tomura wouldn't tell the Doctor. Kurogiri cared deeply for Tomura, but the young man was certainly shallow and unlikely to realize the extent of Kurogiri's injuries. He was more likely to focus on his own, not insignificant, wounds.

In contrast to those, Kurogiri's paled. He wasn't nearly as important as Tomura, after all.

It should be fine to let his wounds and the collar be. It would do what it was supposed to and protect the vulnerable areas of his body, internal damage or no. He just had to be careful of the burns becoming infected, especially since he couldn't see them.

Sometimes, he wished his body was like it was before...

Kurogiri frowned at the thought even as it faded from his consciousness. He had been created by All for One fully formed. His body had always been like this.

Hadn't it?

Shouta had been in and out of consciousness the past few hours. Apparently he'd never been in serious danger of dying, except from shock, which was just his body being dramatic and didn't count. All his major organs were free of serious damage. He just had to regain his stamina so that Recovery Girl could heal him up, and then he'd be fine.

Unlike Tensei, apparently, who had cracked one of his engines, which needed specialist help and surgery to realign the pieces. Or All Might, who had taken hits to his old injury, and needed to take time off or lose more time from his hero form. Or his students, who hadn't been seriously injured but who were probably traumatized.

The last time he had woken up, though, Hizashi had been there. Now, All Might, Nezu, and Detective Tsukauchi were there.

"Thought I already gave my statement," said Shouta.

"You did," said Tsukauchi.

"We're here to give you more information about the attack, I'm afraid," said Nezu.

"Information I won't like?"

"It can wait until you feel better, of course."

"That's illogical," said Shouta. "The sooner I get the information, the more time I have to process it."

All Might, Yagi, sighed. "Nomu and the portal-using villain both had multiple quirks."

Shouta frowned. "You mean, they had quirks with multiple aspects?"

"No," said Nezu. "As Yagi said, they had multiple quirks. This was confirmed by both the villains' comments and by Monoma, who made contact with the portal villain and was able to copy multiple quirks."

"Kurogiri," said Shouta. "That's what the other one called him. Shigaraki."

Nezu nodded. "Indeed. We weren't sure you had heard that." He tapped his paws together. "What we are about to tell you is classified. We are only sharing it with you because of your unique position and history."

"In the wrong hands, it could cause a lot of damage," said Yagi.

Only two things kept Shouta from leaping out the window and escaping: the fact that he was basically immobilized in plaster casts and the fact that his students were already involved in whatever this was.

"Great. What is it?"

"To begin," said Tsukauchi, "Monoma said he was able to copy three quirks from Kurogiri."

"That's up from what he could do before," observed Shouta. Stress did push quirks to improve, sometimes, although Shouta hated for the improvement to be associated with trauma.

Tsukauchi nodded. "He made note of that as well. He said he picked up a quirk that allowed him to turn his body parts into portals that led to other body parts, a quirk allowed him to temporarily teleport his body parts, and..." he trailed off.

"And a quirk that at the very least bears a strong resemblance to Shirakumo Oboro's Cloud."

"What are you saying?" asked Shouta, ignoring the way his heart had almost stopped.

"At the moment? Only that it is very strange that Kurogiri had a quirk like that, and sent you to the place where Shirakumo Oboro died."

"Oboro would never-"

"We're not saying that," interrupted Yagi. He coughed into his hand. "There's more context. Have you ever heard of the quirk bogeyman?"

"I can't wait to never sleep again I'm my entire life," said Shouta.

"Wait," said Tsukauchi, "it gets worse."

"How could it get worse?"

"Naomasa, you're supposed to be on my side," complained Yagi.

"I am. That's why I'll stop Eraserhead here from trying to kill you after you finish explaining."

"Well, it has to do with young Midoriya's quirk..."

"Let me get this straight, you gave the quirk with an immortal supervillain archenemy attached to a child... and didn't tell him that the supervillain existed."

"When you say it like that, it sounds really bad-"

"It is really bad-!"

"If I'd known he was still alive-"

"What part of immortal do you not understand?"

"Shouta, I, too, believed that All for One-"

"Shut up, Nezu! I don't have the energy to be mad at both of you right now!"

Yagi, Tsukauchi, and Nezu were all shown out by an irate nurse while a different but equally irate nurse replaced the plaster cast on Shouta's arm.

It had definitely been worth it.

Just because school was canceled, that didn't mean training was canceled.

... except it did, both because Inko was too stressed to let Izuku out of the house, and because Mr. Yagi had a meeting to go to about the attack.

But the second day after the attack was a different story!

That morning, Mr. Yagi pulled up in front of Izuku's apartment in Hercules (still so cool!) and picked him up.

Izuku bounced enthusiastically into the car and then froze. "Oh my gosh, what happened to your eye? Was it a villain? How hard did they hit you?" his hands fluttered. "I have some cream-"

"Oh," said Mr. Yagi, "no need, young Midoriya! I, er, sort of deserved it. It's a sort of reminder to take it easy, too. People would be disturbed to see All Might with a black eye, after all!" He smiled, then winced.

"Are you sure?"

"Yes, very. You should buckle up, my boy."

"Oh, right," said Izuku. "So, where are we going? You said there was someone you wanted to introduce me to."

"Yes," said Mr. Yagi. "My old teacher. It's been a while since I've seen him. Hopefully he won't make up for lost time with a kick to the face..."

"What?"

"Don't worry about it."

When Mr. Yagi spent most of the way over muttering about kicks to the face and head, Izuku decided that he should, in fact, worry about it.

The broken-down building was not what Izuku had been expecting.

"Are you sure this is the right place?" asked Izuku.

"Absolutely," said Mr. Yagi, who was shaking somewhat. "This Pavlovian response only confirms it."

"Um." The building looked condemned. "Maybe he moved."

"One can only hope," said Mr. Yagi. "Maybe you sh- No. I have to see this through." He steeled himself visibly, squaring shoulders. "Please not a kick to the face," he said, under his breath.

"Is he really that bad?" asked Izuku.

"My boy, I guarantee you that he's worse."

"Poor kid has no idea what's coming," said Banjo. "Although we wouldn't have believed it either if we weren't riding along and watching."

"Nana," said En, "I just want to reiterate that I'm very glad you never thought about giving One for All to Gran Torino."

"Come on. Sorahiko isn't that bad," protested Nana.

"We know," said everyone else, "he's worse."

They walked up to the apartment building door. Mr. Yagi sighed heavily on seeing the door was hanging open, which was a radically different reaction than what Izuku would have expected.

"Is Danger Sense doing anything?"

"I don't think so?"

"Let me know if that changes."

"R-right," said Izuku. Mr. Yagi pushed the door in, and Izuku followed cautiously after him.

They went down a few hallways, peeking in rooms. Then they got to the kitchen, and Izuku covered his mouth with both hands with a gasp at the grisly, bloody scene. Gran Torino laid on the floor in a pool of red liquid. "Oh my gosh, he's-"

At the same time, Mr. Yagi said, "At least it's not a kic-"

The supposedly dead hero was suddenly airborne, and flying towards Mr. Yagi, foot first. Specifically, at his face. "You thou-"

Danger Sense spiked. It was a tiny spike, but still.

Izuku reacted. Specifically, with nerves shot by the USJ attack, he reacted violently, lashing out with a fist, swatting Gran Torino out of the air and back into the puddle of what was, in retrospect, probably diluted ketchup.

For a moment, everything was silent.

"Oh my gosh," wailed Izuku. "I assaulted a senior citizen!"

Gran Torino bounced back to his feet. "I like this kid, Toshinori!"

"I'm... glad?"

"Now show me what you've g-"

"Gran, please, we're only here for quirk help, not battle training."

"What's the difference? You're going to want to use it in battle eventually, right?"

"I mean," said Izuku, hesitantly, feeling like he had whiplash several times over, "yes?"

"See?"

"Just help with controlling Float. Please." Mr. Yagi pressed his hands together. "Please do not pick a quirk fight with a civilian teenager. Please."

"We are on private property."

"Assault is still illegal on private property."

"He's the one who hit me!"

"I know! I'm so sorry," said Izuku, doing his best to bow in the cramped space. "It was a reflex."

"After you attacked me!"

"Yeah, but you knew I was going to do that!"

"That doesn't make it better!"

Gran Torino turned to Izuku. "Kid, I don't know how you did it, but it looks like you made this big softy grow a backbone. Next step is to see if you can get him to do this with Mirai, too."

"Um," said Izuku. "I think he already had a backbone? He's All Might, after all."

"Nah, he's just a giant spindly amoeba who needs to take better care of himself."

Mr. Yagi slumped.

"But back on topic," said Gran Torino, eyes much sharper than before. "Do you really have Nana's quirk, kid?"

"Y-yeah. I think so. It was only a little bit, during the attack, but... yeah."

"Let's see what you can do with it, then."

"Um," said Izuku.

"Gran, maybe you should get cleaned up first? Young Midoriya and I can take care of the kitchen..."

"You don't know how to turn it on, do you?"

"Not really, no," said Izuku.

"We've got our work for today cut out for us, then, don't we, you zygotes?"

Wow. Gran Torino really did call people zygotes.

Wild.

#bnha #boku no hero academia #danger first #danger first au #fic #fanfic

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tobiosmilktea · 4 years ago

Text

red ink — semi eita

2.5k words | genre/s: tattoo shop!au, friends with benefits, smut | warning/s: uhh badly written nsfw | pairing: musician!semi x tattoo artist!reader

↪︎ in which famous musician, semi eita is a regular at your tattoo parlor and only gets work done from you and you only. the only catch is that fans only know that much and definitely not the fact that you and him are friends with benefits.

a/n: happy belated bday for my good friend @kitsunetea. here’s my shameless second (third?) attempt at writing smut as a late bday gift bc fuck it, amirite haha ✋🏻😔

please take it easy on this one,, this is singlehandedly one of the worst nsfw pieces i’ve ever written and i just want to apologize in advance...

semi had forgotten the tingling feeling of a tattoo gun striking away at his skin. he liked how each indent of minuscule pinpricks would leave a mark on him forever. the pain, though not enough to make him grit his teeth like the first time around when he impulsively got one on the side of his ribcage, was actually quite nice. the sensation was almost addictive, however, it wasn’t as nearly as addictive as you.

it was no shock nor surprise that each reveal of his newest tattoo was always done by you. most would understand the practicality of going to one tattoo artist consistently. if anything, most of his fans would come to believe that he simply just liked your style of tattooing and artistry, but no one would even claim to think that you two had even a pinch of something going on behind the scenes. it wasn’t like he would always stop by your shop all disguised and covered up in a black cap and a face mask just in case there were any hidden onlookers that would blatantly assume the worst.

the worst being that semi eita, the nation’s current rockstar heartthrob, was hooking up with some obscure, back alley tattoo artist.

but it was safe to say he was as addicted to you as he was addicted to the infamous pain of receiving a tattoo.

it had been ages since his last tattoo. this one especially was placed on his right forearm of a snake that spiraled up and around his wrist in red ink.

times like these—here, where your eyes are focused and locked onto his skin, making sure to capture each intricate detail, brows drawing together in concentration as you made swift and accurate runs over his skin—came to realize how much he missed the feeling of getting tattooed. but most importantly, he missed the feeling of you. the warmth of your skin, body blazing underneath him as your breath tickled at the nape of his neck.

at moments like these where he could just stare at your entirety for an hour and a half, admiring how the low lights cast shadows upon each and every curve of your body was enough to keep him occupied through the process.

you lifted your tattoo gun up as your other gloved hand wiped the area clean from any residual ink. you took one last look at your work, clean and well-done.

it was pretty good if you could say so yourself. the linework was easily one of your best, and the shading was even better. no wonder semi liked getting work done by you so much (other than the fact that you two are friends with benefits—he would joke, “i’ll give you the best night of your life and you can give me a free tattoo in return.”)

you’ve never seen that man back out of a joke that quickly in your life. regardless, you still found yourself taking him up on that offer, still paying for his tattoos as a good customer should. support local businesses as they always say.

“alright,” you say, breaking the last ten minutes of silence as you cleaned him up. “you already know the drill–gently wash it with warm soap and water at least twice a day, pat dry, and then apply ointment.”

semi looked up at you once you stood up to grab a box of saniderm from another station. he stands up, making his way to one of the large mirrors on the wall to inspect his tattoo as a smile crept onto his lips.

“how is it?”

“it’s perfect,” he says, “as always.”

“well, you shouldn’t expect anything less from me.”

“you know, you don’t have to be so professional all the time. the shop’s already closed and no one else is here but us.”

you give him a pointed look as you take out a strip of saniderm large enough to cover the circumference of his forearm. you press the thin plasticine carefully around his freshly bruised skin, peeling the protective backing off of the clear bandage. “technically, you’re still a customer. can’t really give you any more special treatment.”

“says the girl who literally gives me tattoos after the shop closes,” semi fires back.

“or you could actually come in during normal hours to get one instead of coming a minute before we close just so we can hook up,” you deadpan, ignoring the look he gave you as you turn around and made your way towards the front desk.

semi doesn’t miss a single beat in following right behind you, stopping in front of the counter as you were on the other side with the cash register.

“well if you didn’t want to fuck in the back room anymore, you could’ve just told me,” says semi as you tap away at the screen in front of you, “we can go to my apartment instead.”

“paying with card again?” you ask, completely ignoring the way your body heated up all of a sudden.

the musician in front of you nods, handing you his card quickly. you take the thin plastic out of his hand and swiped it in one quick motion, handing it to him once the machine properly reads his card. within seconds, the receipt comes out of the printer. you snatch it from the opening before shoving it into semi’s chest.

“so what do you say?” he presses, continuing to follow you around like a dog as you serpentine your way back to your station.

you let out a sigh, huffing as you start cleaning up, “about what?”

“about me taking you home. maybe spend the night?”

you swerve around to face him, a spray bottle of disinfectant in one hand and paper towels in the other. you give him a coy smile, “you’re funny,” you huff before pushing past him to spray the chair then wiping it down.

“come on, (y/n), it’s been a while since we’ve last done anything together.” semi gives you a mischievous pout, “don’t you miss me?”

his words immediately flush out your cheeks as you recalled the memory so vividly, it was like you could almost feel semi’s large hands exploring every inch of your body, memorizing every dip and curve like it was second nature. to think that all happened in the storage closet while there were people still in the shop. the simple thought of your last rendezvous with him went straight to your heat.

no wonder you haven’t done anything with semi in a while after that little stunt he pulled almost a month ago.

in order for a tattoo shop to run properly, it needed to be completely sanitary to prevent any health complications considering your job was to literally puncture tattoo ink deep into people’s skin, the risk of infection runs high in situations like these. so by law, fucking in a tattoo shop, regardless if it was in the backroom, was completely out of regulations. not to mention the scandals to potentially spread like wildfire that one of the world’s favorite musicians being at the root of all this.

those poor fangirls, you thought. drama was the last thing you wanted.

“so?” you say, trying to pull yourself together as you finish sanitizing the chair. you turn to face him, hoping that he couldn’t see the way your cheeks were burning up knowing he would only keep up the teasing. “why don’t you just fuck one of you groupies or something?”

semi scoffs, “i’d never stoop that low. besides, you’re the only one i’ve been with ever since this started happening between us.”

“good for you for not being a whore, i guess?”

you brush past him again, this time cleaning up the mess on your table. placing the spray bottle of water, rolls of paper towels, bottles of red ink, and your gloves away–you discard anything else in the bin.

“don’t be like that,” he sighs as he comes and wraps a strong arm around your waist. he rests his chin on your shoulder, the tip of his nose tickling at your skin as his mouth latches onto your neck. “i for sure missed you.”

“eita,” you say, attempting to hold back a moan as he nipped at the sweet spot on your neck. despite your efforts, quiet mewls escape your lips as his thumbs rubbed circles over your hips. “i-i still have to clean up. let me finish and then maybe we could—”

without another word, semi lets go of you and immediately starts getting to work, gathering up all the one-time-use disposable items and dumping them all in the trash. he moves quickly, rubbing down every nook and cranny of your station until it’s squeaky clean. your eyes widen at his state. it was clear he wanted to get this over with as fast as possible so he can finally have you all to himself.

did he really yearn for you this much?

in just a few minutes, the job is already done. clean and spotless and ready for tomorrow’s workday as semi gives you a hopeful look. “is that all?”

you hold back a smile as you motion towards the boxes stacked up near the entrance of the backroom, “i still have to put those away and then we’re all done for the day.”

the man doesn’t even let you finish as he’s already making his way down the hallway. There was no sign of hesitancy in his actions as he grabbed two of the boxes, one stacked on top of the other as he barged into the backroom. you follow him in with only one box in your hand as you placed them in their respective places on the large industrial shelving.

you let out a grunt as you picked up the last box and inserting it into its spot. you sigh, dusting your hands as you turn around to face semi, “alright, we’re all d—”

semi doesn’t hesitate for a second to push you up against the wall, his lips crashing into yours with such desperation and fervor. he had been anticipating this for the past two hours. from the moment he walked in, to the moment you finished tattooing him; all he wanted was you.

you moan into his lips, his hand cupping your jaw while the fingers of the other were already working their magic. his touch greatly juxtaposed the zeal in the way he kissed you deeply, dipping his tongue between your soft lips as his finger, slightly calloused from years of guitar playing, gently trailed their way up your shirt.

there was a brief moment where you had to pull away from him in order to catch your breath. chest rising and falling rapidly along with the quickening beat of your heart, semi dived down to your neck, marking you with dark red bruising to anywhere he had access to. his large palms rubbed your sides before squeezing at your breasts to elicit a pleasurable groan from you. the pent-up heat within you only built the more he played with your body, fingers flicking at your nipples.

“what happened to taking me back to your place?” you asked breathlessly.

“i couldn’t wait any longer,” he mutters on your warm skin, feeling his soft lips twitch into a lopsided grin as before you knew it, he was already tugging your shirt over your head. “jump,” he says and you don’t miss a beat.

he catches you quickly, hands palming your ass as he steers you towards one of the supply tables. pushing away loose items and paperwork off to the sides.

semi’s lips meet yours again as he fiddles with the button and zipper of your jeans, diving his hand inside. he palms your sex, the pads of his fingers teasing up and down your slit as his thumb rubs circular motions around your clit. your moan muffles into his shoulder, breathe heavy and uneven.

you couldn’t seem to catch your breath as he dipped two fingers into you, pumping them in and out slowly. it was a nice change of pace from earlier, and yet you couldn’t help but let out mewls of impatience as you ground your hips into his hand, desperate for more.

semi knew what the hell he was doing.

he was a musician after all. his entire career was literally built off of his innate ability to play the guitar that each expertly placed finger and movement that accompanied it was guaranteed to send waves of pleasure throughout your entire body. he was good at what he did and he knew it. he didn’t need to see the way you were shaking under him, coating his hand with your juices, or have to hear your addicting moans to know you felt so, so good.

“eugh, eita–” your breath hitches when he curls his fingers inside you, rubbing the spongy spot deep within you in the best way possible. you curse under your breath, savoring the pleasure as you felt your release coiling in your abdomen.

“you’re close aren’t you?” semi didn’t even have to ask to know as your walls tightened around him. you nod hastily, eyes coating in lust and the desire to feel the release as you look at him.

the look that you gave him as enough to send him over the edge, his thoughts blurring once he quickens his pace, his middle and ring finger pistoning in and out of you.

you let out a cry, practically trembling under him. “oh my god, oh my god.”

with his other hand, he finds your clit again, rubbing you over the edge. it was all too much. from the mixing cacophony of the most obscene and vulgar sounds of sex emanating from the backroom to the absolute thrill of how good semi was making you feel—you were ready to feel that euphoric glow.

“fuck,” you clawed at his shoulders, nails digging into his skin even through the fabric of his shirt. “shit, baby, i’m gonna—”

semi doesn’t mind the sting of your scratches at his body as he was too busy paying mind to you cumming all over his hand. gushing fluid escapes from you in waves as semi continues pumping his fingers in and out of you, his pace matching with the way your walls pulsated around him.

as you came down from your high, your arms that rested on the table to hold you up felt weak. almost immediately, your body slumps onto semi as he licks your pleasure off his fingers. you bury your face into the crook of his neck as you both stayed there for a few beats to catch your breaths, savoring the unique afterglow whenever you were with semi.

perhaps it wasn’t so bad doing this type of thing with him a bit more often. you didn’t mind what you had with him right now even if you two were just friends with benefits. you liked what you had now and asking for more would certainly cause a strain you don’t want to happen so soon.

your hand reaches up to run through his soft hair.

“hey,” you softly say. he only responds with a hum, “what about you?” you ask as your eyes cast down to the straining tent in his jeans.

he doesn’t answer. instead, he places a few kisses on your cheek and down to your neck before placing one of your lips. “let’s continue this at home, i have a surprise for you.”

general taglist: @yongboxerrr @rosepetalhaven @tvwhoresblog @tanakaslastbraincell @kellesvt @kitsunetea @anejuuuuoy

#haikyuu!!#haikyuu #haikyuu imagines #haikyuu scenarios #haikyuu x reader #haikyuu smut #haikyuu fluff #semi eita #semi x reader #semi scenarios #semi imagines #semi smut #semi fluff

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omegalomania · 3 years ago

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I think tumblr ate my ask or it just didn't sent but what are your favorite Bastille songs / what are some songs you recommend?

i did NOT get this ask im very sorry anon.

it's genuinely hard for me to narrow down cause bastille is pretty up there in terms of favorite artists. i love all their shit, but a special mention goes out to their second studio album wild world since it's the one that made me a Fan

uh so here's a primer i guess i spent too much time on this lmao.

if you wanna listen to their big hits:

flaws - their first single in the uk. if you ever listened to ship playlists on 8tracks in like 2013-2015 then you've probably heard this song or a variant on it at some point.

pompeii - this is the song that really put them on the map and you definitely know it. it dominated the charts all over the place.

happier - the marshmello song that you've definitely heard before too. i think bastille wrote this for justin bieber or some shit but then decided they liked it too much to give it to him? lmao. anyway if you're not digging the version you hear on the radio all the time i recommend trying the stripped down version

good grief - their big hit off their second album. big in the uk, didn't really make as many waves elsewhere, but it's a really solid song anyway. one of those "upbeat tunes that's actually really fucking sad" ones

things we lost in the fire - another one off their first album. if you live in a wildfire area this might not be one to turn to. or maybe you'll find it cathartic idk i certainly do!!

quarter past midnight - a song about escapism, as was fitting when it was released in 2018 and equally fitting now. running away for a night of fucking around with friends, craving any kind of brief departure from the chaos of the modern world

skulls - this one was not a hit or a single and is technically a bonus track but i'm including it because once again if you ever clicked on a ship playlist on 8tracks in like 2013-2015 you've heard this one. and you know what that was justified this one is also good

if you wanna feel existentially depressed:

their whole discography. i mean i kid but i also don't. that's just kind of how bastille does it. BUT IN ALL SERIOUSNESS ones that hit me in particular would beeee

two evils - kind of a grim, haunting one introspecting about morality of the self.

oblivion - musing about the afterlife, love, and how time changes all of us.

those nights - contemplating what it is we seek when we plunge into reckless escapism, and the inherent loneliness of it; how even when surrounded by people there's still the pressure of the world outside, continuously coming to pieces

the draw - this one was written about the pull of pursuing a career in music vs. staying home with family and friends. in a broader sense, it can apply to a lot of things. i always felt it resonated with feelings of paranoia and displacement

winter of our youth - discusses childhood, nostalgia, and regret. if it feels like everything's slipping away, is it easier to relive the past, especially if the past is tinted rose?

sleepsong - loneliness, desperation, and the cyclical, abyss-like nature of all it encapsulates

if you want discussion of serious topics:

final hour - a bonus track off their second album that also became a bonus track off their third album? anyway this song talks about climate change and gun control. happy stuff

doom days - this one talks about, uh, everything! doomscrolling, political divides, escalating national tensions, climate change again, etc.

the currents - a song centered on political rhetoric and the power that figureheads have over the masses, the way they can orchestrate hate. basically it's not so subtly aimed at donald trump lmao, dan's literally sung it as much in a few live settings

WHAT YOU GONNA DO??? - social media addiction and the way capitalism and corporate interests have annexed our online experiences, fighting desperately for our attention as they seek to monetize every available aspect of our lives

four walls (the ballad of perry smith) - well this one is about uh. perry smith. who was charged with the death penalty for killing 4 people in the late 50's. but it's less directly about him and more a discussion of the morality of the death penalty and capital punishment

snakes - burgeoning anxieties and the impulse to turn to easy outs, like ignorance or alcoholism, to escape the world's global problems

if you want some pop culture sprinkled on top:

icarus - greek mythology. i like this one because it addresses something that i feel isn't addressed enough in discussions of this myth, which is that icarus is a very young lad. less about the pride of the fall, and more about the inherent tragedy of that.

laura palmer - the whole song is a david lynch shoutout. i've never seen twin peaks myself but the song still slaps.

daniel in the den - christian mythology. discusses the biblical tale of daniel in the lion's den and links that up to themes of betrayal and family.

poet - this one's a double feature, referencing both william shakespeare's sonnet 18 and edmund spencer's sonnet 75. also one of my favorites.

send them off! - this is another one of my favorites of theirs. it's also been described by dan as "othello meets the exorcist" and it very much delivers there

if you want something uplifting:

joy - while bastille (understandably) has a bit of reputation as a band that makes sad music about sad things, they've definitely got some happier songs in their catalogue. pun intended cha ching. this one's one of their more straightforwardly happy tunes

survivin' - this was a song they wrote while they were touring and then felt weird about releasing once the panini hit because it felt a bit on the nose. they ended up releasing it anyway and i am so glad they did cause it's a mood

act of kindness - the "happy" part here is debatable but i'm gonna include it anyway. it’s when someone does something nice for you and that impulse Changes you way down deep you know???

warmth - one of those "the world's going to shit but at least we have each other" kinds of tunes

the anchor - one of those "the world's going to shit but you're the one fucking thing that's still keeping me here" kinds of tunes

give me the future - their latest single as of this writing and one of the more optimistic tracks in their catalogue imo! it's yearning, but it's also with a genuine hope for the future.

and LASTLY. because im going to take every chance i can to plug this band. im going to throw some collabs and covers at you because there's one thing this band does SUPER well and it's collabs and covers.

of the night - this is the big one. it mashes up rhythm of the night by corona and rhythm is a dancer by SNAP! and it's so good they still do this one live and it goes off every time.

no angels - a mashup of "no scrubs" by TLC and "angels" by the xx, poured into a strangely mournful tune with clips from the hitchcock movie psycho. doesn't sound like it should work but it does. kinda really does.

torn apart - with GRADES and lizzo no less!!! it's got two parts but they're both excellent listen to them both

weapon - collab with angel haze, dan priddy, and F*U*G*Z and one of my absolute favorites

remains - remix of their song "skulls" but featuring rag'n'bone man and skunk anansie that adds an entire new dimension to the song, really fucking excellent

old town road mashup - lil nas x's old town road meets lizzo's good as hell meets radiohead's talk show host meets talking heads' road to nowhere meets the osmond's crazy horse. "what the fuck that shouldn't work" i KNOW and yet here it is!! BLATANTLY BANGING!!!

we can't stop - one of the few times dan smith subtly changes the lyrics of the song he's covering (most of the time he opts to keep the original pronouns and the like, which is very nice to see). anyway this one mixes miley cyrus's we can't stop with eminem's lose yourself and billy ray cyrus's achy breaky heart. and also the lion king's i just can't wait to be king is there. yes i know it sounds batshit especially because the whole thing is surprisingly melodic and heartfelt and you know what it works.

anyone but me x nightmares - mashing up joy crookes' anyone but me with easy life's nightmares and absolutely one of my favorites.

bad guy mashup - how many songs can they include with the word "bad" in the title? we've got bad guy (billie eilish), bad decisions (bastille), bad romance (lady gaga), and bad blood (taylor swift). bastille even has a song called bad blood and they didnt use it. they used taylor swift's version. also the distinctive guitar riff from dick dale's misirlou is there.

somebody mashup - how many songs can they include with the word "some" in the title? someone like you (adele), somebody told me (the killers), somebody to love (queen), use somebody (kings of leon), and someone you loved (lewis capaldi). seriously these guys take mashups to a new level.

final song - this is a cover of MØ's final song. it also adds in craig david's 7 days and, impossibly enough, europe's final countdown. how does it work. how.

ALL RIGHT. THATS ALL IVE GOT IN ME. HOPE THIS HELPED ANON AND IM SORRY IF THIS IS TOO MUCH

#askin hours #anon #bastille #ill put this in the bastille tag why not #this is predominantly a fall out boy blog but if any bastille bloggers are out there....all like 20 of you....#i see the work u do in this fandom and i love u for it

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miraculouscontent · 4 years ago

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Always.

“Truth” is just... I mean, I want to say “garbage” but that doesn’t even do how bad it is justice? Like, okay, I take four major issues with it (my followers be like: just four? :P):

First is the writing in general and the continuity of it all. This episode looks like it’s been through multiple drafts and the final product is an amalgamation of a bunch of them with no coherency between any of them. I already could kind of guess it from the Adrimi kiss that the finale removed, but it’s obvious that there were going to be Adrimi/Lukanette arcs in Season 4 but then stuff happened (i.e: the staff being cowards) and they got cut. It’s totally possible that the plot with Jagged Stone being the father and Marinette having to keep secrets from Luka were still the same episode even in the original draft, but I imagine it at least wasn’t episode one.

There are other, more subtle hints as well, like the episode giving no time to Luka learning that Jagged is his father (making the fandom wonder if Luka remembered when he was Truth) and Ladybug being shocked when she realizes that the akuma is Luka as if she didn’t already see him be akumatized. Juleka also gets weirdly sidelined in the episode despite being Luka’s twin (Astruc has stated that both Luka and Juleka are older and Juleka got held back, which is why she’s in Marinette’s grade but Luka isn’t), so she’s Jagged’s offspring as well. One might presume that Juleka just never cared at all but that doesn’t mean she shouldn’t be allowed to interact directly with the guy or have any involvement at all. All it would’ve taken is for Luka to mention that Juleka never cared about who their father was but he did, thereby implying that Juleka’s reaction to Jagged would probably be more like, “oh okay.”

You know, if they didn’t reduce her to incoherent mumbling.

Second is the timing of this episode. We had the New York special with Paris being destroyed, but it’s clearly fine here (so I guess it isn’t canon now; thank God honestly), and while it’s technically possible that enough time has passed (supported by the vague implication that Marinette having to miss out on dates with Luka has gone on for a while, given Tom and Sabine’s lack of reaction to them dating), it’s not supported by Marinette examining the Miracle Box as if she’s only just gotten it.

There’s also Shadow Moth, where we’re shown an extended version of the scene from the end of “Miracle Queen” where Gabriel repairs the peacock miraculous, giving the episode a “Volpina”->”The Collector” vibe but then why are the events lining up the way they do???

The narrative also does a really bad job at showing us why Marinette is so strapped for time. She has guardian duties now but you’d think it’d balance out with her not having to go to Fu anymore for guardian training (you know, that thing we never saw but was said to be happening or at least that it was Fu’s intent to have it happen). You could argue that maybe Shadow Moth is more active, but then Chat Noir should be affected by this too; Ladybug states outright that she’s been busy and Chat Noir responds with something akin to, “oh I know, because you’re guardian,” which implies that it’s her guardian duties keeping her busy and Shadow Moth is just interrupting her dates specifically.

But we don’t even see what responsibilities she has added on as guardian. I knew the writers would make it so her being guardian was a hassle, but it’s the first episode of the series and we’ve gotten next to no answers for what being guardian actually adds.

It’s almost like this was a rushed first episode to break up the only thing that unambiguously made Marinette happy for the sake of bringing the love square back and needlessly making her suffer because the writers think it’s hilarious.

Speaking of which, the third thing thing is the comedy because--just--I hate the comedy in this show.

Like, just to start, there’s the kwami, who clearly begin with their mob mentality from the later episode of “Furious Fu” and all proceed to act like children. No, I didn’t expect them to all be wise (I mean, Xuppu exists and is very much not that, having been implied to be a fit for Kim who is known for being a total himbo), but I don’t expect them to all scatter like they do. Kaalki in particular, who was shown to be more poised and refined, blatantly reveals herself to a bunch of civilians just for the sake of Marinette freaking out and needing to make up an excuse.

Same with Alya and her friends. Marinette is panicking because of the kwami and Alya “deduces” (while shading Marinette so blatantly that it’s insulting) that Adrien must be there in her house which--maybe don’t SAY THAT OUT LOUD in case Adrien is literally in her room???). Then Marinette gets a call from Luka, shouts his name, and the girls do a complete 180 in support of Lukentte. It’s not like I’m not for them supporting whatever Marinette wants to do, but the shift is so sudden (and contradicts “Frozer”) that it gave me whiplash and the entire scene ends up being pointless since the girls still go with the “Marinette is in love with Adrien” thing when Truth asks them what Marinette’s secret is. Like, we could’ve gotten small, stupid secrets that everyone thought only they knew about Marinette, but instead it’s just the same thing over and over again (which makes no sense since, by the time Alya blabs the secret - which Alya has already told Nino before anyway - it’s no longer a secret therefore making the answer invalid).

Heck, the whole “secret” thing could’ve even been the people Truth shoots finding ways of answering his questions in a way that is technically telling the truth but also not really, such as if Anarka had answered the, “Who’s my father?” question with, “someone you know/someone famous,” so as to avoid saying that it’s Jagged Stone. It’s just boring seeing characters answer with whatever the asker wants to hear instead of being able to find a way around it.

And then there’s Chat Noir, who’s just--ugh.

Like--okay, I’m going to be extremely petty for a moment and just go off because I hate Chat Noir’s role in this entire episode. The Season 3 finale went out of its way to have Chat Noir be all like, “I have a girlfriend,” when it was a lie, and then Season 4 just parkours around Ladybug telling him that she’s dating (Ladybug clearly took no issue with Chat Noir telling her he’s dating so it’s not like she’s worried about issues there; she’s gotten on his case before in episodes like “Startrain” so there are exceptions) because they want to keep having him flirt and not be sAd because this is Marinette’s episode of suffering and Chat Noir actually having to face the reality that Ladybug is dating (not just in love with someone else) would’ve actually been interesting. Chat Noir gets tons of unnecessary screentime in the episode - mostly for the show to shove in LadyNoir shipping fuel - and then actively avoids telling him the obvious thing because he would’ve actually been forced to grow/develop/stop flirting.

It would’ve been so cute and sweet to see him awkwardly trying to flirt without overstepping boundaries (so more like banter than flirt) or - you know - actually try to support Ladybug and want her to be able to finish her dates by him offering to keep akuma/sentimonsters busy, but no, he’s just left in the dark.

The finale had Chat Noir supporting her (terribly but I digress) and then doesn’t do anything with it at the start of Season 4, meaning his support of her was completely meaningless and just there.

His first appearance is him pranking Ladybug when she’s already overstressed and busy, which comes off as super poor taste and I’m both glad he got splatted into that window for it but also upset because it’s screentime completely gone to waste, and of course it’s just a lead up to him guilting her by being like, “nooo the only thing that hurts me is when you leave me alone during patrol!”

I know he’s teasing (...probably) but it leaves a bad taste in my mouth because we know (well, I knew because I know how this show works) that Luka and Marinette were going to break up because of Marinette’s hectic schedule, so it just comes off as insensitive to joke about it, especially when Ladybug’s busy guardian status just serves as a reminder that Fu is gone.

Even when he’s protecting Ladybug from Truth’s questions by cutting in and asking a question of his own, of course he asks about himself to forcibly fish compliments out of Ladybug because she can’t lie to him, and of course they have Ladybug compliment his humor most of all as if that trait hasn’t nearly gotten them in danger multiple times and she’s been repeatedly annoyed when he decides to joke during the worst possible times. It’s as if the writers wanted to pat themselves on the back for their own comedy, so they had Ladybug be a mouthpiece to stroke Chat Noir’s ego.

He claims he won’t force a truth out of her and then literally forces her to say what her favorite things about him are. I acknowledge that this can be seen as me nitpicking but we went from the finale where Chat Noir actually stepped up and took charge (because Ladybug was stressed but I guess him doing anything useful is just whenever it serves the plot) to this where he’s back to flirting constantly and jamming in as much LadyNoir shipping fuel as physically possible. It’s not that he’s useless but he’s annoying and takes up space in an episode that’s supposed to be about Luka and Marinette.

And that leads us into the fourth thing, which is the break-up and just the treatment of Luka and Marinette in general. I could go on and on about how the Season 3 finale built up their relationship just to tear it down in the first episode of Season 4, but that’s not the main issue here.

Luka brought Marinette comfort. He made her happy. He never judged her. He was happy to just date her regardless of any conflicted feelings she might have because hey, who is he to complain if she wants to give him a try and who knows what’ll happen?

And the season couldn’t even give one moment of them being unambiguously happy without ruining or interrupting it. I was ready for the break-up and I was even ready for it to be the first episode but I wasn’t ready for it to be so bad.

Marinette’s Adrien pictures appear out of nowhere (again, makes no sense for the timeline) when they’ve been gone for basically all of Season 3 and even “The Puppeteer 2″ specifically which makes a direct reference to “Troublemaker,” the episode that purposefully overdid it with her pictures (”Truth” has more hanging up and clearly used “Troublemaker” as a reference, by the way). They’re just there for force the love square and Adrien into the episode as much as possible to remind the audience that Adrien breathes. There is literally no purpose to any mention of Adrien and bringing him up isn’t even relevant to Marinette and Luka’s break-up.

It’s just upsetting to know that the umbrella scene from “Origins” (which is already flawed in and of itself) kickstarts this whole thing. Adrien did basically nothing there except for clear up a misunderstanding and give Marinette an umbrella when his ride was a few meters away and Marinette’s house was just across the street, but that actives Marinette’s absolutely crippling crush on him that lasts for 3-4 seasons. Marinette is in this eternal struggle of not being allowed to grow and change because the writers think her stammering/crushing on Adrien is funny while actively punishing her for having this crush in the first place (again, like in the scene with Alya, which insults Marinette for her crush when she wasn’t even panicking over her crush).

It’s the same with Luka, and I can’t believe that it took me until this episode to realize that he and Marinette are both treated the same way: tormented by episodes for having a crush on someone. Episodes will go out of their way to forcibly insert Adrien into the plot to both humiliate Marinette and make Luka feel awkward when the episode isn’t supposed to be about Adrien at all. “Truth” is just “Desperada 2.0″ except Adrien is barely on screen at all and they still felt the need to name drop him constantly. The writers are so sensitive to the idea of people jumping onto another ship or forgetting that Adrien exists that they’ll find any possible way to include him.

“Silencer” knew better. “Silencer” knew that Marinette’s life didn’t have to revolve around the mere mention of Adrien’s name and that she had other interests/desires/traits outside of him. Adrien isn’t brought up once and it was great because the show didn’t feel the need (for once) to throw Adrien into an episode that he had nothing to do with.

Even if I was a love square shipper, I would feel insulted by “Truth” because one half of my ship kept getting name dropped and used as a tool to humiliate the other half, which makes it all the more eyeroll-worthy when the love square stans of the fandom praise this episode for breaking Lukanette up when--oh, wait, they didn’t even break up “because Adrien.”

And that ends up being the real thing here. The writers had to invent a reason for Marinette and Luka to break up. We already know that Jagged Stone being Luka’s dad is a retcon (not technically in the show’s canon but in information we heard about outside of it), so they shoved in Luka having issues about not knowing his father specifically so that he would be pushed over the edge when Marinette couldn’t tell him about her being Ladybug.

When Luka and Marinette were just together and hanging out, Adrien wasn’t mentioned once. Say whatever about the Adrien pictures being on the wall and Marinette’s stammering (she always says stupid stuff when she panics - especially stuff she doesn’t mean - so I’m not upset with her so much as the writing for having her mess up in that specific way), but the only time Marinette talks about Adrien at all in the episode is when someone else brings him up.

She goes on a date with Luka to the cinema and they were having a great time without Adrien involved at all. I know I already stressed this point in a previous post, but one of the reasons that I find Lukanette to be so amazing is because the show actually focuses on Marinette’s interests and doesn’t force her to be the writer’s mouthpiece for gushing about their sunshine boy a punching bag for comedy. In every Lukanette scene that doesn’t bring up Adrien/before Adrien shows up, Marinette is either praised, able to be happy, or is showing one of her interests that isn’t aDrIeN, and whereas Adrien being on-screen around Marinette usually just means that she’s gushing about/stammering around him with no development, Lukanette features us actually learning more about Luka or other characters.

“Captain Hardrock” - lets her bond with Luka over a shared interest in Jagged Stone, and Luka is established as a sort of empath who uses music as a way to speak for himself

“Frozer” - gets to practice ice skating with Luka, who is actually good at ice skating and also can tie laces despite not tying his own because he’s a rebel

“Desperada” - gets to try out guitar with Luka and we learn that Luka has been playing guitar for as long as he can remember

“Silencer” - showcases Marinette’s interest in fashion and properly introduces Kitty Section; has a plot featuring all of them together doing something not even remotely love-related and we get actual confirmation of Luka’s crush on Marinette, along with Marinette’s reaction (blushy+happy; just saying, idk how anyone could watch “Silencer” and not think that Marinette was crushing on Luka)

“Heart Hunter” - Marinette gets a song written for/about her and Luka is established to have a job

“Truth” - brings up Lukanette’s shared interest in Jagged Stone, features Marinette’s interest in fashion when she gives him a gift she made + had Jagged Stone sign, and shows her raising her voice but not being judged by Luka for it, who’s happy with her just the way he is

When the show focuses on Lukanette, it’s all about lifting Marinette up, praising her, and making her feel good. When Adrien is involved or it’s hyper-fixating on Marinette’s crush on him, it’s about bringing her down and making her feel bad for a crush they keep forcing her to hold onto and humiliating her for.

Point being, the writers had to force their way into getting Lukanette broken up because of their precious love square and the fact that Marinette and Luka being happy is the opposite of what they want.

It’s embarrassing to watch a team full of old white guys (I’m convinced at this point that they just hang their female writer on a coat hanger so they can point to her whenever someone says that their staff is too male-dominated) treat their female biracial lead with such disrespect, and I can only presume that the mistreatment of Luka is because he’s supportive of her and they don’t like that, meaning that the way she’s treated ends up rubbing off on him.

It doesn’t come off as a fun or interesting plot; it comes off as cruel. When Adrien is sad, he usually gets people rushing to comfort him (”Party Crasher,” “Gamer”), but “Truth” has Marinette in tears over the fact that she can’t have a boyfriend due to being Ladybug and the writing has the gall to crack jokes about Kaalki not knowing what tears are, and then Marinette has to ask for the kwami to hug her for comfort.

When Luka gets akumatized into Truth, the episode doesn’t even hesitate at bashing away at him, from everyone saying that Marinette’s secret is that she “loves Adrien” (which, as Truth points out, isn’t a secret, and they could’ve had this somehow lead up to a twist ending where Marinette actually isn’t into Adrien anymore and the Adrien pictures were genuinely for reference, but she stammered about it because it was embarrassing that her boyfriend got sent it with no context) to one of Luka’s favorite songs actually being about how Jagged abandoned him to go on tour. Luka has to deal with Marinette ditching him constantly (not that I blame her) and not knowing who his father is despite wanting to know, and the episode treats him like trash for... what? Having a crush on a girl who’s secretly Ladybug? Because that’s all it seems to come down to in the end.

I also have serious gripes with the fact that Marinette has this huge schedule established in “Gamer 2.0″ and they don’t even try to explain why she can’t use it to keep track of her obligations. The episode has her say (in a roundabout way but still) that she’s forgetting stuff constantly because of all of her emergencies (the emergencies of which are not stated and I hate the subtle implication that forgetting something means you don’t care about it when that’s clearly not how things work and also not what Marinette comes off as because - again - they establish that she’s overworked) but fails to properly explain it. The episode hammers away at Marinette having all these issues and even has Tikki chide Marinette by asking her about leaving Luka alone while apparently neglecting the fact that Marinette HAS to go be Ladybug right now and what else is there to even do??

Both Luka and Marinette are punished for just having a crush and wanting to be together and I hate that the episode forces a break-up instead of coming up with a solution to the problem. Instead of “Marinette isn’t ready for a romantic relationship,” it feels more like she’s just not allowed to be happy.

Long-distance relationships are a thing. Relationships where people don’t get to go on dates frequently are a thing. Instead of forcing a break-up, the episode could’ve had a lesson/development where Marinette is told that she’s allowed to pursue a relationship and just needs to plan accordingly. but they just didn’t want to.

For example: instead of planning dates, Marinette could wait until an akuma/sentimonster is defeated to call Luka and ask him out, because Hawk Moth usually doesn’t strike immediately after one is dealt with. I’m positive that Luka would happily take impromptu/sudden dates over planned-but-inconsclusive ones. Heck, they don’t even have to date specifically and can just stick to phone calls (kwami can’t be picked up on technology) or hanging out in Marinette’s room/on Marinette’s balcony while they do their thing.

Relationships are a commitment, but that doesn’t mean they have to be a burden, and the episode absolutely drags Marinette over it. The whole thing with the kwami being released and stressing her out when they’re not supposed to be able to just come out normally is explained away by, “oh, the new box must be like you, Marinette; full of surprises!” when the reality is just that the show wants to take away everything that’s sacred to Marinette. The Season 3 finale had Fu’s letter telling Marinette that “life doesn’t always give you what you want, but the real gift is life itself,” then proceeds to turn Marinette’s life into a living hell.

Her room? She has to say good-bye to her privacy because now the kwami are always going to be around. The first thing one of them (Trixx) did was start reading her diary, showing that they have absolutely no shame or regard for Marinette’s feelings.

Her schedule? Conveniently pops away into the realm of non-existence so she can look bad for ditching Chat Noir on patrol and neglecting dates with Luka due to her responsibilities/stress.

Her boyfriend, the one person in the entire show who loved her, respected her agency, never judged her, actually apologized when he made her sad, and who she was genuinely in love with rather than just having the equivalent of a celebrity crush for? She had to break up with him because plot and needing to force her to go back to fawning over the guy who has only made her life worse by her crushing on him.

When I say the universe hates Marinette, this is what I mean. It created random akuma to attack Paris all for the sake of forcing Marinette away from Luka, and apparently didn’t realize what they were doing in the scene where Marinette hurries back to the Liberty when Kitty Section and Adrien are playing together when Adrien is Chat Noir so he should’ve been late too.

(Oh, and Marinette completely ignores Adrien in favor of waving at Luka and even tells Luka outright that Adrien isn’t even a factor in their relationship issues, further proving the “multiple drafts smashed together” and “the Adrien name drops are pointless” points.)

The whole thing in “Backwarder” where it was basically outright stated that Marianne could’ve been Fu’s confidant had Marianne not been outed by Ladybug’s mistake? Completely forgotten and left to the wayside. Marinette could’ve told Luka that she was watching the Miracle Box in Ladybug’s place (for any number of reasons, really: either Ladybug thinks it’s too dangerous to keep with her, or if the public doesn’t know that Ladybug is guardian, then Marinette can just say that she’s guardian) and that she has to run off to keep guard of the Miracle Box when an akuma/sentimonster happens in case Ladybug needs a miraculous.

Boom, done, episode solved. Luka gets to help Marinette with the kwami, Marinette is less stressed because someone knows half of her secret, and Luka and Marinette continue to date but are able to plan around akuma attacks.

But no. That whole thing in “Backwarder” where guardians (or at least Fu) can have a confidant was just there so Marinette could feel guilty about screwing it all up, because she’s not able to take advantage of that perk herself.

How convenient.

#category: salt #category: critique #episode: Truth #other: ml spoilers #other: ask and answer #((This is mostly incoherent because I am very tired.))#((''In general or at the episode--'' Yes.))

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