#this is such a cultural reset

[arinishi]

WE’VE DONE IT FRIENDS THE GAYS ARE FINALLY HAPPY !!!!

[mulderscully]

SUPERNATURAL | 1.01

[divineandmajesticinone]

4 MINUTES (2024) I 1.04

The first time.

[soapyakships]

shinonome sibs and their damn animals

[strawberrylind]

this gon be the first movie ever to sell one trillion tickets ‼️

[ziggystqrdust]

his name starts w a j & her name is a type of flower n u already know which one it is (bonus points if she has red hair)

or alt: the au where only one of them dies (harry was conceived in the car✊😔)

[pucksandpower]

Happy 12th “nothing, just an inchident” anniversary to all who celebrate!

[wackywest]

real

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.

[dadvans]

[vivienvalentino]

BEYONCÉ  — Crazy in Love (Feat. Jay-Z)  — Dangerously in Love (2003)

[sakuraspoke]

31 days of ghost // day 1 - first song you heard ⸸

The ancient serpent deceiver To masses standing in awe He will ascend to the heavens Above the stars of God Hell Satan, Archangelo Hell Satan, welcome Year Zero

[moliathh]

The Japanese VA of Alucard (Jouji Nakata) and Integra (Yoshiko Sakakibara) just met on the set of JJK and they greeted with the line of Alucard and Integra greeting at the ending of Hellsing:

"Welcome back"

"I'm home"

SOURCE:

(1st pic): explaination tweet

(2nd pic): Jouji Nakata's tweet

[mlc-melons]

Cheng Yi on wuxia fight scenes.

“my understanding of fight scenes, and i've talked about this with the director, is that a martial artist is a sage. if i fight you, why do i fight? i don't fight for the sake of fighting. it's more of a creative expression, it expresses a character's personality, it's a different state of mind. when the audience watches a fight scene, they (should) get why the character is fighting and what their state of mind is in that moment”

I first fell for Cheng Yi's acting in Love and Redemption. One of my favorite scenes is where Sifeng fights his evil self to escape from the Tower of Oblivion. He really doesn't stop serving face during fight scenes and treats it as another means of creative expression for the character. The desperation from Sifeng contrasting with the malicious glee from his evil self was just *chef's kiss*.

He does this in MLC as well where the brilliant fight choreographer + the actors were able to show the audience so many different flavors of fight scenes.

Winner-take-all (aka foreplay between 2 martial arts masters)

Clinical

Savage

Nonchalant

Self-indulgent

Cathartic

Contemplative

[lessnearthesun]

Happy birthday baby I love you forever 🖤

[toezier]

you wouldn't last an hour in the asylum where they raised me