#this is so long it even has an epilogue...

[morallygreychaoticneutral]

Astarion prefers monogamy.

Again, simply my cup of thought tea steeped from my game experience. Its not everyone's drink. No shame, no blame, it's your game. Warning for triggers and spoilers.

*added note due to misunderstandings.

Please notice I said "prefers monogamy" not "is monogamous". He may be up for added partners later on down the line. But definitely not any time before the epilogue in my world.

So, why do I think he prefers monogamy?

Take..

"Iv never had anyone. Not really. Nothing that compares to you."

And mix that with...

"I had nothing for so very long. NOTHING! Not even my own body!"

And add..

"You're you. Nobody is like that."

Plus countless other comments and actions and you get a bowl full of elf who just wants something for himself only for a change.

Centuries of being forced to give up or share everything. His possessions, his person, his own thoughts. Nothing to claim as own that no one else could take or touch at any moment. I'm sure if anything was given to him, he had to fight to keep it.

I think, he would be a bit possessive of anything he could claim as his own.

You are a gift to him. Something rare and special beyond words. I highly doubt he would be willing to share anything you are sharing with him outside of friendship. I could even see him getting fussy about strangers touching you. Moving you away or putting himself physically between you and whomever just touched you without asking.

Hells, even ascended Astarion isn't 100% game to share.

"As much as I wish to sequester you in a deep chamber of my palace and keep you all to myself...there is much to be done."

But, what about Halsin? He says he's fine with it.

Is he? Or is he people pleasing?

If he had said something along the lines of,

"Oh? He wants to share does he? Of course he does. I'm not up for such activities just yet, but you are free to have as much Halsin as you wish. "

I would have gone on that bear hunt, but he doesn't.

He askes you if you are wanting to sleep with Halsin because he has not been able to meet your sexual needs. And I interpreted that as he's vulnerable and worried he's being replaced for not putting out.

Imagine you had asked your lover to not to look to you for sex for reasons you are working out. They agree and you are just relieved as hell about it.

"You were patient. You cared."

Then they come along later down the line and say they are thinking about having sex with a friend. Where would your mind go?

I would bet hard gold he weighed the options in his head. "If I don't let them do this, they might leave me for good. But if I allow it, they wont have an immediate reason to leave. Halsin is the safest option given his experience."

And what's the best way to feel less awful about a situation we cant control? Create a counter situation where we gaslight ourselves into thinking its fine.

Wheeee!

I'm not saying Halsin's offer was bad, it was perfectly fine, it was just poorly placed in the grand scheme of things. If you and Astarion were having fun again before he suggested being an extra, then it would have been easier to believe he was really fine with it.

If they wanted Astarion to be a poly partner they needed to write it better. Shadowheart makes more sense as pro poly than he does.

So for me, Astarion is a one on one elf.

I am not against polyamory. I am not trying to take representation away. I am not shaming anybody for their choices. There is just not enough specific content to support it fully FOR ME. I was actually excited at the idea of having two partners in my fantasy world. Halsin was very clear and very specific about being on board. Astarion was not. And the choice did not feel right. Add a line somewhere for Astarion where he says "Im perfectly fine with sharing, darling. As long as it is discussed and we are in agreement of course." I will happily be on board with it.

[birbleafs]

I really like how Alhaitham hung around long enough to listen to Kaveh’s concerns about Mehrak's disappearance, even listening to Kaveh discuss his candy tower designs—and all this when he's actually supposed to be busy working. And at one point, Alhaitham even led the way to the tavern Kaveh was supposed to meet the others, and he only left after Mehrak returned and Kaveh was feeling better true love lol. The popular interpretation that I've seen mostly on twitter is that Alhaitham had intentionally used work as an excuse to go all the way to Port Ormos simply because he knew Kaveh would be there, and that Alhaitham had set it all up just so that Kaveh would "accidentally" run into him. While that's seemingly plausible, I personally don't think that was the case here and would posit a different reading. Port Ormos may be quite a distance from Sumeru City but most of it is still under supervision and jurisdiction of the Akademiya. That is the main purpose of Wikala Funduq as the Akademiya's trading hub office, after all, to monitor trade and travel activity in and out of the port. I imagine that Alhaitham makes work trips to Port Ormos off and on, probably to collect research findings/materials from Wikala Funduq for further documentation and record-keeping, or perhaps to deliver trade ordinances he'd drafted out under the Akademiya's directives. There are also lines we can read on the Port Ormos bulletin board and NPC dialogues from the ship maintenance workers and the fishermen (Kira) that suggest Alhaitham visits Port Ormos enough for the locals to recognise him as the Akademiya's Scribe. So, presumably, Alhaitham was indeed there for work in this instance, and that Kaveh did indeed run into him by chance. And to be honest, I find this exceedingly funnier because Alhaitham has a reputation (which he's smug about) within the Akademiya for being someone who is extremely difficult to find, especially when he doesn't want to be found. But no matter how many times he manages to slip off and hide away like a cat, Kaveh is almost always that one person who can still serendipitously bump into him—either because Kaveh knows Alhaitham and his habits well enough to accurately guess where he would be hiding away or simply because the universe just cosmically wills it to be so LOL. (The other two instances I can recall where Alhaitham had gone off somewhere but Kaveh still finds him easily happened in Act 5 of the Sumeru AQ and the epilogue cutscene of An Odd Textual Mystery WQ. Including this one in the Sabzeruz Festival event, that makes it a total three times we see this happening in game canon). Anyway, I digressed hhjsdjsd but my original point was: Alhaitham didn't really have to accompany Kaveh to the meeting point at all. He could have just stayed put while they were talking in the streets. But no, Alhaitham decided to continue walking down the path while Kaveh was flustered, leading the way towards Djafar Tavern. And Alhaitham only turned around and went the opposite direction after Mehrak finally appeared and once Tighnari arrived. He stayed with Kaveh long enough until Kaveh's mood improved and until he was certain that Kaveh was reassured, and only then did he decide to head back to Sumeru City. I just think that's a nice subtle detail to demonstrate how Alhaitham looks out and cares for Kaveh in his own way :__)

[rambleonwaywardson]

Clegan Astronaut AU - Epilogue

Masterpost Read on AO3

AU Summary: the boys as modern day NASA astronauts. Taking place in 2025, Bucky is heading to the moon as mission commander of Artemis III while Buck is CAPCOM at NASA. Established relationship (obnoxiously in love).

Author's Note: We made it. Thank you a million times over to every single one of you who has engaged with this story. It means a lot to have you along for the ride.

---

Something funny happens when you fly faster than the speed of sound, nothing but a hunk of metal separating you from the sky. Time doesn’t seem to work right anymore; everything can move slow and fast all at once. You take a breath. It feels peaceful, somehow. Sacred. 

Even when you pull so many Gs that it presses a stone to your chest and strangles your lungs until they burn, as long as you can push through the tunnel vision and the dizziness, suddenly everything becomes clearer. Perspective, some might say. Others just call it exhilaration. Freedom. The feeling of being alive.

Bucky Egan is seriously addicted to that feeling. For months now, he’s gone without it. He spends more time than he should standing out at JSC’s Ellington Field, closing his eyes and breathing deeply as other astronauts perform flight tests and training exercises overhead. He listens to the rumbling sounds of the jets, wondering if he’ll ever be up there again. Free.

A jet, a prop plane, a space capsule. He’d take any one of them, really, if he can’t have all of them anymore. 

Some things are written in stone. Bucky knew seemingly out of the womb that he wanted to fly. He wouldn’t settle for anything else, wouldn’t settle at all. He was going to become an Air Force pilot, and then – once he learned that there were real people flying aboard something called the Space Station, orbiting around the planet 16 times per day – he was going to become an astronaut. From the very second he even knew it was an option, he wanted his feet to be off of this Earth. He wanted to feel what it felt like. He wanted to see what it looked like. He wanted to hear what it sounded like. 

He wanted all of it, and he never much minded the risk. Flight, after all, was his first love, and Bucky Egan will do just about anything for what he loves. A part of him always figured, if he had to die, he wanted it to be in the sky. If he had to die, it would be worth it, as long as flight was what claimed his life. Commit his soul to the stars, a supernova in the dark.

But then, of course, there was Gale. 

The night they met, two young boys standing awkwardly in a college dorm, Gale told Bucky that he didn’t intend to be an astronaut. He had Bucky wrapped around his finger from that very first smile, but he wanted to become an engineer for the Air Force. Maybe, if he got lucky, work his way into NASA’s space program. Someone back home to keep his feet on the ground may have done John Egan some good. But, in the end, it was him that looked at Gale and told him that all of that was bull. It was Bucky that pulled him along with strings tied to their hearts, convinced him to just give it all a shot – what’d he have to lose? And here he is, nearly two decades later, an everyday flyboy.

This life they’ve built, orbiting one another like a binary star system, is greater than any adventure Bucky ever could have imagined. The way he’s lived it, he figures he’s lucky he’s made it as far as he has. He’s lucky to be alive after that little stunt on the moon. He’s lucky to have the most amazing husband this side of the universe. He’s damn lucky for all of it. Maybe he’s a fool to ask for more.

But he’s not ready to keep his feet on the ground.

Not yet.

—

July 17, 2026 Houston, TX

Admittedly, this was maybe not Bucky’s brightest plan, taking a video call in the dimly lit Orion cabin, where he has to lay on his back, legs elevated, staring up at a brightly lit screen. He can feel a bit of a headache coming on, and he isn’t sure if the vague throbbing in his leg is real or just a figment of his haywire imagination. He might be losing feeling in his feet; he isn’t really sure. Is he setting himself up for failure? Maybe. This afternoon he needs to be in top form, or at least as close to it as he can get. But he’s committed now, and he’s too stubborn to move.

So here he is in the mock-up, like any other mission sim, tucked into his commander’s seat. Or, really, he supposes it’s Gale’s now. The Artemis 4 crew has been doing their fair share of sims in recent months, and Gale has been pulling longer and longer hours as they get closer to launch, as Bucky needs him at his side less and less.

Maybe that’s exactly why Bucky’s sitting here now. To feel close to his husband during a time when their careers, as usual, tend to pull them apart. Or maybe he’s sitting here because he needs the reminder, a silent dedication to who he is, what he’s meant to be doing, what he so badly needs to keep striving for.

Or maybe, he’s only sitting here because the seat of a cockpit is always where he’s felt the safest.

Safe isn’t the right word. 

In control, maybe. Most like himself. A cockpit is always where he’s best understood the world around him: sky above, Earth below, his heart strangled with a love for the unknown. The Orion capsule is another home to him. Things might go wrong – sometimes horribly, horribly wrong – but everything about it was constructed and tested with the singular goal of helping Bucky and his crew break boundaries, make history. Every single thing about it is so specific, so familiar, so carefully planned and crafted. John Egan knows this spacecraft better than he knows himself. In the chaos that is his life, it’s the capsule that carried him away from this planet that best keeps him grounded.

So he sits, laying on his back in the commander’s seat that once was his and is now Gale’s. He doesn’t really remember the process of getting here, but he remembers the intense need to be here, like he didn’t have a single other choice. When he first answered Gale’s video call, his husband stared at him for a long moment, then laughed and said something about “only John Egan has an emotional support spacecraft.” He didn’t say anything about how strange it is, considering Bucky almost died in this spacecraft. Maybe, in some weird, fucked up, convoluted way that he’ll have to talk to his therapist about later, that’s one reason he finds being in this tiny space so reassuring.

He’s not a psychologist. He’s hardly even an astronaut.

In any case, fully convinced that this was exactly where he needed to be to call his husband today – a day that has his nerves all shaken up like a can of soda – he duct taped his phone to the console above his head so that he can look at Gale without having to hold it up above his face the whole time. It fell and smacked him squarely on the nose once at the beginning of the call, but it’s been holding well enough since then. 

He doesn’t know how long they’ve been talking. Surely it’s been longer than they’d scheduled for, and someone’s gotta be looking for him by now, grabbing onto unassuming JSC employees and asking in a mild panic “Have you seen Major Egan?” Gale’s crew is no doubt waiting for him, too, perhaps just out of view of the camera, reminding him that they have to get started on some task or another. A part of Bucky feels guilty for holding Gale up for so long, but the rest of him needs this desperately.

This is the first time since Bucky splashed down in the Pacific last November that they’ve been apart for more than even a day. Scratch that, for more than 12 hours. Gale has stayed at his side, for better or worse, since the night he first laid eyes on Bucky again in the hospital. It feels like forever ago, and yet it feels like yesterday. Sometimes Bucky still wakes up convinced he’s dying, convinced that his hands don’t work, phantom pain burning through his leg, unable to speak. 

It was a long winter, and a long spring. Bucky has gaps admittedly, times when the brain fog whisked him away from reality, made it hard to stay in the moment, hard to figure out what was real. It all but disappeared with time, thankfully. He still has a moment here and there, especially when he first wakes up or if he’s stressed or nervous (not that he’ll admit to anyone but Gale that he’s even capable of being nervous), but they’re becoming less and less common.

Getting that leg to heal was a complete bitch. Turns out micro- and zero-gravity aren’t very kind to broken bones. Eventually the cast came off, and he progressed to a brace, walking with a cane, slowly, slowly working toward walking on his own again.

Gale was there the whole time. Holding him up, steadying him, cheering him on, taking the brunt of Bucky’s frustration and fear. No matter how many times Bucky lost his temper or wanted to give up or refused to get out of bed or go to PT or OT or his CT scans, Gale stayed. Gale didn’t give up on him. Gale loved him through it all.

It’s July now. Almost eight whole months since Bucky fell to this Earth, broken and barely breathing under a bright Pacific sky. It’s the dog days of summer, long and hot and busy as ever here at JSC. Gale has been gone for six whole days, training in Iceland with the Artemis 4 crew. Weirdly enough, the volcanic, rocky landscape of Iceland’s arctic desert is a perfect training ground for astronauts headed to the moon, and it has acted as such since the Apollo days. With Artemis in full swing, NASA has started sending the lunar crews out there again to conduct simulated missions that mimic what they’ll be faced with on the lunar surface.

Bucky misses those days, training and bonding with his crew – his best friends – as they bounded across the dark, eerie Icelandic rock in fake moon gear, out of their minds with excitement for what they were training to do. He’s spent much of this video call asking Gale about Iceland and their simulated missions, half wanting to relive it and half hoping maybe Gale would forget why Bucky wanted to call so bad in the first place. He can see on Gale’s face that he’s failing.

Sure enough, after indulging him for longer than Bucky honestly expected, Gale sighs and tilts his head, raising an eyebrow. “How do you feel?”

Bucky doesn’t quite know what Gale means when he asks this. The implications have changed so much over the years. 

In college, he’d ask Bucky How do you feel? when he woke up with a hangover after a night of drinking too much with their friends. Or that time he got terribly sick in the middle of midterm season and shoved through a Statics exam with a fever. When he pulled an all-nighter trying to finish a class project. When he passed Thermo by the skin of his teeth. From the first day of classes to the day they graduated.

How do you feel?

As young adults in the Air Force, or at NASA, he’d ask Bucky how he felt before going up for a mission or a training exercise. Or after survival training in the desert, wandering to the finish line dehydrated and sunburnt but alive and ahead of the rest of their astronaut class. He’d ask him after long training days or messy flights or after they’d been apart for days, weeks, months. He asked him when they both sat, shell-shocked, after losing a friend in the flames of a crash landing. How do you feel?

Before their wedding day, when Bucky was terrified of their future but knew without a doubt this was everything he ever wanted, Gale asked him, How do you feel?

During quarantine. Before the launch. On the pad. How do you feel?

Every day over CAPCOM or video call. Even when Bucky couldn’t hear him, couldn’t say anything back. How do you feel?

When Bucky came home, Gale would ask him that question several times a day. It was tough; there’s no use lying. There were times Bucky wanted to give up, couldn’t bring himself to leave the house or do much of anything. It was painful and it was confusing and it was messy, and sometimes all Bucky could do was stew in silence or, once or twice, tell Gale to fuck off. But every time his awareness drifted or he had to be moved with his bum leg, every time he woke up in pain or had to be left alone for any period of time, Gale, his voice gentle and concerned and so full of love, would ask him, How do you feel?

So what does he mean now?

Bucky doesn’t know how he feels. He should feel good. Excited. It’s about damn time this day came around. He’s John fucking Egan, not afraid of anything, born for the sky. He should feel as sure of himself as the day he climbed aboard the SLS.

So why doesn’t he?

He is excited. Don’t get him wrong. He’s been waiting for this since he woke up in a Houston hospital. But there’s a pit in his stomach and a weird, fluttery feeling in his chest and a weight settling over his shoulders that he can’t seem to shake.

He doesn’t know how he’s supposed to feel. He wants it to be the same as it was before. But it isn’t. It can’t be. 

Not anymore. 

“I’m fine.”

Gale frowns in that concerned, knowing way that he does. He looks so soft now, comfy in Bucky’s Yankees sweatshirt with his hair messy, no doubt fresh from debriefing after a ‘mission’ or about ready to get prepped for another. But Bucky squirms and looks away from his gaze; it sees right through him. It always has. 

“Try again,” Gale insists.

“I’m…” Bucky feels a weird phantom twinge in his leg. Blinks and it goes away. He rolls his eyes. At the question? At himself? Get it together. “I’m fuckin’ nervous,” he admits uncomfortably. “Of course I’m fuckin’ nervous, Buck. What if I get out there and…”

What if I get out there and I can’t do it anymore? What if I can’t handle it? Physically. Mentally. What if today just proves what we were all so worried about months ago: Bucky Egan is grounded. For good. 

“Fuck.” He can’t say any of it, can’t risk speaking the death of his career into existence. The melodramatic part of him thinks the bugler might as well start playing Taps right damn now if today doesn’t go his way. Fold up a flag and present it to Gale as the jets fly overhead.

He can only imagine the way Gale would frown and grit his teeth if Bucky said such a thing out loud.

His husband full well knows what Bucky means, though, and he’s quiet, thinking it over. Bucky can see half formed placations tumbling through his head like desperate dreams running on fumes. But eventually, he says, “it’s gonna be okay, John.” His voice is careful and easy, and he doesn’t even sound like he’s faking it. 

It makes Bucky’s heart clench.

“Gale,” he whispers, and he hates how vulnerable his voice sounds. It rings in his ears, echoing back and forth and back and forth as he roughly scrubs a hand over his eyes, squeezing them shut tight. 

He’s always felt most in control inside of a cockpit. He knows the way an aircraft moves better than he knows anything or anyone on this Earth, except maybe his husband. Flight makes him know who he is, gives him his metaphorical wings. And yet he’s also never felt more out of control than he has in a cockpit. 

If he goes up there, he has no idea what’ll happen. He has no idea what his body will do when it gets crushed into the seat by several times the force of gravity. He has no idea if the thing that used to lift him up will carry him again, or if it’ll spit him onto the ground in a pathetic heap of has-been.

So how is he supposed to feel right now?

Starbursts of pain color Bucky’s vision. Skull-splitting. All-consuming. It’s burning him alive from the inside out like a physical force trying to rip him apart. He thinks falling into a black hole would hurt less.

He feels sick. The G forces are too much.

He can’t think a coherent thought that isn’t something along the lines of ‘please make it stop.’ Somewhere, deep in his brain that won’t work, he hates himself for that. Knows he should be better.

And out of all of that – this crushing, crunching, nausea-inducing pain that has Curt yelling at him not to throw up in his suit – the words that pop up into his head like a cartoon thought bubble are “the Big Crunch.” 

It’s Gale’s favorite theory for how the universe might end. Because Gale is a space physics nerd that has a favorite theory for how the universe might end.

It’s like the opposite of the Big Bang – an exploding outward from an infinitesimal point, 0 to 73.3 kilometers per second per megaparsec in about a trillionth of a second flat. The Big Crunch would be an imploding inward, a collapsing into a single infinitesimal point at a similarly impossible to comprehend rate. Theoretically, this point could be anywhere in the universe.

John wonders if that would feel something like how he feels – crunching, disconnecting, reconnecting, blinding, unbearable. He sort of wishes it would just happen right now, with that point somewhere in this spacecraft. He’ll take the whole universe down with him. He doesn’t really mind, if it’ll make this stop.

“Gale?” He finds himself crying out the only word he can get past his lips. The only word that matters. The only word that can come remotely close to making any of this better. 

“Gale?”

Why won’t it work? Why won’t Gale save him?

He’s getting more desperate. Please. 

“Gale?”

“John? You with me?”

Bucky blinks. He looks back at his phone, sees Gale’s face, all worried and shit. It makes his heart sink, because Gale’s been looking at him like that a lot in recent months. Today is a big day, and Bucky knows Gale is worrying he won’t be able to handle it. He also knows that Gale feels guilty for worrying he can’t handle it. 

But Bucky’s worried, too.

“I wish you were here.” He says these words so quietly he isn’t sure Gale will hear them. He isn’t sure he wants Gale to hear them. He looks away from the phone as he says it, feeling too vulnerable and too raw on this day when he’s supposed to be Major John Egan: cool, cocky, composed. 

He can pretend for everyone else. Everyone besides Gale. He’ll tell them that he’s ready, even if he isn’t.

He won’t ever be ready until he does it anyway.

The lights are dim around him. In the glow of the console in front of his face, he strokes his fingers gently over the tactile buttons beside the screen. They feel so familiar; he thinks he could press one with his eyes closed and know exactly what it would do.

“I wish I was, too.” Gale’s voice comes back soft and real, bringing Bucky’s attention back to his phone screen. The way Gale’s face is so open and genuine – so unlike what the rest of the world gets to see of him, with a crooked half-smile half-frown accentuating the mix of emotions in his eyes, wide and searching Bucky’s for some answer he doesn’t have – makes Bucky want to pull him through the screen and hug him tight.

He wants Gale to hug him tight. He wants Gale to pull his feet back down to this planet and tell him he’s safe and protect him from everything that has hurt him so badly. He wants Gale to make sure the stars keep burning at night and the world keeps turning and the darkness doesn’t swallow them whole. He wants Gale to quiet the buzzing in his brain and the ringing in his ears. The little voice that’s telling him he can’t do it, can’t do any of it. He wants Gale to come home right damn now and make all of it go away.

But Gale won’t do that. Because he knows that, right this very moment, Bucky needs to climb the rest of the way up this mountain. He needs to stand at the top himself in order to understand that he can do it, he can make it. Gale can’t do anything but stand beside him.

“Do you think I’m ready?” Bucky asks. He says it with a mindless air, looking away as he traces his thumb over the bottom of the console, but there’s a jagged edge to his voice that gives him away. He doesn’t know if he wants Gale’s reply. There was a time when it didn’t matter what anyone else thought – even Buck. Bucky Egan would do what Bucky Egan wanted to do, whatever he convinced himself he was capable of doing.

Some things change. Sometimes forever, and sometimes only for a moment.

He makes tentative eye contact with his husband through the screen. Gale nods – a curt, somewhat hesitant little thing. “Maybe,” he says honestly. “You’re ready to at least try. But if it doesn’t go the way you want it to, you just keep workin’, and you’ll try again. You’re Bucky Egan. Nothing can keep your feet on the ground forever.”

Bucky is about to say something snarky and maybe self-deprecating back, but before he can, there’s a voice in the background of Gale’s side of the call. His eyes widen and he looks off screen, putting a hand up to whoever was trying to get his attention. He looks back at Bucky and sighs. “I gotta go, darlin’. You’ll be alright, hear me?”

Bucky forces a smile. “Yeah. Yeah, obviously.”

“I love you,” Gale says, shoving every bit of adoration he has into those words, and Bucky wants to bottle it up somehow, hold onto it for when he needs a reminder. 

“I love you, too,” he says. 

The corner of Gale’s mouth lifts into a shy smile. “Ad lunam, ad astra,” he says, and then he’s gone.

Alone again, Bucky reaches up to turn off his phone, and he lets his hand fall down to rest over his chest. He rubs his thumb over his wedding band, twists it around and around his finger. “Ad lunam, ad astra,” he whispers to himself. 

When the master alarm starts blaring through the cabin seconds later, red lights flashing in Bucky’s eyes, his heart rate shoots up as he instinctively starts thinking through every single thing that could possibly be wrong. His eyes scan the console in front of him, searching for system statuses that aren’t there, and he blinks in confusion before he shakes his head, remembering that he isn’t in a training exercise. Someone’s tracked him down. 

He turns off the alarm and lets silence fill the cabin again. 

“You know, when you said you were gonna find somewhere quiet to flirt with your husband, we thought you meant your office or a shady tree or somethin’.” 

Bucky turns his head awkwardly to see Rosie outside, his head ducked down to peek through the hatch at him.  

“It was quiet before you came and scared me half to death,” Bucky retorts. He reaches up and rips his duct taped phone off the console, picking the tape off and rolling it into a ball. 

“If that scares you, you’re in the wrong place,” Rosie quips. He freezes, just for a second, his eyes going that little bit wider, and Bucky sees the moment he realizes what he said. A harmless joke. A truth, if nothing else. Something that would’ve made Bucky throw a meaningless little insult right back at him a year ago. 

Everyone’s been walking on eggshells for a while now. No one would dare even insinuate that John Egan doesn’t belong here, especially not while he’s working so hard to claw his way back. 

But he takes Rosie’s words for what they are, rolls his eyes, and brushes a hand back through his hair. “If you ain’t a little scared you’re doin’ it wrong. Or you’re crazy.”

Rosie lets himself smile, shaking his head, and he crawls in through the hatch. He pulls himself into the seat beside Bucky, where Curt would usually sit. Bucky sticks the tape ball to his shoulder, and Rosie grabs it, shoves it into his pocket before Bucky can bug him with it any more. 

“Man, can you believe we spent weeks cramped up in this thing?” he muses, his eyes skimming over the industrial walls of the tapered conical cabin. He’s talking about the real Orion capsule, not to mention the hundreds of hours logged in this very simulator. 

Bucky glances around. This glorified minivan of a spacecraft is the stuff of his childhood dreams, like something straight from science fiction. “We’re astronauts, Rosie,” he points out, as if he doesn’t wonder every day how he managed to make it this far. “I can’t believe we left the planet at all.” Rosie scoffs, and they share a look, like neither of them are certain anything that’s happened in the last year was real. 

Bucky shakes his head, adding, “not like we ain’t used to it.”

“At least on the station we got more than one cramped space.”

Bucky doesn’t ask the question that surges through his brain at the mention of the station: Do you think I’ll ever go back? He isn’t ready for the answer. And he doesn’t want to hear ‘I don’t know’ or ‘Of course you will’ or ‘You’re John Egan, you can do anything.’

John Egan couldn’t sign his own name with a pen a few months ago.

Instead he looks over at the fake window on the side of the fake capsule, assessing the distance from it to him. It’s so close. “Felt like that window was a world away during the return trip.” He remembers being led over to it. The feeling of Beary Egan’s fur between his fingers. The throbbing in his head. The unbearable burning in his leg. The nausea in his stomach. Everything spinning around him.

But out the window, stars. So many stars. And he was going to get to them one way or another.

Rosie looks at the window, then back at Bucky. The crew physician remembers all of it, all too well. Part of him wishes he could forget the worst parts, but another part of him feels a need to be the keeper of those memories. He thanks the universe everyday for guiding all of them home. “Everything seems further away when your body doesn’t know if it’ll make it to tomorrow.”

They’re quiet for a long time, just two crew members in a capsule mock-up. It has snapshot memories flashing through Bucky’s mind, and he rubs his thumb over his wedding ring again to ground himself. He thinks about Rosie’s words. “I made it,” he whispers. 

“Yeah,” Rosie agrees. “Yes you fuckin’ did.”

It’s a truth that John has been trying to remind himself of every single day for months. He made it; he’s alive. 

But is that enough?

What do you do when the best experience of your life was also your worst? What do you do when the thing you love nearly killed you? What do you do when all is said and done, when there’s nothing left to do but forgive, even though you will never, ever be able to forget?

What do you do when the universe tries to strip away your identity, leaving nothing but a trembling shell, the pieces strewn about for you to pick up one by one?

You rebuild yourself, step by step. And what do you do when the edges don’t fit anymore, rough corners scrubbing at wounds that won’t heal, nothing but sheer grit and determination gluing you together?

Is it enough? Do the pieces fit well enough for you to be whole again? Will time sand away the jagged edges, sew together the messy seams? Pieces lost and pieces gained, and all you can do is search in the dark for who you were and who you thought you were and who you still can be. 

And you wonder, is it enough?

Bucky holds his hand up in front of his face. Out in zero G, there’s no up or down. You’re weightless, every part of you. Holding your hand up in the air takes no more effort than holding it out to the side or down or back or forward. On Earth, though, there’s good old gravity. 9.8 meters per second squared. 32 feet per second per second. A reliable force keeping your heels on the ground so you don’t just float away. With the way Orion’s seats are oriented, Bucky and Rosie lay on their backs, staring up at the tapered ceiling of the capsule and the screens set up in front of their faces.

Here on Earth, holding his hand up in front of his face takes effort. He’s not weightless down here, and as he experimentally pinches his fingers together, he watches the way they shake.

He bites his lip, takes a breath, closes his eyes. He doesn’t open them.

Gale once told him about the conversations he had with Dr. Huston – the fear that even if Bucky even made it home, he may never be the same. Now he wonders if that fear came true. Is he the same? Will he be the same? He doesn’t know.

He wonders if Gale does. He wonders what Gale sees now, when he looks at him.

He squeezes his eyes shut even tighter.

Ad lunam. Ad astra.

“You’re gonna be fine, John.” Rosie’s voice cuts through the ringing in Bucky’s ears, quieting it. “This is what you’re meant to do.”

Bucky swallows thickly, willing his voice not to come out a strangled mess. “What if… what if I’m not anymore? What if it doesn’t come back like it’s s’posed to?”

“You’ve been training.”

“What if I never...”

“Take a breath.”

Bucky does. There’s no room for panic. No room for doubt. Just him and the sky. 

“Open your eyes.”

When Bucky releases himself from the darkness, his hand is perfectly still in front of him. He straightens his fingers, bends them again, straightens them. They don’t shake.

“You’re ready, John.”

—

The sun is bright over Ellington Field late that afternoon, and Bucky pushes his aviators up the bridge of his nose. He tugs at the collar of his flight suit as he strides down the runway, adjusting it beneath the straps of his parachute pack, and he squares his shoulders, lifting his chin. He feels the hard pavement beneath his boots, hears the beat of his footsteps. The ground crew waits for him.

When he stops in front of the Northrop T-38 Talon, he squints against the light reflecting off its sleek white side, and he feels his breath catch in his throat at the sight of this beautifully engineered machine that will launch him into the blue. He curls his fingers into a fist, spreads them out wide, and slowly, steadily, he presses his hand to the nose of the jet standing in front of him, just waiting to come to life. The T-38 jet trainers are used by NASA for training exercises and keeping the astronaut corps’ flying skills up to par. He knows this aircraft as well as he knows Orion, but he hasn’t flown it since last July, a whole year ago now. 

“Hey there,” he whispers, letting his eyes roam over it – the fuselage, the engines, the wings, the tail, the wheels. A beautiful bird. It was designed long before Bucky was even born, but it doesn’t look it. “Long time no see.”

“Worried she won’t remember you?”

As Bucky’s eyes stay trained on the ground, studying the wheels, his hand still pressed to the nose, he feels someone else’s presence at his side. He looks up, pulling his hand away. Curt’s there, watching him with a teasing smile on his face. He’s wearing the same gear as Bucky: blue NASA flight suit, G-suit, parachute pack, a helmet tucked under his arm. His other hand grips the shoulder strap of his harness.

“Not one bit,” Bucky replies.

Curt chuckles and pulls Bucky into a tight one-armed hug, as if they haven’t seen each other in months even though Curt makes a point out of bugging him every day. “You ready?” he asks when he pulls away.

Bucky nods and grins in that wild, daring way, as if he hasn’t had a single doubt this whole time. As if he wasn’t just freaking out to Gale and Rosie over what he’s about to do. He brushes his hair back and gazes at the jet again. “Let’s see how well I remember her.”

After passing his sunglasses off to a ground crew member, he climbs the ladder leading to the Talon’s second seat, behind Curt’s. They each stow their procedure documents in the cockpit and hang their helmets on the rail before hopping back down for a walkaround inspection. This thing’s been checked at least twice over by ground crew already, but Curt and John don’t fly without giving their own seal of approval.

When Bucky climbs the ladder again and, at long last, settles into the tight cockpit of a real, flight-ready jet, adrenaline rises in his chest at the same time that a sense of belonging presses him into the seat. He sits back, and staring at the instrument panel just beyond his fingertips feels something like coming home. He can’t stop the grin that spreads over his face. The crew chief helps Curt and Bucky strap in and connect their G-suits, and then Bucky slides his helmet over his head so he can hook up to the oxygen supply and comms. He sighs deeply; for the duration of this test flight, this jet is a part of him, or he’s a part of it.

Ladders stowed and systems checks complete, Curt gives the signal for air, and the ground crewmen oblige, pumping life into the Talon’s engines. Once they’ve completed the last of their pre-flight checks, Bucky hears Curt’s voice buzzing in his ear. It crackles over the comms, a sound Bucky hasn’t heard coherently since he was bounding along the side of Shackleton crater.

“It feels damn good to fly with you again, Major.”

“Cut the crap, Biddick,” Bucky teases. “Without me around, you’re officially NASA’s best pilot.”

Curt scoffs at that, and Bucky imagines him rolling his eyes as he double checks the takeoff and landing data. “Should’ve left your ass on the moon… astrofag.”

Bucky rolls his eyes right back, but he can’t help but laugh. Whether he’ll admit it or not, the name is growing on him. He shrugs, reviewing the same numbers. “Only one way to get back there.”

Chick’s voice cuts in from the tower, and it makes Bucky feel something like relief to know Harding is here for this, rooting for him. “One step at a time, boys.”

As Curt starts taxiing, Bucky looks out over the side of the aircraft. The wings of the Talon and the still-open canopies shake as the tarmac rolls by beneath the wheels, bumping them along. He and Gale have taken their prop plane out a few times this month and last; Bucky even took over the controls for a while one time. But this, today, is his first time back in a supersonic jet trainer. He’s only flying second seat, leaving most of the piloting to Curt, but today is a major stepping stone toward feeling whole again: today he finds out if he can handle supersonic flight.

Since his neurologists cleared him for it a couple months ago, he’s been training for this day in earth-bound simulators. At first, the Gs were too much for him, leaving him feeling weak, pathetic, and discouraged as he passed out or started feeling sick at embarrassingly low G forces. But it’s been coming back to him in recent weeks. 

The Talon – capable of flying at Mach 1.3 and climbing 30,000 feet in just one minute – can easily pull 7 Gs. Bucky thinks he’s ready. He wants so badly to be ready. He wouldn’t be flying today if anyone thought he wasn’t ready.

They’re at the end of the runway, staring down the length of it as Curt pivots the Talon so its nose points straight ahead. When Chick clears them, they lower their canopies, and Bucky feels the cabin pressurize. He blinks in surprise as they lurch forward, and then they’re barrelling ahead, faster, faster, faster, until they lift up off the ground, ascending into the clear sky.

He breathes deeply as they climb, picking up speed as they shoot up into their airspace, approaching 16,000 feet. They coast there for a minute, making sure everything is still in order up at altitude. 

“Doin’ alright back there?” Curt asks as they both check their systems again.

“We’re go back here,” Bucky affirms. “Let’s fuckin’ do it.”

“Your wish is my command, Major,” Curt says. He lowers the nose of the jet, and they pick up speed as they drop again, getting up to about 500 knots, three-quarters of the speed of sound. Curt brings the stick back then, sharply pulling the Talon’s nose up, and Bucky watches the G-meter gradually kick up to 5 as they shoot upwards. The force presses him back into his seat, making it hard to breathe, and he clenches his muscles as he feels his G-suit get to work trying to keep the blood from draining away from his head. The needle creeps toward 6, goes a little over it. He grits his teeth hard, feeling his heart start to beat harder, faster as his vision starts to tunnel. His head feels funnier than he wishes it would, but he forces himself to focus, strains to breathe, determined to keep going. 

“Fuck,” he mutters, tensing his lower body as he and his suit fight to prevent G-LOC.

Chick’s voice crackles in Bucky’s ears. “You’re doin’ fine, son.”

Curt keeps pulling back until they’re up around 20,000 feet and the nose passes vertical; they’re now flying inverted. The nose of the Talon is like an arrow, going wherever you point it, and currently it’s looping them over backward at Curt’s command, with the ground through the canopy where the sky should be. The G-meter starts to chill out, dropping again as they lose speed. Bucky’s vision clears as the blood returns to his head, and he breathes in deeply.

Through the canopy, he catches a glimpse of two lonely, fluffy clouds in the distant sky, and below, little buildings and invisible people and dark, sparkling bodies of water spread out across the Earth. Stardust, he thinks, smiling just a little bit as he watches the world around him, trying to see it through Gale’s eyes. Bucky’s always found it beautiful, but more than anything, he’s always cared about the flight, the adrenaline, the excitement. Gale cares about the beauty, the wonder, the imperfect perfection.

“You still with me, Bucky?”

“Yeah,” Bucky assures Curt. “I’m here.”

Curt expertly flips them around and levels back out, upright once again and coasting along at a smooth 400 knot clip. “You ready?” he asks after giving Bucky some time to recover.

“I didn’t come all this way not to be.”

“I don’t need the sass,” Curt shoots back, but it’s light, like normal. “You have the controls.” Bucky’s pretty sure he hears the word ‘asshole’ muttered at the end of that sentence, and it makes him smile.

He shakes the stick in confirmation, and suddenly he has all the power of the Talon right there in his hands. His eyes flick down to where his fingers grip the stick, his heart skipping a beat, but his hand is perfectly still. “I have the aircraft,” he says, and he hopes Chick is still listening.

He sends them into a roll, feeling giddy as his head gets snapped to the side and his body seems to remember exactly what it’s supposed to do. Flying this thing is ingrained within him, like riding a bike – a bike that’s 46 feet long with a 25 foot wingspan, 3,000 pounds of thrust, a 55,000 foot altitude ceiling, and a top speed of 858 miles per hour. 

He asks the plane for a little more, a little more, pushing them higher, faster, forward. He hears Curt whoop loudly into the comms: “Come on baby! We’re fuckin’ back!” And Bucky hasn’t felt this alive since he was on the moon.

After a few minutes of unfiltered glee at the helm of his long-lost ship, feeling pieces of his soul sink back into him, he banks them around and hands the controls back over to Curt for the grand finale, their final test of the day. At about 32,000 feet, they enter a shallow dive, using it to increase their speed again. Bucky feels himself being pressed back, but with a more comfortable amount of force this time as the sky blurs by. He watches the airspeed indicator. Mach 0.92… 0.96… 0.98… 0.99. The indicator jumps, out of sync, as the bow shock passes.

Bucky nearly gasps as they hit Mach 1… 1.02… 1.06… 1.11. 

A strange feeling of calm descends on him. They’re flying faster than the speed of sound; they’re flying faster than anything else on Earth. There’s a certain beauty to it that Bucky’s missed in the last eight months, and he blinks away stubborn tears as the world starts to make sense again. He looks out the window, sees nothing but blue skies, and he lets oxygen fill his lungs as he grins beneath his mask. He laughs, and he hears Curt laugh with him.

—

Back on the ground, once the canopies are up and Curt’s parked them squarely in the Talon’s hangar, the crew chief secures the ladders to the side of the aircraft, giving the pilots their exit. He asks Bucky if he feels alright, and Bucky nods once his helmet is off, leaving dark, sweaty hair sticking up in all directions. “Never better,” he says.

In his head is a steady mantra: I am an astronaut. I am an Air Force officer. I am a pilot.

He just proved it to himself, even if he still has more work to do. He is a pilot. He is all of those things. Not was… he is. 

He climbs down slowly, gripping tight to the sides of the ladder in a way that has him second guessing how much brain power he needs to dedicate to his grip strength. Just a few months ago, his fingers wouldn’t listen well enough to do even this. But he studies his hands for just a split second, one foot on the rungs of the ladder and the other hanging mid-air, and he realizes that his fingers are working just fine right now. His legs feel a little weak as he steps down, down, down, and he holds his breath as he lowers himself the last big step to solid ground. His head goes just a little fuzzy, and for a nerve-wracking half second, he worries his knee might give out and send him crashing to the pavement, but his toes find contact, and he lets himself hop down. His head clears. He takes another deep breath.

His heart is beating fast; he still feels the adrenaline thrumming in his chest, and it makes him feel so goddamn alive. The world around him feels so unreal, the feeling of Curt clapping him on the shoulder so far away that it makes Bucky stumble to the side. He laughs and shakes his head before turning to press his hand to the jet one more time. 

“Next stop, flyin’ her yourself,” Curt says.

For the first time in months, Bucky actually believes it might happen. It’s not even a half-truth said to the media, a manifesto spoken to shove him through PT, a dream to get him out of bed in the morning. It’s right here in front of him, just inches away, and he’s so close. 

He doesn’t say any of it out loud, but he knows Curt can see it, too. They all can see it. Someday soon, John Egan won’t be grounded anymore.

He tucks his helmet under his arm and takes his aviators from the crew chief with a nod of thanks before putting them on. With a glance over at his best co-pilot as they walk away from the aircraft, out of the hangar, he ruffles Curt’s sweaty hair. “What the fuck?” Curt says, but he’s looking somewhere out ahead of them when he says it.

Bucky squints into the early evening summer sun at a small silhouette running fast toward them. After a second of confusion, he laughs and sinks down to his knees just in time for a wriggly husky to crash into his chest. “Pep!” A second one runs up to his side, licking at his ear before going after Curt. “And Meatball,” Bucky laughs. Pepper shoves her nose into his face, making him lean his head back, pushing her away even as he curls his fingers into her thick coat. “What the fuck are you doing here?”

“Flyin’ looks good on you major,” a voice calls out. Bucky’s heart skips a beat, and his head shoots up, his hands freezing in the middle of scratching Pepper’s ears. Meatball trots away, toward the group of people approaching them. 

There’s Benny and Marge – here for support and for media updates respectively – as Bucky expected. Then there’s Chick, fresh from the tower and looking something like a proud father, or maybe just a relieved boss.

And then there’s Gale.

Bucky’s husband – the same one that Bucky was supposedly video calling in Iceland just hours ago – is now also in a NASA flight suit with his hair gelled back. He’s walking across the tarmac to him, illuminated by the sun. 

“Holy shit, man!” Benny exclaims, giving Bucky a firm, excited side hug before slapping Curt on the shoulder. “Bucky Egan is back.”

“That’s right, you can’t get rid of me,” Bucky jokes as Marge comes forward to hug him. He knows she’ll want some pictures of him and Curt by the Talon in a minute, but for now she just whispers in his ear that she’s proud of him, and she squeezes him tight.

Chick pulls him into a rare hug, patting him on the back. “You did damn good,” he says. “Damn good.”

And then there’s Gale. He stands in front of Bucky, looking a little sheepish but tall and proud and beautiful. He raises an eyebrow, and Bucky can’t do anything but stare at him for a long moment. He stares, and stares some more, before finally he blinks and surges forward. Gale grunts at the force of Bucky’s body hitting his, but he firmly plants his feet and wraps his arms around him. “Hello to you, too.”

“Hey, angel,” Bucky whispers. He presses his nose into Gale’s hair, inhales the scent of his shampoo and product. He smells like Houston, like the gulf, like waking up to sunlight shining through the windows, like all the things Bucky loves. He smells like home. “All that about what you were doin’ in Iceland today was bullshit, huh?” 

Gale shrugs. “Surprise?”

Bucky grips the fabric of Gale’s flight suit, twisting it in his fingers. “Were you… did you see?”

Gale nods. “I saw all of it.”

Bucky bites back a grin, hiding it against the side of Gale’s head. He hears Marge take their picture. It’ll be framed and on his desk within the week.

—

By the time the sun’s gone down, the Talon tucked away in its hangar and the ground crew gone for the day, Bucky is back at Ellington Field, sitting on the hard pavement of the runway. There’s the lightest breeze drifting around him, carried in off the bay to relieve Houston from the oppressive heat of the daylight. Major Egan is still in his flight suit, adorned with patches – his name, John Egan, written in neat script beneath a set of wings; the NASA logo; the U.S. flag; his ISS mission patch; and finally, Artemis III.

There’s a crescent moon peeking out of the darkness, set against a backdrop of dark blue-black sky pockmarked with the stars that have guided Bucky his entire life. He stares up at them, the moon and the stars, his mind jumping from one thing to the next. Running through his flight today, everything good and bad about it; thinking through how much further he still has to go until his body is 100% ready to fly alone again; wondering if Gale is looking for him, if he knows Bucky well enough to know where to find him. He’s remembering walking on that moon – every day he works to reconcile it all in his brain, what went wrong and what went right. He’s thinking about what it will be like when Gale goes up there in just a short four or so months.

He can hear footsteps walking over the pavement, and he breathes out in a huff. His husband knows him like the back of his own hand after all.

He spares a glance over as Gale settles on the ground beside him, pulling his knees to his chest in a way that Bucky thinks can’t possibly be comfortable anymore at their age. They sit, close enough that their arms brush, and they look up at the sky that has laid the path for their entire existence.

“Everyone’s headin’ to the Hundred Proof,” Gale says. “Thought you’d wanna drink to being back in the cockpit.”

Bucky hums. “Guess that’s somethin’ I oughta do.” Since he was released from the hospital last December, the Hundred Proof has become a place of celebration and camaraderie again, rather than one of collective grief and worry. His Artemis portrait went up on the walls of the bar just before the new year, along with Curt’s, Rosie’s, and Alex’s. Soon enough, Gale’s ISS portrait will be switched out for his Artemis 4 one, too. Buck and Bucky; one is never far behind the other. 

Bucky crosses his legs and leans forward, resting his elbows on his knees, still looking up as if he can see the entire universe if he only squints hard enough. “We’ve been through a lot together, haven’t we?”

“Have we?”

Bucky looks over at Gale again, scoffing in disbelief, but he finds Gale hiding a smirk as he presses his cheek to his knee, watching Bucky. His hair is messy again from running his hand through it, the gel never holding for long, and Bucky rolls his eyes, reaching a hand out to ruffle it some more. 

“It’s worth it,” he says matter of factly, letting his eyes drift back to the stars.

Gale scoots closer and lets his head fall against Bucky’s shoulder. “It’s our life,” he agrees. He doesn’t need to emphasize the our; it’s as if there was never any doubt in this universe that his life would be John’s and John’s would be his.

“Sometimes I can’t really believe I made it here.”

“You were never gonna take no for an answer.” Gale doesn’t know exactly which part of Bucky’s life they’re talking about. He wasn’t going to settle for less than the astronaut corps. And he wasn’t going to settle for less than Gale either. 

“I said sometimes,” Bucky mutters, but there comes a point, no matter how badly you’ve always wanted something, where it doesn’t feel real anyways. He doesn’t quite know what he did right to make it to this very spot, even if he can trace his exact path, every single step and crossroads and difficult decision. Sometimes, all he feels is fucking lucky.

Gale scoffs and turns his head, pressing his nose against Bucky’s neck, above the collar of his flight suit. He kisses the delicate skin there. “I never had a doubt,” he whispers. “I’m proud of you.”

Bucky leans back, pulling Gale with him until they’re both laying on the hard ground. It’s uncomfortable as hell, but Gale curls against Bucky’s body anyway, shifting so his head lays right over his heart. Bucky’s fingers curl into his hair. They don’t shake. They don’t even hesitate.

“It’s a damn good life,” Bucky breathes out, the words floating up to the heavens and wrapping around them both. He means it with everything he has. 

Gale hums in agreement. With his ear pressed to Bucky’s chest, he can hear his heartbeat, steady and strong. It’s a sound that he took for granted before, but he never, ever gets tired of it now. He squeezes his eyes shut and silently counts along. One. Two. Three. Four.

“You’ll come home, right?” Bucky asks. Few people in this world would be able to distinguish the slight tremble to his voice, the way it jumps almost imperceptibly, nerves twining through it. But Gale hears it loud and clear. With his cheek pressed to Bucky’s chest, he feels the rise and fall start to slow, feels the way Bucky is nearly holding his breath.

Gale closes his eyes, bites at his lower lip. He knows that Bucky knows better than to ask that question. Both of them know that their line of work has never, not once, come with guarantees. They know better than anyone that promises like that are as good as empty. And yet, without promises, what is there to keep them moving forward?

So Gale buries his face in Bucky’s chest and says the only thing he can say. “When have you ever known me not to come home?”

Bucky scoffs quietly at that, but Gale knows that’s all he wanted to hear. They both know that, technically, the odds of him making it home are high; the opposite outcome, statistically, has little to no standing. Bucky takes Gale’s hand, and he mindlessly fiddles with Gale’s fingers in a way that feels normal and domestic, like they’re just any other married couple in this funny little world. Like they’re just them – awkward teenagers and reckless young adults and newlyweds all at once.

Gale could count the days until he launches out of this planet’s orbit. The hours. The minutes. He could mentally tally them as they tick by, pulling them closer and closer to the next adventure, the next mission, the next dream. The clock is running.

But, despite it looming over them, with all of the excitement and adrenaline and worry that it entails, at this exact moment, beneath a sky full of stars, it feels far away. He could count down the seconds. He could feel the anticipation of it winding through his body with every beat of his heart. 

But instead, he focuses on Bucky. He counts his husband’s heartbeats, the purest sign that they are both alive, that they are both exactly where they need to be. One. Two. Three. Four.

“Ad lunam, ad astra,” Bucky whispers into the night.

Gale hides a smile against the fabric of Bucky’s flight suit. It smells like flight – fuel and sweat. He focuses on that, on the rise and fall of Bucky’s chest, on the feeling of warmth between them, the sticky summer air drifting through their hair. 

“To the moon, to the stars,” he repeats back. And with a soft smile, he lets himself breathe.

[deoidesign]

someone asked me what if adam and steve switched vampire and werewolf...

And then since my monsters are purposefully not much visually different because of metaphors, I went more traditional vampire and werewolf...

and then I got carried away...

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[captainkirkk]

I'm finally caught up to the ORV web comic and checked out the light novels, and it finally clicked that the comic has only covered the first 29 chapters. There's over 550 chapters of the novel. Which means I've only read 5% of the novel.

I...I can't do this. I'm not strong enough.

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 4

Translation notes:

This is the last boob joke. We're free at last.

Here's the retranslation of every scene with the Spring of Recollection in the game. Overall, her speech here is fairly close to what she says in Waral in-game, with a few details from her final appearance sprinkled in, like her care for Cain. It does misses a few nuances though, like the Legacy being more than just Dark Dragon.

I don't think I've ever seen art of the Spring, but notably, she gets a portrait in the GBA version, and it looks a lot like the manga design, with the slightly wavy hair and especially the blank eyes.

Obviously, the manga rushes through the plot since it's short, thus a lot of places are skipped. I didn't even feel like pointing them out before. However I will point out Waral not being here this time, because Waral happens to not be in the beta map either, and it has very contradicting lore between the ASCII guide and the World Book, meaning it might have not been well developed. Besides, Chapter 5 is very weirdly structured. You get two ship battles that are basically the same, you get to Waral by accident, you advance the plot by going to Ring Reef for no reason and everyone telling you it's off-limits while letting you waltz in anyway, and hardly anything happens in the shrine besides you hearing about the Manual, which is not even a big deal because you get to Rudo by accident later (two ship accidents!! why repeat this plot point!!) and would go to Dragonia anyway to help Bleu. Basically, I obviously can't prove it, but it wouldn't surprise me if the ocean shrine was initially thought off as only a plot scene, and the battles/town added much later for gameplay reasons.

Perhaps worth mentioning, the GBA version also makes a point to mention that Max got lost in the shrine alone, and everyone was worried about him, which does remind me a lot of the ship scene here.

uh oh. i hit image limit for the first time and i don't wanna remove either of these pics. more notes on a reblog later.

[shima-draws]

I’m really torn with what I want to see happen in the epilogue miniseries…on one hand getting a timeskip and seeing Ash grown up would be really interesting. On the other hand sometimes timeskips are cheesy and if they confirm any Ash-centric ships as canon I will riot. Yes I know I’m all about shipping but HONESTLY I would much rather them leave that aspect of Ash’s life ambiguous;; I really like the idea of Ash’s story arc being a “never-ending journey” kind of thing. So that viewers can just…interpret what happens to him in their own way rather than having it be outright stated. And this kid can go on adventures forever because there’s not a solid ending to his storyline

[loserchildhotpants]

4, 21 and 27 for Three Princes from the Ask Game ☆

skdfhjksjdhf hello friend!

4] What detail in Three Princes are you really proud of?

There are a lot of little details in Three Princes I'm really proud of! Mostly because they were 'mistakes' that I caught in time and then worked into the story.

So, because of the time period, I'd have to stop and re-evaluate basically every line I wrote, like 'does this make sense?? did [x] exist in 1912??' and most of the time, the answer was 'no' lol such as Dean's wrist watch - I wrote him as just wearing a wrist watch for a while bc I wanted to give him something that sort of personified his limited time to pursue his freedom, something on him that would be a constant reminder (and meaningful when it's on him versus when it's off and left in his room) - it was just gonna be a little easter egg (of which there are many in that fic), and then as I was writing, I was like '... wait did wrist watches exist? People only use pocket watches in the movie, I think' and i checked, and lo and behold, no, wrist watches for men did not exist at the time. Men used pocket watches, but wrist watches were a hot, new commodity for upper class ladies by 1912.

So, Dean likely wouldn't have one for himself, but it wasn't impossible that his mother wouldn't have had one in that universe based on the background I gave her, so i was like 'omg wait it can be a symbol for the limited time he has to let Cas rescue him, to rescue himself, but ALSO it can be a wink wink nudge nudge at him being queer, and the limited time he has to accept himself!'

There's lots of other little things; when picking character names, I chose Temesras for Amara by just researching what variations of the word 'darkness,' existed in proto-english, as a small easter egg to 'she's ancient, she's Thee Darkness,' and then there's Drozdov, which means 'blackbird' - an allusion to Cas' black wings/being a many feathered thing, but also of being something of a wounded outcast.

I had the Moon calendar for 1912 pulled up, there are details in that fic that no one will ever notice or care abt but *i* know skldhjf lmao

21] If you wrote a "missing scene" in Three Princes, what would it be?

The first thing that comes to mind is Sam and Rowena at the end (I'm gonna speak vaguely so as not to spoil it for anyone that hasn't read it yet) - the last scene w them is meant to spark doubt, in a way, bc you don't hear from either of them again, but that was a decision I'd made later on - there WAS a scene after Rowena leads Sam away, but I decided to cut it bc when it's Dean's POV, i wanted the reader to also feel sort of stressed out abt what Sam's fate ultimately had been. But the first 'missing scene' that comes to mind is that - in the chaos, out on the water, Sam and Rowena.

27] How long did it take to write Three Princes? Describe the process.

So, this was a long process! I first made the doc the day after my birthday last year, so October 24th 2022. I didn't start writing in it much until late November, though.

Now, @atomicteaparty really badly wanted a Titanic Destiel AU that was well-researched, and, bless her <3, she likes my writing and wanted it to be of that quality/voice. So, the process first started w me figuring out how much Real Life Event can I tastefully include without it feeling like... idk, like I was making light of a horrible tragedy, then how much of the movie's formula am I going to use, then how am I going to transmute the spn characters into OUR universe, into 1912, and make them recognizably themselves while still having completely different backstories.

I decided that no matter what I did w the real life event aspects, I wouldn't name real people. I don't begrudge folks that do that, i know it happened over a century ago, but something abt it for me personally felt icky, so i decided that ALL the characters i used had to be from spn or made up. Then I watched the movie. I watched the movie several times lmao and I saw that, the existing Titanic AUs for destiel always allot Cas as the Rose-insert, but I was like '... but Cas is the one that initially rescues DEAN! Dean should be the one trapped!' - I decided the suicide rescue was going to stay, and Dean would be my Rose-insert, but he'd still need to be *Dean.* And a young!Dean, too, this is pre-Stanford era Dean. This is early 20's Dean. So, not so hardened, but very disenchanted, loyal to his father - I built him a backstory that would make his personality make sense, and I kept key elements of his persona; he loves cars and car maintenance, he loves cowboys, he is v pretty and is aware of that, etc etc.

Tbh the hardest part of writing any of the characters was Dean. Dean, canonically, was raised by motel televisions - he's all pop-culture and quips. I had to allude to the 1912 equivalent of that, which is why I have him sing a song to himself (if you look up the song he sings when he has his first anxiety attack, you'll find that it was sort of the 1912 equivalent of being in the top 40 lol) and he calls Sam 'kid,' and you might notice that his formal language relaxes around Benny and Cas and Meg, like, once he's in the lower decks and he's allowed to be more himself, he uses lots of turns of phrases and is a little more crass or flirtatious, bc that's truer to who he actually is - so, he needed to use slang, but he also was not a complete street kid either, he's somewhere in between, and bc he really got to KNOW Mary before she died (bc in Three Princes, she dies when he's ~14), he's not AS hardened a soldier. He doesn't question John (at first), he's miserable like he is, and Mary's death still had to be the weight-bearing pillar that brings the whole castle down.

Making Dean still *sound* like Dean would sound in that time period was REALLY difficult. Lots of dialogue re-writes for that. Other than that, building Cas' backstory and making it make historical sense was the next biggest challenge. I needed him to be a soldier, but the only war that he would've possibly fought in was the Russian revolution, so Dean wasn't gonna be his first rebellion, which begged the question, what would Dean BE to him, then.

In the text of Titanic, the movie, Rose represents the upperclass, really, but the best of them - the well-intentioned, kind, unassuming/perhaps slightly ignorant be well-meaning upperclass, which Jack is the equal and opposite to; he represents all of the lower class, the less fortunate, the daring and selfish (by which i mean, he put pleasure before duty), the adventurous and free - which is why he's doomed to die.

I had to decide what Cas and Dean were going to personify here, so that the themes were clear, and then I needed to decide how Sam and Rowena would mirror that, so you could glean some foreshadowing abt what was to become of either couple by interactions had by both.

Ultimately, I decided that Dean personified Faith-In-People, while Cas personified Faith-In-The-Divine, and their narrative purposes would be to rekindle the missing faith in one another; Cas would restore Dean's faith in a higher power (which is why, ultimately, Dean is able to pray again), and Dean would restore Cas' faith in people.

Sam is Faith-In-Self, he's sure of what he wants, who he is, what he's capable of, that he understands everything he's seeing, and he's right! He's observant and self-assured, but he plays it safe; Rowena is his equal and opposite. She lacks faith in herself, she is NOT self-assured when they meet, but she plays the socialite game more dangerously. By the end, Rowena is self-assured, and Sam is humbled, but willing to play more dangerously.

Then ofc the dreaded time of picking a title skldjfhskf lmao strangely enough, this was one of the last Hard Decisions i needed to make; i had a few titles picked out, but i kept coming back to the conversation Cas carries at The Fancy Dinner, where he talks about the etymology of serendipity, which, ofc is a running theme throughout the fic. I decided on Three Princes bc, as Cas explains, in the original story, three princes keep finding things they weren't originally in search of - this is also why the POV switches are limited to Cas, Dean, and Sam (they're our three princes). Cas, Dean, and Sam operate as our unassuming princes that continue to find things they weren't originally in quest of.

Sam has simple, short-term goals; he wants to pet the fancy dogs, he wants to go on the tours, see the libraries - have an adventure. Dean is there to follow orders and do what he must as deemed by John. Cas has long-term goals to get to America, escape old demons, shake off his old life somehow and become someone new by virtue of being in a new place.

Sam instead finds a long-term goal; Rowena. He was just hanging out, having a good time, and then he sees a goddess walk in and is like 'oohhh the odds are NOT in my favor but i GOTTA.' Dean finds cause to deny orders and pursue his own happiness which was NOT in the script handed to him, and Cas experiences attraction and love for the first time completely unexpectedly, which ofc inherently changes him (something he acknowledges he's scared of, during the Friday Morning Breakfast he follows Dean to, when he first realizes he's Changing).

In the midst of writing Three Princes, my friend got really sick, so i flew out of state to help take care of her, and then ANOTHER friend had a crisis and i drove over multiple other states to fetch HER and get her to my other friend's place and keep everyone under the same roof where i could account for them lol launching two rescues was not a simple task, and it ate up 3 weeks i was SUPPOSED to be writing slkjdfhsjkdfh which is why the fic was MOSTLY completed by April 10th, when i started posting, but i couldn't finish editing and polishing before the 14th ; _ ; i lost nearly a month i had allotted for that sdkfjskdjh

And ofc the entire fic was beta'd by @pockypuck (Megh) who helped me keep everything tonally consistent, and historically accurate (to a degree, ofc, it's fic skdjhfkdsjf it's accurate enough that you'd have to be a REAL fuckin stickler to take issue w something in there).

I drafted the fic w Megh in bullet points, then inserted that into my Titanic AU Google Doc, used Outline Mode to keep track of everything, and just ran w it. So. This is an insanely long answer and tbh there's still even more that went into it skdfhskldhfd lmao it was a long process and it's a fic im ultimately really, really proud of so thank you so much for asking me abt it ; __ ; <3 it means so much to me!

asks for fic writers

[yellowocaballero]

is knives closer to brad than luida? does she remind him of rem too much?

So much to say about this one and please re-ask it (or I'll rb it) further down the line when we know more!

I can say now that Knives hero worships Brad a bit while he's closer to actual friends with Luida. Which doesn't necessarily equal closeness either way. I think you can tell this already by how often Knives thinks about what Brad would do and what he would say if he was there. They have a very unique relationship that's probably my favorite in the fic, and it was hard to write so I hope it lands how I want it to land.

It's interesting writing a main character of Trigun who's not obsessed with Rem. Knives was more mature than Vash, and as happens frequently in families with a high needs kid like Vash he got a little promoted to part-time caregiver (he also promoted himself, to be fair), so he had a more mature relationship with Rem than Vash ever did. So he's not as obsessed with her pacifism, which means that Knives is pacifist for different reasons in a different way. In a. You know. 'Cold turkey' way.

I never got much chance to explore this, but Vash is absolutely still obsessed with Rem. I couldn't see any situation where Vash didn't do exactly what he thought Rem would want. Which severely affected me writing him because that means that he has to have a baseline level of Space Alien Scifi Insanity for that to be part of his mental schema for the world. Jonestowning a city and telling himself that Rem would want him to do that means that this baseline level has to be extremely high.

This fic was. Really tricky. So tricky. Very tricky. I'm proud of it but MAN you still have to wonder if you did what you wanted to do.

[brimstoneandtreacle]

i'm constantly trying to convince myself that he doesn't feel anything towards me (even Friendship feelings) but then i remember things that make me go "there is No fucking way he doesn't feel Something." and then i start trying to convince myself he doesn't again

[copperbadge]

When I was in college, round about 2002 or so, I did a paper on hate groups that necessitated a couple of visits to Stormfront, a white supremacist website and message board. One of the pages on the site was a "children's page" operated by the child of Storrmfront's founder, which was a unique form of horrifying. But I also remember looking at a photo of the kid on the site and thinking, that poor fuckin' kid, what kind of chance did he ever have?

But it was just a paper and that was just a photo of a child I didn't know, so I turned in the paper and graduated and got on with life.

In 2016, @archwrites posted a link to an article by the Washington Post titled "The White Flight of Derek Black" (sorry about the paywall, Arch's post quotes some relevant parts here). I thought it looked like an interesting read: it was about a white supremacist named Derek Black and a group of campus activists at the school Black eventually attended, who set out to see if they could change his mind about race with radical kindness. In large part because of their work, Black eventually renounced white supremacy and became an antiracist.

And then I hit a photo in the article and gasped, because I recognized it. I'd seen the same photo on the Stormfront children's website. The kid I'd seen and pitied was grown up and had gotten out. Immensely satisfying to see.

But it was just a news story about someone I didn't even know, so I posted about how pleased I was to see it, and I got on with life again.

This morning, I woke to the news (sorry, it's the Daily Fail) that R. Derek Black, now 35, has just published a memoir, The Klansman's Son: My Journey from White Nationalism to Antiracism. And in the epilogue, they come out as trans.

I can't imagine better news I could have heard about them -- that they're out, they're thriving, and they're embracing themself.

Congratulations, kid. It's a great new photo.

[ID: A recent photograph of R. Derek Black, with long curly red hair, wearing a floral collared shirt and a red cardigan, smiling for the camera.]

[fullscoreshenanigans]

@glidingisindeedfaster you get it 🤝

#remembering that anime s2 tried to reproduce this scene #and the bluray supplementary booklet said this is what gf looks like thousand years in the future #I threw a tantrum bc it means norman is dead at the end of the anime #the audacity #I don't think that's what posu meant in her version but. what if she did #sunny logic: fictional characters are technically immortal unless they canonically die #my copium was that the plants in demon world grow really fast and this is what gf looks like by 2047 #altho that doesn't change the fact that tpn 118 color spread already showed norman with a “lifespan” book. which has a last page 😔 #ofc the characters are written as regular humans who are supposed to die one day. but when the author/artist address this #brain goes *squint eyes* “how many pages is that lifespan book? is norman's book thinner than ray and emma's?” #noooo nono (via @1000sunnygo)

I do unironically adore the addition of the butterfly on the vida that hasn't bloomed at the end, similar to the addition they used to transition between Emma and Ray toward the end of S2 episode 2.

Such a profound beauty to it, and it's nice that even with the abhorrent production schedule TPN Committee had CloverWorks working under, they still managed to included little things like that. Not enough to save the entire thing, but I do appreciate it.

#my copium was that the plants in demon world grow really fast and this is what gf looks like by 2047

While there is a number of factors that go into it, even without the magical biology of demon world plant life, it wouldn't necessarily take a thousand years for that kind of growth to occur.

(Life After People S1 Episode 2)

I defaulted to it being within the span of 10-50 years so it was still in the ballpark of the human cast being alive and having lived fulfilling lives in the human world, though there is the poignancy of going with a thousand years with the parallels to the original promise.

Said this a few posts back but this spread legit made me catch my breath for the briefest of seconds seeing it for the first time. Such a powerful statement conveyed in such a simple concept: how after centuries of suffering on the grounds of Grace Field, that chapter of history closes as life blooms anew.

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[renard-dartigue]

Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.

[archive-double-knots]

Also its not important to anyone but m e

But i am thinkiing about thomasin trying to find her place during the epilogue. like. she can't fit into the human world anymore, but also, she doesn't quite fit into the demon realm

also, if you don't think that thomasin spent 5ever blaming herself for everything, u wrong. It probably took a while, but as she is finally able to settle into the grief process that has been put off for 300+ years, she would finally get to the regret and guilt stage. she would finally get to the point where she is blaming herself for caleb's death, for not noticing the signs of Philip's messed up thoughts earlier. She blames herself for introducing them to Evelyn. for taking evelyn's hand when she should have died with her mother. etc etc

She probably ends up being yanked by Darius back to reality, and he just full on tells her point blank to her face that none of it was her fault, she was a child. And by the time she was an adult, it was already too late. She literally isn't at fault.

She ends up befriending Raine, who then emphasis that the fault is of the culture they lived in that made Philip like that, the culture that made it so Tia was afraid to live and breathe.

Thomasin befriends Eda, who slams her hand on Thomasin's back, and tells her that she's the witch who survived, and that's something to be damn proud of.

Thomasin ends up finally revisiting the human world, where she ends up befriending Camilla, who helps teach Thomasin about the modern world. Luz helps find Thomasin's family--her father who survived, her mother's memorial, the family that still has traces of magic.

Thomasin ends up introducing herself to the family: the grandmother recoginzes Thomasin as the 'Tommy' in the family records almost instantly. The youngest and her don't look anything alike, yet at the same time they're alike in so many ways. Thomasin takes Yoki on as an apprentince, teaching her how to harnest the magic that she's been gifted. Yoki begins a new coven, and Thomasin becomes the head priestess.

Thomasin sits on the edge of the Wittebane statue, telling stories during Halloween. But it's not rare to find her there during other parts of the year, sitting on the statue base, simply talking to herself as though she's speaking to old friends. Other days she's silent. Some days she's not there at all.

As time goes on, Thomasin becomes a promonent part of Gravesfield; both in society and in history. Local rumor is that she comes to sit on the statue; and has been for far longer than some people have been alive. She comes and goes, but if you ask her for something, she'll have it the next time you see her. She's a witch, but no one says it in a hushed whisper like it's a secret you're not supposed to know. She's the leader of the local coven, but is willing to teach anyone about magic, if they wish to learn. She speaks about the statues like old friends, and she's even been known to give lectures at the local schools about the history of the town. Thomasin manages to find Evelyn's grave on the boiling isles, and manages to relocate her to be with the rest of their coven. She manages to help clean the messes that Philip left behind.

And despite being offered many times, Thomasin never accepts any roles of power, in neither the isles or gravesfield. She also never truly seems to settle down in either place, always moving between them, or moving around in general. When asked why, she offers a smile and says; "Only when the memories of my friends fade, and I can come to feel nothing but hatred for the young Wittebane, I will consider it. Until then, I do not deserve to be part of the people he hurt."