#this is super long but?

[chimonai]

On Dahlia’s relationship with Iris. Her twin sister is possibly the only person she ever felt genuinely attached to. She may claim to dislike her, that she thinks of her as nothing but a nuisance and a backstabber, but this comes as the result of a long, complicated history between the two. Her attitude towards Iris during the Bridge case doesn’t reflect her original feelings. 

There are a lot of things that connect them. The shared experience of living under their narcissistic mother, the training to be spirit mediums, the many expectations that were piled onto them, the feelings of worthlessness and inadequacy come the realization they lacked any spiritual powers, and then eventually, life as a lesser member of the branch family. To Dahlia, no one but her sister will ever understand the dreariness of those days. Seeing how much tragedy and drama the Fey clan has produced, I think the overall atmosphere in the village was washed in competitiveness and resentment. If there were other young spirit mediums around ( prior to the DL-6 incident when clan members started to leave and pursued lives in the city instead ), the twins might’ve been target of ridicule and harassment. In the microcosm of Kurain Village, where a woman’s worth is measured in her spiritual prowess, the twins were without value. Dahlia certainly felt cursed.

That wasn’t a reason to complain though. Amidst all the horrible memories, there are a lot of pleasant ones too. Moments of togetherness despite ( or maybe even because of ) all the adversity they faced. Doing each other’s hair, reading their mother’s Senryū books together, sneaking off during training to explore the surrounding area, Dahlia stealing from American tourists on occasion and sharing her finds with Iris, watching the lights of the city in the distance and wondering what life was like down there and whether there was a place for them.

Their relationship delved into rocky territory only after they were separated as children. I don’t believe Dahlia convinced her father to abandon Iris at Hazakura Temple because she felt annoyed by her presence. Instead her action was motivated by the fear their father would return both of them to dreadful Kurain Village. It was an attempt to save herself from that possibility. She absolutely did not want to return, and so chose her own interest over that of her sister. Despite that, they kept in touch.

During the following years Dahlia kept confiding to Iris about her life, her plans, her crimes. At times her sister would assist, but rarely to Dahlia’s satisfaction. Uniquely, Iris was not a pawn, she was an accomplice, a partner in crime. She continued to be a part of her twin’s life, even when her efforts ( or lack thereof ) left Dahlia feeling betrayed. What would’ve been a death sentence for any other person, was simply, bitterly put up with. Iris wasn’t cut out for her sister’s demands, yet she was given another chance to redeem herself and prove her worth by returning an incriminating piece of evidence, the necklace that had been left in Phoenix’s possession. Dahlia was impressed by Iris’ plan, though doubtful; she had failed her before. Months passed and soon stretched into half a year before Dahlia finally had to admit to herself Iris wouldn’t retrieve what she had set out to. She had prioritized that man over her, her own sister. It was the final nail in the coffin of their slowly deteriorating siblingship. The final betrayal that would condemn Dahlia to the rope.

[michameinmicha]

Stumbled upon this random ship (in a fandom im not active in myself) that has like 150 works on ao3 which are all from just two people gifting each other fics about this pairing back and forth and theyve been doing it for 3 years... i think thats true love probably

[buzzrds]

here's my wonderful isopod child, handcrafted in leather

[therealraewest]

Laios cuts the tags outta his clothes like an autistic king confirmed

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[forgettable-au]

Come join the DTIYS!

HAPPY 6666 FOLLOWERS!! :D hehe Gaster number...

Woah...I know I say it a lot but... I'm super happy... A year ago I returned to working on this AU, in October actually!! So it really was a year ago :0! And since then, this account has grown SO MUCH! When I returned I was at 600 followers and now we're here AND THE COMIC IS ACTUALLY REAL! IT'S NOT JUST AN IDEA ANYMORE!! WOAH.... So happy to be finally sharing this with you all :D Thank you for sticking around!

Check the rules for the DTIYS below:

Okay so!!! DRAW THIS IN YOUR STYLE WOHOOO

RULES:

You can use the hashtag #forgettableDTIYS (I'm surprised that tag isn't used yet lol) And please tag me, I would love to see everything :D

You can change the perspective, poses, colors, as long as the main idea is still clear!

No tracing and no AI

There is no deadline! This isn't a competition, it's just for fun :D You can join whenever you want

Here's the background on it's own in case someone needs it hehe:

[bigfatbreak]

they both got bonked for being silly.

[fnafs-ex-boyfriend]

People shipping aroace characters because “uuu there’s no angst if no ship uuu” well fuck that because remember the “what the fuck is wrong with me” angst. Remember the “oh fuck this person likes me but I don’t like them back” angst. The “should I pretend to date this person so as not to hurt their feelings” angst. The

[adastrabbit]

go grandpa

[ink-the-artist]

Rabbits

Some bonus art, I initially started making this in a totally different art style but changed my mind about halfway through lmao, here are the parts I finished

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[caffeinewitchcraft]

The Fool Dies

Summary: You are a villain known for telling the future. When a Hero kills your right hand, you’ll let the future burn to get her back.

Hero Cowboy kills your henchman after you’ve already surrendered.

Gunshot silence, the scent of iron heavy in your nose, the crippling cold that floods your chest. All familiar sensations, companions you’ve carried with you since you even became a villain, but this time—

This time it’s…different.

You’re on your knees, the rock salt on the road digging into your kneecaps, with your hands above your head, the ghost of your signature smirk fading fast. The street isn’t empty. There are witnesses. The Hero pulls his punches when there are cameras and citizens and teammates. That’s what your plan says. He pulls his punches.

She asked if you were willing to bet her life on that and you said yes.

Your henchman’s body is stuck in the crumpled side of a car. You see her out of your peripheral, the pale oval of her face unencumbered by the mask you’d lovingly bestowed upon her six years ago. Cowboy backhanded it off of her as she was falling to her knees beside you. There is wet and red and twisted metal dancing foggily around her. The air is harsh and cold to breathe. The world is wavering as tears flood your eyes. You can’t blink them away. If you do, you won’t be able to see her just at the corner of your vision, you won’t be able to watch for a breath you already know won’t come, you’re afraid she’ll disappear—

“Clever to pretend to surrender,” the Hero says. He’s like a swan, spreading his arms out so the leather tassels lining the underside of his sleeves look like wings. He tips his head back so that the news cameras rushing in can catch the strength of his jaw under his wide-brimmed hat. She’d managed to singe it in the fight and the light catches in his blue eyes through the resulting hole. “Was it worth it, Prophetess? Was your attempt on my life worth the life of your sidekick?”

Snow falls, a few flakes here and there. The street is lit like the middle of the day thanks to the news cameras swarming out of the side streets now that the fight is over. The fire is being put out and thick curls of smoke rise from just beyond the gathering crowd of onlookers.

Your spellbook is lying a hundred feet away at the bottom of the lake. That’s why the Hero is flaunting himself in front of the cameras, trying to minimize her death at his hand. He did what he had to do. They were wrong, not him. Unfortunate but expected. The Hero always wins.

She’s gone.

The Fool. She always wanted a different name. But you were adamant she wouldn’t receive one until she earned one outside of her service to you. Until then, her name was a reflection of your journey. Your first step, foolish and unknowing, young and ignorant of the consequences. The name felt right when you called it and you never thought to question why. Only now can you taste your own cruel power in the decision. The power of prophecy spelled her fate out in front of you and, like always, you didn’t listen.

Your tattered cloak ripples in the breeze coming off the water. The vibrant purple is stained with soot and worse, the once smooth velvet charred and eaten away at by the Fire Cowboy’s flames.

They don’t remember that you surrendered before he struck. He’s dismissed your uncharacteristic action as an act, and so the world will too. The Prophetess always lies. Isn’t that the first line in your Hero Force file? The Prophetess has no powers of divination; she lies.

The world is magic. You believe it like the sun, like the earth, like the ocean—

--like her—

--and there is magic even here. The spell of your grief rises over your head like a shroud and, for a moment, you are drowning in the dark as the world heaves. You can taste the last cup of coffee she ever gave you going sour at the back of your mouth, the small daily comfort washing away under the metallic scent of her blood. There is a purple current around your thoughts, painful and biting. You will always be in this moment with her jester’s mask – cruel, you are so cruel – leering up at you, closer to your hands than her. How did you let her get so far out of reach?

Why didn’t you hold her close?

“I asked,” Cowboy says from directly in front of you, “if it was worth it?”

The world pulses back into purple focus. Cowboy is looming over you and the smoke of your battle rises into the night behind him. The media jockeys closer the longer you are silent and they’re inching around the car she’s lying against.

“Tell them to get away from her,” you say. Normal, your voice is so normal. Your arms are burning from holding your hands over your head and your neck aches from forcing yourself not to look. You are afraid your tears will fall if you blink so you stare at the gaudy belt buckle in front of your face. Your eyes are purple in the reflection and your face is as pale as hers. “P-please.”

Cowboy must kill all the time. He has no problem glancing towards the slowly gathering swarm and you can feel his eyes on her body as if they were on your own. “They’re trying to help her.”

“She’s beyond helping,” you say. Why would they even try? You can’t even look at her and you can tell that. “I don’t want anyone touching her.”

“They’re not monsters,” Cowboy says. There’s a scoff and then he’s crouching in front of you. He smells like singed leather. “Not like you.”

You’ve never seen the Hero this close. He’s older than you thought, only a few years shy of your age. His stubble is darkened with soot and his nose bears scars of past battles. His eyes—they’re not blue. You can see the edge of brown behind his contacts, the same deep brown as his mask.

“You killed her,” you say.

“No, you did.” He answers you so quickly it’s like he was waiting for those exact words. He tilts his head so the brim of his hat hides his lips in shadow. “She wouldn’t have died if it weren’t for you.”

He’s so confident that you nearly believe him. Your hands ache with phantom bruises from the blows and the weight of your sin falls onto your shoulders like the sky itself coming to rest there.

--------------.

 You see the trajectory of her life lined in gold. Her first day at your firm, her finding out your identity, her wavering in front of the window overlooking the Charlotte skyline as she admitted to knowing exactly who you are and how you’d been hiding more than your fair share of power all along.

That moment shines. She wasn’t the Fool then. She ripped her pencil skirt up the side as you debated her fate. When you asked her why, she said in case she needed to run.

“You would run from me?” you asked, eyebrow raised, conveying with expression alone how ridiculous you found the idea of her getting away was.

“I would,” she said. She grinned unhappily. “You can kill me, but you’ll break a sweat doing it.”

You laughed and held out your hand. When she took it, the outline of her life changed. No longer edged in gold. All black. A night sky all around her.

“You’re a fool for this,” you told her.

“The biggest one around,” she said, chagrined. Then she laughed with you.

You’ll never hear her laugh again.

----------.

There is a protocol for arresting a villain. Cowboy is already so outside of Hero Force code that it takes a while for things to be ready. He stands over you for the better part of an hour, smiling at the cameras, glaring you into submission, waving to the officers that eventually come to secure the scene.

An ambulance comes to take her body away. Only when they load her into it do you move. You watch the side of the vehicle like you can see through it. Cowboy tenses when it starts to drive away, but you don’t twitch. Her body isn’t her. If you start clinging to it now, you will never let her go.

“I know they call you Cowboy,” a woman drawls, “but you aren’t supposed to act like one.”

The reporters leap out of Strongwoman’s way. Barely five feet, Strongwoman is a super hero. Nobody is willing to get too close, regardless of how good and moral she is. The dark-haired woman is one of the few heroes who don’t wear a mask. No villain is stupid enough to think that makes her weak. Her dark eyes catalogue the scene quickly and efficiently. The ground rumbles as she approaches.

“Heat of battle,” Cowboy dismisses. His shoulders relax with another hero to support him and he shakes out his leather vest. Soot and snow falls from him. “Literally.”

“Hm.” Strongwoman finally turns the weight of her attention towards you. “Where’s her spellbook?”

“Bottom of the lake.”

“She hasn’t tried to summon it?”

“Her minion was in charge of that.”

Strongwoman’s voice whips. “We don’t call them minions.”

“Sorry.”

“You should be,” Strongwoman says. She folds her arms across her chest. She always gives the impression of being wrapped in armor and it takes you a moment to realize she’s wearing a tank top despite the cold. The muscles in her arms twitch. “That’s your third body this year.”

Cowboy hisses, eyes flying over her head towards the reporters. “Don’t—” A coalition of people in dark suits are already herding the media away. Cowboy’s lips thin. “Not in public.”

Strongwoman raises an eyebrow. She reaches down with one hand and hauls you up by the collar of your robes. “Fine. The car then.” She frowns at the way your hands hang by your sides. “You didn’t cuff her?”

“She doesn’t have her spellbook.”

“Protocol, Cow.”

“It’s Cowboy.”

“…”

“Shut up.”

“I didn’t say anything.”

Strongwoman cuffs your hands behind your back. The familiar sting of power suppressors races up your arms. The last time someone managed to get them on you, the Fool had to break them off once you escaped. You feel her breath against the shell of your ear and her voice whispers, Now who will do it for you?

Her memory is another spell on you. The edges of your life – dark and violently violet – cover your eyes so that you’re blind and deaf to the world around you. Once this new incantation runs its course, you’re sitting in the back of a Hero Force car. The grate between you and the front seat is closed. Beyond it, you can see Strongwoman at the wheel, shoulders vibrating with tension. Cowboy is sitting in the passenger seat like a petulant child.

You read their lips in the rearview mirror.

--review, Strongwoman says. Three. Three deaths on your hands.

This one was just a villain—

Tell that to Foresight. I beg you. See how he likes that excuse.

Cowboy changes tactics. You know the Prophetess is basically an S-Class—

Without her spellbook?

She had it for most of the fight.

Did she?

You lean your head back and close your eyes. Cowboy’s been operating alone for too long. They’ll likely stick him in probation and then transfer him to a hero team with an established leader. Maybe Atlas’ team in San Francisco or Light’s team in LA. Hell, if they really want to punish him, they’ll assign him to Omit’s team in Chicago. The guy’s the most righteous and the most powerless leader out there. Cowboy might actually become a villain if he’s forced to follow that guy’s lead.

“He’ll suffer,” you say in your prophecy voice.

A speaker crackles to life overhead. “No divination,” Cowboy snaps.

“I wasn’t talking about you,” you say.

“Prophetess lies,” Strongwoman says to Cowboy. “Remember, she always lies.”

“It’s still a threat—”

“Prophetess,” Strongwoman says. “Let’s go over next steps. When we get to Charlotte HQ, you’ll be taken to a secure floor where you’ll be asked to remove your mask. It’s important that you understand your identity will remain confidential until your loved ones can be secured—”

“He killed her,” you interrupt. You watch the ceiling of the car. “I can tell you my identity now if you’d like.”

There’s a pause. “That won’t be necessary,” Strongwoman says. Is it just you, or is her voice a little softer? “There is a proper course to this investigation.”

The way she says it makes it sound like she’s promising you something.

It’s like your mind is scrambling for connection to her. There is nothing in what Strongwoman says that reminds you of the Fool. And yet, as the car falls back into weighted silence, one word rings. Proper.

There is a proper way, the Fool whispers. You could fight this spell, but don’t. You sink into the car seat the best you can with your hands behind your back. Hear me out.

Please, you think. By all means.

------.

The first time you ask her to dinner, you’re too hasty. There’s blood on the hem of your robes (possibly a tooth) and the city is still screaming the sirens of your escape. The Fool isn’t shivering like the rest of your henchman; she is standing next to you. Her Jester’s mask is carefully secured with three exact ties despite the haste with which she put it on.

“I can never wear this skirt again,” she says. She is standing on the very edge of the building, the toes of her sensible work shoes a bare inch away from nothing. “This was my best work skirt.”

The city sparks with the purple of your magic, violet vines climbing the buildings and blocking your view of the street below. Your magic is mostly illusion, but all power leaves behind a mark. Where your spell has started to fade remains a charred outline of leaves and flowers against the concrete and stone of the buildings.

While the rest of your minions look a bit like chimney sweeps, the Fool remains untouched. It’s an obvious sign of favoritism; you had room for one other person underneath your cloak and you chose her.

Somehow the memory of her pressed against your side as she used her power to lift you both up to the rooftop makes you blush.

“You don’t have any residue on you,” you say. “You can stitch it up.”

She scoffs. At you. “It’s recognizable, Prophetess.”

It’s really not. The black pencil skirt is the same kind she wore when you first met. How many does she go through? You find yourself smiling at her bare thigh.  Since she first told you she knew who you were, you’ve seen her rip at least three.

“Something amuse you?” she asks. Her voice is short and snappish, the tone she uses when one of the other paralegals aren’t as thorough as they need to be with the briefs. She turns to face you so that the setting sun lights her outline in orange and pink and gold.

“Have dinner with me,” you say.

And for a moment, the hope of her saying yes is as blinding as the sun behind her. Her lips part and you imagine that her eyes widen behind her jester’s mask. A wind picks at the long strands of her hair, sending them fluttering around her like a halo, and you’re standing so close that one brushes your cheek.

“There is a proper way,” she says and then stops. Her right hand twitches at her side. “There is—” is she stuttering? “This isn’t—Prophetess.”

You’re fascinated. She’s always so precise with her words. Even when you threatened her all those months ago she never once floundered like she’s doing now. “Hmm?”

“Hear me out,” she says.

You nod. “Of course.” You lean forward so that you’re only inches away from her. “I’m listening.”

“This…is not the time,” she says. You feel her attention slide to the others and then back to you. She hisses when she finds you even closer. “Prophetess.”

You don’t want to push too hard.

You lean back onto your good leg. “You let me know when it is time,” you say. Your lips quirk. “My little Fool.”

“Oh my god,” she mutters. She turns sharply on her heel. “Get yourself off the roof. I’m going home.”

You watch as she steps off the roof without hesitation. Her telekinetic powers are unique in that they can work on people too. You usually rely on her to get you home.

Maybe you should have asked her afterwards…

You turn to your other minions. Low-level villains without the drive or power to execute their own heists who all owe you the same favor. You raise your brow. “So how are you lot getting me off this roof?”

“You’ve got legs,” the Ace of Swords says.

“I broke my left one,” you say. And, to prove you aren’t lying, you draw away your cape to show that your pant leg is soaked in red.

The Ace of Swords stares. “This is why she said no.”

“Was that what it sounded like to you?” you ask. His surety makes you frown. “For that, you get to carry me down.”

The Ace of Swords groans as the other Swords flee.

-----------.

Your Swords are not always Swords. Sometimes they are Pentacles or Wands or Cups. There’s meaning to the costuming you put your people through, a meaning that escapes Hero Force.

“Where are the others?” Cowboy growls at you over the interrogation table. He keeps aggressively tapping the photos he flung in front of you. Grainy shots of your Wands storming through the Christmas Parade you used as a cover to kidnap the Mayor, blurry screen grabs from security footage of them as Pentacles in the art museum, a delightful brochure featuring them as Cups in a reproduction of Macbeth you used to do some light money laundering. “If you tell us, we might cut you a deal. Six of your people are being prepared for interrogation right now. Want to bet who breaks first?”

The ghost of you smiles behind your dead eyes, leans forward, and sneers in Cowboy’s face. That version of you is delighted by Cowboy mistaking six people for twenty-four and wants to play the interrogation game he’s offering. But the real you feels as heavy as lead and it takes all your strength to watch as Cowboy slowly works his way into a frenzy.

“For too long you’ve been tormenting this city,” he says. He shakes a finger in your face. “I told Headquarters, I said you were a problem when you first showed up in Raleigh. I said, ‘This one is going to come to Charlotte and she’s going to show up with an army.’ I did. I said that and now you’ve got the largest crew in America.”

“Quite the fortune teller, aren’t you?” you murmur. The Fool is at the front of the brochure, all done up as Macbeth. You’d tried to get her to be Lady Macbeth, but she’d insisted she be the main character for once.

You don’t understand Macbeth, you’d said.

His name is the play, she argued.

Lady Macbeth is the mastermind.

Did you read the play?

Did you?

Neither of you had.

Cowboy slams his hand on the table. “Look, Prophetess, I’m the only chance you’ve got at a deal. As soon as those DC heroes get in here, it’s off the table.”

Ha.

“It would be convenient for you if there were no witnesses,” you observe. “More convenient if you get to them before the DC crowd.”

“Witnesses to what?” Cowboy blusters. But he draws back and his gaze is colder than the Hero Force air conditioning that’s already making this room glacial. “To justice?”

How dare he lie to you? Her pale face haunts your peripheral vision. You can see her in the window of the interrogation room.

“To murder,” you say. Your glares clash when you finally look up at him. The soot is still in his stubble and you imagine you can smell her blood coming from his singed leather vest. “She surrendered. We all saw it.”

“She was an A-rank villain with telekinetic powers strong enough to crush my skull,” Cowboy bites back. “I acted in self-defense.”

“With us both on our knees—”

Cowboy whips his arm across the table, scattering the photos of your people into the air. He slams his hand again. “Last chance. Tell me where the rest of your minions are!”

In your holding cells, you stupid—

“You’re a pathetic worm of a man,” you say. You clear your throat. “Sorry. Let me say it in a way you’ll understand.” You adopt your prophecy voice. “The dust Cowboy leaves behind is red, red as the blood on his hands. His golden star is stained—”

You see the blow coming. Not a prophecy, of course.

You just know what heroes do when their buttons are pushed.

-----.

The second time you ask her to dinner, you’re too stupid for her to say yes. It’s not your fault though. How could you have known the Mayor had superpowers? He didn’t do anything besides embezzle taxpayer money!

“Maybe,” she says tightly, dragging your leaden and paralyzed body through the grand halls of the mayoral house, “you could have done a single iota of research instead of sewing all those costumes.”

Feeling is coming back into your hands. They still ache from finishing the elf-themed Wand costumes you’d made for your employees. You think the group costume of Five of Wands came out particularly well. All those little elves holding giant candy cane wands…a perfect symbol for the tumultuous election Season. You flex your fingers and then wince when the Fool’s nails dig into the soft undersides of your arms. “Ouch. Could you—”

“I am not slowing down,” she says. She grunts as she slings you around another corner. “We need to get to the backyard. Ace is meeting us there with the chopper.”

“Such a waste of money,” you bemoan. The chopper had been Two’s idea and all she does is maintain it. She won’t let you fly it until you get your license. “We should’ve got a boat.”

“Great idea,” the Fool snarls. She adjusts her grip so her nails are now digging into your shoulders rather than your arms. “A giant vehicle we have to keep in the harbor. The heroes would never find that.”

“Okay, you have me there,” you say. Your words are crisper now and you can even push a little with your legs as she pulls you into the empty kitchen. “But consider this. I could take you to dinner on a yacht. I can’t take you to dinner on a helicopter.” She stops in her tracks, head whipping down to look at you. Your noses nearly touch. You grin dopily. “Hi.”

“Are you asking me to dinner right now,” she asks in a tone that tells you you’d better be careful with your answer.

She’s so pretty. That’s why you aren’t careful when you slur, “Yes.”

She drags you through the doorway into the backyard. “I sure hope it’s the drugs making you this stupid.”

“Hey—”

“Hey!”

Both of you look back towards the house to where the Mayor has just appeared. He’s wearing the smoking jacket he’d monologued in and the handkerchief he’d used to drug you is hanging limply in his grip.

He points at you. “You. You should be unconscious! Nobody escapes my venom!”

“Oh gross,” the Fool says. “Does he make the sedatives from his body?”

“From his sweat,” you affirm. Then, raising your voice over the growing sound of the chopper and her gagging, “Maybe you should sweat better drugs, huh?”

The Fool coughs and wheezes. You recognize a laugh in the sound. “Don’t antagonize—”

The Mayor bellows and sweat begins to drip from his forehead. He mops at it with his handkerchief and then advances across the grass. “Get back here!”

“Hahaha,” you say, “He was definitely a hero. I know how to push their buttons.”

It becomes a race to who gets to you first; the chopper or the Mayor.

As usual, the Fool wins.

-----.

Cowboy isn’t allowed in your room after hitting you in the face. You can feel him lurking in the hall outside when Strongwoman takes the seat across from you.

“That…wasn’t supposed to happen,” she says and pinches the bridge of her nose. She’s sitting on a special crate they brought in for her. It creaks when she leans forward. “Are you sure you don’t need medical attention?”

The Fool is the only one you let tend to your wounds. Blood stings your eye. Cowboy was wearing his rings when he hit you. “I’m fine.”

Strongwoman sighs through her nose. She’s short and stocky, dark hair and wide nose. There’s a beauty to her when she’s still and quiet. When she moves? She moves like a threat. “We need to know where your base is,” she says.

“Home is where the heart is,” you say. And you killed mine.

Strongwoman’s lips thin. “Look, if you want the guys who speak riddles, we can wait for them. Or you can answer my questions and maybe we can come to some sort of understanding.”

“Interesting offer.” You lean back and contemplate her. “You have my spell book.”

“Except that,” Strongwoman says immediately. She winces. “Sorry. You’re in custody. The spell book isn’t even on-site anymore.”

“Then you can take these off,” you say, nodding to your cuffs. Their faint glow is making you sick. “As a sign of good faith.”

“Tell me everything about your operation,” Strongwoman retorts. She shakes her head. “Nobody believes you’re harmless without your spellbook.”

“Cowboy does.”

“Cowboy is operating under a lot of false assumptions,” Strongwoman says. She leans forward to match you. “Like the one where you have over 30 lower-level villains working for you.”

“Oh?”

“We have six,” Strongwoman says. “Tell me where the rest are and we can negotiate.”

Ha. She doesn’t know either. You are so good at costuming. It’s not like your henchmen can multiply. There are always just six with you and it’s through your costumes that they transform. You’ll have to tell the Fool—

Your mood sours. Tell the Fool. Who’s the Fool now? You’re not in the mood to play games. “I tell you everything, you let me talk to those you have.”

“No—”

“I don’t know everything about them,” you snap. “You’re asking me to betray my people. Fine, I’ll do that. You lot will pry and pull and claw until you find out anyway. But allow me to give them the chance to tell you about whatever family or loved one they haven’t told me about. If I must take them down with me, at least let them beg Hero Force for leniency for their loved ones.”

Strongwoman considers you. “And what do you want in exchange?”

“Let,” you clear your throat. Your eyes are hot and itchy. “Let me have a moment with them. To mourn one of our own passing. To—” you clear your throat “-to lay the Fool to rest.”

The silence sticks to the walls and builds. It presses into you on all sides until you feel like you’re in a coffin. You once told her you would die with her.

Not allowed, ma’am. I don’t think we’d go to the same place.

You swallow hard and stare at your hands.

“Deal,” Strongwoman says finally.

“Thank you,” you say. Your head bows until your forehead presses against your shaking hands. “Thank you.”

“Cuffs will stay on,” Strongwoman says gruffly. She pulls out a pen and pad. The pen looks like it’s made of metal. “Start talking.”

You do.

-----------------.

The third time you ask her to dinner, she stares at you for a long time. It makes you nervous in a way you haven’t been before, her unrelenting stare. Is it because she’s usually so quick? Or could it be because you can feel her eyes on your bare face for the first time since she stood in your office and called you a villain?

The same office you’re currently standing in now as the sun sets behind her?

“I have concerns,” she says at last.

Oh thank god. You’re smiling too widely. “I can work with concerns.”

“Can you?” Her eyes flash gold with the sun. “You keep asking me out while we’re working,” she says.

You blink. “Do I?”

“You do.”

You consider her words, leaning back against your desk. You’re wearing your pinstriped suit today and it’s getting a little tight. She feeds you before and after every meeting you have and you have a lot of meetings. “I’m always working.”

“That’s true,” she says. She turns on her heel. “And that’s the concern.”

You stand up. “Wait, how is that—”

She stops at the door and turns to look at you in a way that steals your breath. “I am not work,” she says. Her lip twitches. “Nor am I a fool.”

“I know, you’re—”

“Ace says they’re already at the meeting place. According to your schedule, we’re running late.”

“We haven’t finished talking.” You try to sound firm, like you used to. Instead, the words come out as almost a plea. “We can be late.”

“You’re never late. Besides, I hear it’s going to be a regular rodeo.”

“Cowboy? Ha! When did he blow back into town?”

“His probation period is up.”

“Lucky us.”

-----.

Lucky us.

You Fool.

--------.

You look over the bowed heads of your employees. Ace, Two, Five, Eight, Ten, and Page. The room Strongwoman led you to looks like the cockpit of a spaceship. Noxious blue light undulates up the concave walls. There are no chairs in here, no pulpit for you to stand behind.

So your employees kneel when you walk between them all to stand in the very center.

“Prophetess,” Ace says. Her voice is thin and high. “We—I’m so sorry.”

Two looks up. Her face is drawn and there’s a deep bruise along the side of it. “We know how it is to lose.”

“You do,” you murmur. You’re aware of the eyes on you here. You saw Cowboy sneering in the observation room on the other side of this one. There are cameras scattered like black stars across the ceiling. “I know you do. But there is a renewal in Death. If—” you swallow hard “-if you allow it.”

You expect fear. What you’re asking of them has happened exactly six times. The favor they owe is not only to you, but to each other. Death is the complete annihilation of everything you know. It can be the end. Or it can be the beginning.

But it takes people to begin.

And you have asked them too many times before.

“Anything,” they say as one.

Your head shoots up. “What?”

Six of your employees – your friends – return your gaze unflinching.

“If I have to redo everything again, I will,” Ace says. She presses a hand over her heart. You know a picture of her son lies there. “Time doesn’t matter. We won’t lose anything but time.”

“We know we can rebuild,” Two says. Her eyes are fierce. “We can do it better.”

“You taught us how to do it better,” Five says.

“I thought you would’ve already done it,” Page says. He scratches the back of his head. “I didn’t eat lunch thinking you woulda done it by now.”

“You didn’t miss much,” Eight tells him. Then, to you, “You did it for us. Again and again and again—”

“—and again and again and again—”

Eight punches Page. “Shut up.” She breathes in through her nose. “Prophetess. It’s okay. We’re okay.”

“The memories you have made will only remain with you,” you remind them. Your hands are shaking. This—you have asked this favor for the sake of others. Did they feel this vulnerable asking? So hopeful and so full of dread. “It will be different. Time changes all and you who have experienced it—”

“—will be like fortune tellers in a strange new land,” Ace says. “We know.”

“We’re okay with it.”

“Are you?”

The time is approaching. You can hear voices outside the room. Ten minutes. She’d promised you thirty, but you figured they’d interrupt sooner. Especially considering what you’re saying.

You breathe in deeply through your nose. You think of her pencil skirt and her flashing eyes and her warm smile. The ghost of her pale face is fading into blackness as this curtain closes.

Your resolve firms. It was a bad ending. As a villain, you’re allowed to rewrite those.

“Tonight,” you say in your whispering voice, “we rebalance the deck.”

The blue in the room flickers. The voices in the corridor gain urgency. The cuffs around your wrist flare and then go dormant.

“I see my son a babe again,” Ace sings. Her eyes burn with your purple power as she brings her hands up towards you. The memory of the favor you granted her rises with her words. “I hold his hand.”

The blue flickers purple and electricity arcs. The Hero Force suppressors are to stop superpowers.

There is very little they can do against fate.

“I see the bus that takes them away,” Page says. He doesn’t sing. His voice is as dry as the desert and he salutes you. His hand glows against his temple. “They get on it.”

“I see my friend at the crossroads,” Two says. She holds her hands palm up and tilts her head to the sky. Tears of neon violet fall down her face. “I follow them.”

“The power I have falls into my hands like rain,” Eight says. She cups her hands in front of her and they fill with your power until it spills over onto the ground. “I drink from it.”

“The harm I caused erased,” Five says. He crosses his arms over his chest and bows his head. A halo the color of lilac blooms over his head. “I atone.”

“I do better,” Ten says simply.  They stand with their hands by their sides. Their eyes burn with your power and they do not flinch. “I don’t bury them.”

Your power crawls along the walls. There are no more blue arcs of power. There are purple flowers and thorns that leave shadows in their wake. They seal the door shut and you are distantly aware that Strongwoman is trying to smash her way inside and can’t.

Fate takes a different type of strength to overpower.

“I see her again,” you say. The tides of the world pull at your long hair. You are drowning in light. The ground shakes under your feet. You think of her life outlined in gold, yourself outlined in gold. Is it possible you can see it glittering there in the unrelenting ocean flooding into you? “I see her again.”

Thunder crashes and everything becomes nothing.

-----------.

You are at your desk. You blink at the pages lying before you. A brief. A case. From four years ago.

You release a trembling breath. You never doubted it would work but it’s a relief to see not so much time has passed. Ace will still share some memories with her son. Page will not have to sit by his brothers’ bedsides again. Ten won’t be trapped in her father’s house.

The rest…the rest will not expect your help. You didn’t help them the last three times. Cruel, maybe. Fate often is.

You think Two is in Charlotte at this point. She mentioned something about a halfway house…

You freeze grabbing your coat as familiar footsteps echo from the hall outside your door. The skyline is twinkling with city lights, but it’s nearly midnight. Nobody should be here, you don’t remember anyone being here at this time—

The door opens without a knock. Her hair is chopped beneath her ears and she has a lip piercing and there isn’t a pencil skirt to be found. But it’s her. It’s her.

“Anika,” you breathe.

Her gold eyes flick to you, to your desk, to your coat in your hand. “You working?”

“N-no,” you say. Your words pile up behind your teeth. Do you remember? Of course you do, otherwise how would you be here. But how? Did I infect you? Did the outline of my life really drag you into my power enough--

Anika waits. When you continue to stare at her, she prods, “I’m not your paralegal.”

“You don’t look like you’ve even finished your degree,” you blurt out. You point. “A lip piercing?”

Anika rubs her piercing. “I’m not the Fool,” Anika says patiently.

A light bulb goes off. “Oh,” you say. “Oh!” You get down on one knee. “Anika, will you marry me—” Anika throws her purse at you. It misses by about three feet. You stand and try again. “I mean, will you go to dinner with me?”

“Yes, I’ll go to dinner with you.” Anika rubs a hand over her face. “Everytime I give you an inch, you take a mile—"

“For the rest of our lives,” you promise.

Anika shakes a finger at you. “Dinner.”

“It’s a beginning,” you say cheerfully.

The best one you’ve ever had.

-------.

Thanks for reading! I do love my supervillain stories and appreciate you for making it through this one! Sometimes I wonder if I can even write flash fiction anymore haha

Next week's story is already up on my Patreon (X)! I'm super excited to share it as it made me laugh writing it. It's an AITA style post from a woman who used to be a Cryptid professionally and feels like she's made a misstep with her Slasher boyfriend.

See y'all next time!

[lunareel]

Was hoping to post this before the Mario movie dropped but oh well. 

I’m going to see it next week and I am so excited for it! 

[pangur-and-grim]

I had to go to a different veterinary clinic this weekend because my usual place is only open weekdays, and the vet was so rough with Grim, for no reason 🥲 like Grim was purring and trying to headbutt this lady and doing cute little meows (despite being so ill that she was gagging and mouth-breathing), and then this lady SCRUFFS HER to get her onto the scale. and continues to use excessive force in pinning her down for the examination. I've been to 12 years worth of vets with Grim, and I've never seen someone act this way. it was so stressful.

on the bright side thought, this vet was obviously component in other areas, because the meds are already working. she's on antibiotics and something to help her airways open (because the throat infection triggered pre-existing asthma), and it's obvious she feels so much more comfortable.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.